Get Out
Executive Summary
Logline: A young black man discovers his girlfriend's white family is hiding a sinister secret that threatens to consume him. See other logline suggestoins
Pass/Consider/Recommend/Highly Recommend
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Promo
Note: This is for fun only. There will be many wrong things in the mock poster. It doesn't mean the AI misunderstood your story.
USP: Experience a thrilling and suspenseful journey into the heart of racial tension and psychological manipulation in this innovative script. With its unique blend of humor, drama, and horror, the story follows Chris, a young black photographer, as he navigates the twisted world of Rose's wealthy and mysterious family. Featuring sharp dialogue, intricate character dynamics, and unexpected plot twists, this script delves deep into themes of race, identity, and power, offering a fresh and thought-provoking take on the genre. Prepare to be captivated by the authentic and engaging voice of the writer, who masterfully builds a sense of unease and anticipation, keeping you on the edge of your seat from beginning to end.
Overview
Genres: Drama, Thriller, Mystery, Comedy, Horror, Romance, Psychological Thriller, Romantic Comedy, Psychological
Setting: Present day, Suburban neighborhood, city apartment, countryside, Armitage estate
Overview: The screenplay presents a compelling narrative with well-developed characters and strong thematic depth. While it excels in character complexity and emotional engagement, there are areas for improvement in enhancing dialogue impact and maintaining consistent unpredictability.
Themes: Racial Tension and Discrimination, Identity and Self, Love and Relationships, Manipulation and Control
Conflict and Stakes: Chris's struggle to escape from the Armitage family's clutches and expose their dark secret, while protecting himself and his loved ones
Overall Mood: Psychological horror with a satirical edge
Mood/Tone at Key Scenes:
- Scene Andre's abduction: Tense and foreboding
- Scene Chris's hypnosis: Unsettling and surreal
- Scene Chris's escape: Intense and action-packed
Standout Features:
- Unique Hook: A horror movie with a strong social commentary on race and power dynamics
- Plot Twist : The seemingly friendly white family is revealed to be a cult that manipulates and controls black people
- Distinctive Setting : The isolated Armitage estate, where the horrors unfold
Comparable Scripts:
Market Analysis
Budget Estimate:$10-15 million
Target Audience Demographics: Adults aged 18-49, fans of horror, thriller, and social commentary
Marketability: Unique blend of horror, thriller, and social commentary, with a diverse cast and a gripping storyline
Compelling characters and a gripping storyline, relevant social themes, and a fresh take on the horror genre
Highly marketable due to its originality, strong appeal to a wide audience, and potential for award nominations
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations
Scene Level Percentiles
The screenplay shows promise with unique ideas and engaging characters, but requires improvement in plot, structure, and formatting to optimize its potential.
Emotions Elicited Percentiles
Robert McKee: "The audience doesn’t go to the movies to see plot; they go to feel emotion, to be moved."
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
Key Strengths
Note: The ratings are the averages of all the scenes.
- Originality (92nd percentile) - The screenplay demonstrates unique and fresh ideas.
- Engagement (88th percentile) - The screenplay is highly engaging, likely due to strong pacing and unpredictability.
- Character Changes (66th percentile) - Characters undergo significant development throughout the story.
- Plot (16th percentile) - The plot could be more compelling and engaging to readers.
- Structure (11th percentile) - Improving the story's structure may help enhance the overall flow and coherence.
- Formatting (2nd percentile) - Ensuring proper formatting will help make the screenplay more professional and polished.
The writer appears to be an intuitive storyteller, with strong character development and dialogue, but could benefit from focusing on plot and structure to create a more balanced narrative.
Balancing Elements- Develop a more balanced plot to match the strong character development and dialogue.
- Improve structure to create a more coherent and engaging story.
- Ensure proper formatting to enhance professionalism.
Intuitive
Overall AssessmentThe screenplay has potential, particularly in terms of originality, engagement, and character development. Focusing on plot, structure, and formatting will help refine the story and improve its overall appeal.
How this was done: Each criteria is ranked in comparison to scripts in our Vault
(such as The Matrix, Breaking Bad, etc.) This allows you to see where you stand compared to other
produced scripts for each criteria.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
|---|---|---|---|---|
| Overall Script | 8.50 | 95 | Interstellar: 8.46 | Erin Brokovich: 8.50 |
| Script Originality | 9.25 | 91 | American Hustle: 9.00 | the pursuit of happyness: 9.25 |
| Script Theme | 8.50 | 71 | Sherlock Holmes: 8.25 | Titanic: 8.50 |
| Script Premise | 8.50 | 69 | Sherlock Holmes: 8.25 | Mr. Smith goes to Washington: 8.50 |
| Scene Unpredictability | 7.71 | 68 | Wild Wild West: 7.69 | Get Out: 7.71 |
| Script Structure | 8.25 | 66 | Gladiator: 8.00 | Titanic: 8.25 |
| Scene Pacing | 8.38 | 64 | The Founder: 8.36 | Inglorious Basterds: 8.38 |
| Scene Characters | 8.3 | 56 | Inception: 8.2 | Erin Brokovich: 8.3 |
| Scene Engagement | 8.98 | 55 | Sherlock Holmes: 8.97 | Mr. Smith goes to Washington: 8.98 |
| Scene Concept | 8.1 | 54 | Fleabag: 8.0 | Casablanca: 8.1 |
| Scene Dialogue | 7.7 | 52 | Sherlock Holmes: 7.6 | Erin Brokovich: 7.7 |
| Script Conflict | 7.75 | 51 | Inception: 7.50 | the pursuit of happyness: 7.75 |
| 1 | 50 | - | Get Out: 1 | |
| 1 | 50 | - | Get Out: 1 | |
| Scene Overall | 8.3 | 49 | Hot Fuzz: 8.2 | fight Club: 8.3 |
| Script Characters | 8.25 | 45 | The Hudsucker Proxy: 8.00 | Erin Brokovich: 8.25 |
| Scene Internal Goal | 8.02 | 42 | Fleabag: 8.00 | the pursuit of happyness: 8.02 |
| Scene Emotional Impact | 7.6 | 42 | Fleabag: 7.5 | True Blood: 7.6 |
| Scene Character Changes | 6.6 | 37 | Fleabag: 6.5 | glass Onion Knives Out : 6.6 |
| Scene Originality | 8.64 | 36 | Enemy of the State: 8.62 | Rambo First Blood Part II: 8.64 |
| Scene Conflict Level | 7.1 | 27 | Coco: 7.0 | Arsenic and old lace : 7.1 |
| Script Visual Impact | 7.50 | 27 | Zootopia: 7.25 | Erin Brokovich: 7.50 |
| Scene Plot | 7.6 | 26 | Birdman: 7.5 | severance (TV): 7.6 |
| Scene High Stakes | 6.7 | 25 | American Beauty: 6.6 | Rear Window: 6.7 |
| Script Structure | 8.05 | 23 | True Blood: 8.04 | Dr. Jekyll and Mr Hyde : 8.05 |
| Scene Story Forward | 7.6 | 22 | Almost Famous: 7.5 | Rear Window: 7.6 |
| Scene Formatting | 8.02 | 21 | Easy A: 8.01 | Get Out: 8.02 |
| Script Emotional Impact | 7.25 | 14 | Charlie and The Choclate Factory: 7.00 | True Blood: 7.25 |
| Scene External Goal | 7.00 | 12 | Fleabag: 6.98 | Everything Everywhere All at Once: 7.00 |
Writer's Voice
Summary:The writer's voice is characterized by sharp and witty dialogue, detailed scene descriptions that create tension and suspense, and a focus on building a sense of mystery and danger.
