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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
1
EXT. TWO LANE HIGHWAY. RURAL MINNESOTA - DAY The white becomes snowfall, a blizzard. Through it we can make out a two lane road. A car emerges from the snow -- rust-spotted, chains on the tires -- coming towards us. CUT TO:
2
INT. KITCHEN. NYGAARD HOUSE. SAINT CLOUD, MINNESOTA - DAY LESTER NYGAARD, 40, home for lunch, sits at the kitchen table. Lester is the kind of guy who apologizes when you step on his foot. His wife, PEARL, 39, is heating up a can of soup at the stove. We get the sense she has been talking
3
INT. BASEMENT. NYGAARD HOUSE - DAY Lester stands at the bottom of the stairs. The washing machine is acting like a caged animal, roaring and bucking. Lester stares at it, hypnotized. We get the sense he’s looking at his own trapped heart.
4
EXT. APPLIANCE SHOP. SAINT CLOUD, MINNESOTA - DAY Lester stands outside the store, staring in through the plate glass window at a brand new washer dryer set. He’s wearing a puffy orange coat and a wool hat with ear flaps. An SUV pulls up down the block. SAM HESS, 40, climbs out
5
INT. WAITING ROOM. HOSPITAL. SAINT CLOUD, MN - DAY Lester, now sitting, lifts an ice pack to his nose. He is on a bench in the emergency room. And just as we realize this, we see that sitting next to him is LORNE MALVO, a nasty bruise and cut on his forehead from the car crash.
6
EXT. TWO LANE HIGHWAY. SAINT CLOUD, MN - DAY The site of Malvo’s accident. The car is still there, its trunk now closed. TWO POLICE CARS are parked nearby, lights flashing. DEPUTY MOLLY SOLVERSON, 29 stands behind the wreck, kicking her feet to stay warm.
7
EXT. WOODS. SAINT CLOUD, MINNESOTA - DUSK Vern and Molly, flashlights on, trudge through the deep snow. MOLLY (beat, walking) How’s Ida?
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INT. THURMAN HOUSE. SAINT CLOUD, MINNESOTA - NIGHT Vern comes home. He hangs his heavy coat on the wall. VERN Hiya, hon. IDA (O.S.)
9
INT. KITCHEN. THURMAN HOUSE - NIGHT Vern and Ida eat dinner. VERN (beat) Molly found a wreck out one
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INT. HESS TRUCKING COMPANY. SAINT CLOUD, MINNESOTA - DAY A large garage housing a raised DISPATCH OFFICE. Through the office window we see Sam talking to BRUCE GOLD (40s). Gold is Sam’s lawyer. TWO BIG GUYS sit with them. In the main garage there is a big rig parked along the far
11
EXT. LESTER’S BROTHER’S HOUSE. MINNEAPOLIS, MINNESOTA - DAY An expensive two story home. Lester and Pearl stand on the threshold with a meatloaf. Lester’s broken nose is taped, his eyes black. PEARL
12
INT. KITCHEN. BROTHER’S HOUSE - DAY RONALD NYGAARD (30s) stands at the kitchen counter. It’s clear he got all the looks and charm in the family. Lester holds a can of beer with a straw in it. Ron massages honey into a ham with his bare hands.
13
INT. GARAGE. BROTHER’S HOUSE - DAY A sweet setup with tools hanging on the wall. Ron opens a mini-fridge, hands Lester a beer. RON We took Scotty to a specialist last
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INT. CAR - NIGHT Lester drives. Pearl sits next to him, fuming. PEARL Yer own brother. You didn’t haveta hit him. I mean, seriously. What
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INT. CAR (TRAVELING). SAINT CLOUD, MN - SAME TIME Lorne Malvo drives in a newly stolen car, on his phone. We see an SUV in front of him. MALVO It’s me.
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INT. BACK ROOM. THE LUCKY PENNY - NIGHT Sam Hess is giving it to a HOOKER, who couldn’t look more bored, a cigarette dangling from her lips. HOOKER Oh, yeah, big fella. Oh, yeah.
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EXT. THURMAN HOUSE. SAINT CLOUD, MINNESOTA - NIGHT Molly pulls up in her prowler. Vern comes out, climbs in. Molly hands him a coffee. VERN Thanks.
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INT. BACK ROOM. THE LUCKY PENNY - NIGHT Sam Hess lays face down on the bed, the knife still sticking out of the back of his head. Vern and Molly stand by the bed looking down at him. MOLLY
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INT. FARMDALE MOTEL. SAINT CLOUD, MINNESOTA - NIGHT The owner, a heavyset WOMAN, is yelling at a sullen TEEN. Malvo enters. WOMAN How many times I gotta tell ya?
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EXT. FARMDALE MOTEL. SAINT CLOUD, MINNESOTA - NIGHT Malvo approaches his room. The teen is shoveling snow nearby. 34. MALVO
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INT. MOTEL ROOM. SAINT CLOUD, MN - CONTINUOUS Malvo goes to the phone, dials the front desk. He looks out through the curtain. We can see the Teen with his pants undone, pissing into the gas tank. WOMAN
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INT. COFFEE SHOP. SAINT CLOUD, MINNESOTA - DAY A family place. Molly Solverson sits at a table, going over a case file. LOU SOLVERSON (60) limps over with a pot of coffee. 35.
