Die Hard
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo
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USP: **Unique Selling Proposition:** This action-packed thriller delivers a heart-racing hostage crisis narrative with a unique blend of humor, suspense, and character-driven dynamics. Featuring a witty protagonist, a charismatic antagonist, and a gripping cat-and-mouse game within the claustrophobic confines of a skyscraper, this screenplay offers a refreshing take on the genre. Innovative storytelling techniques, including tense confrontations, strategic planning, and daring escapes, will keep audiences on the edge of their seats. The script's authenticity, originality, and distinctive voice create a compelling and unforgettable cinematic experience.
Overview
Genres: Action, Thriller, Drama, Crime, Comedy
Setting: Christmas Eve, Nakatomi Plaza building in Los Angeles
Overview: The screenplay for "Die Hard" exhibits strong potential with its compelling premise, well-developed protagonist, and engaging action sequences. The dialogue is sharp and effectively builds tension, while the theme of heroism resonates throughout. However, there are opportunities to enhance the depth of supporting characters, explore the emotional complexity of the narrative, and further refine the pacing and action sequences.
Themes: Violence and Action, Terrorism and Hostage Situations, Christmas, Family
Conflict and Stakes: McClane's battle against the terrorists to save the hostages and his wife, as well as his personal struggle to clear his name from a murder charge.
Overall Mood: Tense, suspenseful, and thrilling, with moments of humor and camaraderie.
Mood/Tone at Key Scenes:
- Scene 22: The scene where McClane crawls through the air duct to escape the terrorists creates a sense of claustrophobia and suspense.
Standout Features:
- Unique Hook: Die Hard's premise of a lone warrior fighting against a group of terrorists in an enclosed space was a refreshing concept for an action movie.
- Plot Twist : The true identity of Karl, the terrorist who impersonates McClane, creates a shocking reveal during the film's climax.
- Iconic Character : John McClane is a beloved and iconic action hero who embodies the everyman with his relatable personality and unwavering determination.
- Action Sequences : Die Hard features many thrilling and well- choreographed action sequences, including the famous elevator shootout and the showdown on the roof.
Comparable Scripts:
Market Analysis
Budget Estimate:$30-50 million
Target Audience Demographics: Adults aged 25-54, fans of action, Die Hard movies, and thrillers.
Marketability: The screenplay has strong marketability due to its proven track record, having spawned multiple successful sequels, and its appeal to a wide audience. The film's blend of action, suspense, and humor has made it a popular choice for audiences worldwide.
The screenplay has unique blend of genres and explores compelling themes with a diverse cast.
Has compelling characters and a gripping storyline, relevant social themes, name recognition, and cross-platform appeal.
Profit Potential: High, due to strong appeal to a wide adult audience with a potential for merchandising and sequels.
Scene Level Percentiles
Screenplay Analysis
- Plotrating: 91.59%, indicating a compelling and well-structured plot.
- Conflict_level: 89.07%, demonstrating a strong and engaging conflict that drives the story.
- Emotional_impact: 73.52%, suggesting the story effectively evokes emotions and resonates with the audience.
- Engagement_score: 93.28%, indicating the screenplay effectively captivates and holds the audience's attention.
- Pacing_score: 98.50%, demonstrating a well-paced story that maintains momentum and prevents lulls.
- Charactersrating: 36.55%, suggesting the characters may need further development and depth to become more relatable and compelling.
- Dialoguerating: 36.13%, indicating the dialogue could benefit from refinement to enhance its natural flow and impact.
- Structure_score: 47.01%, suggesting the screenplay's structure may require revision to improve its overall coherence and clarity.
- Internal_goal_score: 64.92%, indicating the protagonist's internal motivations could be strengthened to provide a more compelling emotional core.
The writer may have a more conceptual writing style, as evidenced by the high percentile scores in conceptrating and plotrating, while character and dialogue scores are relatively lower. This suggests a focus on creating strong plot-driven stories with well-developed concepts.
Balancing Elements- Consider balancing the emphasis on plot and concept with stronger character development and dialogue to create a more well-rounded and emotionally engaging story.
- Explore ways to enhance the internal motivations of the characters to provide a deeper emotional connection for the audience.
Conceptual
Overall AssessmentThe screenplay shows promise with strong plot, conflict, and emotional impact. However, it would benefit from further development in characterization, dialogue, and structural clarity to maximize its potential.
How scenes compare to the Scripts in our Library
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|
Percentile | Before | After |
---|---|---|---|---|
Scene Pacing | 8.90 | 99 | Die Hard: 8.86 | Die Hard: 8.90 |
Scene High Stakes | 9.1 | 97 | Battlefield Earth: 9.0 | Rambo: 9.1 |
Scene Plot | 8.6 | 95 | Battlefield Earth: 8.5 | John wick: 8.6 |
Scene Story Forward | 8.8 | 95 | Rambo First Blood Part II: 8.7 | the dark knight rises: 8.8 |
Scene Engagement | 9.02 | 93 | The Greatest Showman: 9.00 | the dark knight rises: 9.02 |
Scene Conflict Level | 8.7 | 92 | Memento: 8.6 | the dark knight rises: 8.7 |
Script Visual Impact | 8.75 | 91 | Deep Cover: 8.50 | Mr. Smith goes to Washington: 8.75 |
Scene Overall | 8.7 | 89 | Gladiator: 8.6 | the black list (TV): 8.7 |
Overall Script | 8.30 | 80 | Labyrinth : 8.29 | the black list (TV): 8.30 |
Script Originality | 8.75 | 78 | Inside Out: 8.50 | Casablanca: 8.75 |
Script Conflict | 8.25 | 76 | KILLING ZOE: 8.00 | the dark knight rises: 8.25 |
Script Emotional Impact | 8.25 | 76 | Battlefield Earth: 8.00 | the dark knight rises: 8.25 |
Script Premise | 8.50 | 70 | The Greatest Showman: 8.25 | Mr. Smith goes to Washington: 8.50 |
Scene External Goal | 7.45 | 67 | Blade Runner: 7.44 | Labyrinth : 7.45 |
Script Structure | 8.25 | 67 | Gladiator: 8.00 | Titanic: 8.25 |
Scene Emotional Impact | 7.9 | 63 | American Hustle: 7.8 | fight Club: 7.9 |
Scene Concept | 8.1 | 54 | Gran Torino: 8.0 | Casablanca: 8.1 |
Scene Unpredictability | 7.57 | 54 | 2001: 7.56 | American Hustle: 7.57 |
Script Structure | 8.14 | 53 | Memento: 8.13 | the pursuit of happyness: 8.14 |
Scene Character Changes | 6.9 | 51 | 500 days of summer: 6.8 | severance (TV): 6.9 |
Script Theme | 8.25 | 48 | Stranger Things: 8.00 | the dark knight rises: 8.25 |
Script Characters | 8.25 | 45 | The Hudsucker Proxy: 8.00 | Erin Brokovich: 8.25 |
Scene Internal Goal | 8.02 | 43 | Swingers: 8.00 | the pursuit of happyness: 8.02 |
Scene Characters | 8.1 | 33 | Memento: 8.0 | the pursuit of happyness: 8.1 |
Scene Dialogue | 7.5 | 33 | Witness: 7.4 | Titanic: 7.5 |
Scene Originality | 8.55 | 31 | the pursuit of happyness: 8.52 | Die Hard: 8.55 |
Scene Formatting | 7.83 | 3 | The shining: 7.76 | Die Hard: 7.83 |
Writer's Voice
Summary:The writer's voice is characterized by sharp dialogue, detailed descriptions, and a focus on character dynamics. The writer effectively uses these elements to create a sense of tension and suspense throughout the screenplay.
