Get Out
A young black man discovers his girlfriend's white family is hiding a sinister secret that threatens to consume him.
See other logline suggestionsOverview
Unique Selling Point
Experience a thrilling and suspenseful journey into the heart of racial tension and psychological manipulation in this innovative script. With its unique blend of humor, drama, and horror, the story follows Chris, a young black photographer, as he navigates the twisted world of Rose's wealthy and mysterious family. Featuring sharp dialogue, intricate character dynamics, and unexpected plot twists, this script delves deep into themes of race, identity, and power, offering a fresh and thought-provoking take on the genre. Prepare to be captivated by the authentic and engaging voice of the writer, who masterfully builds a sense of unease and anticipation, keeping you on the edge of your seat from beginning to end.
AI Verdict & Suggestions
This rating is from a single AI engine based on structure, character, tone, and emotional engagement.
Hover over verdict cards for Executive Summaries
Recommend
Story Facts
Genres: Drama, Thriller, Mystery, Comedy, Horror, Romance, Psychological Thriller, Romantic Comedy, Psychological
Setting: Present day, Suburban neighborhood, city apartment, countryside, Armitage estate
Themes: Racial Tension and Discrimination, Identity and Self, Love and Relationships, Manipulation and Control
Conflict & Stakes: Chris's struggle to escape from the Armitage family's clutches and expose their dark secret, while protecting himself and his loved ones
Mood: Psychological horror with a satirical edge
Standout Features:
- Unique Hook: A horror movie with a strong social commentary on race and power dynamics
- Plot Twist: The seemingly friendly white family is revealed to be a cult that manipulates and controls black people
- Distinctive Setting: The isolated Armitage estate, where the horrors unfold
Comparable Scripts: The Stepford Wives, Get Out, Rosemary's Baby, The Skeleton Key, The Visit, The Handmaid's Tale
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- Originality (92nd percentile) - The screenplay demonstrates unique and fresh ideas.
- Engagement (88th percentile) - The screenplay is highly engaging, likely due to strong pacing and unpredictability.
- Character Changes (66th percentile) - Characters undergo significant development throughout the story.
- Plot (16th percentile) - The plot could be more compelling and engaging to readers.
- Structure (11th percentile) - Improving the story's structure may help enhance the overall flow and coherence.
- Formatting (2nd percentile) - Ensuring proper formatting will help make the screenplay more professional and polished.
The writer appears to be an intuitive storyteller, with strong character development and dialogue, but could benefit from focusing on plot and structure to create a more balanced narrative.
Balancing Elements- Develop a more balanced plot to match the strong character development and dialogue.
- Improve structure to create a more coherent and engaging story.
- Ensure proper formatting to enhance professionalism.
Intuitive
Overall AssessmentThe screenplay has potential, particularly in terms of originality, engagement, and character development. Focusing on plot, structure, and formatting will help refine the story and improve its overall appeal.
