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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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Executive Producer: Chris Brancato Executive Producer: Eric Newman Executive Producer: Jose Padilha ! !
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EXT. ANDES MOUNTAIN RANGE - AERIAL VIEW - TWILIGHT CAMERA SWOOPS over lush inland jungles, snow-capped volcanoes, lush valleys, and alpine lakes. OPERATOR #1 (O.S.) Centra Spike is a go, we've reached
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EXT. BOGOTA - AERIAL VIEW - NIGHT The city twinkles, bounded by the eastern cordillera of the Andes Mountain Range. MURPHY (V.O.) Nowadays, the U.S. government can
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INT. FINCA - BOGOTA - NIGHT CASH is stacked like cordwood. MURPHY (V.O.) Lucky for us, the Narcos were richer than them all.
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INT. BEECHCRAFT - NIGHT Inside, we SEE a fifty-million-dollar spy plane crammed with state-of-the-art electronic eavesdropping equipment. Two MALE OPERATORS monitor calls on laptops. MURPHY (V.O.)
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INT. VAN ON THE GROUND - NIGHT Packed with surveillance gear. A TECHNICIAN in the back of the van (American) checks his laptop. TECHNICIAN He's in the Zona Rosa.
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INT. BEECHCRAFT - NIGHT OPERATOR #1 Never mind. Negative on the ground assault. This fuckwad just told us where he's going.
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INT. MURPHY'S APARTMENT - BOGOTA - NIGHT STEVE MURPHY, 30s, stands amidst domestic chaos: a baby cries loudly, the phone rings off the hook. He has the physicality and charm of a West Virginia upbringing. MURPHY (V.O.)
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EXT. CAFE - BOGOTA - NIGHT HORATIO CARILLO, 30s, a well-dressed Colombian with a cheery demeanor, talks on a clunky cell phone. CARILLO La Dispensaria. Copy that.
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INT. SPECIAL OPS VAN - NIGHT Carillo addresses six MEN IN BODY ARMOR. The van's an armory: Browning rifles, H&K small machine guns, etc. The men pull on ski masks. MURPHY (V.O.)
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EXT. LA DISPENSARIA - SUNRISE A SHUTTER clicks, a photo taken. Bodies lay splayed across the outdoor cafe. A bloodbath. MURPHY (O.S.) Javi, we hit a home run.
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INT. UNITED STATES EMBASSY - BOGOTA - DAY Peña stands in the DEA offices of the Embassy, beside a "tree chart" of numerous traffickers and sicarios (hit men). MURPHY (V.O.) Peña had wanted that motherfucker
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EXT. JUNGLE - CHILE - DAY Thick, forested northern Chile. MURPHY (V.O.) But sometimes bad guys do good things. To kiss Nixon's ass, Pinochet went
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EXT. DEEP JUNGLE LAB - CHILE - LATER A bunch of DEALERS, hands tied behind them, are lined up in front of a firing squad. MURPHY (V.O.) And then-- being Pinochet-- he had
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EXT. JUNGLE - CHILE - LATER SOLDIERS toss the bodies in a mass grave. MURPHY (V.O.) They say when a nuclear holocaust destroys the world, only the
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INT. SHACK - CHILE - DAY Cockroach bursts through the door. MURPHY (V.O.) Instead, he won the damn lottery. His WIFE approaches, horrified.
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INT. LABORATORY - STANFORD UNIVERSITY - DAY The rat reaches the end of the maze and hits a lever. WIDER, to reveal a PROFESSOR instructing a STUDENT. PROFESSOR Make sure the retractable levers are
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EXT. BORDER - PERU/COLOMBIA - DAY Cockroach's Renault pulls to a checkpoint. His wife sits in the passenger seat. NARCOS Ep. 101 "Descenso" 5/13/14 13. MURPHY (V.O.)
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EXT. HORSE RIDING RING - MEDELLÍN - DAY A horse show. FABIO OCHOA rides a "dainty-step" quarter horse as its hooves blur with mincing, cartoon-like speed. MURPHY (V.O.) The Ochoa Brothers: Jorge, Juan David,
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INT. LUXURY FINCA - MEDELLÍN - NIGHT REVERSING, to find a sophisticated cocktail party. MURPHY (V.O.) Emeralds were a pretty rough trade even by Colombian standards. If you
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INT. BAR - MEDELLÍN - NIGHT Pablo and Gustavo are drinking beer in a raucous bar filled with pretty girls. They're drunk and happy. PABLO It's an interesting proposal.
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EXT. SOUTH BEACH - MIAMI - DAY A wide expanse of white sand beach and pearl blue ocean. MURPHY (V.O.) Back then, Miami was a paradise. I'd signed up for the sand, surf and
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INT. BAR - MIAMI - NIGHT Thumping music, filled with partyers. Kevin sits with other DEA GUYS, celebrating their bust. In the background, Murphy is getting another pitcher at the bar. DEA #1
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INT. MURPHY'S APARTMENT - MIAMI - NIGHT Murphy sits on his bed in a messy bachelor apartment. He stares at the scrap of paper. MURPHY (V.O.) I figured what the hell. Worst that
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EXT. JUNGLE PROCESSING LAB - PERU - DAY Thickly forested. A half dozen WORKERS (men and children) trample coca leaves in a large plastic-lined VAT filled with water and bleach. COCKROACH, PABLO AND GUSTAVO
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EXT. RENAULT CAR LOT - PERU - DAY Gustavo shows Pablo and Cockroach a yellow Renault 4S. GUSTAVO Check the wheel-well. It's huge. A CAR SALESMAN approaches them.
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EXT. PERUVIAN MOUNTAIN ROAD - AERIAL VIEW - SUNRISE The beautiful panorama of the lush Peruvian mountains. MURPHY (V.O.) That's five hundred thousand dollars per trip - using the same smuggling
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INT. COCAINE KITCHEN - BELEN, COLOMBIA - NIGHT A cramped kitchen with three COOKS in smocks. Cockroach teaches Pablo and Gustavo the next part of the process. COCKROACH The hydrochloric acid turns the base
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EXT. COCAINE KITCHEN - BELEN, COLOMBIA - NIGHT Light floods from the windows, illuminating the house like a Christmas tree. Pablo and Gustavo watch PAINTERS close the windows and start to apply a black coat of paint to the glass. Sulfurous smoke pours from the window cracks.