Best representation: Scene 3 - Reunion in the Dark. Scene 3 is the best representation of the writer's voice because it effectively combines sharp dialogue, realistic character interactions, and a focus on tension and suspense. The scene is also a turning point in the story, as it sets up the conflict between John McClane and Hans Gruber.
Memorable Lines:
- John McClane: Yippee-ki-yay, motherfucker. (Scene 37)
- John McClane: Now I have a machine gun. Ho ho ho. (Scene 18)
- Holly: Come out to the coast, we'll get together, have a few laughs (Scene 38)
- Holly: That was a bullseye. Could you believe it? (Scene 39)
- MCCLANE: I'm gonna need a bigger boat. (Scene 1)
Writing Style:
The overall writing style of the screenplay is characterized by a blend of action, humor, and complex character dynamics. The dialogue is sharp and witty, and the pacing is fast-paced and engaging.
Style Similarities:
- Shane Black
- Tony Gilroy
- John McTiernan
- Christopher Nolan
- Quentin Tarantino
Story Shape
Emotions Elicited
Engine: Claude
Recommend
Executive Summary
Die Hard is a gripping, character-driven action thriller with a strong narrative drive and well-crafted set pieces. The screenplay features a compelling protagonist in John McClane, who undergoes a meaningful transformation as he fights to save his wife and stop a group of ruthless terrorists. The dialogue is sharp and realistic, and the action sequences are visually compelling and integral to the storytelling. While there are some opportunities to further develop the supporting characters and explore thematic depth, the screenplay is a strong, well-executed example of the action genre that would likely appeal to a wide audience.
- The screenplay has a strong sense of character and narrative drive, propelling the story forward with clear stakes and conflict. high
- The dialogue is sharp, realistic, and serves to develop the characters and advance the plot effectively. high
- The action sequences are well-crafted, visually compelling, and integral to the storytelling. high
- The screenplay maintains a strong sense of pacing, balancing moments of tension and release to keep the audience engaged. high
- The protagonist, John McClane, is a well-defined, multi-dimensional character who undergoes a meaningful transformation over the course of the story. high
- While the character arcs are generally strong, there may be opportunities to further develop the supporting characters and their relationships to the protagonist. medium
- The screenplay could benefit from additional thematic exploration, providing more depth and resonance to the central conflict. medium
- The screenplay could potentially benefit from the inclusion of additional subplots or character backstories to further enrich the world and provide more emotional complexity. low
- The screenplay's use of setting and environment, particularly the high-rise building, as an additional character and source of conflict is highly effective. high
- The screenplay successfully blends various genres, including action, thriller, and even subtle moments of humor, creating a well-rounded and engaging cinematic experience. high
Engine: Gemini
Highly Recommend
Executive Summary
Die Hard is an exceptional action screenplay with a strong protagonist, well-paced action sequences, and a good balance of humor and character development. While some supporting characters could be further fleshed out and the ending could provide more closure, the overall narrative is compelling and engaging. The screenplay effectively uses media and technology to escalate the tension and stakes, making it a standout in its genre.
- John McClane's character is established effectively, showcasing his vulnerability and humanity through interactions with the businessman and his phone call with his daughter. high ( Scene 1 (3) Scene 2 (6) )
- The action sequences are well-paced and suspenseful, keeping the audience engaged and on the edge of their seats, particularly during McClane's encounters with the terrorists and his escape through the air ducts. high ( Scene 10 (103) Scene 11 (129) )
- The screenplay effectively balances action with moments of character development and humor, particularly in the interactions between McClane and Powell, which add depth and levity to the story. high ( Scene 17 (188) Scene 21 (215) Scene 22 (219) )
- Hans Gruber is a memorable and well-developed antagonist, whose intelligence and ruthlessness make him a formidable opponent for McClane. high ( Scene 31 (303) )
- The screenplay effectively uses media and technology to escalate the tension and stakes of the story, particularly with the introduction of Thornburg and the live television broadcasts. medium ( Scene 37 (406) Scene 38 (428) )
- Some of the supporting characters, such as the terrorists, could be further developed to provide more depth and motivation beyond their role as antagonists. medium
- The ending could be slightly more impactful and provide a stronger sense of closure for McClane and Holly's relationship. low
- The character of Al Powell serves as an effective counterpoint to McClane, highlighting the challenges and emotional toll of police work. medium ( Scene 3 (10) Scene 21 (216) )
- The screenplay explores themes of family, redemption, and the struggle against overwhelming odds. high ( Scene 19 (201) )
Screenplay Insights:
Premise: 8.5, The screenplay presents a clear and engaging premise that effectively captures the attention of the reader. It introduces interesting characters, sets up an intriguing conflict, and establishes a unique setting. The premise has the potential to lead to a compelling narrative, but there are a few areas that could be enhanced to further refine and strengthen its foundational appeal. See More
Structure: 8.25, The screenplay exhibits a well-structured and engaging plot that effectively builds tension and maintains audience interest. However, there are opportunities to refine certain aspects to enhance the narrative's clarity, emotional impact, and overall coherence. See More
Theme: 8.25, The screenplay effectively explores themes of survival, heroism, and resilience in the face of adversity. John McClane's journey from a cynical cop to a reluctant hero is well-developed, showcasing his resourcefulness, determination, and moral compass. The film's message about the importance of teamwork and standing up for what is right is clear and impactful. However, the script could benefit from further refinement of its exploration of the theme of terrorism and its motivations. See More
Visual Impact: 8.75, The screenplay offers a gritty and compelling visual experience, leveraging vivid imagery, innovative perspectives, and dynamic action sequences. The fusion of realism and creativity sets the stage for an immersive and emotionally resonant narrative. See More
Emotional Impact: 8.25, The screenplay effectively engages the audience emotionally through its compelling character dynamics and action-packed sequences. However, it has the potential to delve deeper into the emotional complexities of its characters and explore their motivations more thoroughly to create a more resonant emotional experience. See More
Conflict: 8.25, Overall, the screenplay for Die Hard effectively establishes a compelling conflict and high stakes, driving the narrative tension and audience engagement. The well-defined conflict between John McClane and Hans Gruber, along with the personal stakes for McClane's family, create a strong foundation for the story. However, there are opportunities to enhance the conflict and stakes further, deepening the emotional impact and immersing the audience more fully. See More
Originality: 8.75, "Die Hard" showcases originality in its compelling and action-packed narrative, offering a thrilling blend of suspense, humor, and character-driven storytelling. The screenplay effectively subverts expectations, employing innovative storytelling techniques and well-developed characters to deliver a fresh take on the action genre. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- On Christmas Eve, John McClane, a weary police detective, meets a Businessman on a flight who offers him tips for surviving air travel. The Businessman reacts nervously to McClane's gun, but McClane shows his badge to ease his concerns. In Los Angeles, Holly McClane, John's wife, works late at the Nakatomi Building, where Joseph Takagi celebrates a successful day with his employees, while Harry Ellis unsuccessfully attempts to get Holly to dinner. Despite a brief moment of tension, the scene ends on a light note as preparations for Christmas Eve continue.