How scenes compare to the Scripts in our Library
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Script•o•Scope
Pass / Consider / Recommend Analysis
Claude
Executive Summary
- The hypnosis scene between Missy and Chris is very well-executed, gradually drawing the audience into the character's past trauma and the Armitage family's sinister intentions. high ( Scene 14 (INT. MISSY'S OFFICE - NIGHT) )
- The reveal of the Armitage family's true motives through the pre-recorded video message from Roman Armitage is a clever and impactful storytelling device that heightens the sense of dread and the audience's understanding of the characters' plight. high ( Scene 37 (INT. GAMES ROOM - LATER) )
- The intense and visceral climactic confrontation between Chris and the Armitage family members is a thrilling and well-paced sequence that effectively showcases Chris' determination to escape and the family's desperate attempts to maintain control. high ( Scene 41 (INT. FOYER - CONTINUOUS) )
- The opening sequences effectively establish the relationship between Chris and Rose, setting up the central conflict and Chris' initial discomfort with the prospect of meeting Rose's family. medium ( Scene 2 (INT. APARTMENT BUILDING - ELEVATOR) Scene 3 (INT. CITY APARTMENT - LIVING ROOM - DAY) )
- The emotional conversation between Chris and Rose in the woods provides depth and complexity to their relationship, further emphasizing the high stakes and Chris' difficult choices. medium ( Scene 29 (EXT. THE WOODS - AFTERNOON) )
- The dialogue during the party scenes can sometimes feel a bit on-the-nose in its exploration of racial themes, which could be tightened to feel more organic and less expository. medium ( Scene 20 (EXT. BACKYARD - LATER) )
- The conversation between Chris and Rod, while entertaining, could be streamlined to maintain a tighter pace and avoid feeling too expository. medium ( Scene 26 (INT. CHRIS' APARTMENT - DAY) )
- The final confrontation between Chris and the Armitage family could be further developed to provide a more satisfying and nuanced resolution, potentially exploring the moral complexities of Chris' decisions more deeply. medium ( Scene 33 (INT. FOYER/LIVING ROOM - NIGHT) )
- The discovery of the photo album containing Rose's past relationships with other black men could be explored in more depth, providing additional insight into her character and motivations. medium ( Scene 32 (INT. ROSE'S BEDROOM - NIGHT) )
- The subplot involving Rod's attempts to investigate Chris' disappearance could be further developed, potentially providing a more satisfying resolution or additional context to the events unfolding at the Armitage estate. medium ( Scene 36 (INT. CHRIS' LIVING ROOM - DAWN) )
- The auction sequence in the backyard, where the guests bid on Chris, is a chilling and well-executed set piece that effectively conveys the disturbing nature of the Armitage family's actions. high ( Scene 19 (EXT. BACKYARD - NOON) )
- The use of the television as a narrative device, with the pre-recorded messages from the Armitage family members, is a clever and effective way to gradually reveal the family's sinister agenda and draw the audience deeper into the story. high ( Scene 38 (INT. GAMES ROOM - DAY) )
- The final confrontation between Chris, Rose, and the remaining Armitage family members is a thrilling and emotionally complex sequence that leaves the audience with a sense of unease and moral ambiguity, reflecting the deeper themes of the film. high ( Scene 42 (EXT. ARMITAGE FRONT LAWN - NIGHT) )
Screenplay Insights:
Characters: 8.1, The screenplay presents a compelling narrative with well-developed characters that undergo significant transformation and growth. While certain characters exhibit depth and complexity, others could benefit from further exploration and refinement to fully captivate the audience and enhance their emotional connection to the story. See More
Premise: 8.9, The screenplay's premise effectively establishes a compelling and clear narrative foundation, immersing the audience in a mysterious and unsettling atmosphere. With its exploration of racial dynamics, psychological manipulation, and the horrors lurking beneath a seemingly idyllic facade, the premise has the potential to captivate and intrigue viewers. See More
Structure: 8.3, The screenplay showcases a clever and engaging plot with a strong narrative structure. It effectively builds tension, integrates themes, and keeps the audience invested in the unfolding events. However, certain areas, particularly pacing and resolution satisfaction, could benefit from refinement to enhance the overall impact. See More
Theme: 8.6, The screenplay effectively explores themes of race, identity, and the dangers of manipulation, weaving them into a suspenseful and thought-provoking narrative. The themes are clearly presented and resonate powerfully with the audience, leaving a lasting impact. However, certain aspects of the message could be further clarified and the integration with the plot could be more seamless. See More
