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Scene Map 33
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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SCORN by Derek Kolstad New Wave Entertainment (818) 295-8071
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INT. THE HOSPITAL - A ROOM - CONTINUOUS John slowly approaches the figure lying in bed: surrounded by machinery, accompanied by the soft sounds of technology. He removes the wilted daisies from the vase, tosses them in the trash, and replaces them with fresh ones.
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INT. THE WICK HOME - THE KITCHEN - DAY Holding the envelope in his hands, John sits across from the carrier which he has set upon the table. Inside, the Chorgi lies with paws crossed, studying him, tilting her head from side to side.
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INT. THE WICK HOME - THE MASTER BEDROOM - CONTINUOUS The alarm sounds, followed by silence when a heavy hand drops down upon the snooze button. THUMP. THUMP. THUMP. Silence.
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INT. THE WICK HOME - THE LIVING ROOM - CONTINUOUS -and freezes at the sight of two MASKED MEN... ...a half-second before a THIRD MAN steps into frame and drives the butt of his shotgun against the side of John’s head. He drops to the floor, hard.
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INT. THE WICK HOME - THE KITCHEN - EARLY DAY John sips coffee -no breakfast- alone at the table, staring at the wall. Like clockwork, he lifts his mug, sips, lowers it, waits patiently, lifts, sips, lowers...
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INT. AURELIO’S AUTOMOTIVE - CONTINUOUS -pulling into an empty space. A pair of OLDER MECHANICS notice the car, share an emotionless -yet knowing- look, set down their tools, and calmly leave the building.
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INT. AURELIO’S AUTOMOTIVE - CONTINUOUS John enters the building which is silent: everyone is gone. John carefully makes his way through the floor, rounding a shelving array to find Aurelio -a cigarette dangling from between his lips- sitting at a folding card table, his hands
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EXT. A SERVICE ROAD - CONTINUOUS -rear wheels smoking as they struggle to grip the road. Once they do, however, the Mustang leaps forward, bearing down on the Skylines. As the distance between them grows smaller, the passengers of
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INT. AURELIO’S AUTOMOTIVE - THE MAIN OFFICE - CONTINUOUS Sitting at his desk, Aurelio -a cigarette dangling from between his lips- works on a model car, carefully gluing pieces together. The bottle of Campari rests nearby. Music plays softly from
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INT. A TOWNHOUSE - THE LIBRARY - CONTINUOUS Lighting himself a cigarette, VIGGO TARASOV -60s, face scarred by a hard life, one eye dead, hair perfectly coifed, expensive suit, a slight limp, relying on a cane- fills a tumbler with ice.
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INT. THE WICK HOME - THE BASEMENT - CONTINUOUS John has revealed an OLD TRAP DOOR IN THE FLOOR- VIGGO (V.O.) -John was eventually discharged - with high honors, of course- and
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INT. THE WICK HOME - THE LIVING ROOM - CONTINUOUS A KNOCK AT THE DOOR. John lowers the pistol, walks to the door, and peers through the keyhole to see Edwardo standing on his porch. A beat... and John slips the pistol in the back of his pants, unlocks,
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INT. THE WICK HOME - THE KITCHEN - CONTINUOUS -opens the door. Removing his hat, CHARLIE -70s, small, creepy, thin, frail, eyes gentle, a tattooed smirk upon his lips- extends his hand with a smile.
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INT. A MANSION - CONTINUOUS Marcus chuckles with a shake of his head. MARCUS As I keep telling those -like you- who keep calling, Viggo... I’m
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INT. THE CONTINENTAL - THE LOBBY - CONTINUOUS Carrying a bulky briefcase in each hand -with the duffel bag slung across his shoulders- John approaches the front desk where the MANAGER smiles up at him. MANAGER
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INT. THE RED CIRCLE - THE LOBBY - CONTINUOUS Strangely enough, the lobby is laid back and pleasant. A single bar is available to the dozen or so patrons who lounge about smoking, laughing, and talking as servers wander the floor, offering a variety of appetizers.
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INT. THE RED CIRCLE - THE BATHROOM - A STALL - CONTINUOUS Viktor glances towards the closed door with a smirk. VIKTOR Hello? INT. THE RED CIRCLE - THE BATHROOM - CONTINUOUS
