Titanic
Executive Summary
Screenplay Video
The video is a bit crude as the tool is still Alpha code. Contact us if there's a problem or with suggestions.
Share Your Analysis
Sharing
Loading...
Share URL:
Pass/Consider/Recommend/Highly Recommend
This changed recently. Ratings are subjective. So you get two engines' ratings to compare.
See Full Analysis
Promo
Note: This is for fun only. There will be many wrong things in the mock poster. It doesn't mean the AI misunderstood your story.
USP: In this epic tale of love, loss, and redemption, discover an unforgettable cinematic experience that reimagines the iconic Titanic disaster through the eyes of a century-old survivor. Join the deep-sea exploration to uncover the haunting secrets of the sunken ship while following the compelling journey of Rose, a spirited young woman torn between societal expectations and her passionate love for a charismatic artist. Witness firsthand the grandeur and hubris of the Titanic's maiden voyage as it sets sail on a fateful night, carrying the dreams and aspirations of its passengers. Dive into the emotional depths of their struggles, sacrifices, and triumphs as they navigate the catastrophic events that forever altered the course of their lives. With its immersive historical setting, captivating characters, and poignant themes, this cinematic masterpiece offers a fresh and deeply moving perspective on one of history's most legendary tragedies.
Overview
Genres: Drama, Romance, Historical, Adventure, Action, Thriller, Mystery, Tragedy, Historical Drama
Setting: 1912, On the RMS Titanic, in the North Atlantic Ocean
Overview: The screenplay for "Titanic" exhibits exceptional strengths in character development, emotional impact, and visual storytelling. Its compelling premise and well-structured narrative effectively engage the audience. However, opportunities exist to enhance pacing, deepen supporting character development, and explore thematic complexities further.
Themes: Love and Sacrifice, Social Class and Inequality, Survival and Resilience, Loss and Grief, The Power of Memory
Conflict and Stakes: Jack and Rose's love for each other, which is forbidden by their different social classes and Rose's engagement to Cal; the sinking of the Titanic, which threatens the lives of all on board.
Overall Mood: Romantic, suspenseful, and tragic
Mood/Tone at Key Scenes:
- Scene 1: The opening scene, which establishes the film's themes of love, class, and destiny.
Standout Features:
- Unique Hook: The film's iconic love story between Jack and Rose, which has been parodied and referenced in popular culture for decades.
- Plot Twist : The sinking of the Titanic, which is a major turning point in the film and changes the course of the characters' lives.
- Distinctive Setting : The film's setting on the Titanic, which is a unique and iconic location that provides a sense of grandeur and scale.
- Innovative Idea : The film's use of flashbacks to tell the story, which allows the audience to learn about the characters' pasts and motivations.
- Unique Characters : The film's cast of characters, who are all well-developed and relatable.
- Genre Blend : The film's blend of romance, drama, disaster, and historical epic genres, which makes it appealing to a wide range of audiences.
Comparable Scripts:
Market Analysis
Budget Estimate:$200 million
Target Audience Demographics: Adults aged 15-55, fans of romance, drama, disaster movies, and historical epics.
Marketability: It has a timeless love story, a gripping disaster plot, iconic characters, and stunning visuals.
It may be seen as a formulaic love story or disaster movie, and its length may be a deterrent for some viewers.
The film's themes of love, class, and destiny are still relevant to audiences today.
Profit Potential: Very high, due to its wide appeal and potential for critical and commercial success.
Scene Level Percentiles
The screenplay excels in emotional impact and character development, but dialogue and formatting require attention for a more polished and immersive experience.
Emotions Elicited Percentiles
Robert McKee: "The audience doesn’t go to the movies to see plot; they go to feel emotion, to be moved."
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
Key Strengths
Note: The ratings are the averages of all the scenes.
- The screenplay exhibits exceptional emotional impact, ranking in the 93rd percentile, indicating a strong ability to evoke powerful emotions in the audience.
- Character changes are a notable strength, ranking in the 82nd percentile, suggesting well-developed character arcs and meaningful transformations throughout the story.
- Dialogue could benefit from further refinement, as it currently ranks in the 37th percentile, indicating potential for improvement in creating engaging and memorable conversations.
- The formatting score of 43rd percentile suggests attention to technical aspects, such as proper formatting and presentation, could enhance the screenplay's professional appearance.
The screenplay exhibits a balanced approach between intuitive and conceptual elements. While character development and dialogue are relatively strong, with percentiles in the 50s and 60s, concept and plot elements also rank in the 60s and 70s, indicating a writer who can blend both intuitive and conceptual storytelling techniques.
Balancing Elements- To enhance the screenplay's overall impact, the writer could consider strengthening the dialogue to match the high emotional impact and character development scores.
- Addressing the formatting issues would elevate the screenplay's professional presentation and make it more accessible to readers.
The screenplay demonstrates an integrated writing style, combining both intuitive and conceptual strengths.
Overall AssessmentThe screenplay shows potential for emotional depth and engaging characters, but it could benefit from refinement in dialogue and formatting to fully realize its potential.
How this was done: Each criteria is ranked in comparison to scripts in our Vault
(such as The Matrix, Breaking Bad, etc.) This allows you to see where you stand compared to other
produced scripts for each criteria.
How scenes compare to the Scripts in our Library
|
|
|
Percentile | Before | After |
|---|---|---|---|---|
| Scene Emotional Impact | 8.7 | 95 | Midsommar: 8.6 | Titanic: 8.7 |
| Overall Script | 8.50 | 95 | Interstellar: 8.46 | Erin Brokovich: 8.50 |
| Scene Internal Goal | 8.29 | 90 | Erin Brokovich: 8.28 | Titanic: 8.29 |
| Script Structure | 8.47 | 87 | Sherlock Holmes: 8.45 | Titanic: 8.47 |
| Script Premise | 8.75 | 85 | Hot Fuzz: 8.50 | Erin Brokovich: 8.75 |
| Scene External Goal | 7.65 | 83 | As good as it gets: 7.63 | Titanic: 7.65 |
| Scene Overall | 8.6 | 81 | Enemy of the State: 8.5 | face/off: 8.6 |
| Scene Character Changes | 7.3 | 80 | Sherlock Holmes: 7.2 | Casablanca: 7.3 |
| Scene Pacing | 8.48 | 74 | Breaking Bad: 8.47 | Titanic: 8.48 |
| Scene Formatting | 8.46 | 73 | Sherlock Holmes: 8.45 | Titanic: 8.46 |
| Script Characters | 8.50 | 72 | Sherlock Holmes: 8.25 | Titanic: 8.50 |
| Script Theme | 8.50 | 71 | Sherlock Holmes: 8.25 | Titanic: 8.50 |
| Scene Plot | 8.2 | 70 | The Pianist: 8.1 | Casablanca: 8.2 |
| Scene High Stakes | 8.2 | 70 | Wild Wild West: 8.1 | Titanic: 8.2 |
| Script Structure | 8.25 | 66 | Gladiator: 8.00 | Titanic: 8.25 |
| Scene Story Forward | 8.3 | 64 | Coco: 8.2 | Titanic: 8.3 |
| Script Emotional Impact | 8.00 | 60 | Sherlock Holmes: 7.75 | Titanic: 8.00 |
| Scene Characters | 8.3 | 56 | Inception: 8.2 | Erin Brokovich: 8.3 |
| Scene Originality | 8.77 | 55 | Deep Cover: 8.76 | Titanic: 8.77 |
| Scene Concept | 8.1 | 54 | Fleabag: 8.0 | Casablanca: 8.1 |
| Script Conflict | 7.75 | 51 | Inception: 7.50 | the pursuit of happyness: 7.75 |
| Script Visual Impact | 8.00 | 48 | Inside Out: 7.75 | face/off: 8.00 |
| Scene Conflict Level | 7.6 | 47 | 2001: 7.5 | Titanic: 7.6 |
| Scene Engagement | 8.97 | 47 | Dr. Jekyll and Mr Hyde : 8.96 | Titanic: 8.97 |
| Scene Unpredictability | 7.51 | 46 | Oppenheimer: 7.48 | Titanic: 7.51 |
| Script Originality | 8.25 | 43 | House of cards pilot: 8.00 | Erin Brokovich: 8.25 |
| Scene Dialogue | 7.5 | 33 | Witness: 7.4 | Titanic: 7.5 |
Writer's Voice
Summary:The writer's voice is characterized by detailed descriptions and observations, immersive historical context, and rich character interactions. They use descriptive language to create vivid imagery and explore themes of love, loss, and redemption.
Best representation: Scene 13 - Rose's Inner Turmoil. This scene is the best representation of the writer's voice because it combines detailed descriptions, immersive historical context, and rich character interactions. It sets the stage for the film's central conflict and introduces the complexities of the characters' relationships.
Memorable Lines:
- Rose: I'll never let go, Jack. (Scene 62)
- Jack: I'm Jack Dawson. (Scene 15)
- Rose: I'll never let go, Jack. (Scene 61)
- Jack: I promise. I will never let go, Jack. I'll never let go. (Scene 60)
- Rose: I promise. I will never let go, Jack. I'll never let go. (Scene 62)
Writing Style:
The screenplay exhibits a blend of writing styles, with scenes reminiscent of various notable screenwriters and authors. The writing is characterized by high-stakes storytelling, emotional depth, and complex character dynamics.