Visual Impact: 7.4, The screenplay showcases a strong visual storytelling foundation with vivid descriptions that effectively convey the atmosphere, characters, and events. It introduces unique and creative visual elements, such as the vintage cream-colored Porsche and the surreal deer encounter, which contribute to a distinct visual style. The screenplay effectively utilizes visual imagery to enhance the emotional impact of the narrative, creating a sense of unease and tension. See More
Emotional Impact: 7.1, The screenplay demonstrates a strong foundation for emotional depth, particularly in its portrayal of Chris's growing paranoia and the unsettling atmosphere of the Armitage family. However, it also has areas where the emotional impact could be amplified to create a more resonant and lasting connection with the audience. See More
Conflict: 7.2, The screenplay effectively utilizes conflict and stakes to drive the narrative, creating a sense of tension and engagement. However, there are opportunities to further enhance the conflict and elevate the stakes, maximizing their impact on the audience. By refining the clarity of the central conflict, integrating it more tightly with the narrative, escalating the stakes, and ensuring a satisfying resolution, the screenplay can reach even greater heights in captivating the audience. See More
Originality: 9.1, The screenplay demonstrates a high level of originality and creativity in its exploration of racial dynamics, psychological horror, and class struggle. The unique blend of genres and the innovative narrative structure create a gripping and thought-provoking cinematic experience that sets it apart from other films in the horror genre. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Chris - Score: 85/100
Role
Protagonist
Character Analysis Overview
Rose - Score: 81/100
Role
Antagonist
Character Analysis Overview
Missy - Score: 78/100
Role
Antagonist
Character Analysis Overview
Dean - Score: 77/100
Character Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Racial Tension and Discrimination
60%
|
Characters react differently to Chris due to his race, such as the police officer asking for his ID, Rose's family being overly friendly, and the party guests' varying reactions to him. The screenplay also explores Chris's concern about meeting Rose's parents because of his race.
|
The screenplay highlights the racial divide and the challenges faced by interracial couples. It also touches upon the microaggressions and biases that people of color experience in their daily lives. | ||||||||||||
Strengthening Racial Tension and Discrimination
|
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|
Identity and Self
25%
|
Chris's struggle with his identity and self-worth is evident when he is hypnotized and manipulated by Missy. He also grapples with his past trauma and the loss of his mother.
|
The screenplay delves into the themes of identity, manipulation, and the power of suggestion. It raises questions about the nature of self and the importance of maintaining one's individuality and autonomy. | ||||||||||||
|
Love and Relationships
10%
|
The relationship between Chris and Rose is a significant aspect of the screenplay, as they navigate the challenges of an interracial couple and Chris's growing suspicions about Rose's family.
|
The screenplay explores the complexities of love and relationships, touching upon themes of trust, acceptance, and the lengths people will go to protect those they care about. | ||||||||||||
|
Manipulation and Control
5%
|
Missy's hypnosis and the Armitage family's brain transplantation procedure demonstrate the theme of manipulation and control.
|
The screenplay highlights the dangers of manipulation and the importance of maintaining one's autonomy and self-awareness. It also raises questions about the ethics of mind control and the consequences of playing with people's identities. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals evolve from seeking acceptance and safety in an unfamiliar environment to grappling with deep-seated fears and the need for autonomy in the face of manipulation. Chris desires reassurance about his relationship, navigates complex racial dynamics, and ultimately fights for his own identity and survival. |
| External Goals | The protagonist's external goals shift from wanting to impress and fit in with Rose's family to ultimately escaping the escalating threats posed by that very family. His journey transforms from a desire for acceptance to a fight for survival. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the tension between societal perceptions of race and individual identity. This conflict manifests in the protagonist’s interactions with a seemingly progressive white family who harbor sinister intentions, challenging Chris's beliefs about race, safety, and acceptance. |
Character Development Contribution: The evolution of Chris's goals reflects his journey from a passive participant seeking acceptance to an active individual reclaiming his identity and asserting his agency. This growth is critical in transforming him into a resilient character who confronts danger head-on.
Narrative Structure Contribution: The goals and conflicts drive the plot forward, creating tension and suspense as Chris navigates various challenges that lead to critical turning points. Each phase of his internal and external goals contributes to a structured escalation of tension culminating in a climactic confrontation.
