the pursuit of happyness
Executive Summary
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USP: **Unique Selling Proposition:** Experience the riveting journey of Chris Gardner, a determined father facing overwhelming challenges, in this unique and inspiring screenplay. Through authentic and emotionally resonant storytelling, immerse yourself in the struggles, triumphs, and sacrifices of a man fighting to provide a better life for his son. Explore themes of resilience, perseverance, and the transformative power of family bonds, as Chris navigates financial hardships, broken promises, and the pursuit of a dream that seems just out of reach. This screenplay is not just a story; it's an unforgettable journey that will touch your heart and inspire you to never give up on your aspirations.
Overview
Genres: Drama, Family, Thriller, Slice of Life, Biography, Comedy, Sports, Finance, Action, drama, family
Setting: 1976-1981, Venice, California and San Francisco
Overview: The screenplay for "The Pursuit of Happyness" achieves a commendable overall score of 8.1, reflecting its strengths in character development, emotional impact, and the compelling premise of a father's unwavering determination to overcome adversity. The story effectively captures the challenges of homelessness and poverty, while also celebrating the power of perseverance and the importance of family. However, there are opportunities to enhance the screenplay's depth, complexity, and originality to further elevate its impact and marketability.
Themes: Poverty and Homelessness, Fatherhood, Determination and Perseverance
Conflict and Stakes: Chris's struggle to find a job, provide for his family, and create a better future for his son amidst financial hardship and personal challenges
Overall Mood: Hopeful and Inspirational
Mood/Tone at Key Scenes:
- Scene 1: Bittersweet, with a sense of determination and uncertainty as Chris faces challenges
Standout Features:
- Emotional Depth: The deep emotional connection between Chris and his son drives the heart of the story.
- Real-Life Inspiration : Based on a true story, adding authenticity and resonance to the narrative.
- Character Development : The growth and transformation of Chris as a character throughout the story.
- Social Commentary : Explores themes of poverty, perseverance, and the American Dream.
- Parent-Child Relationship : The bond between Chris and Christopher is a central and compelling aspect of the screenplay.
Comparable Scripts:
Market Analysis
Budget Estimate:$15-20 million
Target Audience Demographics: Adults aged 25-54, fans of drama and inspirational stories
Marketability: The story of overcoming adversity and the bond between a father and son has broad appeal and emotional resonance
The themes of resilience and hope are universal and relatable, attracting a diverse audience
The strong performances and emotional depth of the characters make it a compelling watch for audiences
Profit Potential: Moderate to high, with potential for critical acclaim and strong word-of-mouth leading to box office success
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- The screenplay excels in emotional impact, receiving a high percentile ranking of 77.2358, indicating its potential to effectively engage audiences on an emotional level.
- The screenplay demonstrates strong character development, with a percentile ranking of 65.2893 for character changes, suggesting the characters undergo significant growth and transformation throughout the story.
- The screenplay exhibits a distinctive style, as evidenced by its high originality score of 41.3265.
- The screenplay could benefit from a more engaging and dynamic pacing to maintain audience interest.
- Consider enhancing the unpredictability of the plot to increase its appeal and captivate the audience.
- The dialogue may require further refinement to enhance its effectiveness and impact on the screenplay.
The percentile patterns suggest a blend of intuitive and conceptual writing styles. The high character-related percentiles indicate an intuitive approach to character development, while the strong plot and concept percentiles hint at conceptual strengths.
Balancing Elements- To enhance the screenplay's overall impact, consider finding a harmonious balance between the emotional engagement and the pacing, ensuring that the emotional beats resonate with the audience while maintaining a captivating rhythm.
- Explore ways to integrate the originality and unpredictability aspects into the plot and character development to create a cohesive and engaging narrative.
