John wick
Executive Summary
Pass/Consider/Recommend/Highly Recommend
This changed recently.
See Full Analysis
Overview
Genres: The, list, of, genres, for, the, movie, is:, Drama, Action, Romance, Thriller, Crime
Setting: Not provided in the provided context, Not provided in the provided context
Overview: The screenplay for John Wick demonstrates strong elements in character development, premise clarity, and emotional depth. However, there are opportunities for improvement in pacing, emotional resolution, and nuanced character exploration.
Themes: Grief and Loss, Revenge, Redemption, Violence and Death, Friendship and Loyalty
Conflict and Stakes: Primary conflicts and stakes are not provided in the provided context
Comparable Scripts:
Market Analysis
Budget Estimate:Budget estimate is not provided in the provided context
Target Audience Demographics: Target audience demographics are not provided in the provided context
Marketability:
Profit Potential: Profit potential is not provided in the provided context
Scene Level Percentiles
Writer's Voice
Summary:The writer's voice throughout the screenplay is characterized by minimalistic and concise writing, sparse dialogue, and atmospheric description. The writer emphasizes action and physical details over exposition, and the tone varies from somber and pensive to tense and gritty.
Best representation: Scene 16 - John Wick Takes Out Viktor. Scene 16 is the best representation of the writer's unique voice because it exemplifies the concise and straightforward writing style. The dialogue is minimalistic, and the scene descriptions are visually descriptive and action-oriented, creating a sense of urgency and immediacy.
Memorable Lines:
- John: My name is John Wick. You took my car. You killed my dog. Where is Iosef? (Scene 18)
- Viggo: Iosef... my son... is worth less than this... far less... treasures reduced to ash... (Scene 27)
- Viggo: For me to die like this...BECAUSE OF HIM...would be unfortunate. (Scene 28)
- John: Just because I'm good at killin'... doesn't mean I like it all that much. (Scene 23)
- Marcus: "It’s always 'just' something, John." (Scene 24)
Story Shape
Screenplay Rating:
Recommend
Executive Summary
John Wick is a compelling action thriller with a strong protagonist, a unique world, and well-executed action sequences. While there is room to further explore the motivations of the antagonists and delve deeper into John's emotional journey, the screenplay's strengths outweigh its weaknesses, making it a highly recommendable project.
Strengths
- Strong and clear character arc for John Wick, showcasing his transformation from grieving widower to ruthless assassin seeking revenge. high
- World-building of the assassin underworld with its own code of conduct, currency, and network of services. high ( Scene 1 Scene 4 Scene 21 )
- Action sequences are well-choreographed and described, emphasizing John Wick's efficiency and skill as an assassin. high
- Dialogue is sharp and impactful, often revealing character motivations and backstory in a concise manner. medium ( Scene 7 Scene 11 Scene 25 )
- Pacing is generally excellent, with a balance between slower, character-driven moments and high-octane action sequences. medium
Areas of Improvement
- The motivations of the antagonists, particularly Iosef, could be further explored to add depth and complexity to the conflict. medium
- The emotional impact of certain scenes, such as Norma's death and the killing of Moose, could be heightened through more detailed descriptions of John's internal struggle and grief. medium
- The rules and limitations of the Continental Hotel's neutrality could be more clearly defined, as there are instances where the boundaries seem ambiguous. low ( Scene 16 Scene 21 )
MissingElements
- John Wick's backstory and his relationship with Viggo could be further explored to provide more context for their animosity and the stakes of the conflict. medium
Screenplay Insights:
Characters: 7.5, The screenplay showcases a strong foundation in character development, crafting characters that are well-rounded and relatable. However, there are opportunities to enhance certain aspects to deepen the audience's emotional connection and drive the narrative impact. See More
Premise: 7.75, The screenplay's premise effectively establishes a compelling and clear foundation for a revenge-driven narrative, introducing a highly skilled hitman seeking retribution for the death of his beloved dog. However, the premise could be further enhanced by exploring the protagonist's emotional arc in more depth and introducing a more nuanced exploration of the criminal underworld. See More
Structure: 7.25, The screenplay for John Wick exhibits a solid structure and plotline. The revenge-driven narrative effectively maintains audience engagement. However, there are opportunities to refine the pacing and enhance the plot's depth and originality. See More
Theme: 8.5, The screenplay effectively explores relatable themes of grief, revenge, and redemption through a compelling narrative. However, the underlying messages could be further clarified and integrated into the plot to enhance their emotional impact. See More
Visual Impact: 7.75, The screenplay features instances of effective and creative visual imagery, particularly in portraying John's emotional connection to his dog Moose and his subsequent quest for revenge. However, certain areas could benefit from further development and refinement to enhance the overall visual storytelling and captivate the audience visually. See More
Emotional Impact: 7.50, The screenplay effectively evokes a strong emotional response by showcasing a protagonist driven by a relatable desire for revenge after the tragic loss of his dog. However, expanding on the emotional depth of the characters, particularly their internal conflicts and motivations, would further enhance the script's emotional impact and resonate deeply with the audience. See More