Thematic Depth Contribution: The interplay of internal and external conflicts offers a rich exploration of race, identity, and autonomy, deepening the thematic complexity of the screenplay. These elements provoke audiences to reflect on societal norms, personal relationships, and the true nature of acceptance.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Kidnapping in the Suburbs and a Photographer's Morning | Suspenseful, Dark, Mysterious | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 2 - Morning Jitters and Meeting the Parents | Playful, Sarcastic, Lighthearted | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 3 | 8 | 2 | 5 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
| 3 - Road Trip Begins with a Hint of Tension | Light-hearted, Playful, Romantic | 8 | 8 | 7 | 8 | 9 | 5 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 4 - Friendly Teasing and Playful Tickles: Chris, Rose, and Rod at the Airport | Humorous, Light-hearted, Playful | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 7 | 6 | 6 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 5 - Car Collision with a Deer: An Encounter with the Police | Tense, Suspenseful, Dramatic, Confrontational | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 6 - Warm Welcome at the Armitage Estate | Awkward, Warm, Playful | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 7 - Warm Welcome to the Armitage Home | Light-hearted, Playful, Eccentric | 8 | 7 | 7 | 8 | 8 | 5 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 9 | 8 | 8 | 9 | 9 | |
| 8 - Exploring the Past: Intimate Moments and Family History | Playful, Nostalgic, Intimate | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 9 - Exploring the Armitage House | Light-hearted, Reflective, Informative | 8 | 8 | 7 | 7 | 9 | 6 | 8 | 7 | 7 | 7 | 6 | 7 | 8 | 6 | 8 | 9 | 9 | 8 | 8 | |
| 10 - A Sunny Afternoon of Tea and Revelations | Heartwarming, Awkward, Light-hearted, Tense | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 11 - Jeremy's Drunken Outburst at Dinner | Humorous, Light-hearted, Embarrassing | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 5 | 7 | 3 | 6 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 12 - Intimate Moment in Rose's Bedroom: Navigating Family Dynamics and Building a Future Together | Playful, Intimate, Worried | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 6 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 13 - Chris's Late Night Sneak and Conversation with Missy | Suspenseful, Tense, Mysterious, Intense | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 8 | 8 | 7 | 7 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 14 - A Nighttime Conversation on Heightened Suggestibility and Memory | Intense, Suspenseful, Intriguing | 8 | 9 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 15 - Chris' Fear and Reluctance to Seek Help | Tense, Introspective, Emotional | 8 | 9 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 8 | 5 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 16 - Chris's Overwhelming Guilt and Fear | Terror, Intense, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 17 - Chris' Unease Grows as He Confronts the Strange Behavior of the Armitage Family | Suspenseful, Chilling, Mysterious, Intense, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 18 - Chris's Hypnosis and Walter's Hostility | Suspenseful, Intense, Mysterious, Tense | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 8 | 9 | 9 | 9 | 8 | 8 | |
| 19 - Chris Learns Golf at a Backyard Party | Light-hearted, Friendly, Humorous | 8 | 7 | 7 | 7 | 8 | 5 | 8 | 7 | 4 | 7 | 3 | 7 | 6 | 6 | 8 | 9 | 8 | 9 | 8 | |
| 20 - Awkward Conversations and Uncomfortable Advances at the Garden Party | Awkward, Confrontational, Light-hearted | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 21 - Disappointment at the Armitage Party | Tense, Suspenseful, Mysterious, Unsettling | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 6 | 7 | 9 | 9 | 8 | 8 | |
| 22 - Chris's Discomfort at the Templar Gathering | Tense, Formal, Celebratory | 8 | 8 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 7 | 6 | 8 | 7 | 6 | 7 | 9 | 9 | 8 | 8 | |
| 23 - Chris's Contemplative Encounter with a Blind Art Dealer | Introspective, Melancholic, Irony, Sympathetic | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 4 | 6 | 3 | 5 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 24 - Chris's Showstopping Play and Unexpected Exit | Light-hearted, Playful, Competitive | 8 | 7 | 7 | 8 | 8 | 5 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 6 | 7 | 9 | 9 | 8 | 9 | |
