Inglorious Basterds
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: Unique, genres:, Drama, War, Historical, Thriller, Comedy, Action, Suspense
Setting: ,
Overview: The screenplay showcases strong character development, originality in blending genres, and immersive visual storytelling. While there are opportunities to deepen emotional complexity and refine thematic exploration, the screenplay's unique premise and engaging narrative have significant market potential.
Themes: Resistance against Nazi occupation, Hiding and protecting Jewish individuals, Deception and undercover identities, The horrors of war and its aftermath, Bravery and sacrifice
Conflict and Stakes:
Comparable Scripts:
Market Analysis
Budget Estimate:
Target Audience Demographics:
Marketability:
Profit Potential:
Scene Level Percentiles
Writer's Voice
Memorable Lines:
- Shosanna: I am going to burn down the cinema on Nazi night. (Scene 20)
- SGT. POLA NEGRI: I propose a toast to the greatest actress in Germany! There is no Dietrich, there is no Riefenstahl, only von Hammersmark! (Scene 26)
- Lt. Hicox: There’s a special rung in hell reserved for people who waste good scotch. (Scene 29)
- Col. Hans Landa: So, when the military history of this night is written, it will be recorded that I was part of Operation Kino from the very beginning, as a double agent. (Scene 40)
- Lt. Aldo: That’s what I thought. Now that . . . . . . . I can’t abide. How bout you, Utivich, can you abide it? (Scene 44)
Story Shape
Screenplay Insights:
Premise: 8.75, The screenplay's premise sets up an intriguing and compelling narrative that explores the intersection of revenge, justice, and the horrors of war. It establishes a clear and concise conflict, with well-defined stakes and motivations for the characters. See More
Structure: 8.25, The screenplay showcases a well-defined narrative structure and plot development, maintaining audience engagement through its balanced pacing and escalation of tension. It effectively combines elements of the traditional three-act structure with suspenseful twists and character-driven subplots. However, fine-tuning certain pacing and resolution elements could enhance the overall impact of the screenplay. See More
Theme: 8.5, The screenplay effectively conveys its themes of revenge, redemption, and the horrors of war. The intertwining stories of the Basterds, Shosanna, and Col. Landa create a powerful and emotionally resonant narrative. However, the message about the dangers of hatred could be further developed to deepen the screenplay's thematic impact. See More
Visual Impact: 8.25, This screenplay exhibits strong visual storytelling potential, employing evocative imagery that immerses readers in its setting and enhances its emotional impact. The descriptions create vivid mental pictures, bringing the characters, environments, and action sequences to life. While the overall visual style is consistent, there are opportunities to enhance creativity and originality in certain scenes. The screenplay effectively utilizes visual elements to support the narrative and character development. See More
Emotional Impact: 8.25, The screenplay exhibits a solid foundation for emotional storytelling, drawing strength from well-developed characters, engaging interpersonal dynamics, and moments of high emotional intensity. However, the screenplay has the potential to amplify its impact by deepening its exploration of emotional complexity, providing stronger emotional connections to characters, and refining the overall pacing and resolution of its emotional throughlines. See More
Conflict: 7.25, The screenplay effectively establishes conflict and stakes, showcasing the challenges faced by characters during the Nazi occupation. However, there are opportunities to heighten tension and engagement through more pronounced escalation of stakes and clearer resolution of the central conflict. See More
Originality: 7.75, This screenplay takes an intriguing approach to blending genres, deftly fusing Western and science fiction elements to create a unique and highly original narrative. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- A French farmer and his family are visited by a German S.S. officer during Nazi-occupied France. The farmer is asked to invite the officer inside for a discussion.
- A French farmer and his family are visited by a German S.S. officer during Nazi-occupied France. The officer compliments the farmer's wife and daughters, and they engage in polite conversation. The officer requests to speak in private and asks the women to leave. The officer reveals his knowledge of the farmer's family and his mission to round up Jews in France. They switch to English and the officer asks for information to close the file on the farmer's family.
- A French farmer and his family are visited by a German S.S. officer during Nazi-occupied France. The officer interrogates the farmer about rumors regarding a missing Jewish family, unaware that the family is hidden underneath their floorboards. The farmer provides information about the Dreyfuses, while secretly protecting their hiding place. The scene ends with the officer enjoying a glass of milk and discussing his infamous nickname, 'the Jew Hunter'
- A French farmer is interrogated by a German S.S. officer during Nazi-occupied France. The officer discusses the attributes of Jews, compares them to rats, and questions the farmer's loyalty.
- A French farmer and his family are interrogated by a German S.S. officer who suspects them of sheltering Jews. The farmer reveals the hiding place of the Jews, leading to their massacre. The farmer's daughter, Shosanna, miraculously escapes and flees towards the woods. The S.S. officer contemplates shooting her but ultimately allows her to escape. The scene ends with the officer discussing the possible fate of the girl.
- Lt. Aldo Raine recruits a team of Jewish-American soldiers to infiltrate enemy territory and kill Nazis. Adolf Hitler expresses his frustration with rumors of the Bear Jew and vows to capture and punish them.
- A German S.S. officer interrogates a French farmer about a missing Jewish family while they are hidden underneath the floorboards. The officer discusses his nickname, 'the Jew Hunter.' Meanwhile, Lt. Aldo Raine recruits a team of Jewish-American soldiers to infiltrate enemy territory and kill Nazis. Adolf Hitler expresses frustration with the rumors of the Bear Jew.
- Lt. Aldo Raine recruits Sgt. Hugo Stiglitz, a German soldier known for killing Gestapo officers, to join the Basterds. He shows him a map and demands information about a German patrol in an orchard nearby. Sgt. Werner refuses to cooperate, leading Lt. Aldo to threaten him with the Bear Jew, another Basterd known for brutally killing German soldiers with a baseball bat.
- Lt. Aldo Raine recruits Sgt. Hugo Stiglitz to join the Basterds and threatens Sgt. Werner with the Bear Jew's brutality. Donny Donowitz prepares for war by practicing with a baseball bat and expressing his determination to kill Nazis. Donny also visits an old Jewish woman to discuss their people in Europe.
- Donny, a member of the Basterds, visits Mrs. Himmelstein and expresses his determination to kill Nazis. He asks her to write the names of loved ones in Europe on his bat. Donny then goes to confront a German soldier, Werner, who he beats to death with the bat. Pvt. Butz is interrogated by Hitler and Aldo, who let him go but warn him not to reveal anything. Butz agrees and talks about hugging his mother and burning his uniform. However, Aldo is suspicious and threatens Butz with a knife.
- Pvt. Butz is marked with a swastika by Lt. Aldo Raine, earning the respect of his fellow Basterds. Meanwhile, Shosanna seeks refuge in a Paris cinema and approaches the owner, Madame Mimiex, to learn how to operate the film projectors as a means of protection.
