The shining
A family caretaking a remote, haunted hotel descends into madness and violence, as a father's supernatural possession threatens to destroy his wife and son.
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Unique Selling Point
The screenplay's unique selling proposition lies in its deep psychological exploration of madness and isolation, combined with supernatural elements that create an unsettling atmosphere. Its compelling character arcs and the gradual unraveling of Jack Torrance's sanity set it apart from typical horror narratives, making it a timeless piece that resonates with audiences seeking both psychological depth and horror.
AI Verdict & Suggestions
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Highly Recommend
Highly Recommend
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Story Facts
Genres: Horror, Thriller, Drama, Psychological Thriller, Family, Mystery
Setting: Late 20th century, during winter, Overlook Hotel in Colorado, primarily in isolated snowy surroundings
Themes: Isolation and Madness, Family Dynamics, Supernatural Influence, Control and Power Struggles, Childhood Innocence and Trauma
Conflict & Stakes: Jack's descent into madness and violence threatens the safety of his family, particularly Wendy and Danny, as they struggle to survive in the isolated hotel.
Mood: Tense and foreboding, with moments of horror and psychological suspense.
Standout Features:
- Unique Hook: The psychological unraveling of a father figure in a confined, supernatural setting.
- Plot Twist: The revelation of the hotel's dark history and its influence on Jack's mental state.
- Distinctive Setting: The Overlook Hotel, an isolated and haunted location that serves as a character in its own right.
- Innovative Ideas: The use of psychic abilities as a central plot device, particularly through Danny's character.
Comparable Scripts: The Shining (1980), Misery (1990), The Haunting of Hill House (2018), The Others (2001), The Sixth Sense (1999), The Witch (2015), Hereditary (2018), The Babadook (2014), The Shining (novel by Stephen King)
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The Shining Synopsis
Synopsis
In the chilling adaptation of Stephen King's novel, 'The Shining,' we follow Jack Torrance, an aspiring writer and recovering alcoholic, who takes a job as the winter caretaker of the isolated Overlook Hotel in the Colorado mountains. Jack moves into the hotel with his wife, Wendy, and their young son, Danny, who possesses a psychic ability known as 'the shining' that allows him to see the hotel's horrific past. As winter sets in and the hotel becomes snowbound, Jack's mental state begins to deteriorate under the influence of the supernatural forces that haunt the hotel.
Initially, Jack is excited about the opportunity to write in peace, but as the isolation deepens, he becomes increasingly influenced by the malevolent spirits of the hotel. Meanwhile, Danny's visions become more disturbing, revealing the dark history of the Overlook, including the tragic fate of a previous caretaker who murdered his family. Danny's imaginary friend, Tony, warns him of the impending danger, but Jack's descent into madness blinds him to the threats surrounding his family.
Wendy, sensing Jack's growing instability, becomes increasingly fearful for her and Danny's safety. As Jack succumbs to the hotel's sinister influence, he begins to see visions of ghostly figures and is drawn to the hotel's haunted past. The tension escalates as Jack's behavior becomes more erratic, culminating in violent outbursts.
In a desperate attempt to protect her son, Wendy confronts Jack, leading to a terrifying showdown. Jack, now fully possessed by the hotel's dark forces, wields an axe and hunts down his family through the snow-covered maze outside the hotel. Danny, using his psychic abilities, cleverly evades his father, leading to a heart-pounding climax. Ultimately, Wendy and Danny manage to escape in a snowcat, leaving Jack to meet his chilling fate in the frozen maze, where he succumbs to the elements. The film concludes with a haunting image of Jack's photograph appearing in the hotel from a July 4th ball in 1921, suggesting that he has become part of the hotel's dark legacy.
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
To enhance the screenplay, focus on deepening Danny's emotional journey and his interactions with Tony, as this will create a more relatable character and heighten the emotional stakes. Additionally, refining dialogue to reflect each character's unique voice will elevate tension and character dynamics, making the interactions more engaging and impactful.
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- Strong plot development with a ranking of 77.53, indicating a well-structured narrative that engages the audience.
- High dialogue rating of 71.21 suggests that the screenplay features compelling and believable conversations between characters.
- Good emotional impact score of 66.92, indicating the screenplay effectively evokes feelings and resonates with the audience.
- Character development is relatively weak at 53.79; the writer should focus on deepening character arcs and motivations.
- Low internal and external goal scores (19.94 and 15.73 respectively) suggest a need for clearer character objectives and stakes.
- Formatting score of 41.01 indicates potential issues with screenplay presentation; improving formatting can enhance readability and professionalism.
The writer appears to be more intuitive, with strengths in dialogue and emotional impact but lower scores in concept and structure.
Balancing Elements- Enhance character development to match the strong plot and dialogue, ensuring characters are as engaging as the story.
- Work on integrating clearer goals for characters to elevate the stakes and emotional engagement throughout the screenplay.
- Focus on improving pacing and formatting to create a more polished and engaging reading experience.
