American Hustle
Executive Summary
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Promo
USP: Discover a world of cunning con artists, high-stakes schemes, and complex relationships in this captivating script that blends sharp dialogue, witty banter, and a focus on character dynamics. With a unique voice that delves into the intricate motivations of its characters, this story offers a fresh take on the crime genre, exploring themes of deception, manipulation, and loyalty against the backdrop of a meticulously crafted narrative. From the tense confrontations and chaotic interactions to the emotional turmoil and power struggles, this script keeps you on the edge of your seat with its unpredictable twists and turns. Witness the transformation of characters as they navigate their way through a labyrinth of white-collar crime, political corruption, and personal relationships, all while striving for success and survival in a world where trust is a rare commodity.
Overview
Genres: Drama, Crime, Thriller, Comedy, Romance
Setting: 1970s, New York and New Jersey
Overview: The screenplay displays strong character development, engaging dialogue, and thematic depth, with room for improvement in emotional impact and unpredictability.
Themes: Deception and Manipulation, Power and Corruption, Identity and Self-Discovery, Relationships and Betrayal
Conflict and Stakes: The primary conflict in this story is between Irving and Richie, as Irving tries to protect his family and business while Richie tries to build a case against corrupt politicians and businessmen. The stakes are high for all characters involved, as they risk losing their freedom, reputation, and relationships.
Overall Mood: Stylish, tense, and unpredictable.
Mood/Tone at Key Scenes:
- Scene Scene 1: Tense and confrontational, with Irving and Richie exchanging heated words and accusations.
- Scene Scene 2: Tense and uncomfortable, with Carmine expressing his frustration and Irving getting angry with Richie.
- Scene Scene 3: Contemplative and nostalgic, with Irving reflecting on his past and the choices he made to survive.
Standout Features:
- Unique Hook: Unique blend of genres, including crime drama, comedy, and romance.
- Plot Twist : Multiple plot twists and surprises that keep the audience engaged.
- Distinctive Setting : 1970s New York and New Jersey, with stylish visuals and period details.
- Innovative Ideas : Exploration of themes such as deception, corruption, and loyalty in a fresh and engaging way.
- Unique Characters : Compelling and memorable characters, including a heavyset con artist, a femme fatale, and an ambitious FBI agent.
Comparable Scripts:
Market Analysis
Budget Estimate:$40-50 million
Target Audience Demographics: Adults aged 25-54, fans of crime dramas and thrillers.
Marketability: The film has a unique blend of genres, compelling characters, and a gripping storyline that has the potential to attract a wide audience and generate buzz. The 1970s setting and stylish visuals also add to its appeal.
The film explores compelling themes with a diverse cast and a unique blend of genres, which could appeal to audiences looking for something different. However, its complex plot and mature themes may limit its appeal to some viewers.
The film features compelling characters and a gripping storyline, as well as relevant social themes and stylish visuals. However, its lengthy runtime and mature content may limit its appeal to some audiences.
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- Originality (85.48) and character development (81.74) are this screenplay's greatest assets, making it unique and engaging.
- The high emotional impact (68.26) and character changes (77.84) suggest a strong focus on character arcs and personal growth.
- Plot development (36.52) and structure (12.09) could benefit from more attention, which would strengthen the narrative's coherence and pacing.
- External goals (20.16) and formatting (16.13) also require improvement to ensure a balanced and polished screenplay.
The writer's style appears to be more intuitive, with strong character-driven elements and dialogue, but could benefit from further development of conceptual skills such as plot and structure.
Balancing Elements- Develop a more balanced approach to plot and structure while maintaining the unique character aspects and emotional engagement.
- Ensure proper formatting and external goal development to create a well-rounded screenplay.
Intuitive
Overall AssessmentThis screenplay has a solid foundation in character development and originality, but improving plot, structure, and formatting will enhance its potential for success.
How scenes compare to the Scripts in our Library
|
|
Percentile | Before | After |
---|---|---|---|---|
Script Characters | 9.25 | 97 | Memento: 9.00 | fight Club: 9.25 |
Overall Script | 8.50 | 95 | Interstellar: 8.46 | Erin Brokovich: 8.50 |
Script Structure | 8.50 | 89 | Hot Fuzz: 8.25 | the dark knight rises: 8.50 |
Script Originality | 9.00 | 87 | The Greatest Showman: 8.75 | Donnie Darko: 9.00 |
Scene Pacing | 8.55 | 82 | Fear and loathing in Las Vegas: 8.54 | the 5th element: 8.55 |
Scene Characters | 8.6 | 81 | The Greatest Showman: 8.5 | Casablanca: 8.6 |
Scene Dialogue | 8.1 | 80 | Swingers: 8.0 | Mr. Smith goes to Washington: 8.1 |
Scene Engagement | 9.00 | 76 | Almost Famous: 8.98 | fight Club: 9.00 |
Script Conflict | 8.25 | 76 | KILLING ZOE: 8.00 | the dark knight rises: 8.25 |
Script Premise | 8.50 | 70 | The Greatest Showman: 8.25 | Mr. Smith goes to Washington: 8.50 |
Scene Character Changes | 7.1 | 67 | Cruel Intentions: 7.0 | Knives Out: 7.1 |
Script Emotional Impact | 8.00 | 61 | Swingers: 7.75 | Titanic: 8.00 |
Scene Conflict Level | 7.9 | 59 | Ghostbusters: 7.8 | True Blood: 7.9 |
Scene Originality | 8.79 | 57 | Knives Out: 8.78 | American Hustle: 8.79 |
Scene Story Forward | 8.2 | 57 | Hot Fuzz: 8.1 | True Blood: 8.2 |
Scene Emotional Impact | 7.8 | 55 | Gran Torino: 7.7 | Blade Runner: 7.8 |
Scene High Stakes | 7.7 | 54 | Stranger Things: 7.6 | Dr. Jekyll and Mr Hyde : 7.7 |
Scene Unpredictability | 7.57 | 54 | 2001: 7.56 | American Hustle: 7.57 |
1 | 50 | - | Get Out: 1 | |
Scene Plot | 7.9 | 50 | 2001: 7.8 | the 5th element: 7.9 |
Script Visual Impact | 7.75 | 40 | Midsommar: 7.50 | fight Club: 7.75 |
Scene Concept | 8.0 | 39 | Poor Things: 7.9 | a few good men: 8.0 |
Scene Overall | 8.2 | 34 | Almost Famous: 8.1 | a few good men: 8.2 |
Script Theme | 8.00 | 30 | Swingers: 7.75 | Erin Brokovich: 8.00 |
Scene Formatting | 8.05 | 27 | Dr. Jekyll and Mr Hyde : 8.04 | Rambo First Blood Part II: 8.05 |
Scene Internal Goal | 8.00 | 27 | KILLING ZOE: 7.98 | fight Club: 8.00 |
Script Structure | 8.02 | 15 | Poor Things: 8.00 | fight Club: 8.02 |
Scene External Goal | 7.00 | 12 | The Hudsucker Proxy: 6.98 | Everything Everywhere All at Once: 7.00 |
Writer's Voice
Summary:The writer's voice is characterized by a blend of sharp dialogue, witty banter, and a focus on character dynamics and power relationships. The voice is often humorous and engaging, with a hint of darkness and intrigue.
Best representation: Scene 23 - The Dangerous Microwave: A Spark in the Rosenfeld Marriage. Scene 23 is a great example of the writer's voice because it combines sharp dialogue, witty banter, and a focus on character dynamics and power relationships. The scene is also humorous and engaging, with a hint of darkness and intrigue.
