The shining
A family man descends into madness while serving as the winter caretaker of an isolated and haunted hotel.
See other logline suggestionsOverview
Unique Selling Point
This script offers a fresh and chilling take on the haunted hotel genre, with a unique blend of psychological horror, supernatural elements, and family drama. The characters are authentic and relatable, brought to life through naturalistic dialogue and nuanced performances. The Overlook Hotel is not just a backdrop, but a character in its own right, with a dark and tragic history that seeps into the present. The innovative storytelling techniques, including the use of Danny's 'shining' ability, add depth and intrigue to the narrative. This script is a compelling and original piece of storytelling that will keep audiences on the edge of their seats.
AI Verdict & Suggestions
This rating is from a single AI engine based on structure, character, tone, and emotional engagement.
Hover over verdict cards for Executive Summaries
Consider
Story Facts
Genres: Horror, Drama, Thriller, Psychological Thriller, Mystery, Psychological Horror, Psychological
Setting: Present day, The Overlook Hotel, a grand but isolated hotel located in the Colorado Rockies, and Boulder, USA.
Themes: Isolation and Confinement, Family Dynamics and Relationships, Supernatural and the Occult
Conflict & Stakes: The primary conflict is between Jack and the hotel's malevolent forces, which threaten to drive him insane and harm his family. The stakes are high, as Jack's mental health, his family's safety, and their very lives are at risk.
Mood: Psychological horror and suspense
Standout Features:
- Unique Hook: A fresh take on a classic horror story, with updated visuals and a modern audience in mind.
- Plot Twist: The hotel's malevolent forces threaten to drive Jack insane and harm his family, adding a layer of psychological tension to the supernatural elements.
- Distinctive Setting: The isolated and grand Overlook Hotel, with its dark past and supernatural presence.
Comparable Scripts: The Shining by Stephen King (book), The Shining (1980) directed by Stanley Kubrick, Doctor Sleep (2019) directed by Mike Flanagan, The Haunting of Hill House (novel and series), 1408 (2007) directed by Mikael Håfström, The Amityville Horror (1979) directed by Stuart Rosenberg, The Innocents (1961) directed by Jack Clayton, The Turn of the Screw (novella and various adaptations), The Changeling (1980) directed by Peter Medak, The Legend of Hell House (1973) directed by John Hough
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- Originality (92nd percentile) - The screenplay demonstrates unique and fresh ideas.
- Engagement (82nd percentile) - The story is compelling and captures the reader's interest.
- Emotional Impact (59th percentile) - The script effectively evokes emotions in the audience.
- Plot (21st percentile) - The story structure and pacing could be strengthened to enhance the overall narrative flow.
- Formatting (0th percentile) - Ensure the script adheres to standard formatting rules for improved readability.
- Predictability (24th percentile) - Introduce more unexpected elements to keep the audience engaged and surprised.
The writer's style appears to be more intuitive, with strong dialogue and character development, but could benefit from focusing on concept and plot elements.
Balancing Elements- Develop a more balanced approach to storytelling by focusing on both character development and plot structure.
- Improve formatting to ensure the script is easily readable and adheres to industry standards.
Intuitive
Overall AssessmentThe screenplay has a unique concept and engaging characters, but it requires refinement in plot structure, formatting, and predictability to reach its full potential.