- Shosanna works as a projectionist at a cinema in Paris during the German occupation. She changes the film reels and operates the projector. She encounters a young German soldier who engages her in conversation about films. Shosanna is cautious in her responses.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, making it clear that she wants nothing to do with him. Shosanna then reminisces about her past and her relationship with her mentor, Madame Mimieux. Later, she sits in a bistro, reading a book, when the German soldier approaches her again and tries to be friendly, but she remains firm in her refusal to be his friend.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, making it clear that she wants nothing to do with him. The soldier teases her about being Hitler's nephew but eventually reveals he is just a German war hero. Shosanna is intrigued by his stories but remains skeptical.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, making it clear that she wants nothing to do with him. The soldier teases her about being Hitler's nephew but eventually reveals he is just a German war hero. Shosanna is intrigued by his stories but remains skeptical.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, making it clear that she wants nothing to do with him. The soldier teases her about being Hitler's nephew but eventually reveals he is just a German war hero. Shosanna is intrigued by his stories but remains skeptical.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, making it clear that she wants nothing to do with him. The soldier teases her about being Hitler's nephew but eventually reveals he is just a German war hero. Shosanna is intrigued by his stories but remains skeptical.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, making it clear that she wants nothing to do with him. The soldier teases her about being Hitler's nephew but eventually reveals he is just a German war hero. Shosanna is intrigued by his stories but remains skeptical.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive, but the soldier teases her and reveals he is a German war hero. Shosanna is intrigued by his stories but remains skeptical. They discuss the projectionist for an upcoming event at her cinema. The soldier hints at Private Zoller's romantic feelings for Shosanna, but she denies them. They have a brief conversation about smoking and the soldier eventually leaves. Shosanna breathes a sigh of relief and realizes a potential opportunity to sabotage the Nazis' event at her cinema.
- Shosanna encounters a German soldier who tries to engage her in conversation. She is dismissive at first, but the soldier teases her and reveals he is a war hero. They discuss the projectionist for an upcoming event at her cinema. Shosanna realizes a potential opportunity to sabotage the Nazis' event.
- Shosanna, a cinema owner, encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive at first, but the soldier teases her and eventually reveals he is a German war hero. Shosanna is intrigued by his stories but remains skeptical. They discuss the projectionist for an upcoming event at her cinema. The soldier hints at Private Zoller's romantic feelings for Shosanna, but she denies them. They have a brief conversation about smoking and the soldier eventually leaves. Shosanna breathes a sigh of relief and realizes a potential opportunity to sabotage the Nazis' event at her cinema.
- Shosanna encounters a German soldier who tries to engage her in conversation. She is cautious and dismissive at first, but the soldier teases her and reveals he is a German war hero. Shosanna is intrigued by his stories but remains skeptical. They discuss the projectionist for an upcoming event at her cinema. The soldier hints at Private Zoller's romantic feelings for Shosanna, but she denies them. They have a brief conversation about smoking and the soldier eventually leaves. Shosanna breathes a sigh of relief and realizes a potential opportunity to sabotage the Nazis' event at her cinema.
- Shosanna and Marcel discuss their plan to sabotage the Nazis' event by incorporating their own footage into the film. They visit Gaspar, who they beat and threaten to force him to develop the film. Shosanna splices their footage into the reels and plunges the screen into darkness. The scene then shifts to Lt. Hicox and Lt. Aldo Raine waiting in a tavern basement for a rendezvous with a British spy.
- Lt. Hicox and the other Basterds meet in a basement tavern to discuss their mission. They express concern about the chosen rendezvous spot and the presence of a German soldier. The scene ends with the German soldier returning to the tavern.
- Shosanna encounters a German soldier who teases her about a projectionist for an upcoming event. They discuss smoking and Private Zoller's romantic feelings for Shosanna. Shosanna realizes an opportunity to sabotage the Nazis' event.
- Shosanna and Marcel meet with Gaspar to discuss their plan. They beat and threaten him to force him to develop their film. Shosanna splices their footage into the reels and plunges the screen into darkness. Meanwhile, Lt. Hicox and Lt. Aldo Raine wait in a tavern basement for a British spy. Shosanna encounters a German soldier and discusses the upcoming event. She realizes an opportunity to sabotage it.
- Lt. Hicox and the Basterds meet with Major Hellstrom in a tavern basement. Hicox successfully convinces Hellstrom of his German origin and they engage in a friendly conversation. Bridget von Hammersmark vouches for Hicox's backstory. Hellstrom invites them to join the Germans' game.
- Lt. Hicox and the Basterds play a game with Major Hellstrom to establish trust and camaraderie.
- Major Hellstrom reveals his knowledge of Lt. Hicox and the Basterds' true identities. A standoff ensues, resulting in a bloody shootout.
- A bloody shootout ensues as Lt. Hicox and the Basterds play a game with Major Hellstrom to establish trust and camaraderie. Major Hellstrom reveals his knowledge of Lt. Hicox and the Basterds' true identities, resulting in a standoff.
- Lt. Aldo and Hirschberg try to establish trust with Willi, resulting in a Mexican standoff. Bridget kills Willi, revealing her true allegiance. In another location, Sgt. Donowitz forcefully brings an old veterinarian to treat Bridget's gunshot wound.
- Lt. Aldo and Hirschberg try to establish trust with Willi but end up in a Mexican standoff. Bridget reveals her true allegiance and kills Willi. Meanwhile, Sgt. Donowitz forcefully brings an old veterinarian to treat Bridget's gunshot wound.
- Major Hellstrom reveals his knowledge of Lt. Hicox and the Basterds' true identities, resulting in a Mexican standoff. Bridget kills Willi, revealing her true allegiance. Sgt. Donowitz brings an old veterinarian to treat Bridget's gunshot wound.
- Lt. Aldo and Hirschberg try to establish trust with Willi but end up in a Mexican standoff. Bridget reveals her true allegiance and kills Willi. Meanwhile, Sgt. Donowitz forcefully brings an old veterinarian to treat Bridget's gunshot wound.
- Lt. Aldo and Hirschberg try to establish trust with Willi but end up in a Mexican standoff. Bridget reveals her true allegiance and kills Willi. Meanwhile, Sgt. Donowitz forcefully brings an old veterinarian to treat Bridget's gunshot wound.
- Lt. Aldo and Hirschberg try to establish trust with Willi but end up in a Mexican standoff. Bridget reveals her true allegiance and kills Willi. Meanwhile, Sgt. Donowitz forcefully brings an old veterinarian to treat Bridget's gunshot wound.
- In this scene, Bridget and Col. Landa are alone in Shosanna's office. Landa asks Bridget to put her foot in his lap and pretends to help her try on her shoe from a previous encounter. However, he reveals that he knows she is a traitor and begins to strangle her. He violently murders her by banging her head against the floor. Landa then composes himself and makes a phone call to inform the start of the movie screening. Meanwhile, Aldo is ambushed by Nazi ushers, handcuffed, and dragged out of the building. Donowitz and Hirschberg, unaware of the events, wait in the auditorium. The scene ends with Aldo being held against a wall in an alley.