Style Similarities:
- James Cameron
- Christopher Nolan
- Steven Spielberg
- Aaron Sorkin
- Greta Gerwig
Story Shape
Emotions Elicited
Engine: Claude
Screenplay Rating:
Highly Recommend
Executive Summary
The 'Titanic' screenplay is a masterfully crafted work that weaves together a compelling historical narrative with a captivating love story. The overall structure and character development are exceptionally strong, creating an immersive and emotional experience for the audience. While there are a few areas where minor improvements could be considered, the screenplay as a whole is a highly recommended work that is likely to resonate with both critics and audiences alike.
Strengths
- The overall narrative arc is compelling and engaging, taking the audience on an emotional journey through the rise and fall of the iconic Titanic. high
- The character development of Rose is exceptionally well-executed, showcasing her transformation from a repressed, upper-class woman to a free-spirited individual who defies societal norms. high ( Scene 32 Scene 33 Scene 34 )
- The integration of historical details and the Titanic's grandeur is seamless, immersing the audience in the opulence and scale of the ship. high ( Scene 23 Scene 24 Scene 25 Scene 26 )
- The climactic sequence depicting the sinking of the Titanic is masterfully crafted, with powerful visuals and an emotional intensity that leaves a lasting impact. high ( Scene 51 Scene 52 Scene 53 Scene 54 Scene 55 Scene 56 Scene 57 Scene 58 Scene 59 Scene 60 )
- The screenplay successfully balances the historical elements with a captivating love story, creating a well-rounded and engaging narrative. high
Areas of Improvement
- While the overall narrative is strong, there could be opportunities to further develop some of the supporting characters and their arcs to provide additional depth and complexity to the story. medium
MissingElements
- There are no significant missing elements identified in the screenplay. The narrative is comprehensive and well-structured. low
NotablePoints
- The screenplay's ability to seamlessly transition between the historical context and the personal stories of the characters is a notable strength, creating a rich and immersive viewing experience. high
- The final act, which explores Rose's life after the Titanic disaster and the resolution of her relationship with Cal, provides a poignant and satisfying conclusion to the story. high ( Scene 61 Scene 62 Scene 63 )
Engine: Gemini
Screenplay Rating:
Highly Recommend
Executive Summary
The screenplay of 'Titanic' is a masterpiece of storytelling, boasting immersive world-building, a compelling romance, effective use of dramatic irony, a gripping disaster sequence, and an epic scope. Minor areas for improvement include further character development for Ruth and Ismay, and potentially exploring the long-term impact of the disaster on survivors. Overall, the script's strengths far outweigh its weaknesses, making it a highly recommendable and captivating story.
Strengths
- Vivid and immersive world-building, particularly the contrast between first and third class experiences on the Titanic. high
- Compelling and well-developed romance between Jack and Rose, overcoming class barriers and societal expectations. high ( Scene 65 Scene 88 Scene 99 )
- Effective use of dramatic irony, knowing the ship's fate while characters remain unaware, building suspense. high
- Gripping and realistic portrayal of the disaster sequence, highlighting the chaos, fear, and heroism amidst tragedy. high ( Scene 131 Scene 274 )
- Epic scope and scale, capturing the grandeur of the Titanic and the magnitude of the disaster. high ( Scene 34 Scene 52 )
Areas of Improvement
- Ruth's character could be further explored to understand her motivations and complexities beyond societal expectations. medium
- Ismay's portrayal as a one-dimensional villain could be nuanced to explore the pressures and decisions he faced. low ( Scene 157 Scene 163 )
- The pacing in the first act could be tightened to accelerate the introduction of Jack and the development of the central conflict. low
MissingElements
- Exploring the aftermath of the disaster and the long-term impact on survivors could add depth and emotional resonance. medium
Engine: GPT4
Screenplay Rating:
Highly Recommend
Executive Summary
The screenplay of 'Titanic' is a compelling narrative that combines historical events with rich character development, particularly through the central characters, Rose and Jack. The story is well-paced, with effective use of dialogue and strong emotional depth that culminates in a powerful climax. While there are areas for improvement in pacing and character depth, the screenplay offers a unique and engaging perspective on a well-known historical event.
Strengths
- The screenplay effectively captures the grandeur and tragedy of the Titanic's voyage, intertwining personal stories with historical events. high
- The introduction and setup of the story are engaging, providing a clear and intriguing entry point into the narrative. high ( Scene 1 Scene 34 )
- Character development is a major strength, particularly the depth given to Rose and Jack, whose relationship drives the narrative. high ( Scene Scene 8 Scene Scene 9 )
- The climax and resolution are emotionally powerful, effectively concluding the story arcs and leaving a lasting impact on the audience. high ( Scene Scene 58 Scene Scene 59 )
- The screenplay's dialogue is well-crafted, with authentic interactions that enhance character development and plot progression. medium ( Scene Scene 61 )
Areas of Improvement
- Some scenes could be tightened to improve pacing and maintain tension throughout the film. medium
- The transition between certain key scenes can be abrupt, potentially confusing the audience. low ( Scene Scene 20 )
- The depiction of secondary characters could be deepened to enhance the overall texture of the narrative. medium
- Incorporating more historical context could enrich the setting and provide a deeper understanding of the era. low
- Exploring additional subplots could provide more depth and complexity to the story, though care must be taken not to detract from the main narrative. low
MissingElements
- The screenplay could benefit from more detailed descriptions of the ship's interiors to enhance visual imagery. medium
- There is a lack of diverse perspectives among the passengers of different classes, which could provide a richer narrative. medium
- The emotional impact of the disaster on survivors could be further explored in the aftermath scenes. medium
- Including more foreshadowing elements early in the screenplay could enhance the thematic depth. low
- The script could integrate more conflict or obstacles in the early stages to build tension. low
NotablePoints
- The screenplay's historical accuracy in depicting the Titanic and its sinking adds a layer of authenticity that enriches the story. high
- The use of visual and auditory imagery in the sinking scenes is particularly effective, creating a vivid and memorable experience. high ( Scene Scene 58 Scene Scene 59 )
- The interplay between fictional and historical characters is well-executed, providing a seamless narrative. medium
- The emotional depth of the screenplay is notable, with a strong focus on human relationships and personal growth. high
- The screenplay's structure is well-organized, with a clear beginning, middle, and end that effectively guide the audience through the story. medium
Screenplay Insights:
Characters: 8.5, The screenplay effectively employs depth, complexity, and transformation in character development, creating a compelling narrative that engages the audience on an emotional level. The screenplay explores the characters' inner journeys and struggles, allowing the audience to connect with their motivations and experiences. See More
Premise: 8.75, The screenplay's premise effectively establishes a compelling and clear narrative, intertwining historical fiction with a modern-day treasure hunt. The dual timelines and the central mystery of the Heart of the Ocean necklace contribute to its intrigue. However, further emphasis on the emotional depth and thematic significance of Rose's journey could enhance the screenplay's overall impact. See More
Structure: 8.25, The screenplay exhibits a robust narrative structure and an engaging plot effectively crafted to maintain audience interest. However, certain aspects, such as pacing and coherence of subplots, could benefit from further refinement to elevate the screenplay to its full potential. See More
Theme: 8.5, The screenplay explores themes of love, class, and morality with sincerity and emotional depth. The love story between Jack and Rose is a powerful and compelling force that drives the narrative and resonates with the audience. The screenplay also incisively examines the stark contrasts between the wealthy first-class passengers and the impoverished steerage passengers, and the moral choices that individuals make in the face of disaster. While some aspects of the message could be further refined for greater clarity and impact, the screenplay effectively communicates its themes and messages, offering valuable insights into the human condition. See More
Visual Impact: 8.0, The screenplay displays effective use of visual imagery to enhance the storytelling, capturing the grandeur of the Titanic and the emotional journey of the characters. The descriptions are vivid and immersive, drawing the reader into the world of the film. See More
Emotional Impact: 8.00, **Titanic** effectively captivates its audience through its poignant portrayal of love, sacrifice, and social disparity. However, it could elevate its emotional impact by delving deeper into the characters' inner conflicts and exploring the emotional consequences of their actions. See More
Conflict: 7.75, The screenplay effectively employs conflict and stakes to drive the narrative and engage the audience. The central conflict between Rose and her societal constraints provides a strong foundation for tension and development. However, the script could benefit from further intensification of the stakes and exploration of moral dilemmas to enhance audience investment. See More
Originality: 8.25, This screenplay demonstrates originality in its evocative recreation of the Titanic disaster, intertwining fictional characters with historical figures to explore themes of love, loss, and societal disparities. The script's narrative unfolds in a captivating, emotionally charged manner, immersing the audience in the journey of its diverse characters as they navigate the catastrophic events. See More
Premise: 8.75, The screenplay's premise effectively establishes a compelling and clear narrative, intertwining historical fiction with a modern-day treasure hunt. The dual timelines and the central mystery of the Heart of the Ocean necklace contribute to its intrigue. However, further emphasis on the emotional depth and thematic significance of Rose's journey could enhance the screenplay's overall impact. See More
Structure: 8.25, The screenplay exhibits a robust narrative structure and an engaging plot effectively crafted to maintain audience interest. However, certain aspects, such as pacing and coherence of subplots, could benefit from further refinement to elevate the screenplay to its full potential. See More
Theme: 8.5, The screenplay explores themes of love, class, and morality with sincerity and emotional depth. The love story between Jack and Rose is a powerful and compelling force that drives the narrative and resonates with the audience. The screenplay also incisively examines the stark contrasts between the wealthy first-class passengers and the impoverished steerage passengers, and the moral choices that individuals make in the face of disaster. While some aspects of the message could be further refined for greater clarity and impact, the screenplay effectively communicates its themes and messages, offering valuable insights into the human condition. See More
Visual Impact: 8.0, The screenplay displays effective use of visual imagery to enhance the storytelling, capturing the grandeur of the Titanic and the emotional journey of the characters. The descriptions are vivid and immersive, drawing the reader into the world of the film. See More
Emotional Impact: 8.00, **Titanic** effectively captivates its audience through its poignant portrayal of love, sacrifice, and social disparity. However, it could elevate its emotional impact by delving deeper into the characters' inner conflicts and exploring the emotional consequences of their actions. See More
Conflict: 7.75, The screenplay effectively employs conflict and stakes to drive the narrative and engage the audience. The central conflict between Rose and her societal constraints provides a strong foundation for tension and development. However, the script could benefit from further intensification of the stakes and exploration of moral dilemmas to enhance audience investment. See More
Originality: 8.25, This screenplay demonstrates originality in its evocative recreation of the Titanic disaster, intertwining fictional characters with historical figures to explore themes of love, loss, and societal disparities. The script's narrative unfolds in a captivating, emotionally charged manner, immersing the audience in the journey of its diverse characters as they navigate the catastrophic events. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Two deep submersibles, MIR ONE and MIR TWO, descend into the darkness of the ocean. MIR ONE, carrying Anatoly Mikailavich, Brock Lovett, and Lewis Bodine, reaches the ocean floor. Anatoly announces their arrival, concluding the scene.