Integrated
Overall AssessmentThe screenplay has the potential to engage audiences emotionally and create memorable characters. However, it could benefit from refining pacing and unpredictability aspects to maximize its impact and appeal to a wider audience.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
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Script Premise | 8.80 | 88 | V for Vendetta: 8.70 | Casablanca: 8.80 |
Script Visual Impact | 8.30 | 88 | Blackkklansman: 8.20 | the pursuit of happyness: 8.30 |
Script Originality | 8.50 | 84 | Ex-Machina: 8.40 | the pursuit of happyness: 8.50 |
Script Conflict | 7.80 | 66 | Cruel Intentions: 7.70 | the pursuit of happyness: 7.80 |
Scene Emotional Impact | 8.1 | 62 | Pirates of the Caribbean: 8.0 | Erin Brokovich: 8.1 |
Script Characters | 8.10 | 61 | Pirates of the Caribbean: 8.00 | Erin Brokovich: 8.10 |
Script Structure | 8.14 | 55 | American Fiction: 8.13 | the pursuit of happyness: 8.14 |
Overall Script | 8.10 | 51 | Dr. Jekyll and Mr Hyde : 8.06 | the pursuit of happyness: 8.10 |
Scene Formatting | 8.14 | 46 | Belfast : 8.13 | the pursuit of happyness: 8.14 |
Scene Character Changes | 7.0 | 46 | Zootopia: 6.9 | the pursuit of happyness: 7.0 |
Script Structure | 7.80 | 42 | American Fiction: 7.70 | fight Club: 7.80 |
Scene Internal Goal | 8.02 | 33 | Argo: 8.00 | the pursuit of happyness: 8.02 |
Scene Pacing | 8.17 | 33 | Ted: 8.16 | the pursuit of happyness: 8.17 |
Scene Originality | 8.52 | 30 | American Fiction: 8.50 | the pursuit of happyness: 8.52 |
Scene High Stakes | 6.8 | 30 | Jojo rabbit: 6.7 | the pursuit of happyness: 6.8 |
Script Emotional Impact | 7.50 | 27 | Sherlock Holmes: 7.40 | the pursuit of happyness: 7.50 |
Scene External Goal | 7.08 | 26 | Elvis: 7.07 | the pursuit of happyness: 7.08 |
Scene Characters | 8.1 | 26 | Memento: 8.0 | the pursuit of happyness: 8.1 |
Scene Engagement | 8.86 | 24 | Nickel Boys : 8.85 | the pursuit of happyness: 8.86 |
Scene Conflict Level | 6.8 | 22 | Jojo rabbit: 6.7 | the pursuit of happyness: 6.8 |
Scene Concept | 7.8 | 15 | Swingers: 7.7 | Erin Brokovich: 7.8 |
Scene Story Forward | 7.4 | 14 | Call me by your name: 7.3 | the pursuit of happyness: 7.4 |
Scene Plot | 7.4 | 12 | Ted: 7.3 | the pursuit of happyness: 7.4 |
Scene Unpredictability | 7.00 | 10 | Women talking: 6.99 | the pursuit of happyness: 7.00 |
Scene Overall | 8.0 | 6 | Fleabag: 7.9 | the pursuit of happyness: 8.0 |
Script Theme | 7.40 | 3 | Ted: 7.20 | the pursuit of happyness: 7.40 |
Scene Dialogue | 6.8 | 1 | John wick: 6.7 | the pursuit of happyness: 6.8 |
Writer's Voice
Summary:The writer's voice in this screenplay is characterized by its authenticity, emotional depth, and focus on the characters' internal struggles and external challenges. The dialogue is naturalistic and captures the characters' thoughts and emotions in a raw and relatable way. The narrative style is immersive and draws the reader into the characters' journey, highlighting their resilience and determination in the face of adversity.
Best representation: Scene 4 - The Internship Pursuit and Theft Encounter. Scene 4 is an excellent representative of the writer's voice as it effectively captures the characters' internal struggles and the emotional tension between them. The dialogue is naturalistic and authentic, reflecting the characters' frustrations and anxieties. The narrative style is immersive, drawing the reader into the characters' world and making their struggles relatable and impactful.
Memorable Lines:
- CHRIS: This part of my life... This part is called... happiness. (Scene 40)
- Chris: I never had a dad. That’s not going to happen to him. I’ll always take care of him. (Scene 1)
- Linda: Goodbye. And good riddance. (Scene 5)
- Chris: You really fucked it up. (Scene 10)
- Chris: I have a son. He’s five. We need to stay. (Scene 33)
Writing Style:
The screenplay features a mix of realistic dialogue, character-driven storytelling, and an emphasis on everyday struggles and personal relationships. There is a consistent focus on capturing the complexities of human interactions and emotions through naturalistic and introspective scenes.
Style Similarities:
- Richard Linklater
- David Mamet
- Aaron Sorkin
- Charlie Kaufman
Story Shape
Emotions Elicited
Engine: Gemini
Recommend
Executive Summary
The Pursuit of Happyness is a compelling and emotionally resonant screenplay with a powerful theme of perseverance and the importance of family. Will Smith's performance and the father-son relationship are the standout strengths. While there are opportunities for further character development and a deeper exploration of societal issues, the screenplay's overall pacing and narrative strength make it a highly recommendable project with strong commercial potential.
- Powerful and relatable theme of perseverance and the pursuit of happiness resonates deeply with the audience. high
- Will Smith delivers a compelling and emotionally nuanced performance as Chris Gardner, carrying the film with his dedication and charisma. high
- The father-son relationship between Chris and Christopher is heartwarming and genuine, providing an emotional core to the story. high ( Scene 1 Scene 13 Scene 18 )
- The screenplay effectively balances moments of humor and lightheartedness with the harsh realities of poverty and homelessness. medium
- The pacing of the screenplay is generally well-maintained, with a good balance of character development, plot progression, and emotional beats. medium ( Scene 20 Scene 24 Scene 34 )
- Linda's character could be further developed to provide more insight into her motivations and struggles. medium
- The ending, while uplifting, feels somewhat abrupt. Exploring the long-term impact of Chris's success and the challenges he and Christopher may face could add depth. medium
- The screenplay could benefit from a more nuanced exploration of the systemic issues that contribute to poverty and homelessness. medium
- Exploring the perspectives and experiences of other homeless individuals or families could provide a broader context to the issue. medium
- The use of still images and montages effectively conveys the passage of time and the emotional weight of Chris's journey. medium
- The Rubik's Cube serves as a symbolic representation of Chris's intelligence and problem-solving skills, as well as a catalyst for key plot points. medium ( Scene 10 Scene 27 )
Engine: Claude
Recommend
Executive Summary
The screenplay for 'The Pursuit of Happyness' is a well-crafted and emotionally resonant story that follows the journey of Chris Gardner, a struggling salesman who faces numerous challenges in his pursuit of a career as a stockbroker. The narrative successfully balances the protagonist's personal struggles with his professional aspirations, creating a rich and engaging character arc that is both compelling and relatable. The screenplay effectively portrays Gardner's determination and resilience in the face of adversity, showcasing his character growth and development. While some areas, such as transitions between scenes and occasional heavy-handedness in the dialogue, could benefit from refinement, the overall strengths of the screenplay, including its compelling narrative, strong thematic exploration, and poignant depiction of the protagonist's journey, make it a recommended candidate for further consideration.