Intuitive
Overall AssessmentThe screenplay shows strong potential with a compelling plot and engaging dialogue, but it requires improvements in character development and clarity of goals to fully realize its impact.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
---|---|---|---|---|
Scene Overall | 8.6 | 77 | 10 things I hate about you: 8.5 | face/off: 8.6 |
Scene Plot | 8.3 | 76 | There will be blood : 8.2 | the boys (TV): 8.3 |
Scene Dialogue | 8.1 | 70 | Leaving Las Vegas: 8.0 | Mr. Smith goes to Washington: 8.1 |
Scene Concept | 8.3 | 69 | Synecdoche, NY: 8.2 | the 5th element: 8.3 |
Scene Character Changes | 7.4 | 68 | 10 things I hate about you: 7.3 | Terminator 2: 7.4 |
Script Emotional Impact | 8.00 | 66 | The Truman Show: 7.90 | the 5th element: 8.00 |
Scene Emotional Impact | 8.2 | 64 | Green Book: 8.1 | Terminator 2: 8.2 |
Scene Story Forward | 8.3 | 64 | The Brutalist: 8.2 | Titanic: 8.3 |
Scene High Stakes | 7.7 | 57 | There will be blood : 7.6 | Dr. Jekyll and Mr Hyde : 7.7 |
Script Structure | 7.90 | 56 | 10 things I hate about you: 7.80 | Black mirror 304: 7.90 |
Script Premise | 8.10 | 55 | It: 8.00 | glass Onion Knives Out : 8.10 |
Scene Characters | 8.4 | 52 | The Truman Show: 8.3 | True Blood: 8.4 |
Scene Conflict Level | 7.6 | 51 | The Truman Show: 7.5 | Titanic: 7.6 |
Script Structure | 8.13 | 50 | Silicon Valley: 8.12 | Erin Brokovich: 8.13 |
Script Characters | 8.00 | 50 | It: 7.90 | Casablanca: 8.00 |
Script Visual Impact | 7.70 | 49 | No time to die: 7.60 | face/off: 7.70 |
Script Theme | 8.20 | 46 | Zootopia: 8.10 | groundhog day: 8.20 |
Scene Formatting | 8.12 | 41 | 12 Monkeys: 8.11 | Memento: 8.12 |
Scene Pacing | 8.19 | 39 | Coda: 8.18 | There's something about Mary: 8.19 |
Scene Unpredictability | 7.33 | 38 | Triangle of sadness: 7.32 | Charlie and The Choclate Factory: 7.33 |
Script Conflict | 7.20 | 30 | Mr Robot: 7.10 | There's something about Mary: 7.20 |
Scene Engagement | 8.84 | 22 | The shining: 8.83 | Moonlight: 8.84 |
Scene Internal Goal | 8.00 | 19 | KILLING ZOE: 7.98 | fight Club: 8.00 |
Scene Originality | 8.32 | 19 | The shining: 8.29 | The shining: 8.32 |
Overall Script | 7.79 | 18 | Trumbo: 7.78 | LA confidential - draft: 7.79 |
Scene External Goal | 7.03 | 16 | Heathers: 7.02 | The shining: 7.03 |
Script Originality | 7.20 | 11 | KILLING ZOE: 7.10 | The good place draft: 7.20 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Script•o•Scope
Top Takeaway from This Section
Engine: Claude
Consider
Executive Summary
The screenplay for 'The Shining' demonstrates strong character development, a compelling supernatural mystery, and masterful use of visual storytelling. However, it also exhibits some pacing issues, particularly in the middle act, and could benefit from a more cohesive thematic exploration. While the writing style is generally strong, there are a few areas that could use improvement, such as the dialogue in certain scenes. Overall, the screenplay has the potential to be a captivating horror/thriller feature with some refinement.
- The screenplay demonstrates strong character development, particularly for the protagonist Jack Torrance. His descent into madness is portrayed effectively through both his interactions with his family and his internal struggles. high ( Scene 9 (Jack's Apartment) Scene 17 (Jack's Apartment) )
- The screenplay utilizes effective visual storytelling techniques, such as the repeated imagery of the Grady girls and the use of the word 'red rum', to create a sense of impending dread and the supernatural. high ( Scene 16 (Kitchen) Scene 23 (Corridors) )
- The screenplay does a good job of establishing the family's backstory and Danny's unique abilities, which helps to set up the central conflict and mystery. medium ( Scene 4 (Danny's Bedroom) Scene 11 (Kitchen) )
- The pacing in the middle act of the screenplay can feel uneven, with some scenes dragging or feeling repetitive. medium ( Scene 20 (Lounge) Scene 43 (Lounge) )
- The thematic exploration of isolation, addiction, and the supernatural could be more cohesive and consistent throughout the screenplay. medium ( Scene 20 (Lounge) Scene 43 (Lounge) )
- The dialogue in certain scenes, such as the interaction between Jack and Grady, could be refined to feel more natural and less expositional. low ( Scene 36 (Men's Toilet) Scene 37 (Men's Toilet) )
- The screenplay could benefit from more exploration of the supernatural elements and their impact on the characters, particularly in the later stages of the story. medium ( Scene 28 (Lounge) Scene 56 (Stairs) )
- The setting of the Overlook Hotel could be better utilized as a character in its own right, with more emphasis on the hotel's history and its influence on the characters. medium ( Scene 1 (Overlook Hotel) Scene 10 (Overlook Hotel) )
- The screenplay features several memorable and unsettling sequences, such as the appearance of the Grady girls and the interaction between Jack and Grady in the bathroom. high ( Scene 29 (Ballroom) Scene 36 (Men's Toilet) )
- The use of the word 'red rum' and its significance as a mirror image of 'murder' is a clever and effective narrative device. high ( Scene 49 (Danny's Bedroom) Scene 50 (Jack's Apartment) )
- Character Motivations While the screenplay does a good job of exploring the characters' internal struggles, there are moments where their motivations could be more clearly defined, particularly in the case of Wendy and her decision-making process. For example, in sequence 43, her decision to confront Jack directly could be better justified and aligned with her previous actions. medium
- Thematic Coherence The screenplay touches on several thematic elements, such as isolation, addiction, and the supernatural, but their exploration could be more consistent and cohesive throughout the story. There are moments where the thematic focus seems to shift or become less pronounced, which can impact the overall narrative strength. medium
- Expositional Dialogue While the dialogue is generally strong, there are a few instances where it feels overly expositional, such as in the interaction between Jack and Grady in the bathroom (sequences 36-37). The characters occasionally seem to state information that would be more naturally conveyed through subtext or action. low
- Pacing Issues The pacing of the screenplay can feel uneven at times, particularly in the middle act (sequences 20 and 43). Some scenes drag or feel repetitive, which can impact the overall narrative flow and audience engagement. medium
Engine: DeepSeek
Highly Recommend
Executive Summary
The screenplay for 'The Shining' is a masterclass in psychological horror, blending supernatural elements with deep character studies. Its strengths lie in its atmospheric tension, meticulous pacing, and the gradual unraveling of Jack Torrance's sanity. The narrative is compelling, with a unique setting that becomes a character in itself. While the screenplay excels in many areas, there are minor pacing issues in the middle act and some character motivations could be further explored. Overall, it's a standout piece in the horror genre.
