Birdman
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo
USP: Get ready for a theatrical experience unlike any other as "Birdman" takes you on a wild and introspective journey through the mind of a washed-up actor grappling with his fading fame, troubled relationships, and the haunting voice of his former iconic superhero character. This captivating screenplay combines elements of dark comedy, surrealism, and psychological drama to deliver a unique and thought-provoking exploration of identity, ambition, and the elusive nature of success. Step into the chaotic world of theater, where the boundaries between reality and fantasy blur, and prepare to witness an unforgettable tale of a man confronting his inner demons, seeking redemption, and ultimately discovering a profound sense of self-acceptance.
Overview
Genres: Drama, Comedy, Dark Comedy, Psychological Thriller, Romance, Thriller, Fantasy
Setting: Present Day, New York City
Overview: The screenplay for Birdman receives an overall score of 8.1, reflecting its strong character development, engaging premise, and exploration of complex themes. However, there are opportunities to enhance plot clarity, antagonist development, and emotional range to elevate the narrative's impact and marketability.
Themes: The Struggle for Relevance and Legacy, The Fragility of the Ego and the Illusion of Control, The Complexities of Family Relationships, The Nature of Art and Authenticity
Conflict and Stakes: Riggan's struggle with his fading career, his strained relationship with his daughter, and his own mental health issues. The stakes are high as Riggan's career and personal life are on the line.
Overall Mood: Intense, introspective, and darkly comic
Mood/Tone at Key Scenes:
- Scene 1: Riggan's struggle with his own mental health issues.
Standout Features:
- Unique Hook: The film's unique blend of drama, comedy, and fantasy.
- Plot Twist : Mike's true character and his motives for joining the production.
- Performance : The outstanding performance by Michael Keaton as Riggan Thomson.
- Cinematography : The film's innovative and visually stunning cinematography.
Comparable Scripts:
Market Analysis
Budget Estimate:$25-35 million
Target Audience Demographics: Adults aged 25-54, fans of drama, comedy, and thrillers
Marketability: The script has a strong cast, a compelling story, and it explores timely and relevant themes. It has the potential to appeal to a wide audience.
A unique blend of genres and explores compelling themes with a diverse cast. It has the potential to attract a niche audience but may struggle to appeal to a mainstream audience.
The script features compelling characters and a gripping storyline, but the unconventional narrative and dark tone may limit its commercial appeal.
Profit Potential: High, due to the strong cast, compelling story, and potential for award nominations.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- Character development: The screenplay excels in creating well-developed and relatable characters, ranking in the 88th percentile for character ratings.
- Emotional impact: The screenplay effectively conveys emotions and resonates with the audience, as evident from the high percentile (84.14%) for emotional impact.
- Originality: The screenplay stands out for its originality, with a percentile score of 80.12% for originality score.
- Plot: The screenplay's plot received a relatively lower percentile ranking (14.63%), indicating that enhancing the plot structure and development could strengthen the screenplay.
- Structure: The structure score (31.92%) suggests room for improvement in organizing and pacing the screenplay to enhance its overall flow.
- Pacing: The pacing score (28.31%) indicates that the screenplay could benefit from adjustments to ensure a balanced and engaging pace throughout the narrative.
The screenplay exhibits strengths in character development and emotional impact, suggesting a potential writing style that prioritizes character-driven narratives and eliciting emotional responses from the audience.
Balancing Elements- Plot and character balance: Consider strengthening the plot elements to complement the well-developed characters and create a more cohesive narrative.
- Structure and pacing harmony: Explore ways to improve the screenplay's structure and pacing to enhance the overall flow and impact of the story.
- Originality and conformity balance: Maintain the originality while incorporating elements that resonate with audience expectations to create a compelling and marketable screenplay.
The screenplay demonstrates a relatively balanced distribution of percentiles across concept, plot, character, and dialogue elements, indicating an integrated writing style that combines intuitive and conceptual approaches to storytelling.