- In this scene, Col. Landa confronts Lt. Aldo and Utivich, revealing that he knows they are not Italian but American soldiers. He mocks their attempt to pass as Italians and discusses his reputation as a detective. The scene ends with Lt. Aldo demanding to know the whereabouts of his comrades.
- Col. Landa confronts Lt. Aldo and Utivich, revealing that he knows they are not Italian but American soldiers. He mocks their attempt to pass as Italians and discusses his reputation as a detective. Lt. Aldo demands to know the whereabouts of his comrades. Meanwhile, Shosanna prepares to start the movie screening in the auditorium.
- Col. Landa reveals his role as a double agent and demands recognition and rewards for his actions. Lt. Aldo receives instructions to transport Landa and Utivich as prisoners. Meanwhile, Shosanna prepares for the movie screening. Donowitz and Hirschberg communicate covertly about setting bombs in the auditorium.
- Col. Landa confronts Lt. Aldo and Utivich, revealing their true identities as American soldiers. Meanwhile, Shosanna prepares for the movie screening. Donowitz sets the bomb in the water closet and sets the timer for detonation.
- Col. Landa confronts Lt. Aldo and Utivich, revealing their identities, while Shosanna prepares for the movie screening. Donowitz sets a bomb in the water closet and there is a shootout between the soldiers. Shosanna and Fredrick have a confrontation in the projection room, resulting in their deaths.
- In the final scene, Shosanna prepares for the movie screening while Col. Landa confronts Lt. Aldo and Utivich, revealing their true identities. Donowitz and Hirschberg set bombs in the auditorium. Shosanna climbs up the film projector and triggers the reel change. As the movie plays, Shosanna's face appears on screen, taunting the Nazis. The bombs go off, killing Hitler and other high-ranking Nazis. The theater collapses and Germany surrenders four days later.
- Lt. Aldo confronts Col. Landa and demands his surrender. He then kills Herrman and carves a swastika into Landa's forehead. The Basterds celebrate their victory.
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Character Shosanna Dreyfus
Description Shosanna's sudden shift from a traumatized war orphan to a confident and assertive cinema owner within three years seems a bit abrupt. While her experiences could have led to resilience, the transition could be explored more gradually.
( Scene 12 ) -
Character Col. Hans Landa
Description Col. Landa's fluent French in later scenes contrasts with his claim of limited French in the opening scene. While it could be an interrogation tactic, it might raise questions about his initial portrayal.
( Scene 1 Scene 16 )
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Description The coincidence of Sgt. Wilhelm and his men being at the tavern for a celebration on the same night as the Basterds' rendezvous seems highly improbable and convenient for the plot.
( Scene 26 )
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Description It's unclear how the Basterds, dressed as German officers, managed to travel to Nadine and enter the tavern without raising suspicion or encountering any German patrols, especially considering their notoriety.
( Scene 24 )
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Description The extended scene of the German soldiers playing the guessing game with Bridget von Hammersmark, while humorous, feels slightly out of place and slows down the narrative momentum.
( Scene 25 )
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Element Dialogue emphasizing the Basterds' brutality
Suggestion While the Basterds' ruthlessness is a key aspect of their characters, the repeated emphasis on their brutality in their dialogues could be streamlined to avoid redundancy.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
COL. LANDA | In the beginning, Col. Landa is portrayed as a cunning and ruthless antagonist who shows no mercy. However, throughout the movie, he experiences an unexpected change of heart. He allows Shosanna to escape his wrath and aligns himself with the Allies by betraying the Germans. In the end, Col. Landa becomes a double agent and emerges as one of the key allies behind the downfall of the Nazi regime. | The character arc of Col. Landa is believable and engaging. However, some parts of the storyline could have been developed further to provide more depth to his character. | To improve the character arc, the filmmakers could have included more scenes showcasing the internal conflict and transformation of Col. Landa. Some backstory or flashbacks could have been added to provide more context to his actions. Additionally, the filmmakers could have explored his motivations and beliefs more deeply to provide a more 3-dimensional portrayal of the character. |
PERRIER | Perrier's character arc in the screenplay is one of transformation from a polite, cautious farmer to a determined protector of the Jewish family to a conflicted man facing the threat of discovery. Through his interactions with the S.S. officer and the Jews he is hiding, Perrier becomes more emotionally invested in their safety and willing to take greater risks to protect them. However, the pressure of keeping up the facade of normalcy and the possibility of betrayal take a toll on him and he begins to crumble, exposing his vulnerability. | The character arc for Perrier is well-defined, but could benefit from further development. There could be more exploration of his motivations and past experiences that led him to risk his own safety for the Jews he is hiding. Additionally, the transformation from cautious farmer to determined protector to conflicted man could be more gradual and nuanced. | To improve the character arc, consider adding scenes or dialogue that delve deeper into Perrier's backstory and his relationship with the Jews he is protecting. This could help to further explain his motivations and create a stronger emotional connection with the audience. Additionally, show his transformation as a gradual progression, indicating the increasing stakes and dangers he faces along the way. |
Lt. Aldo Raine | Throughout the movie, Lt. Aldo Raine remains a determined leader, driven by his passion for seeking revenge on Nazis. Initially, he is willing to use threats and intimidation to achieve his goals, but his arc progresses as he showcases his negotiation skills and willingness to protect his own. By the end of the movie, he is a cunning and resourceful leader of Operation Kino, valuing teamwork and determination over intimidation. | The character arc of Lt. Aldo Raine is strong and consistent, showcasing his development from a ruthless leader to a skilled and resourceful negotiator. However, more depth could have been added to his character, such as exploring his personal motivations and backstory. | To improve the character arc of Lt. Aldo Raine, the screenwriter could include more moments of vulnerability and showcase his personal motivations and backstory, adding depth to his character. They could also explore the conflict between his desire for revenge and the personal relationships he develops with his fellow soldiers. |