- The introduction of the Overlook Hotel and its eerie atmosphere sets the tone perfectly for the horror to come. high ( Scene 1 (The Interview) Scene 3 (The Interview) )
- The interaction between Danny and Halloran introduces the 'shining' concept, adding depth to the supernatural elements. high ( Scene 12 (The Kitchen Scene) )
- Jack's conversation with Lloyd at the bar is a pivotal moment showcasing his descent into madness. high ( Scene 29 (The Bar Scene) )
- The climax with Jack chasing Danny through the maze is tense and visually striking, delivering a satisfying payoff. high ( Scene 44 (The Axe Scene) )
- The final shot of Jack frozen in the maze and the photograph tie the story together thematically. high ( Scene 60 (The Final Scene) )
- The middle act slows down slightly, with some scenes feeling less urgent compared to the rest of the screenplay. medium ( Scene 20 (The TV Scene) )
- Wendy's character could benefit from more development to make her reactions more nuanced. medium ( Scene 34 (The Radio Scene) )
- More backstory on the Overlook Hotel's history could enhance the supernatural elements. low
- Danny's 'shining' abilities could be explored further to deepen the supernatural plot. medium
- The use of the hotel's layout and maze as a metaphor for Jack's mental state is brilliant. high ( Scene 16 (The Freezer Scene) )
- The tension in the food store scene is palpable, showcasing Jack's unpredictability. high ( Scene 45 (The Food Store Scene) )
- Character Motivation Jack's transition from loving father to homicidal maniac could use more gradual buildup to feel fully earned. medium
- Exposition Some dialogue, particularly in early scenes, feels overly expository, such as Ullman explaining the hotel's history. low
Engine: GPT4
Highly Recommend
Executive Summary
The screenplay of 'The Shining' is a masterclass in psychological horror, showcasing strong character arcs, particularly Jack Torrance's descent into madness. The narrative is tightly woven, with consistent themes of isolation, madness, and the supernatural. The pacing is generally effective, though some scenes could benefit from tightening. The character development is profound, particularly in the portrayal of Jack, Wendy, and Danny, making their struggles and transformations compelling. Overall, the screenplay is engaging and maintains a high level of suspense throughout.
- The opening sequences effectively establish the eerie atmosphere and isolation of the Overlook Hotel, setting the tone for the entire film. high ( Scene Sequence number 1 (EXT. COLORADO MOUNTAIN (U.S.A.) - DAY - L.S.) Scene Sequence number 3 (INT. OVERLOOK HOTEL/ULLMAN'S OFFICE - DAY - M.L.S.) )
- The development of Danny's character and his psychic abilities is compelling, adding depth to the narrative and foreshadowing future events. high ( Scene Sequence number 4 (INT. BOULDER APARTMENT/BATHROOM - DAY - M.S.) Scene Sequence number 5 (INT. BOULDER APARTMENT/DANNY'S BEDROOM - DAY - M.S.) )
- The tension builds effectively throughout the screenplay, particularly in scenes leading up to Jack's breakdown, maintaining suspense and engagement. high ( Scene Sequence number 28 (INT. HOTEL - LOUNGE - DAY - M.S.) Scene Sequence number 51 (INT. HOTEL - BATHROOM - M.S.) )
- The dialogue is sharp and reveals character motivations, particularly in Jack's interactions with Grady, showcasing his descent into madness. high ( Scene Sequence number 37 (INT. MEN'S TOILET - M.L.S.) )
- The climax in the maze is visually striking and thematically rich, symbolizing Jack's entrapment and Danny's cleverness in evading him. high ( Scene Sequence number 60 (EXT. HOTEL - MAZE - M.S.) )
- Some early scenes could be condensed to maintain momentum and avoid dragging the pacing, particularly in the exposition. medium ( Scene Sequence number 2 (EXT. APARTMENT BUILDING/BOULDER - DAY - L.S.) )
- The introduction of the doctor feels somewhat abrupt and could be better integrated into the narrative to enhance continuity. medium ( Scene Sequence number 6 (INT. CORRIDOR/LIVING ROOM - DAY - M.S.) )
- The maze's significance could be further developed earlier in the screenplay to enhance its impact during the climax. medium ( Scene Sequence number 10 (EXT. HOTEL/THE MAZE - DAY - L.S.) )
- Some secondary characters, like Halloran, could benefit from deeper development to enhance their roles in the story. medium ( Scene Sequence number 12 (INT. HOTEL - BALLROOM - DAY - M.S.) )
- The resolution of certain plot threads, particularly regarding the supernatural elements, could be clarified for a more satisfying conclusion. medium ( Scene Sequence number 44 (INT. HOTEL - BATHROOM - M.S.) )
- A more explicit backstory for Jack's character could enhance understanding of his motivations and struggles. high ( Scene Sequence number 1 (EXT. COLORADO MOUNTAIN (U.S.A.) - DAY - L.S.) )
- The absence of a clear explanation for Danny's psychic abilities leaves some audience members wanting more context. high ( Scene Sequence number 4 (INT. BOULDER APARTMENT/BATHROOM - DAY - M.S.) )
- The motivations of the supernatural elements could be more clearly defined to enhance the narrative's coherence. medium ( Scene Sequence number 37 (INT. MEN'S TOILET - M.C.S.) )
- A deeper exploration of Wendy's character and her motivations could provide a more balanced perspective against Jack's descent. medium ( Scene Sequence number 60 (EXT. HOTEL - MAZE - M.S.) )
- The emotional stakes for Wendy could be heightened to create a stronger connection with the audience. medium ( Scene Sequence number 28 (INT. HOTEL - LOUNGE - DAY - M.S.) )
- The opening visuals are striking and set a haunting tone that resonates throughout the film. high ( Scene Sequence number 1 (EXT. COLORADO MOUNTAIN (U.S.A.) - DAY - L.S.) )
- The dialogue in Ullman's office effectively establishes the stakes and foreshadows the impending horror. high ( Scene Sequence number 3 (INT. OVERLOOK HOTEL/ULLMAN'S OFFICE - DAY - M.L.S.) )
- The ballroom scenes are visually rich and contribute to the eerie atmosphere of the hotel. medium ( Scene Sequence number 12 (INT. HOTEL - BALLROOM - DAY - M.S.) )
- The use of the bathroom as a setting for tension is effective, showcasing the claustrophobic nature of the hotel. medium ( Scene Sequence number 44 (INT. HOTEL - BATHROOM - M.S.) )
- The maze serves as a powerful metaphor for Jack's mental state and adds depth to the narrative. medium ( Scene Sequence number 60 (EXT. HOTEL - MAZE - M.S.) )
- Character Motivation The screenplay occasionally lacks clarity in character motivations, particularly regarding Jack's descent into madness. While his struggles are evident, the transition from a loving father to a violent figure could be more explicitly developed to enhance audience understanding. medium