Conflict: 8.5/10, The screenplay effectively uses conflict and stakes to drive narrative tension and engage the audience, but there are some areas where it could be further enhanced. See More
Originality: 8.25, The screenplay for John Wick showcases originality and creativity through its unique blend of neo-noir elements with the high-octane action genre. The film's distinctive visual style, immersive world-building, and compelling characters set it apart from conventional action thrillers. See More
Premise: 7.75, The screenplay's premise effectively establishes a compelling and clear foundation for a revenge-driven narrative, introducing a highly skilled hitman seeking retribution for the death of his beloved dog. However, the premise could be further enhanced by exploring the protagonist's emotional arc in more depth and introducing a more nuanced exploration of the criminal underworld. See More
Structure: 7.25, The screenplay for John Wick exhibits a solid structure and plotline. The revenge-driven narrative effectively maintains audience engagement. However, there are opportunities to refine the pacing and enhance the plot's depth and originality. See More
Theme: 8.5, The screenplay effectively explores relatable themes of grief, revenge, and redemption through a compelling narrative. However, the underlying messages could be further clarified and integrated into the plot to enhance their emotional impact. See More
Visual Impact: 7.75, The screenplay features instances of effective and creative visual imagery, particularly in portraying John's emotional connection to his dog Moose and his subsequent quest for revenge. However, certain areas could benefit from further development and refinement to enhance the overall visual storytelling and captivate the audience visually. See More
Emotional Impact: 7.50, The screenplay effectively evokes a strong emotional response by showcasing a protagonist driven by a relatable desire for revenge after the tragic loss of his dog. However, expanding on the emotional depth of the characters, particularly their internal conflicts and motivations, would further enhance the script's emotional impact and resonate deeply with the audience. See More
Conflict: 8.5/10, The screenplay effectively uses conflict and stakes to drive narrative tension and engage the audience, but there are some areas where it could be further enhanced. See More
Originality: 8.25, The screenplay for John Wick showcases originality and creativity through its unique blend of neo-noir elements with the high-octane action genre. The film's distinctive visual style, immersive world-building, and compelling characters set it apart from conventional action thrillers. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- John Wick, a tired and beaten down former boxer and military man, begins his day with a sense of emptiness before receiving a phone call that devastates him. He visits a hospital with flowers in hand.
- John visits his comatose wife at the hospital, and she passes away. In his grief, he destroys pictures of memories with her. He then receives a package with a pet carrier and finds a small, energetic dog inside.
- John receives a letter from his late wife, urging him to live his life and stop what he's doing. He receives a pet carrier with a small dog inside, and they named it Moose. The scene jumps ahead three years, and the homestead looks much nicer than before.
- John Wick starts his day with his dog Moose as they go through their daily routine before Moose alerts John to a potential danger and runs outside.
- John Wick mourns the death of his beloved dog, Moose, and prepares for action.
- John grieves the loss of his dog Moose and prepares for action against those responsible for his death.
- A confrontation ensues when Iosef and his gang show up at Aurelio's automotive looking for John Wick's Mustang, which they stole. Aurelio recognizes the car and confronts them, leading to a showdown.
- John seeks revenge for the death of his dog and goes on a rampage against those responsible, ultimately retrieving his stolen car.
- John engages in a high-speed chase with police and ultimately hides in an abandoned warehouse. He then visits Aurelio's automotive and interrogates a wounded driver for information on Iosef Tarasov's whereabouts.
- Aurelio strikes Viggo's son for stealing John Wick's car and killing his dog. In retaliation, Viggo orders for John's life, which results in John seeking revenge and retrieving his stolen car.
- Viggo confronts Iosef, who stole John Wick's car and killed his dog, over his reckless actions and reveals the true identity of their target, leading to a tense showdown.
- John interrogates a wounded driver for information on his target, Viggo orders for John's life, and John is attacked by four masked gunmen in his own home.
- John Wick disposes of the bodies of the gunmen who attacked him in his home and makes a reservation at a restaurant.
- Viggo puts a bounty on John Wick's head, while John visits Charlie and seeks Marcus' help.
- Marcus agrees to help John Wick despite being retired and John travels to a hotel while being pursued by assassins.
- John Wick arrives at a hotel and makes a reservation before preparing his weapons for battle. He then heads to an upscale night club called The Red Circle.
- John goes to an upscale nightclub, The Red Circle, to track down and kill Viktor. He blends in with the crowd and pays for a VIP table. After spotting Viktor, John follows him to the bathroom and kills his bodyguards before killing Viktor with a straight razor.
- John Wick confronts Viktor in a bathroom stall, tortures him for information about Iosef and Viggo, and kills him in a violent and brutal manner. He then exits the club, changes clothes and leaves to track down Iosef.