Best representation: Scene 13 - A Nighttime Conversation on Heightened Suggestibility and Memory. This scene is the best representation because it effectively establishes the tone and atmosphere of the story while building tension and intrigue.
Memorable Lines:
- Jeremy: Your thith-ter bit my fuckin’ thongue off!!!! (Scene 11)
- Dean: I thought the whole thing was bull shit too. I smoked for 15 years. She puts me under once, now the sight one makes me wanna vomit. (Scene 10)
- Dean: We hug around here, my Man. Call me Dean. (Scene 6)
- Jim: I could give two shits about race. I don’t care if you’re black, brown, green, purple... whatever. People are people. What I want is deeper: Your eye, man. I want those things you see through. (Scene 39)
- Chris: I had some fucked up dreams. (Scene 18)
Writing Style:
The writing style in this screenplay is characterized by a blend of suspenseful storytelling, sharp dialogue, and exploration of complex themes such as race, identity, and social dynamics. The narrative is engaging and thought-provoking, with a strong emphasis on character development and interpersonal relationships.
Style Similarities:
- Jordan Peele
- Greta Gerwig
Story Shape
Emotions Elicited
Screenplay Rating:
Recommend
Executive Summary
Get Out is a well-crafted and compelling thriller that tackles complex themes of racism, family, and the abuse of power. The screenplay effectively builds tension and suspense, drawing the audience into the sinister world of the Armitage family and their disturbing plans for Chris. The strong character development, particularly in the case of Chris and Rose, adds emotional depth to the narrative, and the creative use of narrative devices like the pre-recorded messages and the hypnosis scenes further enhance the overall storytelling. While a few areas could benefit from tighter pacing and more nuanced exploration of the characters' motivations, the screenplay is overall a strong and engaging piece of work that would be of interest to a wide audience.
Strengths
- The hypnosis scene between Missy and Chris is very well-executed, gradually drawing the audience into the character's past trauma and the Armitage family's sinister intentions. high ( Scene 14 (INT. MISSY'S OFFICE - NIGHT) )
- The reveal of the Armitage family's true motives through the pre-recorded video message from Roman Armitage is a clever and impactful storytelling device that heightens the sense of dread and the audience's understanding of the characters' plight. high ( Scene 37 (INT. GAMES ROOM - LATER) )
- The intense and visceral climactic confrontation between Chris and the Armitage family members is a thrilling and well-paced sequence that effectively showcases Chris' determination to escape and the family's desperate attempts to maintain control. high ( Scene 41 (INT. FOYER - CONTINUOUS) )
- The opening sequences effectively establish the relationship between Chris and Rose, setting up the central conflict and Chris' initial discomfort with the prospect of meeting Rose's family. medium ( Scene 2 (INT. APARTMENT BUILDING - ELEVATOR) Scene 3 (INT. CITY APARTMENT - LIVING ROOM - DAY) )
- The emotional conversation between Chris and Rose in the woods provides depth and complexity to their relationship, further emphasizing the high stakes and Chris' difficult choices. medium ( Scene 29 (EXT. THE WOODS - AFTERNOON) )
Areas of Improvement
- The dialogue during the party scenes can sometimes feel a bit on-the-nose in its exploration of racial themes, which could be tightened to feel more organic and less expository. medium ( Scene 20 (EXT. BACKYARD - LATER) )
- The conversation between Chris and Rod, while entertaining, could be streamlined to maintain a tighter pace and avoid feeling too expository. medium ( Scene 26 (INT. CHRIS' APARTMENT - DAY) )
- The final confrontation between Chris and the Armitage family could be further developed to provide a more satisfying and nuanced resolution, potentially exploring the moral complexities of Chris' decisions more deeply. medium ( Scene 33 (INT. FOYER/LIVING ROOM - NIGHT) )
MissingElements
- The discovery of the photo album containing Rose's past relationships with other black men could be explored in more depth, providing additional insight into her character and motivations. medium ( Scene 32 (INT. ROSE'S BEDROOM - NIGHT) )
- The subplot involving Rod's attempts to investigate Chris' disappearance could be further developed, potentially providing a more satisfying resolution or additional context to the events unfolding at the Armitage estate. medium ( Scene 36 (INT. CHRIS' LIVING ROOM - DAWN) )
NotablePoints
- The auction sequence in the backyard, where the guests bid on Chris, is a chilling and well-executed set piece that effectively conveys the disturbing nature of the Armitage family's actions. high ( Scene 19 (EXT. BACKYARD - NOON) )
- The use of the television as a narrative device, with the pre-recorded messages from the Armitage family members, is a clever and effective way to gradually reveal the family's sinister agenda and draw the audience deeper into the story. high ( Scene 38 (INT. GAMES ROOM - DAY) )
- The final confrontation between Chris, Rose, and the remaining Armitage family members is a thrilling and emotionally complex sequence that leaves the audience with a sense of unease and moral ambiguity, reflecting the deeper themes of the film. high ( Scene 42 (EXT. ARMITAGE FRONT LAWN - NIGHT) )
Screenplay Insights:
Characters: 8.25, The screenplay presents a compelling narrative with well-developed characters that undergo significant transformation and growth. While certain characters exhibit depth and complexity, others could benefit from further exploration and refinement to fully captivate the audience and enhance their emotional connection to the story. See More
Premise: 8.5, The screenplay's premise effectively establishes a compelling and clear narrative foundation, immersing the audience in a mysterious and unsettling atmosphere. With its exploration of racial dynamics, psychological manipulation, and the horrors lurking beneath a seemingly idyllic facade, the premise has the potential to captivate and intrigue viewers. See More
Structure: 8.25, The screenplay showcases a clever and engaging plot with a strong narrative structure. It effectively builds tension, integrates themes, and keeps the audience invested in the unfolding events. However, certain areas, particularly pacing and resolution satisfaction, could benefit from refinement to enhance the overall impact. See More
Theme: 8.5, The screenplay effectively explores themes of race, identity, and the dangers of manipulation, weaving them into a suspenseful and thought-provoking narrative. The themes are clearly presented and resonate powerfully with the audience, leaving a lasting impact. However, certain aspects of the message could be further clarified and the integration with the plot could be more seamless. See More
Visual Impact: 7.5, The screenplay showcases a strong visual storytelling foundation with vivid descriptions that effectively convey the atmosphere, characters, and events. It introduces unique and creative visual elements, such as the vintage cream-colored Porsche and the surreal deer encounter, which contribute to a distinct visual style. The screenplay effectively utilizes visual imagery to enhance the emotional impact of the narrative, creating a sense of unease and tension. See More
Emotional Impact: 7.25, The screenplay demonstrates a strong foundation for emotional depth, particularly in its portrayal of Chris's growing paranoia and the unsettling atmosphere of the Armitage family. However, it also has areas where the emotional impact could be amplified to create a more resonant and lasting connection with the audience. See More
Conflict: 7.75, The screenplay effectively utilizes conflict and stakes to drive the narrative, creating a sense of tension and engagement. However, there are opportunities to further enhance the conflict and elevate the stakes, maximizing their impact on the audience. By refining the clarity of the central conflict, integrating it more tightly with the narrative, escalating the stakes, and ensuring a satisfying resolution, the screenplay can reach even greater heights in captivating the audience. See More
Originality: 9.25, The screenplay demonstrates a high level of originality and creativity in its exploration of racial dynamics, psychological horror, and class struggle. The unique blend of genres and the innovative narrative structure create a gripping and thought-provoking cinematic experience that sets it apart from other films in the horror genre. See More