Overall AssessmentThe screenplay shows promise with strong characterization, emotional impact, and originality, but could benefit from enhancements in plot, structure, and pacing to elevate its overall potential.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
|---|---|---|---|---|
| Script Premise | 8.80 | 88 | V for Vendetta: 8.70 | Casablanca: 8.80 |
| Scene Characters | 8.7 | 86 | Ex-Machina: 8.6 | Easy A: 8.7 |
| Script Visual Impact | 8.20 | 84 | Jojo rabbit: 8.10 | the boys (TV): 8.20 |
| Scene Engagement | 9.00 | 81 | The Addams Family: 8.99 | fight Club: 9.00 |
| Scene Emotional Impact | 8.4 | 79 | Parasite: 8.3 | Birdman: 8.4 |
| Script Emotional Impact | 8.10 | 77 | Ex-Machina: 8.00 | the black list (TV): 8.10 |
| Scene Internal Goal | 8.14 | 77 | Call me by your name: 8.13 | Birdman: 8.14 |
| Script Conflict | 8.00 | 76 | The shining: 7.90 | the black list (TV): 8.00 |
| Scene Originality | 8.86 | 75 | Her: 8.85 | Blade Runner: 8.86 |
| Script Characters | 8.30 | 74 | Legally Blonde: 8.20 | the black list (TV): 8.30 |
| Scene Dialogue | 8.1 | 72 | Parasite: 8.0 | Mr. Smith goes to Washington: 8.1 |
| Scene Unpredictability | 7.67 | 72 | Jojo rabbit: 7.66 | Birdman: 7.67 |
| Scene Character Changes | 7.3 | 65 | A real pain : 7.2 | Casablanca: 7.3 |
| Scene Conflict Level | 7.7 | 55 | American Beauty: 7.6 | Erin Brokovich: 7.7 |
| Overall Script | 8.10 | 51 | Dr. Jekyll and Mr Hyde : 8.06 | the pursuit of happyness: 8.10 |
| Script Theme | 8.20 | 45 | Zootopia: 8.10 | groundhog day: 8.20 |
| Scene High Stakes | 7.3 | 43 | The father: 7.2 | severance (TV): 7.3 |
| Scene Pacing | 8.21 | 43 | Green Book: 8.20 | Birdman: 8.21 |
| Script Structure | 7.80 | 42 | American Fiction: 7.70 | fight Club: 7.80 |
| Scene External Goal | 7.13 | 36 | The wild robot: 7.12 | The Wolf of Wall Street: 7.13 |
| Script Originality | 7.80 | 32 | Sing Sing: 7.70 | face/off: 7.80 |
| Scene Concept | 8.0 | 30 | Poor Things: 7.9 | a few good men: 8.0 |
| Scene Story Forward | 7.8 | 29 | baby girl: 7.7 | Birdman: 7.8 |
| Scene Overall | 8.2 | 28 | Ted: 8.1 | a few good men: 8.2 |
| Scene Formatting | 8.06 | 27 | 12 years a slave: 8.05 | Casablanca: 8.06 |
| Script Structure | 8.06 | 26 | 12 years a slave: 8.05 | severance (TV): 8.06 |
| Scene Plot | 7.5 | 16 | Gran Torino: 7.4 | Arsenic and old lace : 7.5 |
Writer's Voice
Summary:The writer's voice is characterized by a blend of surrealism, dark humor, and introspective dialogue. The voice is consistent throughout the screenplay, manifesting in dialogue, narrative, and direction.
Best representation: Scene 1 - Dramatic Rehearsal Chaos. This scene effectively encapsulates the writer's unique voice through its blend of surreal imagery, dark humor, and introspective dialogue. The conversation between Riggan and Birdman establishes the film's themes of identity, fame, and the nature of reality.
Memorable Lines:
- Tabitha: You're no actor. You're a celebrity. Let's be clear on that. (Scene 30)
- Mike: You were good... (Scene 11)
- Laura: Your tits look like fucking anjou pears in that top! (Scene 8)
- Sam: You're doing this because you're scared to death, like the rest of us, that you don't matter. And you know what? You're right. You don't. It's not important. You're not important. Get used to it. (Scene 15)
- Riggan: I don't exist. I'm not even here. I don't exist. None of this matters. (Scene 17)
Writing Style:
The overall writing style of the screenplay is character-driven, with sharp dialogue and a focus on the complexities of human relationships. It blends humor, drama, and existential themes, creating a unique and engaging narrative.
Style Similarities:
- Charlie Kaufman
- Aaron Sorkin
- Quentin Tarantino
Story Shape
Emotions Elicited
Engine: Claude
Recommend
Executive Summary
The screenplay for 'Birdman' is a compelling and distinctive piece of storytelling that follows the journey of Riggan Thomson, a former superhero actor struggling to regain his artistic credibility by directing and starring in a Broadway play. The narrative seamlessly blends realism and surrealism, exploring Riggan's mental state and his relationship with his alter ego, Birdman, in a thought-provoking and visually striking manner. The screenplay is well-structured, with strong character development and compelling dialogue that reflects the complex dynamics and themes at play. While there are a few areas that could be further refined, the overall strength of the screenplay, its unique style, and its exploration of meaningful themes make it a highly recommended project for consideration.
