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Scene Map 22
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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FLEABAG Written by Phoebe Waller Bridge Shooting Script 2nd March 2015 1 INT. FLEABAG FLAT. CORRIDOR. NIGHT. 1
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2 INT. FLEABAG’S BEDROOM. CONT. 2 They are going at it on the bed. She talks to us during. In a throw of passion he flips her over onto her side so she is facing us, with him behind her. She frowns. FLEABAG
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3 INT. FLEABAG’S BEDROOM - THE NEXT MORNING 3 She lies in bed. He is sat over her like a mother caring for a child. Gazing at her. He is incredibly earnest. FLEABAG Then the next morning you wake to
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5 INT. AN OFFICE. LATER. 5 Black. Sounds of panting breath. Reveal of Fleabag, out of breath and slightly sweaty. A man sits opposite her reading a document. MAN
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6 INT. BUS. LATER. 6 Fleabag is sitting. Bored. She grabs a paper and looks at it. We see a gratuitous picture of a half-naked women in an advert for mortgages. Next to it there is an article which reads: Has the word “feminism” become dirty? She raises her
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7 INT. FLEABAG BEDROOM. NIGHT. FLASHBACK. 7 Fleabag is lying in bed with her computer in her lap and a pizza. She takes a bite. She is working on a spread sheet. She flicks over to her CV. She flicks over to BBC news website. She clicks on a video of Obama giving a speech. She
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8 INT. BUS. CONT. 8 FLEABAG Oh he was just - he was really supportive with my work, he’d cook all the time, run baths, hoover,
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8A EXT. STREET. CONT. 8A BUS RODENT So um... is that a... ‘Yes, you can have my number?’ FLEABAG
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9 INT. STEPS. LECTURE HALL. CONT. 9 Fleabag runs up the stairs. There is a sign that reads: “TODAY’S LECTURE: “WOMEN SPEAK”. 9A INT. CORRIDOR. CONT. 9A Fleabag enters the sparsely full corridor and walks towards a
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10 INT. LECTURE THEATRE. CONT. 10 Claire and Fleabag enter and look for seats amongst the gradually filling lecture theatre. CLAIRE Heard from Dad?
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11 INT. CAFE. FLASH BACK. 11 Fleabag is at the counter. A man walks in. FLEABAG Hey. YOUNG MAN
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11A INT. LECTURE HALL. CONT 11A Claire is reading. Episode 1 SHOOTING SCRIPT 02.03.15 14. FLEABAG (to camera)
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12 INT. LECTURE THEATRE. 12 Fleabag is eating a sandwich. Claire is not. CLAIRE Is Harry helping? FLEABAG
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13 INT. CHANGING ROOMS. FLASH BACK. 13 Boo and Fleabag are in adjacent changing rooms. Boo is manically trying things on. Fleabag is dressed and exiting her cubicle. There is a deep affection between the girls. FLEABAG
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14 INT. LECTURE HALL. CONT. 14 Claire now eats a sandwich. Fleabag watches her. FLEABAG (whispers to camera) Maybe she’s not anorexic. Maybe
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15 INT. STEPS. LECTURE HALL. CONT. 15 Fleabag hands Claire her top and ties her coat up tightly. CLAIRE Won’t you get cold? FLEABAG
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16 INT. PUB. NIGHT. 16 Bus Rodent now sits with Fleabag. He is talking animatedly through his tiny mouth. They both have drinks. She pushes some crisp towards him. He eats one like a hamster. Fleabag raises her eyes to the camera.
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17 EXT. BUS STOP. NIGHT. 17 There is an incredibly drunk girl sitting on the curb. Fleabag watches her. Drunk Girl suddenly slips off and crashes to the floor. Her bag empties over the floor, her boob falls out of her top. Fleabag helps her back up and puts
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18 INT. CAFE. NIGHT. FLASH BACK. 18 Boo closing the door. The girls are drunk on wine. BOO Shutting up shop! FLEABAG
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20 EXT. DAD’S HOUSE. FRONT DOOR. 20 Fleabag is drunk. She is ringing relentlessly on the bell. She hammers at the door. She yells through the letter box. FLEABAG HHEEELLLOOOEEELLOOOELLLOOEELLOOOO!?
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21 INT. SPARE BEDROOM/ STUDIO. CONT. 21 Fleabag climbs the stairs silently. Fleabag walks into a room where her Godmother is stood, in bizarre overralls, painting thick black paint onto a canvas. Fleabag watches her. FLEABAG
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22 INT. TAXI. NIGHT. 22 Fleabag is in a taxi riding smoothly through London. DRIVER A cafe eh? Episode 1 SHOOTING SCRIPT 02.03.15 27.

Fleabag

A young woman in modern-day London navigates the complexities of relationships, grief, and personal identity, while struggling to keep her small business afloat.

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Overview

Poster
Unique Selling Point

The unique selling proposition of 'Fleabag' lies in its raw and honest portrayal of a flawed woman navigating the complexities of modern life. The screenplay's innovative use of direct address to the audience creates an intimate connection, allowing viewers to experience Fleabag's vulnerabilities and humor in real-time. This distinctive narrative style, combined with sharp wit and emotional depth, sets it apart from typical comedies and resonates strongly with its target audience.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

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Claude
 Consider
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Comedy, Romance, Dark Comedy

Setting: Contemporary, London, primarily in urban settings such as cafes, lecture halls, and private residences

Themes: Self-Identity, Relationships, Grief and Loss, Feminism, Humor, Loneliness

Conflict & Stakes: Fleabag's internal struggles with her identity, relationships, and grief, alongside her financial troubles with her cafe, create a narrative filled with emotional stakes and personal growth.

Mood: A mix of dark humor and vulnerability, reflecting the complexities of life and relationships.

Standout Features:

  • Unique Hook: The use of breaking the fourth wall, allowing Fleabag to directly engage with the audience and share her inner thoughts.
  • Character Depth: Fleabag's complex emotional landscape and her relationships with family and friends provide rich character development.
  • Dark Humor: The screenplay's ability to blend humor with serious themes creates a unique tone that stands out.
  • Relatable Themes: Exploration of modern womanhood, grief, and self-identity resonates with a contemporary audience.

Comparable Scripts: Fleabag (TV Series), Girls (TV Series), Bridget Jones's Diary (Book/Movie), The Office (US) (TV Series), Sex and the City (TV Series), Crazy Ex-Girlfriend (TV Series), The Marvelous Mrs. Maisel (TV Series), Notting Hill (Movie), The Good Place (TV Series)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.25
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.