Enemy of the State
Executive Summary
Screenplay Video
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Overview
Genres: Thriller, Drama, Action, Mystery, Crime
Setting: Contemporary, Various locations including Washington D.C., a university campus, a hotel, a restaurant, and a rural highway
Overview: This screenplay earns a 7.8, signifying its strong foundation and captivating premise. Its fast-paced plot, unpredictable twists, and exploration of timely themes like government surveillance contribute to its high marketability potential. However, to elevate it from a gripping read to a truly impactful film, focusing on deepening character complexities, emotional resonance, and visual storytelling will be crucial.
Themes: Government Surveillance and Violation of Privacy, Corruption and Abuse of Power, The Importance of Individual Action, The Danger of unchecked power, The importance of truth and transparency
Conflict and Stakes: The primary conflict revolves around Dean's fight to clear his name and expose government corruption and surveillance. The stakes are high as lives are at risk, and the truth could lead to political upheaval.
Overall Mood: Tense, suspenseful, and thought-provoking
Mood/Tone at Key Scenes:
- Scene 1: The scene is tense and confrontational as Dean and Reynolds face off over government surveillance and corruption.
Standout Features:
- Government Surveillance Theme: The exploration of government surveillance and corruption adds depth and relevance to the storyline.
- Intense Action Sequences : The high-stakes action scenes and thrilling chases keep the audience on the edge of their seats.
- Character Dynamics : The complex relationships and moral dilemmas faced by the characters provide depth and emotional resonance.
- Twists and Turns : The screenplay is filled with unexpected plot twists and revelations that keep the audience engaged and guessing.
- Timely Themes : The exploration of privacy, ethics, and power in the digital age resonates with contemporary audiences.
- Genre Blending : The blend of political thriller, espionage drama, and action elements creates a unique and compelling narrative.
- Strong Emotional Core : The emotional depth and character development add layers of complexity to the storyline, engaging the audience on a personal level.
Comparable Scripts:
Market Analysis
Budget Estimate:$40-50 million
Target Audience Demographics: Adults aged 25-54, fans of political thrillers, espionage dramas, and suspenseful action
Marketability: The screenplay offers a gripping storyline with relevant themes that resonate with a wide adult audience. The blend of political intrigue and suspenseful action makes it highly marketable.
The unique characters, intense conflicts, and timely themes make this screenplay stand out in the market. It has the potential to attract a diverse audience and generate buzz.
The strong emotional core, complex characters, and suspenseful plot twists make this screenplay a compelling choice for audiences seeking a thought-provoking and thrilling experience.
Profit Potential: High, due to the screenplay's appeal to a broad adult audience, potential for critical acclaim, and strong word-of-mouth marketing
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- Strong plotline (85.29%)
- High conflict level (91.54%)
- Effective pacing (88.69%)
- Well-developed external goal (84.78%)
- Weak character development (13.97%)
- Low originality score (41.73%)
- Emotional impact could be enhanced (43.75%)
The writer exhibits a conceptual approach to storytelling, with a focus on plot and structure. Dialogue and character development may benefit from further attention.
Balancing Elements- Consider elevating the character development to match the strong plot elements
- Explore ways to increase originality while maintaining the engaging plotline
Conceptual
Overall AssessmentThe screenplay showcases a solid foundation with a compelling plot and strong pacing. Refining the character development, adding originality, and enhancing the emotional impact will further strengthen the screenplay's potential.
How scenes compare to the Scripts in our Library
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|
Percentile | Before | After |
---|---|---|---|---|
Script Structure | 9.00 | 98 | Pirates of the Caribbean: 8.75 | 12 Monkeys: 9.00 |
Scene Conflict Level | 8.7 | 94 | Blackkklansman: 8.6 | the dark knight rises: 8.7 |
Scene External Goal | 7.96 | 92 | Fear and loathing in Las Vegas: 7.86 | Terminator 2: 7.96 |
Scene Pacing | 8.67 | 92 | the dark knight rises: 8.64 | Terminator 2: 8.67 |
Script Theme | 9.00 | 91 | V for Vendetta: 8.75 | Terminator 2: 9.00 |
Scene High Stakes | 8.7 | 89 | Blackkklansman: 8.6 | Black panther: 8.7 |
Scene Plot | 8.4 | 87 | Anora: 8.3 | Dr. Strangelove: 8.4 |
Scene Story Forward | 8.6 | 85 | Narcos Pilot: 8.5 | the 5th element: 8.6 |
Script Structure | 8.38 | 84 | Interstellar: 8.37 | Rambo: 8.38 |
Scene Unpredictability | 7.85 | 83 | LA confidential - draft: 7.84 | Enemy of the State: 7.85 |
Script Conflict | 8.25 | 79 | KILLING ZOE: 8.00 | the dark knight rises: 8.25 |
Scene Formatting | 8.38 | 74 | Stranger Things: 8.36 | Rambo: 8.38 |
Scene Overall | 8.5 | 66 | The father: 8.4 | Casablanca: 8.5 |
Scene Engagement | 8.98 | 59 | Anora: 8.97 | Mr. Smith goes to Washington: 8.98 |
Script Originality | 8.50 | 59 | Coda: 8.25 | face/off: 8.50 |