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INT. HERMILDA'S HOUSE - MEDELLÍN - NIGHT HERMILDA ESCOBAR, 50s, places down the needle and holds up what she's been sewing. A JACKET NARCOS Ep. 101 "Descenso" 5/13/14 28.
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INT. MIAMI INTERNATIONAL AIRPORT - DAY Lion emerges from the arrival gate, behind someone in a Dolphins jersey. He looks around. A VOICE (O.S.) Yo man, what's up?!
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INT. CAR - LONG TERM PARKING LOT - DAY Lehder sits behind the wheel of a boat Cadillac. Lion pulls a bag of COCAINE from inside his "secret" jacket. LION It's the perfect product.
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EXT. MIAMI INTERNATIONAL AIRPORT - DAY A PLANE takes off. MURPHY (V.O.) The Lion made more than twenty flights between Medellín and Miami - drugs
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INT. COCAINE KITCHEN - BELEN, COLOMBIA - DAY The Lion teaches several YOUNG WOMEN how to eat condoms filled up with cocaine. Three of them are pregnant. LION Wait a second - we got a problem
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INT. MIAMI INTERNATIONAL AIRPORT - DAY COMMERCIAL AIRPLANE PILOTS, YOUNG WOMEN and STEWARDS walk right through the U.S. CUSTOMS. MURPHY (V.O.) And you know what? Getting in was
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EXT. MEDELLÍN INTERNATIONAL AIRPORT - DAY Pablo and Gustavo negotiate with Carlos Lehder in front of a KING AIR airplane. GUSTAVO How much weight can you carry?
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EXT. DEEP JUNGLE LAB - COLOMBIA - DAY A tented jungle lab with white-smocked WORKERS. Ten times bigger than the one Cockroach managed in Chile. MURPHY (V.O.) Under the canopy cover of the
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INT. HACIENDA NAPOLES - ANTIOQUIA - NIGHT It's a huge party. UNIFORMED WAITERS walk around with food and beverages. BEAUTIFUL WOMEN everywhere. Cockroach is alone in a corner - drinking by himself. MURPHY (V.O.)
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EXT. PORT OF MIAMI - DAY Colorful cargo crates line the port. Shipments of everything from everywhere in the world. MURPHY (V.O.) When I started, a one-kilo grass
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EXT. CARGO SHIP - DECK - DAY SIXTY KILOS of cocaine are removed from the ship on a dolly, along with the handcuffed Crew. MURPHY (V.O.) We thought we were making a huge
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EXT. PORT OF MIAMI - LATER UNDERWATER The Diver swims to the hull of the boat, where four metal pipes are magnetically attached. MURPHY (V.O.)
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EXT. MIAMI STREET/ALLEY - NIGHT CAMERA TRACKS the RAT as it races through the alley. MURPHY (V.O.) It didn't take long for Miami to get addicted. And I mean that.
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INT. MURPHY'S APARTMENT - MIAMI - NIGHT Murphy swings open the door. He's exhausted, crestfallen, and strangely guilty. Connie rises from the couch. CONNIE It was self-defense.
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INT. MIAMI GENERAL - EMERGENCY ROOM - DAY Connie quickly evaluates the unconscious GIRL. CONNIE (O.S.) Paramedics said she collapsed after she got off her flight. By the time
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INT. MURPHY'S APARTMENT - MIAMI - NIGHT Murphy stares at Connie, shocked. MURPHY What happened? CONNIE
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EXT. HACIENDA NAPOLES - ANTIOQUIA - NIGHT A HIPPOPOTAMUS wanders through FRAME. One of the many animals who roam the luxurious grounds of Napoles. Gustavo stands out in the yard with Cockroach. He indicates Cockroach's gold-plated Mercedes.
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INT. HACIENDA NAPOLES - ANTIOQUIA - DAY GUSTAVO hangs up the phone and approaches PABLO, who watches a soccer game on television. NARCOS Ep. 101 "Descenso" 5/13/14 42. GUSTAVO
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INT. POLICE HEADQUARTERS - LINE-UP ROOM - MEDELLÍN - DAY Now handcuffed, Pablo stands with an ID placard with the day and date of his arrest. TWO SHOT - HERRERA AND IBARRA Through the one-way glass, they watch a photographer preparing
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INT. POLICE HEADQUARTERS - INTERROGATION - MEDELLÍN - DAY Pablo sits calmly at a table. Herrera enters with Ibarra. HERRERA We count over three hundred kilos on those trucks. That's a street value
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EXT. PORT OF MIAMI - DAY A PLUMBING VAN drives past the cargo crates. MURPHY (V.O.) It turns out Cockroach was a real cockroach. Not only did he sell
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EXT. PORT OF MIAMI - DAY CAMERA FOLLOWS over the shoulder of two ASSASSINS on a Kawasaki, heading into the long term parking. On the back of the cycle is-- LA QUICA, a hitman who works for Pablo.
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EXT. COURTHOUSE - MIAMI - DAY Murphy climbs the steps to enter the courthouse. MURPHY (V.O.) My testimony was gonna put that bastard on death row.
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INT. MIAMI INTERNATIONAL AIRPORT - DAY La Quica walks onto a plane. MURPHY (V.O.) La Quica boarded and was back in Medellín by midnight.
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EXT. WHITE HOUSE - WASHINGTON, DC - DAY (ARCHIVAL FOOTAGE) Establishing. MURPHY (V.O.) What got the U.S. government to take notice was the money. Billions of
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INT. OVAL OFFICE - DAY The Businessmen enter. The President stands and shakes hands with his guests. BUSINESS Mr. President. Thank you for having
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INT. OVAL OFFICE - DAY (ARCHIVAL FOOTAGE) RONALD and NANCY REAGAN sit on the couch. RONALD REAGAN Tonight, from our family to yours, from our home to yours.
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INT. HACIENDA NAPOLES - ANTIOQUIA - DAY Cockroach topples to the ground. MURPHY (V.O.) They say when a nuclear holocaust comes, only the cockroaches will
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EXT. COLOMBIAN ROAD - MEDELLÍN - NIGHT Misty night. MURPHY (V.O.) Over his career, Pablo would kill over a thousand cops. But I wouldn't
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INT. MIAMI INTERNATIONAL AIRPORT - NIGHT The international departure terminal. MURPHY (V.O.) But you think he knew anybody in Hawaii? No way.
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INT. HACIENDA NAPOLES - ANTIOQUIA - DAY La Quica reports to Pablo. PABLO They killed Poison? Where? LA QUICA