Memorable Lines:
- Richie Dimaso: How’s that? You bothered now? (Scene 1)
- Irving Rosenfeld: Now I gotta go mop up your mess. I'm gonna go fucking mop up your mess! (Scene 2)
- Irving Rosenfeld: I was gonna survive no matter what. I still had the glass business and a few dry cleaning stores on the side. (Scene 3)
- Irving Rosenfeld: People believe what they want to believe. Cause the guy who made this was so good that it’s real to everybody. Now whose the master -- the painter or the forger? (Scene 15)
- Carmine Polito: This is real. You understand? This is real. On my family. On my kids. On my life. On my work. (Scene 34)
Writing Style:
The writing style across the screenplay is characterized by sharp dialogue, intense character dynamics, and a blend of drama and dark humor. The scenes showcase complex characters, moral ambiguity, and high-stakes conflicts, resulting in a captivating and engaging narrative.
Style Similarities:
- David O. Russell
- Martin Scorsese
- Aaron Sorkin
- Quentin Tarantino
Story Shape
Emotions Elicited
Engine: Gemini
Consider
Executive Summary
American Hustle is a character-driven drama with witty dialogue, complex relationships, and a captivating exploration of themes like deception, reinvention, and survival. While the pacing could be tightened in certain sections and some characters could benefit from further development, the screenplay's strengths make it a compelling and entertaining read. With some revisions, it has the potential to be a highly successful film.
- Strong character development with complex motivations and relationships, particularly evident in the shifting dynamics between Irving, Sydney, and Richie. high
- Witty and engaging dialogue that captures the essence of the characters and the era. high
- Effective use of music to enhance the mood and atmosphere of the scenes. medium
- Clever use of mirroring and callbacks to earlier scenes, creating a sense of cyclical storytelling and thematic depth. medium ( Scene 1 Scene 92 Scene 105 )
- The exploration of themes like survival, reinvention, and the blurred lines between truth and deception adds layers of complexity to the narrative. medium ( Scene 7G Scene 28 Scene 44 )
- The pacing could be tightened in certain sections, particularly in the middle act where the con unfolds. Some scenes feel repetitive and could be trimmed or combined. high
- The involvement of the Mafia feels underdeveloped and could be explored with greater depth, particularly their motivations and internal dynamics. medium ( Scene 105 Scene 125B )
- Rosalyn's character, while entertaining, occasionally veers into caricature. Providing more nuanced insight into her motivations and emotional state would add depth. medium ( Scene 59 Scene 111 )
- Richie's sudden shift towards ambition and power feels somewhat abrupt. Exploring his backstory and motivations further would enhance his character arc. low ( Scene 67 )
- The consequences of the FBI sting operation on the political landscape and the lives of those involved could be explored in greater detail. medium
- Rosalyn's relationship with Pete Musane feels underdeveloped. More scenes exploring their connection and its impact on Rosalyn's choices would add depth to her character. low ( Scene 161 Scene 162 Scene 163 )
- The ending, while satisfying, leaves some questions unanswered regarding the long-term impact of the events on the characters and their relationships. medium
Engine: Claude
Recommend
Executive Summary
American Hustle is a well-crafted and engaging screenplay that follows the story of Irving Rosenfeld, a skilled con artist, and his partner Sydney Prosser as they navigate the complex world of white-collar crime in 1970s New York. The screenplay is praised for its strong character development, particularly for the protagonist Irving and the supporting character Carmine Polito, as well as its effective blending of drama, suspense, and humor. The screenplay also stands out for its intricate plotting and creative execution of the various con artist elements, which drive the narrative forward in a compelling manner. While there are a few areas for potential improvement, such as slight pacing issues and the need for further exploration of certain characters, the overall strength and unique selling proposition of the screenplay make it a strong contender for consideration.
- The screenplay has a compelling narrative that seamlessly weaves together multiple storylines and characters. The protagonist Irving Rosenfeld is a well-developed and complex character whose motivations and actions drive the plot in an engaging manner. high
- The character development and arcs are strong, particularly for Irving, Sydney/Edith, and Carmine Polito. Their relationships and the evolution of those relationships are central to the story and believably portrayed. high ( Scene 4 Scene 5 Scene 6 Scene 7 )
- The screenplay effectively balances drama, suspense, and humor, creating a compelling and well-paced narrative. high
- The dialogue is sharp, witty, and reveals a great deal about the characters and their motivations. medium
- The con artist elements of the story are well-executed, with intricate plotting and creative scams that drive the narrative forward. high ( Scene 15 Scene 16 Scene 17 Scene 18 )
- While the character development is strong overall, there are moments where certain characters, such as Richie Dimaso, could be further explored and fleshed out to provide additional depth and nuance. medium
- The pacing can feel slightly uneven at times, with some scenes or sequences dragging while others move at a breakneck pace. A more consistent and balanced pacing throughout could improve the overall flow of the narrative. medium
- There are no significant missing elements in the screenplay. The story is well-structured and comprehensive, covering the key plot points and character arcs. low
- The screenplay's ability to blend different tones and genres, seamlessly transitioning between drama, comedy, and thriller, is a notable strength that keeps the audience engaged and invested in the story. high
- The attention to period-specific details, from the costumes and set design to the music choices, helps to immerse the audience in the 1970s setting and enhances the overall authenticity of the story. medium
- The screenplay's exploration of themes such as corruption, greed, and the moral ambiguity of the characters adds depth and layers to the narrative, providing a thought-provoking experience for the audience. high
Screenplay Insights:
Premise: 8.5, The screenplay presents a compelling premise with intriguing characters and a unique storyline involving art forgery, cons, and undercover FBI operations. However, some elements could be further refined to enhance the premise's clarity and long-term audience engagement. See More
Structure: 8.5, The screenplay showcases a well-structured plot with a compelling narrative that effectively engages the audience. It deftly weaves together multiple subplots, creating a dynamic and immersive story experience. However, some scenes could benefit from refinement to enhance clarity and emotional impact. See More
Theme: 8.0, The screenplay effectively explores themes of duplicity, survival, and the complexities of human relationships. While certain aspects of the story could be further developed to enhance its emotional impact, the screenplay's overall message and themes are engaging, relevant, and interwoven throughout the narrative. See More
Visual Impact: 7.75, The screenplay showcases a vivid and intricate visual tapestry that complements its rich and engaging narrative. It excels in creating distinct and immersive settings that draw the reader into the onscreen world. While the screenplay's visual imagery is generally strong, there are opportunities to enhance its creativity and emotional impact through more evocative and symbolic descriptions. See More
Emotional Impact: 8.0, The screenplay effectively evokes a wide range of emotions through its compelling characters and gripping narrative. Its strengths in emotional depth, character relatability, and emotional variety contribute to a moving and engaging experience. However, there are areas where it could further enhance its emotional impact by exploring emotional complexity and providing more transformative emotional arcs for the characters. See More
Conflict: 8.25, The screenplay effectively establishes a central conflict and employs escalating stakes to maintain audience engagement. However, there are areas where further development and refinement could enhance the narrative tension and emotional impact. See More
Originality: 9.0, This screenplay presents a uniquely crafted and highly engaging narrative that distinguishes itself through its originality and creative execution. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In a tense scene at the Plaza Hotel, Irving Rosenfeld, fixated on his appearance, clashes with FBI agent Richie Dimaso over respect and treatment. Amidst the conflict, Sydney Prosser, known as Edith Greensly, mediates, attempting to defuse the situation. The scene is filled with intense dialogue, visual elements, and a tone that fluctuates between confrontational and humorous. It concludes with Edith fixing Irving's hair and the trio walking down the hallway to meet the mayor.