| 25 - The Unplugged Phone Incident | Tense, Suspenseful, Confrontational | 8 | 7 | 8 | 8 | 9 | 6 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 26 - Chris's Unease and Georgina's Entrance | Suspenseful, Eerie, Tense, Darkly Humorous | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 27 - Chris' Uncomfortable Introduction to Dean's Acquaintances and an Unexpected Transformation | Tense, Unsettling, Intense, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 28 - Tense Aftermath and Uneasy Recovery | Tense, Suspenseful, Dramatic | 8 | 7 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 29 - A Tense Conversation and an Uneasy Auction | Intense, Emotional, Suspenseful | 8 | 8 | 8 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 30 - A Bittersweet Auction & Intimate Revelation | Emotional, Reflective, Intimate | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 7 | 6 | 7 | 6 | 7 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 31 - Unraveling Logan/Andre's Identity | Suspenseful, Tense, Mysterious, Dramatic | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 32 - Chris's Discovery in Rose's Closet | Suspenseful, Intense, Mysterious, Emotional | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 7 | 9 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 33 - Chris's Escape Thwarted: A Tense Night | Tense, Mysterious, Intense | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 34 - Chris's Disorienting Descent and Encounter with the Antlered Creature | Terror, Anxiety, Confusion | 9 | 9 | 8 | 9 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 7 | 8 | 9 | 6 | 9 | 9 | 8 | 8 | |
| 35 - Rod's Worries and Chris's Kidnapping | Anxious, Suspenseful, Terrifying, Mysterious | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 36 - TSA Agent Reports Friend's Disappearance to Skeptical Detective | Suspenseful, Serious, Intense | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 37 - Rod's Suspicions and Chris' Paranoia | Suspenseful, Intense, Emotional, Confrontational | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 38 - Roman Armitage's Introduction and the Coagula Procedure Explanation | Menacing, Sinister, Mysterious, Foreboding | 9 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 39 - Jim Hudson Explains Brain Transplantation Procedure to Chris | Menacing, Intense, Sinister, Revealing | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 40 - Violent Outbursts and Escalating Conflicts | Intense, Suspenseful, Violent, Dark | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 41 - Chris's Escape and Georgina's Tragic Accident | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 7 | 8 | |
| 42 - Escape from the Armitage House: A Night of Despair and Violence | Intense, Suspenseful, Dark, Emotional, Shocking | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Intense emotional impact
- Building tension and suspense
- Exploration of psychological themes
- Strong character dynamics
- Engaging dialogue
Scene Weaknesses
- Limited plot progression
- Low stakes
- Some dialogue could be more impactful
- Some elements may be too cryptic or vague for some viewers
- Limited character development
Suggestions
- Consider raising the stakes to increase the tension and conflict in the story
- Work on developing more nuanced and impactful dialogue throughout the screenplay
- Further explore and clarify elements of the plot and narrative structure that may be confusing for viewers
- Continue to focus on developing strong character dynamics and emotional depth in the story
- Experiment with different techniques and approaches to create a more engaging and impactful reading experience
Scene 1 - Kidnapping in the Suburbs and a Photographer's Morning
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Morning Jitters and Meeting the Parents
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Road Trip Begins with a Hint of Tension
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Friendly Teasing and Playful Tickles: Chris, Rose, and Rod at the Airport
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Car Collision with a Deer: An Encounter with the Police
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Warm Welcome at the Armitage Estate
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Warm Welcome to the Armitage Home
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Exploring the Past: Intimate Moments and Family History
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Exploring the Armitage House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - A Sunny Afternoon of Tea and Revelations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Jeremy's Drunken Outburst at Dinner
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Intimate Moment in Rose's Bedroom: Navigating Family Dynamics and Building a Future Together
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Chris's Late Night Sneak and Conversation with Missy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - A Nighttime Conversation on Heightened Suggestibility and Memory
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Chris' Fear and Reluctance to Seek Help
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Chris's Overwhelming Guilt and Fear
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Chris' Unease Grows as He Confronts the Strange Behavior of the Armitage Family
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Chris's Hypnosis and Walter's Hostility
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Chris Learns Golf at a Backyard Party
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Awkward Conversations and Uncomfortable Advances at the Garden Party