Premise: 8.5, The screenplay's premise effectively establishes a compelling and clear narrative foundation, immersing the audience in a mysterious and unsettling atmosphere. With its exploration of racial dynamics, psychological manipulation, and the horrors lurking beneath a seemingly idyllic facade, the premise has the potential to captivate and intrigue viewers. See More
Structure: 8.25, The screenplay showcases a clever and engaging plot with a strong narrative structure. It effectively builds tension, integrates themes, and keeps the audience invested in the unfolding events. However, certain areas, particularly pacing and resolution satisfaction, could benefit from refinement to enhance the overall impact. See More
Theme: 8.5, The screenplay effectively explores themes of race, identity, and the dangers of manipulation, weaving them into a suspenseful and thought-provoking narrative. The themes are clearly presented and resonate powerfully with the audience, leaving a lasting impact. However, certain aspects of the message could be further clarified and the integration with the plot could be more seamless. See More
Visual Impact: 7.5, The screenplay showcases a strong visual storytelling foundation with vivid descriptions that effectively convey the atmosphere, characters, and events. It introduces unique and creative visual elements, such as the vintage cream-colored Porsche and the surreal deer encounter, which contribute to a distinct visual style. The screenplay effectively utilizes visual imagery to enhance the emotional impact of the narrative, creating a sense of unease and tension. See More
Emotional Impact: 7.25, The screenplay demonstrates a strong foundation for emotional depth, particularly in its portrayal of Chris's growing paranoia and the unsettling atmosphere of the Armitage family. However, it also has areas where the emotional impact could be amplified to create a more resonant and lasting connection with the audience. See More
Conflict: 7.75, The screenplay effectively utilizes conflict and stakes to drive the narrative, creating a sense of tension and engagement. However, there are opportunities to further enhance the conflict and elevate the stakes, maximizing their impact on the audience. By refining the clarity of the central conflict, integrating it more tightly with the narrative, escalating the stakes, and ensuring a satisfying resolution, the screenplay can reach even greater heights in captivating the audience. See More
Originality: 9.25, The screenplay demonstrates a high level of originality and creativity in its exploration of racial dynamics, psychological horror, and class struggle. The unique blend of genres and the innovative narrative structure create a gripping and thought-provoking cinematic experience that sets it apart from other films in the horror genre. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- The scene opens with Andre, a 29-year-old African-American man, feeling out of place and sensing he's being followed in a suburban neighborhood at night. He is attacked by a mysterious driver wearing a black knight's helmet and kidnapped, leaving the scene tense and foreboding. The scene then shifts to Chris Washington, a talented 24-year-old photographer, preparing for his day in his city apartment, providing a calm and confident contrast to Andre's ordeal.
- Rose and Chris share an affectionate morning in Chris' apartment, with Rose bringing coffee and pastries. Chris, who is black, reveals his nervousness about meeting Rose's parents due to their lack of knowledge about his race. Rose reassures Chris that her parents are not racist and are fans of Idris Elba. The scene ends with the couple taking a selfie and playfully rolling around on the bed.
- Chris (30s, male) and Rose (30s, female), longtime friends and possible romantic interests, start a road trip leaving Chris's city apartment. They say goodbye to Sid, Chris's dog. While driving through the picturesque countryside, Chris smokes a cigarette, but Rose takes it away and throws it out the window, causing a minor conflict. Rose shares nostalgic stories of her childhood visits to her grandparents' countryside home. The scene ends with Chris calling Rod as they continue their journey.
- In this lighthearted and humorous scene, TSA agent Rod Williams talks to his friend Chris on the phone, teasing him about his relationship with Rose, while Chris and Rose have a playful tickle fight in the car. The scene takes place outside the departures terminal at the airport during the day, and ends with a squirrel running across the hood of the car as Chris and Rose continue to drive. The conflict is minor and friendly, adding to the overall playful tone of the scene.
- In this tense and anxious scene, a deer jumps in front of Chris and Rose's car, causing damage. While Chris checks the woods for the injured deer, the police arrive and investigate the incident. A conflict arises when Officer Ryan asks Chris for his I.D., causing Rose to become defensive. The scene concludes with the officers leaving and Chris and Rose driving away, the conflict unresolved.
- Rose and Chris arrive at the Armitage estate, where Chris meets Rose's parents, Dean and Missy, for the first time. Dean greets Chris with enthusiasm, while Missy warmly welcomes him to their home. The scene is set in the afternoon, with the charming, isolated medium-sized home surrounded by thick forest. Chris is initially awkward but quickly put at ease by Dean's friendly demeanor. The scene ends with the group entering the Armitage home together.
- The group enters the Armitage home and settles in, with Dean expressing concern for the ecological impact of their car accident involving a deer. Missy, more focused on their well-being, offers a tour while Rose and Chris take a moment to unload their bags. Walter, keeping his distance, returns to work. The scene is lighthearted, with subtle tension between Dean and Missy's priorities, and ends with the group preparing to unload their bags before taking the tour.
- Rose and Chris head upstairs for some intimate moments, but Chris hesitates, remembering their plan to go on a tour. However, Rose's look and their strong connection lead them to continue their intimate moment. Meanwhile, Dean gives Chris a tour of the house, showing him pictures of Rose's family and sharing stories about the house's history. The scene takes place in the upstairs hallway and Rose's bedroom in the Armitage house during the day, and the tone is light and playful with a hint of sexual tension and nostalgia.
- Dean and Chris tour the Armitage house, starting in the kitchen where they meet Georgina, the housekeeper. They discuss the racial dynamics of having black servants. Moving to the backyard, Dean shares his political views with Chris as they admire the privacy and beauty of the space.
- The scene takes place on an outdoor patio during the day, where Dean, Missy, Chris, and Rose sit and chat over iced teas. Chris and Rose reveal they are in love, and Dean asks Chris about his parents, learning that his mom passed away when he was 11 due to a hit and run. Georgina, a nervous server, refills their glasses while Jeremy, Missy's son, arrives home and greets the group. The tone is friendly and welcoming, with a hint of sadness when Chris shares about his mother's passing, and minor conflicts arise from Chris' revelation and Georgina's behavior.
- The scene takes place in the Armitage dining room at night, where everyone gathers after a meal. The group, excluding Rose, laughs at Jeremy's story about Rose's toenail collection. Jeremy, who is drunk, shares an embarrassing story about Rose's junior year crush, Conner Garfield. Chris, the newcomer, tries to avoid conflict while Dean acts as the peacemaker, keeping the conversation light. Jeremy's behavior escalates when he tries to put Chris in a headlock, but Dean intervenes, telling Jeremy to stop. The scene ends with Jeremy storming off upstairs with a wine bottle.
- In this intimate scene, Chris and Rose share a private moment in her bedroom at her family's estate. They discuss the challenges of her family's behavior towards him, with her father being overly friendly and her mother being rude to his ex-girlfriend. Despite these issues, Chris remains calm and appreciative, while Rose expresses her concerns. They share a kiss and engage in playful banter, eventually leading to a more intimate moment as Rose takes off her shirt. The scene ends with a sense of worry about the future, particularly in regards to a party they will attend together tomorrow.
