the black list (TV)
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo
USP: This action-packed crime drama features a mysterious and enigmatic criminal mastermind, Raymond "Red" Reddington, who surrenders to the FBI and offers his help to solve intricate cases. As FBI profiler Liz Keen delves into the world of crime and deception alongside Red, she must confront her own personal demons and navigate the moral complexities of the criminal justice system. With a unique blend of suspense, drama, and humor, this script captivates viewers with its fast-paced storytelling, compelling characters, and exploration of the fine line between justice and vengeance.
Overview
Genres: Thriller, Crime, Drama, Action
Setting: Contemporary, Various locations including FBI headquarters, a prison cell on a ship, Union Station, National Zoo, Liz and Tom's brownstone apartment
Overview: The screenplay earns a strong overall score of 8.3, reflecting its captivating premise, well-developed characters, and effective use of conflict and tension. However, there are opportunities to enhance the narrative depth, pacing, and emotional resonance to elevate the screenplay to its full potential.
Themes: Complex Relationships, Identity and Deception, Redemption and Forgiveness, Sacrifice and Loyalty, The Nature of Evil
Conflict and Stakes: The primary conflicts revolve around Red's enigmatic motives, Liz's quest for the truth about her husband and the Blacklist, and the FBI's negotiation with Red for his intelligence. The stakes include Liz's safety, the prevention of catastrophic events, and the unraveling of long-held secrets.
Overall Mood: Tense, suspenseful, enigmatic, and emotional
Mood/Tone at Key Scenes:
- Scene 1: The scene at the FBI headquarters sets a tone of intrigue, apprehension, and uncertainty as Red surrenders and triggers a lockdown.
Standout Features:
- Enigmatic Character: Red's mysterious and manipulative nature adds depth and intrigue to the story.
- High-Stakes Conflicts : The intense conflicts and suspenseful plot keep the audience engaged and on the edge of their seats.
- Twists and Revelations : The screenplay is filled with unexpected twists, revelations, and secrets that keep viewers guessing.
- Unique Blend of Genres : The fusion of mystery, thriller, and crime genres creates a dynamic and captivating narrative.
- Complex Characters : The characters are multi-dimensional, with conflicting motivations and hidden agendas that add layers to the story.
- Intriguing Setting : The diverse settings, from FBI headquarters to a prison cell on a ship, enhance the atmosphere and tension of the story.
Comparable Scripts:
Market Analysis
Budget Estimate:$50-70 million
Target Audience Demographics: Adults aged 25-54, fans of mystery, thriller, and crime genres
Marketability: The screenplay offers a mix of suspense, drama, and intrigue with complex characters and a compelling storyline that can attract a wide audience.
The unique blend of genres, the enigmatic character of Red, and the high-stakes conflicts make it appealing to fans of mystery and thriller genres.
The strong character development, intense conflicts, and unexpected twists contribute to its marketability among fans of crime dramas.
Profit Potential: High, due to its potential to attract a broad adult audience, generate buzz, and potentially lead to spin-offs or sequels.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- High percentile in 'conceptrating' (91.8699) indicates a strong and well-developed concept.
- Strong 'conflict_level' (96.7479) and 'stakes' (94.4444) suggest compelling and engaging conflict with high stakes.
- Lower percentile in 'dialoguerating' (72.7642) suggests room for improvement in dialogue writing and character interactions.
- Relatively lower 'originality_score' (55.3191) indicates potential for enhancing originality and uniqueness in the screenplay.
The percentile patterns suggest a writer who effectively balances concept and plot with character development and emotional impact.
Balancing Elements- Balancing high conflict and stakes with strong character arcs and emotional depth can further enhance the screenplay's overall impact.
- Incorporating more distinctive and memorable dialogue can help elevate character development.