How scenes compare to the Scripts in our Library
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Script•o•Scope
Pass / Consider / Recommend Analysis
Gemini
Executive Summary
- Masterful use of suspense and atmosphere, particularly through visual storytelling and Kubrick's iconic directing style. high ( Scene general )
- Jack Torrance's descent into madness is both disturbing and compelling, with Nicholson's performance elevating the character. high ( Scene general )
- The isolated and eerie setting of the Overlook Hotel is effectively established and utilized to create a sense of unease and dread. high ( Scene 1 Scene 7 Scene 14 Scene 23 )
- Danny's psychic abilities ('the shining') add a unique and intriguing layer to the story, enhancing the supernatural elements. medium ( Scene 5 Scene 15 Scene 18 Scene 32 )
- The gradual reveal of the hotel's dark history and the tragedy of the Grady family adds depth and intrigue to the narrative. medium ( Scene 3 Scene 9 Scene 11 Scene 12 )
- Wendy Torrance's character could be further developed beyond the 'damsel in distress' archetype. high ( Scene general )
- The pacing can be slow at times, particularly in the first half of the screenplay. medium ( Scene general )
- The ending, while visually striking, might leave some viewers wanting more closure or explanation. medium ( Scene general )
- Some scenes depicting daily life at the hotel could be trimmed or tightened to improve the overall pacing. low ( Scene 14 Scene 16 Scene 19 )
- Jack's interactions with Lloyd and Grady, while intriguing, could be further explored to clarify their roles and motivations. low ( Scene 22 Scene 27 )
- A deeper exploration of the supernatural forces at work in the hotel and their connection to Danny's abilities could enrich the story's mythology. medium ( Scene general )
- More backstory on Jack's alcoholism and its impact on the family could provide additional context for his character arc. low ( Scene general )
- The nature of the threat in Room 237 could be more explicitly defined, leaving less ambiguity for interpretation. low ( Scene 24 Scene 37 Scene 38 )
- The screenplay deviates significantly from Stephen King's novel, offering a unique interpretation of the source material. high ( Scene general )
- The 'All work and no play...' scene is a memorable and unsettling portrayal of Jack's deteriorating mental state. high ( Scene 30 )
- The use of ambiguity and open-ended questions leaves room for multiple interpretations and adds to the film's mystique. medium ( Scene 3 Scene 22 Scene 27 )
Screenplay Insights:
Characters: 8.4, The screenplay effectively captures the nuanced development of its central characters, providing a deep dive into their motivations, struggles, and transformations. The journey of Jack Torrance is particularly compelling, as his descent into madness is depicted with chilling authenticity. However, certain supporting characters could use further development to enhance their emotional impact. See More
Premise: 8.2, The screenplay presents a compelling premise with a strong foundation for audience engagement. The concept of a family's isolation in a haunted hotel, their psychological struggles, and the exploration of psychic abilities taps into universal fears and curiosities. While the premise effectively establishes the central conflict and the eerie atmosphere, there are areas where it could be refined to further enhance its originality and narrative potential. See More
Structure: 7.8, The screenplay exhibits a well-structured plot and effective use of narrative elements to build tension and drive the story forward. While the pacing could be improved in certain sections, the overall structure effectively supports the character arcs and themes. See More
Theme: 8.4, The screenplay effectively explores and conveys its themes and messages, utilizing various narrative elements to develop and reinforce them. While some aspects could be further refined, the screenplay overall successfully engages the audience with its exploration of isolation, madness, and the power of the mind. See More
Visual Impact: 7.1, The screenplay exhibits considerable strengths in its visual imagery, particularly in its vivid depictions of the Overlook Hotel and its haunting atmosphere. The scenes set in the ballroom and the maze are particularly noteworthy, showcasing a blend of eerie beauty and unsettling tension. The transformation of Jack from a struggling writer to a menacing figure is captured effectively, with the use of close-ups and lighting adding to the character's psychological decay. Overall, the screenplay provides a solid foundation for visual storytelling, with opportunities to further enhance its effectiveness and originality. See More
Emotional Impact: 7.3, The screenplay effectively establishes an unsettling atmosphere and tension through its exploration of isolation, fear, and psychological deterioration. While the emotional depth could be enhanced by developing the characters' motivations and inner conflicts, the screenplay has the potential to leave a lasting impact on the audience with its evocative language and disturbing imagery. See More
Conflict: 7.9, The screenplay effectively presents conflict and stakes, creating a suspenseful and engaging narrative. However, there are opportunities to enhance the emotional impact and narrative tension by refining the clarity of conflicts, escalating the stakes, and exploring deeper resolutions. See More
Originality: 7.9, Demonstrates innovation through its exploration of the horror film genre, emphasizing psychological tension and exploring the depths of human nature as it grapples with isolation, madness, and the supernatural. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
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Character Jack Torrance
Description Jack's transition from a caring father and husband to a violent and deranged individual feels abrupt. The screenplay could benefit from showing a gradual descent into madness, with subtle hints and foreshadowing to make his transformation more believable.
