face/off
An FBI agent goes undercover as a criminal mastermind to locate a bomb, but the two enemies are forced to trade identities, leading to a dangerous game of cat and mouse.
See other logline suggestionsOverview
Unique Selling Point
This action-packed crime drama screenplay offers a unique blend of suspense, deception, and relentless action. It features morally complex characters, thrilling confrontations, and a unique storyline involving the protagonist impersonating his nemesis to infiltrate a dangerous criminal organization.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines' ratings to compare.
Hover over verdict cards for Executive Summaries
Recommend
Consider
Story Facts
Genres: Action, Thriller, Drama, Crime
Setting: Present Day, Los Angeles, California
Themes: Identity and Duality, The Nature of Good and Evil, The Power of Love and Family
Conflict & Stakes: The primary conflict in this story is between Archer and Troy. Archer is trying to clear his name and bring Troy to justice, while Troy is trying to escape and continue his terrorist activities. The stakes are high, as Archer's family is in danger and Troy is a threat to national security.
Mood: The overall mood of the film is dark and suspenseful. The film is full of violence and action, and the stakes are always high. However, there are also moments of humor and camaraderie, which help to lighten the mood.
Standout Features:
- Unique Hook: The film's premise is unique and has the potential to be very marketable. The idea of two people switching faces is a fascinating one, and it's sure to draw in audiences.
- Plot Twist: The film's plot twist is a major selling point. The audience will be surprised and intrigued by the revelation that Castor Troy is actually the one who killed Archer's son.
- Cast: The film's cast is very strong. Nicolas Cage, John Travolta, and Patricia Arquette are all well-known and respected actors who will bring a lot of star power to the film.
Comparable Scripts: Face/Off, The Departed, Mission: Impossible, The Mummy, The Shawshank Redemption, The Bourne Identity, Prison Break, 24, The Matrix
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- The screenplay demonstrates a strong foundation in conflict development, ranking in the top percentile (97.15%). This suggests the writer's ability to create engaging and suspenseful narratives.
- The high emotional impact (83.33%) indicates the screenplay's potential to resonate with audiences on an emotional level, fostering connection and engagement.
- The story has a clear forward momentum, ranking in the top percentile (98.32%), indicating the writer's skill in pacing and maintaining reader interest throughout the narrative.
- Character development could benefit from further attention, as the characters rating is in the lower percentile (45.53%). Enhancing character depth, motivations, and relationships would strengthen the emotional connection with the audience.
- Dialogue could be improved, as it ranks in the bottom percentile (24.39%). Focusing on creating natural, engaging, and revealing conversations would enhance the screenplay's overall impact.
- Originality could be further explored, as the originality score is in the mid-range (48.96%). Exploring unique and unexpected storytelling approaches, themes, or characters could elevate the screenplay's memorability and stand out from the competition.
The percentile patterns suggest that the writer leans more towards an intuitive approach, with higher rankings in dialogue and characters and lower rankings in concept and plot. This indicates a strength in crafting engaging characters and dialogue-driven narratives.
Balancing Elements- To enhance the screenplay's overall strength, consider balancing the high conflict level with equally strong character development.
- Exploring more original storytelling elements could complement the high emotional impact, creating a deeply resonant and memorable narrative.
Intuitive
Overall AssessmentThe screenplay exhibits strengths in conflict development, emotional impact, and forward momentum, providing a solid foundation for a compelling narrative. However, focusing on enhancing character development, dialogue, and originality would elevate the screenplay's potential and create a more well-rounded and impactful story.
How scenes compare to the Scripts in our Library
| Percentile | Before | After | ||
|---|---|---|---|---|
| Scene Overall | 8.6 | 74 | Casablanca : 8.5 | the black list (TV) : 8.7 |
| Scene Concept | 8.2 | 52 | Casablanca : 8.1 | the 5th element : 8.3 |
| Scene Plot | 8.5 | 90 | Vice : 8.4 | John wick : 8.6 |
| Scene Characters | 8.2 | 29 | the pursuit of happyness : 8.1 | Erin Brokovich : 8.3 |
| Scene Emotional Impact | 8.3 | 67 | Terminator 2 : 8.2 | Birdman : 8.4 |
| Scene Conflict Level | 8.9 | 98 | The usual suspects : 8.8 | Squid Game : 9.6 |
| Scene Dialogue | 7.4 | 14 | Rambo : 7.3 | Titanic : 7.5 |
| Scene Story Forward | 8.9 | 98 | the dark knight rises : 8.8 | Silence of the lambs : 9.0 |
| Scene Character Changes | 7.5 | 68 | Terminator 2 : 7.4 | Dr. Jekyll and Mr Hyde : 7.6 |
| Scene High Stakes | 9.0 | 96 | Terminator 2 : 8.9 | Rambo : 9.1 |
| Scene Unpredictability | 7.86 | 84 | Enemy of the State : 7.85 | Ex-Machina : 7.89 |
| Scene Internal Goal | 8.08 | 57 | The Wizard of oz : 8.07 | Blade Runner : 8.09 |
| Scene External Goal | 7.83 | 91 | V for Vendetta : 7.81 | Silence of the lambs : 7.84 |
| Scene Originality | 8.66 | 45 | Rambo : 8.65 | Psycho : 8.67 |
| Scene Engagement | 9.03 | 98 | the dark knight rises : 9.02 | John wick : 9.13 |
| Scene Pacing | 8.54 | 84 | V for Vendetta : 8.53 | the 5th element : 8.55 |
| Scene Formatting | 8.42 | 81 | House of cards pilot : 8.40 | Sherlock Holmes : 8.45 |
| Script Structure | 8.42 | 88 | Baby Driver : 8.40 | Breaking bad, episode 306 : 8.43 |
| Script Characters | 9.10 | 99 | Mr. Smith goes to Washington : 9.00 | - |
| Script Premise | 8.40 | 66 | Bonnie and Clyde : 8.30 | Erin Brokovich : 8.50 |
| Script Structure | 8.30 | 84 | Erin Brokovich : 8.20 | groundhog day : 8.40 |
| Script Theme | 8.50 | 79 | Titanic : 8.40 | Mr. Smith goes to Washington : 8.60 |
| Script Visual Impact | 7.70 | 46 | the 5th element : 7.60 | the dark knight rises : 7.80 |
| Script Emotional Impact | 7.50 | 23 | severance (TV) : 7.40 | Vice : 7.60 |
| Script Conflict | 7.60 | 56 | Casablanca : 7.50 | severance (TV) : 7.70 |
| Script Originality | 7.80 | 27 | a few good men : 7.70 | Erin Brokovich : 7.90 |
| Overall Script | 8.42 | 86 | Knives Out : 8.41 | Inglorious Basterds : 8.43 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Pass / Consider / Recommend Analysis
Claude
Executive Summary