- Edith enters the Plaza Hotel suite where Mayor Carmine Polito, businessman Carl Elway, Irving, and Richie are present. Richie, against Irving's unspoken wishes, pushes the briefcase towards Carmine, causing confusion and tension. Carmine, frustrated, leaves the room, and Irving storms out to get him back, highlighting the tension between Irving and Richie. The scene is tense and uncomfortable, with significant visual elements including Richie pushing the briefcase towards Carmine and Irving storming out of the room.
- In the Plaza Hotel foyer, Irving Rosenfeld reminisces about his childhood in the Bronx and how it shaped him into a con artist. Through a voice-over narration, he recounts his experiences helping his father's glass repair business by smashing storefront windows, which taught him the art of deception. As he reflects on his past, he prepares to confront Carmine, highlighting the underlying tension between his past and present circumstances. The scene is filled with contemplative and nostalgic visuals, accompanied by Irving's dialogue explaining his transformation into a con artist.
- At a Long Island pool party in January, mobster Irving Rosenfeld meets Sydney Prosser and they bond over their shared love for jazz, specifically 'Jeep's Blues' by Duke Ellington. Through Sydney's voiceover, we learn about her mysterious past and her desire for reinvention. The scene sets a nostalgic and hopeful tone, with a hint of intrigue and tension as they come from different worlds. The visual elements contrast Sydney's glamorous charm bracelet with Irving's rough exterior and the lavish pool party with his dingy office filled with stolen art. The scene ends with them listening to 'Jeep's Blues' together, hinting at a deeper connection.
- Sydney Prosser arrives in New York and successfully interviews for a job at Cosmopolitan Magazine. She showcases her confidence and clerical skills, impressing the interviewer. Meanwhile, she meets Irving Rosenfeld, who owns a chain of dry cleaning stores. He is taken by her fashion sense and lets her take home high-end clothes left behind by customers. The scene is optimistic and hopeful, with Sydney excited about her new life and Irving charmed by her confidence and style. The scene ends with them sharing a moment of connection in the rotating rack of dry cleaned clothes.
- Irv Rosenfeld, a loan agent for high-risk clients, meets with Sydney Prossser, who is posing as a British lady looking to make a deal. The scene takes place in Irv's small, dingy office in Manhattan. Tension arises when Sydney discovers the true nature of Irv's business, which involves taking a fee without providing loans. Upset, Sydney leaves the office, and Irv is left shouting his affection for her from behind the closed door. The tone of the scene is tense and uncomfortable, with visual elements including a closed door and a frustrated Sydney walking out.
- In this scene, Irving Rosenfeld and Sydney Prossper, now dressed as Lady Edith Greensly, continue their scam in Irving's dingy office. Sydney's new persona impresses Irving, and she uses it to scam a businessman with the help of her friend Rebecca. The scene is tense and anxious, with moments of excitement and triumph as the scammers continue to be successful.
- In this scene, Irving Rosenfeld and Sydney Prossor, successful art dealers, celebrate their increased profits and meticulous attention to detail in their Manhattan office. They sell a valuable painting to a car dealer, further showcasing their success. The scene ends with Irving returning home to his son Danny, providing a heartwarming conclusion to a prosperous day.
- Irv and Rosalyn Rosenfeld have a heated conversation in their bedroom at night, where Rosalyn reveals she caused a fire with a sun lamp and threatens to take their son Danny if they divorce. Irv expresses his love for her but also his doubts about their relationship due to her depression and his infidelity. The scene ends with Rosalyn seducing Irv and Irv getting into bed with her.
- In this tense and suspenseful scene, Irving Rosenfeld reflects on his relationship with his son while meeting a new mark, Mort Papermann, at his office. Edith Greensly, secretly working with the FBI, handles the meeting, causing Irving to become jealous of the attention she pays to Mort. The scene ends with the FBI, including undercover agent Richie Dimaso, raiding their office, taking files and placing Edith in handcuffs.
- Sydney is held in an FBI cell, where she is visited by Richie Dimaso. He tries to manipulate her into turning against Irv by saying that Irv doesn't care for her as much as she thinks. Richie also emotionally appeals to Sydney, saying that he likes her and wants to help her. The scene is tense and manipulative, and ends with Sydney looking at Richie in silence, deep in thought.
- Irv stands alone in the FBI office, staring at Sydney through a glass partition. FBI agent Richie Dimaso approaches Irv and tries to convince him to cooperate with the FBI, promising to let him and his associates off the hook if they help catch four white collar criminals. Irv remains hesitant and suspicious of Richie's motives, and the scene ends with Irv still skeptical. The main conflict in this scene is Irv's reluctance to trust Richie and cooperate with the FBI. The tone is tense and confrontational.
- Sydney and Irving have a heated argument about leaving, with Sydney accusing Irving of manipulation and not truly loving her. Sydney reveals she has been in contact with Richie, causing tension and jealousy between the two. Despite their differences, Sydney decides to go through with the cons to get them out of their situation and get close to Richie if needed. The scene ends with Sydney storming off to her room, leaving Irving alone in the apartment.
- Richie, Irv, Edith, and a man posing as an Arab Sheik enter an art museum. Irv explains their plan to con artists using the Sheik as bait, identifying a target on the balcony. Richie and Irv have conflicting opinions on approaching their target, Carl Elway, but resolve it by agreeing to wait for Elway's call. The scene ends with Irv introducing the Sheik as his friend, signaling their readiness to proceed.
- In this scene, Irving Rosenfeld, a knowledgeable art aficionado, displays a fake Rembrandt painting to Richie Dimaso and Edith Greensly in an art museum, before meeting with the shady but successful businessman, Carl Elway, to discuss a business deal. However, the unexpected arrival of Richie and Edith at Elway's office puts Irving on edge. Elway then proposes a bigger deal involving the rebuilding of Atlantic City, which piques Richie's interest, leaving Irving uncertain about what to do next. The scene takes place during the day in two different locations, with a serious tone and some tension and uncertainty as Irving navigates the business deal while being cautious of the FBI agents.
- In this scene, Stoddard Thorsen, Richie DiSamo, and Edith Greensly discuss investigating potential corruption by Camden Mayor Carmine Polito. Initially reluctant, Stoddard is convinced by a short film about Polito's background and a plan to involve an FBI wire room. Despite his concerns, Stoddard's superior commends the idea, forcing him to accept the plan. The scene takes place in several locations, including the FBI office, Camden City Hall, the State Assembly, and the FBI building's hallway, and ends with Stoddard's superior praising the investigation plan.
- Stoddard Thorsen confronts Richie DiMASO about being thanked for something he didn't approve, creating tension. Meanwhile, Richie and Edith Greensly meet with Irving Rosenfeld and Carmine Polito to discuss their plan, but Irving is skeptical about Richie's methods. In a surprising turn of events, Edith reveals that they have already secured $2 million from the FBI for the deal, without Irving's knowledge or approval. Richie gets physical with Edith, further escalating the situation. In the end, Richie leaves to set up the deal, while Irving is left looking uncertain and skeptical.
- In this scene, Irving Rosenfeld apologizes to Mayor Carmine Polito for Richie DiMaso's behavior and offers to facilitate a direct deal with no middlemen. Carmine agrees, and they resolve their conflict and decide to meet the sheik together in the future. The scene takes place outside the Plaza Hotel in the daytime and showcases the serious but friendly and cooperative tone of their conversation.