( Scene 11 Scene 22 Scene 25 ) -
Character Wendy Torrance
Description Wendy initially seems resourceful and concerned for her family's safety but later appears passive and indecisive. The screenplay could explore her internal conflict and motivations more deeply to justify her actions, especially her decision to stay with Jack despite his abusive behavior.
( Scene 25 Scene 33 Scene 35 )
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Description The nature of the supernatural forces in the Overlook Hotel is unclear. The screenplay presents a mix of ghosts, premonitions, and psychological horror without a consistent explanation. Establishing clearer rules for the supernatural elements would enhance the narrative coherence.
( Scene 22 Scene 26 )
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Element Scenes of Danny riding his tricycle through the hotel corridors
( Scene 9 Scene 19 Scene 19 )
Suggestion The repeated scenes of Danny riding his tricycle could be consolidated or intercut with other scenes to maintain narrative momentum. -
Element Jack's descent into madness
( Scene 15 Scene 22 Scene 25 Scene 26 )
Suggestion While Jack's gradual breakdown is essential to the story, some of the scenes depicting his anger and frustration could be streamlined or merged to avoid repetition.
Wendy - Score: 82/100
Role
Protagonist
Character Analysis Overview
Jack - Score: 83/100
Role
Protagonist
Character Analysis Overview
Danny - Score: 81/100
Character Analysis Overview
Halloran - Score: 79/100
Character Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation | ||
|---|---|---|---|---|
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Isolation and Confinement
50%
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The screenplay frequently emphasizes the isolated location of the Overlook Hotel, its vast and labyrinthine structure, and the harsh weather conditions that cut off the family from the outside world. This is seen in the constant mentions of the hotel's isolation, the tour of the hotel, the snowstorm, and the maze.
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The theme of isolation and confinement explores the psychological impact of being trapped in a limited space, the fear of the unknown, and the consequences of feeling cut off from the world. In this screenplay, the theme is used to heighten the tension and suspense, as well as to reflect the characters' emotional states. | ||
Strengthening Isolation and Confinement
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Family Dynamics and Relationships
30%
|
The screenplay explores the relationships between Jack, Wendy, and Danny, revealing their vulnerabilities, fears, and love for each other. This is evident in the conversations between Jack and Wendy, Wendy and Danny, and Jack and Danny, as well as in their interactions with other characters like Ullman, Halloran, and the hotel itself.
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The theme of family dynamics and relationships highlights the importance of trust, communication, and support within a family. In this screenplay, the theme is used to create emotional depth, as well as to contrast with the growing horror and isolation experienced by the characters. | ||
|
Supernatural and the Occult
20%
|
The screenplay features supernatural elements, such as Danny's 'shining' ability, the ghosts of the Grady sisters, and the hotel's dark history. This is seen in the conversations between Danny and Halloran, the encounters with the ghosts, and the hotel's eerie atmosphere.
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The theme of the supernatural and the occult is used to create a sense of mystery and unease, as well as to heighten the horror and suspense. By incorporating these elements, the screenplay challenges the characters' perceptions of reality and tests their ability to cope with the unknown. | ||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goal is to secure a job opportunity and find connection and belonging in their new environment. |
| External Goals | The protagonist's external goal is to navigate the challenges of the hotel, ensure their family's safety, and uncover the mysteries of the supernatural occurrences. |
| Philosophical Conflict | The overarching philosophical conflict is between the protagonist's desires for stability, security, and success, and the challenges presented by the unknown, supernatural forces, and personal demons. |
Character Development Contribution: The protagonist's goals and conflicts contribute to their growth, as they confront personal demons, navigate supernatural occurrences, and strive for stability and security.