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Disappointment at the Armitage Party
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Chris's Discomfort at the Templar Gathering
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Chris's Contemplative Encounter with a Blind Art Dealer
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Chris's Showstopping Play and Unexpected Exit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - The Unplugged Phone Incident
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Chris's Unease and Georgina's Entrance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Chris' Uncomfortable Introduction to Dean's Acquaintances and an Unexpected Transformation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Tense Aftermath and Uneasy Recovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - A Tense Conversation and an Uneasy Auction
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - A Bittersweet Auction & Intimate Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Unraveling Logan/Andre's Identity
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Chris's Discovery in Rose's Closet
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Chris's Escape Thwarted: A Tense Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Chris's Disorienting Descent and Encounter with the Antlered Creature
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Rod's Worries and Chris's Kidnapping
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - TSA Agent Reports Friend's Disappearance to Skeptical Detective
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Rod's Suspicions and Chris' Paranoia
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Roman Armitage's Introduction and the Coagula Procedure Explanation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Jim Hudson Explains Brain Transplantation Procedure to Chris
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Violent Outbursts and Escalating Conflicts
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Chris's Escape and Georgina's Tragic Accident
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Escape from the Armitage House: A Night of Despair and Violence
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The physical environment in the screenplay varies from suburban neighborhoods, modern city apartments, rural roads, to an airport and wealthy households. These settings contribute to the characters' experiences by creating a sense of contrast between comfort and danger, familiarity and unease.
- Culture: The cultural elements in the screenplay include interracial dating, historical context of African American servants in white households, and diverse backgrounds of characters. These cultural aspects shape the characters' experiences by highlighting societal prejudices and expectations, and adding layers of complexity to their relationships.
- Society: The societal structure in the screenplay is depicted through family dynamics, TSA agents, and party guests. The societal elements influence the characters' experiences by creating hierarchies, exerting authority, and challenging social norms.
- Technology: The technological elements in the screenplay include smartphones, cameras, and medical equipment. These technological aspects contribute to the narrative by facilitating communication, capturing moments, and enabling scientific procedures.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a sense of place, highlighting societal norms and prejudices, and providing tools and resources for the characters to navigate their world.
- Narrative contribution: The world elements contribute to the narrative by providing context, creating tension and suspense, and driving the plot forward. The contrasting settings, cultural diversity, societal hierarchies, and technological advancements create a rich backdrop for the characters' stories to unfold.
- Thematic depth contribution: The world elements also contribute to the thematic depth of the screenplay by exploring themes of identity, prejudice, power, and manipulation. The physical environment, culture, society, and technology intersect to create a complex and thought-provoking narrative.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by sharp and witty dialogue, detailed scene descriptions that create tension and suspense, and a focus on building a sense of mystery and danger. |
| Voice Contribution | The writer's voice contributes to the script by enhancing the mood of suspense and danger, creating a sense of unease and anticipation for the audience. |
| Best Representation Scene | 13 - Chris's Late Night Sneak and Conversation with Missy |
| Best Scene Explanation | This scene is the best representation because it effectively establishes the tone and atmosphere of the story while building tension and intrigue. |
Style and Similarities
The writing style in this screenplay is characterized by a blend of suspenseful storytelling, sharp dialogue, and exploration of complex themes such as race, identity, and social dynamics. The narrative is engaging and thought-provoking, with a strong emphasis on character development and interpersonal relationships.