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INT. VIGGO’S TOWNHOUSE - A BEDROOM - CONTINUOUS Iosef lays on his bed with an arm behind his head, smoking as he stares up at the ceiling. We hear the vibration of his cell phone. He lifts the phone, smiles at the sight of Viktor’s caller I.D., and answers.
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INT. THE CONTINENTAL - THE HALLWAY - LATER The Doctor exits as John stands in the doorway, his shoulder bound tight with gauze. JOHN What sort of movement am I lookin’
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INT. THE CONTINENTAL - THE SPEAK EASY - NIGHT John enters the room through a pair of velvet drapes... ...and pauses, taking it all in with a smile. A luxurious tavern crafted from a long forgotten speak-easy, the room isn’t too big, and isn’t too small, but... just
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INT. THE CONTINENTAL - THE HALLWAY - NIGHT Exhausted -and more than a bit tipsy- John runs a hand along the wall to maintain his balance. He sings under his breath... humming the tune to IT HAD TO BE YOU.
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INT. THE CONTINENTAL - THE HALLWAY - CONTINUOUS -sending him spinning out into the hallway. BOOM! 66. He is shot a second time in the back, dead in a blink.
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INT. JOHN’S HOTEL ROOM - CONTINUOUS John enters his room, and answers the ringing phone. MANAGER Good evening, Mr. Wick. I’m sorry to be calling you at this hour, but
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INT. A DINER - CONTINUOUS Sipping coffee in a corner booth, John watches the front of the building... ...lowering his mug as VIGGO -accompanied by two men- enter. VIGGO
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INT. THE WICK HOME - THE LIVING ROOM - FLASHBACK - NIGHT With consciousness fading, John leans back upon the floor, listening to the voices of his assailants. With his face hidden within his mask, Kirill chuckles - enjoying this- as he sucks on a fresh mint.
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INT. A BANK - THE VAULT - CONTINUOUS The Bank Manager swings open the door, revealing two walls of safety-deposit boxes on either side... ...with a large door in the rear of the vault leading into a secondary vault. A keypad is attached to its face replete
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INT. A DIESEL TRUCK - CONTINUOUS Perched behind the wheel -the driver’s side window missing- John shifts gears, slams his foot down onto the gas... ...and narrows his eyes, tensing, his knuckles creaking from within leather gloves as his fingers constrict around the
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INT. HARRY’S HOTEL ROOM - CONTINUOUS David sits in a chair with his head down: his ankles, wrists, mouth, and eyes bound by duct tape. A weathered hand reaches over and RIPS the tape off of his eyes. David winces out of pain and the brutal sensation of light.
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EXT. A CRANE - CONTINUOUS A SNIPER searches the yard through his scope, his earpiece overwhelmed by panicked chatter. SNIPER This is Alpha. I don’t-
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EXT. THE CHAYKA - THE DECK - NIGHT Surrounded by crewmen and security personnel, the Captain watches the explosion, his eyes wide. CAPTAIN My... God.
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INT. THE CHAYKA - THE PILOTHOUSE - CONTINUOUS Overlooking the entire ship’s deck, the pilothouse offers little in the way of escape. Instead, Iosef now finds himself trapped. He searches the desk and finds a LETTER OPENER which he
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INT. A VETERINARIAN’S OFFICE - THE BACK ROOM - NIGHT John takes a jacket off of the rack, tries it on -too small- moves on to the second one, and it fits. John flicks off the light, and leaves the room. A long beat... ...and John returns, turning the light back on. From across

John wick

A retired hitman seeks revenge for the death of his dog and faces off against a powerful underworld figure's son.

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Story Facts

Genres: The, list, of, genres, for, the, movie, is:, Drama, Action, Romance, Thriller, Crime

Setting: Not provided in the provided context, Not provided in the provided context

Themes: Grief and Loss, Revenge, Redemption, Violence and Death, Friendship and Loyalty

Conflict & Stakes: Primary conflicts and stakes are not provided in the provided context

Mood: Not provided in the provided context

Comparable Scripts: Taken, The Equalizer, John Rambo

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Overall Score: 7.75
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