- Compelling narrative that effectively balances the protagonist's personal struggles with his professional aspirations, creating a rich and engaging character arc. high
- Strong establishment of the protagonist's background, motivations, and the challenges he faces, providing a solid foundation for the story's progression. high ( Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 )
- Excellent portrayal of the protagonist's determination and resilience in the face of adversity, showcasing his character growth and development. high ( Scene 16 Scene 17 Scene 18 Scene 19 Scene 20 )
- Effective pacing and structure, with a seamless blend of dramatic moments, humor, and emotional depth. medium ( Scene 21 Scene 22 Scene 23 Scene 24 Scene 25 )
- Strong thematic exploration of the pursuit of happiness, the American Dream, and the sacrifices required to achieve one's goals. high
- While the protagonist's journey is the central focus, some additional character development and exploration of secondary characters could add depth and complexity to the narrative. medium
- The scenes depicting the protagonist and his son's struggle to find shelter and make ends meet are particularly poignant and effective in conveying the emotional impact of their circumstances. high ( Scene 28 Scene 29 Scene 30 Scene 31 Scene 32 )
- The incorporation of historical figures and references, such as Thomas Jefferson and the Declaration of Independence, adds a layer of depth and thematic significance to the narrative. medium
Engine: GPT4
Recommend
Executive Summary
The screenplay 'The Pursuit of Happyness' is a compelling narrative that effectively portrays the emotional and financial struggles of Chris Gardner. It offers a satisfying resolution and realistic character interactions that enhance its authenticity. While it could benefit from streamlined scenes and deeper secondary character development, its universal appeal and strong emotional hook make it a recommendable project.
- The screenplay effectively portrays the emotional journey of the protagonist, Chris Gardner, creating a compelling narrative arc that is both inspiring and relatable. high
- The resolution of the screenplay is satisfying, showing tangible success and emotional resolution for Chris, which provides a strong payoff for the audience. high ( Scene 40 Scene 41 )
- The screenplay uses realistic dialogue and interactions that enhance the authenticity of the characters and their struggles, making the story more engaging. medium ( Scene 12 Scene 14 )
- The pacing of the screenplay is well-managed, with a good balance of dramatic tension and resolution that keeps the audience engaged throughout. medium
- The use of real locations and settings adds depth to the narrative, grounding the fantastical elements of the story in a relatable world. medium
- Some scenes could be condensed or merged to streamline the narrative and enhance the pacing, particularly in the middle sections where the plot tends to drag. medium
- The character development for secondary characters could be deepened to provide more layers to the story and enhance the main character's interactions. medium
- The emotional transitions of the protagonist could be more nuanced to avoid sudden changes in mood or motivation, making the character's evolution more believable. low
- The screenplay could benefit from a stronger antagonist or opposing force to heighten the conflict and add more stakes to the protagonist's journey. medium
- The screenplay's portrayal of struggle and eventual triumph is universally appealing and offers a strong emotional hook for the audience. high
Screenplay Insights:
Premise: 8.8, The screenplay for "The Pursuit of Happyness" effectively establishes a compelling and clear premise centered around a struggling single father's determination to overcome homelessness and create a better life for his son. The premise's strength lies in its emotional resonance, relatable themes of perseverance and family, and the inherent drama of Chris Gardner's journey. However, exploring opportunities to further elevate the uniqueness of the premise and delve deeper into the complexities of Chris's character could enhance the screenplay's overall intrigue. See More
Structure: 7.8, The screenplay presents a compelling and emotionally resonant story with a well-structured plot that effectively builds tension and crescendos towards a satisfying conclusion. Its strength lies in the realistic and engaging portrayal of the protagonist's struggles and unwavering determination. However, certain plot elements could be refined to enhance coherence and overall impact. See More
Theme: 7.4, The screenplay effectively explores themes of perseverance, determination, and the power of human connection amidst adversity. However, there are areas where the clarity and impact of the messages could be enhanced. See More
Visual Impact: 8.3, The screenplay's visual imagery is characterized by its vivid descriptions that evoke a strong sense of time and place, effectively immersing the reader in the protagonist's journey. The creative use of symbolism and motifs adds layers of meaning to the story, enhancing its emotional impact. See More
Emotional Impact: 7.5, The screenplay has a strong emotional foundation that elicits a range of emotions from the audience. However, there is an opportunity to enhance the emotional depth and resonance by exploring the characters' inner struggles and motivations more profoundly. By delving deeper into the emotional complexities of these characters, the screenplay can create a more immersive and impactful emotional journey. See More
Conflict: 7.8, The screenplay "Pursuit of Happyness" effectively utilizes conflict and stakes to drive the narrative, immersing viewers in Chris Gardner's arduous journey of overcoming homelessness and providing a better life for his son. However, there are opportunities to further enhance the tension and engagement by deepening the central conflict, escalating the stakes, and providing a more emotionally resonant resolution. See More
Originality: 8.5, The screenplay for "Pursuit of Happyness" stands out for its emotionally captivating story and realistic portrayal of a father-son relationship. Its originality lies in its unflinching exploration of homelessness, poverty, and the power of perseverance. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Chris Gardner, a US Navy sailor, promises his pregnant girlfriend, Linda, that he will take care of her and their child after he finishes his service. In 1981, Chris and his son Christopher are in San Francisco, where Chris is struggling to find a job. He drops Christopher off at a run-down daycare center and looks in the window at his son playing alone.