Shosanna | Shosanna's arc throughout the movie begins with her as a cautious and reserved projectionist seeking protection. She becomes the strong and independent owner of the cinema, driven by her need for revenge against the Nazis. Her arc culminates in her strategic plan to sabotage the Nazi leadership gathering in her theater, ultimately killing them all. However, her arc takes a tragic turn when she finds herself caught in the crossfire of the Basterds' plan, forcing her to make a difficult decision that ultimately results in her death. | Overall, Shosanna's arc is well-developed and consistent throughout the movie. However, the abruptness of her final decision to sacrifice herself feels a bit rushed and could have been more fully developed to make it feel more organic to her character and motivations. | To improve Shosanna's character arc, the final decision to sacrifice herself could have been foreshadowed earlier in the movie, perhaps through her interactions with other characters or her own internal thoughts. This would make her decision feel more fully developed and true to her character, rather than feeling like a sudden plot point. |
German Soldier | Throughout the movie, the German soldier's innocence and naivety are juxtaposed against the evil actions of his fellow soldiers. He begins to question the morality of the war and his place in it. As he becomes more aware of the atrocities committed by the Nazis, he begins to exhibit guilt and remorse. This culminates in a pivotal moment where he decides to help Shosanna and the resistance by sabotaging the film premiere. He sacrifices his own life in the process, realizing that it is the only way to make amends for his past actions. | The character arc is compelling and showcases the internal conflict of the German soldier. However, it could benefit from more explicit scenes or dialogue that convey his guilt and questioning of the war. Additionally, his decision to help Shosanna and the resistance could be more nuanced, as it seems rather sudden in the movie. | To improve the character arc, the screenplay could include scenes where the German soldier witnesses or experiences the brutality of the Nazis, causing him to question their actions. This would better convey his moral struggle and eventual decision to assist the resistance. Additionally, his decision could be foreshadowed earlier in the movie, perhaps by showing him having empathy towards Jewish prisoners or dialogue that hints at his growing disillusionment with the war. |
German Soldier | Throughout the movie, the German soldier slowly begins to question his beliefs and the actions of his fellow soldiers. He is initially excited about the upcoming event at the cinema, but begins to feel uneasy as he develops a bond with Shosanna and learns more about her past experiences with the Nazis. Despite his internal conflict, he remains loyal to his duty until the very end, where he ultimately sacrifices himself to try and stop the massacre at the cinema. | The character arc seems solid, but there could be more depth added to the soldier's struggle with his beliefs and what ultimately motivates his decision to try and stop the massacre. It also might be interesting to explore more of his backstory and what led him to become a soldier in the first place. | To improve the arc, perhaps dive deeper into the soldier's internal conflict and the specific moments or conversations with Shosanna that make him start to question the Nazi regime. Adding flashback scenes or scenes of him interacting with his fellow soldiers could also contribute to a more complex character arc. Additionally, adding scenes that show the soldier's life before the war or his relationships with family and friends could provide a deeper understanding of his motivations and beliefs. |
Col. Hans Landa | At the beginning of the film, Col. Hans Landa is a feared and respected member of the S.S. He is confident in his abilities and sees himself as superior to those around him. As the film progresses, he gains a new level of complexity when it is revealed that he is working as a double agent for the O.S.S. While he continues to be manipulative and deceitful, he also begins to show flashes of vulnerability and doubt. This culminates in the climactic scene between him and Lt. Raine, where he agrees to betray the Nazis in exchange for his own safety. His character arc ends on a somewhat hopeful note, as he is allowed to live and begin a new life in America. | While Col. Hans Landa is a fascinating character, his arc feels somewhat rushed. His sudden turn towards betrayal feels somewhat abrupt, and more time could have been spent exploring his motivations for turning on the Nazis. Additionally, while he is presented as a complex and multifaceted character, some of his actions (such as murdering Shosanna's family) are so abhorrent that it can be difficult to root for him in any way. | To improve Col. Hans Landa's character arc, more time could be spent showing his internal conflict as he starts to question his loyalty to the Nazis. This could be accomplished through additional scenes with Lt. Raine or other characters who challenge his beliefs. Additionally, while it is important to show the complexity of his character, it is important not to gloss over the atrocities he has committed. By showing the full extent of his actions, the audience can understand the weight of his conflicted feelings and the struggle he faces in his decision to betray the Nazis. |
Col. Landa | Throughout the movie, Col. Landa's character arc is one of extreme manipulation and deceit. He consistently reveals his superior intellect and cunning, using his skills to gain power and control over those around him. However, when he finally meets his match in the Basterds, he is exposed as a double agent and forced to confront the true consequences of his actions. He is humiliated and defeated, his once-impenetrable facade crumbling to reveal a deeply flawed and insecure man. | While Col. Landa is a fascinating character, his arc feels somewhat predictable and formulaic. As a highly skilled manipulator and detective, it's clear that his character will eventually be exposed and humiliated – there's no real tension or surprise in this outcome. Additionally, while his character is certainly complex and interesting, it would be beneficial to see more of his vulnerabilities and weaknesses, rather than simply depicting him as a superhuman destructor of his enemies. | To improve Col. Landa's arc, it might be interesting to explore his relationships with other characters in more depth. Does he have any true allies or confidants, or is he ultimately a solitary figure driven only by his own ambition? Additionally, it might be worthwhile to delve deeper into the reasons behind his obsession with power and control – is there something in his past that drives him to seek out these things? Finally, it might be interesting to see him show a moment of genuine vulnerability or weakness, perhaps grappling with doubt or fear as he realizes the true cost of his actions. |
