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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. SHENANDOAH NATIONAL PARK, SCENIC VIEW LOT - MORNING Shenandoah mountains. A cold dawn. TWO BLACK TOWN CARS sit side by side, facing a view of a farming valley below. Two MEN in dark suits and long coats stand near the cars, casually on the lookout. If we caught a glimpse
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EXT. PARKWAY - MORNING HAMERSLEY's car snakes down the twisting mountain road. INT. HAMERSLEY'S CAR - CONTINUOUS HAMERSLEY MAKES VERBAL NOTES concerning the Reynolds meeting into his memo-recorder as he drives. He picks
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EXT. RESTAURANT - DAY RACHEL How's the trout? DEAN It tastes like fish.
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EXT. BUSY STREET - DAY DEAN weaves his BMW through D.C. bumper-to-bumper traffic as he eyes the photos that Rachel gave him which are lying on the passenger seat. The photos show DePINTO sitting in a motel lounge with TWO MOB TYPES.
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INT. NEWSPAPER OFFICE - SAME TIME A cluttered office belonging to a radical, fringe newspaper. ALFONSO, mid-50's, long, graying hair, works at a computer. ALFONSO
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INT. TECH ROOM - CONTINUOUS The banks of high-tech digital recorders record incessantly as a TECHNICIAN holds a phone to his ear. TECHNICIAN (into phone)
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INT. ZAVITZ BLDG. STAIRWELL - CONTINUOUS PRATT, wearing a Fed-Ex uniform, is laying in wait. RADIO VOICE (O.S.) (through PRATT's earphone) Go to three. Go to three. Package
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EXT. HARRISON'S DEPARTMENT STORE - EVENING Out on the street, ZAVITZ shoves into a group of shoppers waiting for the light. Then he sees HICKS and his PARTNER. They see him. Fuck the light.
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INT. KITCHEN - NIGHT The kitchen is in the midst of a remodel. A wall- mounted TV is showing "CROSSFIRE", where the two HOSTS are mediating a battle between TWO SENATORS. STACY watches the show with one eye, cooks with the other.
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INT. CATECHISM CLASSROOM - SAME TIME REYNOLDS lectures a class of young CATECHISM STUDENTS. REYNOLDS (CONT'D) --guard us ever from this generation. On every side the wicked prowl, as
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INT. NRO, KEYHOLE-12 LAB - CONTINUOUS A massive, dark place growing with monitors and tech. SUPER: NATIONAL RECONNAISSANCE ORGANIZATION, CHANTILLY, VIRGINIA Names of world regions are posted above endless monitor
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INT. RANGE ROVER - NIGHT DEAN drives with STACY as ERIC sleeps in the back seat. Various hats and souvenirs tell us that they've just come from a Redskins game. They drive in silence for a moment before...
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INT. LAW FIRM/CORRIDOR - DAY DEAN walks down the hall toward his office. He stops by PEERS as he enters his office. PEERS 'Morning, Mr. Dean.
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INT. TECH ROOM - NIGHT We HEAR a recording of the conversation between DEAN, PRATT and BINGHAM while we're CLOSE on an INK NEEDLE measuring Dean's voice stress levels. DEAN (V.O.)
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INT. DINING ROOM - NIGHT CLOSE ON and OLD MATRON carefully chewing her food near a table card declaring: 122. The gala swings everywhere but here. DEAN and STACY are the only other diners at the table.
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INT. DEAN'S HOUSE/FOYER - EVENING DEAN enters. DEAN (calling) Stacy!
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EXT. HYATT HOTEL - NIGHT Establishing. Downtown Washington, D.C. INT. REGISTRATION DESK - CONTINUOUS A busy night. DEAN stands at the registration desk facing a DESK CLERK.
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EXT. BUILDING - DAY Establishing. Italian area of Baltimore. A 40's era box-building. A sign reads: Italian/American Legion - Members Only INT. ITALIAN/AMERICAN LEGION - CONTINUOUS
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INT. A ROOM - CONTINUOUS A TECHNICIAN eyes a recorder spin as a monitor shows a live feed from the park. RACHEL (O.S.) (through headphones)
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INT. FERRY TERMINAL - NIGHT DEAN walks down the ramp. It's dark in the empty terminal. Not the best place at this hour. Up ahead, TWO MEN stand in the darkness, then kissing. Down another hall, SOUNDS OF NEARING FOOTSTEPS. DEAN detours
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EXT. STREET - NIGHT DEAN climbs from the wreck as BYSTANDERS approach. WOMAN Look out! He's got a gun! They back away as DEAN gets to his feet and looks
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INT. VAN - NIGHT A TECHNICIAN sits in a van jammed with high-tech surveillance gear. HICKS is next to him, a phone pressed to his ear. HICKS
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INT. BUILDING CORRIDOR - NIGHT DEAN races for the stairwell two steps at a time. He hears the SOUND of a DOOR OPENING somewhere below. VOICE (O.S.) 303 to 301. Floor one secured.
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INT. VAN - CONTINUOUS Fire trucks, police cars and an ambulance arrive beneath DEAN as HICKS watches from his van. HICKS I don't fuckin' believe this!
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EXT. METRO EMERGENCY ACCESS EXIT - NIGHT PRATT and JONES fly out the door and into a park. It's empty. Quiet. No Dean anywhere. REYNOLDS (V.O.)
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EXT. STREET - EARLY MORNING Establishing. A quiet street in Dean's neighborhood. Several REPORTERS are camped in Dean's driveway entrance, sipping coffees. Farther down the street, a JEEP GRAND CHEROKEE is parked. The driver waits and
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INT. JEEP GRAND-CHEROKEE - DAY The DRIVER continues to watch the area. Then-- DRIVER's POV: THE RANGE ROVER flies out of the driveway, tires SCREECHING as it speeds through the quiet neighborhood.
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EXT. BALTIMORE SHERATON - EVENING PEDESTRIANS walk on the sidewalk. A MAN comes along and drops a few letters in the corner mailbox. From the other direction comes DEAN. Without stopping, he casually slashes the mailbox with chalk.
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INT. NRO KEYHOLE-12 LAB - CONTINUOUS Re-establishing. A massive, dark place filled with glowing monitors. CLOSE ON A MONITOR - displaying a live SAT feed showing a thermograph image of Brill's truck. The color heat
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INT. WAREHOUSE - NIGHT BRILL and DEAN enter the 2nd story of a large, empty structure. DEAN is carrying a crumpled, brown paper bag. In the center of the cavernous space, a windowless, cinderblock room built on 5-foot supports.
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INT. WAREHOUSE - CONTINUOUS JONES and THREE MEN are huddled in a duct. VOICE (O.S.) (through radio) They're heading to the car.
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EXT. HIGHWAY - EARLY MORNING A foggy morning. The rural highway's deserted at this early hour. The Chevy rumbles by... INT. CHEVY - CONTINUOUS DEAN and BRILL, windblown but alive, remove shards of
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INT. NSA/CORRIDOR - DAY REYNOLDS and HICKS walk down a white hallway three football fields in length, filled with bustling employees conservatively dressed. HICKS
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INT. MOTEL ROOM - DAY BRILL educates DEAN on simple ways to alter one's appearance. DEAN (V.O.) Senator Sam Albert, senior
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EXT. FREEWAY - CONTINUOUS A customized RV zips down the highway. SENATOR'S WIFE (O.S.) Melissa has a fever. When will you be in the room?
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EXT. STREET CORNER - DAY A phone distribution box is open, revealing a mass of circuit boards. BRILL stands at the box holding a circuit-dialer phone to his ear. INTERCUT WITH:
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INT. UNIVERSITY COFFEE SHOP - DAY A place packed with STUDENTS, computers and TEACHERS. DEAN sits in a corner reading a magazine, but what he's really watching is-- A WELL-DRESSED MAN at the counter, his back to DEAN,
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EXT. WASHINGTON D.C. RESTAURANT TERRACE - DAY MARSHAL and SHAFFER dine with REYNOLDS at a restaurant overlooking the Potomac. SHAFFER I got the same call at the Bureau.
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INT. A BEDROOM - NIGHT DEAN sits on a bed while talking into a modified cellular computer. The screen shows his current call signal re-routing between relay stations. DEAN
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EXT. A VICTORIAN APARTMENT BUILDING - NIGHT Establishing. Peaceful street, quaint apartments. THREE MEN stroll to the entrance of a well-maintained building. One jimmies the lock and a moment later they're in.
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INT. APARTMENT - CONTINUOUS HICKS spins and heads for the door. DAVIS hits it first. He grabs the doorknob and pulls-- --and the knob rips from the door, trailing small wires. DAVIS
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INT. HALLWAY - CONTINUOUS CHRISTA holds her hand over her mouth and is shaking. A VOICE comes from an alcove... VOICE (O.S.) Christa?