- Mir One and Mir Two submarines navigate the wreck of the Titanic, discovering the intact bow and deploying the ROV Snoop Dog to explore the ship's interior, revealing preserved rooms, artifacts, and a combination safe, sparking excitement among the team.
- After retrieving the safe from the ocean, Brock Lovett and his team open it to find it empty, causing disappointment. However, their hopes are renewed when a technician discovers a pencil drawing of a woman wearing a necklace identical to the Heart of the Ocean. Lovett is excited by this discovery, believing that the necklace may still be on the ship.
- In her Ojai ceramics studio, elderly potter Rose Calvert, assisted by Lizzy, observes a CNN report about the controversy surrounding Brock Lovett's expedition. Rose has a personal connection to the expedition, as evidenced by a photo of a woman identical to the one discussed on TV. She inquires about the 'Heart of the Ocean,' hinting at a surprising revelation about her past.
- Brock, Bodine, and Buell witness the arrival of the Mir 2 submersible and discuss Rose's questionable background. Lovett insists on hearing her story. Rose arrives on the ship via helicopter, accompanied by her granddaughter and dog. She settles into her stateroom and expresses a desire to see her drawing. Bodine remains skeptical, while Lovett remains determined to learn the truth.
- Rose reminisces through personal artifacts recovered from the Titanic while Lovett seeks information about the Heart of the Ocean necklace.
- Amidst the Keldysh's imaging shack, Rose, a century-old Titanic survivor, joins researchers reviewing footage of the sunken wreck. As the haunting underwater images depict the ship's catastrophic collision with an iceberg, Rose's firsthand account brings the past to life. She vividly recalls the grand ship's glory and the harrowing chaos that unfolded during its sinking, painting a somber yet awe-inspiring portrait of this maritime tragedy.
- As Rose, Cal, and their entourage prepare to board the Titanic, Rose expresses her disdain for the ship, while Cal assures her of its unparalleled luxury. Amidst the excitement, Cal's arrogance clashes with a steerage family, highlighting the stark class divide. Overwhelmed by the ship's grandeur, Rose grapples with trepidation as she embarks on her fateful journey.
- Jack Dawson and Fabrizio De Rossi win two third-class tickets to America on the Titanic in a poker game. They celebrate wildly and run for the ship as it prepares to depart.
- Jack and Fabrizio board the Titanic by lying to the officers. They find their modest third-class berth with two other passengers, Olavius and Bjorn Gundersen. The Titanic pulls away from the dock with well-wishers waving as it sails toward the English Channel.
- Rose and Cal are in their suite on the Titanic, with Rose admiring her new paintings and Cal making a possessive move on her. The scene then shifts to Cherbourg harbor where Molly Brown boards the ship, and finally to the bow where Jack and Fabrizio are standing, looking out at the ocean.
- The scene begins on the Titanic as she is prepared to depart. Captain Smith orders the ship to sea, and First Officer William Murdoch moves the engine telegraph lever to "All Ahead Full." The ship begins to move forward, and the scene cuts to various parts of the ship, including the engine room, the boiler rooms, and the bow, where Jack and Fabrizio watch two dolphins swimming in front of the ship. The scene ends with a shot of the entire ship from an aerial perspective, with Ismay's voiceover stating that she is "the largest moving object ever made by the hand of man in all history."
- At a luncheon in the grand Palm Court Restaurant, the Titanic's managing director and master shipbuilder showcase the ship's grandeur, while Molly Brown questions societal norms and Rose challenges the emphasis on size. Despite the celebratory atmosphere, Rose's rebellious spirit creates tension among the group, and artist Jack becomes captivated by her. The scene ends with Jack's admiration for Rose countered by a reminder of the class divide between them.
- Isolated and emotionally distraught, Rose retreats to her bedroom and self-destructs. She then runs along the deck in a state of turmoil.
- Rose stands on the railing of the Titanic, contemplating suicide. Jack sees her and tries to talk her down. She eventually agrees to take his hand, but loses her footing and falls overboard. Jack holds onto her and pulls her back up onto the deck with the help of Quartermaster Rowe. Rowe detains Jack, suspecting something untoward has happened between him and Rose.
- Jack, detained after saving Rose from falling, is confronted by an enraged Cal. Rose explains the accident, but sexist remarks and suspicion escalate the tension. Jack agrees with Rose's version to protect her. Cal mockingly invites Jack to dinner, concluding the confrontation.
- Cal surprises Rose with the 'Heart of the Ocean' diamond necklace in her bedroom, hoping to win her over. Older Rose reflects on the past, seeing Cal's gift as manipulative and self-serving. Rose is torn between her feelings for Cal and her own desires.
- Amidst financial pressure, Brock and Buell discuss the search for the diamond. Lizy confronts Brock, protecting her grandmother from his insistence. Despite Lizy's refusal, Brock remains determined. Rose recalls a memory, transitioning to a 1912 Titanic flashback, highlighting the contrast between past events and the present search.
- Rose enters third class, attracting attention. She approaches Jack and requests a private conversation. Jack follows her, leaving the other passengers in silence.
- Jack and Rose walk on the boat deck, where Jack shows Rose his sketches, including intimate nudes. They have a heartfelt conversation about their backgrounds and feelings, with Rose opening up about her struggles and engagement to a man she doesn't love. They bond over their shared experiences and Jack's ability to see people, resolving the conflict of Rose feeling trapped in her engagement. The scene ends with Jack telling Rose that she wouldn't have jumped off the ship if he was there.
- Ruth, a snobbish countess, faces cheerful Molly Brown while Captain Smith grapples with pressure from Bruce Ismay to push the Titanic's engines. Rose shares her artistic dreams with Jack, and they join the Marvins in filming a movie, showcasing class divides, conflicts, and the pursuit of aspirations.
- Jack and Rose share a romantic and playful moment on the deck of the Titanic as the sun sets. Ruth disapproves of Jack, creating conflict between her and Rose. Molly advises Jack to be prepared for the challenges of upper-class society. The scene ends with Ruth and Rose leaving, leaving Jack and Molly alone on deck.
- Molly Brown assists Jack in preparing for a formal gathering. Jack enters the First Class area feeling like an intruder, but is captivated by Rose's beauty. Cal initially fails to recognize Jack, but later feigns recollection.
- Wealthy passengers make a grand entrance into the first class dining saloon. Molly advises Jack on how to fit in while Rose introduces him to notable couples. Cal receives praise, and Jack briefly encounters John Jacob Astor and Madeleine Astor. Ruth defends Cal's marriage to Rose.
- During dinner, Rose inquires about Jack's steerage accommodations, leading Jack to share his philosophy on making each day count. While Ruth disapproves of Jack's presence, Molly Brown and Colonel Gracie show support. Rose compliments Thomas Andrews on his work, and the men leave for brandies, with Rose slipping Jack a mysterious note.