Marcel | During the course of the movie, Marcel's character arc is primarily focused on his relationship with Shosanna. At first, Marcel is simply a supportive and reliable partner who works alongside Shosanna to achieve their goals. However, as the plan becomes more dangerous and complex, Marcel begins to question whether or not it is worth the risk. He worries constantly about Shosanna's safety and well-being, and starts to wonder if there is another way to achieve their objectives without putting her in harm's way. As the climax of the movie approaches, Marcel is forced to make a difficult decision - whether to stay with Shosanna and continue the mission, or to leave her behind and try to save himself. Ultimately, Marcel chooses to stay by Shosanna's side, even if it means risking his own life in the process. This decision shows the depth of his commitment to her, and his selflessness in the face of danger. | The character arc for Marcel is overall well-done, as it explores his complex relationship with Shosanna and the sacrifices he is willing to make on her behalf. However, there could be more to his character development beyond his relationship with Shosanna. | Perhaps Marcel could reveal more about his background or motivations throughout the movie. Additionally, it would be interesting to see how he interacts with other characters in the story, beyond just his role as Shosanna's partner. By giving Marcel more depth and complexity, his character arc could become even more impactful and meaningful. |
Lt. Hicox | Initially, Lt. Hicox is cautious and concerned about the chosen rendezvous spot and the presence of the German soldier, but he is able to maintain his cover and successfully deceive Major Hellstrom. As the movie progresses, he becomes more confident and persuasive in his role as a British officer. However, his character arc takes a tragic turn when he is captured by the Germans and forced to participate in a game of Russian roulette. Despite his bravery, he ultimately loses the game and dies. | The character arc for Lt. Hicox is well-crafted and effective in highlighting his skills as a spy and his tragic end. However, the arc does not fully explore the potential internal conflicts or emotional journey that Lt. Hicox may have experienced throughout the movie. | One suggestion for improving the character arc would be to provide more insight into Lt. Hicox's thoughts and feelings as he navigates the dangerous world of espionage. This could be accomplished through voiceover narration or flashbacks that reveal his motivations and fears. Additionally, exploring more of his relationship with the other Basterds could provide additional depth to his character. |
Major Hellstrom | Major Hellstrom's character arc involves a gradual shift from suspicion to acceptance of the Basterds' authenticity. At first, he doubts their story and interrogates them aggressively. However, as they produce evidence and prove their credibility, he begins to see their value as allies against the larger war effort. By the end of the movie, he is willing to negotiate with them to achieve a common goal. This arc shows his growth as a character, from a rigid adherence to Nazi ideology to a pragmatism that recognizes the need for flexibility in wartime. | The character arc for Major Hellstrom is relatively short, and it could benefit from more complexity and nuance. While he does undergo some changes in his beliefs and actions, they are relatively straightforward and predictable. In addition, he remains a somewhat one-dimensional villain throughout the movie, with limited motivation or backstory. | To improve Major Hellstrom's character arc, the screenwriter could explore his backstory and motivations more deeply. What led him to become a Gestapo officer, and how does he reconcile his personal beliefs with his loyalty to the Nazi regime? Additionally, the screenplay could show more instances of him grappling with moral dilemmas and making difficult choices, rather than simply reacting to the Basterds' actions. Finally, by giving him more dimensions and a more complex personality, the character could become a more compelling and memorable antagonist. |
Bridget | Bridget's character arc is one of transformation from a spy with divided loyalties to a committed member of the Basterds. Initially, Bridget is torn between her duty as a spy and her desire to help the Basterds. However, after killing Willi to protect her true identity, she fully commits to the mission and becomes a valuable member of the team. Along the way, she learns to trust and rely on her fellow Basterds and becomes a key player in their plan to take down the Nazis. | The character arc is well-executed, but it could benefit from more exploration of Bridget's internal conflicts. It's clear that she struggles with her loyalty to both sides, but it would be interesting to see more of her internal struggles before she ultimately chooses the Basterds. Also, some of the transitions in her arc feel a bit abrupt and could benefit from more development. | To improve the character arc, consider adding more scenes that explore Bridget's internal conflicts and make her ultimate decision to join the Basterds more impactful. Also, work on smoothing out some of the abrupt transitions in her arc with more subtle cues and development. |
Hirschberg | Hirschberg begins the movie as a dedicated and reliable member of the Basterds, following orders and supporting their efforts. However, as the mission progresses and the violence and death he has contributed to become more apparent, he begins to question the morality of their actions. He struggles with the guilt of knowing the devastation their bombings have caused and begins to doubt the righteousness of their mission. Though hesitant at first, he eventually musters the courage to confront Aldo and the others about the consequences of their actions. He ultimately decides to leave the Basterds and turn himself in, hoping to make amends for his part in the violence. | The character arc for Hirschberg is interesting and provides a unique perspective on the cost of war. However, the arc would benefit from a more nuanced exploration of Hirschberg's inner turmoil and his journey to make the difficult decision to leave the Basterds. The transition from loyal soldier to conflicted doubter feels somewhat rushed and could benefit from more development. | To improve Hirschberg's character arc, consider exploring his inner conflict more deeply throughout the film. Show him struggling with the moral implications of their actions and grappling with the consequences of his involvement in the bombings. Additionally, consider adding more scenes that show Hirschberg's journey to make his decision to leave the Basterds, including conversations with other characters and moments of self-reflection. This will make his decision to leave feel more earned and emotionally impactful. |
Willi | Willi's character arc revolves around his shift from being an enemy to a potential ally for the Basterds. Willi initially exhibits hostility towards Aldo and Hirschberg, but slowly becomes more willing to cooperate with them. He eventually ends up being betrayed by Bridget, which results in his death. Willi's character arc is one of deceit and redemption, which ultimately ends in tragedy. | While Willi's character is complex, his arc feels rushed and underdeveloped. His character is introduced and killed off relatively quickly, which doesn't allow for enough time for his arc to fully develop. Additionally, Willi's ultimate betrayal by Bridget feels forced and contrived, which detracts from the overall impact of his character arc. | To improve Willi's character arc, his role in the film could be expanded upon. By giving him more screen time and allowing his arc to develop more slowly, his eventual demise will carry more weight and significance. Additionally, the betrayal by Bridget could be foreshadowed more effectively, making it feel like a more natural progression of the story. |