Narrative Structure Contribution: The goals and conflicts drive the narrative forward, creating tension and suspense as the protagonist faces internal and external challenges in the isolated hotel setting.
Thematic Depth Contribution: The goals and conflicts deepen the themes of isolation, power, control, and the supernatural, exploring the human psyche and the struggle for survival in the face of unknown and uncontrollable forces.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Job Interview at the Overlook Hotel | Suspenseful, Formal, Professional | 8 | 7 | 8 | 7 | 8 | 6 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
| 2 - Danny's Reluctance to Move to the Overlook Hotel | Concerned, Hopeful, Playful | 7 | 8 | 7 | 7 | 8 | 5 | 8 | 7 | 5 | 7 | 4 | 7 | 6 | 6 | 8 | 8 | 8 | 8 | 9 | |
| 3 - Job Offer and Hotel History | Suspenseful, Foreboding, Informative, Casual | 8 | 8 | 7 | 9 | 7 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 4 - Danny's Reluctance and Jack's New Job | Anxious, Reassuring, Excited | 8 | 8 | 7 | 7 | 9 | 6 | 8 | 7 | 6 | 7 | 7 | 8 | 6 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 5 - Danny's Fainting Incident and Imaginary Friend | Suspenseful, Disturbing, Mysterious | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 6 - Doctor Examines Danny's Medical History | Tense, Concerned, Reflective | 8 | 7 | 8 | 9 | 9 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 6 | 7 | 8 | 7 | 8 | 7 | 8 | |
| 7 - The Torrance Family's Arrival at the Overlook Hotel | Tense, Foreboding, Informative | 8 | 8 | 7 | 9 | 7 | 5 | 8 | 7 | 6 | 7 | 7 | 7 | 8 | 6 | 6 | 9 | 8 | 8 | 8 | |
| 8 - The Torrances' Guided Tour of the Overlook Hotel: A Glimpse into History and Foreshadowing of Future Events | Mysterious, Intriguing, Historical, Informative | 8 | 8 | 7 | 7 | 7 | 4 | 8 | 7 | 5 | 6 | 6 | 7 | 7 | 5 | 6 | 9 | 9 | 8 | 8 | |
| 9 - Welcoming the New Caretakers: A Tour of the Gold Ballroom | Suspenseful, Informative, Friendly | 8 | 8 | 7 | 7 | 7 | 4 | 8 | 7 | 5 | 7 | 6 | 8 | 6 | 6 | 7 | 7 | 8 | 8 | 8 | |
| 10 - Welcome Tour of the Hotel Kitchen | Tense, Mysterious, Informative | 8 | 8 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 6 | 7 | 9 | 8 | 8 | 8 | |
| 11 - Exploring the Hotel Kitchen: A Playful Interlude | Suspenseful, Mysterious, Informative | 8 | 8 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 6 | 5 | 7 | 7 | 6 | 7 | 9 | 9 | 8 | 8 | |
| 12 - Halloran Offers to Get Danny Ice Cream | Suspenseful, Informative, Friendly | 8 | 8 | 7 | 7 | 9 | 5 | 8 | 7 | 4 | 7 | 5 | 7 | 6 | 6 | 7 | 8 | 8 | 8 | 9 | |
| 13 - Halloran and Danny Discover Their Shining Connection | Suspenseful, Mysterious, Foreboding | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 7 | 7 | 8 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 14 - Breakfast in Bed at the Overlook Hotel | Tension, Mystery, Introspective, Nostalgic | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 6 | 7 | 9 | 9 | 8 | 7 | 8 | |
| 15 - Exploration and Play in the Hotel Maze | Tense, Mysterious, Intriguing | 8 | 8 | 7 | 8 | 7 | 6 | 8 | 7 | 7 | 6 | 7 | 7 | 7 | 7 | 6 | 9 | 9 | 8 | 8 | |
| 16 - Interrupted Work and Frustration in The Shining's Hotel | Tense, Suspenseful, Intense, Dramatic | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 7 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 17 - Phone Issues Arise as the Storm Rages On | Tense, Suspenseful, Playful | 8 | 7 | 8 | 7 | 8 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 18 - Stormy Day at the Overlook Hotel: Wendy's Frustration and Danny's Fear | Suspenseful, Eerie, Tense | 9 | 9 | 8 | 7 | 8 | 6 | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 19 - Jack and Danny's Heartfelt Connection | Tender, Inquisitive, Protective | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 3 | 7 | 2 | 5 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 20 - Jack's Disturbing Nightmare and Danny's Search for Wendy | Tense, Disturbing, Anxious | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 21 - Wendy's Discovery | Tense, Emotional, Accusatory | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 7 | 7 | |