- Exposition Some scenes contain heavy exposition that could be streamlined for better pacing. For instance, the dialogue in Ullman's office could be more concise to maintain tension and avoid dragging the narrative. medium
Screenplay Insights:
Characters: 8.0, The screenplay effectively develops its characters, particularly Jack, Wendy, and Danny, showcasing their complexities and transformations throughout the narrative. However, there are areas for enhancement, particularly in deepening the emotional connections and relatability of the characters, especially in their interactions and responses to the supernatural elements. See More
Premise: 8.1, The screenplay effectively establishes a compelling premise centered around psychological horror and family dynamics, drawing on themes of isolation and madness. However, there are areas where clarity and engagement could be enhanced, particularly in the initial setup of character motivations and the supernatural elements at play. See More
Structure: 7.9, The screenplay of 'The Shining' exhibits a strong structure and effective plot development, particularly in its ability to build tension and create a sense of foreboding. The character arcs, especially Jack's descent into madness and Wendy's transformation into a protective figure, are compelling. However, there are areas for improvement, particularly in pacing and the clarity of certain plot points, which could enhance audience engagement and emotional impact. See More
Theme: 8.2, The screenplay effectively conveys its themes of isolation, madness, and the impact of familial relationships, particularly through the character arcs of Jack, Wendy, and Danny. The exploration of psychological horror and the supernatural elements resonate deeply with the audience, creating a chilling atmosphere. However, there are opportunities to refine the clarity of certain themes and enhance their integration into the narrative to deepen emotional engagement. See More
Visual Impact: 7.7, The screenplay effectively utilizes visual imagery to create a haunting atmosphere, drawing on the stark contrasts between the serene beauty of the Overlook Hotel and the underlying tension of its dark history. The vivid descriptions of settings and character interactions enhance the emotional depth of the narrative, making it engaging and immersive. See More
Emotional Impact: 8.0, The screenplay effectively elicits emotional responses through its complex characters and their evolving relationships, particularly the tension between Jack, Wendy, and Danny. However, there are opportunities to enhance emotional depth by further exploring the characters' internal struggles and the impact of the supernatural elements on their psyche. See More
Conflict: 7.2, The screenplay effectively presents conflict and stakes, particularly through Jack's psychological deterioration and the family dynamics at play. However, there are opportunities to enhance tension by deepening character motivations and escalating stakes more dramatically throughout the narrative. See More
Originality: 7.2, The screenplay demonstrates a strong foundation in originality and creativity, particularly through its complex characters and the eerie atmosphere of the Overlook Hotel. The interplay between the supernatural elements and the psychological struggles of the characters adds depth to the narrative, making it a compelling exploration of fear and isolation. See More
Top Takeaway from This Section
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- The scene begins with a sweeping view of the Colorado mountains and a Volkswagen car driving towards the Overlook Hotel. Inside the hotel lobby, Jack Torrance introduces himself to the receptionist and meets Mr. Ullman in his office. They engage in polite conversation about Jack's journey, with Ullman offering coffee and summoning his secretary, Susie, to assist. The tone is formal and anticipatory, setting the stage for Jack's upcoming meeting.
- In a light-hearted scene set in their Boulder apartment, Danny expresses his apprehension about moving to a hotel for the winter, questioning his mother Wendy's enthusiasm for the change. While eating a sandwich, he engages in playful dialogue with his imaginary friend Tony, who shares his reluctance about the move. Wendy reassures Danny, encouraging him to embrace the adventure and make new friends, ending the scene on an optimistic note as she assures him they will have a good time.
- In Ullman's office at the Overlook Hotel, Jack Torrance meets Bill Watson as he is introduced as the new winter caretaker. They discuss Jack's background and the hotel's operations during winter, with Ullman cautioning Jack about the psychological effects of isolation, referencing a past tragedy involving a former caretaker. Jack, eager for solitude, dismisses Ullman's concerns with humor, assuring him that he and his family will manage well. The scene blends professional formality with underlying tension, ending on a light-hearted note despite the ominous subject matter.
- In a seemingly ordinary day, Danny stands on a stool in the bathroom, anxiously asking Tony about their father Jack's job prospects. Tony, off-screen, expresses reluctance to visit the hotel where Jack is working. Meanwhile, Wendy speaks with Jack over the phone, who reassures her about his job but hints at being late. The scene takes a dark turn as blood begins to pour into the hotel lobby, leading to Danny's terrified scream and a sudden shift to a doctor instructing someone to hold their eyes still, suggesting a medical crisis.
- In a gentle and caring scene, a doctor examines young Danny in his bedroom while his mother, Wendy, stands by. The doctor asks Danny about his recent experiences, including his imaginary friend Tony, who he claims hides in his stomach. Despite the doctor's efforts, Danny is reluctant to discuss Tony further. The examination concludes with the doctor advising Danny to stay in bed for the day, and Wendy reassures him that she will return after speaking with the doctor.
- Wendy meets with the Doctor to discuss her concerns about her son Danny's health and behavior. She shares her worries about Danny's imaginary friend, Tony, and an incident involving her husband, who has since stopped drinking. The Doctor reassures her that Danny's episodes are common in children and often linked to emotional factors, alleviating some of her anxiety. The scene captures Wendy's struggle with her family's dynamics and her hopes for a better future.