- The screenplay has a strong, compelling narrative that keeps the audience engaged throughout. The plot is well-structured with clear character arcs and consistent themes. high ( Scene general )
- The character development is excellent, particularly with the protagonists Jon Archer and Castor Troy. Their complex relationship and the blurring of their identities adds depth and nuance to the story. high ( Scene 5 Scene 9 Scene 11 Scene 23 )
- The screenplay features well-crafted action sequences and suspenseful moments that heighten the stakes and keep the pacing tight. high ( Scene 3 Scene 4 Scene 14 Scene 26 Scene 27 )
- The emotional moments between Jon, Eve, and Jamie are compelling and effectively convey the family's love and pain amidst the chaos. medium ( Scene 21 Scene 22 Scene 30 Scene 31 Scene 32 )
- The dialogue is sharp, witty, and natural, helping to further develop the characters and their relationships. medium ( Scene general )
- While the action sequences are well-executed, there are a few instances where the logistics and geography of the environments could be clarified to improve the reader's understanding. medium ( Scene 7 Scene 15 Scene 20 )
- The subplot involving Tito's murder and Archer's guilt could be further explored and integrated into the main narrative to have a greater emotional impact. medium ( Scene 29 Scene 34 )
- Some of the supporting characters, such as Wanda, Buzz, and the FBI team, could be further developed to have more distinct personalities and motivations. low ( Scene general )
- While the overall story is compelling, the screenplay could benefit from additional thematic exploration or subtext to elevate the central conflict and its impact. medium ( Scene general )
- The opening and closing scenes effectively bookend the story, with the mirroring of the carousel and Matthew's balloon providing a poignant sense of circularity and closure. high ( Scene 1 Scene 21 Scene 38 )
- The sequence where Archer impersonates Castor and interacts with Castor's former criminal associates is a standout, highlighting his ability to adapt and the complexities of his deception. high ( Scene 12 Scene 13 Scene 24 )
- The screenplay effectively blends elements of thriller, action, and family drama, creating a compelling and multifaceted viewing experience. medium ( Scene general )
GPT4
Executive Summary
- The screenplay features a compelling and unique premise of swapping identities, which provides a strong foundation for dramatic tension and character development. high ( Scene general )
- The climax and resolution are well-executed, providing a satisfying conclusion to the narrative arcs and character journeys. high ( Scene 38 )
- The opening scenes effectively set up the main conflict and stakes, engaging the audience from the beginning. medium ( Scene 1 Scene 2 )
- The action sequences are vividly described and choreographed, contributing to the screenplay's visual and dramatic impact. medium ( Scene general )
- The dialogue is sharp and often witty, helping to define characters and enhance the narrative pacing. medium ( Scene general )
- Some character motivations, particularly for secondary characters, could be better developed to enhance their roles and interactions. medium ( Scene general )
- The pacing in the middle sections could be tightened to maintain momentum and keep the audience engaged. medium ( Scene general )
- The emotional depth of some key scenes could be enhanced to provide a stronger emotional payoff. medium ( Scene general )
- The transitions between major plot points could be smoother to ensure a cohesive narrative flow. low ( Scene general )
- The use of technology and some plot devices may need updating or clarification to avoid confusing the audience. low ( Scene general )
- A deeper exploration of the psychological impact of identity swapping on the protagonist could add depth to the story. high ( Scene general )
- More background on the antagonist's past could provide better insight into his motivations and actions. medium ( Scene general )
- Inclusion of more quiet, introspective moments could balance the high-octane action and add emotional layers. medium ( Scene general )
- Greater use of thematic elements to enhance the narrative's resonance with universal themes of identity and redemption. medium ( Scene general )
- Introduction of a subplot that could parallel or contrast the main plot to enrich the overall story architecture. low ( Scene general )
- The concept of face/off is innovative and serves as a strong hook for the screenplay. high ( Scene general )
- The dynamic between the protagonist and antagonist is effectively utilized to drive the plot and character development. high ( Scene general )
- The screenplay effectively uses its setting to enhance the action sequences and add to the story's visual appeal. medium ( Scene general )
- The moral and ethical questions raised by the screenplay add a layer of complexity to the narrative. medium ( Scene general )
- The screenplay's structure is well-organized, ensuring that the story progresses logically and maintains suspense. medium ( Scene general )
Summary
High-level overview
After FBI agent Jon Archer is shot by a sniper at Griffen Park, he is determined to seek revenge on criminal Castor Troy and his brother Pollux. Through a series of intense confrontations, various characters become entangled in a complex web of deceit, manipulation, and violence. As Archer undergoes a dangerous physical transformation to assume Castor's identity, the stakes are raised, and questions about loyalty, identity, and family come to the forefront. In a final showdown, Archer must confront his doppelgänger and their shared past, leading to a climactic battle that leaves a trail of destruction in its wake. Ultimately, Archer emerges victorious, but the aftermath brings new challenges and uncertainties as he grapples with the consequences of his actions and the true meaning of family.
Scene by Scene Summaries
Scene by Scene Summaries
- At Griffen Park, a sniper shoots Jon Archer, an FBI agent, while he is on a carousel with his son, Matthew. The scene transitions from sepia-toned footage of animals chasing each other to color, showing Matthew lying still and Archer reaching out to touch his hand. The scene concludes with a montage of images, including the carousel horse sweeping by, an FBI briefing room, and a priest installing a bomb in a chapel.
- Castor Troy, disguised as a priest, kills a janitor and attends a children's choir performance. FBI agent Archer mobilizes a Reaction Team after learning of Castor's brother's jet charter. Castor and Pollux meet at a private airport and board the jet, leaving their pursuers behind.