- The screenplay demonstrates an excellent grasp of character development, with the protagonist Riggan Thomson undergoing a profound and compelling journey of self-discovery and grappling with the challenges of his past and present. The characters are well-rounded and complex, reflecting the human condition in a nuanced and relatable way. high
- The screenplay seamlessly blends realism and surrealism, creating a unique and engaging cinematic experience. The use of Riggan's alter ego, Birdman, and the exploration of his mental state add depth and layers to the narrative. high
- The screenplay is well-structured, with a strong narrative flow and compelling pacing. The transitions between scenes and the interweaving of different storylines are expertly handled, creating a cohesive and engrossing story. high
- The dialogue is sharp, witty, and true to the characters, contributing to the authenticity of the storytelling. The exchanges between the characters are insightful and reflect the complex dynamics at play. medium
- The screenplay effectively explores themes of fame, artistic integrity, and the human condition, providing a thought-provoking and meaningful exploration of these ideas. high
- The screenplay could benefit from further development of some secondary characters, ensuring they are as well-rounded and compelling as the primary characters. medium
- While the narrative is generally well-paced, there are a few instances where the pacing could be tightened to maintain the audience's engagement throughout. low
- The screenplay does not have any significant missing elements. It is a well-rounded and complete narrative. low
- The screenplay's unique blend of realism and surrealism, as well as the exploration of Riggan's mental state and his relationship with his alter ego, Birdman, are notable elements that set it apart and contribute to its distinctive style. high
- The screenplay's exploration of the themes of fame, artistic integrity, and the human condition are thought-provoking and add depth to the narrative, making it a compelling and meaningful piece of storytelling. high
- The screenplay's strong character development, particularly the protagonist Riggan Thomson's arc, is a notable strength that drives the narrative and engages the audience. high
Engine: GPT4
Highly Recommend
Executive Summary
Birdman is a highly recommended screenplay that brilliantly fuses elements of reality with surrealism, centered around an aging actor's struggle for relevance and authenticity. The character development is robust, particularly for the protagonist, Riggan, whose journey is both compelling and emotionally resonant. The dialogue is sharp and the pacing is well-calibrated, ensuring engagement throughout the narrative.
- The screenplay exhibits a unique blend of reality and surrealism, masterfully blurring the lines between Riggan's internal struggles and external world, which enhances the thematic depth. high
- Character development, especially of Riggan, is profound and well-executed, showing a clear transformation from a haunted superstar to a self-realizing individual. high ( Scene 1 Scene 55 )
- The dialogue is sharp, witty, and laden with existential undertones that drive the narrative effectively, keeping the audience engaged and reflective. high
- The climax and resolution are powerfully scripted, providing a satisfying and thought-provoking conclusion to the story arcs. high ( Scene 52 Scene 53 )
- The screenplay's pacing is meticulously crafted, balancing slower, introspective moments with intense, dramatic sequences that maintain viewer interest throughout. medium
- Some scenes may benefit from a slight reduction in complexity to enhance clarity and ensure that the audience can follow the nuanced narrative more easily. medium
- The screenplay could explore more background elements of secondary characters to enrich the world and provide more depth to their interactions with Riggan. low
- The innovative use of a single continuous shot style in the screenplay adds a unique and immersive quality to the storytelling. high
Screenplay Insights:
Premise: 8.8, The screenplay for Birdman presents a complex and intriguing premise, delving into the themes of identity, relevance, and the struggle for artistic validation. While the initial setup effectively captures the audience's attention with the protagonist's unusual abilities and internal conflict, there is potential for further refinement to enhance clarity and long-term engagement. Exploring the origins and nature of Riggan's powers, as well as the consequences of his actions, could provide a more cohesive and impactful narrative. See More
Structure: 7.8, The screenplay demonstrates a solid narrative structure with a clear plot progression and effective pacing. However, the complexity of the plot and depth of character development could be enhanced to further engage the audience and elevate the storytelling. See More
Theme: 8.2, The screenplay delves into themes of identity, legacy, and the nature of truth, effectively conveying these messages through its complex characters and engaging narrative. However, it could benefit from enhancing the clarity of some themes and exploring the emotional impact of its central message more deeply. See More