- In this tense scene, Irving Rosenfeld and Richie Di Maso argue about including Richie in Irving's dinner plans with Carmine and their wives. Irving explains that Carmine does not like Richie and that he has done his job by getting Carmine to take the money and be recorded on tape. Richie reveals his plan to use Carmine to get to other people and politicians, which Irving ultimately agrees to but expresses concern about the danger of this plan. The scene takes place in Sydney's apartment during the day and is visually marked by a heated argument between Irving and Richie. Edith Greensley expresses shock at the news that Irving is taking his wife out to dinner.
- In this chaotic and tense scene, Richie tries to balance his relationships with multiple women while dealing with his mother's complaints about a broken filter in the fish tank. The scene takes place in both Sydney and Richie's apartments at night and includes key dialogue between Richie and his mother, as well as Richie and his girlfriend. The scene ends with Richie sitting down to pray with his family, but then walking over to his mother and telling her that he's not going to settle for anyone before exiting the apartment.
- Ella, the mayor, and his wife Rosalyn join Carmine and Dolly Polito for dinner at Baron’s Italian Restaurant. While enjoying Chicken Picatta and red wine, Irv and Carmine discuss their philosophy of treating people well and taking favors over money. However, the lively atmosphere takes a humorous turn when Rosalyn gets drunk and starts talking about her love for a topcoat that smells like perfume and something rotten. Despite Irv's desire to discuss business, the scene ends with Carmine and Dolly helping Rosalyn out of the restaurant as she wobbles and almost falls off her seat.
- Set in the bustling streets of New York City and a crowded disco, this scene follows Richie DiMaso and Edith Greensly as they discuss their lives and decide to go dancing. After sharing a playful and flirtatious dance to Donna Summer's 'I Feel Love', Richie follows Edith into the bathroom, where they almost have an intimate moment. However, Edith expresses her desire to wait until they are in love, creating a small conflict that is quickly resolved as they share a kiss and express their feelings for each other. The scene ends with Richie leaving the bathroom, excited and laughing, while Edith sits in the stall, exhilarated and throwing her head back laughing.
- In this scene, Carmine Polito and Irving Rosenfeld share a touching moment of appreciation and friendship over breakfast, with Carmine giving Irving a microwave as a gift. Meanwhile, Richie Dimaso negotiates with Stoddard Thorsen for a jet for the Sheik, creating some tension. The scene takes place in various locations including a baron's back room, a diner, and an FBI office during the day. Key dialogue includes Carmine praising Irving for his plans to bring the Sheik to Atlantic City and create jobs, Richie negotiating for a jet for the Sheik, and Richie trying to understand Stoddard's personal story. The visual element of Carmine giving Irving a microwave is significant in showing their growing friendship. The scene ends with Richie asking Stoddard about his personal story before leaving the office.
- Rosalyn Rosenfeld carelessly reheats lasagna in a microwave, causing a fire. Husband Irving Rosenfeld scolds her, leading to a heated argument about the microwave and Irving's deals. Rosalyn defends herself, comparing Irving's deals to the malfunctioning microwave. The scene ends with Irving looking at an article Rosalyn gave him, highlighting the dangers of microwaves, indicating a potential shift in his perspective.
- Irv and Sydney arrive at Teeterboro Airport where Irv tells Sydney he doesn't think she should come to Carmine's party. Richie and Irv then board a private jet to meet FBI Agent Paco Hernandez, who is posing as an Arab sheikh. Irving is upset to find that his friend Al from Queens is not there and has been replaced by Paco. The scene is tense and confrontational, particularly between Irving and Sydney and Irving and Richie. The scene ends with Irving instructing Paco on how to present a ceremonial knife to the Mayor.
- Irv and Richie arrive at Teterboro Airport to welcome a sheik, while Irv's wife, Rosalyn, is upset about not attending a party due to 'international cultural protocol'. Irv tries to prevent Rosalyn from knowing about the federal agents, but she overhears and becomes suspicious. The scene takes place on the tarmac of Teterboro Airport during the day and in Irv and Rosalyn's house at night. The main conflict is Irv's attempt to keep the federal agents and the party a secret from Rosalyn, which ultimately fails. The tone of the scene is tense and anxious, with Irv becoming increasingly exasperated as he tries to keep Rosalyn in the dark. The scene ends with Irv giving in to pressure and allowing Rosalyn to attend the party.
- In this tense scene, set at a grand old Atlantic City hotel, Irv and Rosalyn attend a presentation by Carmine. The crowd includes Richie, Edith, and several mobsters, including Pete Musane and Dick Helsing. Rosalyn, feeling uncomfortable, approaches the mobsters and sits down with them, much to Irv's dismay. The tension builds as Irv tries to keep Rosalyn away from the mobsters, and the scene ends with Irv, Carmine, Richie, and the Sheik walking towards the back door with dread, while Sydney stays behind to watch over Rosalyn.
- In a back room of a casino, Victor Tellegio, a powerful man from Miami, discusses plans to build casino resorts on the East Coast and the need to make their principal investor, the Sheik, an American citizen. Carmine Polito, a politician, agrees to put ten million dollars in their bank of choice in the next two weeks. Irving Rosenfeld, a cautious businessman, expresses concerns about involving U.S. senators and congressmen, but Tellegio insists it's necessary. The tension is palpable throughout the scene, with a drunk man interrupting the meeting and causing further tension. The scene ends with Tellegio's demand to Carmine.
- Rosalyn Rosenfeld confronts Edith Greensly about her affair with Rosalyn's husband, Sydney, in the casino powder room, leading to a heated argument. Meanwhile, Irving Rosenfeld takes a heart pill as he watches the scene unfold. In a different part of the casino, Carmine Polito gives an inspiring speech to the crowd. The scene ends with Rosalyn embracing Pete Musane as she cries.
- Irving arrives at his cleaners looking sad, while Richie goes to Sydney's apartment to use her phone and arranges a suite at the Plaza Hotel for his operation. Stoddard Thorsen refuses to give him the suite, leading Richie to become increasingly agitated and violent. Sydney reveals her true identity as Sydney Prosser from Albuquerque, New Mexico, sparking a heated argument with Richie. Irving appears with a gun, and Richie calls Stoddard Thorsen to threaten him. The scene ends with Richie storming out of Sydney's apartment after the confrontation.
- In this emotional and tense scene, Irving Rosenfeld regrets not running away with Sydney Prosser and expresses his wish to get her back. Sydney reminds him of their original plan and proposes a new scheme. Meanwhile, at the FBI office, Agent Richie DiMaso tries to apologize to Agent Stoddard Thorsen for his inappropriate behavior, but the mistrust between them remains unresolved. The scene takes place during the day in Sydney's apartment and an old federal building's office, with visual elements such as Irving's disheveled appearance, Sydney's drinking of a Fresca, and Agent Thorsen's bruised face and eye patch adding to the tension.
- Richie Dimaso and Stoddard Thorsen have a heated confrontation in the FBI field office, leading to physical violence when Richie smashes Stoddard with a phone base. Both reach for their guns, but no one gets shot. Anthony Amado intervenes, attempting to refocus the conversation on their mission to entrap Victor Tellegio and get congressmen on a wire. The scene is tense and confrontational, with significant visual elements of violence and a hint of danger.
- Richie and Stoddard get into a heated argument in a federal court building corridor, resulting in Stoddard storming off. Richie, feeling remorseful, later goes to the Plaza Hotel and apologizes to Irv, Sydney, and Edith for his behavior, bringing the tension to an end.
- Richie DiSimo directs the placement of cameras in the General Sherman Suite for a sting operation, while Irving Rosenfeld, Carmine Polito, and other politicians discuss a development project and the bribe needed to expedite citizenship for an investor. Irving becomes increasingly uncomfortable with the illegal activities, ultimately deciding to leave the room. The scene highlights the tense atmosphere and Irving's internal struggle with the situation.