- Castor hijacks a jet and threatens the pilot at gunpoint, but FBI agent Agent Winters intervenes. FBI agent Jon Archer pursues in a Humvee, leading to a high-speed chase on the runway. The jet takes off with the helicopter on top of it, but Castor shoots Winters and throws her to the tarmac. The helicopter crushes the jet, causing it to crash. Archer and the FBI arrest Castor.
- Armed and dangerous criminals Castor and Pollux engage in a fierce shootout with FBI agents in a hangar. After a thrilling pursuit, Castor is taken down by Agent Archer, while Pollux is apprehended by Agent Wanda.
- Pollux is taken into custody as Archer grapples with the consequences of the operation. He confronts his daughter about shoplifting and attempts to reconcile with his estranged wife. News of Castor's death further complicates matters, and Archer reflects on his family's struggles. The scene concludes with Archer heading to the FBI building, determined to make amends and find a resolution.
- In the wake of a recent success, Archer receives praise from his team but remains concerned about an injured agent. Special Ops agents deliver a disk revealing a deadly bomb design, and despite Pollux Troy's claims of innocence, Archer suspects his deception. However, his appeals to evacuate the city are dismissed due to insufficient evidence. Brodie and Miller hint at a plan involving Castor's body as a potential solution. Archer's instincts collide with the need for concrete proof, while Pollux's manipulative behavior in interrogation further fuels Archer's suspicions. The scene ends with Archer contemplating the potential loss of life due to Pollux's silence, leaving a sense of urgency and foreboding.
- Archer confronts Dr. Miller about keeping Castor Troy alive. Dr. Malcolm Hoag introduces the Physiological Camouflage Unit, which can alter a person's appearance. Hoag demonstrates the technology by repairing Loomis's burned ear and offers Archer the chance to disguise himself as Castor Troy to enter Erewhon Prison. Archer initially refuses, but Miller warns him that Castor will beat them again if he doesn't cooperate. Archer refuses Hoag's offer and storms out.
- Archer aggressively interrogates Dietrich Hassler, forcing him to reveal a connection to Castor Troy. He also discovers the need for an off-the-books surgery on Lazarro. Despite Archer's unwavering determination, his personal struggles, including his poor basketball skills and reluctance to face his daughter's music, become evident.
- Eve awakens from a nightmare about Archer's plane crash. She finds a scar on Archer's body, which he reveals is from a time he failed to save his friend. Despite Eve's pleas for him to stay, Archer prepares for a dangerous mission, leaving her with a heavy heart. As Archer contemplates his past failures, he impersonates Castor with Tito's guidance, highlighting the risks and uncertainties ahead.
- Hoag explains the physical similarities and differences between Archer and Castor and suggests an abdominoplasty for Archer. Archer agrees and undergoes a series of physical transformations including liposuction, hair transplants, teeth bonding, fingerprint replication, and practicing Castor's mannerisms. Tito challenges Archer to shoot him to prove his commitment to becoming Castor, and Archer eventually does so. Hoag then prepares to surgically remove Archer's face to place it on Castor's body, while Castor's EEG reading spikes and then stabilizes before disappearing.
- After undergoing surgery to assume Castor Troy's appearance, Jon Archer confronts his transformed identity. He struggles emotionally and psychologically with his new face and voice. As "Castor," he is transported to Erewhon Prison, where he faces dehumanizing treatment and oppressive conditions. Despite this, Archer regains his mobility and adapts to his new surroundings.
- In the prison's general population area, Archer faces hostility from former criminal Voisine and is attacked by Dubov. After subduing Dubov and gaining acceptance from the inmates, Archer is locked in his cell and reflects on his situation. Meanwhile, Castor wakes up vulnerable in a surgical bay and calls for help, prompting Lars and Lunt to arrive at the Hoag Institute.
- In a sinister lab, Hoag encounters the Man Without Face, a mysterious figure revealed through Hoag's glasses. Archer, in prison, feigns memory loss and confides in Pollux, revealing a sinister plan involving stolen funds. Despite Pollux's concern, Archer's unsettling smile leaves him uneasy.
- Archer's impostor, Castor, confronts him in his cell, revealing his true identity and taunting him with details of his crimes. Castor unveils his plan to frame Archer for murder, destroying evidence of his true identity. Despite Archer's pleas, Castor remains unyielding, leaving Archer to face imprisonment while his impostor revels in his torment.
- Castor's visit to his family home reveals Eve's anger and Jamie's resentment. He intrudes on Jamie's room, provoking further tension. Simultaneously, Archer remains imprisoned, trying to escape. Castor disguises himself as Archer and enters the FBI headquarters.
- Castor reveals his plan to Pollux in an interrogation room at the FBI headquarters. He proposes they work together to plant a bomb on Air Force One and frame Archer to become an FBI hero. After discussing the potential benefits and risks, Castor convinces Pollux to join him in the plan.
- Inmates witness Archer's heroism on TV, while Castor seizes the spotlight claiming credit. He takes over Archer's office, basking in media attention and manipulating Archer's daughter. Meanwhile, Jamie and Karl's interaction hints at underlying tensions. As the scene ends, Jamie leaves while Castor observes with suspicion.
- Eve arrives home to find Castor has set a candlelight dinner for her, but his strange behavior makes her uncomfortable. Castor reveals he wants to change and stay with her, but Eve remains suspicious. Meanwhile, at the prison, Archer gets into a fight with Walton and is taken away by a guard.
- Archer and Dubov are being prepared for ECT when Archer sees an opportunity to escape. He frees Dubov and they fight off the guards. Using their wits and teamwork, they manage to escape into a storage/maintenance area.
- Archer and Dubov navigate a treacherous labyrinth, battling guards and scaling sheer walls. Despite Dubov's sacrifice, Archer unlocks an emergency exit and ascends to the prison's rooftop, situated on an abandoned oil rig in the ocean. Pursued by the prison chopper, Archer evades capture by diving into the water and concealing himself within a buoy.
- Eve confronts Castor about his behavior, revealing their son's birthday and taking him to his grave. Meanwhile, Castor learns of his doppelgänger's escape. Archer, stranded on the shore, realizes Tito's house is inaccessible due to police presence.