| 22 - Jack's Struggle: A Night at the Overlook Hotel Bar | Tense, Emotional, Intense, Reflective | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 6 | 7 | 9 | 9 | 9 | 8 | 7 | 8 | |
| 23 - Wendy's Distress and Jack's Disbelief | Tense, Suspenseful, Emotional | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 24 - Deception and Suspicion at the Overlook | Suspenseful, Tense, Mysterious, Emotional | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 25 - Wendy's Concerns Met with Dismissal and Anger | Tense, Emotional, Angry | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 26 - Jack's Destructive Behavior and Halloran's Concern | Tense, Mysterious, Suspenseful | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 9 | 6 | 8 | 6 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 27 - Jack's Suspicions Arise in Encounter with Grady | Tense, Suspenseful, Disturbing | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 28 - Escalating Tensions: Jack and Grady's Discussion, Wendy's Escape Plan, and Danny's Disturbing Sleep | Tense, Suspenseful, Disturbing, Mysterious | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 7 | 7 | |
| 29 - Communication Breakdown | Tense, Suspenseful, Mysterious, Dramatic | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 30 - Arranging a Snowcat: Preparing for an Urgent Journey | Tense, Suspenseful, Mysterious | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 6 | 8 | 8 | 8 | 8 | 7 | 8 | |
| 31 - Unraveling Sanity: Jack's Obsession and Wendy's Fear | Tense, Suspenseful, Dramatic | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 9 | 8 | 7 | 8 | |
| 32 - Escalating Tensions: Jack's Aggression and Wendy's Fear | Tense, Menacing, Confrontational, Disturbing | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 33 - Wendy's Escape: Locking Away the Violence | Tense, Aggressive, Disturbing | 8 | 7 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 34 - Wendy's Fear and Manipulation | Tense, Aggressive, Emotional | 8 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 7 | 9 | 8 | 7 | 8 | |
| 35 - Jack Sabotages the Snowcat and Seeks Grady's Support | Menacing, Tense, Sinister | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 7 | 7 | |
| 36 - The Snowcat Ride and the Breakdown of Door 237 | Tense, Menacing, Suspenseful, Disturbing | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 37 - Wendy and Danny's Escape Thwarted by Jack's Axe-Wielding Rage | Tense, Aggressive, Terrifying, Suspenseful | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 38 - Wendy's Defiance and Halloran's Fate | Tense, Aggressive, Terrifying, Suspenseful | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 39 - The Pursuit in the Overlook Hotel | Tense, Suspenseful, Terrifying | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 40 - Pursuit in the Maze and Discoveries in the Hotel | Tense, Suspenseful, Terrifying, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 8 | 7 | 7 | |
| 41 - The Search in the Snowy Maze | Tense, Suspenseful, Terrifying | 9 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 42 - Escape from the Overlook: A Desperate Search and a Tragic End | Tense, Suspenseful, Terrifying, Desperate | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 8 | 7 | 7 | |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Building tension
- Intense atmosphere
- Effective use of setting
- Strong character dynamics
- High emotional impact
Scene Weaknesses
- Limited character development
- Low external conflict
- Limited emotional impact
- Some dialogue may feel repetitive or expository
- Some scenes may be too intense for sensitive viewers
Suggestions
- Focus on developing the characters further to increase emotional impact and engagement.