Visual Impact: 8.2, The screenplay showcases a blend of evocative visual descriptions and fresh visual storytelling techniques, resulting in a unique and compelling visual experience. It effectively utilizes striking imagery, symbolism, and dynamic scene transitions to immerse readers in its world and convey the depth and complexity of its themes. See More
Emotional Impact: 8.1, The screenplay effectively taps into a range of human emotions, with particular strengths in portraying the raw and complex feelings of its flawed characters and their search for authenticity and purpose. However, it could further enhance its emotional depth by delving deeper into the characters' internal struggles and by grounding their emotional journeys in relatable and universally resonant experiences. See More
Conflict: 8.0, The screenplay skillfully employs conflict and stakes to drive its narrative, delving into the emotional struggles of characters facing professional, personal, and existential dilemmas. However, there are opportunities to enhance the tension and emotional impact by intensifying the conflicts and raising the stakes for certain characters. See More
Originality: 7.8, This screenplay exhibits originality and creative approaches in its exploration of a washed-up actor's existential crisis and his struggle to reconcile his past with his present. The narrative provides a poignant and insightful portrayal of Riggan's journey, delving into themes of identity, aging, and the elusive nature of artistic fulfillment. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In his dressing room, Riggan meditates and receives a Skype call from his daughter, Sam. He asks her to buy flowers for him and tells her not to buy roses. Sam tells him that she hates her job and the call ends. Riggan closes the laptop and tries to regain his calm. He looks at his reflection in the mirror and reads a handwritten phrase on it: 'A thing is a thing, not what is said of that thing.' An announcement signals the start of scene five, and Riggan hurries out of his dressing room into the hallways of the theater, where he encounters a stage hand and his producer, Jake. He tells Jake he would prefer Ralph's acting to be less exaggerated.
- The scene takes place in a theater on a stage where Lesley, Laura, and Ralph are discussing a past abusive relationship. Riggan arrives late and joins the conversation. Jake witnesses Ralph getting injured by a falling light, causing chaos and panic. The conflict arises as the characters debate the consequences of love in an abusive relationship, with no resolution in sight.
- Riggan abruptly decides to postpone the preview despite Jake's concerns. Riggan insists the performance was a disaster and that Ralph, the understudy, was the worst actor he's ever seen. Jake reluctantly agrees but is worried about the press conference in a few hours. Riggan hints that he may have intentionally caused Ralph's injury, which Jake initially dismisses. Riggan asks Jake to find a better actor, but Jake points out that all the good actors are busy with other projects.
- Riggan tackles mounting issues in his dressing room: a potential lawsuit, a fraught interview, and the need for a replacement actor. Amidst the chaos, the possibility of Mike Shiner arises, offering a glimmer of hope.
- In the hallway of a theater, Jake asks Annie to turn on the work lights and get him a fresh copy of the script. On the stage, Annie illuminates the work lights as Mike Shiner arrives. Mike suggests a rehearsal, but Riggan, the director and star of the play, initially hesitates. He reluctantly agrees to feed Mike a line. Mike delivers an unforgettable interpretation of the lines, captivating Riggan. Riggan offers Mike a job, which Mike accepts. Mike and Sam, Riggan's assistant, then exit the stage.
- In the hallway of a theatre, Mike and Sam discuss his performance. Mike's inappropriate comment about a woman's body shocks Sam and creates tension between them before they enter a dressing room.
- In the costume department of a theater, Larry is stressed while trying to dress Mike, who ends up naked in front of everyone. Sam is indifferent, focused on her phone, while Lesley is embarrassed and frustrated with Mike's behavior. The scene is comedic and awkward, with tension unresolved as Lesley twists Mike's nipples in frustration and walks out.
- Riggan and Jake clash over the play's budget, but Riggan reassures Jake he'll secure funds. Laura surprises Riggan with her pregnancy news, leading to a mix of emotions and a flirtatious interaction between them, leaving Riggan in a state of bewilderment.
- Annie, the stage manager, calls the cues as Riggan, the lead actor, prepares for his first preview performance. Riggan admires Mike's strong performance from the wings, but is concerned about his use of real gin. Laura shares her担忧 about Mike's recent behavior, describing him as depressed. The scene culminates with Laura gently pushing Riggan onstage.