- In this scene, Jack, Wendy, and their son Danny are driving through the Colorado mountains on their way to the Overlook Hotel. As they travel, Wendy comments on the altitude while Danny expresses his hunger. Jack reminds Danny about breakfast, and the conversation shifts to the historical Donner party, with Jack explaining their grim fate of cannibalism during a harsh winter. Danny, showing a mix of innocence and knowledge, mentions he knows about cannibalism from television. The scene concludes with a high-angle shot of their car moving away, transitioning to the exterior of the Overlook Hotel, hinting at the family's impending arrival.
- In the lobby of the Overlook Hotel, Ullman and Watson discuss logistics while a cleaner works nearby. They approach Jack, who is waiting with his family, and Ullman inquires about their luggage and plans. As they move to the Colorado Lounge, Ullman shares the hotel's history and decor, while Wendy admires its beauty. The scene is warm and welcoming, highlighting the excitement of settling into the grand hotel.
- In this scene, Danny throws darts in the hotel games room while two Grady girls exit through an open doorway. The focus shifts to Ullman, who leads Wendy and Jack through the caretaker's apartment corridor, explaining the unheated staff wing during winter. The Grady girls briefly interact with Ullman before leaving. Ullman shows Wendy and Jack their new living quarters, highlighting the cozy layout, which includes a living room, bedroom, bathroom, and a small bedroom for Danny. Jack and Wendy express their approval of the apartment, with Jack noting its homely feel, as they explore their new space together.
- Ullman takes Wendy, Jack, and Watson outside to explore the Overlook Hotel's famous hedge maze. He humorously describes its height and the time it takes to navigate, while sharing the hotel's construction history, including its location on an Indian burial ground. The group learns about a Snowcat vehicle, with Ullman confirming that both Jack and Wendy can drive it. The scene is light-hearted and informative, filled with curiosity about the hotel's past, as they walk towards the Snowcat, eager to learn how to operate it.
- In this scene, Ullman guides Jack, Wendy, and Watson through the hotel, showcasing the newly refurbished Gold Ballroom. Wendy admires the decor, while Ullman explains the ballroom's features and the hotel's alcohol policy for insurance reasons. They are joined by Dick Halloran, the head chef, who warmly greets the family. The atmosphere is light and friendly, with Wendy expressing excitement about their stay. The scene concludes with her waving to her son, Danny.
- In this light-hearted scene, Susie brings Danny to meet Jack, Halloran, Wendy, and Ullman in the hotel ballroom. Jack playfully engages Danny, who then joins Wendy as Halloran takes them to the kitchen. There, Halloran reassures Wendy about the kitchen's size and food options, fostering a friendly atmosphere. The scene concludes with Halloran preparing to show them the walk-in freezer.
- In a playful scene set in a hotel freezer, Halloran introduces Wendy and Danny to the various meats stored inside. He engages Danny by asking about his favorite food, leading to a humorous exchange where Danny mentions 'French Fries and Ketchup.' Wendy, curious about how Halloran knows Danny's nickname 'Doc,' prompts a light-hearted conversation where Halloran claims he must have overheard them. The scene concludes with Halloran opening the door to the storeroom.
- In this scene, Halloran guides Wendy and Danny through the hotel's storeroom, showcasing the extensive food supplies available, including canned goods and cereals. As Halloran enthusiastically lists the items, the camera follows their movements, highlighting the storeroom's abundance. The tone is light-hearted, with Halloran playfully suggesting ice cream to Danny, creating an informative and engaging moment for the family.
- In this light-hearted scene set in a hotel kitchen, Halloran humorously advises Wendy on the importance of regularity for happiness. As Ullman requests Wendy's assistance in the basement, Halloran bonds with Danny over their shared love for chocolate ice cream. The two leave together for a treat, while Ullman, Jack, and Watson continue discussing the hotel's busy atmosphere as they prepare for the departure of guests and staff.
- In a tense kitchen conversation, Halloran mentors Danny about their psychic ability known as 'shining.' He encourages Danny to share his experiences with a figure named Tony, who communicates with him through dreams. Danny expresses fear regarding Room 237, which Halloran warns him to avoid, hinting at dark secrets within. The scene concludes with a time jump, indicating a month has passed.
- In this scene set at the Overlook Hotel, Wendy brings breakfast to her husband Jack, who is struggling with writer's block. They share a warm conversation about their life at the hotel and reflect on their initial impressions of the place. Despite Jack's initial lethargy and reluctance to take a break, their supportive dialogue lightens the mood, culminating in shared laughter and a sense of connection.
- In a hotel setting, Wendy and Danny engage in a playful chase through an outdoor maze, filled with laughter and light-hearted banter. Wendy teases Danny about a game, while both express joy in their exploration. Meanwhile, Jack is seen in the hotel lobby, bouncing a ball and later contemplating a model of the maze, highlighting a contrast between his solitary demeanor and the joyful interaction of Wendy and Danny.
- Wendy and Danny explore a stunning maze, marveling at its beauty and size. The scene shifts to a hotel kitchen where Wendy prepares food while a news report on a portable TV discusses a missing woman and an approaching snowstorm, introducing a sense of unease that contrasts with their earlier wonder.
- In the eerie corridors of the Overlook Hotel, Danny rides his tricycle and curiously approaches room 237 but quickly pedals away when he can't open the door. Meanwhile, in the hotel lounge, Jack is deeply focused on his writing when Wendy enters, attempting to engage him in conversation. Their interaction reveals underlying tension, as Jack becomes increasingly frustrated with her interruptions, ultimately asserting a new rule that she should not disturb him while he works. This leads to a heated exchange, resulting in Wendy leaving the room, highlighting the strain in their relationship as Jack returns to his typing, isolated and absorbed in his work.
- Wendy and Danny enjoy a playful moment in the snow, laughing as Danny chases her with snowballs. Meanwhile, Jack watches them from the hotel lounge, reflecting on the scene. The mood shifts as Wendy moves to the hotel lobby, where she works at a switchboard, expressing concern while trying to connect with the ranger's office. After some struggle, she successfully establishes communication, highlighting a connection to the outside world.