Enemy of the State

A lawyer's life is turned upside down when he becomes the target of a government surveillance operation, forcing him to fight for his freedom and uncover the truth.

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Overview

Poster
Unique Selling Point

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

Hover over verdict cards for Executive Summaries

GPT4
 Recommend
Story Facts

Genres: Thriller, Drama, Action, Mystery, Crime

Setting: Contemporary, Various locations including Washington D.C., a university campus, a hotel, a restaurant, and a rural highway

Themes: Government Surveillance and Violation of Privacy, Corruption and Abuse of Power, The Importance of Individual Action, The Danger of unchecked power, The importance of truth and transparency

Conflict & Stakes: The primary conflict revolves around Dean's fight to clear his name and expose government corruption and surveillance. The stakes are high as lives are at risk, and the truth could lead to political upheaval.

Mood: Tense, suspenseful, and thought-provoking

Standout Features:

  • Government Surveillance Theme: The exploration of government surveillance and corruption adds depth and relevance to the storyline.
  • Intense Action Sequences: The high-stakes action scenes and thrilling chases keep the audience on the edge of their seats.
  • Character Dynamics: The complex relationships and moral dilemmas faced by the characters provide depth and emotional resonance.
  • Twists and Turns: The screenplay is filled with unexpected plot twists and revelations that keep the audience engaged and guessing.
  • Timely Themes: The exploration of privacy, ethics, and power in the digital age resonates with contemporary audiences.
  • Genre Blending: The blend of political thriller, espionage drama, and action elements creates a unique and compelling narrative.
  • Strong Emotional Core: The emotional depth and character development add layers of complexity to the storyline, engaging the audience on a personal level.

Comparable Scripts: The Conversation, All the President's Men, The Bourne Identity, Enemy of the State, The Net, The Thin Red Line, The Parallax View, The Manchurian Candidate, JFK, The Pelican Brief

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.80
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.