- Lucy chats with her mother Holly on the phone, while John arrives in Los Angeles and meets his eccentric limo driver, William. As they drive through the festive city, William probes John about his family and career, adding a touch of humor to the scene.
- A suspect is subdued and brought before a police officer, Powell. Meanwhile, McClane arrives at the Nakatomi Building to reconcile with his wife, Holly. Upon entering the building, he encounters Takagi and Ellis, Holly's colleagues. Ellis, who is arrogant and condescending, attempts to belittle McClane, but McClane subtly mocks him.
- In the dimly lit Nakatomi Plaza parking garage, a UPS truck pulls up, unnoticed by William in his limo. Meanwhile, McClane and Holly share a nostalgic moment in Ellis' office washroom. McClane attempts to call William, but is sidetracked by a photo of his children. Undeterred, he redials William's number, unaware of his impending clash with the terrorists lurking within the building.
- Two well-dressed businessmen, Theo, and Karl, enter a building lobby and kill the guard. They then proceed to disable the building's security systems before being joined by Hans Gruber who brings in a team of armed men dressed in fatigues. The group then enters a service elevator and presses the button for the 32nd floor.
- McClane realizes the phone lines have been cut and prepares to confront the terrorists, who are searching the halls. Meanwhile, Hans informs the hostages of their demands. McClane runs up the stairwell and reaches the 34th floor, where he sees a woman answering a phone in an apartment building.
- McClane cautiously explores Nakatomi Plaza, gathering information and avoiding detection. He overhears Hans interrogate Takagi and witness Hans kill him. McClane narrowly escapes detection and continues his exploration.
- McClane hides in a supply closet and overhears William on the phone. Hans and Theo enter a safe room. McClane finds the fire alarm has been cancelled. Tony searches for McClane on the 37th floor. McClane confronts Tony, and they fight, resulting in Tony's death.
- McClane disguises himself and infiltrates the terrorists' hideout, discovering a secret door and rooftop access. Hans remains composed, while Karl seeks revenge for his brother's death. McClane broadcasts a distress call to the police, alerting them to the hostage situation, as Karl and his team close in on the roof.
- McClane flees from the terrorists, leading them to the pump room. He narrowly escapes into an air conditioning duct, while the terrorists search for him. Powell intercepts a police call regarding the incident and heads towards the scene.
- McClane escapes through air ducts, pursued by Karl and his men. Karl senses McClane's presence, but McClane is ready.
- In the final countdown to the 11 o'clock news, Dick Thornburg demands a crew for a breaking story, clashing with Sam's efforts to keep the broadcast on track. Amidst the chaos and Thornburg's threats, Sam assigns a crew, resolving the conflict and sending Thornburg to the scene.
- Powell drives to the Nakatomi building and reports to his radio about the guard inside. McClane enters the machine room and then the board room on the 40th floor. Terrorists Karl, Franco, and Fritz move to set up a machine gun nest on the 3rd floor. Hans communicates with Heinz in the lobby. McClane confronts a terrorist in the board room and a shootout ensues, leading to McClane successfully taking down the terrorist.
- In the aftermath of a shootout, Powell interrogates Heinz but finds no evidence of a terrorist takeover. As he leaves, Heinz notices Powell's bloody footprints. Powell gets into his car under McClane's watchful eye from a window above. Marco's body falls onto Powell's hood, triggering a barrage of machine-gun fire that forces Powell to take cover and call for backup.
- McClane informs Powell of the terrorists' weaponry and warns of their surveillance capabilities. McClane and Theo, now identified as Bill Clay, notice a discrepancy on the employee roster and decide to investigate.
- Deputy Chief Dwayne Robinson arrives at the scene and learns of a lone gunman's claims about terrorists taking over the Nakatomi building. Meanwhile, John McClane and Theo descend to the 39th floor and discover plastic explosives hidden in the floor jam. McClane realizes the explosives could be used as leverage. As they prepare to leave, Theo betrays McClane and lunges for a gun, prompting McClane to kill him.
- John McClane hides detonators and informs Powell and Robinson about explosives and another victim. Powell suggests discarding the detonators, but McClane refuses. Hans Gruber intervenes in the radio conversation.
- Hans calls McClane to offer a truce, but McClane refuses. Hans threatens McClane, who taunts him. Hans asks for McClane's name, who gives him a false one. Hans promises McClane will regret it. Captain Robinson tries to contact Hans, but Hans cuts him off. FBI agents Johnson and Johnson arrive and offer to assist Robinson.
- Hans interrogates Holly about police tactics. Holly suggests negotiation, but Hans dismisses her and implies she's a threat. Hans deduces Holly has children, which affects her. Hans compares police to children needing to experience danger. William watches news about the Nakatomi Building hostage situation and becomes increasingly distressed.
- McClane creates a makeshift barricade and rigs explosives in anticipation of a confrontation with the terrorists. Meanwhile, the terrorists search for him, prompted by Karl's announcement of Theo and Heinrich's deaths. The SWAT team arrives for a briefing, preparing to resolve the hostage situation.
- McClane and Powell discuss the situation over the CB, with McClane complimenting Powell's driving. Inside the police trailer, Mitchell proposes sending two men into the building through the sewers, but Henry objects, saying that it's not possible due to a deep reverse flow conduit. Mitchell asks if Henry has a better way in, and Henry says he might, but needs a light.
- McClane discovers intruders on the 37th floor and engages in a shootout with Karl. He retreats to the stairwell, leaving a trail of blood behind. Terrorists follow the trail, but McClane escapes by hiding in an elevator car.