- Chris, unable to sleep, goes outside to smoke and gets frightened by the groundskeeper Walter and later by Georgina. He is then caught by Missy and invited into her office for a talk, shifting the tone of the scene from tense to relaxed.
- In Missy's office at night, Missy and Chris converse while Missy makes tea. They discuss sleep problems and Missy introduces the concept of heightened suggestibility. Missy inquires about Chris's relationship with his mother, leading Chris to recall his mother's death while hearing rain. Missy's authoritative tone and Chris's skepticism give way to intimacy and trust.
- In a tense and anxious scene, 11-year-old Chris flashes back to searching for something under his bed while in the present, he is in Missy's office, revealing his mother hasn't come home yet. Conflicted about calling for help, Chris expresses his fear and reluctance, leaving the conflict unresolved. Missy encourages Chris to find a phone and call for help, trying to resolve his internal conflict.
- The scene opens with a flashback to 11-year-old Chris, filled with tension and guilt, as he scratches through the wood on his bed and speaks to Missy over the phone. In the present day, Chris, now grown, is in Missy's office, overcome with emotion and unable to move. The scene ends with Chris plummeting through darkness, begging to be rescued, highlighting his ongoing struggle with fear and guilt.
- Chris, the main character, wakes up from a nightmare about the Sunken Place and receives a message from his friend Rod. As he explores the Armitage property, he takes pictures of the nature and Georgina, noticing her unusual awareness of his presence. Chris tries to make small talk with Walter, but Walter's distant and evasive behavior creates a sense of tension. The scene ends with Chris feeling uneasy and uncertain about his place in the Armitage family.
- Chris enters Rose's bedroom and shares his suspicion that Rose's mom hypnotized him, causing strange dreams and an aversion to cigarettes. They discuss Chris's concerns about Walter's hostility, and Rose offers to talk to her dad. The scene ends with them looking out the window at a procession of cars driving onto the front yard.
- Chris and Rose attend a party in the backyard with 30 or so white guests and one Japanese man. Chris meets Gordon and Emily Greene, an older man and his wife. Gordon, a former professional golfer, tries to teach Chris golf, and they share a friendly laugh. The scene is light-hearted and friendly, with no major conflicts.
- Chris and Rose interact with several party guests, including Nelson Deets and his wife Lisa, who makes a pass at Chris and asks about his lovemaking. They also meet Parker and April Dray, who make controversial statements about race. Chris takes pictures and sees Dean pointing him out to some couples. He also sees another black guy in the party. The scene is lighthearted at first, but it becomes tense when Parker makes controversial statements about race, and it becomes awkward when Lisa makes a pass at Chris. The scene ends with Chris seeing another black guy in the party.
- Chris, the main character, approaches Andre, a friend of the Armitage family, at their party to make small talk. However, Andre is distant and unengaged, which leaves Chris feeling disappointed. A wealthy woman named Philomena interrupts their conversation and introduces herself to Chris. The scene takes place in the backyard of the Armitage's house, and the main conflict is Chris's disappointment that Andre isn't what he expected. The tone is tense and uncomfortable. Key pieces of dialogue include Chris's comment about seeing another black man at the party, Andre's response about being friends with the Armitage family, and Philomena's introduction of herself to Chris. The scene ends with Andre and Philomena leaving to join another group, and Chris feeling even more isolated.
- Chris, appearing agitated, looks for his missing partner Rose amidst a party. Dean, the leader, introduces Chris to the crowd and showers him with praise. Meanwhile, Chris approaches a man sitting alone by the gazebo as Dean toasts to a new era, hinting at a larger conflict within the group. The scene is filled with mixed tones of lightheartedness and underlying tension.
- Chris wanders off during Dean's speech and meets Jim Hudson, a blind admirer of his work. They discuss perception and art, with Jim expressing his admiration for Chris's photography and inviting him to a solo show. The scene takes place outside at a gazebo during the day, and there is a minor conflict when Jeremy and Derrick interrupt to invite Chris to play badminton. The tone is contemplative and positive, with significant visual elements including Chris and Jim's conversation at the gazebo. The scene ends with Chris leaving with Jeremy and Derrick.
- In a lighthearted and playful backyard badminton game, Chris and Rose's team faces off against Jeremy and Derrick. Chris's nerves get the best of him after missing a shot, but Jeremy's taunts only fuel Chris to serve hard and make a spectacular diving swat, ending the rally. Overwhelmed by the crowd's cheers, Chris hands his racket to Gordon Greene and steps away from the game, leaving everyone in awe of his impressive play and mysterious departure.
- Chris excuses himself to Rose's room to charge his phone, but finds it unplugged and out of batteries. He suspects Georgina of unplugging it, which Rose finds unlikely. The conflict remains unresolved as Chris decides to forget about it and plug his phone back in. The scene takes place in the Armitage household, with a tense and suspicious tone due to Chris's paranoia and Rose's skepticism. The key visual element is Chris's unplugged phone, and the scene ends with Chris plugging it back in.
- Chris, in Rose's childhood room, talks to Rod on the phone and reveals his hypnotic state from Rose's mother. Rod expresses discomfort with the white family, creating tension. The scene turns uncomfortable when Georgina, the maid, enters, apologizes for touching Chris's belongings, and starts an awkward conversation, adding to Chris's unease.
- Chris (a black man) returns to Dean's backyard and is introduced to several acquaintances who seem to share a private joke. Dean encourages Chris to answer questions about being African American, which makes him uncomfortable. Chris hands off the questioning to Andre/Logan, takes a picture, and accidentally triggers Andre/Logan's transformation into a hostile state. The scene becomes tense, and it takes all the strength of Jeremy, Philomena, and Missy to bring Andre/Logan into the house. The scene starts off as light-hearted and curious but quickly turns tense and uncomfortable when the questioning begins, and even more hostile when Chris takes the picture and Andre/Logan transforms.
- Rose and Chris experience a traumatic seizure-induced attack, which Dean explains was triggered by Chris' phone flash. Andre/Logan apologizes for his behavior and leaves with Missy and Philomena. The group tries to lighten the mood by playing sparklers and Bingo. However, Rose and Chris' conflict remains unresolved as Chris pulls away from her during a walk. The scene takes place in the living room in the afternoon, and the tone is tense and uncomfortable with moments of levity.
- Rose and Chris have a personal conversation in the woods where Chris reveals his confusion and discomfort about the situation, including his feeling like he knew the man who grabbed him earlier, Logan. Meanwhile, the party guests, including Dean, gather in the backyard for an auction of a picture of Chris. Rose tries to get Chris to open up about his feelings, but he shuts down, adding to the tension and uncertainty of the scene.
- In the backyard, Dean auctions off a property to Jim Hudson, as Chris and Rose have a heart-to-heart conversation in the woods. Rose reveals she's late for her period, causing Chris's inner conflict due to his past trauma about his mother's death. However, they console each other and decide to return home together. The scene is emotionally heavy, with a competitive tone at the auction and a serious, intimate conversation between Chris and Rose.
- Chris and Rose return home after their party, and Chris washes up. He sends Rod a picture of Logan/Andre, who is now dressed differently and with an older white woman. Rod recognizes Logan/Andre's connection to Veronica, Teresa's sister. The conversation ends abruptly due to a dead battery, leaving Chris' questions about Logan/Andre unanswered.