- Archer uncovers Tito's murder, but his vocal implant malfunctions. Eve suspects her father of abuse and reports him. Archer escapes gang members and police, and decides to seek help from Dietrich to expose Eve's husband's true identity.
- Dietrich confronts Archer, who reveals his true identity and forces Dietrich to assist him. They speed away from the crime scene and later arrive at Dietrich's loft.
- Archer reveals his plan to the thugs in Dietrich's living room. Despite initial resistance, they agree after Archer reminds them of their shared hatred for him. Archer then consumes a hallucinogen, leading to hallucinations and Sasha Hassler knocking him unconscious.
- Castor saves Jamie from Karl's assault and provides her with a switchblade for protection. Pollux observes Archer's interactions from afar. Sasha confronts Archer about his past actions, introducing him to their son, Adam, leaving him in a state of shock.
- A tense confrontation unfolds on a rooftop as Castor's team identifies their target. Inside Sasha's loft, Archer grapples with his emotions towards Adam. Amidst gunfire and tear gas, Archer's protective instinct prevails as he shields Adam and escapes with Sasha.
- Fitch is killed, Cindee is injured, and Archer, Sasha, and Adam are almost killed by SWAT agents. Dietrich's team saves them, and they escape with Livia and a bodyguard. Archer fights Castor, and Loomis arrives and forces Archer to flee.
- Archer and Pollux face off on a roof, resulting in Pollux's death. Castor kills Loomis after he dismisses Pollux's demise. Castor confronts Lazarro and reveals his true identity as Castor Troy, leading to Lazarro's demise. Castor's actions leave the audience anticipating the repercussions.
- Castor tries to plan his next move while Archer causes chaos in the city. The FBI is dispatched to Parthenia Street Terminal, and Castor arrives at the FBI headquarters to find it empty.
- In a chaotic bedroom, Archer confronts Eve, searching for proof of his true identity. Eve, initially terrified, plays along to ensure her safety. Archer reveals his facial surgery, proving his status as her husband, not Castor. As police approach, Archer escapes, leaving Castor to charm Eve with plans of change. However, Eve's draws blood from Castor while he sleeps, hinting at future confrontation.
- Eve is stopped by cops while leaving her house late at night. She convinces one to escort her to the hospital, where she learns that a blood test shows Type AB blood, not O-neg. Eve confronts Archer, who convinces her to put down a gun. The scene ends with Castor waking up and noticing that a mosquito bite on his arm is gone.
- Eve and Archer devise a plan to subdue Jon at Victor's memorial service using a knockout drug. Castor accuses Eve of misconduct, but she clarifies her presence at the hospital. Archer enlists Sasha's help in obtaining a sniper rifle for the operation.
- Eve confronts Castor about Jamie's theft and disappearance. Meanwhile, Jon Archer assembles a sniper rifle at his brother's gravesite, overlooking a seaside funeral. The scene ends with Jon's ominous gaze upon the somber gathering below.
- Archer's assassination attempt on Castor is foiled by Jamie. Eve becomes suspicious of Castor and Lars, who takes Jamie away. The scene ends with Eve's suspicion unresolved.
- Determined to seek revenge, Castor and Lunt subdue Archer and Eve inside the isolated boathouse. As Castor threatens to kill Archer's family, their plan is interrupted by the arrival of Dietrich, Aldo, and Sasha. A violent gun battle ensues, with casualties on both sides. Amidst the chaos, Archer desperately pleas for his loved ones' safety and reveals a secret about Castor's son. As the scene reaches its climax, Archer emerges victorious, but is left with the unsettling uncertainty of his family's whereabouts.
- Gunshots interrupt Eve's conversation with Wanda. Archer and Castor fight violently, their voices altered. Jamie intervenes and shoots Archer, then stabs and escapes Castor. Castor takes Jamie hostage, but Wanda and Buzz intercept him. Jamie kills Castor and flees, while Archer pursues outside. Castor kills a guard and steals his gun.
- Castor escapes in a stolen boat, leading to a high-speed chase with Archer. A fiery explosion ensues, and Castor is injured but manages to continue the fight. They engage in hand-to-hand combat, with Castor nearly strangling Archer before being defeated. Archer kills Castor, who reaches for the boat's propeller before dying. Archer takes Castor's wedding ring as a symbol of his victory.
- Archer returns home after Castor's death, bringing Adam, Castor's son, with him. Eve is initially terrified when she sees Castor's face in the mirror, but Archer quickly reassures her that it is him. The scene ends with Archer and Eve embracing, with Archer's familiar smile on his face.
📊 Script Snapshot
What's Working
Where to Focus
📊 Understanding Your Percentile Rankings
Your scores are compared against professional produced screenplays in our vault (The Matrix, Breaking Bad, etc.). The percentile shows where you rank compared to these films.
Example: A score of 8.5 in Originality might be 85th percentile (strong!), while the same 8.5 in Conflict might only be 50th percentile (needs work). The percentile tells you what your raw scores actually mean.
Hover over each axis on the radar chart to see what that category measures and why it matters.
Analysis: The screenplay excels in crafting compelling and complex characters that drive the narrative forward. The character arcs are well-developed, showcasing believable growth and transformation. However, some supporting characters could benefit from additional depth and exploration to enhance their relatability and impact on the overall story.
Expand to see detailed analysis
View Complete AnalysisAnalysis: The screenplay's premise is intriguing and full of potential, combining elements of action, thriller, and identity swap with a unique surgical twist. However, the premise's complexity and reliance on advanced technology might require further clarity and grounding to ensure audience understanding and buy-in.
Key Strengths
- The unique concept of identity swap through facial transplant surgery immediately sets the story apart and creates a high-stakes conflict with intriguing possibilities.
- The opening scene with the carousel and the sniper attack is a powerful hook that effectively grabs the audience's attention and introduces the central conflict.
- The screenplay explores interesting themes of identity, morality, and the consequences of extreme measures, adding depth and complexity to the narrative.
Analysis: This screenplay boasts a well-structured narrative with a complex and engaging plot that effectively builds tension and keeps the audience invested. While the pacing is generally effective, there are a few scenes that could be refined to enhance the overall flow. The integration of themes adds depth to the story, but some aspects of the plot could be further developed to elevate the screenplay to the highest level.