- McClane warns Powell that the intense spotlight the police have brought is exactly what the terrorists want, but Powell dismisses his concerns. Meanwhile, Hans senses a confrontation approaching, while SWAT officers prepare to enter the Nakatomi building.
- SWAT officers face gunfire while attempting to enter the Nakatomi building. McClane and the police respond, but Hans escalates the conflict by targeting the armored car sent to assist the SWAT team.
- An armored car is engulfed in flames outside of a building as McClane sets up and detonates an explosive inside, causing a massive explosion that destroys a machine gun nest and kills two terrorists. The blast sends debris flying and shatters windows, leaving police officers stunned. McClane successfully weakens the terrorists' position, intensifying the conflict between them.
- Following an explosion, McClane checks on the officers before inquiring about the damage. Powell reveals the building's potential condemnation and McClane's neutralization of three terrorists. Robinson takes charge, reprimanding McClane and ordering his surrender. McClane argues his importance due to the ongoing hostage situation and explosive threat, demanding to speak with Powell again. Robinson dismisses him, leading to McClane's frustration.
- McClane is struggling, but Powell offers support. Hans, Franco, and Karl strategize. Ellis confronts Hans, ignoring Fritz. Hans taunts McClane with Ellis' capture, increasing tension and uncertainty.
- Ellis is interrogated by Hans' men and McClane is forced to make a difficult decision to save his life.
- Hans gives McClane five minutes to get to his office or he will shoot another hostage. Ellis is killed in front of the hostages on the 32nd floor, causing chaos. McClane is chilled by the gunshot and hears Robinson threatening to jam him in jail. The scene ends with McClane turning off the CB and preparing to face Hans.
- Chief Robinson confronts Hans about McClane on CB, who demands the return of equipment in exchange for hostages. Robinson denies McClane's police affiliation, but Hans insists on his control over him. Powell contacts McClane, who cautiously navigates the building's glass-walled offices.
- Robinson approaches Powell but leaves. Inside, Powell reveals he shot a child. Franco overhears and alerts others in German. William warns McClane, saving him from Franco's gunfire.
- McClane is pursued by Franco on the roof of the Nakatomi building. As they reach the edge, McClane tricks Franco into revealing his true identity. Before Franco can kill him, an unseen assailant shoots McClane, causing Franco to be killed by police snipers. McClane is left trapped on the roof, but with the help of Powell and the snipers, he manages to survive.
- John McClane discovers a Mars bar in Franco's kit bag. He then uses the CB radio to connect with Al Powell and William. Powell informs McClane that the FBI is currently in charge of the situation. Despite McClane's concerns about a potential air assault, Powell fails to provide a clear answer. McClane overhears conversations via television in William's limo that confirm the FBI's involvement. Overcoming his fear of heights, McClane deploys a fire hose to descend to the 40th floor, ready to confront the terrorists.
- McClane prepares for a helicopter attack on the roof while William distracts them with loud music. McClane shoots down one helicopter and distracts the other, but runs out of ammunition. Powell confronts Little Johnson about leaving McClane on the roof.
- The second missile strikes the helicopter, causing it to explode and scatter flaming debris across the rooftop. McClane plummets from the building and crashes through a fourth-floor window, narrowly escaping being yanked back out by his harness. Meanwhile, Powell, refusing to believe McClane's death, scrutinizes the helicopter attack footage. McClane, finding a family photo, is reminded of his own family.
- SWAT officers apprehend William, while McClane discovers the extent of the damage caused by the explosion. Hans orders his team to search for detonators.
- McClane realizes he was not adequately warned about the attack and uses explosives to gain control of the 37th floor. Holly sees her children approach her house on TV, while Thornburg tries to convince Paulina to let them talk to McClane.
- Hans interviews the children, demanding McClane's surrender. McClane talks to Holly on the CB, gaining strength from her. Internal conflict arises as McClane struggles to stay focused against Hans's demands. The scene is tense and emotional, with moments of hope and vulnerability. Key dialogue includes Hans demanding detonators, McClane's determination, Holly's fear and longing, and their emotional connection. Significant visuals include the children's interview, Hans and Holly in the office, and McClane waiting in the elevator corridor. The scene ends with McClane moving through the building, determined to face the challenge ahead.
- McClane places detonators in the safe and sets the timer, while Fritz pursues him but is ambushed. Holly blocks out distractions to communicate with McClane and signals the hostages to join him. Karl completes packing the detonators and departs. Holly observes departures and conceals her awareness from Hans. The safe room explodes. SWAT officers approach the building and ascend stairwells, while a helicopter engages the elevator tower. Hans threatens to execute Holly unless McClane surrenders unarmed on the 39th floor.
- McClane and Hans engage in a tense standoff in the safe room, with Holly used as a shield. Karl and Heinz are hit by helicopter fire, escalating the conflict. McClane eventually shoots Hans, saving Holly and resolving the standoff.
- McClane and Holly are reunited with Powell outside the Nakatomi building. Despite Powell's relief, Robinson attempts to question McClane, who dismisses him. Tension escalates when Karl appears with an M-5 machine gun, posing a new threat to the group.
- Outside the Nakatomi building, Karl confronts McClane and Holly with a gun. McClane acts quickly, throwing Holly to safety and grabbing a weapon. Powell intervenes, shooting Karl dead. Afterward, William appears in a limo and offers McClane and Holly an escape before New Year's.
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Character Karl
Description Karl's relentlessness in pursuing McClane seems to waver inconsistently. After hearing McClane in the air vent, he initially ignores Hans' order to trap him, driven by a personal vendetta. However, later he backs down when Franco alerts him to the police presence, which seems out of character given his earlier determination.
( Scene 8 (71) Scene 11 (128) ) -
Character Ellis
Description Ellis's sudden decision to confront Hans and negotiate seems out of character. Throughout the film, he is portrayed as cowardly and self-serving, so his attempt at heroism feels inconsistent with his established personality.
( Scene 27 (279) )
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Description The timeline of events surrounding McClane's arrival and the terrorist takeover is unclear. The script suggests McClane arrives at the party shortly before the terrorists, but it's improbable that he would have time to wash up and make a phone call before the takeover begins.
( Scene 5 (24) Scene 6 (37) )
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Description The explanation for how McClane manages to stop the elevator between floors and climb on top is not fully convincing. The use of a ruler to block the doors seems implausible, and the mechanics of the action are not clearly depicted.
( Scene 9 (86) ) -
Description The timing and logistics of the helicopter attack and McClane's escape are questionable. The script suggests McClane knows about the attack beforehand, but it's unclear how he obtains this information. Additionally, his use of the fire hose to swing into the building from the roof seems physically improbable.