Scene Dialogue | 7.9 | 55 | The substance: 7.8 | glass Onion Knives Out : 7.9 |
Scene Internal Goal | 8.07 | 55 | The usual suspects: 8.06 | The Wizard of oz: 8.07 |
Scene Concept | 8.1 | 45 | Manchester by the sea: 8.0 | Casablanca: 8.1 |
Scene Originality | 8.62 | 36 | Women talking: 8.61 | Enemy of the State: 8.62 |
Scene Emotional Impact | 7.6 | 35 | Fleabag: 7.5 | True Blood: 7.6 |
Scene Character Changes | 6.7 | 34 | Narcos Pilot: 6.6 | Her: 6.7 |
Script Premise | 7.75 | 34 | Inception: 7.50 | There's something about Mary: 7.75 |
Script Visual Impact | 7.75 | 33 | Midsommar: 7.50 | fight Club: 7.75 |
Overall Script | 7.80 | 18 | LA confidential - draft: 7.79 | True Blood: 7.80 |
Scene Characters | 7.9 | 12 | El Mariachi: 7.8 | severance (TV): 7.9 |
Script Emotional Impact | 7.25 | 11 | Charlie and The Choclate Factory: 7.00 | True Blood: 7.25 |
Script Characters | 6.75 | 1 | - | El Mariachi: 6.75 |
Writer's Voice
Summary:The writer's original voice manifests in the screenplay through intense, sharp dialogue that reveals conflicting values and motivations among characters. The narrative is laced with tension and power dynamics, creating a sense of urgency and moral complexity.
Best representation: Scene 1 - Deadly Mountain Chase. This scene is the best encapsulation of the writer's unique voice as it showcases the use of sharp, confrontational dialogue to create tension and explore complex moral issues through character interactions.
Memorable Lines:
- Brill: Forget me, forget what I did for you. Don't ever mention my name or try to contact me again. Get it? (Scene 22)
- Dean: Go fuck yourself. (Scene 25)
- Dean: That's gonna end tonight. (Scene 39)
- Dean: I love you. And I love our son. So just believe me anyway. Please. (Scene 26)
- SENATOR ALBERT: America is under assault, and this time it's from within. The gangs, the terrorists, the drug lords, the cults... (Scene 17)
Writing Style:
The screenplay exhibits a blend of sharp dialogue-driven scenes, complex character dynamics, and suspenseful storytelling. It delves into moral ambiguities, political intrigue, and high-stakes situations, creating a captivating and engaging narrative.
Style Similarities:
- David Mamet
- Aaron Sorkin
- Christopher Nolan
- David Fincher
Story Shape
Emotions Elicited
Recommend
Executive Summary
Enemy of the State is a compelling thriller that delves into the themes of privacy, surveillance, and government overreach. The screenplay is well-structured with strong character development, particularly for the protagonist, Robert Dean. The narrative is engaging and maintains a consistent pace, making it a gripping read from start to finish. However, there are areas that could benefit from further refinement, such as the clarity of certain plot points and the depth of some secondary characters.
- Strong opening scene that sets the tone and stakes of the story immediately. high ( Scene 1 )
- Effective use of tension and suspense, particularly in scenes involving surveillance and pursuit. high ( Scene 10 )
- Well-developed protagonist with a clear character arc, making Robert Dean a relatable and engaging character. high ( Scene 16 )
- Innovative use of technology and realistic depiction of surveillance techniques. medium ( Scene 30 )
- Strong thematic exploration of privacy and government overreach, adding depth to the narrative. high ( Scene 38 )
- Some action sequences feel overly long and could benefit from tighter editing to maintain pacing. medium ( Scene 20 )
- Certain plot points, such as the motivations of secondary characters, could be clarified for better understanding. medium ( Scene 25 )
- The antagonist's backstory and motivations could be further developed to add depth to the conflict. medium ( Scene 33 )
- Some dialogue feels expository and could be made more natural to enhance character interactions. low ( Scene 40 )
- The resolution could be more impactful, providing a stronger emotional payoff for the audience. medium ( Scene 42 )
- More background on the protagonist's personal life and relationships to create a deeper emotional connection. medium ( Scene general )
- Additional scenes showing the antagonist's perspective to balance the narrative. medium ( Scene general )
- More exploration of the ethical implications of surveillance and privacy invasion. high ( Scene general )
- The screenplay's opening scene is highly effective in grabbing the audience's attention and setting the stakes. high ( Scene 1 )
- The use of real-world technology and surveillance techniques adds a layer of authenticity to the story. high ( Scene 10 )
- The screenplay successfully maintains a high level of tension and suspense throughout. high ( Scene 30 )
- The thematic exploration of privacy and government overreach is timely and relevant. high ( Scene 38 )
- The resolution ties up the narrative threads effectively, providing a satisfying conclusion. medium ( Scene 42 )
- Character Development Some secondary characters lack depth and clear motivations, which can make their actions feel less impactful. medium
- Expository Dialogue Certain scenes contain dialogue that feels overly expository, which can disrupt the natural flow of character interactions. low
Screenplay Insights:
Premise: 7.75, The screenplay's premise effectively establishes a thrilling conspiracy thriller centered around government surveillance and the fight for individual privacy. While the premise is strong, refining the initial hook and streamlining the narrative's focus could further enhance audience engagement. See More
Structure: 9.0, The screenplay exhibits commendable narrative structure and plot development but presents opportunities for refinement to enhance its overall effectiveness. The well-crafted scenes captivate the reader, effectively building narrative tension. However, some aspects of the plot progression and character interactions could benefit from further exploration to heighten the impact of the screenplay. See More
Theme: 9.0, The screenplay effectively explores themes of government surveillance, privacy violations, and the tension between national security and individual rights. The messages conveyed about the importance of transparency, accountability, and the preservation of civil liberties resonate strongly with the audience, making the screenplay thought-provoking and engaging. See More
Visual Impact: 7.75, This screenplay delivers a gripping and suspenseful narrative driven by strong visual storytelling. The use of stark contrasts, particularly between the sterile, high-tech environments of the NSA and the gritty realism of Dean's escape, effectively builds tension and reflects the power dynamics at play. The imagery of surveillance, often captured through security cameras and tracking devices, amplifies the sense of paranoia and claustrophobia, drawing the audience into Dean's desperate fight for survival. The screenplay's visual strengths lie in its ability to externalize internal conflicts and heighten the emotional stakes through symbolic imagery and a keen understanding of cinematic language. See More
Emotional Impact: 7.25, The screenplay effectively builds suspense and tension through its intricate plot and thrilling action sequences. However, while the fast-paced narrative keeps viewers engaged, there's room to deepen the emotional resonance by exploring the characters' inner lives and relationships more fully. Enhancing the emotional stakes, particularly in key turning points, will create a more impactful and memorable experience for the audience. See More
Conflict: 8.25, The screenplay effectively employs conflict and stakes to create a compelling narrative that keeps the audience engaged. It introduces a well-defined central conflict and establishes significant personal stakes for the characters, which are integrated throughout the plot and character development. However, there are opportunities to enhance the stakes' escalation and explore the resolution more deeply to maximize their impact on narrative tension. See More
Originality: 8.5, This screenplay exhibits originality and creativity in its exploration of government surveillance and corruption. The complex narrative structure and well-developed characters contribute to an engaging and thought-provoking story. Innovative storytelling techniques, such as the use of found footage and the fragmented presentation of events, add depth and authenticity to the screenplay. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Two men in suits, Hamersley and Reynolds, engage in a heated debate inside a car overlooking a farming valley. They discuss terrorism and government surveillance, with differing viewpoints leading to a tense and confrontational atmosphere. Reynolds quotes a Bible verse, but Hamersley responds with frustration and defiance. The scene ends with Reynolds leaving the car, as Hamersley dismisses him and prepares for a committee meeting.
- Hamersley, pursued by a brown sedan, collides head-on with a propane truck, resulting in a deadly explosion. Meanwhile, lawyer Dean assists L.T., whose union members face pressure from the potentially bribed Bellmoth.
- Dean and Rachel meet at a restaurant to exchange envelopes. Dean gives Rachel an envelope with $10,000 in cash in exchange for an envelope containing information he requested. Dean expresses a desire to meet Brill, but Rachel tells him that it's not possible. She assures him that he is not breaking the law, but Dean remains concerned.
- Dean confronts DePinto with evidence of his mob ties, while Zavitz uncovers video footage of a secret meeting between Hamersley and Reynolds. Both characters face difficult decisions and navigate dangerous situations as they uncover truths and face potential consequences.
- In a newspaper office, editor Alfonso is interrupted by Zavitz, who insists he turn on CNN to a report about Hamersley's death being ruled an accident. Zavitz claims to have footage of Hamersley arguing, and agrees to bring the tape to Alfonso. Meanwhile, in a car, Reynolds receives a call from Zavitz with a cryptic message.
- Automated cameras in the park capture suspicious footage, leading to concern. Despite a plea for assistance with interrogatories, Bobby Dean declines. Daniel Zavitz, sensing danger after a FedEx delivery, notices suspicious activity outside and escapes via a window ledge, leaving behind a sense of peril.
- Disguised as a delivery worker, Pratt pursues the elusive Zavitz, who escapes capture by falling from a rooftop and fleeing through a series of locations. Their cat-and-mouse chase culminates in a department store, where Zavitz encounters Dean. Dean offers assistance to the distressed and disoriented Zavitz, but the latter vanishes before Dean can fully comprehend the situation.