- At a bus stop, a drunk Filipino man mistakes Chris's bone density scanner for a time machine. Frustrated and running late, Chris boards a bus to the hospital, carrying the scanner with him. Despite needing to sell scanners to cover expenses, Chris has been unsuccessful and is burdened by unpaid parking tickets.
- Chris is frustrated by a kid playing the trumpet at a bus stop. He contemplates the possibility of time travel while on the bus. At home, he and Linda have a tense dinner and argue about money. Chris sees a Rubik's Cube, a gift for their son, and picks it up.
- Chris, waking early, attempts to solve a Rubik's Cube but is distracted and leaves it unfinished. Marital tension flares between him and Linda over childcare and finances, resulting in her departure for work. Chris contemplates a career shift to stockbroking. After dropping their son at daycare, he waits at a bus stop feeling determined. He approaches a Dean Witter office but hesitates and leaves. He entrusts a scanner to a female addict while he attends a meeting.
- Chris meets with a Dean Witter representative to discuss an internship, but faces disappointment upon learning about the program's competitiveness. As he exits the branch, his scanner is stolen by a girl junkie. Chris gives chase but fails to retrieve it. Discouraged by both experiences, he discards the internship application and continues his job search.
- Chris and Christopher walk past a park where they discuss the meaning of words and nicknames. Chris corrects Christopher's spelling of "happiness" and explains the word "fuck." They talk about their childhood nicknames and the TV shows Christopher watches at daycare. Chris is upset about the TV watching but has to leave as he is late.
- Chris races across train tracks to retrieve his application and pursue stolen medical equipment.
- A man named Chris rides a bus in San Francisco and tries to sell bone density scanners he stole. He is unsuccessful and returns home to his wife and son.
- Chris tries to reassure Linda that their situation will improve, but she remains skeptical. Chris leaves for work, feeling frustrated and desperate. He encounters an old neighbor who annoys him and shares a ride with a wealthy businessman, hoping to find a job opportunity.
- Chris impresses Twistle by solving a Rubik's Cube, but Twistle still doesn't give him the information he's looking for. Chris then runs away after not paying the cab fare, and realizes he left his scanner inside. He grabs his scanner while the cab driver chases him.
- Chris flees from relentless pursuit, his scanner sacrificed in a desperate escape. Amidst the chase, a devastating phone call crumbles his spirit: his wife, Linda, is leaving him. Despite evading his pursuer, Chris witnesses the tragic fate of his scanner, broken on the train tracks. As he returns home to an empty apartment, he faces the harrowing reality of his crumbling life.
- Chris, rushing home and ignoring his landlord's demands for rent, receives a life-changing call from Jay Twistle. Twistle invites him to a meeting at Dean Witter, providing an address that Chris struggles to write down amidst distractions and anxiety. An acquaintance's mention of basketball triggers memories of his son and the list he made earlier. Finally, with relief, Chris successfully writes down the address, experiencing a sense of hope and anticipation.
- Chris and Linda argue outside their son's daycare. Chris accuses Linda of setting up their son to watch nonsense on TV. Linda defends herself, saying they had no other choice. They also argue about where Linda will stay now that she has moved out.
- Chris, frustrated while painting his apartment, damages a scanner and faces legal consequences. After interacting with the police and spending time in a jail cell, he pays a fine but must remain in custody until it clears. Despite concerns about his son and job interview, Chris acknowledges the setback and accepts the situation.
- Chris, in jail, arranges for his wife, Linda, to pick up their son, Christopher, and take him to Golden Gate Park. Despite his urgent situation, Chris requests Linda wait until the next day. Preoccupied with securing funds for an upcoming interview, Chris spends a restless night. The following day, he rushes to the police station and Dean Witter building, struggling to fix his jacket zipper before the interview.