- Consider adding more external conflict to the story to keep the plot moving forward and increase tension.
- Work on trimming down and refining dialogue to avoid repetition and overly expository lines.
- Be mindful of the intensity level of certain scenes and consider the potential impact on some viewers.
- Experiment with different ways of conveying information and events more subtly to avoid redundancy and ensure clarity.
Scene 1 - Job Interview at the Overlook Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Danny's Reluctance to Move to the Overlook Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Job Offer and Hotel History
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Danny's Reluctance and Jack's New Job
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Danny's Fainting Incident and Imaginary Friend
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Doctor Examines Danny's Medical History
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - The Torrance Family's Arrival at the Overlook Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - The Torrances' Guided Tour of the Overlook Hotel: A Glimpse into History and Foreshadowing of Future Events
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Welcoming the New Caretakers: A Tour of the Gold Ballroom
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Welcome Tour of the Hotel Kitchen
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Exploring the Hotel Kitchen: A Playful Interlude
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Halloran Offers to Get Danny Ice Cream
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Halloran and Danny Discover Their Shining Connection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Breakfast in Bed at the Overlook Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Exploration and Play in the Hotel Maze
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Interrupted Work and Frustration in The Shining's Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Phone Issues Arise as the Storm Rages On
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Stormy Day at the Overlook Hotel: Wendy's Frustration and Danny's Fear
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Jack and Danny's Heartfelt Connection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Jack's Disturbing Nightmare and Danny's Search for Wendy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Wendy's Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Jack's Struggle: A Night at the Overlook Hotel Bar
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Wendy's Distress and Jack's Disbelief
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Deception and Suspicion at the Overlook
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Wendy's Concerns Met with Dismissal and Anger
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Jack's Destructive Behavior and Halloran's Concern
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Jack's Suspicions Arise in Encounter with Grady
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Escalating Tensions: Jack and Grady's Discussion, Wendy's Escape Plan, and Danny's Disturbing Sleep
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Communication Breakdown
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Arranging a Snowcat: Preparing for an Urgent Journey
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Unraveling Sanity: Jack's Obsession and Wendy's Fear
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Escalating Tensions: Jack's Aggression and Wendy's Fear
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Wendy's Escape: Locking Away the Violence
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Wendy's Fear and Manipulation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Jack Sabotages the Snowcat and Seeks Grady's Support
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - The Snowcat Ride and the Breakdown of Door 237
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Wendy and Danny's Escape Thwarted by Jack's Axe-Wielding Rage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Wendy's Defiance and Halloran's Fate
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - The Pursuit in the Overlook Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Pursuit in the Maze and Discoveries in the Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - The Search in the Snowy Maze
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Escape from the Overlook: A Desperate Search and a Tragic End
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The screenplay takes place in various locations, primarily in the Overlook Hotel, a secluded and scenic location in Colorado. The hotel is set against a backdrop of mountains and a lake, providing a serene and picturesque landscape. Other settings include an apartment in Boulder, a garage, and a Miami apartment. The physical environment is often depicted as isolated, contributing to a sense of unease and foreboding. The natural beauty of the setting contrasts with the dark events that unfold, heightening the tension and suspense.
- Culture: The cultural elements in the screenplay include the hotel's rich history of hosting presidents, movie stars, and royalty, as well as its Native American designs based on Navajo and Apache motifs. The cultural aspect of family dynamics is also present, with conversations revolving around job opportunities and potential moves. The cultural elements add a layer of sophistication and prestige to the setting, while also highlighting the contrast between the glamorous past and the dark present.