- A reckless dash across the street results in a deadly collision, leaving Dean, a horrified witness, to grapple with its aftermath. He encounters his son Eric and his friend Dylan, playing video games, and realizes the stark contrast between their carefree youth and the grim reality he has just witnessed.
- In a deeply divided political climate, a couple living in a partially remodeled kitchen debate the balance between security and civil rights. While cooking dinner, Stacy expresses her strong opposition to a senator's argument for increased government surveillance powers. Her husband, Dean, takes a more pragmatic stance, defending the need for such measures to prevent terrorism. The conversation takes a somber turn when Dean reveals that he witnessed a man's death that evening. Despite their differing viewpoints, they share a loving kiss before Dean exits to wash up.
- Upon learning of Dean's death, Reynolds initiates a comprehensive investigation. COINTEL profiles and assesses the threat posed by Dean and cross-checks it against Zavitz. NRO pulls up Dean's keyhole tapes. NSA conducts a massive data collection and analysis operation, uncovering financial irregularities and a connection to Rachel Banks. A phone tap is set up on Dean's line to transcribe his conversations automatically.
- Investigators trace the events leading to Zavitz's death and discover that he may have placed something in Dean's bag. They believe it could be a compressed digital file and order its retrieval.
- Dean and Stacey return to their ransacked home, leaving them in shock. A surveillance camera captures the break-in, while Detective Morelos questions Dean about a bus accident and the death of Daniel Zavitz. Dean denies knowledge of the incident, creating tension and mystery.
- Dean enters his law firm and asks Peers to gather paperwork for upcoming motions and information about Daniel Zavitz, a former client. Simultaneously, maintenance workers set up surveillance equipment in the men's room to intercept Dean's computer transmissions. In court, Levin informs Dean of an inquiry about his credit history, and Dean reveals Zavitz's recent death. Meanwhile, Dean is approached by investigators Pratt and Bingham in the courthouse garage, accusing him of involvement in Zavitz's alleged extortion scheme. Dean denies any wrongdoing, leading Pratt to threaten further investigation.
- Technicians analyze Dean's interrogation, finding indications that he's hiding something. Meanwhile, at a fundraising event, Dean learns of an FBI investigation into his case, putting his credibility and investigation at risk.
- At a gala dinner, Dean and Stacy receive confusing information from Jerry. Dean dismisses it as an administrative issue. However, Rachel's call informs him of media inquiries about their relationship and his alleged mob ties. At his office, Dean's colleagues confront him about these allegations and an upcoming ethics investigation. Despite denying the affair, he admits to a professional relationship with Rachel. His innocence is questioned, and he is forced to take a leave of absence until the accusations are resolved.
- Dean arrives home and confronts Stacy about a newspaper article alleging his involvement in a money laundering scheme with his colleague, Rachel Banks. Stacy is angry and upset, and she does not believe Dean's denials. Dean tries to defend himself, but Stacy asks him to leave the house.
- Dean arrives at a hotel but his credit cards are declined and his suitcase is missing. He tries to withdraw cash but his bank card is rejected. Forced to stay in a cheap motel, he watches the news about an Anti-Terror Bill speech.
- Dean seeks assistance from Sal and Frankie at the Italian/American Legion. He meets Meg at the Audobon Society to discuss Daniel's situation. Finally, Dean confronts Rachel at a bar, questioning her about the suspicious inquiries surrounding them. The scene concludes with Dean inquiring about Brill, leaving an air of uncertainty.
- In a park, Dean urges Rachel to reveal information about Brill, leading to an argument. Rachel eventually discloses that she communicates with Brill by marking a mailbox with chalk and leaving drops on a ferry. Dean follows Rachel's instructions but fails to find Brill on the ferry, ending the scene in disappointment.
- In a tense confrontation at a ferry terminal, Dean encounters strangers who lead him into a violent encounter. A mysterious man named Brill rescues Dean but interrogates him about a corruption scandal. Their escape in a cab leads to a high-speed chase and a fatal crash, with Brill dying in the collision. Dean narrowly escapes with Brill's gun, leaving the identity of his pursuers unknown.
- Dean escapes a car crash and calls Stacy, warning her of danger. Stacy confronts him about empty bank accounts but is interrupted by a man who forces Dean to leave.
- Hicks informs Reynolds of their target's location with accomplices, while Dean encounters Brill, a mysterious man alerting him to NSA pursuit and offering assistance if Dean uncovers their motive. Brill threatens Dean with a gun but later provides a weapon and instructions after Dean mentions hidden money. Despite Brill's warning to forget him, Dean confronts Brill on his actions. As Dean retreats from a ledge overlooking approaching vehicles, he faces the looming danger of NSA surveillance.
