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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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1 INT. CAFÉ THÉRÈSE RAQUIN - NIGHT The Café Thérèse Raquin is modeled after the present Café Titanic in Old Montreal as the look, and feel of this classic cafe fits the aura of the fictional Café Thérèse Raquin. The cafe is in the basement of an old apartment building in
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6 INT. THÉRÈSE RAQUIN CAFE - LATER - DAY The cafe is dusty and barren as it has not been used in five years. The brick walls are decorated with framed prints of various Parisian scenes. There is a metal circular staircase in the one corner of the cafe.
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7 INT. THÉRÈSE RAQUIN CAFE - TEN YEARS EARLIER - DAY MADAME RAQUIN, female early-60s, short brunette hair, stands behind the counter and ties a pastry box for a female customer. Madame slides the box to this unnamed person. UNKNOWN FEMALE
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9 INT. RAQUIN APARTMENT DINING ROOM - LATER - NIGHT Thérèse is on her knees by the dining room table, playing with her tabby cat. She holds it tightly and gives it a big hug. THÈRÈSE
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10 INT. THÉRÈSE RAQUIN CAFE - LATER - NIGHT In the cafe, Thérèse and Madame push tables together for the game of dominoes. Camille sits on a stool by the counter on his phone and gets up to help the women. 12.
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11 EXT. THÉRÈSE RAQUIN CAFE OUTSIDE - CONTINUOUS - NIGHT The awning is open outside the cafe. Camille and Laurent sit at one of the two small tables out front. 14. CAMILLE
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12 INT. THÉRÈSE RAQUIN CAFE - LATER - NIGHT On one side of the table is Grivet, Old Michaud, OLIVER, Michaud's son, early-30s, tall, thin, with a pale complexion of a Tim Burton character, SUZANNE, Oliver's wife, early-30s, a woman that is not wearing make-up, but should.
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13 INT. THÉRÈSE RAQUIN CAFE KITCHEN - CONTINUOUS Thérèse gets milk out of the refrigerator in the kitchen. She takes the milk in one hand and looks at Laurent's phone with the other. She bends down on the floor to pour some milk into her cat's bowl.
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15 INT. DIVE BAR - LATER - NIGHT Laurent sits at a dark bar with the only light coming from a neon beer sign illuminating the Montreal Canadiens hockey schedule. VIDAL, male mid-30s, a guy whose hair is always messy but still looks good, sits with him.
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16 INT. THÉRÈSE RAQUIN CAFE KITCHEN - NEXT DAY Thérèse rinses out cooking pans in the kitchen sink. She puts the last pan on the drying rack and stares at the water running in a daze. Her phone rings, and it takes the fourth ring to snap her out of her daze.
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21 INT. RAQUIN APARTMENT DINING ROOM - LATER - NIGHT Madame, Camille, Thérèse, and Laurent sit at the table with cups of coffee and a scattering of empty dishes after they ate dinner. LAURENT
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22 INT. DIVE BAR - LATER - NIGHT Laurent and Vidal stand at the dimly lit bar as they drink beers. LAURENT The entire family is from the 1950s
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25 INT. RAQUIN APARTMENT SITTING ROOM - SIX DAYS LATER - DAY Camille poses for his portrait in the chair by the window. Laurent, in his undershirt, paints at the easel while Thérèse sits behind Laurent curled up in the wing chair as she reads her Chloe Esclair paperback.
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26 INT. THÉRÈSE RAQUIN CAFE - LATER - NIGHT Old Michaud, Grivet, Oliver, and Suzanne sit on one side of the table. Laurent sits on the other side with Camille as Madame Raquin and Thérèse hand out coffee cups and small dishes.
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27 INT./EXT. VARIOUS LOCATIONS - MONTAGE Scenes 27a to 27g show the passage of time for the week between domino games. Brief scenes as the narrator, Suzanne, comments with voiceovers. 38.
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29 INT. THÉRÈSE RAQUIN CAFE - PRESENT DAY - DAY Back to the present-day dusty and barren cafe. Devon, Hana, and Suzanne sit at the table. Hana jumps up and gives Suzanne's shoulder a playful push. 41.
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31 INT. THÉRÈSE RAQUIN CAFE - LATER - NIGHT Michaud, Oliver, Suzanne, Camille, and Laurent slide over their domino tiles to Grivet, who puts the domino tiles back into its box. Madame Raquin puts a tray of cookies on the table. Thérèse goes around the table pouring coffee.
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32 INT. RAQUIN APARTMENT BEDROOM - LATER - NIGHT Camille is asleep in his bed with his CPAP mask on. Thérèse sits up in bed and takes out her flip-phone and Laurent's business card. She looks at Camille, then back to her phone, glances at Camille again, then starts her text.
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39 INT. RAQUIN APARTMENT BEDROOM - CONTINUOUS - DAY Thérèse walks into the room in front of Laurent but holds his hand. She quietly closes the door, then buries her head into Laurent's chest and squeezes him. Laurent softly strokes her hair.
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42 INT./EXT. VARIOUS LOCATIONS - MONTAGE Scenes 42a to 42g show the story of Thérèse and Camille. With these brief scenes, Thérèse comments with voiceovers. MONTAGE BEGINS 42a INT. FARMHOUSE KITCHEN BACKDOOR - DAY
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43 INT. RAQUIN APARTMENT BEDROOM - CONTINUOUS - DAY Laurent softly turns Thérèse toward him in the bed. He gently wipes her tears away from her face. Thérèse exhales a deep breath and smiles without opening her lips. LAURENT
