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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
1
EXT. THE STRATOSPHERE - DAY BURNING through the fringes of space - INT. COCKPIT - CONTINUOUS A young PILOT fights his BUFFETING craft - RADIO
2
INT./EXT. PICKUP TRUCK THROUGH FIELDS - MOMENTS LATER Close on the SHREDDING TIRE as the truck BARRELS through cornfields. Murph fires up the laptop. Cooper strains to see through the cornstalks, scanning the horizon - TOM
3
EXT. PICKUP TRUCK OUTSIDE SCHOOL - MOMENTS LATER Murph looks up from her notebook at her dad, expectantly. MURPH How’d it go? COOPER
4
INT. FRONT PORCH, FARMHOUSE - NIGHT Donald hands Cooper a beer. COOPER Had to reset every compass clock and GPS to offset for the anomaly.
5
INT. UNDERGROUND FACILITY - MOMENTS LATER Cooper follows Brand into a corridor. Tars LURCHES behind. COOPER It’s pretty clear you don’t want visitors - why not let us back up
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INT. UNDERGROUND FACILITY - MOMENTS LATER Professor Brand shows Cooper the facility. COOPER I heard you got shut down for refusing to drop bombs from the
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INT. CONFERENCE ROOM - LATER A man in his forties has the solar system up on the screen. This is ROMILLY. ROMILLY We started detecting gravitational
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INT. LAUNCH FACILITY - MOMENTS LATER Cooper cocks his head, puzzling at the VAST chamber ... there are structures built SIDEWAYS around the CURVED walls... COOPER
9
INT. MURPH’S BEDROOM - MORNING Cooper’s hand, reaching in, removes the chair from the desk, barricading the door. Murph is lying on the bed, turned away. Cooper pushes the desk back gently. Enters, quietly. COOPER
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EXT. FARMHOUSE - MOMENTS LATER Cooper, mechanical, puts his small bag in the truck. DONALD How’d it go? COOPER
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EXT. EARTH ORBIT - CONTINUOUS The Rangers approach a RING MODULE, fire retro-thrusters and slide gracefully into the center of the ring - the last piece of a large modular craft: the U.S.S. ENDURANCE. Four LANDERS (including the Rangers) are nestled inside the ring
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EXT. OUTER SPACE - CONTINUOUS The Endurance slips away from the small blue planet ... COOPER (V.O.) The Earth looks amazing from here
13
EXT. SPACE - CONTINUOUS The Endurance is a tiny speck before the ringed gassy giant. INT. NAVIGATION, RING MODULE, ENDURANCE - CONTINUOUS Cooper looks over Doyle’s shoulder - he’s flicking through images of star fields, distorted as if through a fish-eye
14
EXT. WORMHOLE - CONTINUOUS As the Endurance SWINGS around the wormhole, the view of the foreign galaxy SWINGS in opposition, like an ENORMOUS SHAVING MIRROR ... it’s extremely disorienting. The Endurance fires retro-thrusters to slow, descending
15
INT. COCKPIT, RANGER - CONTINUOUS Cooper and Doyle watch the tunnel mouth STREAK towards them, a mass of stars and nebulae GROWING ... EXT. FAR SIDE OF THE WORMHOLE - CONTINUOUS The Endurance slides out of the wormhole.
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EXT. BLACK HOLE, GARGANTUA - DAY A black sphere sucking light from the cosmos, visible by its distorting effect on the light of stars behind it - squeezed into a GLOWING, CURVED HORIZON. The Endurance approaches. INT. RANGER COCKPIT - DAY
17
EXT. MILLER’S PLANET - MOMENTS LATER (DAY) Case climbs quickly from the craft, knee deep in the water. Brand and Doyle follow. Case TRACKS the beacon. CASE This way, about two hundred meters.
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INT. COCKPIT, RANGER - CONTINUOUS Cooper hits the dash, frustrated. COOPER Dammit! Brand, get back here! EXT. MILLER’S PLANET - CONTINUOUS
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EXT. RANGER - CONTINUOUS The gear LIFTS the Ranger. Water FLOODS out - INT. COCKPIT, RANGER - CONTINUOUS Cooper tries the engines again. Nothing. CASE
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EXT. RANGER - CONTINUOUS The rockets COUGH and steam ... INT. COCKPIT, RANGER - CONTINUOUS Cooper tries the engines again. Close. But no ignition. COOPER
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INT. COMMUNICATION ROOM, NASA - DAY Murph brings her hand down from the camera. Wipes her tears. PROFESSOR BRAND (O.S., softly) I didn’t mean to intrude.
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INT. COMMUNICATIONS BOOTH, ENDURANCE - NIGHT Brand watches her father on screen. PROFESSOR BRAND (V.O.) ... then we must confront the
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EXT. OUTER SPACE - MOMENTS LATER The thrusters FIRE, pushing the Endurance out of its orbit of Gargantua. INT. RING MODULE, ENDURANCE - LATER Brand is checking her POPULATION BOMB. Cooper enters.
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INT. COMMUNICATION ROOM, NASA - DAY Murph, controlled anger, sits in front of the camera. MURPH He had no pain and was ... at peace. I’m sorry for your loss.
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INT. DR MANN’S POD - LATER Brand watches Murph’s message on Tars’ data screen. MURPH I’m sorry for your loss. Brand STARES. Cooper is there. Murph reaches up -
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INT./EXT. PICKUP TRUCK ON DUSTY PLAIN - DAWN Murph drives. Getty next to her. In the distance, several fields BURN. GETTY Are you sure?
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EXT. RANGER, DR MANN’S PLANET - DAWN Tars is up on the wing of the Ranger. Case pilots the LANDER in to land near the Ranger. INT. COCKPIT, RANGER - CONTINUOUS Cooper is sitting with his feet on the console.
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INT. KITCHEN, FARMHOUSE - DAY Murph introduces Getty to Lois and Coop. Getty pulls out a STETHOSCOPE and starts examining Coop, Murph slips upstairs ... INT. MURPH’S BEDROOM - DAY
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INT. KITCHEN, FARMHOUSE - DAY Murph begs Tom - MURPH Please, come with us. TOM
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EXT. CORNFIELDS - DAY Murph PULLS UP in a SCREECH of dust - jumps out - GRABS her spare gas can, THROWING FUEL over the nearby stalks ... EXT. ICE PLAIN, DR MANN’S PLANET - CONTINUOUS Cooper FLOPS back onto the ice, STARING SKYWARD ...
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INT. KITCHEN, FARMHOUSE - DAY Lois and Coop head outside with a few essentials. Murph heads upstairs ... EXT. FARMHOUSE - CONTINUOUS Getty helps them into the truck, glances nervously at the
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INT. COCKPIT, LANDER - CONTINUOUS Cooper stares out at the Ranger - COOPER Is he locked on? CASE
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INT. COCKPIT, LANDER - CONTINUOUS Cooper’s eyes are glued to the Endurance as he flies - CASE Cooper, there’s no point using our fuel to -
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INT. SAME - MOMENTS LATER Cooper SCRAMBLES to where Brand is checking her equipment. COOPER The navigation mainframe’s destroyed and we don’t have enough
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INT. COCKPIT, RANGER 2 - CONTINUOUS Cooper puts his hands on the controls - COOPER He’s a robot, Amelia - I don’t have to ask him to do anything.
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INT. MURPH’S BEDROOM - TWILIGHT Murph (forty) sits on the bed, looking into the BOX. She pulls out the LUNAR LANDER MODEL, looks up at the books ... 137. GETTY
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INT. MURPH’S BEDROOM - TWILIGHT Murph (forty) feels the desk. She puts her hand on the back of the chair, tilts it slightly, remembering - INT. THE TESSERACT - CONTINUOUS Cooper watches Murph (ten) put A CHAIR ON TOP OF THE DESK.
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INT. MURPH’S BEDROOM - TWILIGHT Murph (forty) stands there, looking at her old notebook - the page that says ’STAY’ ... GETTY (O.S.)
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INT. MURPH’S BEDROOM - TWILIGHT Murph (forty) turns to leave ... GETTY (O.S.) MURPH, HE’S COMING!
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INT. OUTER SPACE - LATER Cooper FLOATS, dead or unconscious, near Saturn. In the distance we see two Rangers approaching ... INT. HOSPITAL ROOM - DAY Cooper’s eyes flicker open. A bright room with an open
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INT. HANGAR, COOPER STATION - DAY The ADMINISTRATOR, thirties, leads Cooper along a walkway - ADMINISTRATOR We’ve got a nice situation for you ...
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EXT. EDMUNDS’ DESERT PLANET - DAY Brand, in suit and helmet, stands watching Case excavate a pod, buried under a massive rock fall. She is crying. MURPH (V.O.)