- Dean races against time to evade security forces and a confrontation with Jones. Using his wits and a fire extinguisher, he creates diversions and disables security measures. Despite a tense standoff and a stun grenade, Dean's desperate attempt to set fire to his sweater proves successful, allowing him to escape through an open window as fire engines descend upon the scene.
- Dean, pursued by the police, makes a daring escape from a warehouse fire. He jumps from an ambulance, boards a metro train, and evades the police by leaping onto the tracks. He narrowly avoids being hit by an oncoming train and disappears into an 'Emergency Access' area.
- **Dean and Jones** escape the metro station into an empty park, where **Dean** spots **Reynolds** on the phone, suspecting a frame against him. He discovers **Rachel's** body and incriminating evidence in her apartment. **Dean** confronts **Jerry** to seek help, but he refuses. **Dean** flees, leaving **Jerry** furious.
- Dean, having snuck into his home, discovers Stacy. They hide as Dean discloses that the NSA is responsible for their ordeal. He pleads for Stacy's trust, and after a tender moment, she apologizes for her previous skepticism.
- A Range Rover flees from a driveway, prompting a chase by the authorities. Dean, who is being pursued for unknown reasons, escapes in the nanny's car and meets his son Eric at an elementary school playground. Eric confesses to taking a GameBoy from Dean's Christmas bags, which Dean examines as it contains the key to his problems.
- In the dead of night, Dean's solitude in a Baltimore motel is shattered by Brill's unexpected arrival. Brill's curt demand to leave, delivered through a door opened swiftly with a mule tool, sets the tone for a tense exchange. As they drive, news reports of Dean's alleged involvement in money laundering cast a long shadow, prompting Brill to confront Dean about a forbidden phone call. Brill's suspicions heighten, leading to evasive maneuvers and a tense halt to listen for pursuing aircraft. Dean's professed ignorance fails to quell Brill's doubts, who demands an increase in payment for his silence.
- While driving past empty warehouses, Brill informs Dean about the NSA's extensive surveillance capabilities. He reveals his previous role as a traffic analyst intercepting phone calls for the NSA, leading to their arrival at a warehouse.
- Brill and Dean enter a secure windowless room in a warehouse. Brill examines pieces of a GameBoy that Dean gives him. Outside, Dean watches the sunrise. Brill returns and reveals that the NSA killed Senator Hamersley and is hiding in the warehouse, intending to kill them when they re-enter.
- Jones and his men pursue Dean and Brill in a high-stakes chase, involving explosions, gunfights, and a daring escape.
- Dean and Brill narrowly escape a pursuing helicopter by driving through a tunnel, causing the helicopter to crash. They then hijack a car from a grunge-dude to continue their escape on a rural highway on a foggy morning. The main conflict is resolved when the helicopter crashes, but tension rises when Brill threatens the grunge-dude with a gun. The scene is intense and action-packed, with key dialogue involving Brill and Dean convincing the grunge-dude to drive them away. The visual elements include the helicopter crash and the Dodge speeding away from the tunnel, ending with Dean and Brill driving away in the Dodge, leaving the chaos behind them.
- Agents Reynolds and Hicks discover that the latent prints found in Brill's studio belong to Dean and Edward Lyle, aka Brill. Hicks informs Reynolds that Dean is likely with Lyle and has the incriminating video, leading Reynolds to order Hicks to find and eliminate them. Meanwhile, Dean and Brill struggle to find a way to release the video to the public, considering various methods that Brill warns could be intercepted by the NSA. Dean suggests using cellular transmission, but Brill dismisses it as the NSA can shut down the entire system. Dean then suggests turning one of the NSA's biggest guys against them, but Brill asks, "Who?" before the scene ends.
- Brill instructs Dean on disguise and surveillance techniques. Together, they survey potential spying locations and acquire equipment from Radio Shack. Brill showcases a modified phone capable of intercepting calls. They reprogram it with Senator Albert's ID, establishing a dedicated receiver for his communications.
- Senator Albert learns about a listening device found in Christa's hotel room, leading to concerns about surveillance and privacy. Brill's intrusion and Christa's involvement add to the suspense.
- Brill, disguised as a phone repairman, pretends to be an employee of Baudmore Consultants and answers a call from Patrick, who is working for Senator Albert and is looking for Jerry Delsano. Brill introduces himself as Neil and offers to help. Separately, Brill 'discovers' a bug he planted earlier under a chest of drawers in Senator Albert's hotel room and shows it to Patrick, the hotel manager, and the head of hotel security. Brill then confronts Senator Albert in his RV and reveals that he found an NSA tracker on the vehicle. Senator Albert is shocked and calls Langley to report the incident.
- In a tense encounter, Dean and Brill plan to incriminate Senator Albert but are pursued by the police and a mysterious well-dressed man. A car chase ensues, leading to a crash in an alleyway. The well-dressed man shoots a cop before searching the car, trapping Dean inside. Brill sacrifices himself in an explosion to kill the man. FBI agent Jones arrives and removes evidence. Dean watches as the flames consume Brill and their pursuers.