Narcos Pilot

A DEA agent's undercover mission in 1980s Colombia unravels the origins of the cocaine trade, leading him into a world of violence and moral ambiguity.

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Overview

Poster
Unique Selling Point

The screenplay for "Narcos Pilot" stands out for its ambitious exploration of the rise of the Colombian drug trade and the conflict between law enforcement and the powerful narco-traffickers. By blending historical events with fictional characters, the script creates a cinematic and immersive narrative that is both entertaining and thought-provoking. The unique perspective of the DEA agent, Steve Murphy, adds a personal dimension to the story, allowing the audience to connect with the human cost of the drug war. The screenplay's focus on the moral ambiguities and complexities of the conflict sets it apart from more conventional crime dramas, making it a compelling and unique offering for its target audience.

AI Verdict & Suggestions

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Gemini
 Highly Recommend
GPT4
 Highly Recommend
Claude
 Consider
Story Facts

Genres: Crime, Drama, Thriller, Action, Comedy, Medical

Setting: 1980s to early 1990s, Colombia and Miami, primarily in Medellín, Bogotá, and Miami

Themes: The Rise and Fall of the Cocaine Trade in the 1980s, Moral Ambiguity and the War on Drugs, Addiction and the Power of Cocaine, Power and Corruption, Survival and Resilience

Conflict & Stakes: The ongoing battle between DEA agents and drug traffickers, particularly Pablo Escobar, with high stakes involving violence, betrayal, and moral dilemmas.

Mood: Dark and tense, reflecting the violent and chaotic nature of the drug trade.

Standout Features:

  • Unique Hook: The screenplay offers a gritty, realistic portrayal of the drug trade, focusing on both the traffickers and law enforcement.
  • Major Twist: The betrayal of key characters, such as Cockroach selling out Pablo, adds layers of intrigue and tension.
  • Distinctive Setting: The contrasting environments of Colombia's jungles and Miami's urban landscape highlight the global nature of the drug trade.
  • Innovative Ideas: The screenplay intertwines personal stories with the broader narrative of drug trafficking, emphasizing the human cost.
  • Unique Characters: Complex characters like Pablo Escobar and Steve Murphy provide depth and relatability, making the story more engaging.

Comparable Scripts: Narcos, Scarface, Blow, The Wire, American Gangster, El Chapo, Queen of the South, Sicario, Traffic

Script Level Analysis

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Overall Score: 8.10
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