- John Wick tracks down Viktor at an upscale night club and kills him brutally before leaving to hunt down Iosef.
- John Wick seeks medical advice and weapons before heading to a secret underground entryway to enter The Continental's Speak Easy to store his weapons.
- John visits The Continental's Speak Easy, converses with old friends, and watches a performance by Jenny. Meanwhile, David Perkins takes pictures of John and plans to capture him alive.
- John is ambushed in his hotel room by a team of assassins sent to kill him. He fights back using his skills and weapons.
- John is ambushed in his hotel room by assassins sent to kill him. He fights back and interrogates one of them for information on Iosef's location.
- John talks with an old friend and comes to terms with his recent actions.
- John is ambushed by assassins sent to kill him. He fights back and escapes, leaving one alive to interrogate for information on Iosef's location.
- John takes drastic action and stages a bank heist to retrieve Viggo's personal stash
- John stages a bank heist to retrieve Viggo's personal stash of cash, artwork, and jewels, which he burns down after stealing.
- John stages a bank heist to retrieve Viggo's personal stash and is ambushed by assassins sent to kill him. He fights back and escapes, leaving one alive to interrogate for information on Iosef's location. John eventually ends up confronting Viggo and retrieving information on Iosef's whereabouts as he dies.
- Iosef and the Captain are onboard The Chayka, a smuggling ship filled with weapons and luxury cars. The ship is attacked, security guards are killed, and Iosef's father is revealed to have died. The Captain takes action while Iosef drinks and waits.
- John escapes from the assassins and blows up the cannery with C-4 charges.
- John fights his way through the ship to confront Iosef and the Captain. The Captain is killed, and John pursues Iosef.
- John finally confronts Iosef, kills him, and escapes to a veterinarian's office to treat his wounds.
- John seeks redemption after killing Iosef and rescuing a dog from being put down. He drives off into the distance with the dog by his side.
CharacterInconsistencies
-
Character John Wick
Description John's initial depiction as a grieving and broken man contrasts with his later ruthlessness and efficiency as an assassin. While his past is revealed, the transition feels abrupt, and his emotional state could be better explored.
( Scene 1 Scene 2 ) -
Character Iosef Tarasov
Description Iosef's cocky and arrogant demeanor seems unjustified given his lack of experience and skills, especially when facing Aurelio and later, John Wick. His fear and desperation in later scenes don't align with his initial portrayal.
( Scene 6 Scene 7 )
StoryInconsistencies
-
Description John Wick's ability to evade the police pursuit with relative ease, including the use of nitrous oxide, feels somewhat unrealistic and convenient for the plot.
( Scene 9 ) -
Description The hotel manager's immediate recognition and acceptance of John Wick's gold coin as payment without question or surprise feels slightly forced.
( Scene 16 )
PlotHoles
-
Description David Perkins's motivation for taking pictures of John Wick in the Continental and risking his membership remains unclear and unexplained.
( Scene 22 )
DialogueAuthenticity
-
Description John Wick's biblical references during his phone call to Iosef feel slightly out of place and don't align with his usual demeanor.
( Scene 19 )
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| John Wick | John Wick goes through a character arc that takes him from a grieving, lonely man to a man seeking vengeance. Initially, he is inconsolable in his grief and finds solace in his routine. He is forced out of his routine when his dog is killed and seeks revenge, drawing on his training and ruthless resolve. In the end, he finds closure and a sense of purpose in his revenge, coming to terms with his loss and freeing himself from the cycle of grief. | The character arc for John Wick is well-executed, but it falls into the trap of relying too heavily on revenge as the solution to his grief. While seeking vengeance provides closure for John, it doesn't resolve his grief or provide a healthy way to move on from his loss. Additionally, the arc doesn't explore the impact of John's actions on the characters around him and the wider world of the story. | To improve the character arc, the story could incorporate moments where John begins to process his grief in a healthier way, perhaps through therapy or finding a new passion. The arc could also explore the consequences of John's actions, both on the people who wronged him and on the wider criminal underworld. These additions would deepen John's character and make the story more impactful. |