- In this scene, Irving and Sydney discuss their plan to help Carmine using the Tellegio thing, but Irving is worried about the danger. Meanwhile, Rosalyn sends Danny off to school and meets with Pete Musane, a mobster from Tellegio, in a car and later at a restaurant. Rosalyn reveals to Pete that Irv is at the Plaza Hotel with Carmine, giving money to Congress. Pete leaves to talk to Irving, giving Rosalyn money for a taxi and reassuring her that everything will be okay. The main conflict in this scene is the danger of Irving and Sydney's plan to help Carmine, and Rosalyn's revelation about Irving's activities with Carmine and Congress. The scene ends with Pete leaving to talk to Irving.
- In this intense scene, Irv and Carmine get into Pete's car after leaving the Plaza Hotel, while Rosalyn and Danny stay at home. Rosalyn sings to 'Live and Let Die' and reveals to Danny that Irv is a 'sick son of a bitch.' Irv comes home to confront Rosalyn about her relationship with Pete and her accusations about him working for the government. The main conflict in this scene is the argument between Irv and Rosalyn about her relationship with Pete and her accusations about Irv. The scene ends with Irv and Rosalyn still arguing, and Irv forbidding Rosalyn from going to Miami with Pete.
- In a flashback, Irving Rosenfeld is interrogated by Pete Musane and Carmine Polito about money, leading to a tense exchange. The scene then transitions to Irving and his wife Rosalyn discussing their future and the possibility of divorce in their bedroom. The conflict surrounding Irving's financial dealings remains unresolved, while the potential divorce is hinted at. The scene is emotionally tense and introspective, with moments of humor and resignation.
- In this tense scene, Richie, Irving, and Sydney meet Alfonse Simone, a mob lawyer, to deliver a payment as part of a sting operation. After a thorough frisking, the group finds themselves in a negotiation they didn't expect, as Simone reveals the payment is unnecessary. Irving and Sydney insist on seeing Tellegio, but Richie takes the lead, pretending to call Tellegio and negotiating the terms. The scene ends with Richie on the phone and Simone offering to teach them about skimming.
- In this scene, Amado, Stoddard, Brenda, and DiMASO successfully wire money to Simone, Alfonse's lawyer, as part of their undercover operation. The team celebrates their victory with FBI agents. Meanwhile, Irving reveals the truth to Carmine, causing a heated confrontation and physical altercation, which remains unresolved. The scene ends with Irving leaving Carmine's house in tears, while Carmine and his family are left in shock and anger.
- Irving Rosenfeld, with a bloody nose and broken glasses, staggers out of his house and is helped by Sydney Prossser to his car. After taking his heart pills, they head to Amado's office where Richie DiSimo, Anthony Amado, and Stoddard are waiting. The group discusses the missing two million dollars, and Irving and Sydney deny any knowledge of its whereabouts. Tensions rise as Richie becomes suspicious of them, and the scene ends with Irving turning the tables, suggesting that Richie might be the one who has the money.
- In this tense scene, Richie Dimaso accuses Sydney Prosser and Irving Rosenfeld of conning him regarding their scheme involving Victor Tellegio's attorney. The confrontation takes place in Anthony Amado's office, interspersed with flashbacks to a pool party and Alfonse Simone's office. Ed Malone is revealed to have played the role of Alfonse Simone during the pool party where Sydney and Irving first met. Despite the confrontational dialogue, Richie's accusations are not fully addressed as Stoddard Thorsen dismisses him from the situation, ending the scene.
- Richie is emotional after being arrested at the FBI office, while various politicians including Carmine Polito are shown being arrested. Irving reflects on the consequences of their actions, mentioning Carmine's reduced sentence. The scene shifts to Irving, Sydney, and Danny picking up Danny from school, with Rosalyn appearing in a neck brace. The scene ends with Irving, Sydney, and Danny walking hand in hand, symbolizing family unity.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Irving Rosenfeld | Irving Rosenfeld starts off as a cunning and manipulative con artist, driven by ambition and a desire for success. However, as the story progresses, he begins to grapple with his conflicting emotions and desires, torn between his criminal activities and his personal relationships. Through his interactions with Sydney and his family, Irving starts to show vulnerability and a desire for redemption. Ultimately, he is forced to confront his past decisions and seek a path towards a more honest and fulfilling life. | The character arc for Irving Rosenfeld is well-developed, showcasing his evolution from a manipulative con artist to a more introspective and emotionally vulnerable individual. However, there could be more clarity in depicting the catalyst for his transformation and the specific moments that lead to his change of heart. Additionally, the resolution of his arc could be more impactful and satisfying for the audience. | To improve the character arc for Irving Rosenfeld, consider adding more depth to his internal struggles and conflicts throughout the story. Show clearer moments of realization and growth that lead to his transformation, highlighting the key turning points in his journey. Additionally, ensure that the resolution of his arc is well-earned and resonates with the audience, providing a satisfying conclusion to his character development. |
Edith Greensly | Edith starts off as a confident and stylish woman deeply connected to Irving. However, as the story progresses, she becomes vulnerable and scared as she grapples with harsh truths. She then evolves into a mysterious and manipulative figure, adept at playing different roles to achieve her objectives. Throughout the story, she navigates complex relationships and schemes, ultimately finding a balance between her assertive nature and vulnerable emotions. | The character arc for Edith is well-developed, showcasing her evolution from confidence to vulnerability to manipulation. However, there could be more clarity in her motivations and internal struggles to make her character arc more compelling and relatable to the audience. | To improve the character arc, consider delving deeper into Edith's backstory and the reasons behind her manipulative behavior. Show more internal conflict and emotional depth to make her character more multidimensional. Additionally, consider adding moments of vulnerability and growth to highlight her journey throughout the feature. |
Richie Dimaso | Richie Dimaso starts off as a confident and ambitious FBI agent eager to make a name for himself. As the story progresses, his impulsive and manipulative behavior leads him down a dangerous path, causing conflicts with other characters and putting his career at risk. Eventually, Richie's reckless actions catch up to him, leading to a moment of vulnerability and self-reflection where he realizes the consequences of his actions and seeks redemption. | The character arc for Richie Dimaso is well-developed, showcasing his descent into recklessness and eventual realization of the consequences of his actions. However, there could be more depth added to his motivations and inner struggles to make his character more relatable and sympathetic to the audience. | To improve the character arc for Richie Dimaso, consider delving deeper into his backstory and exploring the root of his ambition and insecurities. Show more moments of vulnerability and internal conflict to humanize him and make his eventual redemption more impactful. Additionally, consider adding more complexity to his relationships with other characters to create more emotional depth and tension in the story. |