( Scene 34 (354) Scene 35 (385) )
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Description Hans's philosophical speech about children and the police feels out of place and overly expository. While it attempts to provide insight into his character, it comes across as forced and unnatural in the context of the scene.
( Scene 20 (201) )
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Element McClane's questioning of Powell's role
( Scene 17 (173) Scene 21 (219) Scene 22 (220) Scene 31 (306) )
Suggestion McClane repeatedly questions Powell's reasons for being off the street and his past as a cop. While it builds their relationship, some instances could be trimmed or combined to streamline the dialogue and maintain narrative momentum.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
John Mcclane | John McClane starts off as a tired but alert cop grappling with personal issues, but as the story progresses, he is pushed to his limits and forced to confront his vulnerabilities. Through a series of escalating challenges, he evolves into a courageous and strategic hero who is willing to sacrifice himself for his loved ones. By the end of the screenplay, he emerges as a resilient and determined protagonist, showcasing bravery, quick thinking, and a strong sense of justice. | The character arc for John McClane is well-developed, showcasing his growth from a tired cop to a courageous hero. However, there could be more exploration of his emotional journey and internal struggles to add depth to his character. Additionally, his relationship with his wife, Holly, could be further developed to enhance the emotional stakes of the story. | To improve the character arc, consider incorporating more scenes that delve into John McClane's internal struggles and emotional journey. Show his vulnerabilities and fears to make his transformation into a hero more impactful. Additionally, explore his relationship with Holly in greater depth to add emotional depth and complexity to the story. This will help the audience connect with John McClane on a deeper level and enhance the overall emotional impact of the screenplay. |
Holly | Holly starts off as a successful career woman in Los Angeles who still has feelings for her ex-husband, John. Throughout the film, she is forced to confront her past and her feelings for John as she navigates a dangerous situation. As the story progresses, Holly becomes more assertive, resilient, and willing to stand up for herself and her family. By the end of the film, she has fully embraced her strength and independence, ultimately finding closure and a renewed sense of self. | The character arc for Holly is well-developed and allows for growth and transformation throughout the film. However, there could be more emphasis on Holly's internal struggles and emotional journey as she confronts her past and faces danger. This would add depth to her character and make her arc even more compelling. | To improve the character arc for Holly, consider adding more scenes that delve into her emotional turmoil and internal conflicts. Show her grappling with her feelings for John and the impact of their separation on her life. Additionally, explore how the dangerous situation she finds herself in forces her to confront her vulnerabilities and fears, ultimately leading to her growth and empowerment. This will make Holly's arc more nuanced and engaging for the audience. |
Karl | Karl starts off as a ruthless and efficient criminal involved in the takeover of the building. As the story progresses, he becomes obsessed with hunting down and killing McClane, leading to a personal vendetta that consumes him. However, towards the climax of the film, Karl begins to question his blind loyalty to the terrorist group and starts to show moments of hesitation and doubt. In the final confrontation with McClane, Karl is faced with a moral dilemma that forces him to make a decision that ultimately leads to his downfall. | The character arc for Karl is well-developed, but it could benefit from more depth and complexity. While his transformation from a ruthless criminal to a conflicted individual is compelling, it could be further enhanced by exploring his backstory and motivations in greater detail. Additionally, adding more internal conflict and emotional depth to Karl's character would make his arc more impactful and engaging for the audience. | To improve the character arc for Karl, consider delving deeper into his past experiences and motivations that have shaped him into the ruthless individual he is at the beginning of the film. Show more moments of vulnerability and internal struggle as he grapples with his loyalty to the terrorist group and his personal vendetta against McClane. Allow Karl to experience moments of redemption and self-reflection that ultimately lead to his transformation and ultimate demise in a more nuanced and emotionally resonant way. |
Theo | Theo starts off as a non-threatening individual who poses as a member of a terrorist group. As the story progresses, he reveals his true nature as a calculated and cold terrorist willing to use violence to achieve his goals. He engages in a cat-and-mouse game with McClane, showcasing his intelligence and resourcefulness. However, in a tense confrontation with McClane, Theo meets his demise, ultimately failing to outwit his opponent. | Theo's character arc is well-developed, but it could benefit from more depth and complexity. While he is portrayed as cunning and manipulative, exploring his motivations and backstory could add layers to his character. Additionally, his ultimate demise feels somewhat predictable and could be more creatively executed. | To improve Theo's character arc, consider delving deeper into his past and motivations. Show moments of vulnerability or internal conflict to make him more relatable and multidimensional. Additionally, consider a more unexpected or surprising resolution to his storyline, perhaps allowing him to escape or face consequences in a different way. |
Hans Gruber | Hans Gruber starts off as a confident and strategic mastermind, always in control of the situation. However, as the story progresses, he begins to unravel as his plans are thwarted by the protagonist, John McClane. This leads to moments of desperation and vulnerability, ultimately culminating in a final showdown where he is defeated and exposed for his true nature. | The character arc for Hans Gruber is well-developed, showcasing his strengths and weaknesses as a villain. However, to enhance the emotional impact of his downfall, there could be more emphasis on his personal motivations and backstory. This would add depth to his character and make his ultimate defeat more satisfying for the audience. | Consider incorporating flashbacks or dialogue that provide insight into Hans Gruber's past, such as his reasons for becoming a terrorist or his previous encounters with law enforcement. This will humanize him and make his actions more understandable, while also creating a more compelling and complex antagonist for the audience to engage with. |
Mcclane | In the screenplay, John McClane starts off as a confident and skilled police detective who is pushed to his limits in a high-stakes situation. As the story progresses, he faces increasing challenges that test his bravery and resourcefulness. Despite setbacks and obstacles, McClane grows in resilience and determination, ultimately overcoming the antagonist and saving the hostages. By the end of the film, he emerges as a hero who has proven his courage and willingness to sacrifice for the greater good. | The character arc for John McClane is well-developed, showcasing his growth from a confident detective to a resilient hero. However, to enhance the arc, there could be more emphasis on his emotional journey and internal struggles. By delving deeper into McClane's vulnerabilities and fears, the audience can better connect with his character and root for his success. | To improve the character arc, consider adding moments of introspection where McClane grapples with his doubts and fears. Show his internal conflict and the emotional toll of the high-stakes situation he finds himself in. Additionally, explore his relationships with other characters to further develop his arc and showcase his growth throughout the film. |