- As Reynolds, Shaffer, and Marshal dine, Hicks informs Reynolds of Brill's death and the missing tape. At mass, a disguised Dean tells Reynolds he will be arrested within 12 hours.
- Dean evades detection while reass assuring Stacy of his safety. Authorities pinpoint his location on Kent Island. Reynolds orders Hicks to eliminate Dean, heightening the tension and setting the stage for a confrontation.
- Three men break into an apartment searching for their target but find an empty apartment and a strange setup. They stumble upon a briefcase and a running shower, and when they break open the bathroom door, they discover a cellular phone attached to a baby monitor. The target of their search, Dean, is nowhere to be found. Meanwhile, Dean calls the police from the basement, cleverly disguising his voice, and reports the break-in. The scene culminates with the three men realizing they have been outsmarted, and the target is not present.
- SWAT apprehends three men breaking into Christa Hawkins' apartment, discovering evidence of senator compromise. Christa returns to find her apartment ransacked and her guests arrested.
- Dean confronts Senator Albert with evidence of illicit activity, leading to Albert's agreement to investigate further. FBI agents arrest Reynolds, while Albert delivers a speech in the Senate denouncing government surveillance and privacy violations.
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Character Rachel Banks
Description Rachel Banks' behavior seems inconsistent. In the restaurant scene, she appears professional and detached in her relationship with Dean. However, in the later scene at her apartment, she is revealed to be in love with Dean, a married man. This sudden shift in her character motivations and emotional state is not well-established or justified within the script.
( Scene 3 (Restaurant) Scene 14 (Defendant's Apartment) )
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Description There are some logical gaps in how Zavitz's death is portrayed and investigated. In the Zavitz Apartment sequence, it's suggested that he was being pursued by unknown parties, but in the subsequent scene at the Audubon Society, Dean is questioned about Zavitz's death as if it were a routine bus accident. The script does not clearly explain how the investigation into Zavitz's death evolved or how the authorities came to suspect Dean's involvement.
( Scene 6 (Zavitz Apartment) Scene 7 (Audubon Society Headquarters) )
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Description There is a significant plot hole regarding how the NSA agents are able to track and confront Dean so quickly after his conversation with Levin in the courtroom. The script does not explain how the agents were able to identify Dean's location and intercept him in the garage so soon after their private conversation. This abrupt transition and lack of explanation for the NSA's ability to monitor Dean's movements undermines the narrative's credibility.
( Scene 19 (Courtroom) Scene 20 (Courthouse Garage) )
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Description The dialogue between Dean and DePinto in the phone conversation feels somewhat stilted and unnatural, with DePinto's responses coming across as overly defensive and confrontational given the circumstances. This interaction does not entirely ring true to how such a conversation would likely play out between a lawyer and his potential client.
( Scene 4 (Busy Street / Bellmoth Steel Office) )
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Element Dialogue
( Scene 1 (Black Town Car) )
Suggestion The exchange between Hamersley and Reynolds regarding the meaning of the biblical quote could be streamlined, as the core point is made effectively in a more concise manner.
Dean - Score: 90/100
Role
Protagonist
Character Analysis Overview
Brill - Score: 79/100
Role
Mentor
Character Analysis Overview
Stacy - Score: 73/100
Character Analysis Overview
Zavitz - Score: 58/100
Character Analysis Overview
Theme | Theme Details | Theme Explanation | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Government Surveillance and Violation of Privacy (30%) | * The film depicts the government's extensive surveillance capabilities, including tracking phone calls, using hidden cameras, and intercepting electronic communications. * The film explores the negative consequences of government surveillance, such as the loss of privacy, the erosion of trust, and the suppression of dissent. * The film raises questions about the balance between national security and individual freedom in the age of advanced technology. | The film argues that the government's surveillance programs have gone too far and that they pose a serious threat to our privacy and our freedoms. | ||||||||||||
Strengthening Government Surveillance and Violation of Privacy:
| ||||||||||||||
Corruption and Abuse of Power (25%) | * The film portrays a world in which politicians, law enforcement officials, and corporate executives are all involved in shady dealings. * The film shows how corruption can lead to the erosion of public trust and the undermining of democracy. * The film suggests that it is up to individuals to stand up to corruption and to fight for justice. | The film argues that corruption is a serious problem in our society and that it can have devastating consequences. | ||||||||||||
The Importance of Individual Action (20%) | * The film follows the journey of a lawyer who takes on the government and fights for justice. * The film shows how one person can make a difference, even against overwhelming odds. * The film inspires viewers to stand up for what they believe in and to fight for their rights. | The film argues that individuals have the power to make a difference in the world and that they should not be afraid to stand up for what they believe in. | ||||||||||||
The Danger of unchecked power (15%) | * The film shows how unchecked power can lead to corruption and abuse. * The film argues that it is important to hold those in power accountable. * The film warns against the dangers of giving too much power to any one person or organization. | The film argues that unchecked power is a danger to society and that it can lead to tyranny. | ||||||||||||
The importance of truth and transparency (10%) | * The film shows how truth and transparency are essential for a healthy society. * The film argues that it is important to speak out against injustice and to hold those in power accountable. * The film inspires viewers to be courageous and to stand up for what they believe in. | The film argues that truth and transparency are essential for a healthy society and that we should all strive to be more honest and transparent in our own lives. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal and external goals evolved from survival and self-preservation to seeking justice, uncovering the truth, and protecting loved ones. |
External Goals | The protagonist's external goals shifted from escaping danger to confronting adversaries, gathering evidence, and outsmarting powerful entities. |
Philosophical Conflict | The overarching philosophical conflict involves the tension between security and civil liberties, the battle for truth and deception, and the clash between loyalty and self-preservation. |
Character Development Contribution: The protagonist's goals and conflicts contribute to his growth by challenging his beliefs, values, and decisions, leading to a deepening of his moral compass and resilience.