- Riggan's emotional storytelling is interrupted by Mike's disruptive behavior, leading to chaos on stage. Despite Laura's attempts to calm tensions, Mike's agitation escalates, causing audience reactions and forcing Riggan to leave the stage amidst the ensuing turmoil.
- Riggan and Jake argue over firing Mike. Mike appears, threatens Riggan, and disappears. Riggan agrees to meet Mike in 10 minutes.
- Riggan and Sylvia discuss their troubled relationship, including Riggan's strained relationship with their daughter Sam and his drinking. Sylvia confronts Riggan about his past behavior, highlighting his tendency to confuse love with admiration. The conversation ends with Sylvia reminding Riggan of his responsibility towards Sam and leaving him alone to reflect on their conversation and his own choices.
- In a tense hallway, Riggan dismisses interruptions, leading to an argument with Mike outside. They clash over their artistic approaches, with Riggan valuing popularity and Mike prioritizing authenticity. Riggan reluctantly follows Mike into The Rum House.
- At the Rum House, Mike and Riggan discuss their play's previews. Despite pressure from critic Tabitha Dickinson, Mike remains confident. Riggan shares a personal story inspiring him to become an actor. The scene ends with Riggan's departure, leaving a tense moment between him and Tabitha.
- Riggan discovers Sam smoking marijuana in the theater, leading to an argument about the significance of Riggan's career. Sam criticizes Riggan's motives and declares his irrelevance. Devastated, Riggan succumbs to temptation and smokes the joint.
- Laura performs a soliloquy on stage while three dancers pass by. Meanwhile, backstage, Mike and Lesley get into bed and have a tense conversation. The scene ends with the stage beginning to revolve, adding to the surreal atmosphere of the play's preview.
- During a stage performance, Mike and Lesley's intimate moment is abruptly halted by Riggan, who enters armed and enraged. Despite Lesley's pleas, Riggan's despair over losing Lesley's affection drives him to a shocking act of self-harm, ending the scene with a gunshot to his head.
- In this scene, Mike and Lesley have a heated exchange on stage before taking their bows. Lesley accuses Mike of trying to have sex with her in front of the audience, leading to a confrontation. The conflict arises when Lesley accuses Mike of inappropriate behavior, and the emotional tone is tense and confrontational. The scene ends with Lesley storming off stage, leaving Mike and a confused Riggan behind.
- Lesley confides in Laura about her Broadway disappointments, leading to a tender moment. Mike's interruption triggers an outburst from Lesley, leaving tensions unresolved.
- Mike and Sam's rooftop conversation reveals personal struggles and a playful game. Sam confesses leaving rehab, while Mike admits to intentional antagonism. Their truth or dare game uncovers Mike's insecurities and Sam's playful spirit. As Sam departs, Mike remains alone on the rooftop, lost in thought.
- Riggan Thompson's frustrations reach a boiling point when he discovers that his rival, Mike Shiner, has taken credit for inspiring him to become an actor. As Laura reveals the truth about her pregnancy, Riggan's humiliation intensifies, prompting him to confront Mike in a fit of rage.
- In a tense backstage encounter, Riggan confronts Mike about altering his lines and stage behavior. Riggan's accusations escalate into a physical altercation, fueled by a fabricated personal story. Despite the physical clash, the conflict remains unresolved as Riggan storms off.
- In the confines of his dressing room, Riggan grapples with his inner demons, embodied by his former iconic character, Birdman. Amidst a heated argument, Riggan's frustration and self-doubt erupt, manifesting as telekinetic powers that destroy the objects around him. Jake, a witness to this breakdown, stands frozen in shock as Riggan's room is reduced to shambles, symbolizing the turmoil raging within.
- Riggan is discovered throwing objects in his dressing room, revealing he was not using telekinetic powers. Jake informs him that the show is sold out, including to several celebrities. Riggan expresses doubts about his performance, but Jake reassures him. Lesley overhears their conversation and expresses remorse for bringing Mike on board. Riggan reassures her that she did a good job. Lesley expresses her gratitude and reveals she will be having her Broadway opening night the next day. Riggan glances at his hand and sees blood dripping from his palm.
- Mike and Sam, two troubled individuals, engage in a deep and introspective conversation on a rooftop overlooking the city. Mike tries to convince Sam not to jump, and they discuss their past relationships and self-worth issues. Sam reveals the nature of her father's absence and its lasting effects, while Mike shares his own painful experiences. Despite a moment of connection, Sam's inner turmoil remains as they continue their journey through the theatre to an unknown destination.