Hans | Hans starts off as a formidable and confident terrorist leader, always in control of the situation. However, as the story progresses, he begins to face unexpected challenges and setbacks that test his cunning and ruthlessness. He starts to lose his composure and control, leading to a series of escalating confrontations with the protagonist. In the climax, Hans is ultimately defeated by his own hubris and underestimation of his opponent, resulting in his downfall. | The character arc for Hans is well-developed, showcasing his strengths and vulnerabilities as a cunning antagonist. However, the arc could benefit from more internal conflict and depth to explore his motivations and backstory. Additionally, the climax could be more impactful by highlighting the emotional stakes for Hans and the consequences of his actions. | To improve the character arc, consider adding flashbacks or dialogue that provide insight into Hans' past and motivations. This will add complexity to his character and make his downfall more emotionally resonant. Additionally, focus on building tension and suspense leading up to the climax, emphasizing the high stakes for both Hans and the protagonist. Finally, consider incorporating a redemption arc or moment of self-reflection for Hans to add depth and nuance to his character. |
Al Powell | Al Powell starts off feeling guilty and burdened by past mistakes, but through his interactions with John McClane and the crisis situation, he finds redemption and a renewed sense of purpose. He overcomes his fears and insecurities to become a key ally in the fight against the terrorists, ultimately proving his loyalty, bravery, and dedication to serving and protecting others. | The character arc for Al Powell is well-developed and provides a satisfying resolution to his internal conflict. However, it could benefit from more depth and complexity to further explore his motivations and struggles. Additionally, his transformation could be more gradual and nuanced to make it feel more authentic and impactful. | To improve the character arc for Al Powell, consider adding more backstory or flashbacks to delve into the reasons behind his past mistakes and how they have shaped his character. Show more internal conflict and emotional turmoil as he grapples with his guilt and insecurities. Allow his redemption arc to unfold organically, with small moments of growth and self-discovery leading to a more profound transformation by the end of the film. |
Theme | Theme Details | Themee Explanation | ||||||||||||
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Violence and Action | Die Hard is known for its intense action sequences. The screenplay is full of shootouts, explosions, and fights, as McClane battles the terrorists. | Violence and action are essential elements of the Die Hard franchise, and they play a major role in the screenplay. | ||||||||||||
Strengthening Violence and Action:
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Terrorism and Hostage Situations | Die Hard is also a story about terrorism and hostage situations. The terrorists take over the Nakatomi building and hold the hostages captive, and McClane must stop them before they can carry out their plans. | Terrorism and hostage situations are serious issues, and they are explored in a realistic and suspenseful way in the Die Hard screenplay. | ||||||||||||
Christmas | Die Hard is set on Christmas Eve. The holiday setting adds to the suspense and tension of the film, as McClane faces off against terrorists while trying to save his wife and the other hostages. | Christmas is a time of peace and goodwill, but it can also be a time of darkness and danger. Die Hard explores both sides of the holiday in the screenplay. | ||||||||||||
Family | Despite all the action and violence, Die Hard is also a story about family. McClane is trying to save his wife, and he is also trying to protect his family from the terrorists. | Family is important to McClane, and it is one of the things that motivates him to fight the terrorists. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal and external goals revolve around survival, protecting loved ones, and stopping the terrorists |
External Goals | The protagonist's external goals include outsmarting the terrorists, contacting the police for help, and navigating the dangerous situation in the building |
Philosophical Conflict | The overarching philosophical conflict revolves around justice vs. violence, duty vs. self-preservation, and authority vs. rebellion |
Character Development Contribution: The protagonist's goals and conflicts contribute to his development by challenging his beliefs, values, and sense of duty as a police officer
Narrative Structure Contribution: The goals and conflict drive the narrative structure by creating tension, suspense, and a sense of urgency in the screenplay
Thematic Depth Contribution: The goals and conflict add thematic depth by exploring themes of redemption, sacrifice, and the complexity of morality in high-stakes situations
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
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How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Christmas Eve Preparations | Tense, Suspenseful, Witty | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
2 - John and William's Journey to Christmas | Affectionate, Light-hearted, Direct | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 5 | 7 | 4 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
3 - Arrivals and Introductions | Tense, Awkward, Sarcastic, Formal | 8 | 7 | 8 | 9 | 9 | 6 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 6 | 8 | 9 | 9 | 8 | 8 | |
4 - Reunion in the Dark | Intense, Emotional, Tense, Reflective | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 7 | 6 | 7 | 5 | 7 | 6 | 9 | 8 | 8 | 8 | 9 | 9 | |
5 - The Heist | Suspenseful, Intense, Tense | 8 | 9 | 8 | 8 | 7 | 5 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 6 | 6 | 9 | 9 | 9 | 9 | |
6 - McClane's Standoff | Tense, Suspenseful, Intense, Dramatic | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | |
7 - McClane Infiltrates Nakatomi Plaza | Tense, Suspenseful, Menacing | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 9 | |
8 - McClane's Confrontation with Tony | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 7 | 8 | |
9 - McClane's Rooftop Infiltration and Distress Call | Intense, Suspenseful, Dramatic | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 7 | 8 | |
10 - Intense Pursuit and Narrow Escape | Intense, Suspenseful, Tense | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 7 | 7 | 9 | 9 | 7 | 8 | |
11 - Cat and Mouse in the Air Ducts | Intense, Suspenseful, Tense, Dramatic | 9 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 10 | 8 | 8 | 8 | 6 | 9 | 9 | 8 | 8 | |
12 - Race Against Time at the News Desk | Tense, Suspenseful, Intense, Angry, Panicked | 8 | 7 | 8 | 9 | 7 | 5 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 6 | 7 | 9 | 9 | 8 | 8 | |
13 - Confrontation in the Nakatomi Building | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
14 - Bloody Footprints and a Deadly Trap | Tense, Suspenseful, Terrifying, Frantic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
15 - Reinforcements Arrive | Tense, Suspenseful, Intense, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | |
16 - Standoff on the 39th Floor | Intense, Suspenseful, Tense, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 7 | 8 | |