- In Rose's bedroom at night, Chris is packing to leave when he discovers a photo album in her closet containing pictures of Rose with different black guys, including Walter. This discovery causes tension and suspicion, as Chris questions Rose's loyalty and trust. Despite finding the album, Chris decides to explain everything in the car, leaving Rose unaware of his discovery. The scene ends with Chris leaving the room, leaving the conflict unresolved.
- In this tense and eerie scene, Chris tries to leave the house to take his sick dog to the vet, but is stopped by Rose, Jeremy, and Missy, who are under the leadership of Dean. Chris is questioned about his purpose and intentions, and as he attempts to leave, the world blurs around him and he falls to the ground. The setting is a house's foyer and living room at night, with a roaring fireplace and a painting above it. Key pieces of dialogue revolve around Dean's cryptic questions about purpose and mortality, and Chris's responses about finding the keys and being raised Episcopalian.
- In this tense and frightening scene, Chris falls through a dark abyss and finds himself in his living room, where Jeremy and Dean attend to his head injury. He calls out for Rose, who appears and whispers to him before he's taken away to a dark, empty space downstairs. Alone, Chris lights a lighter and encounters a large, antlered creature. The scene ends with Chris facing the creature and being taken away into the darkness.
- Rod visits Chris's apartment and finds his dog, Sid. After feeding Sid, Rod discovers an article about a missing person named Andre Hayworth on Chris's laptop, causing him to look concerned. Meanwhile, Chris wakes up bound to a chair in a dark room with taxidermied animals, speaking to his kidnappers through a television before falling back asleep. The scene takes place in various rooms of Chris's apartment and is tense and anxious in tone, with Rod expressing his worry and Chris expressing his fear.
- In this serious and tense scene at the police station, Rod Williams, a TSA agent, reports his friend Chris as missing to Detective Latoya. Rod believes Chris has been abducted and brainwashed by a wealthy family to be a sex slave. He shows Detective Latoya a photo of Chris' friend Andre, who went missing and reappeared with a different personality. Initially dismissive, Detective Latoya calls in two officers, Garcia and Drake, to hear Rod's story, indicating that she is taking his concerns seriously.
- In the police station, detectives Garcia and Drake laugh off Rod's concerns about hypnosis and white girls. Meanwhile, Chris, under hypnosis, becomes paranoid and terrified when a tea cup appears on the television screen. Rod calls Chris' apartment and speaks with Rose, who reveals that Chris has been missing for two days. Rod suspects Rose's family of wrongdoing and records their conversation. At Rose's dining room, Rod tries to get information from Rose about Chris' disappearance, but their conversation takes a turn when Rose accuses Rod of having feelings for her, causing him to hang up in panic. The scene ends with Rose looking back at her family with a blank expression.
- Chris, still captive in the games room, wakes up to a televised message from Roman Armitage, Dean's father. Roman introduces the Coagula procedure, a medical breakthrough perfected by the Armitage family, and encourages Chris not to resist. The scene showcases the picturesque Armitage estate at sunset and ends with Roman and his family standing together, waving at the camera as the words 'Behold the Coagula' appear on the screen. The tone is calm and manipulative, with Roman attempting to reassure Chris through soothing music and a beautiful setting, while hinting at the larger conflict of Chris's captivity and the implications of the Coagula procedure.
- In a tense and ominous game room scene, Jim Hudson, a character with a shaven head, appears on a television and explains the process of a brain transplantation procedure to Chris, who is restrained in a chair. Chris gradually understands the implications of the process, occasionally asking questions or making comments, but ultimately loses consciousness again, setting up the following scene in the operating room. The conflict of Chris's resistance to the procedure and his desire to escape is not resolved in the scene.
- In the games room, Chris attacks Jeremy with a bocce ball. Meanwhile, in the operating room, Chris stabs Dean with deer antlers and Jim's skull is sawed off by an unspecified person. Chris then sets the operating room on fire. In the kitchen, Georgina sees Chris's reflection and runs out in fear. Chris and Missy struggle in her office, resulting in Chris emerging with a bloodied letter opener. The scene ends with a growing sense of danger and violence, as conflicts remain unresolved and tensions escalate.
- Chris fights Jeremy in the foyer of the Armitage house, eventually stabbing him in the leg and driving away in a sports car. In his escape, Chris accidentally hits Georgina with the car and is shocked to discover her body. The scene ends with Chris stopping the car and taking in the horror of what just occurred.
- Young Chris, shocked, drives away from the Armitage house with Georgina, who transforms into his Grandma. A gun-wielding Rose shoots at him, but he escapes. Walter, revealed as Roman Armitage, chases and tackles Chris, leading to Walter's suicide. Chris nearly chokes Rose to death before stopping. Leaving Rose with Rod, they drive away, ending the scene in despair and violence.
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| Chris | Chris starts as a laid-back and creative photographer who is nervous about meeting Rose's parents. As the story progresses, he becomes increasingly suspicious and paranoid as he uncovers unsettling truths about the Armitage family. He confronts his deepest fears and anxieties, ultimately transforming into a determined and resourceful survivor who fights back against his captors, showcasing his strength and resilience. | The character arc for Chris is well-developed, showcasing his growth from a vulnerable individual to a survivor. However, there could be more emphasis on his emotional journey and internal struggles throughout the screenplay to further enhance his character development. | To improve the character arc, consider incorporating more moments of introspection and vulnerability for Chris to highlight his emotional depth. Additionally, explore his relationships with other characters in more depth to showcase his empathy and sense of justice. This will help to further engage the audience and create a more compelling and dynamic character arc for Chris. |
| Rose | Rose starts off as a confident and caring woman introducing Chris to her family, but as the story progresses, her mysterious past and hidden motives are slowly revealed. She becomes conflicted between her loyalty to her family and her growing feelings for Chris, leading to a moment of redemption and sacrifice where she must confront her true intentions and face the consequences of her actions. | The character arc for Rose is intriguing and complex, but it could benefit from more clarity and development throughout the screenplay. The transition from her supportive and caring nature to her manipulative and conflicted side could be more gradual and nuanced, allowing the audience to better understand her motivations and internal struggles. Additionally, the resolution of her arc could be more impactful and satisfying, providing a deeper insight into her character and the choices she makes. | To improve the character arc for Rose, consider adding more foreshadowing and subtle hints about her hidden motives and past throughout the screenplay. Develop her relationships with other characters, especially Chris, to show the internal conflict she faces and the emotional toll it takes on her. Strengthen the climax of her arc by emphasizing the consequences of her actions and the growth she undergoes as a result, leading to a more satisfying resolution for her character. |
| Dean | Dean starts off as an awkward yet well-meaning father who tries to connect with his daughter and her partner through humor and warmth. As the story progresses, he becomes more conscious of race and class dynamics, addressing conflicts with humor and openness. Dean's character arc culminates in him embracing his family's history and traditions, taking on a more authoritative and celebratory role as the host of gatherings. | The character arc for Dean is well-developed, showing growth and depth throughout the feature. However, there could be more exploration of Dean's vulnerabilities and internal conflicts to add complexity to his character. | To improve the character arc, consider adding scenes that delve deeper into Dean's personal struggles and insecurities. This could provide a more nuanced portrayal of his character and make his growth more impactful. Additionally, exploring his relationships with other family members or delving into his past experiences could add layers to Dean's character development. |