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45 INT. RAQUIN APARTMENT BEDROOM - DAY Laurent makes love to Thérèse. He is on top of her in a missionary position but with his arms rigid and straight. Laurent thrusts just his hips as Thérèse's head shakes with each thrust, and she speaks in a breathy voice.
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46 EXT. BENCH OUTSIDE PALAIS DE JUSTICE DE MONTRÉAL - DAY The next day, Camille and Laurent sit on a bench with the Montreal Courthouse in the background. CAMILLE Where do you go every afternoon
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48 INT. THÉRÈSE RAQUIN CAFE - LATER - NIGHT Laurent, Camille, Oliver, and Suzanne sit at the table, drink coffee in conversation. Old Michaud and Madame Raquin stand in the background as they whisper to each other. Grivet walks to the table and sits with the dominoes box.
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49 EXT. NUN'S ISLAND - SUNDAY - DAY Camille, Thérèse, and Laurent walk along a path in the park. Camille wears grey dress pants and a white dress shirt. Thérèse wears a sundress with daisies on it and a straw sun hat. Laurent is in golf shorts, shirt, and sneakers.
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51 EXT. ST. LAWRENCE RIVER - CONTINUOUS - DAY Laurent rows the canoe down the river. He looks both ways as the river gets less populated with boaters. 69. The canoe goes past one meander, and there is no one in
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53 INT. HOSPITAL ROOM - NIGHT Thérèse lies in a hospital bed staring with a catatonic stare at the ceiling. Laurent has a bandage on his lower front neck where Camille bit him. He sits at her side and holds her hand. Thérèse speaks in a cold, deliberate tone.
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54 INT. COURTHOUSE OFFICES - THREE DAYS LATER - DAY Laurent sits at his desk at work with a group of four colleagues who stand around his desk. UNKNOWN FEMALE Good to see you back at work. If
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56 EXT. CEMETARY BURIAL SITE - DAY Madame Raquin stands and holds hands with Thérèse and Laurent on each side of her at Camille's interment ceremony. Michaud, Oliver, Suzanne, and Grivet are also in attendance as they listen to the Minister speak over the coffin.
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58 INT. RAQUIN APARTMENT KITCHEN - CONTINUOUS - DAY Laurent grabs Thérèse from behind, spins her around, and kisses her deeply. Thérèse embraces and returns the kiss but then pushes him away. THÈRÈSE
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61 INT. RAQUIN APARTMENT BEDROOM - NIGHT Thérèse twists and turns in her bed as she is in the middle of a dream. DREAM STARTS Thérèse is asleep in bed when she hears Madame Raquin's
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63 INT. BACK STAIRWAY TO RAQUIN APARTMENT - LATER - DAY Laurent quietly walks in the door and slowly closes the door behind him. Before he turns around, he hears Thérèse talk to him in a whispery voice from the top of the stairwell. THÈRÈSE
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64 INT. THÉRÈSE RAQUIN CAFE - NIGHT Michaud, Oliver, Suzanne, and Thérèse sit around the table. Grivet dumps the dominoes out of the box on the table. MICHAUD Wait until Madame Raquin to come
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66 INT. THÉRÈSE RAQUIN CAFE - PRESENT DAY - DAY Back to the present-day dusty and barren cafe. Devon, Hana, and Suzanne sit at the table. There is a half-eaten pizza in a box and bottles of soda on the table. Hana has her mouth agape staring at Suzanne.
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69 EXT. THÉRÈSE RAQUIN CAFE OUTSIDE - CONTINUOUS - NIGHT Oliver lights Laurent's cigarette and then his own. OLIVER What do you think about Thérèse? LAURENT
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73 INT. RAQUIN APARTMENT DINING ROOM - NIGHT Laurent in a black suit carries Madame, in a pink gown and a corsage, into the room. Walking behind them is Thérèse, in a white peasant dress, carries a wedding bouquet. LAURENT
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75 INT. RAQUIN APARTMENT MADAME'S BEDROOM - NEXT MORNING - DAY Madame Raquin lies in bed awake on a sunny morning. MADAME RAQUIN I hope Thérèse remembers to get me. They were really loud last night in
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77 INT. THÉRÈSE RAQUIN CAFE - LATER - DAY Thérèse brings a tray of croissants from the kitchen and struggles to get it in the case. Suzanne comes over and helps Thérèse and puts it in the case for her. SUZANNE
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81 INT. RAQUIN APARTMENT BEDROOM - CONTINUOUS - DAY Laurent stumbles into the bedroom with Thérèse wrapped around him. He tackles her onto the bed and passionately kisses her. His hands grope at her breasts and slide down between her legs.
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83 EXT. THÉRÈSE RAQUIN CAFE OUTSIDE - NIGHT Laurent smokes a cigarette as he stands outside the cafe. Michaud, Oliver, and Suzanne approach and greet him with handshakes and hugs. LAURENT
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86 INT. THÉRÈSE RAQUIN CAFE KITCHEN - LATER - NIGHT Thérèse puts away the uneaten sandwiches in the refrigerator. She closes the door and leans on it as she whispers to herself. THÈRÈSE
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88 INT. THÉRÈSE RAQUIN CAFE - PRESENT DAY - DAY Back to the present-day dusty and barren cafe. Devon, Hana, and Suzanne sit at the table. Suzanne exhales, tears come down her face, and she covers her face. Devon and Hana go to Suzanne to comfort her.