- In a hotel office during a severe winter storm, Wendy communicates with a ranger via radio about the downed telephone lines. The ranger informs her that repairs may not occur until spring, highlighting the storm's severity. They share friendly pleasantries, and the ranger advises Wendy to keep the radio on for emergencies. The scene concludes with Wendy expressing gratitude and signing off, reflecting a tense yet cordial atmosphere amidst the ongoing crisis.
- In a surreal hotel corridor, Danny rides his tricycle and encounters the ghostly Grady Girls, who invite him to play with a chilling repetition of 'Come and play with us.' As he grapples with fear, disturbing visions of their bloodied bodies and a bloodstained axe flash before him. Danny expresses his terror, seeking comfort from the unseen Tony, who reassures him that the horrors are merely illusions. The scene blends innocence with horror, culminating in a transition to black frames, signaling a shift in time.
- In the lobby of the Overlook Hotel, Wendy and Danny share a light moment while watching television. Danny expresses his eagerness to retrieve his fire-engine from his room, prompting a gentle negotiation with Wendy, who is mindful of her husband's rest. After some back-and-forth, Wendy allows Danny to go, reminding him to be quiet and return quickly as she prepares lunch. The scene captures the warmth of their mother-son relationship as Danny excitedly runs off.
- In Jack's hotel room, a tender moment unfolds as he invites his son Danny to sit on his knee. They share a heartfelt conversation where Danny expresses his fears about safety and whether Jack would ever harm him or his mother. Jack reassures Danny of his love and commitment to protect them, strengthening their bond amidst underlying tension. The scene captures their emotional connection before transitioning to a black frame labeled 'WEDNESDAY'.
- In a snowy hotel, young Danny plays alone in a dim corridor, calling out for his mother as he searches for her. His innocence contrasts with the unsettling atmosphere as he approaches Room 237. Meanwhile, Wendy is in the boiler room, responding to Jack's distressing groans. The scene captures Danny's loneliness and concern, culminating in a tense moment as Jack is shown in a vulnerable state, groaning in his sleep.
- In a tense hotel scene, Wendy rushes to find Jack, who is shaken after a nightmare in which he killed her and their son, Danny. As he falls from his chair in distress, Wendy comforts him, assuring him that everything will be okay. The emotional moment highlights their connection amidst Jack's fear and anxiety.
- In the lounge of the Overlook Hotel, Wendy helps Jack into a chair while expressing concern for Danny, who has a mysterious mark on his neck. Wendy accuses Jack of harming their son, leading to a heated confrontation. As Wendy embraces Danny and expresses her outrage, she decides to leave with him, leaving Jack alone and disoriented in the lounge. The scene ends with Jack muttering to himself as he walks towards the hotel ballroom corridor.
- In the hotel ballroom, Jack Torrance engages in a lighthearted yet revealing conversation with bartender Lloyd about his struggles with sobriety and family life. As he reminisces and jokes about his financial woes, the atmosphere shifts dramatically when Wendy bursts in, panicked and frantic, warning Jack about a 'crazy woman' who attempted to strangle their son Danny. This urgent revelation heightens the tension, pulling Jack's focus from his internal battles to the immediate threat facing his family.
- In a Miami apartment during a record heatwave, Halloran lies in bed watching 'Newswatch,' hosted by Glen Rinker. The news report contrasts the extreme heat in Miami with a severe snowstorm in Colorado, causing travel disruptions and fatalities. Halloran reacts with concern to the contrasting weather conditions, highlighting the struggles faced by people in different regions. The scene ends with his unresolved reaction, setting the stage for further developments.
- In Room 237 of the Overlook Hotel, Jack is initially captivated by a young lady emerging from a bath. Their intimate moment quickly turns to horror when Jack discovers her scarred appearance, leading to a shocking revelation that shatters the romantic atmosphere and leaves him in dread.
- In a tense and unsettling scene, Danny is visibly disturbed by the laughter of an unseen elderly woman in Room 237, contrasting sharply with her carefree demeanor as she lies in a bath and later stands naked with outstretched arms. Jack, equally unsettled, backs away from the situation. The scene shifts to Halloran in a Miami apartment, struggling to make a phone call that cannot be completed, amplifying the sense of isolation and disconnection.
- In a tense scene set in Jack's apartment at the Overlook Hotel, Wendy is distraught over Danny's well-being, particularly the bruises on his neck. Jack returns from searching for answers but dismisses Wendy's concerns, suggesting Danny may have harmed himself. Their disagreement escalates as Wendy insists someone else is responsible for Danny's injuries, while Jack rationalizes the situation. The scene culminates in Wendy's urgent decision to get Danny out of the hotel, highlighting the growing conflict between her protective instincts and Jack's unsettling calm.
- In a heated confrontation in Jack's apartment, he blames Wendy for his frustrations and insists on keeping their son Danny at the hotel, dismissing her concerns. Wendy, emotional and distressed, is left in tears as Jack storms out, leading to a violent outburst in the kitchen where he destroys items in a fit of rage. The scene shifts to an empty hotel corridor decorated for a celebration, ending with Halloran in Miami trying to urgently contact the Overlook Hotel, revealing a deeper sense of impending danger.
- The scene opens with a Ranger on the phone, addressing Halloran's worries about a family stranded in a storm, agreeing to check on them. It then shifts to Jack Torrance in a bustling ballroom, where he engages with Lloyd, the bartender, who serves him free drinks, sparking Jack's curiosity. A minor mishap occurs when Grady accidentally spills a drink on Jack, leading to a friendly exchange as Grady offers to help clean up the mess, and they head to the gentlemen's room.
- In a tense encounter in the men's toilet, Jack confronts Grady, the former caretaker who murdered his family, while Grady cleans Jack's clothing. Grady denies his violent past and insists that Jack is the true caretaker. The conversation escalates as Grady reveals that Jack's son is attempting to involve an outsider, specifically a 'nigger cook,' into their troubled situation, leaving the conflict unresolved and the atmosphere unsettling.