| Moose | Moose's arc in the screenplay is one of tragedy and sacrifice. Although he is a minor character, his death sets the protagonist on a path of revenge and redemption. Moose's death is the inciting incident that drives the plot forward and ultimately leads to John's transformation. Throughout the film, Moose remains a powerful symbol of John's loss and his unwavering loyalty. | While Moose is an important character in the story, his arc feels somewhat unrealistic and contrived. It seems unlikely that the death of a dog would have such a profound impact on a person's life, especially one who is already a hardened killer. Additionally, Moose's sacrificial death feels like an easy way to manipulate the audience into feeling sympathy for John. As a result, the character comes across as a bit manipulative and forced. | To improve Moose's character arc, the writer could focus more on John's relationship with Moose and how it reflects his humanity. Instead of simply using Moose as a plot device, the writer could explore how Moose represents John's more vulnerable side and how losing him is a catalyst for John's transformation. By making Moose's death feel more organic and less manipulative, the audience will be more invested in John's journey and the story will feel more authentic. |
| Aurelio | At the beginning of the movie, Aurelio is content with his life and business. However, when John comes to him for help, Aurelio becomes involved in a dangerous criminal underworld that slowly puts him and his team in harm's way. Throughout the course of the movie, he risks everything to help John and becomes a valuable ally in John's mission for revenge. By the end of the movie, Aurelio has grown from a content auto mechanic to a trusted ally in the criminal underworld, ready to do whatever it takes to stand by his friends. | While Aurelio is a well-written character, his arc could be expanded on more. His role in the story is primarily as a helper to John and a trusted friend. It would be interesting to see Aurelio have more of a personal stake in the events of the story, perhaps by introducing a conflict or challenge that he must overcome in order to help John. | One way to improve Aurelio's character arc would be to introduce a storyline where his garage is in danger of being shut down, and Aurelio must work with John to save it. This would give Aurelio a personal stake in the story and add an extra layer of tension to his character arc. Additionally, it would be interesting to see Aurelio's moral compass tested, perhaps by having him make a difficult decision that goes against his usual way of doing things. |
| Iosef | Iosef's character arc begins with him being a carefree and arrogant member of the Russian mafia. However, after stealing John's car and killing his dog, Iosef's world is turned upside down as John seeks revenge. As he begins to understand the consequences of his actions, Iosef becomes increasingly afraid and vulnerable, realizing that he has crossed a line that cannot be undone. This fear ultimately leads to him being willing to turn on his own family and become a witness for John's case against the Russian mafia, a decision that ultimately leads to his downfall and death. | While Iosef's character arc is well-developed, it falls into the trap of the 'villain redemption' trope, in which a character's wrongdoing is ultimately resolved by becoming a hero. This trope can be problematic because it absolves the character of their wrongdoings and ignores the consequences of their actions. Additionally, Iosef's arc may feel predictable and lacks a sense of uniqueness. | To improve Iosef's character arc, the focus should shift away from his redemption and instead highlight the consequences of his actions. This could be done by showing the impact that his crimes have on John's life and the people around him, as well as the repercussions that Iosef faces from both the law and the Russian mafia. It may also be beneficial to give Iosef more depth and complexity beyond his role as a villain, such as exploring his motivations for joining the mafia and his relationships with other characters. By doing so, his arc will feel more nuanced and less predictable. |