Thérèse Raquin du Montreal

In 1950s Montreal, a young woman trapped in a loveless marriage conspires with her lover to eliminate her sickly husband, only to have their dark desires spiral out of control and lead to their ultimate downfall.

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Overview

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Unique Selling Point

This screenplay stands out due to its unique blend of romance and psychological thriller elements, set against the backdrop of Montreal's rich cultural landscape. The exploration of complex relationships and moral dilemmas offers a fresh perspective on classic themes of love and loss, appealing to audiences who enjoy character-driven narratives with emotional depth.

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Claude
 Highly Recommend
GPT4
 Recommend
Story Facts
Genres:
Drama 45% Romance 30% Crime 15% Thriller 25% Horror 10%

Setting: Present day with flashbacks to the past, Cafés and apartments in Montreal, Canada

Themes: Passion and Desire, Guilt and Consequences, Isolation and Entrapment, Family and Loyalty, Art and Creation

Conflict & Stakes: Thérèse's internal struggle between her passionate desires for Laurent and her obligations to Camille, leading to a tragic outcome.

Mood: Tense and tragic, with moments of passion and dark intimacy.

Standout Features:

  • Unique Hook: The intertwining of passion and murder, exploring the psychological impact of their actions.
  • Plot Twist: The revelation of Thérèse and Laurent's conspiracy to kill Camille, leading to unexpected consequences.
  • Distinctive Setting: The café serves as a central hub for the characters' interactions, reflecting their emotional states.
  • Innovative Ideas: The blend of romance and psychological thriller elements, creating a tense atmosphere.

Comparable Scripts: Thérèse Raquin (novel by Émile Zola), Gone Girl (novel by Gillian Flynn), Fatal Attraction (film), The End of the Affair (novel by Graham Greene), The Talented Mr. Ripley (novel by Patricia Highsmith), The Great Gatsby (novel by F. Scott Fitzgerald), Requiem for a Dream (film), The Picture of Dorian Gray (novel by Oscar Wilde), Notes on a Scandal (novel by Zoë Heller), The Other Boleyn Girl (novel by Philippa Gregory)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.49
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Themes
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Writer Exec

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Unique Voice
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Loglines
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