Key Strengths
- The use of flashbacks in Scene 23 provides a powerful way of revealing the backstory and motivations of the characters, enhancing the emotional impact of the narrative.
Analysis: The screenplay effectively captures the themes and messages and integrates them throughout its plot, making the story more impactful and thought-provoking. It adeptly explores the duality of human nature, the complexities of morality, and the consequences of seeking revenge. There are areas where the screenplay could benefit from further development of the themes, particularly in exploring the psychological effects of trauma and the dynamics of family relationships. Overall, the themes and messages are well-conceived, relevant, and contribute to the screenplay's emotional resonance and intellectual depth.
Key Strengths
- The duality of human nature is explored through the characters of Archer and Castor. Archer's struggle between seeking revenge and upholding justice highlights the complex motivations and inner conflicts within individuals.
Analysis: The screenplay exhibits a strong foundation in its visual storytelling, effectively employing vivid descriptions to create a captivating and immersive experience for the reader. The use of contrasting settings, dynamic action sequences, and emotionally charged visuals contribute to the screenplay's overall visual impact.
Key Strengths
- The opening carousel scene effectively establishes the film's central theme and conflict through the use of alternating sepia-toned and color footage. The juxtaposition of these two visual elements creates a visually striking and memorable sequence that sets the tone for the rest of the film.
- The final confrontation between Archer and Castor in scene 35 is visually impactful and emotionally charged. The detailed descriptions of the characters' expressions and movements convey the intensity and desperation of the moment, creating a powerful and resonant conclusion.
Analysis: The screenplay showcases intense action sequences and explores themes of revenge and identity in a highly engaging manner, but there are opportunities to deepen the emotional impact by strengthening the emotional arcs and motivations of the main characters. Expanding on the internal struggles and complex feelings of the characters will enhance the narrative's emotional depth and audience engagement.
Key Strengths
- The screenplay effectively builds tension and delivers intense action sequences, keeping the audience engaged and invested in the story.
Analysis: The screenplay successfully establishes a strong central conflict between Archer and Castor, which is further amplified by high personal stakes for both characters. However, the screenplay could benefit from intensifying the conflict and escalating the stakes throughout the narrative to maintain audience engagement.
Key Strengths
- The screenplay does an excellent job of establishing a clear and compelling central conflict between Archer and Castor. The motivations of both characters are well-established, and the stakes are significant for both of them.
Areas to Improve
- One area where the screenplay could be improved is in escalating the stakes throughout the narrative. While the stakes are significant, they do not escalate significantly as the story progresses.
Analysis: The screenplay demonstrates originality and creativity through its unique premise of a face swap between an FBI agent and a criminal mastermind, leading to a riveting and complex exploration of identity, loyalty, and the nature of good and evil. The narrative's innovative twists, such as the protagonist having to impersonate his enemy to infiltrate a prison, add to the screenplay's captivating nature.
Expand to see detailed analysis
View Complete AnalysisScreenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
-
Character Castor Troy
Description Castor Troy's behavior seems inconsistent when he becomes upset over Pollux's death, displaying genuine emotion that appears out of character for his typically cold and calculating demeanor.
Scenes: Scene 17, Scene 25 -
Character Archer/Castor
Description Archer's ability to convincingly impersonate Castor Troy, including his mannerisms, speech patterns, and criminal knowledge, seems unrealistic given the short time frame and limited interaction Archer had with Castor prior to the operation.
Scenes: Scene 12, Scene 13
-
Description The timeline of events is unclear, particularly regarding how quickly Castor Troy is able to infiltrate Archer's life and take over his identity, as well as the speed with which Archer is able to escape from Erewhon Prison and catch up to Castor's activities.
Scenes: Scene 14, Scene 15 -
Description The sequence of Castor Troy's actions and movements after the memorial service is not entirely clear, creating some narrative confusion about how he is able to evade Archer and the FBI for a period of time.
Scenes: Scene 31, Scene 32
-
Description It is not entirely explained how Castor Troy is able to reverse the face transplant procedure and reclaim his own appearance, as the process was initially described as irreversible.
Scenes: Scene 13, Scene 14 -
Description The motivations and decision-making process behind Archer's choice to allow Castor Troy's son, Adam, to come live with the Archer family are not fully explored or justified within the narrative.
Scenes: Scene 26, Scene 27
-
Description Some of Castor Troy's dialogue, particularly his attempts to manipulate and intimidate others, can feel overly theatrical or exaggerated at times, straining the authenticity of his character's voice.
Scenes: Scene 24, Scene 26 -
Description Archer's dialogue while impersonating Castor Troy, especially his attempts to bond with Pollux, does not always feel entirely believable or true to the character he is portraying.
Scenes: Scene 10, Scene 11
-
Element Dialogue
Scenes: Scene 3, Scene 4
Suggestion The repeated exchange between Archer and Tito regarding the likelihood of Castor Troy's escape and capture could be streamlined or consolidated to avoid unnecessary repetition. -
Element Action
Scenes: Scene 36, Scene 37
Suggestion The extended chase and fight sequence between Archer and Castor Troy, while dramatically compelling, could potentially be tightened and edited to remove some of the more repetitive or redundant actions and occurrences.
Archer - Score: 90/100
Role
Protagonist
Character Analysis Overview
Castor - Score: 85/100
Role
Antagonist
Character Analysis Overview
Eve - Score: 81/100
Role
Protagonist
Character Analysis Overview
Jon - Score: 88/100
Role
Protagonist
Character Analysis Overview
Jamie - Score: 63/100
Character Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Identity and Duality
60%
|
Archer assumes Castor's identity through facial surgery, leading to a struggle with his true self and a blurring of boundaries.
|
The theme explores the complexities of identity, the malleability of the self, and the consequences of trying to be someone you're not. | ||||||||||||
Strengthening Identity and Duality
|
||||||||||||||
|
The Nature of Good and Evil
30%
|
The film juxtaposes the idealism and duty of law enforcement against the ruthlessness and cunning of criminals, raising questions about the nature of good and evil.
|
The screenplay examines the moral ambiguity of its characters, blurring the lines between heroes and villains, and challenging simplistic notions of good versus evil. | ||||||||||||
|
The Power of Love and Family
10%
|
Throughout the film, Archer's love for his wife and daughter drives his actions, providing him with strength and purpose even in the face of danger.