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INT. HESS HOUSE. SAINT CLOUD, MINNESOTA - DAY Mickey and Moe, wearing black suits too short in the arms and legs, sit on the sofa, looking bored. Their mother, GINA HESS (30s) sits in a chair, wearing red. She’s not from around here. Bruce Gold, Hess’s consigliere, is there,
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INT. FARMDALE MOTEL. SAINT CLOUD, MINNESOTA - SAME TIME Lorne Malvo sits on his bed, clipping his toe nails. MALVO Mickey, it’s Lewis Grossman. Your dad’s estate attorney. First let
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INT. LIVING ROOM. HESS HOUSE - DAY Vern and Molly have come in while Mickey was on the phone. They stand talking to Gina, Moe and Bruce Gold. VERN Well, like I said, Mrs. Hess, we’re
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INT. POLICE CAR (TRAVELING). SAINT CLOUD, MN - DAY Mickey sits in back, handcuffed. Molly drives. Vern is in the passenger seat. MOLLY I don’t understand. Why would ya
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INT. INSURANCE AGENCY. SAINT CLOUD, MINNESOTA - DAY Lester Nygaard arrives for work. He takes off his puffy coat, hangs it on the coat rack. His boss, BO MUNK (50s) comes over. BO
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INT. ARBY’S. SAINT CLOUD, MINNESOTA - DAY Lorne Malvo sits at a formica table, finishing his meal. Lester comes in, hat on, agitated. Malvo recognizes him. MALVO Lester.
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INT. NURSE’S STATION. EMERGENCY ROOM. SAINT CLOUD, MN - DAY Molly enters, approaches the nurse’s station. SUE ROUNDTREE (30s), the same nurse from earlier, is working. 45. MOLLY
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INT. SAINT CLOUD POLICE STATION, SAINT CLOUD, MN - DAY Vern sits in his office, eating take out. DEPUTY BILL OLSEN knocks. BILL Phone call, chief. It’s the wife.
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INT. VERN’S CAR (TRAVELING). ST. CLOUD, MINNESOTA - NIGHT Vern pulls into the Home Depot parking lot. His radio squawks. MOLLY Come in, Chief.
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INT. KITCHEN. NYGAARD HOUSE. SAINT CLOUD, MN - NIGHT Pearl comes home, sees Lester’s coat. PEARL Lester? LESTER NYGAARD (O.S.)
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INT. KITCHEN. NYGAARD HOUSE. SAINT CLOUD, MIN - NIGHT Lester, dressed in new clothing, stands with his back to us. We move towards him as he practices for his phone call. LESTER NYGAARD Ya, it’s me. I can’t talk long.
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INT. LIVING ROOM. NYGAARD HOUSE. SAINT CLOUD, MN - NIGHT Lester pulls a chair over to the armoire. He climbs up, roots around on top, pulls down a SHOTGUN. He finds some shells, loads it. Malvo will be here soon and Lester plans to kill him and frame him for his wife’s murder.
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notices something on the floor. A BLOODY FOOTPRINT. Alarmed, Vern DRAWS HIS GUN. VERN Lester. Listen to me very carefully. I need ya to get down
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INT. MOLLY’S SQUAD CAR - SAME TIME Pulling up to Nygaard’s house, Molly sees Vern’s prowler. She CLIMBS OUT of the car, approaches the door. CUT TO: INT. KITCHEN. NYGAARD HOUSE. SAINT CLOUD, MINNESOTA - SAME
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EXT. NYGAARD HOUSE. SAINT CLOUD, MINNESOTA - SAME TIME Molly pounds on the door. MOLLY Saint Cloud Police. Open up. Nothing. She looks in the nearest window, sees Vern laying
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INT. BASEMENT. NYGAARD HOUSE - NIGHT Slowly, Molly comes down the stairs, gun drawn. She sees Pearl and Lester, laying face down. The basement looks like the scene of a massacre. From upstairs she hears ... BILL (O.S.)
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EXT. TWO LANE HIGHWAY. RURAL, MINNESOTA - NIGHT A state police car is parked on the blind side of an overpass. Nearby a sign reads Duluth 10 miles. CUT TO: INT. STATE POLICE CAR - NIGHT
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EXT. TWO LANE HIGHWAY. RURAL MINNESOTA - CONTINUOUS Gus approaches the driver’s side, flashlight out. The inside of the car is dark, ominous. We can’t see the driver. Then the driver’s side window rolls down. Now we see the driver is Lorne Malvo.
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EXT. LESTER’S HOUSE. SAINT CLOUD, MN - NIGHT It’s really snowing now. Every police car in town is there, along with fire trucks and an ambulance. Patrolmen go in and out of the house. Molly sits on a planter by the front door, in shock.
42
EXT. ICE. SAINT CLOUD, MN - DAY Molly’s dad, Lou, unpacks fishing gear from the back of his Suburban. Molly, in civilian clothes, sits on the tailgate, looking out at the snow. Her prowler is parked nearby. LOU