Integrated
Overall AssessmentThe screenplay has a strong conceptual foundation, compelling conflict, and well-developed characters, but could benefit from further refinement in dialogue and originality.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
|---|---|---|---|---|
| Script Structure | 8.73 | 99 | Silence of the lambs: 8.69 | the black list (TV): 8.73 |
| Scene Story Forward | 8.9 | 99 | Inception: 8.8 | face/off: 8.9 |
| Scene Internal Goal | 8.45 | 99 | V for Vendetta: 8.40 | the black list (TV): 8.45 |
| Scene Conflict Level | 8.9 | 98 | El Mariachi: 8.8 | face/off: 8.9 |
| Scene Pacing | 8.83 | 98 | Inception: 8.82 | the black list (TV): 8.83 |
| Scene High Stakes | 9.0 | 97 | Rambo First Blood Part II: 8.9 | face/off: 9.0 |
| Scene Unpredictability | 8.00 | 95 | Deep Cover: 7.99 | the black list (TV): 8.00 |
| Scene External Goal | 7.98 | 93 | Enemy of the State: 7.96 | the black list (TV): 7.98 |
| Scene Character Changes | 7.7 | 90 | The King's speech: 7.6 | the black list (TV): 7.7 |
| Scene Overall | 8.7 | 90 | Parasite: 8.6 | the black list (TV): 8.7 |
| Script Originality | 8.60 | 88 | 12 years a slave: 8.50 | the black list (TV): 8.60 |
| Scene Concept | 8.4 | 84 | The King's speech: 8.3 | fight Club: 8.4 |
| Scene Formatting | 8.70 | 83 | Gladiator: 8.57 | the black list (TV): 8.70 |
| Script Premise | 8.70 | 82 | Ex-Machina: 8.60 | the black list (TV): 8.70 |
| Scene Engagement | 9.00 | 81 | The Addams Family: 8.99 | fight Club: 9.00 |
| Scene Plot | 8.3 | 78 | A Complete Unknown: 8.2 | the boys (TV): 8.3 |
| Script Emotional Impact | 8.10 | 77 | Ex-Machina: 8.00 | the black list (TV): 8.10 |
| Overall Script | 8.30 | 77 | 12 years a slave: 8.29 | the black list (TV): 8.30 |
| Script Conflict | 8.00 | 76 | The shining: 7.90 | the black list (TV): 8.00 |
| Scene Characters | 8.6 | 75 | Parasite: 8.5 | Casablanca: 8.6 |
| Script Characters | 8.30 | 74 | Legally Blonde: 8.20 | the black list (TV): 8.30 |
| Scene Emotional Impact | 8.3 | 73 | American Fiction: 8.2 | face/off: 8.3 |
| Script Structure | 8.10 | 71 | Jojo rabbit: 8.00 | Titanic: 8.10 |
| Script Visual Impact | 8.00 | 71 | Emilia Perez : 7.90 | the black list (TV): 8.00 |
| Scene Dialogue | 8.0 | 61 | Nickel Boys : 7.9 | fight Club: 8.0 |
| Scene Originality | 8.70 | 49 | Jack Reacher: 8.69 | the black list (TV): 8.70 |
| Script Theme | 8.10 | 36 | American Fiction: 8.00 | Erin Brokovich: 8.10 |
Writer's Voice
Summary:The writer's voice is characterized by sharp dialogue, fast-paced action, and vivid imagery that create a sense of urgency and intensity.
Best representation: Scene 8 - Ambush on the Woodrow Wilson Bridge. This scene effectively encapsulates the writer's unique voice through its blend of emotional intensity, sharp dialogue, and atmospheric descriptions that create a sense of urgency and suspense.
Memorable Lines:
- General Ryker: You better beg God my girl comes home alive because this thing’s coming down on you, sweetheart. (Scene 10)
- Liz: My name’s Liz, not Lizzy. To you I’m Agent Keen. Now, let me tell you how this is gonna work: I ask the questions. You answer. Screw with me and I walk. Starting right now, there are no more games, no more secrets... I want the truth. (Scene 20)
- Red: You won’t find the girl until you learn to look at this differently. (Scene 11)
- Reddington: I'm gonna make you famous, Lizzy. (Scene 7)
- Red: Name. On the Blacklist. (Scene 19)
Writing Style:
The screenplay exhibits a consistently high level of writing quality, showcasing a blend of depth, suspense, and character-driven storytelling. The dialogue is sharp and engaging, driving the narrative forward while revealing the inner complexities of the characters.