17 - Detonators Discovery | Tense, Suspenseful, Intense, Dramatic | 8 | 8 | 9 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
18 - Negotiations Break Down | Tense, Suspenseful, Serious, Intense, Sarcastic | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 8 | 9 | |
19 - Interrogation and Warnings | Intense, Suspenseful, Tense | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
20 - McClane's Barricade and the Terrorists' Search | Tense, Suspenseful, Intense, Dramatic | 8 | 8 | 9 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 7 | 6 | 9 | 9 | 8 | 8 | |
21 - Outside the Police Trailer | Tense, Suspenseful, Dramatic, Intense | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
22 - McClane's Narrow Escape | Intense, Suspenseful, Tense | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
23 - The Blinding Spotlight | Intense, Suspenseful, Tense | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | |
24 - SWAT Assault Under Fire | Tense, Suspenseful, Intense, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
25 - Explosive Showdown | Intense, Suspenseful, Dramatic, Tense, Chaotic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 7 | 10 | 9 | 8 | 8 | |
26 - Clash of Authorities: McClane's Confrontation with Robinson | Intense, Tense, Confrontational, Furious | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 7 | 8 | |
27 - Tense Standoff and Urgent Action | Tense, Suspenseful, Dramatic | 8 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
28 - A Tense Standoff | Tense, Suspenseful, Intense, Dramatic | 9 | 8 | 9 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 9 | 9 | 9 | 7 | 8 | |
29 - Deadly Ultimatum | Tense, Furious, Chilling, Intense | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
30 - Negotiations and Movement | Tense, Angry, Determined | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
31 - McClane Under Fire | Intense, Suspenseful, Dramatic, Tense | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 8 | 9 | 9 | 7 | 8 | |
32 - Rooftop Showdown | Tense, Suspenseful, Dramatic, Intense | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
33 - McClane's Descent | Intense, Suspenseful, Tense, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 9 | 9 | 9 | 8 | 8 | |
34 - McClane's Rooftop Battle | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
35 - Helicopter Explosion and McClane's Fall | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | |
36 - Aftermath of the Explosion | Intense, Sarcastic, Dramatic, Suspenseful | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | |
37 - McClane's Plan | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 7 | 8 | |
38 - Showdown with Holly | Tense, Emotional, Suspenseful | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | |
39 - Ambush and Escape | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
40 - Rooftop Confrontation | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 10 | 9 | 9 | 9 | 8 | 10 | 9 | 7 | 8 | |
41 - Reunion and New Threat | Intense, Suspenseful, Emotional, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
42 - Close Call and Rescue | Intense, Suspenseful, Emotional, Tense, Dramatic | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense action sequences
- High stakes
- Tense atmosphere
- Sharp dialogue
- Emotional depth
Scene Weaknesses
- Some cliched dialogue
- Limited character development
- Predictable elements
- Low conflict level
- Lack of emotional impact
Suggestions
- Work on creating more unique and nuanced dialogue
- Focus on developing supporting characters and exploring their motivations
- Experiment with plot twists and surprises to avoid predictability
- Increase conflict and stakes to heighten the tension and create a stronger emotional impact
- Continue to strengthen the action sequences while also balancing with character development and emotional moments
- Physical environment: The screenplay is set in Los Angeles, California, during Christmas Eve, which provides a festive and bustling atmosphere to the story. The primary setting is the Nakatomi building, a high-rise office building that becomes the site of a hostage crisis. The building's design, with its large windows, open floor plans, and multiple floors, plays a significant role in the action sequences and creates a sense of claustrophobia and danger.
- Culture: The screenplay depicts a diverse range of cultures and lifestyles. The main characters, John McClane and Holly Gennaro, represent traditional American values and family life. In contrast, the terrorists, led by Hans Gruber, are portrayed as ruthless and calculating criminals with a European background. The film also explores themes of masculinity, heroism, and the clash between good and evil.
- Society: The screenplay highlights the societal tensions and conflicts of the time. The police force, represented by Sergeant Al Powell, is depicted as a well-meaning but often bureaucratic and ineffective organization. The terrorists, on the other hand, represent a threat to law and order and challenge the authority of the state. The film also explores the role of the media in shaping public opinion and the impact of violence on society.
- Technology: The screenplay incorporates various technological elements that reflect the technological advancements of the 1980s. The use of CB radios, walkie-talkies, and surveillance cameras plays a crucial role in the communication and coordination of both the police and the terrorists. The film also features the use of explosives, machine guns, and other weapons, which contribute to the intense and often violent action sequences.
- Characters influence: The unique physical environment, culture, society, and technology of the screenplay shape the characters’ experiences and actions in several ways: - The Nakatomi building's design creates a sense of claustrophobia and danger, which forces the characters to make quick decisions and adapt to the ever-changing situation. - The cultural differences between the characters lead to misunderstandings and conflicts, which contribute to the tension and suspense of the story. - The societal tensions and conflicts of the time influence the characters' motivations and actions, as they struggle to navigate a world divided by violence and injustice. - The use of technology allows the characters to communicate and coordinate their actions, but it also creates new opportunities for surveillance and control.
- Narrative contribution: The world elements contribute to the narrative of the screenplay in several ways: - The physical environment provides a backdrop for the action and creates a sense of realism and authenticity. - The culture of the characters influences their motivations and actions, and contributes to the development of the plot. - The societal tensions and conflicts of the time provide a context for the story and shape the characters' relationships with each other. - The use of technology creates new possibilities for storytelling and allows the filmmakers to explore themes of surveillance, privacy, and control.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by exploring several important themes: - The theme of good versus evil is explored through the conflict between John McClane and Hans Gruber. McClane represents the forces of good, while Gruber represents the forces of evil. The film explores the moral and ethical implications of their actions and the consequences of their choices. - The theme of heroism is explored through the character of John McClane. McClane is a reluctant hero who is forced to confront his fears and limitations in order to save the hostages. The film explores the nature of heroism and the sacrifices that heroes must make. - The theme of family is explored through the relationship between John McClane and Holly Gennero. McClane is a devoted family man who is willing to risk his life to save his wife. The film explores the importance of family and the sacrifices that people are willing to make for their loved ones.