Style Similarities:
| Writer | Explanation |
|---|---|
| Jordan Peele | Peele's influence is evident throughout the screenplay, with its focus on social commentary, tension-filled dialogue, and exploration of power dynamics in various settings. The writing style shares similarities with Jordan Peele's work in terms of blending suspense, mystery, and character-driven storytelling that delves into themes of race, identity, and social issues. |
| Greta Gerwig | Gerwig's writing style is also prominent, with its emphasis on authentic character interactions, emotional depth, and nuanced relationships. The screenplay shares similarities with Gerwig's work in terms of capturing intimate character dynamics, using naturalistic dialogue, and exploring complex themes in a relatable and engaging manner. |
Other Similarities: The screenplay also incorporates elements from other influential writers such as Quentin Tarantino, M. Night Shyamalan, and Aaron Sorkin, further enriching the narrative and adding layers of complexity and depth.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Relationship between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher emotional impact tend to receive higher overall grades, indicating that emotional depth is a key factor in the success of a scene. |
| Character Changes and Conflict | There is a positive correlation between Character Changes and Conflict in this screenplay. Scenes with higher levels of conflict tend to result in more significant character changes, suggesting that conflict is a catalyst for character development. |
| Dialogue and Emotional Impact | There is a positive correlation between Dialogue and Emotional Impact in this screenplay. Scenes with more impactful dialogue tend to evoke stronger emotional responses from the audience, highlighting the importance of well-crafted dialogue in conveying emotion. |
| Tone and Concept | There is a correlation between Tone and Concept in this screenplay. Scenes with specific tones such as 'Suspenseful' or 'Intense' often align with the overall concept of the scene, indicating that tone plays a key role in conveying the intended concept to the audience. |
Writer's Craft Overall Analysis
The screenplay showcases a strong ability to build tension, suspense, and emotional depth through character interactions and plot twists. The writer effectively combines various elements, such as psychological horror, supernatural suspense, and emotional depth, to create a compelling and immersive narrative experience. However, there is room for improvement in character depth, emotional impact, and pacing in certain scenes.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Screenplay | Read 'The Silence of the Lambs' screenplay by Ted Tally for insights into character development, pacing, and suspenseful storytelling. | This screenplay is known for its strong characters, engaging dialogue, and suspenseful pacing, which can help the writer improve their character depth and emotional impact. |
| Writing Exercise | Practice writing character monologues to explore your characters' inner thoughts, emotions, and motivations. | This exercise will help deepen the emotional impact of the characters and enhance the overall narrative experience. |
| Writing Exercise | Create a beat sheet for your screenplay, outlining the key plot points and character arcs. Analyze the pacing and structure, and make adjustments as needed. | This exercise will help improve the overall pacing and structure of the screenplay, ensuring a smooth narrative flow and maintaining audience engagement. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| The Magical Negro | An African-American character, Missy, who has supernatural abilities and uses them to help the white protagonist, Chris. | The Magical Negro is a trope where a black character is depicted as having mystical or supernatural powers and uses them to help a white character. This trope is often criticized for its stereotypical and racist portrayal of black people. An example of this trope is in The Green Mile (1999) where the character John Coffey, played by Michael Clarke Duncan, has supernatural abilities and uses them to help the white characters. |
| The Mystical Asian | An Asian character, Philomena, who is wealthy and has a mysterious aura around her. | The Mystical Asian is a trope where Asian characters are portrayed as having mysterious or supernatural abilities. This trope is often used to otherize and exotify Asian people. An example of this trope is in The Matrix (1999) where the character Seraph, played by Collin Chou, is a mystical martial artist who guards the Oracle. |
| The Black Best Friend | An African-American character, Rod, who is Chris's best friend and provides comedic relief. | The Black Best Friend is a trope where black characters are relegated to supporting roles and exist solely to provide comedic relief or support the white protagonist. This trope is often criticized for its stereotypical and racist portrayal of black people. An example of this trope is in Clueless (1995) where the character Dionne, played by Stacey Dash, is Cher's black best friend who provides comedic relief. |