- In a boardroom at Dean Witter, Chris Gardner's determination, honesty, and wit impress the partners, despite his unconventional appearance and lack of an MBA degree. Jay Twistle vouches for his persistence and intelligence, and Chris demonstrates his understanding of the market and willingness to learn. The partners recognize Chris's ability to connect with them, as seen in his clever response to a hypothetical question, leading them to consider hiring him despite his unconventional background.
- After meeting with Twistle, Chris contemplates the job offer. He realizes the financial limitations and considers if he is a suitable candidate. Despite Twistle's doubts, Chris remains determined. To prepare, he removes the disheartening message from his apartment. Chris awaits Linda and Christopher, finding relief in their presence.
- Linda brings Christopher to Chris at their motel room. Chris reveals his internship and plans to sell his leased items. Despite Linda's disappointment, she trusts Chris with Christopher's care. Chris confirms his internship and moves his belongings with Wayne, while Christopher remains unaware of their challenges. The scene ends with Christopher eating cereal as Chris leaves to play basketball, highlighting their uncertain future and Chris's determination.
- Chris and his son Christopher spend time together, navigating the realities of life. Christopher's passion for basketball is met with Chris's encouragement to excel beyond sports, fostering a bittersweet connection amidst financial struggles and unspoken truths.
- On his first day of work, Chris spots a man with his stolen scanner across the street. He tries to get the man's attention, but the man gets on a bus and drives away. Chris runs after the bus but is hit by a car.
- Chris, an intern, gets hit by a car while trying to catch a bus. Despite his injury, he refuses medical attention and rushes back to work, determined to prioritize his internship over his well-being.
- Chris navigates public transportation to pick up his son, Christopher, from daycare. Upon returning home, he studies while Christopher sleeps, but is disturbed by the realization that he has only $138 in his checking account, sparking financial worries. The scene concludes with Chris commuting back to work at the Dean Witter skyscraper.
- Amidst the hustle and bustle of the Dean Witter offices, Chris Gardner diligently dials potential clients. When pension fund manager Walter Ribbon agrees to a meeting, Chris is tasked with moving Alan Frakesh's car. As he attempts to unlock the vehicle, panic sets in when he realizes the meeting time is rapidly approaching.
- Chris Gardner arrives late and struggles to find Walter Ribbon's office. Despite asking for directions, he ends up on the wrong street and receives a parking ticket for not having enough money for the meter.
- Chris's financial struggles lead to a parking ticket and a moral dilemma when he receives an unexpected visitor on the train. Despite his financial worries, he makes an effort to spend time with his son and attends a Giants baseball game.
- Chris and Christopher walk through a suburban neighborhood, discussing the possibility of attending a baseball game. Christopher's intelligent responses to his father's questions about the definitions of "possibly" and "probably" lead Chris to wonder how his son became so smart. Christopher attributes his intelligence to his father's own intelligence. The scene ends with the question of whether they will attend the game unanswered, but the tone remains lighthearted and playful.
- Chris and Christopher Gardner apologize to Walter Ribbon for missing an appointment. Ribbon invites them to a baseball game with him and his son, Tim. Chris initially pretends to enter a strange car but then claims to have been stung by a bee, distracting Ribbon and allowing him to enter Ribbon's car without further questions about the scanner. Chris and Christopher then enter Ribbon's car to attend the game.
- Driven to a football game by Walter Ribbon, Chris hallucinates from a prior bee sting and unsuccessfully pitches his company to the executive. At the game, amidst tailgating festivities, Chris reflects on life's troubles. Despite another failed pitch in a corporate box, Chris's son provides a ray of hope. Studying late at a motel, Chris's hallucinations intensify, leaving him questioning reality.
- Chris receives an IRS letter demanding immediate payment, escalating his financial worries. He then confronts Wayne about an unpaid debt, but Wayne refuses. Chris later meets with a young executive to discuss investments. Meanwhile, the motel manager packs up his belongings, prompting Chris to avoid his room. He encounters the scanner man and flees with Christopher.
- Chris and Christopher's journey to sell the scanner hits dead ends, with Chris facing repeated rejections from potential buyers. As they return to their motel, they discover their luggage has been left outside and the key no longer works, forcing them to leave.
- Chris and his son are at a train station, unsure of where to go. Chris decides to take the train south, but then changes his mind and decides to go to the bathroom. He and his son enter the bathroom and lock the door.
- Amidst unsettling noises, Chris struggles to keep the restless Christopher quiet in a bathroom. Despite his efforts, Christopher stirs, prompting Chris to hold him tighter. The tension eases when Christopher falls asleep, leaving Chris vigilant and anxious. Meanwhile, Chris engages in a brief conversation with Jay in the elevator and encounters a malfunctioning scanner, expressing frustration.
- Chris seeks shelter at a city shelter with his son but is turned away due to the shelter's policy against accommodating children. The shelter worker directs Chris to another shelter that accepts families. Chris and his son board a train, destination unknown.
- Chris confronts a man who cut in line at a church shelter, leading to a fight. The Pastor intervenes, but Chris is allowed back in line after a fellow homeless man speaks up.
- Chris and his son Christopher are in a shelter, struggling to make ends meet. Chris is trying to fix a scanner, but he is frustrated and exhausted. Christopher tries to help his father, but he is worried about him. The scene ends with Chris and Christopher getting ready for work.