- Rose ascends the staircase and meets Jack, who invites her to a party in the Third Class General Room. They dance amidst the lively atmosphere, with Rose impressing the steerage folks with her ballet moves. A conflict arises when Bjorn spills beer on Rose's dress, but Jack defuses the situation with humor. The scene ends with Lovejoy observing them from afar, hinting at a possible threat to their budding romance.
- On the boat deck, Rose and Jack share a playful and intimate moment, discussing their different perspectives on life. The scene transitions to the next morning, revealing a tense interaction between Rose and Cal during breakfast, showcasing Cal's controlling behavior.
- Ruth confronts Rose, demanding she cease seeing Jack. She emphasizes their financial instability and the importance of Rose's engagement to Hockley. Ruth instils fear by outlining the consequences of their social downfall. Rose, feeling overwhelmed, reluctantly submits. As Jack attempts to approach Rose in first-class, he is denied entry. Rose remains unaware of his presence.
- Jack, Tommy, and Fabrizio devise a plan for Jack to reach the First Class deck, where Rose is. While Andrews leads a tour of the ship's bridge, Jack disguises himself as a gentleman and motions for Rose to follow him.
- Jack expresses his genuine feelings for Rose and his concern for her well-being in the gym. Rose initially hesitates but eventually opens up about her struggles. They part ways, leaving their future uncertain.
- Rose finds Jack at the bow of the ship, where he positions her to appear as if she is flying. They share a passionate kiss, symbolizing power and optimism. In the present day, Rose watches footage of the ship's ruins.
- Jack and Rose are in Rose's suite on the Titanic in 1912. Jack is overwhelmed by the opulence, but Rose asks him to draw her wearing only the Heart of the Ocean diamond necklace. Jack agrees, and he begins to sketch her. Rose poses on the divan, and Jack drops his pencil. She stifles a laugh, and he tells her to bend her leg and lower her head. He continues to draw, and the sketch becomes the best thing he has ever done. Rose is pleased and asks him to date it. He does, and she puts the drawing and a note on top of the diamond necklace in the safe.
- Lovejoy, an ex-Pinkerton, pursues Rose and Jack through the Titanic's boiler rooms. Amidst roaring furnaces and soot-covered workers, Rose and Jack evade capture until they disappear into the darkness.
- Cal plays cards and sips brandy in the first-class smoking room, while Jack and Rose share intimate moments in the boiler room and a luxurious car in the hold. The wireless operators receive messages warning about ice, adding an element of impending danger to the scene. The emotional tone is a mix of luxury, passion, and impending danger, with key dialogue highlighting the characters' desires and the operators' tense communication. The scene ends with Jack and Rose huddled together in the car, sharing a tender moment.
- Lookouts Fleet and Lee argue over the presence of ice, while stewards search for Rose and Jack. Amidst the chaos, Rose and Jack find a moment of intimacy on the well deck. High in the crow's nest, Fleet spots an iceberg and rings the alarm, met with ominous silence from the bridge.
- Despite a warning, the ship collides with an iceberg, damaging the hull and flooding compartments.
- After the Titanic hits an iceberg, Murdoch reports the incident to Captain Smith. Emergency doors are closed and the Carpenter is summoned. Passengers in steerage and first class are alerted to the flooding and potential damage. Rats flee the sinking bow, and Jack and Rose inspect the hull. Ismay arrives on the bridge, while Cal and Lovejoy confront a steward about a robbery.
- After striking ice, the ship begins to take on water rapidly. The captain and crew assess the damage, while a concerned passenger inquires about its severity. Jack and Rose witness the seriousness of the situation and fear for the safety of the ship and its passengers. Amidst the chaos, a thief seizes the opportunity to steal a valuable diamond necklace.
- Cal and Ruth confront Rose and Jack, accusing Jack of stealing the Heart of the Ocean necklace. The necklace is found in Jack's pocket, and he is handcuffed and taken away despite Rose's disbelief. Meanwhile, the crew tries to save the mail from the flooding hold.
- Andrews reveals the dire condition of the ship, predicting its sinking despite any countermeasures. With limited time remaining, Smith faces the harsh reality. As lifeboat preparations ensue, Cal abuses Rose before they are ordered to evacuate.
- Amidst chaos and darkness, the Cartmell family and others awaken to the dreadful realization of the Titanic's sinking. As distress signals echo through the night, panic spreads among passengers. Thomas Andrews confronts Murdoch, while Molly Brown demands answers. Andrews reveals the ship's imminent fate to Rose and Cal, leaving them shattered. Jack remains detained as the ship's descent into the icy depths becomes inevitable.
- On the Titanic, Captain Smith faces the devastating truth as he receives news of the Carpathia's distance. Lightoller begins loading lifeboats as Cal prevents Ruth from retrieving her brooch, sensing the danger. Amidst chaos in the steerage, Fabrizio and Tommy witness a crowd gathering below. Despite the urgency, an Irish woman remains patient with her children. Boat 7 descends half-empty, a grim reminder of the ship's perilous state.
- Jack, chained in the Master at Arms' office, is punched by Lovejoy. A distress rocket signals the impending doom as Ismay panics and obstructs the evacuation efforts. Lowe confronts Ismay, ordering him out of the way. Terrified passengers descend in a boat as the water level rises.
- In the midst of chaos, Lightoller loads women and children onto Boat 6 while Marvin captures the scene. Rose, witnessing the unfolding tragedy, refuses to board and confronts Cal. Jack, struggling with a pipe, watches as water seeps in. Molly takes charge of Boat 6 as it descends into the ocean, and Rose evades Cal's attempt to force her aboard. The scene ends with a chilling visual of Boat 6 being lowered while its crew struggles to row, leaving Titanic's fate uncertain.
- Rose locates Jack in the Master at Arms office and they reunite. They search for a key to remove Jack's handcuffs as water floods the corridor.
- Rose searches the Master at Arms office for a key but finds none. She realizes she must seek assistance and informs Jack that she will return shortly. Jack agrees to wait. Rose departs and ascends to the stairwell toward the upper deck, removing her constricting skirt. She encounters a young man who ignores her plea for aid as the hallway floods and the lights flicker. Upon their return, Rose approaches a steward for assistance but is met with indifference and an attempt to misdirect her. Rose reacts quickly, striking the steward and seizing a fire ax. She navigates the stairwell, negotiating flooded steps, and continues her perilous journey to reach Jack, determined to save him.
- Jack and Rose break free from the Master at Arms office and navigate a crowded corridor, aided by the kindness of an Irish couple.
- The scene unfolds on the Titanic's boat deck amidst the chaos of its sinking. Cal and Lovejoy frantically search for Rose as crew and officers launch lifeboats at an accelerated pace. Second Officer Lightoller faces a dispute with Thomas Andrews, who insists on filling the boats to capacity. Meanwhile, an elderly couple, Ida and Isador Strauss, make the heart-wrenching decision to remain together rather than board a lifeboat.
- Trapped in steerage as the Titanic sinks, Jack, Rose, Fabrizio, and Tommy witness the chaos and desperation of the passengers. When a locked gate blocks their escape, Jack leads the group in breaking it down, allowing them to flee the sinking ship.
- As the Titanic continues to sink, Ruth rests exhausted on her oars, watching the ship disappear. Captain Smith orders Boat 6 to return, but Hitchins refuses, fearing the suction. Guggenheim declares his intention to go down like a gentleman, while Cal and Lovejoy encounter Joughin, who is tossing chairs overboard. Panic sets in aft, with officers struggling to maintain order. Lightoller pulls out his revolver and aims it at men trying to rush a boat. Cal and Lovejoy arrive too late to board the last boat as Murdoch lowers it. Panic and resignation mix as passengers and crew realize the gravity of the situation.
- Amidst the sinking Titanic's chaos, Cal bribes Murdoch for a lifeboat spot. Cal and Lovejoy search for Rose, while Ismay selfishly boards one. Murdoch lowers the lifeboat as the band plays and panic ensues, with people searching frantically for remaining boats.
- Amidst the chaos of the sinking Titanic, Lightoller prioritizes women and children for lifeboats. Jack convinces Rose to board, assuring her he'll be okay. However, upon realizing she can't leave him, Rose jumps back onto the ship, leaving Jack heartbroken. Cal, who overheard their conversation, witnesses her sacrifice and is consumed by rage.
- Array
- Jack and Rose encounter a trapped boy in a flooded corridor but are unable to reach him due to a torrent of water. The boy's father takes him in the wrong direction, and they disappear in the flood. Jack and Rose struggle to escape the rising water but are aided by a steward who unlocks a gate, allowing them to proceed to the next deck.
- On the sinking Titanic, Murdoch struggles to control a chaotic crowd threatening to rush lifeboats, resorting to violence. Cal confronts him about a deal, but Murdoch pushes him back. Murdoch shoots two men, including Tommy, before committing suicide. Cal forces his way into a lifeboat with a child. Andrews bids Rose farewell, while Captain Smith collapses on the bridge. Water submerges paintings in Cal's suite and fills the Strauss's cabin as they hold hands. A mother comforts her children in steerage as the ship sinks.