Style Similarities:
- Christopher Nolan
- David Fincher
- Aaron Sorkin
- Quentin Tarantino
Story Shape
Emotions Elicited
Engine: Gemini
Consider
Executive Summary
The Blacklist (TV) pilot episode introduces a promising concept with a captivating protagonist and a strong female lead. The screenplay excels in building suspense and showcasing the complex dynamic between Reddington and Liz. However, some areas need improvement, including pacing, character development, and providing clearer motivations for Reddington's actions.
- The screenplay introduces a compelling and complex protagonist in Raymond Reddington. His mysterious past, enigmatic personality, and calculated actions immediately grab the audience's attention. high ( Scene Teaser Scene 1 Scene 3 Scene 7 Scene 10 Scene 12 Scene 14 Scene 15 Scene 18 Scene 20 )
- Elizabeth Keen's character arc is intriguing, showcasing her transformation from a rookie profiler to a determined and resourceful agent. Her personal struggles and hidden past add depth to her character. high ( Scene 5 Scene 8 Scene 10 Scene 14 Scene 19 Scene 20 )
- The screenplay masterfully builds suspense and tension, particularly during the bridge abduction sequence and the bomb defusal scene. The fast-paced action and high stakes keep the audience on the edge of their seats. high ( Scene Teaser Scene 9 Scene 12 Scene 17 Scene 18 )
- The dynamic between Reddington and Liz is the heart of the screenplay. Their complex relationship, filled with mistrust, manipulation, and a hint of shared history, drives the narrative forward. high ( Scene 1 Scene 3 Scene 7 Scene 12 Scene 13 Scene 15 Scene 16 Scene 17 Scene 18 Scene 19 Scene 20 )
- The concept of the Blacklist offers a unique and intriguing premise for a television series. The idea of exploring a new criminal each episode, with Reddington as the guide, has the potential for endless storytelling possibilities. high ( Scene 1 Scene 2 Scene 4 Scene 19 Scene 20 )
- Tom's character, while initially intriguing, lacks development and feels underdeveloped compared to Reddington and Liz. medium
- The pacing of the screenplay could be improved in certain sections. Some scenes, particularly during the investigation, feel rushed, while others could benefit from additional tension-building. medium ( Scene 11 Scene 13 )
- The resolution of the Zamani storyline feels somewhat abrupt and convenient, particularly Red's escape and the introduction of the Ukrainian bomb disposal expert. medium ( Scene 15 Scene 17 Scene 18 )
- The screenplay's focus on action and plot sometimes overshadows character development, particularly for supporting characters. low
- The motivations behind Reddington's actions and his ultimate goal remain unclear, leaving the audience with unanswered questions. high ( Scene 19 Scene 20 )
- The screenplay could benefit from a deeper exploration of Liz's past and the fire incident that left her scarred. This would provide more context for her character and motivations. high
- The rules and limitations of Reddington's immunity deal need to be more clearly defined to avoid potential plot holes in future episodes. medium
- The supporting cast of FBI agents could be further developed to create a stronger ensemble dynamic and provide additional perspectives on the cases. low
- The recurring motif of Liz's hand movements and her burn scar hints at a deeper psychological trauma that could be explored in future episodes. high ( Scene Teaser Scene 10 Scene 18 Scene 20 )
- Liz's desire to start a family and the adoption storyline adds a layer of emotional complexity to her character and creates a contrast with her dangerous profession. medium ( Scene 5 Scene 10 Scene 19 )
- The screenplay effectively establishes the show's overarching mythology and the potential for long-term storytelling with the introduction of the Blacklist. high ( Scene 1 Scene 2 Scene 4 Scene 19 Scene 20 )
Engine: GPT4
Recommend
Executive Summary
The screenplay for 'The Blacklist' is a compelling blend of mystery, thriller, and drama with strong character development, particularly the character of Reddington. It sets up a complex narrative that promises further twists and deepens intrigue. Improvements could be made in character backstories and smoother scene transitions.