Sgt. Donowitz | At the beginning of the movie, Sgt. Donowitz is violent and forceful in his actions, but over the course of the film he learns to become more focused and disciplined. He becomes a more effective soldier and leader as he prioritizes the mission above his own personal desires. | The character arc for Sgt. Donowitz is well-written and effective, but could benefit from more specific moments of growth and change throughout the film. His transformation feels somewhat sudden and lacking in subtlety. | To improve the character arc for Sgt. Donowitz, the screenplay could include more scenes of him struggling with his violent tendencies and trying to become a more disciplined soldier. Perhaps he could have a moment of introspection or reflection where he realizes the importance of following orders and working as a team. These small moments of growth and change would make his transformation feel more earned and impactful. |
Utivich | Utivich's character arc starts with him as a chauffeur, showing his resilience and sarcasm. As a young soldier, he is initially frightened but gains composure during the conversation with Col. Landa. As the story progresses, he becomes a loyal and resourceful soldier, supporting Lt. Aldo in negotiations with the enemy. He is caught in dangerous situations but remains loyal to his comrades. In the end, he continues to demonstrate his resilience and loyalty, showcasing his growth as a character. | The arc is well-done but does not have a clear conflict or climax. While Utivich's growth is evident, there could be more moments of tension or struggle to make the arc more compelling. | To improve the character arc, Utivich could be faced with more difficult decisions that challenge his loyalty to Aldo or endanger his life. The climax could involve a moment where he must choose between following Aldo's orders and following his moral compass. This would give his growth more weight and make his arc more memorable. |
Theme | Theme Details | Themee Explanation |
---|---|---|
Resistance against Nazi occupation | The screenplay explores the theme of resistance against the Nazi occupation in France during World War II. The French farmer and Shosanna both engage in acts of resistance against the Germans, with the farmer hiding a Jewish family and Shosanna planning to sabotage a Nazi event at her cinema. | This theme explores the bravery and defiance of individuals who resisted the oppressive Nazi regime and their efforts to protect and fight for their freedom. |
Hiding and protecting Jewish individuals | The screenplay depicts the theme of hiding and protecting Jewish individuals during the Nazi occupation. The French farmer hides a Jewish family under his floorboards, risking his life and the safety of his family to protect them. Shosanna also plays a role in protecting Jewish people through her plans to sabotage the Nazis. | This theme emphasizes the importance of compassion and humanity in protecting vulnerable individuals in times of oppression and persecution. |
Deception and undercover identities | The theme of deception and undercover identities is prominent throughout the screenplay. Characters like Lt. Aldo and Utivich pretend to be Italian to avoid suspicion, while Col. Landa reveals himself as a double agent. This theme adds suspense and tension to the narrative. | This theme explores the complexities of war and the strategies individuals employ to survive and achieve their goals. It also highlights the constant danger and mistrust that existed during the Nazi occupation. |
The horrors of war and its aftermath | The screenplay also touches upon the theme of the horrors of war and its aftermath. Scenes depict violent shootouts, brutal interrogations, and tragic deaths. The senseless loss of lives and the impact of war on individuals are explored. | This theme serves as a reminder of the devastating consequences of war and the toll it takes on both the victors and the vanquished. It provides a realistic portrayal of the harsh realities of World War II. |
Bravery and sacrifice | The theme of bravery and sacrifice runs throughout the screenplay. Characters like the French farmer, Shosanna, and the Basterds demonstrate immense courage and selflessness in their resistance against the Nazis. They risk their lives and make personal sacrifices to fight for what they believe in. | This theme highlights the resilience and heroism of individuals who stood up against injustice and tyranny. It celebrates the extraordinary bravery and sacrifices made by ordinary people during times of war. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist's internal goal is to protect his family, navigate the dangerous circumstances of Nazi-occupied France, seek justice and vengeance for the atrocities committed by the Nazis, ensure the success of their mission to kill Nazis, understand and gather information about their enemies, and survive in a war-torn environment. |
External Goals | The protagonist's external goals are to comply with the Nazis' demands, provide information without arousing suspicion, maintain their cover and resist detection, recruit and assemble a skilled team, issue orders to soldiers, gather information about the enemy, secure resources for their mission, navigate dangerous situations, and carry out their plan to sabotage the Nazis' event. |
Philosophical Conflict | The overarching philosophical conflict is the clash between resistance against the Nazis and collaboration with the enemy. The characters grapple with issues of self-preservation, justice, vengeance, survival, loyalty, and the moral implications of their actions. They confront the beliefs and values of the Nazi regime and challenge their own ideals of compassion, justice, and human dignity amidst a violent and oppressive context. |
Character Development Contribution: The protagonist's goals and conflicts contribute to their development by challenging their beliefs, values, and worldview. They are forced to make difficult choices, navigate ethical dilemmas, and confront the consequences of their actions. Through these experiences, they undergo personal growth, transformation, and reflection on their own identity, purpose, and resilience.
Narrative Structure Contribution: The protagonist's internal and external goals provide a driving force for the narrative, creating tension, suspense, and a sense of urgency. The evolving goals shape the plot development, character interactions, and conflicts that propel the story forward. The goals also contribute to the pacing, structure, and rhythm of the screenplay, ensuring a dynamic and engaging narrative.
Thematic Depth Contribution: The protagonist's goals and conflicts contribute to the thematic depth of the screenplay by exploring themes of resistance, collaboration, justice, revenge, survival, and the human capacity for resilience. The conflicting ideologies and moral dilemmas deepen the exploration of power dynamics, the consequences of violence, and the complexities of war. The goals and conflicts also highlight the importance of loyalty, camaraderie, and the pursuit of justice in the face of oppression and injustice.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - The German Arrival | suspenseful, tense, serious | 9 | 8 | 8 | 8 | 9 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 8 | 9 | 9 | 10 | 9 | |