- As the RMS Titanic sinks, chaos and desperation reign on the boat deck and bridge. On the port side, men struggle to detach Collapsible B, while on the other side, Cal watches helplessly as Captain Smith is swept away by a wave. Collapsible A is partially swamped, and Fabrizio is dragged underwater. Meanwhile, Jack and Rose make their way aft, avoiding the panic and confusion. The ship groans and shudders, and the funnel topples into the water. The glass dome in the boat deck foyer explodes, sending a torrent of water cascading down the stairs. John Jacob Astor is swept away by the current, and the scene ends with the ship continuing to sink and the passengers and crew fighting for their lives.
- Amidst the sinking ship's chaos, hundreds of passengers desperately fight for their lives. The Cartmell family becomes trapped in a flooding stairwell while Jack and Rose witness the propellers rising from the water. As the ship succumbs, people leap into the icy depths or cling to the rails in despair. Father Byles offers prayers, and Helga Dahl exchanges a solemn glance with Rose. Amidst the turmoil, Jack and Rose strive to remain hopeful.
- Amidst the chaos of the sinking Titanic, Chief Engineer Bell remains resolute in the engine room. Darkness engulfs the ship as its hull fractures, leading to catastrophic explosions and fires. Passengers are met with a horrific fate as they're sucked into the widening abyss or crushed by debris. The stern section plunges back into the water, nearly drowning those on deck. However, as buoyancy kicks in, the stern rises vertically, forcing survivors to cling desperately. Jack and Rose find themselves on the railing, overlooking the vast expanse of the ocean. With grim determination, they brace themselves for the inevitable plunge into the icy depths.
- Amidst the chaos of the Titanic sinking, Jack and Rose desperately struggle to stay afloat in the frigid water. As a vortex engulfs the ship, they spot a piece of debris and cling to it for survival. However, the space is limited, forcing Jack to sacrifice his own safety to keep Rose above the surface. They witness the horrific act of Cal, a ship's officer, mercilessly clubbing a drowning passenger to prevent him from boarding an overcrowded lifeboat. Jack attempts to reassure Rose that help will return, but their hope dwindles as they float on the debris, surrounded by the sounds of despair and the impending doom that engulfs them.
- The scene unfolds in the aftermath of the Titanic's sinking, with lifeboats filled with survivors floating in the darkness. Ruth attempts to drown out the screams of those left behind, while Molly urges the first-class women to help row, but they refuse. In another boat, Sir Cosmo and Lucile Duff-Gordon remain comfortable, ignoring pleas for assistance. Jack and Rose drift in the icy water, their bodies succumbing to the cold, yet Jack encourages Rose to hold on and promises her survival. As the boats drift away, Fifth Officer Lowe organizes a rescue attempt, discovering and removing a stowaway from one of the boats.
- Amidst the wreckage of the Titanic, Boat 14 discovers a grim trail of debris and bodies. Jack and Rose, lost and freezing, grapple with their fading hope. Rose's desperate cry for help is answered by Lowe, rescuing her as the horrors of the disaster unfold.
- Survivors in lifeboats are in a state of shock and grief. Rose lies swaddled and unresponsive. Ismay walks along the deck of the Carpathia in a trance. The scene dissolves to dawn, with golden light washing over the white boats and icebergs. Survivors are helped up the rope ladder to the Carpathia.
- Cal searches for Rose on the Carpathia, finding her disguised among refugees. Rose demands they pretend never to have met again, citing Cal's reputation and wealth. After an emotional goodbye, Cal accepts her terms, agreeing to inform her mother of her supposed demise. Despite his heartbreak, Cal prioritizes their societal status, while Rose remains resolute in her decision to end their connection.
- Returning to the surface after their final dive, the crew gather on the Keldysh's deck for a wrap party. Rose decides to return the Heart of the Ocean to the ocean, and Lovett reluctantly lets her. She tosses the necklace over the rail, symbolizing her letting go of the past.
- In her cabin, Rose reminisces about her life through photographs, focusing on a youthful image of herself on a horse at the surfline. As the scene fades to black, a ghostly apparition of the RMS Titanic appears, with Rose and Jack dancing in the grand ballroom.
CharacterInconsistencies
-
Character Rose
Description Rose's demeanor shifts dramatically between being a rebellious, free-spirited young woman and a composed, obedient daughter. Her sudden attempts at suicide seem impulsive and not entirely consistent with her earlier characterization.
( Scene 8 (34) Scene 15 (65) ) -
Character Cal
Description Cal's actions oscillate between extreme possessiveness and a surprising moment of compassion. His willingness to save a child while endangering others is inconsistent with his previously established personality.
( Scene 52 (221) Scene 56 (246) )
StoryInconsistencies
-
Description The screenplay mentions that all individuals aware of the diamond's existence are either deceased or present on the ship. However, Rose, who possesses knowledge of the diamond, is neither.
( Scene 3 (14) )
PlotHoles
-
Description Rose's history and identity seem to have inconsistencies. The screenplay presents her as Rose DeWitt Bukater, who supposedly perished on the Titanic. Later, she claims to be Rose Dawson and reveals a life story that contradicts the earlier information.
( Scene 4 (17) Scene 23 (23) )
DialogueAuthenticity
-
Description The dialogue during the engine room scenes and among the stokers feels overly romanticized and lacks the authenticity of working-class language during that era.
( Scene 12 (52) )
Redundancies
-
Element Cal's possessiveness and control over Rose
( Scene 8 (34) Scene 11 (46) Scene 28 (90) )
Suggestion The repeated instances of Cal's controlling behavior towards Rose could be streamlined to avoid redundancy and maintain narrative momentum.
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| Lovett | Lovett starts off as a driven and ambitious treasure hunter solely focused on wealth and fame. However, through his interactions with Rose and witnessing her selfless act of dropping the diamond necklace, he undergoes a transformation. He learns to prioritize life and relationships over material possessions, ultimately finding fulfillment and contentment in the journey itself rather than the end goal of treasure hunting. | The character arc for Lovett is well-developed and provides a clear progression for his growth and transformation. However, it could benefit from more internal conflict and exploration of Lovett's motivations and inner struggles. This would add depth to his character and make his transformation more impactful and believable. | To improve the character arc, consider delving deeper into Lovett's backstory and personal motivations for treasure hunting. Explore his internal conflicts and doubts about his pursuit of wealth and fame, as well as his relationships with other characters. This will add complexity to his character and make his transformation more nuanced and compelling. |
| Brock Lovett | Brock Lovett starts off as a driven and ambitious treasure hunter solely focused on uncovering historical artifacts related to the Titanic. However, as he delves deeper into his discoveries and encounters unexpected revelations, he begins to show a more emotional and vulnerable side. This leads to a shift in his priorities from mere ambition to a deeper connection with the past and a desire for truth and understanding. | The character arc for Brock Lovett is well-developed, showcasing a progression from ambition to emotional depth. However, there could be more exploration of his vulnerabilities and internal conflicts to add complexity to his character. | To improve the character arc, consider incorporating moments of self-doubt, moral dilemmas, or personal struggles that challenge Brock Lovett's beliefs and motivations. This will add depth to his character and make his journey more compelling for the audience. |
| Rose | Rose's character arc follows her journey from a conflicted and trapped young woman to a courageous and determined individual who defies societal expectations and takes control of her own destiny. Throughout the screenplay, Rose undergoes significant growth and transformation, learning to let go of the past, embrace her true desires, and make bold decisions for love and survival. | The character arc for Rose is well-developed and showcases her evolution from a vulnerable and conflicted individual to a strong and resilient woman. However, there could be more emphasis on her internal struggles and the emotional journey she goes through to reach a point of self-discovery and empowerment. Additionally, providing more depth to her relationships with other characters and exploring the impact of her choices on those around her could enhance the complexity of her arc. | To improve the character arc for Rose, consider delving deeper into her internal conflicts and emotional growth throughout the screenplay. Show more moments of introspection and vulnerability to highlight her journey towards self-discovery and empowerment. Additionally, explore the dynamics of her relationships with other characters, especially Jack, Cal, and her family, to add layers to her development and showcase the impact of her choices on those around her. |