| Missy | Missy starts off as a welcoming and nurturing mother figure, but as the story progresses, her darker intentions and manipulative nature are revealed. She delves deeper into psychological manipulation, ultimately leading to a climax where her true motives are exposed, and she exerts power and dominance over the protagonist. | The character arc for Missy is well-developed, showcasing a gradual shift from a caring mother figure to a manipulative and menacing presence. However, there could be more clarity in the transition between her nurturing facade and her darker side. The reveal of her true intentions could be more impactful if there are subtle hints throughout the story leading up to it. | To improve the character arc, consider adding subtle foreshadowing of Missy's darker nature earlier in the screenplay. This could be done through small gestures, dialogue hints, or interactions with other characters that hint at her manipulative tendencies. Additionally, explore the internal conflict within Missy as she grapples with her nurturing facade and her darker intentions, adding depth to her character development. |
| Andre/logan | Andre/Logan starts off as a mysterious and controlled character, but as the story progresses, his hidden depths and internal turmoil are revealed through his dramatic transformation. This leads to a climax where his dual personality is fully exposed, adding depth and complexity to his character. | The character arc for Andre/Logan is intriguing and adds depth to the story. However, the transition from his controlled demeanor to his aggressive behavior could be further developed to make it more impactful and believable. Additionally, more hints and foreshadowing of his hidden depths throughout the screenplay could enhance the reveal of his dual personality. | To improve the character arc, consider adding subtle hints and foreshadowing of Andre/Logan's hidden depths earlier in the screenplay. Develop the transition from his controlled demeanor to his aggressive behavior more gradually, building up the tension and suspense leading to the climax. This will make the reveal of his dual personality more impactful and engaging for the audience. |
| Rod | Rod starts off as a concerned friend who is determined to find Chris and uncover the truth about Andre's disappearance. As he delves deeper into the investigation, he becomes more obsessed with finding answers, leading to confrontations with others involved in the mystery. Ultimately, Rod's relentless pursuit of the truth puts him in danger, but he refuses to back down until he uncovers the whole truth and brings justice to his friends. | The character arc for Rod is well-developed and engaging, but it could benefit from more internal conflict and emotional depth. While his determination and loyalty are clear, exploring his fears, doubts, and vulnerabilities could add complexity to his character and make his journey more compelling for the audience. | To improve Rod's character arc, consider adding moments of self-doubt or internal struggle as he faces obstacles in his investigation. Show how his loyalty and determination are tested, and allow him to grow and evolve emotionally throughout the story. This will make his ultimate triumph in uncovering the truth even more satisfying for the audience. |
| Theme | Theme Details | Themee Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Racial Tension and Discrimination | Characters react differently to Chris due to his race, such as the police officer asking for his ID, Rose's family being overly friendly, and the party guests' varying reactions to him. The screenplay also explores Chris's concern about meeting Rose's parents because of his race. | The screenplay highlights the racial divide and the challenges faced by interracial couples. It also touches upon the microaggressions and biases that people of color experience in their daily lives. | ||||||||||||
Strengthening Racial Tension and Discrimination:
| ||||||||||||||
| Identity and Self | Chris's struggle with his identity and self-worth is evident when he is hypnotized and manipulated by Missy. He also grapples with his past trauma and the loss of his mother. | The screenplay delves into the themes of identity, manipulation, and the power of suggestion. It raises questions about the nature of self and the importance of maintaining one's individuality and autonomy. | ||||||||||||
| Love and Relationships | The relationship between Chris and Rose is a significant aspect of the screenplay, as they navigate the challenges of an interracial couple and Chris's growing suspicions about Rose's family. | The screenplay explores the complexities of love and relationships, touching upon themes of trust, acceptance, and the lengths people will go to protect those they care about. | ||||||||||||
| Manipulation and Control | Missy's hypnosis and the Armitage family's brain transplantation procedure demonstrate the theme of manipulation and control. | The screenplay highlights the dangers of manipulation and the importance of maintaining one's autonomy and self-awareness. It also raises questions about the ethics of mind control and the consequences of playing with people's identities. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals evolve from seeking acceptance and safety in an unfamiliar environment to grappling with deep-seated fears and the need for autonomy in the face of manipulation. Chris desires reassurance about his relationship, navigates complex racial dynamics, and ultimately fights for his own identity and survival. |
| External Goals | The protagonist's external goals shift from wanting to impress and fit in with Rose's family to ultimately escaping the escalating threats posed by that very family. His journey transforms from a desire for acceptance to a fight for survival. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the tension between societal perceptions of race and individual identity. This conflict manifests in the protagonist’s interactions with a seemingly progressive white family who harbor sinister intentions, challenging Chris's beliefs about race, safety, and acceptance. |
Character Development Contribution: The evolution of Chris's goals reflects his journey from a passive participant seeking acceptance to an active individual reclaiming his identity and asserting his agency. This growth is critical in transforming him into a resilient character who confronts danger head-on.
Narrative Structure Contribution: The goals and conflicts drive the plot forward, creating tension and suspense as Chris navigates various challenges that lead to critical turning points. Each phase of his internal and external goals contributes to a structured escalation of tension culminating in a climactic confrontation.
Thematic Depth Contribution: The interplay of internal and external conflicts offers a rich exploration of race, identity, and autonomy, deepening the thematic complexity of the screenplay. These elements provoke audiences to reflect on societal norms, personal relationships, and the true nature of acceptance.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \
It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Kidnapping in the Suburbs and a Photographer's Morning | Suspenseful, Dark, Mysterious | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 2 - Morning Jitters and Meeting the Parents | Playful, Sarcastic, Lighthearted | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 3 | 8 | 2 | 5 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
| 3 - Road Trip Begins with a Hint of Tension | Light-hearted, Playful, Romantic | 8 | 8 | 7 | 8 | 9 | 5 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 4 - Friendly Teasing and Playful Tickles: Chris, Rose, and Rod at the Airport | Humorous, Light-hearted, Playful | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 7 | 6 | 6 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 5 - Car Collision with a Deer: An Encounter with the Police | Tense, Suspenseful, Dramatic, Confrontational | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 6 - Warm Welcome at the Armitage Estate | Awkward, Warm, Playful | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 7 - Warm Welcome to the Armitage Home | Light-hearted, Playful, Eccentric | 8 | 7 | 7 | 8 | 8 | 5 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 9 | 8 | 8 | 9 | 9 | |
| 8 - Exploring the Past: Intimate Moments and Family History | Playful, Nostalgic, Intimate | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 9 - Exploring the Armitage House | Light-hearted, Reflective, Informative | 8 | 8 | 7 | 7 | 9 | 6 | 8 | 7 | 7 | 7 | 6 | 7 | 8 | 6 | 8 | 9 | 9 | 8 | 8 | |
| 10 - A Sunny Afternoon of Tea and Revelations | Heartwarming, Awkward, Light-hearted, Tense | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 11 - Jeremy's Drunken Outburst at Dinner | Humorous, Light-hearted, Embarrassing | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 5 | 7 | 3 | 6 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 12 - Intimate Moment in Rose's Bedroom: Navigating Family Dynamics and Building a Future Together | Playful, Intimate, Worried | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 6 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 13 - Chris's Late Night Sneak and Conversation with Missy | Suspenseful, Tense, Mysterious, Intense | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 8 | 8 | 7 | 7 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 14 - A Nighttime Conversation on Heightened Suggestibility and Memory | Intense, Suspenseful, Intriguing | 8 | 9 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 15 - Chris' Fear and Reluctance to Seek Help | Tense, Introspective, Emotional | 8 | 9 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 8 | 5 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 16 - Chris's Overwhelming Guilt and Fear | Terror, Intense, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 17 - Chris' Unease Grows as He Confronts the Strange Behavior of the Armitage Family | Suspenseful, Chilling, Mysterious, Intense, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 18 - Chris's Hypnosis and Walter's Hostility | Suspenseful, Intense, Mysterious, Tense | 8 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 8 | 9 | 9 | 9 | 8 | 8 | |