Narrative Structure Contribution: The goals and conflicts drive the narrative forward, creating tension, suspense, and dramatic twists that propel the story towards its resolution.
Thematic Depth Contribution: The exploration of philosophical conflicts adds layers of complexity to the themes of morality, power, trust, and justice, enriching the screenplay's thematic depth.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
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How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Confrontation in Shenandoah | Intense, Confrontational, Serious | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 10 | 9 | 9 | 9 | 9 | |
2 - Deadly Mountain Chase | Tense, Serious, Suspenseful | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
3 - The Envelope Exchange | Tense, Mysterious, Sarcastic | 8 | 7 | 8 | 7 | 9 | 4 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 5 | 9 | 8 | 8 | 9 | 9 | |
4 - Confrontations and Discoveries | Tense, Suspenseful, Confrontational, Serious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | |
5 - The News Breaks | Suspense, Intense, Conspiratorial | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
6 - Suspense in the Shadows | Suspense, Dramatic, Humorous | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
7 - Zavitz's Daring Escape | Intense, Suspenseful, Frantic, Desperate | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
8 - Zavitz's Tragic Demise | Suspenseful, Heartfelt, Tragic | 8 | 7 | 8 | 9 | 7 | 6 | 8 | 7 | 6 | 7 | 7 | 7 | 7 | 9 | 6 | 9 | 8 | 8 | 8 | |
9 - Kitchen Debate: Security vs. Civil Liberties | Tense, Serious, Emotional | 8 | 7 | 7 | 9 | 9 | 7 | 8 | 7 | 6 | 7 | 5 | 6 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
10 - The Investigation Begins | Suspenseful, Intense, Mysterious, Serious | 8 | 8 | 9 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 6 | 8 | 9 | 9 | 9 | 9 | |
11 - Evidence in Dean's Bag | Intense, Suspenseful, Foreboding, Intriguing | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
12 - Ransacked Home and Mysterious Questions | Suspenseful, Tense, Mysterious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
13 - Dean's Under Investigation | Suspenseful, Intense, Confrontational | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
14 - Suspicious Interrogation and Fundraising Event | Suspenseful, Intense, Confrontational, Mysterious | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
15 - Dean's World Crumbles: Ethics Violations and Alleged Mob Ties | Tense, Confrontational, Suspenseful | 8 | 7 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | |
16 - Confrontation at Home | Tense, Emotional, Confrontational | 8 | 8 | 7 | 7 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
17 - A Night of Trouble | Suspenseful, Intense, Dramatic | 8 | 7 | 8 | 8 | 7 | 6 | 8 | 7 | 8 | 8 | 8 | 8 | 7 | 6 | 6 | 9 | 9 | 8 | 8 | |
18 - Seeking Answers and Confronting Suspicions | Suspense, Tension, Confrontational, Mysterious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
19 - The Search for Brill | Tense, Confrontational, Emotional | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
20 - Fatal Encounter and Pursuit | Intense, Suspenseful, Tense, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8.5 | 8 | 8 | |
21 - Escape and Warning | Suspense, Dramatic, Intense | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 10 | 9 | 9 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
22 - Pursuit and Confrontation | Intense, Suspenseful, Confrontational, Mysterious | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | |
23 - Escape from the Hunters | Intense, Suspenseful, Tense, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
24 - Dean's Daring Escape | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
25 - Framed and Betrayed | Suspenseful, Intense, Dramatic, Emotional | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
26 - A Secret Revealed | Suspenseful, Intense, Emotional | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
27 - The Getaway | Suspenseful, Tense, Dramatic, Emotional | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
28 - A Tense Confrontation | Suspenseful, Intense, Mysterious | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | |
29 - NSA Surveillance Revelations | Suspenseful, Intense, Conspiratorial | 8 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
30 - The Windowless Room | Suspenseful, Intense, Mysterious, Tense | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
31 - Confrontation in the Warehouse | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
32 - Narrow Escape | Intense, Suspenseful, Fast-paced | 9 | 8 | 9 | 9 | 8 | 6 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
33 - Agents Prepare to Intercept Incriminating Video | Intense, Suspenseful, Conspiratorial | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
34 - Operation Setup: Surveillance Tools and Appearance Alteration | Intense, Suspenseful, Intriguing | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | |
35 - Suspicious Discoveries | Suspenseful, Intense, Intriguing, Dramatic | 8 | 9 | 8 | 9 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
36 - Uncovering the Surveillance | Suspenseful, Intense, Serious, Intriguing | 8 | 8 | 9 | 8 | 7 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 9 | 8.5 | 8 | 8 | |
37 - Deadly Pursuit and Sacrifice | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
38 - The Death of Brill | Suspenseful, Intense, Dramatic, Mysterious | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
39 - Caught in the Crosshairs | Intense, Suspenseful, Dramatic, Tense | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | |
40 - Unexpected Encounter | Suspenseful, Intense, Mysterious | 8 | 8 | 9 | 8 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
41 - Breach and Arrest | Tense, Suspenseful, Dramatic | 8 | 8 | 9 | 8 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
42 - Confrontation and Condemnation | Suspenseful, Intense, Serious, Emotional | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense dialogue