| Lizzy | Lizzy starts off as a supportive caregiver for her grandmother, but as she becomes more wary of Brock's intentions, she transforms into a protective figure who is willing to do whatever it takes to keep Rose safe. Throughout the screenplay, Lizzy learns to trust her instincts and stand up for her family, ultimately finding a balance between being supportive and being assertive in protecting her loved ones. | The character arc for Lizzy is well-developed, but it could benefit from more internal conflict and growth. Lizzy's transformation from caregiver to protector is somewhat predictable and could be more nuanced to add depth to her character. | To improve Lizzy's character arc, consider adding moments where she struggles with her conflicting emotions of wanting to support Rose while also being suspicious of Brock. Show Lizzy grappling with her sense of duty towards her family and her desire to protect them, leading to a more complex and compelling character arc. |
| Cal | Cal starts off as a confident and arrogant heir to a fortune, using his wealth and status to control and manipulate those around him. However, as the story progresses, he is faced with moments of desperation and remorse, ultimately leading to a conflict within himself. In the climax, Cal is forced to confront the consequences of his actions and make a choice between self-preservation and redemption. This internal struggle culminates in a moment of humanity, where he saves a child in the chaos, showcasing a glimmer of redemption. | The character arc for Cal is well-developed, showcasing a transformation from a selfish and manipulative individual to someone capable of moments of humanity and redemption. However, the transition from his ruthless nature to a more conflicted and remorseful state could be further emphasized to make his character arc more impactful and believable. Additionally, exploring the root causes of Cal's behavior and delving deeper into his motivations could add depth to his character development. | To improve the character arc for Cal, consider incorporating flashbacks or additional scenes that provide insight into his past experiences and the events that shaped his manipulative and controlling nature. This will help the audience understand the complexities of his character and the internal struggles he faces. Furthermore, focus on building more nuanced relationships and interactions with other characters, particularly Rose, to highlight the evolution of his emotions and actions throughout the story. |
| Jack | Jack starts as a carefree drifter, but as he meets Rose, he becomes deeply in love and willing to sacrifice everything for her. Throughout the screenplay, Jack's character evolves from a free-spirited artist to a brave and selfless hero, showing unwavering loyalty and determination to protect Rose and ensure their survival. His arc culminates in a tragic yet noble sacrifice to save Rose's life, solidifying his legacy as a courageous and loving individual. | The character arc for Jack is well-developed and showcases his transformation from a carefree artist to a selfless hero. However, there could be more depth added to his internal struggles and conflicts, as well as exploring his backstory further to provide a richer understanding of his motivations and actions. Additionally, incorporating more nuanced interactions with other characters could enhance Jack's development and relationships throughout the screenplay. | To improve the character arc for Jack, consider delving deeper into his past traumas or experiences that shape his selfless nature and willingness to sacrifice for others. Develop more complex relationships with supporting characters to showcase different facets of Jack's personality and provide opportunities for growth. Incorporate moments of internal conflict and moral dilemmas to add depth to Jack's character development and make his ultimate sacrifice even more impactful. |
| Fabrizio | Fabrizio starts off as a dreamer with big aspirations, excited about the journey on the Titanic. As the disaster unfolds, he is forced to confront the harsh reality of the situation, showing his resourcefulness and courage in the face of danger. Ultimately, Fabrizio's character arc culminates in a display of resilience and determination to survive, showcasing his growth from a naive dreamer to a brave survivor. | The character arc for Fabrizio is well-developed, showing a clear progression from optimism to resilience. However, it could benefit from more internal conflict and emotional depth to further explore Fabrizio's journey and growth throughout the screenplay. | To improve the character arc, consider adding moments of doubt or internal struggle for Fabrizio as he navigates the sinking ship. This could provide a deeper exploration of his character and add complexity to his journey from dreamer to survivor. Additionally, incorporating more interactions with other characters to showcase Fabrizio's relationships and how they influence his development would enhance the overall depth of his arc. |
| Captain Smith | Captain Smith starts off as a strong and authoritative leader, but as the sinking of the Titanic unfolds, he is forced to confront his own limitations and the tragic consequences of the disaster. He goes from a position of confidence and control to one of helplessness and despair, ultimately accepting his role in the tragedy and the loss of so many lives. | The character arc for Captain Smith is well-developed and effectively shows his transformation throughout the screenplay. However, it could benefit from more internal conflict and emotional depth to further explore his guilt and sense of responsibility for the disaster. | To improve the character arc, consider adding scenes that delve deeper into Captain Smith's internal struggles and conflicting emotions. Show more of his personal connection to the passengers and crew, as well as his own doubts and fears. This will make his journey more compelling and relatable to the audience. |
| Lovejoy | Lovejoy starts off as a loyal valet dedicated to keeping Cal out of trouble, but as the story progresses, he becomes more ruthless and willing to do whatever it takes to serve Cal, even if it means resorting to violence and crossing moral boundaries. However, towards the end of the screenplay, Lovejoy begins to question his loyalty to Cal and starts to struggle with his own moral compass, ultimately leading to a decision that challenges his allegiance. | The character arc for Lovejoy is well-developed, showcasing his evolution from a loyal valet to a ruthless henchman and eventually to a conflicted character torn between loyalty and morality. However, the transition from loyalty to ruthlessness could be further explored to provide more depth to Lovejoy's character development. | To improve the character arc, consider adding more scenes that delve into Lovejoy's internal conflict as he grapples with his loyalty to Cal and his own moral values. Show moments of hesitation or regret in his actions, highlighting the internal struggle he faces. Additionally, consider incorporating a subplot that challenges Lovejoy's loyalty even further, forcing him to make a difficult decision that ultimately shapes his character arc. |
| Theme | Theme Details | Themee Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Love and Sacrifice | Jack and Rose's love story, Jack's sacrifice for Rose, Rose's decision to jump back onto the ship, Cal's possessive love for Rose | The film explores the power and sacrifices of love, and how it can transcend social class and adversity. | ||||||||||||
Strengthening Love and Sacrifice:
| ||||||||||||||
| Social Class and Inequality | The stark contrast between the lavish lifestyles of first-class passengers and the cramped quarters of third-class, Cal's disdain for Jack due to his lower social status, Ruth's concern about Rose marrying beneath her station | The film highlights the vast disparities between the wealthy elite and the working class, and how these differences can impact people's lives and opportunities. | ||||||||||||
| Survival and Resilience | The passengers and crew's struggle to survive the sinking ship, Rose's determination to live after Jack's death, the survivors' resilience in the aftermath of the tragedy | The film shows the human spirit's capacity for survival and resilience in the face of adversity. | ||||||||||||
| Loss and Grief | The tragic loss of life on the Titanic, Rose's mourning of Jack's death, Ruth's grief over losing her husband, the survivors' guilt and trauma | The film explores the profound loss and grief experienced by those affected by the Titanic disaster. | ||||||||||||
| The Power of Memory | Old Rose's storytelling, the use of flashbacks to recount the events of 1912, the Titanic wreck as a haunting reminder of the past | The film emphasizes the power of memory in preserving the past and shaping the present. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal and external goals evolved throughout the script, reflecting their desires for personal growth, survival, and taking control of their own destiny. |
| External Goals | The protagonist's external goals evolved to involve exploring historical artifacts, navigating the sinking of the Titanic, and ensuring the safety of loved ones. |
| Philosophical Conflict | The overarching philosophical conflict intertwines themes of survival, sacrifice, and love versus societal expectations, wealth, and power. |
Character Development Contribution: The goals and conflicts contribute to the protagonist's development by challenging their beliefs, values, and actions in the face of adversity, leading to growth, self-discovery, and redemption.
Narrative Structure Contribution: The goals and conflicts drive the narrative structure, creating tension, conflict, and resolution throughout the screenplay, leading to a compelling and emotionally resonant story.