- The introduction and development of the character Raymond 'Red' Reddington are compelling and establish a strong narrative hook. high ( Scene 1 Scene 20 )
- The twist involving Tom's true identity and his connection to the larger plot adds depth and intrigue, enhancing the screenplay's complexity. high ( Scene 18 Scene 19 )
- The dialogue is sharp and engaging, particularly in scenes involving Red, which helps in character development and maintaining a brisk pace. medium
- The setup for future episodes is well-executed, promising more depth and twists, which can keep the audience engaged over a longer series arc. medium ( Scene 20 )
- Effective use of suspense and action sequences that enhance the pacing and excitement of the screenplay. medium ( Scene 3 Scene 4 )
- Some character motivations, especially those of secondary characters, could be fleshed out more to enhance the narrative depth. medium
- The transitions between scenes can be abrupt, potentially confusing viewers about the progression of the plot. medium
- The emotional depth in some scenes feels forced or rushed, particularly in the interactions between Liz and other characters under stress. low
- Increase the clarity of the technological aspects and procedures to enhance realism and viewer understanding. low
- Some dialogues can be perceived as overly expository; more show, less tell in character interactions could improve natural flow. low
- Backstories for key characters like Tom and Ressler could be introduced earlier to provide more context for their actions and decisions. medium
Screenplay Insights:
Premise: 8.7, The screenplay's premise is undeniably intriguing, featuring a complex anti-hero, a rookie FBI profiler, and a high-stakes criminal underworld. However, there's room to strengthen the initial hook by establishing a clearer connection between Reddington and Liz, heightening the mystery and raising the stakes from the outset. See More
Structure: 8.1, The screenplay demonstrates a well-structured and engaging plot, effectively captivating the audience through its coherent and tension-building narrative. While the pacing and conflict development are strong, certain elements could be refined to enhance the screenplay's overall impact and character depth. See More
Theme: 8.1, The screenplay effectively explores and conveys its themes of trust, identity, and the search for justice. However, a stronger integration of these themes with the characters' emotional arcs and the overall plot could deepen the screenplay's thematic depth and audience engagement. See More
Visual Impact: 8.0, This screenplay showcases a focus on vivid and immersive visual storytelling, effectively translating the scenes to visual imagery. The descriptions draw readers into the world of the narrative, evoking a strong emotional impact. The screenplay's visual style is generally consistent, but there are areas where enhancements could elevate its overall impact. See More
Emotional Impact: 8.1, The screenplay sets a solid foundation for emotional storytelling, effectively employing character development, conflict, and plot progression to engage the audience. However, a careful examination of the script reveals areas where enhancing the emotional depth and resonance can elevate the screenplay's impact. See More
Conflict: 8.0, The screenplay presents a compelling conflict between Raymond Reddington and the FBI, with high stakes for both parties. The screenplay effectively uses this conflict to create tension and suspense throughout the story. However, there are areas where the conflict and stakes could be further developed to enhance the narrative tension and audience engagement. See More
Originality: 8.6, The screenplay exhibits originality in its central premise of a notorious criminal mastermind surrendering to the FBI and offering assistance in apprehending other dangerous individuals. This sets the stage for a dynamic and unpredictable cat-and-mouse game between the protagonist, Elizabeth Keen, and the enigmatic Raymond Reddington. The script effectively balances the intrigue of a procedural crime drama with the complexities of a character-driven narrative. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Raymond 'Red' Reddington, the FBI's Most Wanted, unexpectedly turns himself in, triggering lockdown and confusion. Assistant Director Cooper and Agent Ressler investigate, revealing Reddington surrendered classified information about a failed Brussels mission where the FBI attempted to assassinate him. With Reddington's motives unknown and his demeanor enigmatic, the FBI grapples with intrigue and uncertainty as they seek to understand his cryptic actions.
- Ressler briefs a team on Raymond “Red” Reddington, a former top Army intelligence officer who vanished in 1990 and resurfaced four years later as a renowned criminal known as “The Concierge of Crime.”
- In an interrogation cell under surveillance, Red informs agents of Ranko Zamani's presence in the country, despite being presumed dead. The FBI launches an investigation to track Zamani's movements.
- Agent Cooper interrogates Red, who refuses to cooperate unless he can speak with Elizabeth Keen. Cooper initially agrees but later asserts his authority, leading to a tense confrontation.
- Lizzy's morning is thrown into chaos by a power outage, a car dispute, and a surprise visit from Agent Ressler. Amidst the stress, Tom remains supportive, and their love and commitment shine through.