| John | John starts as a skilled and determined hitman seeking revenge for the death of his dog. As he fights through various levels of enemies, he begins to realize the toll his life of violence has taken on him and seeks redemption by rescuing a dog named Miko from being put down. The appreciation and love he receives from Miko help him find a sense of purpose and a way to move on from his dark past. | The character arc is a bit predictable and relies heavily on cliches. While the redemption storyline is compelling, it feels like a rehashing of similar storylines we've seen in other action movies. John's initial motivation for revenge also feels a bit superficial and doesn't provide much depth to his character. | To improve the character arc, perhaps consider delving more into John's past and exploring the reasons why he became a hitman in the first place. This could add more depth to his character and provide a more nuanced understanding of his motivations. Additionally, consider adding more complexity to John's relationships with other characters, such as his former employer and potential allies. This could add more tension and intrigue to the overall story. |
| Iosef Tarasov | Iosef's character arc in the screenplay begins with him stealing John Wick's car, setting off a chain of events that leads to his own demise. Initially dismissive of the danger he has put himself in, Iosef is forced to confront the reality of his situation when his father becomes involved. As John enters the scene, Iosef becomes increasingly defiant and arrogant, even as he realizes that he has severely underestimated his opponent. Throughout the film, Iosef is shown to be completely out of his depth, unable to comprehend the gravity of the situation he has put himself in. Ultimately, his arrogance and carelessness lead to his downfall, as John exacts his brutal revenge. | The character arc for Iosef Tarasov is somewhat underdeveloped, with his character remaining largely static throughout the film. While he does experience moments of fear and realization, there is little actual growth or change in his personality. Additionally, his motivations remain unclear - why does he decide to steal John's car, and why does he continue to provoke him even as he realizes the danger he's in? | To improve Iosef's character arc, it would be beneficial to explore his backstory and motivations more deeply. What drives him to act out in such a reckless manner? Is he trying to impress his father, or does he simply enjoy the thrill of the power he wields? Additionally, showing more vulnerability or moments of weakness would humanize him and make his eventual downfall more impactful. Finally, Iosef's ultimate fate could be used to highlight the dangers of hubris and entitlement, and show the consequences of failing to take things seriously. |
| Viggo | At the beginning of the screenplay, Viggo is confident in his power and his ability to control those around him. However, as he becomes increasingly aware of John Wick's skill and determination, he realizes that he may have underestimated his opponent. As John continues to sabotage his plans, Viggo becomes increasingly desperate and erratic, lashing out in anger and making increasingly risky decisions. In the end, his obsession with revenge leads to his downfall, as he is ultimately unable to outsmart John and is forced to confront the consequences of his actions. | Overall, Viggo's arc is fairly well-executed. However, it could benefit from more nuance and complexity. While his initial confidence and ruthlessness are well-established, his descent into desperation and recklessness feels somewhat abrupt and unearned. Additionally, his ultimate defeat at the hands of John Wick feels somewhat predictable, and it would be interesting to see him engage in more active attempts to outsmart his opponent. | To improve Viggo's character arc, consider adding more depth to his motivations and backstory. What led him to become a crime lord, and what drives him to protect his son and his empire at any cost? Additionally, give him more opportunities to demonstrate his cunning and intelligence in his attempts to outsmart John. For example, he could take more active steps to try and track down John or get closer to his inner circle, rather than relying solely on his enforcers. Finally, consider giving him a more complex relationship with John, perhaps showing some grudging respect or even a twisted kind of friendship as they engage in a deadly game of cat and mouse. |