- Society: The societal structure in the screenplay is hierarchical, with clear distinctions between the hotel staff and guests. The societal structure is also evident in the interactions between the characters, reflecting common concerns and aspirations. The hotel's isolation contributes to a sense of confinement and unease, with the characters' actions often influenced by their desire to maintain order and control.
- Technology: The technological elements in the screenplay are minimal, with the focus on the characters' interactions and the physical environment. The few technological aspects present include a radio communication system, a portable TV set, and a snowcat, which highlight the limited communication options and harsh conditions of the hotel's remote location.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by contributing to a sense of isolation, unease, and confinement. The characters' actions are often influenced by their desire to maintain order and control, with the hotel's hierarchical societal structure and remote location adding to the tension and suspense.
- Narrative contribution: The world elements contribute to the narrative of the screenplay by providing a serene and picturesque landscape that contrasts with the dark events that unfold. The hotel's rich history and Native American designs add a layer of sophistication and prestige, while the minimal technological elements highlight the limited communication options and harsh conditions of the hotel's remote location.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by highlighting the contrast between the glamorous past and the dark present, as well as the characters' struggle to maintain order and control in a confined and isolated environment. The hotel's hierarchical societal structure and remote location add to the tension and suspense, while the natural beauty of the setting provides a stark contrast to the dark events that unfold.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice in the screenplay is characterized by a blend of natural dialogue, detailed descriptions, and a sense of realism. The writer effectively captures the essence of the characters and their interactions, creating a palpable and immersive atmosphere throughout the narrative. |
| Voice Contribution | The writer's voice contributes to the script by establishing a strong sense of authenticity and relatability in the characters and their experiences. The detailed descriptions and realistic dialogue provide a vivid and immersive experience for the reader, drawing them into the world of the story and enhancing the emotional impact of the narrative. |
| Best Representation Scene | 1 - Job Interview at the Overlook Hotel |
| Best Scene Explanation | Scene 1 best showcases the author's unique voice through its concise and realistic dialogue, detailed scene descriptions, and smooth transitions between locations. The scene effectively introduces the main characters and establishes the professional and polite atmosphere of the hotel interview, setting the tone for the rest of the screenplay. |
Style and Similarities
The writing style in this screenplay can be characterized as a blend of psychological horror, suspenseful tension, and complex character dynamics, with a strong emphasis on atmospheric settings and power struggles.
Style Similarities:
| Writer | Explanation |
|---|---|
| Stephen King | King's influence is evident throughout the screenplay, with a focus on psychological horror, supernatural elements, and slow-building tension in everyday settings. |
| Alfred Hitchcock | Hitchcock's approach to suspenseful storytelling is apparent in the screenplay, with a focus on building tension through character interactions, visual cues, and pacing. |
| Stanley Kubrick | Kubrick's style is reflected in the screenplay's tense atmosphere, formal dialogue, and exploration of power dynamics. |
Other Similarities: The screenplay also incorporates elements from other notable screenwriters and directors, such as Christopher Nolan, David Fincher, and Quentin Tarantino, creating a rich and engaging narrative that combines suspense, tension, and character development.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Relationship between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher Emotional Impact tend to receive higher Overall Grades, indicating that emotional depth plays a significant role in the quality of the scene. |
| Impact of Tone on Dialogue | Scenes with a more suspenseful or tense tone tend to have higher quality dialogue. This suggests that the tone of the scene influences the quality of the dialogue, with more intense tones leading to more engaging and impactful dialogue. |
| Character Changes and Emotional Impact | There is a positive correlation between Character Changes and Emotional Impact in this screenplay. Scenes where characters undergo significant changes tend to have a higher emotional impact on the audience, indicating that character development plays a key role in evoking emotions. |