- In a tense conversation in a men's lavatory, Jack and Grady discuss Jack's son, who is using his significant talent against Jack's will. Grady suggests that Jack needs to adopt a firmer parenting approach, drawing from his own experiences with discipline. Jack acknowledges his son's willfulness but deflects responsibility onto his wife. The scene highlights the conflict between their differing views on parenting, leaving the conversation unresolved and filled with ominous implications as Grady ends with a chilling smile.
- In a tense hotel scene, Wendy, overwhelmed and smoking, contemplates escaping the snowbound mountain with or without Jack. As she hears Danny repeatedly saying 'Red Rum,' she rushes to his bedroom, finding him in a trance-like state. Danny's alter ego, Tony, reveals that Danny cannot wake up, deepening Wendy's anxiety. The scene captures Wendy's emotional turmoil and determination to protect her son amidst the eerie isolation, culminating in a moment of vulnerability as she tries to comfort Danny.
- In a tense hotel office, JACK struggles to fix a malfunctioning radio while trying to respond to a ranger's urgent calls for communication with KDK 12. His determination is palpable as he unscrews the radio's cover and pulls out components, reflecting his frustration and desperation. The scene builds suspense as JACK's efforts remain unresolved, leaving the outcome uncertain.
- Halloran, anxious about the Overlook Hotel, speaks with a ranger who informs him of failed attempts to contact the hotel. After expressing gratitude, he decides to call back later. The scene shifts to a D.C.10 airplane where Halloran inquires about their arrival time in Denver, reflecting his urgency as he checks his watch after receiving the information.
- In this scene, Durkin answers a phone call from Halloran, who has just arrived at Stapleton Airport and needs to reach the Overlook. Despite the town's snow ploughs being operational, Durkin informs Halloran that the mountain roads are completely blocked due to snow, complicating Halloran's travel plans. The conversation highlights the urgency of the situation, leaving Halloran's journey uncertain.
- Halloran urgently contacts Durkin to request a snowcat for a remote location due to serious issues with the caretakers. Despite concerns about the severe weather, Durkin agrees to help after Halloran explains the situation. The scene shifts to Halloran driving through treacherous, snow-covered roads, highlighting the urgency and danger of his mission as he listens to a radio broadcast about worsening weather conditions.
- In the Overlook Hotel, Wendy searches for Jack while holding a baseball bat for protection. She discovers a typewriter filled with the ominous phrase 'ALL WORK AND NO PLAY MAKES JACK A DULL BOY.' Tension escalates when Jack appears, leading to a fraught conversation where Wendy struggles to express her concerns about their son, Danny. Jack's menacing demeanor hints at his deteriorating mental state, leaving the conflict unresolved as he suggests they discuss Danny, heightening the suspense.
- In a hotel corridor, Wendy and Jack engage in a heated argument about their son Danny's health. Wendy, armed with a bat, expresses her fears and suggests seeking medical help, while Jack becomes increasingly aggressive and manipulative. As the confrontation escalates, Wendy feels threatened and strikes Jack with the bat in self-defense, leading to a violent struggle that ends with Jack falling down the stairs, leaving Wendy shocked and distressed.
- In the tense kitchen of the Overlook Hotel, WENDY struggles to drag the disoriented JACK towards safety. As she manages to open the food store door, JACK, confused and in pain, questions her actions. Once inside, he attempts to rise but inadvertently knocks over cardboard boxes, further emphasizing his vulnerability and the chaotic urgency of the moment.
- In the hotel kitchen, Wendy secures the door and retrieves a knife as Jack, locked in the food store room, pleads to be let out, claiming he is hurt. Overwhelmed with emotion, Wendy kneels and weeps, torn between fear and her desire to protect her son, Danny. Jack attempts to manipulate her feelings, but Wendy resolves to seek help for Danny, leaving Jack trapped and the tension unresolved.
- In a tense scene, Jack ominously informs Wendy that she has a surprise waiting and prevents her from leaving the kitchen. Distressed, Wendy grabs a knife and flees through the snow-covered corridors of the Overlook Hotel. She enters the garage, only to discover the damaged distributor cap of the Snowcat, complicating her desperate attempt to escape Jack's menacing control.
- In the food store room of the Overlook Hotel, Jack Torrance is awakened by a knock, revealing Delbert Grady instead of his wife, Wendy. As they converse, Jack expresses his determination to resolve his issues, but Grady remains skeptical, hinting at the resourcefulness of Jack's wife and the harsh actions that may be necessary. The tension escalates as Jack reassures Grady of his commitment, but the exchange leaves doubt lingering in the air. The scene culminates with the sound of a bolt being drawn, signaling a pivotal moment ahead.
- In a tense and foreboding scene, Danny navigates the dark hotel room at night, drawn by the haunting voice of Tony repeating 'Red Rum.' As he approaches a knife on the table, he hesitates, feeling the blade's coldness before ultimately choosing to pick up lipstick instead. The atmosphere is thick with supernatural dread, highlighting Danny's internal struggle as he resists the ominous influence of Tony's voice, leaving the tension unresolved as he walks away.
- In a tense night scene at Jack's apartment in the Overlook Hotel, Danny, influenced by the voice of his imaginary friend Tony, writes 'MURDER' in reverse with lipstick while chanting 'Red Rum.' His mother, Wendy, awakens to his unsettling behavior and tries to comfort him, but her fear escalates as she sees the word reflected in the mirror. The atmosphere thickens with the ominous sound of an axe striking the door, leaving Wendy in a state of panic as the threat of violence looms.
- In a harrowing scene, Jack violently attacks the front door of his apartment with an axe, intent on breaking in. Inside, Wendy, clutching her son Danny, moves cautiously towards a bathroom marked with 'MURDER' and locks herself in, desperately trying to escape through the window. As Jack splinters the door and taunts her with 'Wendy, I'm home,' the tension escalates, culminating in Jack successfully unlocking the door, leaving Wendy and Danny's safety hanging by a thread.