Thematic Depth Contribution: The goals and conflicts deepen the thematic exploration of love, sacrifice, survival, and societal expectations, adding layers of complexity and emotional depth to the overall story.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \
It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Internal Goal | External Goal | Conflict | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | ||||
| 1 - Arrival at the Titanic | Mysterious, Exciting, Serious | 8 | 8 | 7 | 9 | 8 | 4 | 8 | 7 | 6 | 6 | 8 | 8 | 6 | 5 | 7 | 8 | 8 | 9 | 9 | |
| 2 - Exploring the Titanic's Wreckage | Serious, Reflective, Excited | 8 | 8 | 7 | 9 | 7 | 6 | 8 | 7 | 6 | 7 | 7 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 3 - Discovery of the Drawing | Excitement, Disappointment, Frustration | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 4 - Ojai Pottery Surprise | Serious, Reflective, Intriguing | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 6 | 7 | 7 | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 5 - Rose Arrives on the Keldysh | Suspenseful, Investigative, Intriguing | 8 | 8 | 8 | 9 | 7 | 5 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 6 | 7 | 9 | 8 | 8 | 8 | |
| 6 - Retrieving the Past | Reflective, Inquisitive, Nostalgic | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 7 - Witnessing the Titanic's Tragedy | Informative, Reflective, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 8 - Boarding the Titanic | Regal, Exciting, Dramatic | 8 | 8 | 7 | 9 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 9 - Titanic Ticket Win | Excitement, Humor, Tension | 8 | 8 | 8 | 8 | 7 | 5 | 9 | 8 | 6 | 7 | 8 | 9 | 7 | 6 | 7 | 9 | 8 | 9 | 9 | |
| 10 - Boarding the Titanic | Excitement, Adventure, Optimism | 8 | 8 | 7 | 9 | 8 | 5 | 8 | 7 | 4 | 7 | 6 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 11 - Aboard the Titanic | Melancholic, Intimate, Regretful | 8 | 7 | 7 | 9 | 9 | 6 | 8 | 7 | 6 | 8 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 12 - The Titanic Departs | Majestic, Optimistic, Nostalgic | 9 | 8 | 8 | 9 | 7 | 4 | 8 | 7 | 3 | 7 | 4 | 7 | 7 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 13 - The Grand Unveiling | Tense, Humorous, Romantic | 8 | 7 | 8 | 9 | 9 | 6 | 8 | 7 | 7 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 14 - Rose's Inner Turmoil | Anguish, Desperation, Hatred, Self-hatred, Fury | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 7 | 8 | 7 | 7 | 6 | 7 | 10 | 6 | 9 | 8 | 8 | 8 | |
| 15 - Titanic Rescue | Intense, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 16 - Confrontation on the Poop Deck | Tense, Emotional, Confrontational | 8 | 7 | 9 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
| 17 - Cal's Gift | Tender, Melancholic, Overwhelming, Emotional, Reflective | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 18 - Diamond Pursuit Amidst Conflict | Desperation, Intrigue, Mystery | 8 | 8 | 8 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 19 - Rose Visits Jack in Third Class | Intimate, Emotional, Tense | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 7 | 8 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 9 | 9 | |
| 20 - Heartfelt Conversation on the Boat Deck | Intimate, Reflective, Emotional, Serious | 9 | 8 | 8 | 9 | 9 | 7 | 9 | 8 | 6 | 7 | 5 | 7 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 21 - Clash of Classes and Aspirations | Dramatic, Romantic, Humorous | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 22 - Sunset Romance on the Titanic | Romantic, Nostalgic, Playful | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7.5 | 7 | 8 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 23 - Jack's First Class Transformation | Romantic, Elegant, Tense | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 24 - First Class Entrance | Formal, Informative, Observational | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 7 | 8 | 8 | 8 | 9 | 9 | |
| 25 - Dinnertime Conversation | Intimate, Formal, Emotional | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 26 - Dancing in the Third Class General Room | Romantic, Lively, Playful | 9 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 4 | 7 | 3 | 7 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 27 - Boat Deck Encounter and Tense Breakfast | Romantic, Intense, Emotional, Reflective | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 28 - Ruth's Manipulation | Tense, Emotional, Defiant | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 29 - Jack's Plan and Andrews' Tour | Romantic, Tense, Intriguing | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 30 - A Heartfelt Conversation in the Gym | Intense, Emotional, Serious | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 7 | 8 | 6 | 7 | 7 | 9 | 9 | 9 | 9 | 9 | 9 | |
| 31 - Flying on the Titanic | Romantic, Dreamy, Optimistic | 9 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 3 | 7 | 4 | 7 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 32 - Jack Draws Rose | Romantic, Intimate, Lyrical, Emotional | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 7.5 | 7 | 7 | 7 | 8 | 8 | 9 | 9 | 9 | 8.5 | 8 | 8.5 | |
| 33 - Escape in the Boiler Rooms | Tense, Exciting, Romantic, Dangerous | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 34 - Luxury, Passion, and Impending Danger | Passionate, Intimate, Tense | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 35 - Freezing Night on the Titanic | Passionate, Intense, Exciting, Tense | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 36 - Titanic Hits Iceberg | Tense, Romantic, Suspenseful, Dramatic | 9 | 9 | 8 | 9 | 7 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 6 | 9 | 9 | 9 | 9 | |
| 37 - Aftermath of the Collision | Tense, Suspenseful, Dramatic, Romantic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 38 - Ship Hits Ice and Takes on Water | Tense, Emotional, Suspenseful | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 7 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 39 - Confrontation and Arrest | Tense, Betrayal, Confusion, Shock | 8 | 7 | 8 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 40 - The Grim Reality | Tense, Dramatic, Urgent | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 41 - Sinking Fate Revealed | Tense, Heartbreaking, Suspenseful, Dramatic | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 42 - The Gravity of the Situation | Tense, Emotional, Chaotic, Hopeful | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 43 - Chaos on the Titanic | Tense, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 44 - The Sinking Begins | Tense, Emotional, Defiant, Dramatic | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 45 - Rose's Rescue | Tense, Emotional, Desperate | 8 | 8 | 7 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 46 - Rose's Desperate Search for Help | Tense, Terrifying, Desperate, Resilient | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 47 - Escape from Confinement | Tense, Emotional, Thrilling, Desperate | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 48 - Chaos on the Boat Deck | Tense, Frantic, Chaotic, Emotional | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 49 - Escape from Steerage | Tense, Urgent, Emotional, Defiant | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 50 - Desperation and Resignation on the Titanic | Tense, Chaotic, Desperate, Tragic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 7 | 10 | 9 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 51 - Desperate Escape | Tense, Desperate, Chaotic, Intense | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7.5 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 52 - Lifeboat Separation | Tense, Emotional, Dramatic, Heartbreaking | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 53 - Escape from Cal and Lovejoy | Intense, Emotional, Tense, Dramatic | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 54 - Trapped in the Flooded Corridor | Intense, Frantic, Desperate, Heartbreaking | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 55 - Titanic's Sinking: Chaos and Loss | Tense, Tragic, Emotional, Chaotic | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 56 - The Titanic's Final Moments | Intense, Desperate, Chaotic | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 10 | 7 | 9 | 9 | 9 | 9 | |
| 57 - Titanic's Final Descent | Tense, Emotional, Desperate, Hopeful | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 10 | 7 | 9 | 9 | 8 | 8 | |
| 58 - The Titanic's Final Plunge | Tense, Dramatic, Intense, Surreal | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 10 | 7 | 9 | 9 | 9 | 9 | |
| 59 - Despair in the icy aftermath | Intense, Desperate, Hopeful, Chaotic | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 9 | 8 | 10 | 8 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 60 - Aftermath of the Titanic's Sinking | Tense, Heartbreaking, Hopeful | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 10 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 61 - Tragedy in the Water | Tragic, Heartbreaking, Hopeless, Reflective | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | 10 | 9 | 8 | 10 | 7 | 9 | 9 | 9 | 9 | |
| 62 - Aftermath of the Disaster | Tragic, Emotional, Intense, Hopeless | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 7 | 10 | 9 | 7 | 10 | 7 | 9 | 8 | 8 | 8 | |
| 63 - A Silent Farewell on the Carpathia | Intense, Emotional, Serious | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | 7 | 8 | 8 | 8 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 64 - Release the Heart | Tragic, Emotional, Reflective, Hopeful | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 7.5 | 7 | 8 | 8 | 8 | 9 | 10 | 7 | 9 | 8.5 | 8 | 8 | |
| 65 - Memories of the Titanic | Tragic, Emotional, Intense, Hopeful | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 6 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 8 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Emotional depth
- Engaging dialogue
- Strong character development
- High stakes and suspense
- Intense atmosphere
Scene Weaknesses
- Limited character development
- Some cliched dialogue
- Predictable character actions
- Potential predictability in romantic storyline
- Some exposition-heavy dialogue
Suggestions
- Focus on enhancing character development to make the emotional impact more profound
- Work on creating more nuanced and less cliched dialogue to elevate the authenticity of interactions
- Add unexpected twists to break predictability and keep the audience engaged
- Balance exposition with action to maintain the pacing and engagement of the scenes
- Explore deeper conflicts and complexities within the characters to enhance the overall narrative depth
World Building
- Physical environment: The screenplay takes place in a variety of settings, including the ocean floor, a luxurious ship, and a small rustic house. The physical environment plays a significant role in shaping the characters' experiences and actions. For example, the vastness of the ocean and the darkness of the deep sea create a sense of isolation and danger, while the opulence of the ship highlights the class divide between the passengers. The setting of the small rustic house creates a sense of coziness and nostalgia.
- Culture: The screenplay touches on a variety of cultural elements, including class, gender, and nationality. The class divide is a major theme of the screenplay, and it is reflected in the way that the characters interact with each other. The screenplay also explores the changing roles of women in society, as well as the different ways that people from different cultures perceive each other.
- Society: The screenplay depicts a hierarchical society, with the wealthy and powerful at the top and the poor and working class at the bottom. This social structure is reflected in the way that the characters interact with each other, as well as in the way that the ship is run. The screenplay also explores the ways in which people can overcome social barriers and form relationships with people from different backgrounds.
- Technology: The screenplay features a variety of technological elements, including diving equipment, communication devices, and medical equipment. These technological elements play a significant role in the story, as they allow the characters to explore the deep sea and to communicate with each other. The screenplay also explores the ways in which technology can be used to both help and harm people.
- Characters influence: The world elements in the screenplay shape the characters' experiences and actions in a variety of ways. For example, the vastness of the ocean and the darkness of the deep sea create a sense of isolation and danger, which forces the characters to rely on each other for support. The opulence of the ship highlights the class divide between the passengers, which leads to tension and conflict. The setting of the small rustic house creates a sense of coziness and nostalgia, which allows the characters to reflect on their past and to connect with each other on a deeper level.
- Narrative contribution: The world elements in the screenplay contribute to the narrative in a variety of ways. For example, the vastness of the ocean and the darkness of the deep sea create a sense of suspense and danger, which drives the plot forward. The opulence of the ship highlights the class divide between the passengers, which leads to conflict and tension. The setting of the small rustic house creates a sense of coziness and nostalgia, which allows the characters to reflect on their past and to connect with each other on a deeper level.