Interstellar

When Earth's resources are depleted, a former NASA pilot is recruited to lead a mission to find a new home for humanity among the stars, a journey that pits him against the moral dilemmas of abandoning his family and the fate of the planet.

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Overview

Poster
Unique Selling Point

**Unique Selling Proposition:** This script masterfully weaves a captivating tale that transcends the boundaries of science fiction, familial drama, and philosophical exploration. Set against the backdrop of a relentless Dust Bowl and a mysterious drone hovering overhead, it follows a family grappling with the intersection of tradition and technology. As they confront the harsh realities of their drought-stricken community, their resilience is tested by a series of extraordinary events. With its evocative dialogue, complex characters, and innovative storytelling techniques, this script presents a compelling exploration of love, loss, sacrifice, and the boundless possibilities of the cosmos. It is a journey that will leave you pondering the profound questions of life, love, and the relentless pursuit of human connection.

AI Verdict & Suggestions

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Claude
 Recommend
Gemini
 Recommend
Story Facts

Genres: Drama, Science Fiction, Adventure, Sci-Fi, Action, Thriller

Setting: Near future, Earth, Saturn, and a wormhole near Saturn

Themes: The Power of Love and Sacrifice, The Importance of Science and Exploration, The Nature of Time and Space, The Human Condition, The Power of Technology, The Importance of Hope, The Power of Teamwork

Conflict & Stakes: The fate of humanity hangs in the balance as Cooper and his crew must find a way to find a new home before Earth becomes uninhabitable. The stakes are raised even higher when Murph is left behind on Earth and must find a way to save herself and her father.

Mood: Epic, awe-inspiring, and thought-provoking

Standout Features:

  • Unique Hook: The film's exploration of the possibility of life beyond Earth, through wormholes, and in other galaxies.
  • Plot Twist: The revelation that Cooper's daughter, Murph, has been sending him messages through gravity from the future.
  • Distinctive Setting: The visually stunning scenes of the wormhole and the black hole, as well as the futuristic space station, Cooper Station.
  • Innovative Idea: The concept of using gravity to send messages across time.
  • Unique Characters: The diverse and well-developed main characters, including Cooper, Brand, and Murph.
  • Genre Blend: A unique blend of science fiction, action, and drama, which will appeal to a wide range of audiences.

Comparable Scripts: Gravity, Contact, Interstellar, Arrival, 2001: A Space Odyssey, The Martian, Apollo 13, Hidden Figures, Contact, The Fifth Wave

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 8.46
Story Critique
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Characters

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Emotional Analysis

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Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
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Scene Analysis

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Writer Exec

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Unique Voice
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Writer's Craft
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Memorable Lines
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Tropes
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World Building
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Correlations
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Loglines
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