- Tension-filled atmosphere
- High-stakes conflict
- Engaging plot
- Sharp dialogue
Scene Weaknesses
- Limited emotional depth
- Some dialogue may feel cliched or predictable
- Minimal dialogue
- Limited character development
- Some elements may be predictable
Suggestions
- Explore more emotional depth in character interactions
- Avoid cliched or predictable dialogue
- Consider adding more dialogue to develop characters
- Focus on developing characters to make them more memorable
- Add more unexpected twists and turns to the plot
Scene 1 - Confrontation in Shenandoah
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Deadly Mountain Chase
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - The Envelope Exchange
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Confrontations and Discoveries
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - The News Breaks
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Suspense in the Shadows
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Zavitz's Daring Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Zavitz's Tragic Demise
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Kitchen Debate: Security vs. Civil Liberties
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - The Investigation Begins
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Evidence in Dean's Bag
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Ransacked Home and Mysterious Questions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Dean's Under Investigation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Suspicious Interrogation and Fundraising Event
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Dean's World Crumbles: Ethics Violations and Alleged Mob Ties
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Confrontation at Home
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - A Night of Trouble
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Seeking Answers and Confronting Suspicions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - The Search for Brill
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Fatal Encounter and Pursuit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Escape and Warning
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Pursuit and Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Escape from the Hunters
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Dean's Daring Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Framed and Betrayed
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - A Secret Revealed
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - The Getaway
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - A Tense Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - NSA Surveillance Revelations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - The Windowless Room
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Confrontation in the Warehouse
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Narrow Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Agents Prepare to Intercept Incriminating Video
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Operation Setup: Surveillance Tools and Appearance Alteration
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Suspicious Discoveries
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Uncovering the Surveillance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Deadly Pursuit and Sacrifice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - The Death of Brill
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Caught in the Crosshairs
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Unexpected Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Breach and Arrest
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Confrontation and Condemnation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The screenplay unfolds in a diverse range of locations, including a national park, city streets, high-tech tech rooms, government buildings, residential neighborhoods, and suburban settings. The physical environment often reflects the tense and secretive nature of the plot, with characters meeting in secluded locations or using surveillance equipment to monitor their surroundings.
- Culture: The screenplay portrays a modern society with a focus on secrecy, surveillance, and political intrigue. Characters operate in a world where privacy is constantly under threat, and the line between public and private is blurred. The screenplay also touches on themes of corruption and abuse of power, as characters navigate a web of deceit and hidden agendas.
- Society: The societal structure is characterized by a hierarchy of power, with government agencies like the NSA holding significant authority and influence over individuals' lives. The screenplay also explores the role of the media and the public's perception of truth and justice.
- Technology: Technology plays a crucial role in the screenplay, as characters use advanced surveillance equipment, tracking devices, and encryption methods to gather information and stay hidden. The screenplay also delves into the ethical implications of technology and the potential for misuse and abuse.
- Characters influence: The world elements have a profound impact on the characters' experiences and actions. The tense and secretive atmosphere forces them to constantly be on guard, questioning their allies and fearing for their safety. The surveillance and technological advancements make it difficult for characters to trust one another and maintain their privacy. The societ
Recommend
Explanation: Enemy of the State is a compelling thriller that delves into the themes of privacy, surveillance, and government overreach. The screenplay is well-structured with strong character development, particularly for the protagonist, Robert Dean. The narrative is engaging and maintains a consistent pace, making it a gripping read from start to finish. However, there are areas that could benefit from further refinement, such as the clarity of certain plot points and the depth of some secondary characters.