2 - The Visit | Tense, Suspenseful | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 9 | 7 | 10 | 8 | 7 | 7 | 8 | 9 | 8 | 9 | 8 | |
3 - In the Lion's Den | Tense, Suspenseful, Serious | 9 | 8 | 9 | 8 | 9 | 7 | 9 | 8 | 9 | 9 | 9 | 8 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
4 - The Jew Hunter | Tense, Intimidating, Confrontational | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 9 | 7 | |
5 - Escape from the Farmhouse | Tense, Suspenseful, Emotional | 9 | 8 | 9 | 5 | 9 | 8 | 8 | 9 | 9 | 9 | 10 | 9 | 7 | 9 | 8 | 9 | 8 | 9 | 7 | |
6 - The Basterds' Mission | Intense, Dark | 9 | 10 | 9 | 6 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 6 | 8 | 9 | 9 | 9 | 9 | 8 | |
7 - Jew Hunter and Scalping | Dark, Intense, Tense, Serious, Disturbing | 8.5 | 9 | 9 | 6 | 8 | 7 | 8 | 6 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 8 | 8 | 9 | 7 | |
8 - The Basterds Recruit Sgt. Hugo Stiglitz | Suspense, Intense, Powerful | 8 | 7 | 9 | 6 | 8 | 6 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 9 | 9 | |
9 - Recruitment and Preparation | serious, humorous | 8 | 8 | 7 | 7 | 9 | 6 | 10 | 8 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 9 | 9 | 9 | |
10 - Donny's Mission | Intense, Determined, Serious | 8 | 7 | 8 | 7 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | |
11 - Shosanna's Sanctuary | Dark, Suspenseful, Melancholic | 8 | 7 | 8 | 8 | 8 | 7 | 7 | 8 | 9 | 7 | 9 | 8 | 6 | 8 | 8 | 7 | 8 | 9 | 9 | |
12 - Shosanna at the Cinema | Suspense, Lyrical | 8 | 8 | 7 | 7 | 7 | 6 | 8 | 7 | 6 | 7 | 6 | 7 | 6 | 6 | 6 | 9 | 9 | 9 | 8 | |
13 - Shosanna's Encounter | Tense, Cautious, Intense, Melancholic, Confident | 8 | 7 | 7 | 6 | 8 | 6 | 8 | 6 | 7 | 7 | 6 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | |
14 - Meeting in the Cinema | Cautious, Dismissive, Annoyed, Friendly, Teasing, Nostalgic, Exciting | 8 | 7 | 6 | 7 | 8 | 2 | 8 | 7 | 4 | 7 | 4 | 5 | 7 | 5 | 9 | 9 | 8 | 8 | 9 | |
15 - Shosanna's Encounter | Cautious, Dismissive, Intrigued, Skeptical, Arrogant | 8 | 7 | 8 | 7 | 7 | 6 | 8 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 6 | 9 | 8 | 9 | 8 | |
16 - Shosanna's Encounter | Cautious, Dismissive, Intrigued, Skeptical | 8 | 7 | 8 | 7 | 7 | 5 | 8 | 9 | 7 | 8 | 6 | 7 | 8 | 6 | 8 | 9 | 9 | 9 | 8 | |
17 - Encounter at the Cinema | Cautious, Dismissive, Intrigued, Skeptical | 8 | 7 | 8 | 8 | 7 | 6 | 7 | 8 | 8 | 7 | 7 | 8 | 6 | 6 | 8 | 7 | 8 | 9 | 8 | |
18 - Cafe Conversation | Cautious, Dismissive, Intrigued, Skeptical | 8 | 7 | 8 | 6 | 9 | 6 | 7 | 8 | 6 | 8 | 5 | 7 | 7 | 7 | 8 | 8 | 9 | 8 | 9 | |
19 - The Encounter | cautious, dismissive, intrigued, skeptical | 8 | 7 | 8 | 8 | 9 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 7 | 7 | 7 | 9 | 8 | 9 | 9 | |
20 - The Plan | Cautious, Dismissive, Intrigued, Skeptical, Relieved | 8 | 7 | 8 | 9 | 9 | 6 | 8 | 7 | 7 | 8 | 8 | 9 | 7 | 8 | 8 | 9 | 9 | 9 | 8 | |
21 - Meeting at the Estate | Cautious, Dismissive, Teasing, Intrigued, Skeptical | 8 | 7 | 8 | 4 | 8 | 5 | 8 | 7 | 6 | 7 | 6 | 7 | 6 | 5 | 7 | 7 | 8 | 8 | 9 | |
22 - Operation Kino Briefing | Cautious, Dismissive, Teasing, Intrigued, Skeptical | 8 | 9 | 9 | 7 | 7 | 6 | 8 | 9 | 5 | 7 | 7 | 8 | 6 | 6 | 8 | 7 | 8 | 9 | 8 | |
23 - Sabotage Plans | Suspenseful, Tense, Dramatic | 8 | 7 | 8 | 9 | 8 | 7 | 8 | 9 | 8 | 9 | 9 | 9 | 7 | 7 | 9 | 8 | 8 | 0 | 8 | |
24 - German Soldiers' Meeting | 7 | 6 | 7 | 6 | 8 | 5 | 7 | 8 | 7 | 8 | 6 | 7 | 7 | 5 | 6 | 9 | 8 | 9 | 8 | ||
25 - Scheming in the Tavern | Cautious, Intrigued, Skeptical, Relieved | 9 | 7 | 8 | 6 | 8 | 6 | 8 | 9 | 7 | 6 | 7 | 8 | 7 | 6 | 6 | 9 | 8 | 8 | 9 | |
26 - Maximilian's Autograph | Suspenseful, Tense, Dramatic, Satirical, Humorous | 8 | 8 | 8 | 7 | 7 | 6 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 6 | 7 | 9 | 8 | 9 | 8 | |
27 - The Gestapo Encounter | Suspenseful, Tense, Humorous | 8 | 7 | 8 | 8 | 9 | 6 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 6 | 9 | 9 | 8 | 6 | 7 | |
28 - A Friendly Game | Suspenseful, Humorous | 8 | 8 | 8 | 6 | 7 | 5 | 8 | 9 | 6 | 6 | 7 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 7 | |
29 - The Betrayal | Suspense, Dramatic | 9 | 8 | 9 | 6 | 9 | 7 | 7 | 9 | 10 | 9 | 10 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | |
30 - Standoff | intense, tense, suspenseful, emotional | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 7 | 9 | 8 | |
31 - Mexican Standoff and Veterinary Extraction | Tense, Shocking, Violent | 9 | 8 | 9 | 8 | 8 | 7 | 7 | 8 | 9 | 7 | 9 | 9 | 9 | 8 | 7 | 8 | 8 | 9 | 9 | |
32 - Betrayal and Bloodshed | Intense, Suspenseful, Emotional | 9 | 8 | 9 | 7 | 8 | 8 | 8 | 9 | 9 | 7 | 10 | 9 | 7 | 9 | 7 | 9 | 8 | 9 | 8 | |
33 - The Führer's Attendance | Suspense, Dramatic | 7 | 6 | 7 | 8 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 6 | 9 | 8 | 0 | 8 | |
34 - The Mexican Standoff | Intense, Suspenseful, Humorous | 9 | 8 | 9 | 9 | 7 | 6 | 7 | 8 | 10 | 8 | 9 | 9 | 7 | 7 | 8 | 9 | 9 | 9 | 8 | |
35 - The Meeting with Col. Hans Landa | 8 | 8 | 9 | 6 | 8 | 7 | 7 | 8 | 9 | 8 | 9 | 9 | 9 | 7 | 7 | 9 | 7 | 8 | 8 | ||
36 - The Mexican Standoff | Tense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 6 | 8 | 7 | 9 | 9 | 8 | 7 | |
37 - The Betrayal | Suspenseful, Violent, Dramatic | 8 | 7 | 8 | 6 | 9 | 8 | 8 | 8 | 9 | 9 | 10 | 8 | 7 | 9 | 7 | 9 | 8 | 9 | 8 | |
38 - The Betrayal | Tense, Terrifying, Unexpected | 10 | 8 | 9 | 7 | 9 | 6 | 8 | 8 | 9 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 8 | 9 | |
39 - The Negotiation | Tense, Suspenseful, Negotiation/interrogation, Desperate | 9 | 8 | 9 | 8 | 8 | 7 | 7 | 9 | 9 | 8 | 9 | 9 | 10 | 8 | 9 | 9 | 8 | 9 | 8 | |
40 - Colonel Landa's Ultimatum | Tense, Suspenseful, Calm | 9 | 8 | 9 | 6 | 8 | 6 | 7 | 9 | 9 | 9 | 10 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | |
41 - The Final Act | tense, suspenseful, serious | 9 | 8 | 9 | 5 | 8 | 7 | 8 | 7 | 9 | 7 | 10 | 9 | 6 | 8 | 7 | 9 | 9 | 7 | 8 | |
42 - Betrayal and Bloodshed | Suspenseful, Intense, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 7 | |
43 - The Final Showdown and Revenge | Intense, Dramatic, Suspenseful | 9 | 8 | 9 | 7 | 8 | 8 | 9 | 9 | 10 | 9 | 10 | 10 | 7 | 9 | 7 | 10 | 8 | 9 | 8 | |
44 - The Surrender | 9 | 8 | 9 | 7 | 10 | 9 | 10 | 8 | 10 | 9 | 10 | 9 | 8 | 10 | 8 | 9 | 9 | 10 | 9 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense and gripping
- Strong character development
- Engaging dialogue
- Effective use of tension and suspense
- Compelling exploration of themes
Scene Weaknesses
- Limited emotional depth
- Limited character development
- Lack of significant plot developments
- Some scenes may be too intense for some viewers
- Potentially graphic and disturbing violence
Suggestions
- Focus on developing emotional depth and character development
- Consider the sensitivity of the audience when portraying certain scenes
- Challenge yourself to push the boundaries and explore new themes and character arcs
- Work on crafting impactful and memorable dialogue
- Strive to create a more dynamic and unpredictable plot
- Physical environment: The world depicted in the screenplay is set in various locations during World War II, including France, Germany, and occupied territories. The physical characteristics of the world vary from dairy farms and countryside to cinemas, taverns, and military bases. Each scene presents a unique physical environment that contributes to the atmosphere and tension of the narrative.