- Thematic depth contribution: The world elements in the screenplay contribute to the thematic depth of the screenplay in a variety of ways. For example, the vastness of the ocean and the darkness of the deep sea can be seen as a metaphor for the vastness and mystery of the human soul. The opulence of the ship and the class divide between the passengers can be seen as a metaphor for the inequality and injustice that exists in the world. The setting of the small rustic house can be seen as a metaphor for the importance of home and family.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by detailed descriptions and observations, immersive historical context, and rich character interactions. They use descriptive language to create vivid imagery and explore themes of love, loss, and redemption. |
| Voice Contribution | The writer's voice contributes to the script by enhancing the emotional depth, historical authenticity, and character development. The detailed descriptions and rich dialogue create a compelling and immersive experience for the reader. |
| Best Representation Scene | 13 - The Grand Unveiling |
| Best Scene Explanation | This scene is the best representation of the writer's voice because it combines detailed descriptions, immersive historical context, and rich character interactions. It sets the stage for the film's central conflict and introduces the complexities of the characters' relationships. |
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Tense Scenes Are More Emotional | Scenes with a tense tone tend to have higher emotional impact scores. For example, scenes 38, 40, and 48 all have a tense tone and emotional impact scores of 10 or higher. |
| Tense Scenes Are More Dramatic | Tense scenes are often more dramatic, with higher scores for conflict, high stakes, and moving the story forward. For example, scenes 36, 41, and 52 all have a tense tone and scores of 9 or higher in these categories. |
| Scenes with Character Changes Are More Emotional | Scenes where characters undergo significant changes tend to have higher emotional impact scores. For example, scenes 14, 28, and 44 all feature major character changes and have emotional impact scores of 8 or higher. |
| Scenes with High Stakes Are More Intense | Scenes with high stakes tend to be more intense, with higher scores for conflict and emotional impact. For example, scenes 15, 35, and 47 all have high stakes and intensity scores of 9 or higher. |
| Scenes with Intrigue Are More Tense | Scenes with a sense of intrigue or mystery tend to have higher tense scores. For example, scenes 18, 29, and 33 all have elements of intrigue and tense scores of 8 or higher. |
Writer's Craft Overall Analysis
The screenplay demonstrates the writer's ability to create compelling narratives with emotional depth, tension, and thematic richness. Their writing style showcases strong scene construction, vivid descriptions, and authentic character interactions. However, there are some areas where the writer could further enhance their craft to elevate the screenplay's overall impact.
Key Improvement Areas
Emotional Depth and Character Development
While the screenplay effectively conveys emotional moments, there's room for deeper exploration of character motivations, conflicts, and emotional arcs. This would add nuance and complexity to the characters, making them more relatable and memorable.
Pacing and Scene Structure
Some scenes could benefit from tighter pacing and streamlined structure. Refining transitions between scenes and managing the flow of information will enhance the screenplay's readability and keep readers engaged.
Dialogue and Subtext
The dialogue is generally natural and engaging; however, certain scenes could be elevated by incorporating more subtext and emotional layers. This will add depth to conversations, reveal hidden motivations, and create a more impactful connection with the audience.
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Book | "Save the Cat!" by Blake Snyder | This book provides a comprehensive guide to scene structure, character development, and pacing, addressing key areas for improvement identified in the screenplay analysis. |
| Video | Watch interviews or behind-the-scenes footage of experienced screenwriters discussing their approach to character development and emotional storytelling. | Visual examples and insights from industry professionals can enhance the writer's understanding of crafting emotionally resonant characters and storylines. |
| Exercise | Practice writing character monologues that delve into motivations, desires, and inner conflicts.Practice In SceneProv | This exercise helps the writer explore characters' emotional depth and psychological complexities, leading to more nuanced and compelling characterizations. |
| Exercise | Analyze scenes from well-written screenplays, paying attention to the flow of dialogue, subtext, and emotional undercurrents.Practice In SceneProv | By studying effective examples, the writer can learn techniques for crafting impactful dialogue that conveys hidden meanings and emotional layers. |
| Exercise | Time yourself while writing scenes to improve pacing and conciseness.Practice In SceneProv | Setting time limits encourages the writer to focus on essential elements, streamline transitions, and maintain the screenplay's overall readability and engagement. |
Additional Notes:
The writer has a strong foundation in storytelling and a clear understanding of scene construction. With focused attention to emotional depth, pacing, and dialogue, they have the potential to create even more compelling and unforgettable screenplays.
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Love at First Sight | Jack and Rose fall in love quickly despite their different social classes. | Love at First Sight is a trope in which two characters fall in love with each other instantly. This can be due to a variety of factors, such as physical attraction, shared interests, or a sense of destiny. An example of this trope is in the movie Love Actually. |
| Forbidden Romance | Jack and Rose's love is forbidden because she is engaged to another man. | Forbidden Romance is a trope in which two characters are in love but cannot be together due to external factors, such as social class, family disapproval, or religious differences. |
| Heroic Sacrifice | Jack sacrifices himself to save Rose. | Heroic Sacrifice is a trope in which a character gives up their own life to save someone else. |
| Sinking Ship | The Titanic, a luxury passenger liner, hits an iceberg and begins to sink. | Sinking Ship is a trope in which a ship is sinking or capsizing. |
| Unsinkable Ship | The Titanic was believed to be unsinkable, but it sank after hitting an iceberg. | Unsinkable Ship is a trope in which a ship is believed to be unsinkable, but it eventually sinks. |
| Arrogant Captain | Captain Smith is arrogant and overconfident, and he ignores warnings about the iceberg. | Arrogant Captain is a trope in which the captain of a ship is arrogant and overconfident. |
| Foreshadowing | There are many signs throughout the movie that the Titanic will sink. | Foreshadowing is a trope in which clues or hints are given about future events. |
| The Iceberg | The Titanic hits an iceberg, which causes it to sink. | The Iceberg is a trope in which an iceberg is the cause of a ship sinking. |
| The Rich and the Poor | The Titanic is a microcosm of society, with the rich and poor living in very different worlds. | The Rich and the Poor is a trope in which the different classes of society are contrasted. |
| The Sinking | “The Sinking” is a suspenseful and emotionally charged scene in which the Titanic sinks. | The Sinking is a trope in which a ship sinks or capsizes. |
Memorable lines in the script:
Some Loglines to consider:
| A poor artist and a wealthy socialite fall in love on the doomed Titanic ship, experiencing both the luxury and tragedy of first-class and steerage passengers. |
| An elderly Rose tells her story of love and survival aboard the Titanic to a group of salvage crew members, leading to a mystical reunion with her deceased lover. |
| Tragedy and passion collide on the infamous Titanic ship, as a poor artist and wealthy socialite find themselves fighting for their lives in the freezing North Atlantic Ocean. |
| Unforgettable performances by Leonardo DiCaprio and Kate Winslet bring to life the epic love story that unfolded amidst the chaos and tragedy of the sinking Titanic. |
| The Heart of the Ocean necklace bears witness to the forbidden love and tragic fate of Jack and Rose aboard the doomed Titanic ship in this timeless romantic drama. |
Help & FAQ
Frequently Asked Questions
Start with the executive summary to get a bird's eye view.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
Click on the Print Analysis link in the left menu. You can then print to PDF or save it as PDF.
Click the Scene Analysis link on the left menu. Next to each scene title you can click "improve". In the improve page you can select any scene from your script to work on.
Yes. You own the rights to your script. We do not claim any ownership of your script. We're simply using it to generate the analysis.
No. We do not use your script to train our AI. The AI uses your script to generate the analysis and nothing else.
SceneProv is a game that helps you improve your craft.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
The maximum length of a screenplay is 160 pages.
Unfortunately it's a known issue for the time being. Fixing this is on the roadmap.
If you're having trouble uploading your script, please email us at 'help@scriptreader.ai'
The goal of ScriptReader.ai is not 100% comprehension, but rather to assist you in improving your script and craft. The valuable insights should still be many. ScriptReader.ai is a tool with a bit of getting used to. We're trying to make the learning curve as easy as possible. If you have any suggestions, please email us at suggestions@scriptreader.ai
Two common issues are:
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at help@scriptreader.ai
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at help@scriptreader.ai
Feature Request
Got an idea to improve our service? We'd love to hear it!
Engine: Claude
Highly Recommend
Explanation: The 'Titanic' screenplay is a masterfully crafted work that weaves together a compelling historical narrative with a captivating love story. The overall structure and character development are exceptionally strong, creating an immersive and emotional experience for the audience. While there are a few areas where minor improvements could be considered, the screenplay as a whole is a highly recommended work that is likely to resonate with both critics and audiences alike.
Engine: GPT4
Highly Recommend
Explanation: The screenplay of 'Titanic' is a compelling narrative that combines historical events with rich character development, particularly through the central characters, Rose and Jack. The story is well-paced, with effective use of dialogue and strong emotional depth that culminates in a powerful climax. While there are areas for improvement in pacing and character depth, the screenplay offers a unique and engaging perspective on a well-known historical event.