|
The screenplay emphasizes the transformative power of love, its ability to sustain and empower individuals in the face of adversity. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goal is to protect his loved ones and seek redemption for past mistakes |
| External Goals | The protagonist's external goal is to capture the dangerous criminal Castor Troy and prevent further harm to innocent people |
| Philosophical Conflict | The conflicting perspectives of justice and personal redemption |
Character Development Contribution: The goals and conflict push the protagonist to confront his past actions and make choices that lead to personal growth and understanding
Narrative Structure Contribution: The goals and conflict create tension and drive the plot forward, leading to dramatic confrontations and resolutions
Thematic Depth Contribution: The goals and conflict explore themes of morality, identity, and the complexities of human nature, adding layers of depth to the story
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Scene Analysis
📊 Understanding Your Percentile Rankings
Your scene scores are compared against professional produced screenplays in our vault (The Matrix, Breaking Bad, etc.). The percentile shows where you rank compared to these films.
Example: A score of 8.5 in Dialogue might be 85th percentile (strong!), while the same 8.5 in Conflict might only be 50th percentile (needs work). The percentile tells you what your raw scores actually mean.
Hover over each axis on the radar chart to see what that category measures and why it matters.
Scenes are rated on many criteria. The goal isn't to try to maximize every number; it's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Griffen Park Shooting | Intense, Emotional, Suspenseful, Tragic | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 2 - Infiltration and Flight | Suspenseful, Dark, Intense, Sinister, Seductive | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 3 - Runway Rampage | Intense, Suspenseful, Dramatic | 9 | 9 | 8 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 8 | 6 | 9 | 9 | 8 | 8 | |
| 4 - Showdown in the Hangar | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 5 - Aftermath of the Operation | Intense, Emotional, Tense, Reflective | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 6 - Imminent Danger: Bomb Threat Uncovered | Intense, Suspenseful, Serious | 8 | 8 | 9 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | |
| 7 - Face Off | Intense, Suspenseful, Dramatic | 8 | 9 | 8 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
| 8 - Intense Interrogation and Off-the-Books Surgery Plan | Intense, Suspenseful, Confrontational, Emotional | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 9 - Eve's Dream | Tense, Emotional, Intense, Dramatic | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 10 - Archer's Transformation into Castor Troy | Intense, Suspenseful, Dramatic, Dark | 9 | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 11 - The New Face of Troy | Intense, Suspenseful, Dark, Dramatic | 9 | 9 | 8 | 9 | 7 | 9 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 12 - Prison Confrontation and Medical Crisis | Intense, Suspenseful, Dramatic, Violent | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 13 - Confrontation and Deception | Tense, Suspenseful, Emotional, Intense, Dramatic | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 14 - Confrontation with the Impostor | Intense, Menacing, Suspenseful, Confrontational | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 15 - Domestic Unrest and Disguise | Tense, Menacing, Emotional, Seductive | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | |
| 16 - The Partnership Plan | Intense, Suspenseful, Dramatic | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 6 | 7 | 9 | 9 | 9 | 9 | |
| 17 - Castor's Deception and Archer's Bravery | Intense, Suspenseful, Dramatic, Emotional | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 18 - Dinner and Disturbance | Tense, Intense, Emotional, Seductive | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 19 - Escape from the Prison Clinic | Intense, Suspenseful, Dramatic, Tense | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 20 - Escape from the Labyrinth | Intense, Suspenseful, Dramatic, Thrilling | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 21 - Mourning and Consequence | Tense, Emotional, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 22 - Race Against Time | Suspenseful, Intense, Emotional, Tense | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 23 - The Confrontation | Intense, Suspenseful, Dramatic | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 24 - Archer's Plan Unveiled | Intense, Suspenseful, Dark | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
| 25 - Intervention and Confrontation | Intense, Tense, Emotional, Suspenseful | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 8.5 | 8 | 8 | |
| 26 - Crossfire | Intense, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 27 - Escape from the Loft | Intense, Suspenseful, Emotional, Violent | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 28 - Deadly Standoff and Betrayal | Intense, Suspenseful, Emotional, Dramatic | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 29 - Chaos in the City | Intense, Suspenseful, Dramatic, Chaotic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 30 - Unveiled Identity and Deception | Tense, Suspenseful, Emotional, Dramatic | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 31 - A Suspicious Encounter at the Hospital | Tense, Emotional, Suspenseful | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 32 - Plan of Attack | Tense, Emotional, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 33 - A Brewing Tempest | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 34 - Funeral Interrupted | Suspenseful, Emotional, Intense, Dramatic | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 35 - Confrontation at the Boathouse | Intense, Suspenseful, Emotional, Violent | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 36 - Confrontation at the Boatyard | Intense, Suspenseful, Emotional, Dramatic | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 37 - Castor and Archer's Final Confrontation | Intense, Suspenseful, Emotional, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 10 | 9 | 9 | 9 | |
| 38 - Homecoming | Tense, Emotional, Suspenseful, Heartfelt | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Intense action sequences
- Emotional depth
- Complex character dynamics
- High stakes
- Engaging plot progression
Scene Weaknesses
- Some cliched dialogue
- Limited character development in certain scenes
- Predictable plot twists
- Possible confusion with multiple characters and subplots
- Some violence may be too graphic for sensitive viewers
Suggestions
- Focus on developing characters consistently throughout the screenplay
- Eliminate cliched dialogue and predictable plot twists
- Ensure clarity in the narrative to avoid confusion with multiple characters and subplots
- Consider the level of violence and graphic content and its impact on the intended audience
- Continuously strive to improve craft and avoid stagnation in writing style
Scene 1 - Griffen Park Shooting
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Infiltration and Flight
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Runway Rampage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Showdown in the Hangar
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Aftermath of the Operation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Imminent Danger: Bomb Threat Uncovered
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Face Off
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Intense Interrogation and Off-the-Books Surgery Plan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Eve's Dream
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Archer's Transformation into Castor Troy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - The New Face of Troy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Prison Confrontation and Medical Crisis
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Confrontation and Deception
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Confrontation with the Impostor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Domestic Unrest and Disguise
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - The Partnership Plan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Castor's Deception and Archer's Bravery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Dinner and Disturbance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Escape from the Prison Clinic
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Escape from the Labyrinth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Mourning and Consequence
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Race Against Time
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - The Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Archer's Plan Unveiled
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Intervention and Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Crossfire
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Escape from the Loft
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Deadly Standoff and Betrayal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Chaos in the City
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Unveiled Identity and Deception
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - A Suspicious Encounter at the Hospital
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Plan of Attack
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - A Brewing Tempest
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Funeral Interrupted
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Confrontation at the Boathouse
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Confrontation at the Boatyard
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Castor and Archer's Final Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Homecoming
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The world depicted in the screenplay is a complex and varied one, with settings ranging from suburban homes and schools to high-tech FBI headquarters and a futuristic surgical bay. The overall atmosphere is one of danger and suspense, with the constant threat of violence hanging over the characters.