- Culture: The cultural elements in the screenplay revolve around the tension, fear, and resistance against Nazi occupation. There are references to French resistance rumors, Jewish identity, and Germanic pageantry. The characters' interactions and dialogues highlight the clash between different cultures and the larger conflict between good and evil.
- Society: The societal structure in the screenplay is characterized by the power dynamics and hierarchy of the Nazi occupation. There are instances of fear and secrecy among the French population, as well as the dominance and authority of German military officers and high-ranking officials. The interactions between characters reflect the social and hierarchical structure of the time period.
- Technology: The technological aspects in the screenplay include the use of film projectors, German military vehicles, radios, film cameras, and projectors. The limited technology of the time period adds to the atmosphere of uncertainty and danger, as characters rely on more traditional forms of communication and weaponry.
- Characters influence: The unique physical environment, cultural elements, societal structure, and technology shape the characters' experiences and actions. The fear and tension of living under Nazi occupation influence the characters' cautious and careful behavior. The presence of Nazi soldiers and the power dynamics between characters add to the atmosphere of danger and oppression. The technological elements, such as film projectors and radios, impact the characters' communication and strategic planning.
- Narrative contribution: The world elements of the screenplay contribute to the narrative by establishing the historical context of World War II and Nazi occupation. The physical environment, cultural elements, societal structure, and technology create a vivid and immersive setting for the characters and their interactions. The tension, danger, and resistance present in the world enhance the stakes and conflicts of the narrative.
- Thematic depth contribution: The world elements in the screenplay contribute to the thematic depth by exploring themes of war, resistance, power dynamics, and the consequences of individual and collective actions. The physical environment, culture, society, and technology shape the characters' experiences and actions, reflecting the larger themes of the screenplay. The world elements serve to highlight the human capacity for resilience, bravery, sacrifice, and the fight against oppression.
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
---|---|
Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade. Scenes with high emotional impact tend to have higher overall grades. |
Correlation between High Stakes and Conflict | There is a positive correlation between High Stakes and Conflict. Scenes with higher stakes tend to have more conflict. |
Correlation between Tension and Tone | There is a strong positive correlation between Tension and Tone. Scenes that are tense tend to have a tense tone. |
Correlation between Dialogue and Character Changes | There is a positive correlation between Dialogue and Character Changes. Scenes with more dialogue tend to have more character changes. |
Correlation between Suspenseful Tone and Emotional Impact | There is a positive correlation between a Suspenseful Tone and Emotional Impact. Scenes with a suspenseful tone tend to have higher emotional impact. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Nazi Occupation | The setting of the screenplay is during Nazi-occupied France. | The trope of a Nazi occupation is a common theme in historical and war films. It involves a story set during the time when Nazi Germany invaded and controlled other countries. This trope often explores the impact of the occupation on the local population and resistance movements. An example of this trope can be seen in the film 'Casablanca,' where the story takes place in Morocco during World War II when it was under Nazi occupation. |
SS Officer | Multiple scenes involve a German S.S. officer interacting with the main characters. | The trope of an S.S. officer represents the presence of the Nazi regime and its authority figures. These characters are often portrayed as ruthless and intimidating, showcasing the power dynamics of the Nazi regime and the fear it instilled in people. An example of this trope can be seen in the TV show 'Band of Brothers,' where several episodes focus on the interactions between the main characters and S.S. officers during World War II. |
Hiding Jewish Family | The farmer secretly hides a Jewish family underneath his floorboards. | The trope of hiding a Jewish family during the Holocaust is a common theme in films and literature about World War II. It highlights the bravery and risks taken by individuals to protect innocent lives from persecution. This trope often showcases the tension and fear associated with hiding, as well as the emotional and moral dilemmas faced by those involved. An example of this trope can be seen in the film 'Schindler's List,' where Oskar Schindler hides Jewish refugees in his factory to save them from concentration camps. |
Tense Interrogation | Multiple scenes involve tense interrogations between characters. | The trope of a tense interrogation is often used to create suspense and drama in film and television. It involves a scene where characters are questioned intensively, either to extract information or to challenge their loyalty. These scenes usually involve high stakes and can showcase power dynamics, psychological manipulation, and moral dilemmas. An example of this trope can be seen in the TV show 'Breaking Bad,' where several episodes feature tense interrogations between the main characters and law enforcement. |
Mexican Standoff | There are scenes where characters find themselves in a Mexican standoff. | The trope of a Mexican standoff occurs when multiple characters with firearms are in a standoff, usually in a triangular formation, with each person pointing a gun at someone else. This trope creates tension and uncertainty about who will act first and survive. It often involves characters trying to negotiate or gain an advantage before a violent confrontation. An example of this trope can be seen in the film 'Reservoir Dogs,' where the final scene depicts a Mexican standoff between the main characters. |
Sabotage | Multiple scenes involve characters planning and executing acts of sabotage. | The trope of sabotage involves characters intentionally damaging or disrupting something, often for a specific goal or to hinder an enemy. This can include acts such as destroying equipment, disabling power sources, or spreading misinformation. It is commonly used in stories about espionage, war, and resistance movements. An example of this trope can be seen in the film 'Mission: Impossible,' where the main characters frequently engage in acts of sabotage to accomplish their missions. |
Betrayal | There are scenes where characters betray others, leading to significant consequences. | The trope of betrayal involves a character breaking trust or loyalty with another character, often resulting in severe consequences. This trope can create tension, conflict, and emotional impact within a story. Betrayal can take many forms, such as double-crossing, revealing secrets, or turning against allies. An example of this trope can be seen in the TV show 'Game of Thrones,' where numerous characters betray each other throughout the series, leading to major plot developments and character arcs. |
Revenge | The Basterds seek revenge against the Nazis. | The trope of revenge involves characters seeking vengeance for perceived wrongs or injustices committed against them or their loved ones. This can be a driving force for the characters' actions and motivations, often leading to conflicts and dramatic confrontations. Revenge stories explore themes of justice, morality, and the consequences of seeking retribution. An example of this trope can be seen in the film 'Kill Bill,' where the protagonist seeks revenge against those who wronged her. |
Memorable lines in the script:
Scene Number | Line |
---|---|
20 | Shosanna: I am going to burn down the cinema on Nazi night. |
26 | SGT. POLA NEGRI: I propose a toast to the greatest actress in Germany! There is no Dietrich, there is no Riefenstahl, only von Hammersmark! |
29 | Lt. Hicox: There’s a special rung in hell reserved for people who waste good scotch. |
40 | Col. Hans Landa: So, when the military history of this night is written, it will be recorded that I was part of Operation Kino from the very beginning, as a double agent. |
44 | Lt. Aldo: That’s what I thought. Now that . . . . . . . I can’t abide. How bout you, Utivich, can you abide it? |
Some Loglines to consider:
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