| Marcus | At the beginning of the movie, Marcus is content with his retirement and has no desire to return to the world of hitmen. However, when John reaches out for help, he is drawn back in. Throughout the film, Marcus struggles with his conflicting desires for a peaceful life and his loyalty to his friend. Ultimately, he chooses to help John, but his actions have consequences that force him to question whether he made the right choice. By the end of the movie, Marcus has come to terms with the fact that his past will always be a part of him, but he can still strive to do better in the future. | The character arc for Marcus is solid, but it could benefit from a clearer motivation for his decision to help John. While it makes sense that he would feel loyal to an old friend, there could be more explanation for why he is initially hesitant to become involved. Additionally, his ultimate decision to help John could use more of an emotional payoff, rather than simply being the right thing to do. Finally, while Marcus has some depth as a character, his personality and motivations are somewhat overshadowed by John Wick's story. | To improve Marcus's character arc, the screenplay could explore his motivations for retiring from his hitman days in the first place, to give context for why he is reluctant to help John. The movie could also give him more moments of emotional conflict, where he doubts his choices and struggles with the consequences of his actions. Additionally, the film could spend more time developing Marcus as a character in his own right -- perhaps giving him a distinct goal or desire that isn't just tied to his relationship with John. |
| Theme | Theme Details | Themee Explanation |
|---|---|---|
| Grief and Loss | John is mourning the loss of his wife and the death of his dog, which motivates his actions throughout the screenplay. | Grief and loss are central themes to the story of John Wick, the loss of his wife and his dog motivating him to take revenge and act on his own terms. |
| Revenge | John seeks revenge on those who have wronged him, starting with Iosef and his gang stealing his car and then moving on to those who were hired to kill him. | The theme of revenge is a driving force in John Wick, as his anger and desire for revenge motivate him to take action against those who have wronged him. |
| Redemption | John is seeking to redeem himself by leaving his violent past as a hired killer behind, but is ultimately forced to embrace his violent nature once again in order to achieve his goals. | The theme of redemption is also present in John Wick, as he seeks to leave his violent past behind and start anew, but ultimately has to embrace that part of himself in order to achieve his goals. |
| Violence and Death | The film is filled with scenes of violence and death, from the opening sequence where John's wife dies to the final confrontation with Iosef. | The theme of violence and death is prominent throughout the screenplay, as it is a defining characteristic of John Wick's world and his own actions. |
| Friendship and Loyalty | John's friendship and loyalty to Marcus are important to the film's plot and his overall character. | The theme of friendship and loyalty is also important to the story, as John's relationship with Marcus is a defining aspect of his character and the film's plot. |
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \
It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Scorn | "somber" | 7 | 6 | 7 | 6 | 8 | 6 | 9 | 8 | 4 | 0 | 4 | 6 | 0 | 8 | 6 | 8 | 10 | 10 | 9 | |
| 2 - John's Loss | "melancholic" | 8 | 7 | 9 | 8 | 9 | 8 | 10 | 7 | 5 | 0 | 6 | 8 | 0 | 9 | 6 | 7 | 9 | 10 | 8 | |
| 3 - The Letter and the Puppy | "Somber, but hopeful" | 9 | 9 | 8 | 5 | 9 | 7 | 9 | 8 | 2 | 0 | 4 | 9 | 0 | 8 | 7 | 6 | 9 | 8 | 7 | |
| 4 - Morning Routine | "Sad" | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 8 | 6 | 0 | 6 | 7 | 0 | 9 | 5 | 9 | 8 | 9 | 8 | |
| 5 - The Death of Moose | "Somber" | 9 | 10 | 9 | 5 | 9 | 8 | 9 | 8 | 10 | 0 | 8 | 9 | 0 | 10 | 0 | 10 | 10 | 8 | 9 | |
| 6 - John Wick mourns Moose and prepares for action | "somber yet intense" | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 9 | 9 | 0 | 10 | 8 | 0 | 9 | 7 | 10 | 8 | 10 | 9 | |
| 7 - John Wick Confronts Iosef and His Gang | "tense" | 9 | 8 | 9 | 10 | 8 | 7 | 10 | 8 | 10 | 0 | 9 | 8 | 0 | 8 | 8 | 10 | 10 | 9 | 8 | |
| 8 - Retribution | "intense" | 10 | 8 | 10 | 9 | 8 | 6 | 8 | 9 | 11 | 0 | 10 | 11 | 0 | 8 | 7 | 10 | 9 | 9 | 8 | |
| 9 - High-Speed Chase and Interrogation | "Intense" | 8.5 | 8 | 8 | 8 | 9 | 6 | 8 | 9 | 9 | 0 | 9 | 8 | 0 | 7 | 7 | 10 | 10 | 10 | 9 | |
| 10 - Retribution | "Tense" | 10 | 8 | 10 | 7 | 9 | 7 | 8 | 8 | 10 | 0 | 11 | 10 | 0 | 9 | 8 | 9 | 8 | 10 | 9 | |
| 11 - Viggo and Iosef's Showdown | "Tense" | 9 | 9 | 9 | 0 | 10 | 6 | 0 | 0 | 10 | 0 | 10 | 9 | 0 | 9 | 7 | 0 | 0 | 0 | 0 | |
| 12 - Revenge is Coming | "Tense" | 9 | 7 | 8 | 6 | 8 | 6 | 8 | 9 | 10 | 0 | 10 | 9 | 0 | 7 | 7 | 9 | 10 | 10 | 8 | |
| 13 - Clean Up Duty | "Intense" | 9 | 8 | 8 | 7 | 9 | 3 | 9 | 8 | 9 | 0 | 9 | 9 | 0 | 7 | 7 | 10 | 9 | 9 | 9 | |
| 14 - The Bounty | "Tense" | 9 | 9 | 9 | 8 | 9 | 6 | 9 | 8 | 9 | 0 | 10 | 8 | 0 | 8 | 8 | 9 | 9 | 9 | 9 | |
| 15 - Retired | "Tense" | 9 | 8 | 9 | 4 | 8 | 6 | 0 | 8 | 9 | 0 | 10 | 9 | 0 | 7 | 7 | 7 | 9 | 9 | 8 | |
| 16 - John Prepares for Battle | "Suspenseful" | 8 | 8 | 8 | 6 | 7 | 5 | 8 | 9 | 8 | 0 | 9 | 8 | 0 | 6 | 6 | 9 | 9 | 9 | 8 | |