Sydney Prosser | Sydney starts as a determined and enigmatic character who becomes entangled in Irving's shady business dealings. As the story progresses, she reveals her manipulative and cunning side, torn between her feelings for Irving and her survival instincts. Ultimately, Sydney faces the consequences of her actions and stands by Irving's side, showing her emotional depth and loyalty. | The character arc for Sydney Prosser is well-developed, showcasing her complexity and internal struggle. However, there could be more exploration of her vulnerability and emotional depth throughout the screenplay to further enhance her character development. | To improve Sydney's character arc, consider adding more scenes that delve into her past and motivations, showing the audience the reasons behind her deceptive practices and her desire for authenticity. Additionally, explore her relationships with other characters to highlight different facets of her personality and provide more depth to her emotional journey. |
Rosalyn Rosenfeld | Rosalyn starts off as a manipulative and resentful character who uses passive-aggressive tactics to control Irving. As the story progresses, her vulnerabilities and insecurities are revealed, leading to moments of growth and transformation. She begins to show resilience and a desire for change, hinting at a potential shift in her character towards the end of the screenplay. | The character arc for Rosalyn is well-developed, showcasing her complexities and vulnerabilities. However, there could be more consistency in her character development throughout the screenplay. Some scenes may benefit from further exploration of her emotional struggles and growth, providing a more cohesive and impactful arc for the audience to follow. | To improve the character arc for Rosalyn, consider adding more depth to her emotional journey by exploring her insecurities and vulnerabilities in a more consistent manner. Show her growth and transformation gradually throughout the screenplay, allowing the audience to connect with her on a deeper level. Additionally, consider incorporating moments of introspection and self-realization to enhance the impact of her character arc. |
Carmine Polito | Carmine Polito starts as a charismatic and passionate leader, deeply committed to his community and eager to bring positive change. As the story progresses, he faces betrayal and anger, leading to a confrontation that challenges his beliefs and loyalty. Ultimately, Carmine learns to navigate the complexities of trust and loyalty in the face of adversity, emerging as a stronger and more resilient leader. | The character arc for Carmine Polito is well-developed, showcasing his evolution from a charismatic and passionate leader to a more complex and conflicted individual. However, the arc could benefit from more nuanced exploration of Carmine's internal struggles and motivations, providing deeper insight into his decisions and actions throughout the story. | To improve the character arc for Carmine Polito, consider incorporating more internal monologues or reflective moments that delve into his inner turmoil and conflicting emotions. This will add depth to his character and provide a more nuanced portrayal of his journey from idealism to disillusionment and eventual growth. |
Theme | Theme Details | Themee Explanation | ||||||||||||
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Deception and Manipulation | Characters frequently deceive and manipulate others for personal gain, such as Irving and Sydney's art dealing business, Richie's undercover operation, and Irving's infidelity. | The theme of deception and manipulation is prevalent throughout the screenplay, as characters use lies and trickery to achieve their goals. This theme is often explored through the actions of Irving, Sydney, and Richie, who all engage in various forms of deception to further their own interests. | ||||||||||||
Strengthening Deception and Manipulation:
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Power and Corruption | The screenplay explores the corrupting influence of power, as politicians and businessmen use their positions to engage in illegal activities and abuse the trust placed in them. | Power and corruption are intertwined themes in the screenplay, as the allure of wealth and influence leads characters to compromise their morals and engage in illegal activities. This theme is particularly evident in the actions of Mayor Carmine Polito, who becomes embroiled in a corruption scandal, and Richie Dimaso, who uses his position as an FBI agent to further his own interests. | ||||||||||||
Identity and Self-Discovery | Characters grapple with questions of identity and self-discovery, as they struggle to reconcile their true selves with the personas they present to the world. | The theme of identity and self-discovery is present throughout the screenplay, as characters such as Sydney and Irving confront the disconnect between their true selves and the personas they present to the world. This theme is often explored through the use of aliases and false identities, as characters adopt new personas in order to achieve their goals. | ||||||||||||
Relationships and Betrayal | The screenplay explores the complexities of relationships, as characters navigate issues of trust, loyalty, and betrayal. | Relationships and betrayal are recurring themes in the screenplay, as characters such as Irving, Sydney, and Rosalyn struggle to maintain healthy relationships in the face of deception and manipulation. This theme is often explored through the breakdown of trust between characters, as they are forced to confront the reality of their partners' actions and motivations. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal goal is to assert his authority and control in high-pressure situations, while also navigating personal insecurities and emotional turmoil. |
External Goals | The protagonist's external goal is to successfully navigate criminal activities, government operations, and personal relationships while dealing with deception and moral ambiguity. |
Philosophical Conflict | The overarching philosophical conflict revolves around the tension between appearances and reality, as well as the morality of deception, power dynamics, and manipulation. |
Character Development Contribution: The protagonist's internal and external goals, as well as the philosophical conflict, challenge his beliefs, values, and actions, leading to personal growth, moral dilemmas, and self-discovery.
Narrative Structure Contribution: The goals and conflict drive the plot forward, creating tension, conflict, and character development. They shape the interactions, decisions, and outcomes of the characters, contributing to the overall narrative structure of the screenplay.
Thematic Depth Contribution: The protagonist's journey through internal and external conflicts, as well as the exploration of philosophical themes, adds thematic depth to the screenplay. Themes of deception, power, morality, and authenticity resonate throughout the narrative, enhancing the complexity and richness of the story.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - The Combover Crisis: Irving's Encounter with Richie | Intense, Confrontational, Sarcastic, Tense | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | 9 | |
2 - Richie's Impulsive Move Causes Tension at the Plaza Hotel | Tense, Angry, Confused | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
3 - Irving's Past Reflections: A Tale of Survival | Tense, Reflective, Resilient | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
4 - Stolen Art and Jazz: A Winter Pool Party Encounter | Mysterious, Nostalgic, Romantic | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
5 - Sydney's New Beginning: A Chance Encounter with Irving | Reflective, Nostalgic, Hopeful | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 3 | 7 | 4 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
6 - Discovery of Deceptive Business Practices | Tense, Confrontational, Emotional | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
7 - Scammers in High Fashion: Irving and Sydney's Daring Scam Continues | Tense, Deceptive, Manipulative, Emotional | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
8 - Celebrating Success: A Valuable Sale and Family Time | Passionate, Joyful, Concerned | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
9 - A Fiery Revelation and a Tense Reunion | Tense, Emotional, Confrontational | 8 | 7 | 7 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
10 - Jealous Rivalry and an FBI Sting | Tense, Suspenseful, Confrontational, Dramatic | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 9 | |
11 - Richie Dimaso's Manipulation in the Holding Cell | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