- Culture: The screenplay's world is a melting pot of different cultures, with characters from all walks of life interacting and clashing. There is a strong sense of family and loyalty, but also of betrayal and deception. The world is also one of high stakes, with characters constantly trying to outmaneuver each other and gain the upper hand.
- Society: The screenplay's world is a hierarchical one, with a clear division between those in power and those who are not. The FBI is a powerful force, but there are also criminal elements who operate outside the law, The world is characterized by a lack of trust, as characters are constantly trying to deceive each other. Law enforcement and criminals are often at odds, but there are also times when they must work together to achieve a common goal.
- Technology: The world of the screenplay is one of cutting-edge technology, with characters using everything from sniper rifles to mind-altering drugs. The use of technology creates a sense of danger and urgency, as characters are constantly trying to stay one step ahead of their opponents. However, the screenplay also explores the darker side of technology, showing how it can be used for evil purposes.
- Characters influence: The world of the screenplay has a profound impact on the characters' experiences and actions. The danger and suspense of the world forces the characters to make difficult choices, and the hierarchical nature of society makes it difficult for them to trust anyone. The use of technology also has a major impact on the characters, as it gives them the ability to do things that would have been impossible in the past.
- Narrative contribution: The world of the screenplay contributes to the narrative in several ways. The physical environment provides a backdrop for the action, while the culture and society provide context for the characters' motivations and actions. The use of technology also helps to drive the plot forward, as characters use it to achieve their goals and outmaneuver their opponents.
- Thematic depth contribution: The world of the screenplay contributes to the thematic depth of the screenplay in several ways. The contrast between the physical environment and the characters' inner lives highlights the theme of isolation and loneliness. The hierarchical nature of society emphasizes the theme of power and control, while the use of technology explores the theme of good versus evil
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice in this screenplay is characterized by its blend of action, suspense, and emotional depth, creating a compelling and intense atmosphere. |
| Voice Contribution | The writer's original voice enhances the mood, themes, and depth of the screenplay. Each scene in the screenplay showcases a facet of the writer's unique voice, contributing to the overall impact and engagement of the narrative. |
| Best Representation Scene | 1 - Griffen Park Shooting |
| Best Scene Explanation | Scene 1 is the best representative of the author's voice because it effectively sets the tone for the rest of the screenplay, establishing the central conflict, characters, and the writer's distinctive style. It skillfully combines action, suspense, and emotional depth to create a captivating and immersive experience for the reader. |
Style and Similarities
The screenplay showcases a diverse range of writing styles, characterized by complex narratives, high-stakes action, intense character dynamics, and thought-provoking themes. The scenes exhibit a blend of sharp dialogue, psychological depth, and unpredictable twists, reflecting the influence of various accomplished screenwriters.
Style Similarities:
| Writer | Explanation |
|---|---|
| Christopher Nolan | Nolan's influence is pervasive throughout the screenplay, evident in the intricate plots, morally ambiguous characters, and exploration of existential themes. His signature style of nonlinear storytelling and cerebral narratives is consistently present. |
| Quentin Tarantino | Tarantino's influence is notable in the sharp and witty dialogue, nonlinear storytelling, and unexpected twists. His signature blend of violence, humor, and moral ambiguity adds depth and tension to the screenplay. |
| David Fincher | Scenes reminiscent of Fincher's style showcase dark and atmospheric tones, psychological conflicts, and morally complex characters. His attention to detail and tense pacing create a palpable sense of suspense. |
| Michael Mann | Mann's influence is evident in the intense action sequences, gritty realism, and exploration of moral dilemmas. His ability to craft complex characters and create immersive settings adds depth to the screenplay. |
| Tony Gilroy | Gilroy's influence is notable in the fast-paced dialogue, intricate plotting, and morally ambiguous characters. His ability to blend action with emotion creates a compelling and thought-provoking cinematic experience. |
Other Similarities: The screenplay also demonstrates the influence of other notable screenwriters, such as David Mamet, Aaron Sorkin, and Shane Black, particularly in scenes featuring sharp dialogue, intense conflicts, and character-driven storytelling.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Intense Scenes Dominate | Many scenes are marked as intense, indicating a consistent emphasis on heightened emotions and dramatic moments throughout the screenplay. |
| Emotional Impact Prioritized | Emotional impact scores are generally high, suggesting a focus on evoking strong feelings in the audience. |
| Plot Development Often Secondary | Plot scores tend to be lower than other elements, indicating that the screenplay may rely more on emotional impact, character dynamics, and tension than on intricate or complex plotlines. |
| Frequent Character Changes | Character changes are frequently present, suggesting significant development or progression of characters throughout the narrative. |
| Heightened Stakes and Suspense | High stakes and suspense are consistently present, indicating the screenplay's ability to create tension and build towards significant moments. |
| Emotional and Dramatic Climax | Scenes 29 and 38 have high scores in both emotional impact and dramatic elements, suggesting they could serve as powerful climaxes. |
| Dynamic Tension Between Dialogue and Emotion | Dialogue and emotional impact scores often do not perfectly align, indicating moments where subtext or unspoken emotions may play a significant role. |
| Potential Pacing Issues | Scenes 7, 16, and 23 have lower scores in moving the story forward, indicating potential areas where pacing could be adjusted to maintain momentum. |
| Balancing Suspense and Intensity | Scenes 1 and 10 have high scores in suspense and intensity, indicating the potential for a well-crafted balance between these elements. |
Writer's Craft Overall Analysis