- After a performance, backstage tensions flare as Sam and Mike's kiss triggers Riggan's jealousy. Meanwhile, Riggan and Laura confront their past and conflicting feelings. Lesley's monologue on love's transience adds a poignant undertone.
- Riggan gets locked out of the theater and is forced to run down the street in his underwear to get back in. Along the way, he is confronted by fans and hecklers, and is eventually confronted by Ralph and his attorney in the lobby.
- Riggan enters the auditorium in his underwear, confronts Lesley and Mike on stage, asking why they don't love him. He points a gun at Mike, and Lesley begs him to give it to her. Jake hears a gunshot and rushes out to investigate. The audience applauds, and the camera follows Riggan's bloody wig as he takes over the point of view.
- Riggan, an anxious actor, eats bologna and mustard in his dressing room before opening night. He ignores his daughter, Sam, until she brings up his past as a father and his financial situation, leading him to reflect on his shortcomings. Riggan realizes Sam has become a trending topic on social media due to a video of her in her underwear, and encourages her to leave. He removes his Birdman makeup and wig, revealing his white beard, and leaves the dressing room.
- Riggan watches his viral video and confronts critic Tabitha, who vows to destroy his play. They engage in a tense conversation about art and criticism, leaving Riggan frustrated and Tabitha determined to kill his play.
- Haunted by booze and self-pity, Riggan seeks solace on a bench. As dawn breaks, Birdman, an embodiment of his ambition, urges Riggan to reclaim his past glory. Riggan's resistance wanes, and he soars above the cityscape with Birdman. Yet, the scene concludes with Riggan contemplating a leap from a skyscraper's edge.
- Riggan arrives at the theater and stops the music. The Usher is confused and argues with a taxi driver. The audience exits the theater for intermission.
- In Riggan's dressing room, amidst roses and cards, Sylvia and Riggan engage in a profound conversation. Riggan unburdens his inner struggles, revealing his regrets and past suicide attempt. Sylvia offers empathy and solace. As the scene draws to a close, Riggan loads a revolver, casting a foreboding shadow over their exchange.
- Riggan's emotional instability leads him to confront his insecurities and seek validation. Despite attempts to calm him, his despair escalates. He raises a gun to his head, but turns to acknowledge his inauthenticity. A gunshot ends his life, shocking the audience who mistake it for a performance. The tragedy unfolds amidst conflicts, intense emotions, and the haunting realization of Riggan's inner turmoil.
- Jake enters Riggan's hospital room with a glowing review from the New York Times, while Sylvia worries about Riggan's well-being. Jake's insensitivity leads to a slap from Sylvia. Amidst the chaos, Sam brings flowers and captures a moment for social media. Riggan's silence and contemplation give way to a hint of a smile as he climbs out of bed, symbolizing a shift in his emotional state.
- Riggan examines his reconstructed nose, sees Birdman on the toilet, and climbs onto the window sill. Sam enters the room and looks out the window, searching for her father. She sees nothing at first, but then looks up and sees Riggan flying in the sky.
Riggan - Score: 85/100
Role
Protagonist
Character Analysis Overview
Mike - Score: 30/100
Role
Supporting Character
Character Analysis Overview
Sam - Score: 81/100
Character Analysis Overview
Lesley - Score: 68/100
Character Analysis Overview
Laura - Score: 74/100
Character Analysis Overview
Jake - Score: 67/100
Role
Supporting Character
Character Analysis Overview
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| The Struggle for Relevance and Legacy (40%) | Riggan's fear of losing his fame and status, his attempts to stage a comeback through the play, and his desperation to leave a legacy. | The film explores the themes of mortality, aging, and the fear of irrelevance in the face of changing times, especially within the entertainment industry. | ||||||||||||
Strengthening The Struggle for Relevance and Legacy:
| ||||||||||||||
| The Fragility of the Ego and the Illusion of Control (30%) | Riggan's struggle with his inner Birdman persona, his reliance on external validation, and his eventual breakdown. | The film delves into the fragile nature of the human ego, the constant battle between our inner and outer selves, and the illusion of control we strive to maintain. | ||||||||||||
| The Complexities of Family Relationships (20%) | Riggan's strained relationship with his daughter Sam, his guilt over his past actions, and the complexities of love and forgiveness. | The film explores the intricate dynamics of family relationships, the impact of past choices, and the search for redemption and reconciliation. | ||||||||||||
| The Nature of Art and Authenticity (10%) | Riggan's struggle to find authenticity in his art, the debate over what constitutes good art, and the role of criticism. | The film raises questions about the nature of art, its purpose, and the tension between commercial success and artistic integrity. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals revolved around finding peace and balance amidst chaos, salvaging his failing production, and seeking validation and recognition. |
| External Goals | The protagonist's external goals focused on navigating the challenges of the theater production, handling disruptive actors, and ensuring the success of the play. |
| Philosophical Conflict | The overarching philosophical conflict in the screenplay is between artistic integrity and commercial success, self-acceptance and external validation, and the blurred lines between reality and performance. |
Character Development Contribution: The goals and conflict contribute to the protagonist's growth as he confronts his insecurities, seeks self-acceptance, and reevaluates his values and priorities.