Fargo Pilot

In the snow-covered town of Fargo, a mild-mannered insurance salesman's life takes a dark turn when he crosses paths with a mysterious and dangerous stranger, leading to a violent chain of events that test the limits of his morality.

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Overview

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Unique Selling Point

The screenplay stands out due to its unique blend of dark comedy and crime thriller elements, reminiscent of the Coen Brothers' original film. Its character-driven narrative, particularly the transformation of Lester Nygaard from a meek insurance salesman to a morally ambiguous figure, offers a compelling exploration of human nature and the consequences of choices. The setting in rural Minnesota adds an authentic and atmospheric backdrop that enhances the storytelling.

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Claude
 Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Crime, Thriller, Mystery, Dark Comedy, Comedy, Slice of Life

Setting: Contemporary, Saint Cloud, Minnesota, and rural Minnesota

Themes: Nature of Violence, Identity and Self-Perception, The Unseen Forces of Fate, Masculinity and Power, The Power of Silence and Deception, The Fragility of Family, The Role of Law Enforcement

Conflict & Stakes: The primary conflict revolves around Lester's moral decline and the violent consequences of his actions, with stakes including his life, freedom, and the safety of those around him.

Mood: Tense and foreboding, with moments of dark humor.

Standout Features:

  • Unique Hook: The transformation of a meek man into a morally ambiguous character through violent circumstances.
  • Plot Twist: The unexpected murder of Sam Hess, which catalyzes the main events of the story.
  • Distinctive Setting: The snowy, rural Minnesota landscape serves as a stark backdrop for the unfolding drama.
  • Innovative Ideas: The screenplay blends dark comedy with crime thriller elements, creating a unique tone.
  • Unique Characters: Complex characters like Malvo and Lester, who challenge traditional moral boundaries.

Comparable Scripts: Fargo (1996), No Country for Old Men (2007), Breaking Bad (TV Series, 2008-2013), The Talented Mr. Ripley (1999), The Snowman (2017), The Killing (TV Series, 2011-2014), Prisoners (2013), The Coen Brothers' A Serious Man (2009), Gone Girl (2014)

Script Level Analysis

Writer Exec

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Overall Score: 7.44
Story Critique
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Characters

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Emotional Analysis

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Goals and Philosophical Conflict
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Themes
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Scene Analysis

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Writer Exec

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Unique Voice
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Loglines
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