Voice Analysis | |
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Summary: | The writer's voice is characterized by sharp dialogue, detailed descriptions, and a focus on character dynamics. The writer effectively uses these elements to create a sense of tension and suspense throughout the screenplay. |
Voice Contribution | The writer's voice contributes to the script by creating a sense of realism and authenticity. The sharp dialogue and detailed descriptions help to create a believable world for the characters to inhabit, while the focus on character dynamics adds depth and complexity to the story. |
Best Representation Scene | 3 - Arrivals and Introductions |
Best Scene Explanation | Scene 3 is the best representation of the writer's voice because it effectively combines sharp dialogue, realistic character interactions, and a focus on tension and suspense. The scene is also a turning point in the story, as it sets up the conflict between John McClane and Hans Gruber. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
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Intense and suspenseful scenes consistently have high emotional impact. | Out of 42 scenes, 32 are marked as both intense and suspenseful. Of these 32 scenes, 29 have an emotional impact score of 9 or 10. This suggests that the combination of intensity and suspense is particularly effective at eliciting strong emotions from the audience. |
Dialogue scores tend to be lower in scenes with high emotional impact. | There is a negative correlation between dialogue score and emotional impact score, with scenes that have high emotional impact scores generally having lower dialogue scores. This could be due to the fact that strong emotions are often conveyed through nonverbal cues or actions, rather than through dialogue. |
Scenes with character changes tend to have high overall scores. | There is a positive correlation between character changes and overall grade, with scenes that have significant character changes generally receiving higher overall scores. This suggests that character development is an important factor in engaging the audience. |
Scenes with multiple tones tend to have higher overall scores. | Scenes that incorporate multiple tones, such as a combination of tense and light-hearted, tend to have higher overall scores. This suggests that variation in tone can help to keep the audience engaged and prevent the story from becoming monotonous. |
Writer's Craft Overall Analysis
The screenplay showcases a strong foundation in storytelling, with engaging characters, compelling conflicts, and well-crafted scenes. The writer demonstrates a clear understanding of pacing, tension-building, and dialogue-writing, creating a captivating and immersive narrative for the audience.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
---|---|---|
Screenplay | Read 'Die Hard' screenplay by Jeb Stuart and Steven E. de Souza. | This screenplay is a classic example of an action thriller with well-developed characters, a tight structure, and intense pacing. Studying it can provide insights into crafting compelling characters, building suspense, and creating a gripping narrative in this genre. |
Book | Read 'Save the Cat!' by Blake Snyder. | This book offers valuable guidance on story structure, character development, and creating compelling narratives. It can help the writer enhance the structure and pacing of their scenes, as well as develop more engaging and well-rounded characters. |
Video | Watch analysis videos on action scenes in films. | These videos can provide visual insights into how directors and screenwriters create tension, suspense, and excitement in action sequences. Studying these techniques can help the writer improve the pacing, choreography, and overall effectiveness of their own action scenes. |
Exercise | Practice writing scenes with conflicting moral choices for the characters.Practice In SceneProv | This exercise can help the writer develop more complex and nuanced characters by exploring their moral dilemmas and inner conflicts. It can also lead to more engaging and thought-provoking scenes that resonate with the audience on a deeper level. |
Exercise | Practice writing dialogue-driven scenes with limited action.Practice In SceneProv | This exercise forces the writer to rely on dialogue to convey character, conflict, and tension. It helps improve the writer's ability to create engaging and meaningful conversations that advance the story and reveal character depth. |
Exercise | Practice outlining and structuring a screenplay.Practice In SceneProv | This exercise helps the writer develop a strong foundation for their screenplay by planning out the plot, character arcs, and overall structure. It can lead to improved pacing, smoother transitions, and a more cohesive narrative. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Terrorists win | The terrorists are defeated by McClane. | The terrorists are the main antagonists in the story and their goal is to carry out a terrorist attack on the Nakatomi building. McClane is the protagonist who must stop them. |
The hero's journey | McClane is an unlikely hero who must overcome many obstacles to save the hostages and defeat the terrorists. | The hero's journey is a common narrative structure in which the protagonist goes on a journey to achieve a goal. Along the way, they must overcome challenges and obstacles. |
The reluctant hero | McClane is initially reluctant to help the hostages and defeat the terrorists. | The reluctant hero is a character who is initially unwilling to get involved in the conflict. |
The lone wolf | McClane is a lone wolf who works alone to defeat the terrorists. | The lone wolf is a character who works alone and does not rely on the help of others. |
The everyman hero | McClane is an ordinary person who is thrust into an extraordinary situation. | The everyman hero is a character who is relatable to the audience because they are not particularly special or skilled. |
The action hero | McClane is a physically fit and skilled fighter who uses violence to defeat the terrorists. | The action hero is a character who is skilled in combat and uses violence to achieve their goals. |
The damsel in distress | Holly is a hostage who is rescued by McClane. | The damsel in distress is a character who is in need of rescue by the hero. |
The villain | Hans Gruber is the leader of the terrorists. | The villain is the character who opposes the hero and tries to prevent them from achieving their goals. |
The heist | The terrorists are planning to rob the Nakatomi building. | The heist is a story in which a group of criminals plan and execute a robbery. |
The ticking clock | The terrorists have given McClane a time limit to surrender. | The ticking clock is a device used to create suspense and urgency in a story. |
Memorable lines in the script:
Some Loglines to consider:
A New York cop visiting his estranged wife in Los Angeles must single-handedly fight off a group of terrorists who have seized her office building on Christmas Eve. |
Trapped in a high-rise office building taken over by terrorists, a lone cop must use his wits and skills to outsmart the villains and save the hostages, including his wife. |
When a Christmas Eve office party turns into a deadly hostage situation, a wisecracking New York cop becomes the only hope for survival against a ruthless group of terrorists. |
A New York cop visiting his estranged wife in Los Angeles must single-handedly thwart a group of terrorists who have taken over her office building on Christmas Eve. |
When terrorists seize a Los Angeles skyscraper, a lone off-duty cop becomes the only hope for the hostages trapped inside. |
A battle of wits and firepower ensues as a wisecracking NYPD detective takes on a sophisticated group of thieves who have underestimated his determination. |
Trapped in a high-rise nightmare, a lone cop must use his street smarts and grit to outwit a cunning criminal mastermind and save his wife and the other hostages. |
A New York cop visiting his estranged wife in Los Angeles finds himself caught in the middle of a terrorist takeover of a high-rise building on Christmas Eve. |
John McClane, an ordinary cop with extraordinary determination, must use his wits and skills to outsmart a group of sophisticated terrorists and save the hostages, including his wife. |
When terrorists seize control of a Los Angeles skyscraper, it's up to one lone cop, John McClane, to take them down and save the day. |
A Christmas party turns into a deadly hostage situation when a group of terrorists takes over a corporate building, and a lone cop, John McClane, becomes the only hope for survival. |
Die Hard is a high-stakes action thriller that pits an ordinary cop against a group of ruthless terrorists in a battle for survival and justice. |
A New York cop visiting his estranged wife in Los Angeles for Christmas must single-handedly fight off a group of terrorists who have taken over her office building. |
When terrorists seize a Los Angeles skyscraper on Christmas Eve, a lone off-duty cop must outsmart them to save the hostages, including his estranged wife. |
Trapped in a high-rise building with a group of ruthless terrorists, a New York cop must use his wits and determination to survive and save the hostages. |
An unlikely hero emerges on Christmas Eve when a New York cop takes on a group of terrorists who have taken over a Los Angeles skyscraper. |
Die Hard is a high-stakes action thriller that pits a lone cop against a group of terrorists in a battle for survival and redemption. |
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Engine: Claude
Recommend
Explanation: Die Hard is a gripping, character-driven action thriller with a strong narrative drive and well-crafted set pieces. The screenplay features a compelling protagonist in John McClane, who undergoes a meaningful transformation as he fights to save his wife and stop a group of ruthless terrorists. The dialogue is sharp and realistic, and the action sequences are visually compelling and integral to the storytelling. While there are some opportunities to further develop the supporting characters and explore thematic depth, the screenplay is a strong, well-executed example of the action genre that would likely appeal to a wide audience.
Engine: Gemini
Highly Recommend
Explanation: Die Hard is an exceptional action screenplay with a strong protagonist, well-paced action sequences, and a good balance of humor and character development. While some supporting characters could be further fleshed out and the ending could provide more closure, the overall narrative is compelling and engaging. The screenplay effectively uses media and technology to escalate the tension and stakes, making it a standout in its genre.