The writer demonstrates a strong command of storytelling fundamentals, crafting scenes with engaging action, compelling characters, and emotional depth. The scenes effectively balance tension, suspense, and humor, showcasing the writer's ability to evoke a range of emotions. However, the writer could benefit from further developing their craft in certain areas to enhance the overall impact and cohesion of their screenplay.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Book | Read 'Save the Cat!' by Blake Snyder | This book provides a comprehensive guide to character development, plot structure, and screenplay formatting, addressing the identified areas for improvement in character depth, dialogue, and scene structure. |
| Exercise | Practice writing dialogue-heavy scenes with conflicting emotions, motivations, and subtextPractice In SceneProv | This exercise will enhance the writer's ability to create authentic and compelling character interactions and deepen emotional depth through dialogue. |
| Video | Watch interviews or behind-the-scenes footage of established screenwriters and directors discussing their approach to scene pacing and structure | Gaining insights from industry professionals can provide valuable lessons in managing the flow of scenes, building tension, and creating a cohesive narrative. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| "Death Trap" | Castor and Pollux arrive in a jet and begin firing on FBI agents. | A scenario where a group of people are trapped in a dangerous location and must fight for survival. An example of this trope is the movie "Saw" |
| Face–Heel Turn | Castor Troy, disguised as a priest, infiltrates a building and kills a janitor after being questioned about his presence in a restricted area. | A character who was previously good or heroic suddenly becomes evil or villainous. An example of this trope is the character of Darth Vader in the "Star Wars" franchise. |
| The Hero Dies | Eve awakens from a dream that Archer is flying a stunt plane and falls without opening his parachute. | The main character of a story dies, often in a heroic or sacrificial manner. An example of this trope is the character of Tony Stark in the movie "Avengers: Endgame" |
| Identity Amnesia | Archer is injected with a drug to render him unconscious. | A character loses their memory, either temporarily or permanently. An example of this trope is the character of Jason Bourne in the "Bourne" film series |
| The Mole | Castor plants a bomb on Air Force One and frames Archer to become an FBI hero. | A character who secretly works for the enemy and betrays their allies. An example of this in the movie "The Departed" is Colin Sullivan played by Matt Damon |
| Race Against Time | Archer learns of impending catastrophe and warns of impending catastrophe. | The characters must complete a task or achieve a goal before a deadline, or else dire consequences will occur. An example of this trope is the movie "Speed" |
| Revenge | Castor is awakened in a surgical bay and calls for help. | A character seeks revenge against those who have wronged them. An example of this trope is the character of John Wick in the movie "John Wick" |
| The Rival | Castor confronts Archer with details of his crimes and torments him with the knowledge that he has destroyed all evidence of Archer's true identity. | Two characters are in competition with each other, often for the same goal or person. An example of this trope is the rivalry between Harry Potter and Draco Malfoy in the "Harry Potter" series. |
| The Twist or Surprise Ending | Castor is revealed to be the impostor who looks like Archer. | A sudden and unexpected turn of events at the end of a story that changes the audience's understanding of the plot or characters. |
| The Villain's Redemption | Castor reveals his plan to Pollux, proposing they work together to plant a bomb on Air Force One and frame Archer to become an FBI hero. | A villainous character undergoes a change of heart and becomes good, or at least less evil. An example of this trope is the character of Darth Vader in the "Star Wars" franchise. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 5 | Eve: I've got patients waiting. Try again, Jon. She hates you -- but she needs you. |
| 6 | Archer: That bomb has been built, it's out there somewhere and it's going to detonate... |
| 14 | Castor: I torched every shred of evidence that proves who you are. So swallow this -- you are going to be in here for the rest of your life. |
| 16 | Castor: Archer took my life, so I'm taking his. Bro, I'm going straight. |
| 15 | Castor: Daddy's a new man. |
Some Loglines to consider:
| Array ( [0] => An FBI agent goes undercover as a criminal mastermind to locate a bomb, but the two enemies are forced to trade identities, leading to a dangerous game of cat and mouse. [1] => In a thrilling showdown between a law enforcement agent and a criminal mastermind, Archer and Troy battle it out to protect what they hold dear. [2] => A movie exploring themes of obsession and identity as an FBI agent and a criminal mastermind switch identities in a game of deception on the verge of danger. [3] => A thriller about a dangerous game of cat and mouse that pits an FBI agent against a criminal mastermind as they try to outsmart each other to protect what they love. [4] => In a world of deception and danger, Archer and Troy will go to any lengths to protect their loved ones, leading to an epic showdown between good and evil. ) |
| When a ruthless criminal mastermind switches faces with his sworn enemy, an FBI agent, he must go undercover to stop a deadly bomb plot - but the deeper he delves into his new identity, the more he finds himself questioning his own morality. |
| In a desperate bid to stop a terrorist attack, an FBI agent undergoes a radical facial transplant procedure to assume the identity of his greatest adversary, only to find himself increasingly drawn to the criminal's dark lifestyle and questioning his own sense of self. |
| A deadly game of cat-and-mouse ensues when an FBI agent and a notorious criminal switch identities, each trying to outmaneuver the other while wrestling with the blurring of their own moral boundaries. |
| After a daring prison escape, a brilliant but ruthless criminal mastermind steals the face of the FBI agent hunting him, forcing the agent to confront his own inner darkness as he goes undercover to stop the criminal's deadly plans. |
| Two men, one a lawman and the other a wanted terrorist, become locked in a deadly game of deception when they undergo a radical facial transplant procedure, leading them to question the very nature of identity and the lines between good and evil. |
| A relentless FBI agent and a ruthless terrorist swap faces in a deadly game of cat and mouse. |
| Two men on opposite sides of the law exchange identities, leading to a thrilling battle where they must face their own lives and crimes. |
| An experimental surgery allows an FBI agent to go undercover by swapping faces with a terrorist, but when the terrorist takes over his life, the mission becomes personal. |
| What happens when your worst enemy is the one person who looks exactly like you? Two men find out in this explosive thriller. |
| A mission to capture a terrorist by assuming his identity goes horribly wrong, blurring the lines between good and evil. |
Help & FAQ
Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at [email protected]
Feature Request
Got an idea to improve our service? We'd love to hear it!
Scene by Scene Emotions