Narrative Structure Contribution: The goals and conflict drive the narrative forward by creating tension, conflict, and resolution, shaping the protagonist's journey and the overall storyline.
Thematic Depth Contribution: The goals and conflict add layers of complexity to the themes of identity, success, authenticity, and the pursuit of validation in the competitive world of theater, enriching the thematic depth of the screenplay.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Riggan's Pre-Show Routine | Anxious, Humorous, Reflective | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 7 | 7 | 6 | 8 | 8 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 2 - Dramatic Rehearsal Chaos | Dark, Intense, Tense, Melancholic | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 3 - Postponing the Preview | Sarcastic, Frustrated, Humorous | 8 | 7 | 8 | 9 | 8 | 6 | 8 | 7 | 8 | 8 | 7 | 9 | 7 | 7 | 9 | 9 | 9 | 8 | 8 | |
| 4 - Riggan's Dressing Room Chaos | Tense, Sarcastic, Anxious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 5 - Unexpected Encounter | Intense, Sarcastic, Confrontational, Playful | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 6 - Backstage Banter | Sarcastic, Conversational, Cynical | 8 | 8 | 7 | 8 | 9 | 5 | 8 | 7 | 6 | 8 | 6 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 7 - Costume Department Chaos | Awkward, Humorous, Tense | 8 | 7 | 7 | 9 | 8 | 6 | 8 | 7 | 7 | 7 | 6 | 7 | 8 | 6 | 7 | 9 | 9 | 8 | 8 | |
| 8 - Financial Tensions and Pregnancy Reveal | Tense, Emotional, Humorous | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 9 | 6 | 8 | 5 | 7 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 9 - Backstage Jitters | Intense, Depressing, Darkly Humorous | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 10 - On-Stage Chaos | Intense, Humorous, Dramatic | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 11 - Confrontation in the Hallway | Intense, Confrontational, Emotional, Tense | 8 | 8 | 8 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 12 - Riggan and Sylvia's Confrontation | Tense, Reflective, Emotional, Intimate | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 6 | 6 | 7 | 5 | 6 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 13 - Artistic Conflict in the Alley | Intense, Confrontational, Sarcastic, Reflective | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7.5 | 9 | 8 | 7 | 8 | 8 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 14 - Discussion at the Rum House | Tense, Sarcastic, Intense, Confrontational | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | |
| 15 - Confrontation Over Marijuana | Confrontational, Emotional, Intense | 8 | 8 | 7 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 7 | 7 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 16 - Theatrical Reflections | Melancholic, Intimate, Surreal | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 17 - Tragic Climax | Intense, Emotional, Disturbing, Revealing | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 10 | 8 | 9 | 8 | 8 | 8 | |
| 18 - Heated Exchange on Stage | Tense, Confrontational, Emotional, Intense | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 19 - Dressing Room Drama | Emotional, Intense, Humorous | 8 | 8 | 7 | 8 | 9 | 8 | 9 | 7 | 7 | 7 | 7 | 7 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 20 - Truth or Dare on the Roof | Dark, Intense, Confrontational, Unsettling | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 6 | 8 | 7 | 7 | 7 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 21 - Riggan's Ego Shattered | Tension, Conflict, Humor, Drama | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 22 - Backstage Confrontation | Intense, Confrontational, Emotional, Sarcastic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 23 - Inner Turmoil: Riggan Battles His Birdman Persona | Intense, Emotional, Confrontational | 9 | 9 | 8 | 9 | 9 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 10 | 8 | 9 | 8 | 8 | 8 | |
| 24 - Riggan's Doubts and Lesley's Apology | Intense, Melancholic, Tense, Reflective | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 25 - A Conversation on the Rooftop | Introspective, Reflective, Emotional, Conversational | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 6 | 7 | 5 | 7 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 26 - Backstage Drama | Intense, Emotional, Reflective | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 27 - Riggan's Embarrassing Escape | Agitated, Confrontational, Humorous | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 7 | 7 | 9 | 9 | 9 | 9 | |
| 28 - Riggan's Downfall | Intense, Emotional, Confrontational | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 10 | 8 | 9 | 8 | 8 | 8 | |