| 19 - Chris Learns Golf at a Backyard Party | Light-hearted, Friendly, Humorous | 8 | 7 | 7 | 7 | 8 | 5 | 8 | 7 | 4 | 7 | 3 | 7 | 6 | 6 | 8 | 9 | 8 | 9 | 8 | |
| 20 - Awkward Conversations and Uncomfortable Advances at the Garden Party | Awkward, Confrontational, Light-hearted | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 21 - Disappointment at the Armitage Party | Tense, Suspenseful, Mysterious, Unsettling | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 6 | 7 | 9 | 9 | 8 | 8 | |
| 22 - Chris's Discomfort at the Templar Gathering | Tense, Formal, Celebratory | 8 | 8 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 7 | 6 | 8 | 7 | 6 | 7 | 9 | 9 | 8 | 8 | |
| 23 - Chris's Contemplative Encounter with a Blind Art Dealer | Introspective, Melancholic, Irony, Sympathetic | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 4 | 6 | 3 | 5 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 24 - Chris's Showstopping Play and Unexpected Exit | Light-hearted, Playful, Competitive | 8 | 7 | 7 | 8 | 8 | 5 | 8 | 7 | 4 | 7 | 3 | 6 | 7 | 6 | 7 | 9 | 9 | 8 | 9 | |
| 25 - The Unplugged Phone Incident | Tense, Suspenseful, Confrontational | 8 | 7 | 8 | 8 | 9 | 6 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 26 - Chris's Unease and Georgina's Entrance | Suspenseful, Eerie, Tense, Darkly Humorous | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 27 - Chris' Uncomfortable Introduction to Dean's Acquaintances and an Unexpected Transformation | Tense, Unsettling, Intense, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 28 - Tense Aftermath and Uneasy Recovery | Tense, Suspenseful, Dramatic | 8 | 7 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 29 - A Tense Conversation and an Uneasy Auction | Intense, Emotional, Suspenseful | 8 | 8 | 8 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 30 - A Bittersweet Auction & Intimate Revelation | Emotional, Reflective, Intimate | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 7 | 6 | 7 | 6 | 7 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 31 - Unraveling Logan/Andre's Identity | Suspenseful, Tense, Mysterious, Dramatic | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 32 - Chris's Discovery in Rose's Closet | Suspenseful, Intense, Mysterious, Emotional | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 7 | 9 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 33 - Chris's Escape Thwarted: A Tense Night | Tense, Mysterious, Intense | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 34 - Chris's Disorienting Descent and Encounter with the Antlered Creature | Terror, Anxiety, Confusion | 9 | 9 | 8 | 9 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 7 | 8 | 9 | 6 | 9 | 9 | 8 | 8 | |
| 35 - Rod's Worries and Chris's Kidnapping | Anxious, Suspenseful, Terrifying, Mysterious | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 36 - TSA Agent Reports Friend's Disappearance to Skeptical Detective | Suspenseful, Serious, Intense | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 37 - Rod's Suspicions and Chris' Paranoia | Suspenseful, Intense, Emotional, Confrontational | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 38 - Roman Armitage's Introduction and the Coagula Procedure Explanation | Menacing, Sinister, Mysterious, Foreboding | 9 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 39 - Jim Hudson Explains Brain Transplantation Procedure to Chris | Menacing, Intense, Sinister, Revealing | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 40 - Violent Outbursts and Escalating Conflicts | Intense, Suspenseful, Violent, Dark | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 41 - Chris's Escape and Georgina's Tragic Accident | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 7 | 8 | |
| 42 - Escape from the Armitage House: A Night of Despair and Violence | Intense, Suspenseful, Dark, Emotional, Shocking | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense emotional impact
- Building tension and suspense
- Exploration of psychological themes
- Strong character dynamics
- Engaging dialogue
Scene Weaknesses
- Limited plot progression
- Low stakes
- Some dialogue could be more impactful
- Some elements may be too cryptic or vague for some viewers
- Limited character development
Suggestions
- Consider raising the stakes to increase the tension and conflict in the story
- Work on developing more nuanced and impactful dialogue throughout the screenplay
- Further explore and clarify elements of the plot and narrative structure that may be confusing for viewers
- Continue to focus on developing strong character dynamics and emotional depth in the story
- Experiment with different techniques and approaches to create a more engaging and impactful reading experience
World Building
- Physical environment: The physical environment in the screenplay varies from suburban neighborhoods, modern city apartments, rural roads, to an airport and wealthy households. These settings contribute to the characters' experiences by creating a sense of contrast between comfort and danger, familiarity and unease.
- Culture: The cultural elements in the screenplay include interracial dating, historical context of African American servants in white households, and diverse backgrounds of characters. These cultural aspects shape the characters' experiences by highlighting societal prejudices and expectations, and adding layers of complexity to their relationships.
- Society: The societal structure in the screenplay is depicted through family dynamics, TSA agents, and party guests. The societal elements influence the characters' experiences by creating hierarchies, exerting authority, and challenging social norms.
- Technology: The technological elements in the screenplay include smartphones, cameras, and medical equipment. These technological aspects contribute to the narrative by facilitating communication, capturing moments, and enabling scientific procedures.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a sense of place, highlighting societal norms and prejudices, and providing tools and resources for the characters to navigate their world.
- Narrative contribution: The world elements contribute to the narrative by providing context, creating tension and suspense, and driving the plot forward. The contrasting settings, cultural diversity, societal hierarchies, and technological advancements create a rich backdrop for the characters' stories to unfold.
- Thematic depth contribution: The world elements also contribute to the thematic depth of the screenplay by exploring themes of identity, prejudice, power, and manipulation. The physical environment, culture, society, and technology intersect to create a complex and thought-provoking narrative.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by sharp and witty dialogue, detailed scene descriptions that create tension and suspense, and a focus on building a sense of mystery and danger. |
| Voice Contribution | The writer's voice contributes to the script by enhancing the mood of suspense and danger, creating a sense of unease and anticipation for the audience. |
| Best Representation Scene | 13 - Chris's Late Night Sneak and Conversation with Missy |
| Best Scene Explanation | This scene is the best representation because it effectively establishes the tone and atmosphere of the story while building tension and intrigue. |
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Relationship between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher emotional impact tend to receive higher overall grades, indicating that emotional depth is a key factor in the success of a scene. |
| Character Changes and Conflict | There is a positive correlation between Character Changes and Conflict in this screenplay. Scenes with higher levels of conflict tend to result in more significant character changes, suggesting that conflict is a catalyst for character development. |
| Dialogue and Emotional Impact | There is a positive correlation between Dialogue and Emotional Impact in this screenplay. Scenes with more impactful dialogue tend to evoke stronger emotional responses from the audience, highlighting the importance of well-crafted dialogue in conveying emotion. |
| Tone and Concept | There is a correlation between Tone and Concept in this screenplay. Scenes with specific tones such as 'Suspenseful' or 'Intense' often align with the overall concept of the scene, indicating that tone plays a key role in conveying the intended concept to the audience. |
Writer's Craft Overall Analysis
The screenplay showcases a strong ability to build tension, suspense, and emotional depth through character interactions and plot twists. The writer effectively combines various elements, such as psychological horror, supernatural suspense, and emotional depth, to create a compelling and immersive narrative experience. However, there is room for improvement in character depth, emotional impact, and pacing in certain scenes.