| The Damsel in Distress | Rose, the white protagonist, who is in danger and needs Chris to save her. | The Damsel in Distress is a trope where a female character is placed in a perilous situation from which she cannot escape on her own and requires rescue by a male character. This trope is often criticized for its sexist portrayal of women as helpless and in need of rescue. An example of this trope is in King Kong (1933) where the character Ann Darrow, played by Fay Wray, is captured by the giant ape and requires rescue by the male protagonist. |
| The Magical Negro Sidekick | Missy, an African-American character, who uses her supernatural abilities to help Chris. | The Magical Negro Sidekick is a variation of the Magical Negro trope where a black character has supernatural abilities that exist solely to help the white protagonist. This trope is often criticized for its stereotypical and racist portrayal of black people. An example of this trope is in The Legend of Bagger Vance (2000) where the character Bagger Vance, played by Will Smith, has supernatural abilities and uses them to help the white protagonist. |
| The White Savior | Chris, the white protagonist, who saves Rose from danger. | The White Savior is a trope where a white character rescues non-white characters from danger or oppression. This trope is often criticized for its racist portrayal of non-white characters as helpless and in need of rescue by white characters. An example of this trope is in Dances with Wolves (1990) where the character John Dunbar, played by Kevin Costner, saves a Native American tribe from oppression. |
| The Strong Silent Type | Chris, the white protagonist, who is strong and silent. | The Strong Silent Type is a trope where a male character is portrayed as strong, silent, and emotionally stoic. This trope is often used to portray masculinity in a stereotypical and limiting way. An example of this trope is in The Man with No Name trilogy (1964-1966) where the character played by Clint Eastwood is a strong, silent, and emotionally stoic cowboy. |
| The Manic Pixie Dream Girl | Rose, the white protagonist, who is quirky and helps Chris find himself. | The Manic Pixie Dream Girl is a trope where a female character is portrayed as quirky, spontaneous, and having a carefree attitude. This trope is often used to help the male protagonist find himself or his purpose. This trope is often criticized for its sexist portrayal of women as existing solely to help men. An example of this trope is in Garden State (2004) where the character Sam, played by Natalie Portman, is a quirky and spontaneous woman who helps the male protagonist find himself. |
| The Black Brute | Andre/Logan, an African-American character, who becomes hostile and attacks Chris. | The Black Brute is a trope where a black character is portrayed as physically strong and aggressive. This trope is often used to otherize and demonize black people. An example of this trope is in Birth of a Nation (1915) where the character Gus, played by Walter Long, is a black man who pursues a white woman and is portrayed as a brute. |
| The Mysterious Stranger | Jim Hudson, a character with a shaven head, who appears on a television and communicates with Chris. | The Mysterious Stranger is a trope where a character appears suddenly and is shrouded in mystery. This trope is often used to create tension and intrigue. An example of this trope is in The Fugitive (1993) where the character Dr. Charles Nichols, played by Jeroen Krabbé, is a mysterious stranger who is involved in the plot to frame the protagonist. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 11 | Jeremy: Your thith-ter bit my fuckin’ thongue off!!!! |
| 10 | Dean: I thought the whole thing was bull shit too. I smoked for 15 years. She puts me under once, now the sight one makes me wanna vomit. |
| 6 | Dean: We hug around here, my Man. Call me Dean. |
| 39 | Jim: I could give two shits about race. I don’t care if you’re black, brown, green, purple... whatever. People are people. What I want is deeper: Your eye, man. I want those things you see through. |
| 18 | Chris: I had some fucked up dreams. |
Some Loglines to consider:
| A young black man discovers his girlfriend's white family is hiding a sinister secret that threatens to consume him. |
| When a black man visits his white girlfriend's family estate, he uncovers a disturbing plot to exploit the physical advantages of people of color. |
| A photographer's weekend getaway with his girlfriend's family takes a dark turn as he uncovers the family's nefarious agenda to control and manipulate black individuals. |
| Suspecting his girlfriend's family of harboring a dark secret, a young black man must fight for his freedom and uncover the truth before it's too late. |
| A black man's visit to his white girlfriend's family home becomes a harrowing descent into a world of mind control, manipulation, and racial exploitation. |
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