- In a tense hotel bathroom, Wendy desperately lifts Danny out of a window, urging him to run and hide as Jack, wielding an axe, searches for them. The scene builds suspense as Wendy struggles to escape while Jack closes in, highlighting the urgent danger they face.
- In a tense confrontation, Jack taunts Wendy from outside the bathroom door, threatening to break in with an axe. Armed with a knife, Wendy prepares to defend herself as Jack splinters the door, delivering the chilling line 'Here's Johnny!' when his face appears through the gap. In a desperate attempt to protect herself, Wendy slashes Jack's hand, causing him to retreat in pain, but the conflict remains unresolved.
- As Halloran drives his Snowcat towards the Overlook Hotel, Wendy listens anxiously from the bathroom, while Jack, armed with an axe, stalks through the kitchen. Danny seeks refuge in the oven, heightening the tension as Wendy desperately slashes at the bathroom door to protect her son. Halloran arrives at the hotel, offering a glimmer of hope amidst the escalating violence.
- In a chilling hotel lobby scene, JACK, armed with an axe, ambushes HALLORAN, fatally wounding him as he searches for others. The tension escalates as DANNY witnesses the violent act in shock. After HALLORAN collapses, JACK calls out for DANNY, continuing his menacing search, leaving a trail of horror in his wake.
- In a tense scene at the Overlook Hotel, Wendy is terrified after encountering a man in a dog costume and another in evening dress, prompting her to flee. Meanwhile, Jack, armed with an axe, searches for their son Danny, who is hiding outside. As Jack calls for Danny, the boy makes a desperate escape into the snowy maze, heightening the suspense and fear of the moment.
- In a tense and suspenseful scene, Danny flees through a snowy maze, pursued by a limping Jack who calls out for him. Meanwhile, Wendy searches desperately for her son in the chaotic hotel kitchen, armed with a knife. She stumbles upon Halloran's dead body in the lobby, reacting in horror, and encounters an injured guest who makes a chilling remark about a party. Overwhelmed by fear, Wendy screams and runs away, leaving the audience in suspense about her fate.
- In a tense and suspenseful scene, Danny flees through a snowy maze outside the hotel, pursued by the menacing Jack, who taunts him as he limps. Inside, Wendy frantically searches for her son, encountering a chilling sight of skeletons at tables. As Jack's maniacal laughter echoes, Danny attempts to hide his tracks in the snow. Meanwhile, Wendy, armed with a knife, approaches the lift doors, where blood begins to pour out, amplifying the sense of impending danger. The scene culminates in a wave of blood gushing from the lift, leaving the characters in a state of dread.
- In a tense snowy maze, Danny hides against a mound of snow while Jack, limping and wielding an axe, desperately searches for him. The scene builds suspense through alternating shots of their movements, highlighting Jack's frantic calls for Danny and Danny's stealthy evasion. As Jack continues his search, Danny eventually emerges and runs away, successfully eluding his pursuer. The scene captures the cat-and-mouse dynamic between the two characters, set against the backdrop of an isolated winter landscape.
- In a tense and desperate scene outside the Overlook Hotel, Wendy frantically searches for her son Danny while holding a knife. Danny, scared, runs through a snowy maze but eventually finds his way into Wendy's arms. Meanwhile, Jack, wielding an axe and in a deteriorated state, searches for Danny but succumbs to the cold and his injuries. Wendy and Danny escape in a Snowcat, leaving Jack behind, who ultimately collapses in the snow. The scene concludes with a haunting shot of Jack dead in the snow, transitioning to photographs from a past event at the hotel.
Top Takeaway from This Section
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Character Jack Torrance
Description Jack's transition from a seemingly responsible caretaker to a violent and unstable individual lacks sufficient buildup. His sudden aggression towards Wendy and Danny feels abrupt and unmotivated, suggesting a lack of internal consistency in his character arc.
( Scene Sequence number 3 (INT. OVERLOOK HOTEL/ULLMAN'S OFFICE) Scene Sequence number 28 (INT. HOTEL - LOUNGE) ) -
Character Wendy Torrance
Description Wendy's character fluctuates between being a supportive mother and a terrified victim without clear motivation. Her initial confidence in handling Danny's issues contrasts sharply with her later panic, which undermines her character's development.
( Scene Sequence number 5 (INT. BOULDER APARTMENT/DANNY'S BEDROOM) Scene Sequence number 44 (INT. HOTEL - BATHROOM) )
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Description The timeline of events regarding Danny's visions and the supernatural occurrences in the hotel is inconsistent. For instance, Danny's awareness of the hotel's dangers seems to fluctuate, creating confusion about his abilities and the nature of the threats.
( Scene Sequence number 4 (INT. BOULDER APARTMENT/BATHROOM) Scene Sequence number 20 (INT. HOTEL - CORRIDOR) )
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Description The sudden appearance of supernatural elements, such as the ghosts and the blood in the hotel, lacks a clear explanation. The narrative does not adequately establish the rules of the supernatural, leading to confusion about what is real and what is a hallucination.
( Scene Sequence number 10 (INT. HOTEL BALLROOM/CORRIDOR) Scene Sequence number 44 (INT. HOTEL - BATHROOM) )
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Description Some of Jack's dialogue, particularly in his interactions with Ullman, feels overly formal and lacks the natural flow of conversation. This detracts from the authenticity of his character, making him seem less relatable.
( Scene Sequence number 3 (INT. OVERLOOK HOTEL/ULLMAN'S OFFICE) Scene Sequence number 28 (INT. HOTEL - LOUNGE) )
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Element Dialogue about the hotel
( Scene Sequence number 3 (INT. OVERLOOK HOTEL/ULLMAN'S OFFICE) Scene Sequence number 10 (INT. HOTEL BALLROOM/CORRIDOR) )
Suggestion The repeated discussions about the hotel's history and its isolation could be streamlined. Instead of reiterating the same points, the screenplay could consolidate these discussions to maintain narrative momentum.
Top Takeaway from This Section
Wendy - Score: 80/100
Role
Protagonist
Character Analysis Overview
Jack - Score: 84/100
Role
Antagonist
Character Analysis Overview
Danny - Score: 82/100
Role
Protagonist