12 - Irv's Reluctance to Cooperate with the FBI | Intense, Manipulative, Confrontational | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | |
13 - The Decision | Intense, Emotional, Manipulative | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
14 - Preparing the Art Museum Con with the Sheik as Bait | Sarcastic, Suspenseful, Conspiratorial | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 8 | 8 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | |
15 - Irving's Uneasy Business Deal with Elway while Evading FBI | Suspenseful, Deceptive, Intense, Confrontational | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
16 - Reluctant Supervisor Stoddard Thorsen Concedes to Investigating Carmine Polito | Suspenseful, Intense, Dramatic, Intriguing | 8 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 6 | 9 | 9 | 9 | 8 | 8 | |
17 - The Betrayal and Confrontation: Richie's Risky Move | Intense, Confrontational, Suspenseful | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 7 | |
18 - Resolving Conflicts and Making Deals: Irving and Carmine at the Plaza Hotel | Tense, Persuasive, Conversational | 8 | 8 | 8 | 9 | 8 | 6 | 8 | 7 | 7 | 8 | 9 | 8 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
19 - Irving and Richie's Argument over Dinner Plans and Using Carmine | Tense, Confrontational, Sarcastic | 8 | 8 | 8 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | |
20 - Balancing Relationships and Family Obligations | Humorous, Dramatic, Intimate | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 8 | 9 | 9 | 8 | 8 | |
21 - A Drunken Evening at Baron’s Italian Restaurant: The Topcoat and the Business Talk | Humorous, Dramatic, Intimate | 8 | 7 | 7 | 9 | 9 | 6 | 8 | 7 | 4 | 6 | 3 | 5 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
22 - A Night of Dancing and Intimacy: Richie and Edith's Disco Encounter | Intimate, Reflective, Passionate | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 8 | 5 | 6 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
23 - Scenes of Friendship and Negotiation: Carmine and Irving's Heartfelt Moment and Richie's Jet Pursuit | Emotional, Joyful, Serious | 8 | 8 | 8 | 8 | 9 | 7 | 8 | 7 | 6 | 7 | 6 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
24 - The Dangerous Microwave: A Spark in the Rosenfeld Marriage | Defiant, Sarcastic, Emotional | 8 | 7 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 6 | 7 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
25 - Irving's Frustration on the Tarmac | Tense, Sarcastic, Confrontational, Humorous | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 6 | 9 | 9 | 8 | 8 | 8 | |
26 - Irv's Struggle to Keep the Party a Secret from Rosalyn | Anxious, Conspiratorial, Humorous | 8 | 7 | 8 | 8 | 9 | 6 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 6 | 8 | 9 | 9 | 8 | 8 | |
27 - A Tense Gathering in Atlantic City: Irv, Rosalyn, and the Mobsters | Tense, Humorous, Dramatic | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | |
28 - Tense Meeting with a Powerful Man from Miami | Tense, Serious, Dramatic, Intense, Suspenseful | 9 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | |
29 - Rosalyn's Discovery and Carmine's Speech | Tense, Emotional, Confrontational, Intense | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
30 - Revelations and Threats | Intense, Tense, Dramatic, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
31 - Regret, Longing, and Mistrust: A Day in the Life of Irving, Sydney, and the FBI | Regret, Tension, Emotional, Intense | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
32 - FBI Confrontation: Dimaso vs. Thorsen | Tense, Dramatic, Intense, Confrontational | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | |
33 - Resolving Conflicts: From Court Corridor to Plaza Hotel | Tense, Humorous, Dramatic | 8 | 8 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 7 | |
34 - Sting Operation in the General Sherman Suite | Tense, Sincere, Hopeful, Deceptive | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
35 - Rosalyn Reveals Irving's Activities to Pete | Emotional, Tense, Intimate | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
36 - Irv and Rosalyn's Heated Argument over Pete | Intense, Tense, Emotional, Confrontational | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
37 - Interrogation and Marital Strife | Tense, Confrontational, Emotional, Sarcastic | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
38 - Sting Operation in Simone's Law Office | Tense, Intense, Suspenseful, Serious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 6 | 8 | 9 | 9 | 8 | 8 | |
39 - Undercover Operation Success and Irving's Revelation Leading to a Violent Confrontation | Intense, Emotional, Confrontational | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
40 - The Missing Two Million Dollars: A Confrontation and a Suspicion | Intense, Emotional, Confrontational | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
41 - Confrontation and Deception: Richie Dimaso vs. Sydney Prosser and Irving Rosenfeld | Tense, Confrontational, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
42 - Consequences and Unity | Emotional, Reflective, Regretful, Resigned | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 5 | 7 | 6 | 6 | 7 | 9 | 7 | 9 | 8 | 8 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Engaging dialogue
- Sharp dialogue
- Tension-building
- Character development
- Emotional depth
Scene Weaknesses
- Limited plot progression
- Limited emotional depth
- Lack of external conflict
- Repetitive dialogue
- Some confusion in character motivations
Suggestions
- Consider adding more external conflict to heighten the stakes of the story
- Work on pacing to keep the audience engaged throughout the screenplay
- Make sure characters' motivations are clear and well-defined to avoid confusion
- Avoid overly expository dialogue and focus on more natural, authentic conversations between characters
- Continue to expand and deepen the emotional depth of the story and characters
- Physical environment: The screenplay takes place in various locations, including luxurious hotels, upscale apartments, offices, and public spaces in New York City and its surroundings. The physical environment is often depicted as glamorous and high-end, with opulent furnishings and expensive decor. However, there are also grittier, more seedy settings, such as dingy offices and a federal holding cell.
- Culture: The cultural elements in the screenplay include high society, organized crime, politics, and art dealing. Characters are often seen engaging in business dealings, conning each other, and navigating complex power dynamics. There is also a strong emphasis on family and relationships, with many scenes taking place in domestic settings. The cultural atmosphere is tense and dramatic, with a constant undercurrent of deception and manipulation.
- Society: The societal structure is hierarchical, with figures of authority such as the Mayor and various businessmen holding significant power. There is also a clear distinction between the wealthy elite and those operating on the fringes of society, such as con artists and mobsters. The societal norms and expectations, such as marriage and family, play a role in shaping the characters' experiences and actions.
- Technology: Technology is used in various ways throughout the screenplay, from surveillance equipment to banking connections. However, it is not a central focus and is often used as a tool to further the characters' goals or create tension.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a complex web of power dynamics, expectations, and challenges. Characters must navigate this world with a constant awareness of the potential dangers and opportunities that surround them.
- Narrative contribution: The world elements contribute to the narrative by providing a rich and detailed backdrop for the characters' actions and interactions. The glamorous settings and high-stakes business dealings create a sense of excitement and tension, while the grittier, more seedy elements add a layer of danger and unpredictability.
- Thematic depth contribution: The world elements also contribute to the thematic depth of the screenplay by exploring themes of power, corruption, deception, and the blurred lines between right and wrong. The characters' experiences and actions highlight the complexities and nuances of these themes, creating a thought-provoking and engaging narrative.