- Liz Keen, a new FBI profiler, is interrogated by Assistant Director Cooper and three agents after fugitive Raymond Reddington surrenders and requests to speak to her. Despite Liz's claims of no prior connection to Reddington, the agents remain skeptical. Liz attempts to explain her past experiences and interest in criminal psychology, but her self-professed narcissistic tendencies and emotional detachment raise doubts. The interrogation concludes with Cooper challenging Liz to provide a profile of herself.
- Liz, Cooper, and Ressler visit Red in the Hive, where he reveals that Ranko Zamani plans to abduct General Ryker's daughter. Despite her skepticism, Liz agrees to investigate after Red appeals to her with personal information about her past. Red claims to have facilitated Zamani's entry into the country and can assist in preventing the abduction. Liz's conflict with Ressler centers around his questionable methods, leading her to question his trustworthiness. Despite Ressler's skepticism, Liz orders the agents to prepare for Zamani's attack, leaving the Hive with a sense of tension and urgency.
- In a moment of intense emotion, Liz harms herself in a bathroom stall and calls her husband for support. Her phone use on a restricted floor triggers a security breach, and she is discovered by Agent Ressler. Liz's actions result in the deployment of HRT and SWAT teams, putting the situation under her responsibility.
- Liz and Beth are separated from the caravan when the drawbridge activates, allowing kidnappers to abduct Beth. Liz escapes unharmed but loses Beth and only recovers her charm bracelet.
- Liz grapples with guilt and is threatened by Ryker, while Red insists on Liz's presence for his interrogation.
- Liz seeks Red's help finding a kidnapped girl. Red notices a scar on Liz's palm and suggests she approach the case from a criminal's perspective.
- In the confines of the FBI war room, Red orchestrates a strategic purge of tangential clues, streamlining the investigation to pertinent details. Liz and her team meticulously collaborate, excavating connections within the intricate fragments of information. As Red unveils the enigmatic 'Innkeeper' and the elusive Chemist, Liz's intuition aligns with his guidance, unlocking the puzzle's secrets. With unwavering resolve, they mobilize to execute their mission, armed with a crucial lead towards apprehending the Chemist.
- SWAT bursts in and captures the Chemist, raising concerns about a potential bomb threat. Liz discovers adoption papers and finds Tom brutally tortured by Zamani, who demands information under threat of killing Tom. Amidst intense pressure, Liz grapples with a heart-wrenching dilemma: save her husband or potentially countless lives. With Tom stabbed and Zamani's escape, the scene culminates in an agonizing call for help as the threat remains unresolved.
- Liz and Tom are victims of a violent attack, leading Liz to confront Red, believing him responsible. Red reveals that Zamani helped Liz and that the truth about Tom is complex. Liz attacks Red but demands his help finding Zamani. Red warns her that withholding aid will prevent her from discovering the truth about Tom.
- After a confrontation with Ressler and Cooper, Liz is sent home for her safety. She tries to clean up the blood in her house but gets frustrated and throws the brush. Liz goes to the hospital to speak to Red but finds his bed empty and the window open. She realizes Red is gone and confronts the male nurse who turns out to be Red's chauffeur. Red meets with Zamani and hands him a passport and travel documents. Zamani reveals he visited Liz and Tom, as per Red's instructions. Back at the hospital, Ressler and Cooper learn Red has escaped and is at Union Station. Liz realizes Red wouldn't have pulled the chip and escaped without destroying it. The agents rush out, leaving Liz behind.
- Red uncovers Zamani's sinister plan to infect children with a deadly plague. Amidst an FBI raid at Union Station, Liz deciphers a crucial clue, leading her to realize the National Zoo is Zamani's target.
- Agents search Union Station for a bomb while Liz finds Beth at the National Zoo with a bomb attached to her backpack. Red calls Liz to warn her not to touch the bomb and that his friend is on the way. Ressler chases Zamani into the subway tunnels and finds the RFID chip Red carved from his shoulder.
- Liz and an enigmatic Ukrainian man scramble to disarm a bomb, with only seconds to spare. Red's true intentions remain a mystery, as he leaves Liz and Beth questioning their relationship.
- Red's surrender unveils his true motive - infiltrating the FBI to access their intelligence. His notorious Blacklist, a compilation of dangerous criminals, becomes the bargaining chip for his collaboration. The team reluctantly accepts, granting immunity and exclusive communication with Elizabeth Keen. Amidst this turmoil, Liz uncovers a hidden stash in her apartment, exposing Tom's true identity as an imposter.