| Conflict and High Stakes | Scenes with higher levels of Conflict also tend to have higher stakes. This suggests that the intensity of the conflict in a scene is directly related to the importance and consequences of the outcome, creating a sense of urgency and tension. |
Writer's Craft Overall Analysis
The screenplay showcases a strong ability to build tension and suspense, with effective character dynamics and engaging dialogue. There is room for improvement in pacing and consistency, as well as deepening the emotional complexity of the characters.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Screenplay | Read 'The Silence of the Lambs' by Ted Tally and 'Jaws' by Peter Benchley. These screenplays excel in pacing, suspense, and character development. | Studying these screenplays will help improve pacing, character development, and consistency in your writing. |
| Exercise | Practice writing a scene with a 30-second time limit. Focus on conveying the essential elements of the story and characters while maintaining tension.Practice In SceneProv | This exercise will help improve pacing and the ability to convey essential information efficiently. |
| Writing Group | Join a writing group or find a writing partner to provide feedback on your work. | Receiving feedback from others can help identify areas for improvement and provide new perspectives on character development and emotional depth. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| The Hero's Journey | The protagonist, Jack Torrance, embarks on a journey of self-discovery and redemption, facing various trials and tribulations along the way. | The Hero's Journey is a common narrative structure in literature and film, where the protagonist undergoes a transformation through a series of challenges. Examples include Star Wars, The Lion King, and The Lord of the Rings. |
| Haunted Hotel | The Overlook Hotel is a central location in the story, and its haunted nature plays a significant role in the plot. | Haunted hotels are a common trope in horror films, such as The Shining, The Haunting, and 1408. |
| Isolation | The Overlook Hotel's isolation during the winter months is a key factor in the story, heightening the tension and fear. | Isolation is a common trope in horror films, as it amplifies the characters' vulnerability and helplessness. Examples include The Thing, The Shining, and The Martian. |
| Imaginary Friend | Danny's imaginary friend, Tony, is a significant character in the story, providing insight into Danny's thoughts and feelings. | Imaginary friends are a common trope in literature and film, often serving as a source of comfort or guidance for the child character. Examples include The Sixth Sense, Drop Dead Fred, and The Lovely Bones. |
| Madness | Jack's descent into madness is a central theme in the story, driving the plot and increasing the tension. | Madness is a common trope in horror films, often used to explore the darker aspects of human nature. Examples include Psycho, The Shining, and Misery. |
| Monster Dad | Jack's transformation into a violent and abusive father is a key plot point in the story. | Monster Dad is a common trope in horror films, often used to explore the darker aspects of family dynamics. Examples include The Shining, The Texas Chainsaw Massacre, and The Amityville Horror. |
| Past Trauma | The past trauma of the Overlook Hotel's previous caretaker plays a significant role in the story, influencing Jack's actions and decisions. | Past trauma is a common trope in literature and film, often used to explore the long-term effects of traumatic experiences. Examples include The Shining, A Beautiful Mind, and The Pianist. |
| Psychic Powers | Danny's psychic powers, or 'shining', are a key element in the story, allowing him to perceive things beyond his normal senses. | Psychic powers are a common trope in science fiction and fantasy, often used to explore the limits of human potential. Examples include X-Men, Stranger Things, and The Matrix. |
| Redemption | The story explores the theme of redemption, as Jack struggles to overcome his past mistakes and regain his family's trust. | Redemption is a common trope in literature and film, often used to explore the human capacity for forgiveness and growth. Examples include A Christmas Carol, The Shawshank Redemption, and The Pursuit of Happyness. |
| Trapped | The characters are trapped in the Overlook Hotel during the winter months, increasing the tension and fear. | Trapped is a common trope in horror films, often used to heighten the characters' vulnerability and helplessness. Examples include The Shining, The Descent, and 127 Hours. |
Memorable lines in the script:
Some Loglines to consider:
| A family man descends into madness while serving as the winter caretaker of an isolated and haunted hotel. |
| A young boy with psychic abilities confronts the dark secrets of a malevolent hotel. |
| Isolation and a sinister supernatural force drive a writer to terrorize his wife and son. |
| A chilling exploration of the human psyche and the destructive power of addiction. |
| In the face of a blizzard and a haunted hotel, a mother fights to protect her son from his own father. |
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