Key Improvement Areas
Character Depth and Emotional Impact
While the screenplay has strong characters, some scenes could benefit from deeper exploration of their emotions and motivations to create a more significant emotional impact on the audience.
Pacing and Structure
Some scenes might benefit from better pacing and structure to maintain audience engagement and ensure a smooth narrative flow.
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Screenplay | Read 'The Silence of the Lambs' screenplay by Ted Tally for insights into character development, pacing, and suspenseful storytelling. | This screenplay is known for its strong characters, engaging dialogue, and suspenseful pacing, which can help the writer improve their character depth and emotional impact. |
| Writing Exercise | Practice writing character monologues to explore your characters' inner thoughts, emotions, and motivations. | This exercise will help deepen the emotional impact of the characters and enhance the overall narrative experience. |
| Writing Exercise | Create a beat sheet for your screenplay, outlining the key plot points and character arcs. Analyze the pacing and structure, and make adjustments as needed. | This exercise will help improve the overall pacing and structure of the screenplay, ensuring a smooth narrative flow and maintaining audience engagement. |
Additional Notes:
The screenplay demonstrates a unique voice and a strong ability to create tension and suspense. Continue refining your craft, exploring different storytelling techniques, and pushing creative boundaries to further enhance your writing style and voice.
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| The Magical Negro | An African-American character, Missy, who has supernatural abilities and uses them to help the white protagonist, Chris. | The Magical Negro is a trope where a black character is depicted as having mystical or supernatural powers and uses them to help a white character. This trope is often criticized for its stereotypical and racist portrayal of black people. An example of this trope is in The Green Mile (1999) where the character John Coffey, played by Michael Clarke Duncan, has supernatural abilities and uses them to help the white characters. |
| The Mystical Asian | An Asian character, Philomena, who is wealthy and has a mysterious aura around her. | The Mystical Asian is a trope where Asian characters are portrayed as having mysterious or supernatural abilities. This trope is often used to otherize and exotify Asian people. An example of this trope is in The Matrix (1999) where the character Seraph, played by Collin Chou, is a mystical martial artist who guards the Oracle. |
| The Black Best Friend | An African-American character, Rod, who is Chris's best friend and provides comedic relief. | The Black Best Friend is a trope where black characters are relegated to supporting roles and exist solely to provide comedic relief or support the white protagonist. This trope is often criticized for its stereotypical and racist portrayal of black people. An example of this trope is in Clueless (1995) where the character Dionne, played by Stacey Dash, is Cher's black best friend who provides comedic relief. |
| The Damsel in Distress | Rose, the white protagonist, who is in danger and needs Chris to save her. | The Damsel in Distress is a trope where a female character is placed in a perilous situation from which she cannot escape on her own and requires rescue by a male character. This trope is often criticized for its sexist portrayal of women as helpless and in need of rescue. An example of this trope is in King Kong (1933) where the character Ann Darrow, played by Fay Wray, is captured by the giant ape and requires rescue by the male protagonist. |
| The Magical Negro Sidekick | Missy, an African-American character, who uses her supernatural abilities to help Chris. | The Magical Negro Sidekick is a variation of the Magical Negro trope where a black character has supernatural abilities that exist solely to help the white protagonist. This trope is often criticized for its stereotypical and racist portrayal of black people. An example of this trope is in The Legend of Bagger Vance (2000) where the character Bagger Vance, played by Will Smith, has supernatural abilities and uses them to help the white protagonist. |
| The White Savior | Chris, the white protagonist, who saves Rose from danger. | The White Savior is a trope where a white character rescues non-white characters from danger or oppression. This trope is often criticized for its racist portrayal of non-white characters as helpless and in need of rescue by white characters. An example of this trope is in Dances with Wolves (1990) where the character John Dunbar, played by Kevin Costner, saves a Native American tribe from oppression. |
| The Strong Silent Type | Chris, the white protagonist, who is strong and silent. | The Strong Silent Type is a trope where a male character is portrayed as strong, silent, and emotionally stoic. This trope is often used to portray masculinity in a stereotypical and limiting way. An example of this trope is in The Man with No Name trilogy (1964-1966) where the character played by Clint Eastwood is a strong, silent, and emotionally stoic cowboy. |
| The Manic Pixie Dream Girl | Rose, the white protagonist, who is quirky and helps Chris find himself. | The Manic Pixie Dream Girl is a trope where a female character is portrayed as quirky, spontaneous, and having a carefree attitude. This trope is often used to help the male protagonist find himself or his purpose. This trope is often criticized for its sexist portrayal of women as existing solely to help men. An example of this trope is in Garden State (2004) where the character Sam, played by Natalie Portman, is a quirky and spontaneous woman who helps the male protagonist find himself. |
| The Black Brute | Andre/Logan, an African-American character, who becomes hostile and attacks Chris. | The Black Brute is a trope where a black character is portrayed as physically strong and aggressive. This trope is often used to otherize and demonize black people. An example of this trope is in Birth of a Nation (1915) where the character Gus, played by Walter Long, is a black man who pursues a white woman and is portrayed as a brute. |
| The Mysterious Stranger | Jim Hudson, a character with a shaven head, who appears on a television and communicates with Chris. | The Mysterious Stranger is a trope where a character appears suddenly and is shrouded in mystery. This trope is often used to create tension and intrigue. An example of this trope is in The Fugitive (1993) where the character Dr. Charles Nichols, played by Jeroen Krabbé, is a mysterious stranger who is involved in the plot to frame the protagonist. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 11 | Jeremy: Your thith-ter bit my fuckin’ thongue off!!!! |
| 10 | Dean: I thought the whole thing was bull shit too. I smoked for 15 years. She puts me under once, now the sight one makes me wanna vomit. |
| 6 | Dean: We hug around here, my Man. Call me Dean. |
| 39 | Jim: I could give two shits about race. I don’t care if you’re black, brown, green, purple... whatever. People are people. What I want is deeper: Your eye, man. I want those things you see through. |
| 18 | Chris: I had some fucked up dreams. |
Some Loglines to consider:
| A young black man discovers his girlfriend's white family is hiding a sinister secret that threatens to consume him. |
| When a black man visits his white girlfriend's family estate, he uncovers a disturbing plot to exploit the physical advantages of people of color. |
| A photographer's weekend getaway with his girlfriend's family takes a dark turn as he uncovers the family's nefarious agenda to control and manipulate black individuals. |
| Suspecting his girlfriend's family of harboring a dark secret, a young black man must fight for his freedom and uncover the truth before it's too late. |
| A black man's visit to his white girlfriend's family home becomes a harrowing descent into a world of mind control, manipulation, and racial exploitation. |
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After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
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Recommend
Explanation: Get Out is a well-crafted and compelling thriller that tackles complex themes of racism, family, and the abuse of power. The screenplay effectively builds tension and suspense, drawing the audience into the sinister world of the Armitage family and their disturbing plans for Chris. The strong character development, particularly in the case of Chris and Rose, adds emotional depth to the narrative, and the creative use of narrative devices like the pre-recorded messages and the hypnosis scenes further enhance the overall storytelling. While a few areas could benefit from tighter pacing and more nuanced exploration of the characters' motivations, the screenplay is overall a strong and engaging piece of work that would be of interest to a wide audience.