- In a tense prison cell, guards escort Liz through security checks. Red emerges from the shadows and faces her determination. Liz demands answers about her husband and the Blacklist. Red offers assistance in her search for the truth, leaving Liz with uncertainty.
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Character Elizabeth Keen
Description Liz's immediate trust in Reddington's information about Zamani seems somewhat out of character, considering her initial skepticism and the lack of evidence.
( Scene 7 ) -
Character Raymond Reddington
Description Reddington claiming ignorance about Zamani's attack on Tom contradicts his previous knowledge and involvement with Zamani, raising questions about his motives and honesty.
( Scene 14 )
-
Description The ease with which Liz makes a personal call on a secure floor of the FBI headquarters seems unlikely, even considering the chaos of the situation.
( Scene 8 ) -
Description The FBI's willingness to accept Reddington's terms and grant him significant freedom and control feels somewhat unrealistic, given his criminal history and manipulative behavior.
( Scene 19 )
-
Description The coincidental timing of the bridge malfunction and Zamani's abduction plan seems overly convenient and stretches believability.
( Scene 9 ) -
Description Reddington's escape from the hospital with the help of his chauffeur, who was disguised as a nurse, feels somewhat contrived and relies on a convenient coincidence.
( Scene 15 )
-
Description Reddington's overly familiar and personal remarks towards Liz during their first meeting feel somewhat forced and out of place, considering their lack of prior interaction.
( Scene 7 (RED'S CONTAINMENT CELL) )
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Element Liz's internal struggle with her past
( Scene 6 (COOPER'S OFFICE) Scene 8 (WOMEN'S RESTROOM) Scene 10 Scene 13 )
Suggestion While Liz's internal conflict is important, some of the repetitive introspection could be streamlined to maintain a more engaging pace. -
Element Reddington's cryptic remarks and manipulation
( Scene 7 Scene 11 Scene 19 )
Suggestion Reddington's enigmatic nature is a key part of his character, but some instances of his cryptic dialogue could be refined to provide more clarity without sacrificing intrigue.
Liz - Score: 80/100
Role
Protagonist
Character Analysis Overview
Red - Score: 85/100
Character Analysis Overview
Reddington - Score: 85/100
Character Analysis Overview
Raymond - Score: 85/100
Role
Antagonist
Character Analysis Overview
Donald - Score: 74/100
Character Analysis Overview
Tom - Score: 65/100
Character Analysis Overview
Beth - Score: 73/100
Character Analysis Overview
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Complex Relationships (50%) | The screenplay explores the complex relationships between various characters, including Liz and Red, Tom and Liz, and Ressler and Cooper. These relationships are often strained and complicated. | The complexities of these relationships drive the plot and create tension throughout the screenplay. | ||||||||||||
Strengthening Complex Relationships:
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| Identity and Deception (40%) | The screenplay frequently delves into themes of identity and deception. Characters, such as Red and Tom, conceal their true identities and motives, creating a sense of mystery and intrigue. | The exploration of identity and deception emphasizes the characters' struggles with trust and self-discovery. | ||||||||||||
| Redemption and Forgiveness (30%) | The screenplay touches on the themes of redemption and forgiveness, particularly through the character of Red. Despite his past as a criminal, Red seeks redemption and works towards making amends for his actions. | The exploration of redemption and forgiveness highlights the characters' capacity for change and growth. | ||||||||||||
| Sacrifice and Loyalty (20%) | The screenplay also addresses themes of sacrifice and loyalty. Characters, such as Liz and Ressler, must make difficult choices and sacrifices in order to remain loyal to their principles and beliefs. | The sacrifices and loyalty displayed by the characters emphasize their commitments and moral dilemmas. | ||||||||||||
| The Nature of Evil (10%) | The screenplay briefly touches upon the theme of the nature of evil through the character of Zamani. Zamani's actions and motivations raise questions about the origins and motivations of evil. | The exploration of the nature of evil adds a layer of complexity to the screenplay and challenges the characters' beliefs and principles. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals evolved from asserting power and control to seeking the truth, gaining trust, and protecting the innocent |
| External Goals | The protagonist's external goals evolved from surrendering to the FBI to preventing terrorist attacks, finding missing persons, and negotiating deals |
| Philosophical Conflict | The overarching philosophical conflict revolves around trust, justice, and the consequences of one's actions |
Character Development Contribution: The goals and conflicts challenge the protagonist's beliefs, values, and sense of identity, leading to growth, internal conflict, and moral dilemmas
Narrative Structure Contribution: The goals and conflicts drive the plot forward, creating tension, suspense, and character interactions that propel the story
Thematic Depth Contribution: The goals and conflicts explore complex themes of trust, justice, sacrifice, and redemption, adding depth and complexity to the narrative