| 17 - John Wick Takes Out Viktor | "Intense" | 9 | 8 | 9 | 6 | 9 | 5 | 9 | 10 | 9 | 0 | 9 | 10 | 0 | 8 | 7 | 10 | 9 | 9 | 8 | |
| 18 - The Red Circle Assassination | "Intense" | 9 | 8 | 9 | 6 | 10 | 7 | 9 | 8 | 10 | 0 | 10 | 9 | 0 | 9 | 7 | 10 | 9 | 9 | 8 | |
| 19 - John Seeks Revenge | "Intense" | 9 | 9 | 9 | 9 | 8 | 6 | 8 | 9 | 10 | 0 | 10 | 9 | 0 | 7 | 7 | 10 | 10 | 9 | 9 | |
| 20 - Preparing for Battle | "Intense" | 9 | 8 | 9 | 8 | 8 | 5 | 8 | 9 | 8 | 0 | 7 | 7 | 0 | 6 | 7 | 10 | 8 | 9 | 9 | |
| 21 - John at The Continental's Speak Easy | "Melancholic" | 8 | 7 | 8 | 5 | 9 | 6 | 8 | 7 | 7 | 0 | 7 | 6 | 0 | 9 | 7 | 8 | 8 | 9 | 9 | |
| 22 - The Attack | "Intense" | 10 | 9 | 9 | 9 | 10 | 6 | 10 | 9 | 10 | 0 | 10 | 9 | 0 | 7 | 7 | 10 | 10 | 9 | 8 | |
| 23 - Ambush at the Continental | "Intense" | 8 | 7 | 8 | 5 | 8 | 6 | 10 | 9 | 10 | 0 | 10 | 9 | 0 | 7 | 7 | 9 | 10 | 10 | 10 | |
| 24 - Late-night conversation | "serious" | 7 | 7 | 6 | 6 | 8 | 6 | 9 | 8 | 5 | 0 | 4 | 6 | 0 | 7 | 7 | 8 | 9 | 10 | 9 | |
| 25 - Diner Ambush | "Tense" | 9 | 8 | 9 | 5 | 9 | 6 | 8 | 10 | 10 | 0 | 10 | 10 | 0 | 7 | 7 | 10 | 9 | 10 | 9 | |
| 26 - The Bank Heist | "Intense" | 9 | 8 | 9 | 6 | 8 | 7 | 9 | 10 | 10 | 0 | 11 | 10 | 0 | 8 | 7 | 10 | 10 | 10 | 9 | |
| 27 - Bank Heist | "Dark" | 9 | 8 | 9 | 7 | 8 | 6 | 9 | 10 | 10 | 0 | 10 | 10 | 0 | 8 | 7 | 10 | 9 | 10 | 9 | |
| 28 - The Heist and Ambush | "Intense" | 10 | 8 | 9 | 7 | 9 | 7 | 8 | 9 | 10 | 0 | 10 | 9 | 0 | 10 | 6 | 9 | 9 | 10 | 8 | |
| 29 - Assault on The Chayka | "Suspenseful" | 8 | 8 | 9 | 6 | 7 | 6 | 8 | 9 | 9 | 0 | 9 | 8 | 0 | 7 | 7 | 9 | 9 | 10 | 10 | |
| 30 - John's Escape | "Intense" | 8 | 9 | 8 | 7 | 6 | 4 | 9 | 8 | 10 | 0 | 10 | 9 | 0 | 6 | 4 | 8 | 8 | 9 | 9 | |
| 31 - The Final Showdown | "Intense" | 9 | 8 | 9 | 6 | 9 | 7 | 10 | 10 | 10 | 0 | 10 | 9 | 0 | 9 | 6 | 10 | 10 | 9 | 8 | |
| 32 - The Final Confrontation | "Intense" | 10 | 8 | 9 | 8 | 10 | 7 | 10 | 10 | 10 | 0 | 10 | 9 | 0 | 8 | 6 | 10 | 9 | 10 | 10 | |
| 33 - John's Redemption | "Reflective" | 8 | 8 | 8 | 6 | 7 | 9 | 8 | 9 | 3 | 0 | 2 | 6 | 0 | 8 | 6 | 8 | 9 | 10 | 9 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Strong emotional impact on the audience
- Tension and suspense is palpable
- Intense action
- Effective portrayal of John's grief
- Establishes a clear change in John's life
Scene Weaknesses
- Slow-paced, lacks action
- Lack of dialogue
- Limited dialogue and character development
- Violence may be too graphic for some viewers
- Simplistic dialogue
Suggestions
- Consider balancing dialogue with action to maintain pacing
- Focus on developing characters and their motivations through dialogue
- Explore ways to advance the plot without relying on excessive violence
- Work on crafting impactful and memorable dialogue
- Challenge oneself to create tension and suspense in scenes that may not rely on action
World Building
- Physical environment: The world depicted in the screenplay is a mix of small town, suburban, urban, and luxurious settings. The physical environments range from quaint and peaceful, to gritty and dangerous with various locations depicted as dangerous, isolated, and heavily guarded.
- Culture: The screenplay presents a mix of cultures with elements of Russian, American and Japanese cultures present in the dialogue, language, and actions of the characters. Additionally, cultural elements that are centered around criminal activity and loyalty among thieves are present.
- Society: The societal structure portrayed in the screenplay is one of organized crime where criminal activities are punished. There is also a clear hierarchy present in some settings where some people hold power over others.
- Technology: The technological aspects shown in the screenplay include various types of weapons such as silenced pistols, shotguns, and a ceramic straight razor. There are also technological elements such as phones, dashboard computers, and fingerprint readers which are used to access a vault.
- Characters influence: The unique physical environments, cultures, societies, and technological elements create an atmosphere of danger, tension, and urgency that impacts the characters' experiences and actions. The characters operate within a society that values loyalty and honor among thieves, and is centered around criminal activity where the stakes are high.
- Narrative contribution: The world elements in the screenplay contribute to the narrative of a retired assassin who seeks revenge and goes on a rampage to get his stolen car back. The use of technological elements such as fingerprint readers and computer dashboards add to the tense atmosphere of some scenes while the mix of cultures and settings adds to the overall intrigue of the story.