- Chris races against time to gather materials for his bomb, juggling work, family, and transportation setbacks. His stress levels escalate as he encounters delays and confrontations, leaving the scene on an edge-of-your-seat cliffhanger.
- At an Almont church shelter, Chris and his son, Christopher, find refuge. Under a streetlight, Chris reads while they discuss past biographies. Despite a prostitute's offer for money, Chris maintains his dignity. Christopher's curiosity leads him to a fire truck, reminding Chris of his own educational pursuits. In the shelter's mess hall, Chris shares his passion for reading with Christopher. As the day ends, Chris finishes an exam with an interviewee from his past.
- Chris encounters various people and experiences conflicts in various locations throughout San Francisco. He interacts with an intern, a businessman, his first partner, and his son. Throughout the scene, Chris shows concern for his son and a sense of responsibility. The scene ends with Chris entering a strip mall shop called Blood Centers of the Pacific.
- Chris meets two clients and advises them financially, then heads to Radio Shack with his son, Christopher. They buy a part and ride a train home, where Chris discusses Christopher's new room with him and shares a touching moment in the shelter, calling himself a good father
- Chris successfully repairs a scanner in his shelter room and interacts with various individuals throughout San Francisco. He withdraws funds and decides to stay in a hotel with Christopher. The pair travel by bus and spend time at Golden Gate Park, where Chris reflects on his past experiences and newfound contentment.
- Chris signs paperwork and talks to Jay Twistle, who congratulates him on signing 31 accounts from Bell Western. He accepts a job offer from the partners at Dean Witter. Chris rides down in an elevator crowded with professional men and women, crying, but looking peaceful and tired when he waits outside Mrs. Chu's Daycare for his son.
- Father and son Chris and Christopher miss the bus while waiting at a bus bench. The father offers to chase after it, but the son is unmotivated and they decide to stay put. They sit in silence until a scroll appears, revealing their future success.
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Character Linda
Description Linda's character arc is inconsistent. Initially, she expresses regret about their unplanned pregnancy and seems supportive of Chris's efforts. However, she later becomes increasingly critical and dismissive of his aspirations, ultimately leaving him without clear justification for this shift in attitude.
( Scene 1 Scene 13 Scene 18 ) -
Character Christopher
Description Christopher's maturity level fluctuates. In sequence 6, he demonstrates advanced vocabulary and understanding of complex concepts like adjectives. However, in sequence 30, he appears more naive, believing the scanner to be a time machine.
( Scene 6 Scene 30 )
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Description Chris's ability to solve the Rubik's Cube almost effortlessly seems implausible, especially considering the cube's complexity and his lack of prior experience with it.
( Scene 4 ) -
Description The ease with which Chris obtains a cab ride with Jay Twistle to Russian Hill stretches credibility. Twistle's willingness to accommodate Chris, despite their brief acquaintance and Chris's lie about their destination, feels contrived.
( Scene 11 )
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Description The Filipino man's dialogue, while adding a comedic element, feels out of place and unrealistic, particularly his immediate assumption about the time machine.
( Scene 2 )
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Element Chris's financial struggles
Suggestion The repeated emphasis on Chris's financial difficulties, while essential to the story, could be streamlined to avoid redundancy. Certain scenes or dialogues could be condensed or combined to maintain narrative impact without excessive repetition. -
Element Chris running
Suggestion Chris's constant running, while symbolic of his pursuit of happiness, becomes repetitive. Some instances could be replaced with alternative actions to add variety and depth to his character portrayal.
Christopher - Score: 84/100
Role
Supporting Character
Character Analysis Overview
Chris - Score: 92/100
Role
Protagonist
Character Analysis Overview
Linda - Score: 61/100
Character Analysis Overview
Theme | Theme Details | Theme Explanation | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Poverty and Homelessness (50%) | Chris and his son are homeless and living in shelters. They are often hungry and struggling to make ends meet. Chris tries to sell scanners to make money, but he is unsuccessful. He and his son are forced to live in a shelter, and they often have to go without food and other necessities. | The theme of poverty and homelessness is explored through Chris's experiences. Chris and his son are forced to live in poverty, and they often have to go without food and other necessities. This theme highlights the difficulties that people in poverty face, and it shows how poverty can affect people's lives. | ||||||||||||
Strengthening Poverty and Homelessness:
| ||||||||||||||
Fatherhood (30%) | Chris is a single father who is trying to raise his son, Christopher. He loves his son very much, and he wants to provide him with a good life. However, Chris is struggling to make ends meet, and he often has to make difficult choices in order to provide for his son. Despite the challenges, Chris is determined to be a good father, and he works hard to make sure that Christopher has a happy and healthy life. | The theme of fatherhood is explored through Chris's relationship with his son. Chris is a single father who is trying to raise his son, Christopher. He loves his son very much, and he wants to provide him with a good life. This theme highlights the challenges that single fathers face, but it also shows the love and devotion that fathers can have for their children. | ||||||||||||
Determination and Perseverance (20%) | Chris is a determined and persevering man. He never gives up, even when things are tough. He is constantly trying to find new ways to make money, and he is always looking for opportunities to better his life. Chris's determination and perseverance are an inspiration to others, and they show that anything is possible if you set your mind to it. | The theme of determination and perseverance is explored through Chris's journey. Chris is constantly facing obstacles, but he never gives up. He is always trying to find new ways to make money, and he is always looking for opportunities to better his life. This theme highlights the importance of determination and perseverance, and it shows that anything is possible if you set your mind to it. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal and external goals evolved from seeking financial stability and success to balancing his career ambitions with his responsibilities as a father. These goals reflect his deep desire to provide for his family and find fulfillment in his personal and professional life. |
External Goals | The protagonist's external goals evolved from trying to secure a job and sell scanners to navigating a career in finance and overcoming obstacles to financial stability. These goals reflect his immediate challenges and the decisions he makes to improve his situation. |
Philosophical Conflict | The overarching philosophical conflict in the screenplay is the protagonist's struggle between societal expectations and personal desires. The protagonist grapples with questions of success, integrity, and sacrifice as he navigates the challenges of his journey. |
Character Development Contribution: The protagonist's evolving goals and the philosophical conflict he faces contribute to his growth as a character. Through these challenges, he learns important lessons about perseverance, integrity, and the importance of family, ultimately leading to his personal and professional development.