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Reddington's Surrender: A Puzzle for the FBI | Suspenseful, Intense, Mysterious, Dramatic | 9 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | |
| 2 - Reddington's Profile | Suspenseful, Informative, Serious | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7.5 | 8 | 8 | 8 | 9 | 8 | 6 | 7 | 9 | 8.5 | 8 | 8 | |
| 3 - Red's Revelation | Suspenseful, Intense, Mysterious, Serious | 9 | 9 | 9 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | |
| 4 - Red's Demand | Intense, Confrontational, Suspenseful | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 7.5 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 5 - A Hectic Morning Interrupted | Tense, Fast-paced, Emotional, Suspenseful | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 6 - FBI Interrogation | Suspenseful, Intense, Serious, Intriguing | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | |
| 7 - At the Hive | Tense, Suspenseful, Intense, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | |
| 8 - Intense Emotions and Security Breach | Intense, Suspenseful, Dramatic, Emotional | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 9 - Ambush on the Woodrow Wilson Bridge | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 10 - Confrontation and Resolve | Tense, Emotional, Intense, Suspenseful | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8.5 | |
| 11 - Liz Meets Red | Intense, Suspenseful, Emotional, Confrontational | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | |
| 12 - Unraveling the Terrorist Plot | Intense, Suspenseful, Intriguing, Serious | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | |
| 13 - A Devastating Choice | Intense, Suspenseful, Emotional, Dark | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 14 - Confrontation and Revelation | Intense, Emotional, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 15 - Red's Escape | Tense, Suspenseful, Emotional, Intense | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 16 - Race Against Time | Intense, Suspenseful, Emotional | 9 | 9 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 17 - Race Against Time | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 18 - A Race Against Time | Intense, Emotional, Suspenseful, Empathetic | 9 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 19 - The Unmasking | Intense, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 20 - Confrontation in the Prison Cell | Intense, Suspenseful, Emotional, Confrontational | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Engaging premise
- Intense dialogue
- Complex character dynamics
- High stakes
- Emotional depth
Scene Weaknesses
- Some cliched elements
- Limited emotional depth
- Exposition-heavy dialogue
- Possible predictability in some plot elements
- Complexity of emotional themes
Suggestions
- Refine dialogue to avoid cliches and add dynamic nuance
- Focus on balancing emotional depth with the complexity of the plot
- Utilize visual action to supplement exposition-heavy dialogue
- Strengthen supporting characters' motivations to prevent confusion
- Ensure consistent and believable character actions throughout the story
Scene 1 - Reddington's Surrender: A Puzzle for the FBI
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Reddington's Profile
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Red's Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Red's Demand
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - A Hectic Morning Interrupted
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - FBI Interrogation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - At the Hive
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Intense Emotions and Security Breach
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Ambush on the Woodrow Wilson Bridge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Confrontation and Resolve
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Liz Meets Red
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Unraveling the Terrorist Plot
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - A Devastating Choice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Confrontation and Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Red's Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Race Against Time
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Race Against Time
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - A Race Against Time
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - The Unmasking
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Confrontation in the Prison Cell
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Consider
Explanation: The Blacklist (TV) pilot episode introduces a promising concept with a captivating protagonist and a strong female lead. The screenplay excels in building suspense and showcasing the complex dynamic between Reddington and Liz. However, some areas need improvement, including pacing, character development, and providing clearer motivations for Reddington's actions.
Engine: GPT4
Recommend
Explanation: The screenplay for 'The Blacklist' is a compelling blend of mystery, thriller, and drama with strong character development, particularly the character of Reddington. It sets up a complex narrative that promises further twists and deepens intrigue. Improvements could be made in character backstories and smoother scene transitions.