Voice Analysis | |
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Summary: | The writer's voice is characterized by a blend of sharp dialogue, witty banter, and a focus on character dynamics and power relationships. The voice is often humorous and engaging, with a hint of darkness and intrigue. |
Voice Contribution | The writer's voice contributes to the script by creating a sense of tension, suspense, and humor, while also delving into the complex motivations of the characters. |
Best Representation Scene | 23 - Scenes of Friendship and Negotiation: Carmine and Irving's Heartfelt Moment and Richie's Jet Pursuit |
Best Scene Explanation | Scene 23 is a great example of the writer's voice because it combines sharp dialogue, witty banter, and a focus on character dynamics and power relationships. The scene is also humorous and engaging, with a hint of darkness and intrigue. |
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
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Relationship between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher emotional impact tend to receive higher overall grades, indicating that emotional depth is an important factor in the quality of the scene. |
Character Changes and Conflict | There is a positive correlation between Character Changes and Conflict in this screenplay. Scenes with higher levels of conflict tend to result in more significant character changes, suggesting that conflict drives character development in the story. |
Dialogue and Emotional Impact | There is a positive correlation between Dialogue and Emotional Impact in this screenplay. Scenes with impactful dialogue tend to evoke stronger emotions in the audience, indicating that well-written dialogue plays a key role in creating emotional resonance. |
Tone and Concept | There is a correlation between Tone and Concept in this screenplay. Scenes with specific tones like 'Tense' or 'Intense' often align with the overall concept of the scene, suggesting that tone is used effectively to convey the intended concept. |
Writer's Craft Overall Analysis
The screenplay showcases strong writing craft, with effective scene-by-scene tension, suspense, and character development. The writer demonstrates a clear understanding of dialogue, pacing, and storytelling techniques. However, there is room for improvement in terms of further deepening character relationships, exploring moral dilemmas, and refining dialogue and pacing.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
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Screenplay | Read 'The Departed' and 'American Hustle' screenplays for their strong character dynamics and moral conflicts. | These screenplays will provide valuable insights into creating engaging characters and compelling storylines, as well as exploring moral dilemmas in a nuanced way. |
Writing Course | Take a writing course on dialogue and conflict, such as those offered by UCLA Extension or ScreenwritingU. | Improving your understanding of dialogue and conflict can help you create more engaging and impactful scenes, enhancing your screenwriting abilities. |
Exercise | Practice writing dialogue that reveals character motivations and conflicts in a subtle yet impactful way.Practice In SceneProv | Improving dialogue skills will enhance your ability to create authentic and engaging scenes, deepening character relationships and moral dilemmas. |
Exercise | Create detailed character profiles for each character in your screenplay to better understand their motivations, fears, and desires.Practice In SceneProv | This will help you create more authentic and complex characters that drive the narrative and engage the audience, allowing you to further explore character relationships and moral dilemmas. |
Exercise | Write a scene with complex emotional conflicts and character relationships, focusing on refining pacing and dialogue.Practice In SceneProv | Developing your skills in portraying nuanced emotions and character dynamics, as well as refining pacing and dialogue, can strengthen your screenwriting abilities and create more engaging and impactful scenes. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
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Love Triangle | Irving, Sydney, and Richie are involved in a complex love triangle throughout the screenplay. | A love triangle is a common trope in storytelling where three characters are involved in romantic relationships with each other, leading to conflict and drama. An example of this trope can be seen in the movie 'Twilight' where Bella is torn between her love for Edward and Jacob. |
Undercover Operation | Sydney and Irving work with FBI agent Richie Dimaso in an undercover operation to catch white collar criminals. | An undercover operation is a common trope in crime and thriller genres where characters go undercover to gather information or catch criminals. An example of this trope can be seen in the TV show 'Breaking Bad' where Walter White goes undercover to infiltrate a drug cartel. |
Betrayal | There are multiple instances of betrayal between characters, such as Sydney betraying Irving by working with Richie. | Betrayal is a common trope in storytelling where characters deceive or act against the trust of others, leading to conflict and tension. An example of this trope can be seen in the movie 'The Departed' where characters betray each other for personal gain. |
Heist | The characters engage in a series of cons and schemes to pull off a heist involving stolen art and political corruption. | A heist is a common trope in crime and thriller genres where characters plan and execute a robbery or theft. An example of this trope can be seen in the movie 'Ocean's Eleven' where a group of thieves plan a heist on a Las Vegas casino. |
Double Cross | Characters double cross each other throughout the screenplay, leading to shifting alliances and betrayals. | A double cross is a common trope in storytelling where characters deceive each other by pretending to be allies while secretly planning to betray them. An example of this trope can be seen in the TV show 'Game of Thrones' where characters frequently double cross each other for power. |
Caper | The screenplay involves a series of capers, including art dealing cons and political corruption schemes. | A caper is a subgenre of crime fiction that focuses on elaborate schemes and heists carried out by a group of characters. An example of this trope can be seen in the movie 'The Italian Job' where a group of thieves plan a gold heist in Venice. |
Crime Boss | Characters interact with powerful crime bosses such as Victor Tellegio and Alfonse Simone. | A crime boss is a common trope in crime and gangster genres where a powerful criminal leader controls illegal activities and criminal enterprises. An example of this trope can be seen in the TV show 'The Sopranos' where Tony Soprano is a crime boss in New Jersey. |
Corruption | The screenplay explores themes of political corruption, with characters engaging in corrupt schemes for personal gain. | Corruption is a common trope in political thrillers and crime dramas where characters abuse their power for selfish reasons. An example of this trope can be seen in the movie 'All the President's Men' where journalists uncover political corruption in the Nixon administration. |
Power Play | Characters engage in power plays and manipulative tactics to gain control and influence over others. | A power play is a common trope in dramas and thrillers where characters use manipulation and deception to assert dominance and control. An example of this trope can be seen in the TV show 'House of Cards' where politicians engage in power plays to advance their agendas. |
Redemption | Characters seek redemption for their past actions and mistakes throughout the screenplay. | Redemption is a common trope in storytelling where characters strive to make amends for their past wrongdoings and find inner peace. An example of this trope can be seen in the movie 'The Shawshank Redemption' where Andy Dufresne seeks redemption for his wrongful imprisonment. |
Complex Characters | The screenplay features complex and morally ambiguous characters who navigate a web of deception and betrayal. | Complex characters are a common trope in storytelling where characters have conflicting motivations and moral dilemmas that drive the plot. An example of this trope can be seen in the TV show 'Breaking Bad' where Walter White evolves from a sympathetic protagonist to a morally compromised anti-hero. |
Memorable lines in the script:
Scene Number | Line |
---|---|
1 | Richie Dimaso: How’s that? You bothered now? |
2 | Irving Rosenfeld: Now I gotta go mop up your mess. I'm gonna go fucking mop up your mess! |
3 | Irving Rosenfeld: I was gonna survive no matter what. I still had the glass business and a few dry cleaning stores on the side. |
15 | Irving Rosenfeld: People believe what they want to believe. Cause the guy who made this was so good that it’s real to everybody. Now whose the master -- the painter or the forger? |
34 | Carmine Polito: This is real. You understand? This is real. On my family. On my kids. On my life. On my work. |
Some Loglines to consider:
Two con artists are forced to work with an ambitious FBI agent in a sting operation against corrupt politicians, leading them into a dangerous world of deception and betrayal. |
Caught in a love triangle and facing jail time, a con artist and his partner must navigate the murky waters of the FBI's Abscam operation, where the lines between truth and lies blur. |
A desperate mayor's dream of revitalizing his city becomes entangled with a high-stakes FBI sting, forcing him to choose between his ambition and his integrity. |
A charismatic FBI agent's obsession with taking down white-collar criminals leads him into a dangerous game of cat and mouse with two cunning con artists. |
Set against the backdrop of 1970s New York, American Hustle explores the complexities of human desire, ambition, and the art of survival in a world built on deception. |
In 1970s New York, a skilled con artist and his partner must navigate the dangerous world of white-collar crime and corruption as they try to save their friend, the mayor of a struggling city, from being taken down by the FBI. |
A complex web of deceit, greed, and moral ambiguity unfolds as a con artist and his lover are forced to work with a volatile FBI agent to take down a group of corrupt politicians and mob bosses. |
When a con artist's carefully constructed life begins to unravel, he must make difficult choices that test his loyalties and put his relationships with his wife, his lover, and his friend, the mayor, in jeopardy. |
Driven by their own desires and ambitions, a group of con artists, politicians, and mobsters collide in a high-stakes game of greed, power, and survival in 1970s America. |
A character-driven drama set against the backdrop of 1970s New York, American Hustle follows the twists and turns of a con artist's attempts to pull off the ultimate scam while grappling with the moral consequences of his actions. |
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Engine: Gemini
Consider
Explanation: American Hustle is a character-driven drama with witty dialogue, complex relationships, and a captivating exploration of themes like deception, reinvention, and survival. While the pacing could be tightened in certain sections and some characters could benefit from further development, the screenplay's strengths make it a compelling and entertaining read. With some revisions, it has the potential to be a highly successful film.
Engine: Claude
Recommend
Explanation: American Hustle is a well-crafted and engaging screenplay that follows the story of Irving Rosenfeld, a skilled con artist, and his partner Sydney Prosser as they navigate the complex world of white-collar crime in 1970s New York. The screenplay is praised for its strong character development, particularly for the protagonist Irving and the supporting character Carmine Polito, as well as its effective blending of drama, suspense, and humor. The screenplay also stands out for its intricate plotting and creative execution of the various con artist elements, which drive the narrative forward in a compelling manner. While there are a few areas for potential improvement, such as slight pacing issues and the need for further exploration of certain characters, the overall strength and unique selling proposition of the screenplay make it a strong contender for consideration.