Narrative Structure Contribution: The protagonist's goals and the underlying philosophical conflict drive the narrative structure of the screenplay, creating tension, conflict, and resolution. Each goal and conflict propels the story forward, shaping the protagonist's journey and the obstacles he must overcome.
Thematic Depth Contribution: The protagonist's goals and the philosophical conflict he faces add thematic depth to the screenplay, exploring themes of resilience, determination, family, and the pursuit of success. These elements provide a rich tapestry of ideas and emotions that resonate with audiences and contribute to the overall impact of the story.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Chris and Linda's Promise | Melancholic, Hopeful, Reflective | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
2 - The Man with the Time Machine | Melancholic, Reflective, Hopeful | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 6 | 8 | 8 | 9 | 9 | |
3 - Contemplations at the Bus Stop | Melancholic, Reflective, Tense | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | |
4 - A Frustrated Start | Tense, Frustrated, Resigned | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
5 - The Internship Pursuit and Theft Encounter | Serious, Reflective, Determined | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
6 - Father-Son Walk | Serious, Reflective, Frustrated | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7.5 | 7 | 8 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
7 - A Race Against Time and Thieves | Determined, Frustrated, Hopeful | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 7 | 6 | 9 | 9 | 9 | 9 | |
8 - The Bone Density Scanner Salesman | null | 0 | 0 | 0 | 9 | 0 | 0 | 8 | 7 | 0 | 8 | 0 | 0 | 7 | 0 | 0 | 9 | 8 | 8 | 8 | |
9 - A Desperate Search for Hope | Tense, Hopeful, Frustrated | 8 | 7 | 8 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 9 | 9 | |
10 - The Cab Ride | Tense, Determined, Frustrated, Hopeful | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
11 - Chris's Flight and Loss | Tense, Reflective, Desperate | 8 | 8 | 7 | 9 | 7 | 7 | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | 6 | 9 | 9 | 8 | 8 | |
12 - An Invitation Amidst Chaos | Desperation, Hope, Determination, Anxiety | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
13 - Confrontation Outside Daycare | Tense, Emotional, Confrontational | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
14 - A Spiral of Despair | Frustration, Desperation, Resignation | 8 | 7 | 8 | 9 | 8 | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
15 - Desperation and Determination | Anxious, Tense, Desperate, Resigned | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 7 | 9 | 6 | 9 | 8 | 8 | 8 | |
16 - Chris Gardner's Impressive Interview | Embarrassed, Serious, Humorous | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
17 - Weighing Options | Tension, Resignation, Hope | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
18 - A Father's Dilemma: A Leap of Faith | Tense, Reflective, Resigned | 8 | 8 | 8 | 8 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
19 - A Father's Hopes and Dreams | Reflective, Hopeful, Serious | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
20 - Scanner Thief | Tense, Anxious, Suspenseful | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 6 | 9 | 8 | 8 | 8 | |
21 - Hit and Run | Stressful, Frantic, Determined | 8 | 7 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 6 | 9 | 8 | 8 | 8 | |
22 - Chris's Commute and Financial Concerns | Anxious, Reflective, Concerned | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 9 | 6 | 9 | 8 | 8 | 8 | |
23 - A Race Against Time | Frantic, Determined, Frustrated | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 6 | 7 | 9 | 9 | 8 | 8 | |
24 - Chris' Frustrating Search | Frantic, Desperate, Dispirited | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 7 | 6 | 6 | 8 | 9 | 9 | 9 | |
25 - Financial Woes and Moral Compromise | Anxious, Reflective, Resigned | 8 | 7 | 8 | 9 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
26 - Suburban Stroll | Concerned, Reflective, Inquisitive | 8 | 7 | 7 | 9 | 9 | 6 | 8 | 6 | 3 | 5 | 2 | 4 | 6 | 7 | 8 | 9 | 8 | 8 | 8 | |
27 - Invitation to the Baseball Game | Apologetic, Optimistic, Friendly | 8 | 7 | 8 | 8 | 8 | 6 | 8 | 7.5 | 5 | 8 | 4 | 7 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
28 - Chris and Walter's Tailgate Misadventures | Reflective, Melancholic, Hopeful | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | |
29 - Chris's Financial Struggles and Eviction Threats | Worry, Desperation, Determination, Hope | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
30 - Unsuccessful Sales and a Lost Home | Melancholic, Reflective, Hopeful | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
31 - Train Station Decision | Reflective, Hopeful, Intimate | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 4 | 6 | 3 | 6 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
32 - Stealth and Frustration | Anxious, Tense, Desperate | 8 | 7 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 6 | 9 | 6 | 8 | 8 | 8 | 8 | |
33 - Shelter Denied | Sympathetic, Desperate, Resigned | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 7 | 7 | 9 | 6 | 9 | 8 | 8 | 8 | |
34 - Altercation Outside Shelter | Tense, Desperate, Violent, Fearful | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
35 - A Father's Struggle | Desperation, Resilience, Sorrow | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
36 - Chris's Frantic Journey | Frantic, Upset, Confrontational, Desperate | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
37 - Shelter Stoop | Reflective, Resigned, Hopeful | 8 | 8 | 7 | 8 | 9 | 7 | 9 | 8 | 6 | 7 | 5 | 6 | 7 | 9 | 7 | 9 | 8 | 9 | 9 | |