| 29 - Riggan's Dressing Room | Melancholic, Reflective, Introspective | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 4 | 7 | 5 | 6 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 30 - Confronting the Critic | Confrontational, Defiant, Intense, Sarcastic | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 31 - Flight of Ego and Desperation | Desperate, Hopeful, Epic, Reflective | 9 | 9 | 8 | 9 | 8 | 8 | 8 | 7 | 7 | 7 | 8 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 32 - Riggan Arrives at the Theater | Confusion, Intense, Emotional, Humorous | 8 | 7 | 8 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 33 - Riggan's Confession | Intense, Emotional, Reflective | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 8 | 8 | 7 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 34 - Riggan's Desperate Act | Intense, Emotional, Tense, Reflective | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 35 - A Room Filled with Emotions | Serious, Euphoric, Tranquil, Awkward, Gentle, Sad, Happy | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 36 - Contemplation and Hope | Intense, Emotional, Reflective | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 6 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense emotional impact
- Deep exploration of themes
- Powerful dialogue
- Complex character dynamics
- Emotional depth
Scene Weaknesses
- Limited external conflict
- Slow pacing
- Some repetitive dialogue
- Some moments of confusion for the audience
- Limited physical action
Suggestions
- Consider adding more external conflict to strengthen the plot
- Work on pacing to maintain audience engagement throughout the screenplay
- Revise repetitive dialogue to keep it fresh and engaging
- Be mindful of potential confusion for the audience and revise accordingly
- Think about how to incorporate more physical action into the screenplay
Scene 1 - Riggan's Pre-Show Routine
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Dramatic Rehearsal Chaos
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Postponing the Preview
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Riggan's Dressing Room Chaos
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Unexpected Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Backstage Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Costume Department Chaos
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Financial Tensions and Pregnancy Reveal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Backstage Jitters
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - On-Stage Chaos
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Confrontation in the Hallway
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Riggan and Sylvia's Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Artistic Conflict in the Alley
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Discussion at the Rum House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Confrontation Over Marijuana
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Theatrical Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Tragic Climax
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Heated Exchange on Stage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Dressing Room Drama
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Truth or Dare on the Roof
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Riggan's Ego Shattered
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Backstage Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Inner Turmoil: Riggan Battles His Birdman Persona
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Riggan's Doubts and Lesley's Apology
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - A Conversation on the Rooftop
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Backstage Drama
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Riggan's Embarrassing Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Riggan's Downfall
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Riggan's Dressing Room
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Confronting the Critic
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Flight of Ego and Desperation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Riggan Arrives at the Theater
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Riggan's Confession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Riggan's Desperate Act
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - A Room Filled with Emotions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Contemplation and Hope
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Claude
Recommend
Explanation: The screenplay for 'Birdman' is a compelling and distinctive piece of storytelling that follows the journey of Riggan Thomson, a former superhero actor struggling to regain his artistic credibility by directing and starring in a Broadway play. The narrative seamlessly blends realism and surrealism, exploring Riggan's mental state and his relationship with his alter ego, Birdman, in a thought-provoking and visually striking manner. The screenplay is well-structured, with strong character development and compelling dialogue that reflects the complex dynamics and themes at play. While there are a few areas that could be further refined, the overall strength of the screenplay, its unique style, and its exploration of meaningful themes make it a highly recommended project for consideration.
Engine: GPT4
Highly Recommend
Explanation: Birdman is a highly recommended screenplay that brilliantly fuses elements of reality with surrealism, centered around an aging actor's struggle for relevance and authenticity. The character development is robust, particularly for the protagonist, Riggan, whose journey is both compelling and emotionally resonant. The dialogue is sharp and the pacing is well-calibrated, ensuring engagement throughout the narrative.