- Thematic depth contribution: The world elements in the screenplay contribute to the thematic depth of the story by showing the consequences of a life of violence and the desire to leave it behind. The struggle between the past and present, as well as the need for vengeance and redemption, are explored in the story.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice throughout the screenplay is characterized by minimalistic and concise writing, sparse dialogue, and atmospheric description. The writer emphasizes action and physical details over exposition, and the tone varies from somber and pensive to tense and gritty. |
| Voice Contribution | The writer's voice contributes to the script by creating a sense of atmosphere and tension. The minimalist dialogue and description allow the audience to focus on the emotional depth of the characters and the intensity of the action. The sparse writing style also adds to the realism and grittiness of the screenplay. |
| Best Representation Scene | 16 - John Prepares for Battle |
| Best Scene Explanation | Scene 16 is the best representation of the writer's unique voice because it exemplifies the concise and straightforward writing style. The dialogue is minimalistic, and the scene descriptions are visually descriptive and action-oriented, creating a sense of urgency and immediacy. |
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Tone and Emotional Impact | There is a strong positive correlation between the tone and emotional impact scores, with higher tone scores more likely to correspond with higher emotional impact scores. |
| Dialogue and Conflict | Scenes with higher dialogue scores tend to also have higher conflict scores, suggesting that effective dialogue is often used to generate tension. |
| Concept and Plot | Scenes with higher concept scores tend to also have higher plot scores, suggesting that an engaging concept can often be required for a compelling plot. |
| High Stakes and Character Changes | Scenes with higher stakes scores tend to also have higher character change scores, indicating that significant character arcs may often be driven by high stakes events. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Revenge plot | John seeks revenge after his car is stolen and his dog is killed. | A common trope where a character seeks vengeance for a wrong-doing against them or their loved ones. An example of this can be seen in the movie 'Kill Bill' where the main character, 'The Bride', seeks revenge against those who wronged her and tried to kill her on her wedding day. |
| Hero's Journey | John goes on a quest to avenge his dog's death and retrieve his stolen car. | A classic trope where the protagonist goes on a journey to overcome obstacles and achieve a goal. An example of this can be seen in the movie 'Star Wars: A New Hope' where Luke Skywalker embarks on a journey to save the galaxy and become a jedi. |
| Tragic back story | John is a retired boxer and military man who mourns the loss of his wife, and later his dog. | A trope where a character has a traumatic experience in their past that affects their present behavior. An example of this can be seen in the show 'Breaking Bad' where Walter White's tragic backstory and cancer diagnosis drive him to become a drug lord. |
| Final showdown | John engages in a final confrontation with Iosef on The Chayka. | A trope where the protagonist and antagonist have a climactic battle or confrontation to resolve the conflict. An example of this can be seen in the movie 'The Matrix' where Neo and Agent Smith have a final showdown to determine the fate of humanity. |
| Redemption arc | John seeks to return from his violent past as a hired killer and save Miko from being euthanized. | A trope where a character seeks redemption for their past actions or mistakes. An example of this can be seen in the show 'The Sopranos' where Tony Soprano seeks redemption for his criminal activities and tries to become a better person. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 18 | John: My name is John Wick. You took my car. You killed my dog. Where is Iosef? |
| 27 | Viggo: Iosef... my son... is worth less than this... far less... treasures reduced to ash... |
| 28 | Viggo: For me to die like this...BECAUSE OF HIM...would be unfortunate. |
| 23 | John: Just because I'm good at killin'... doesn't mean I like it all that much. |
| 24 | Marcus: "It’s always 'just' something, John." |
Some Loglines to consider:
| A retired hitman seeks revenge for the death of his dog and faces off against a powerful underworld figure's son. |
| With a bounty on his head, a hitman battles for survival while targeting those who killed his dog. |
| John Wick, a hitman on a mission for vengeance, takes on a host of assassins from the underground world. |
| In the wake of a robbery that takes his canine companion, John Wick goes after those responsible and sets out to settle the score. |
| After avenging the loss of his beloved dog and avoiding assassins, John seeks solace in saving a new four-legged friend and taking to the open road. |
Help & FAQ
Frequently Asked Questions
Start with the executive summary to get a bird's eye view.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
Click on the Print Analysis link in the left menu. You can then print to PDF or save it as PDF.
Click the Scene Analysis link on the left menu. Next to each scene title you can click "improve". In the improve page you can select any scene from your script to work on.
Yes. You own the rights to your script. We do not claim any ownership of your script. We're simply using it to generate the analysis.
No. We do not use your script to train our AI. The AI uses your script to generate the analysis and nothing else.
SceneProv is a game that helps you improve your craft.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
The maximum length of a screenplay is 160 pages.
Unfortunately it's a known issue for the time being. Fixing this is on the roadmap.
If you're having trouble uploading your script, please email us at 'help@scriptreader.ai'
The goal of ScriptReader.ai is not 100% comprehension, but rather to assist you in improving your script and craft. The valuable insights should still be many. ScriptReader.ai is a tool with a bit of getting used to. We're trying to make the learning curve as easy as possible. If you have any suggestions, please email us at suggestions@scriptreader.ai
Two common issues are:
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at help@scriptreader.ai
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at help@scriptreader.ai
Feature Request
Got an idea to improve our service? We'd love to hear it!
Recommend
Explanation: John Wick is a compelling action thriller with a strong protagonist, a unique world, and well-executed action sequences. While there is room to further explore the motivations of the antagonists and delve deeper into John's emotional journey, the screenplay's strengths outweigh its weaknesses, making it a highly recommendable project.