38 - A Day in the Life of Chris | Desperation, Struggle, Resilience | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
39 - A Father and Son's Journey | Serious, Reflective, Hopeful | 8 | 7 | 8 | 9 | 9 | 7 | 8 | 7 | 6 | 5 | 6 | 7 | 6 | 9 | 7 | 9 | 8 | 8 | 8 | |
40 - A Day in San Francisco | Reflective, Hopeful, Resigned | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 3 | 7 | 4 | 5 | 7 | 9 | 6 | 9 | 8 | 8 | 8 | |
41 - Chris's New Beginning | Reflective, Hopeful, Emotional | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
42 - Waiting for the Bus | reflective, nostalgic, emotional | 9 | 8 | 7 | 6 | 9 | 7 | 8 | 6 | 3 | 4 | 4 | 5 | 5 | 9 | 6 | 9 | 8 | 8 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Emotional depth
- Character development
- Realistic portrayal of struggles
- Tension-building
- Authentic character dynamics
Scene Weaknesses
- Limited external conflict
- Limited plot progression
- Some dialogue may feel repetitive or melodramatic
- Minimal dialogue
- Slow pacing in some parts
Suggestions
- Consider introducing more external conflict to add stakes and tension
- Explore ways to increase plot progression without sacrificing emotional depth and character development
- Edit dialogue to ensure each line serves a purpose and avoids repetition
- Add more dialogue to deepen character relationships and increase engagement
- Experiment with pacing to vary the rhythm of the story and maintain audience interest
Scene 1 - Chris and Linda's Promise
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - The Man with the Time Machine
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Contemplations at the Bus Stop
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - A Frustrated Start
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - The Internship Pursuit and Theft Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Father-Son Walk
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - A Race Against Time and Thieves
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - The Bone Density Scanner Salesman
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - A Desperate Search for Hope
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - The Cab Ride
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Chris's Flight and Loss
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - An Invitation Amidst Chaos
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Confrontation Outside Daycare
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - A Spiral of Despair
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Desperation and Determination
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Chris Gardner's Impressive Interview
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Weighing Options
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - A Father's Dilemma: A Leap of Faith
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - A Father's Hopes and Dreams
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Scanner Thief
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Hit and Run
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Chris's Commute and Financial Concerns
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - A Race Against Time
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Chris' Frustrating Search
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Financial Woes and Moral Compromise
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Suburban Stroll
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Invitation to the Baseball Game
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Chris and Walter's Tailgate Misadventures
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Chris's Financial Struggles and Eviction Threats
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Unsuccessful Sales and a Lost Home
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Train Station Decision
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Stealth and Frustration
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Shelter Denied
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Altercation Outside Shelter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - A Father's Struggle
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Chris's Frantic Journey
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Shelter Stoop
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - A Day in the Life of Chris
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - A Father and Son's Journey
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - A Day in San Francisco
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Chris's New Beginning
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Waiting for the Bus
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Recommend
Explanation: The Pursuit of Happyness is a compelling and emotionally resonant screenplay with a powerful theme of perseverance and the importance of family. Will Smith's performance and the father-son relationship are the standout strengths. While there are opportunities for further character development and a deeper exploration of societal issues, the screenplay's overall pacing and narrative strength make it a highly recommendable project with strong commercial potential.
Engine: GPT4
Recommend
Explanation: The screenplay 'The Pursuit of Happyness' is a compelling narrative that effectively portrays the emotional and financial struggles of Chris Gardner. It offers a satisfying resolution and realistic character interactions that enhance its authenticity. While it could benefit from streamlined scenes and deeper secondary character development, its universal appeal and strong emotional hook make it a recommendable project.