Mulholland Drive
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo

USP: This psychological thriller script presents a unique blend of dark, dreamlike atmosphere, and exploration of the human Psyche not often seen in the genre. With its enigmatic and mysterious tone, the script draws viewers into a world of uncertainty and intrigue, challenging their perceptions of reality. Through the experiences of its distinctive characters, the script explores themes of identity, memory, and the nature of truth, leaving a lasting impact long after the final scene.
Overview
Genres: Mystery, Thriller, Drama, Crime
Setting: Contemporary, Hollywood, Los Angeles
Overview: The screenplay shows strong character development, engaging dialogue, and originality in themes. However, there are opportunities to enhance emotional depth and character relatability.
Themes: Identity and Memory, Dreams and Reality, Hollywood and the Entertainment Industry, Mystery and Intrigue, Power and Control
Conflict and Stakes: Betty and Rita's search for Rita's identity and the dangerous secrets they uncover along the way, which involve a web of crime and deception within the entertainment industry.
Overall Mood: A mix of mystery, suspense, and surrealism, creating a sense of unease and intrigue throughout the story.
Mood/Tone at Key Scenes:
- Scene 1: A sense of anticipation and excitement as Betty arrives in Hollywood, filled with dreams and aspirations.
Standout Features:
- Unique Hook: The exploration of the dark and alluring underbelly of Hollywood, revealing the secrets and dangers that lie beneath the glamorous façade.
- Major Twist : Rita's true identity and the shocking revelation of her involvement in a sinister conspiracy.
- Distinctive Setting : The iconic and evocative backdrop of Hollywood, capturing the glamour, excess, and hidden darkness of the entertainment industry.
Comparable Scripts:
Market Analysis
Budget Estimate:$10-15 million
Target Audience Demographics: Adults aged 18-35, fans of psychological thrillers, neo-noir, and character-driven dramas.
Marketability: A gripping and suspenseful story with complex and intriguing characters, set against the iconic backdrop of Hollywood. It has the potential to attract a wide audience and generate buzz due to its unique blend of genres and exploration of dark and alluring themes.
While the screenplay has a strong premise and well-developed characters, the plot may be too complex for some mainstream audiences. The unique blend of genres and exploration of dark and alluring themes may also limit its appeal to a wider audience.
The screenplay has a solid foundation, but may need further development to enhance its marketability. The story's pacing and the balance between character development and plot progression could be improved to appeal to a broader audience.
Profit Potential: Moderate, due to its appeal to a niche audience and limited commercial potential.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- The screenplay ranks highly in **Plot** (71.24%) and **Conflict Level** (68.14%), indicating a strong foundation for a compelling and engaging story.
- With a percentile of 72.92%, **Stakes** are clearly defined and effectively raised, creating a sense of urgency and driving the narrative forward.
- The screenplay demonstrates a solid pace with a percentile of 77.46% for **Story Forward**, ensuring a smooth and engrossing reading experience.
- **Concept** (27.88%) and **Dialogue** (35.84%) could benefit from further development to enhance the screenplay's originality and character depth.
- Consider strengthening the **Emotional Impact** (69.91%) by exploring deeper emotional connections and motivations for the characters.
- While **Character Changes** (76.06%) are present, focusing on making these changes more significant and impactful can enhance character arcs.
The writer appears to have a balanced approach, with strengths in both **Plot** and **Character Development**. This suggests a strong grasp of storytelling fundamentals and the ability to create engaging characters.
Balancing Elements- Balancing the strong plot elements with more nuanced **Character Development** and **Emotional Depth** will enhance the overall impact and relatability of the story.
- Consider refining the **Dialogue** to better reflect the characters' personalities and motivations, while maintaining the strong **Story Forward** pace.
integrated
Overall AssessmentOverall, the screenplay has a strong foundation with high percentiles in **Plot**, **Conflict**, **Stakes**, and **Story Forward**. By addressing the areas for improvement, the writer can elevate the screenplay to reach its full potential.
How scenes compare to the Scripts in our Library
|
|
Percentile | Before | After |
---|---|---|---|---|
Scene Formatting | 8.98 | 89 | Killers of the flower moon: 8.96 | Harold and Maude: 8.98 |
Script Structure | 8.29 | 79 | Argo: 8.28 | Mulholland Drive: 8.29 |
Scene Overall | 8.6 | 78 | American Fiction: 8.5 | face/off: 8.6 |
Scene Plot | 8.3 | 78 | A Complete Unknown: 8.2 | the boys (TV): 8.3 |
Script Visual Impact | 8.10 | 77 | Ex-Machina: 8.00 | Blade Runner: 8.10 |
Scene Conflict Level | 8.0 | 68 | 12 years a slave: 7.9 | a few good men: 8.0 |
Scene High Stakes | 8.0 | 66 | Deadpool & wolverine : 7.9 | Thor: 8.0 |
Script Theme | 8.40 | 66 | Memento: 8.30 | Titanic: 8.40 |
Scene Story Forward | 8.3 | 65 | The Brutalist: 8.2 | Titanic: 8.3 |
Script Originality | 7.90 | 43 | The Addams Family: 7.80 | Erin Brokovich: 7.90 |
Scene Emotional Impact | 7.7 | 40 | Jack Reacher: 7.6 | severance (TV): 7.7 |
Scene Pacing | 8.19 | 38 | Coda: 8.18 | There's something about Mary: 8.19 |
Script Characters | 7.90 | 38 | Le souvenir des belles choses: 7.80 | Arsenic and old lace : 7.90 |
Overall Script | 8.00 | 36 | Mo: 7.90 | fight Club: 8.00 |
Scene Character Changes | 6.8 | 36 | Midnight in Paris: 6.7 | True Blood: 6.8 |
Scene Characters | 8.2 | 35 | September 5: 8.1 | face/off: 8.2 |
Script Conflict | 7.20 | 28 | Mr Robot: 7.10 | There's something about Mary: 7.20 |
Scene Dialogue | 7.5 | 26 | The Umbrella Academy: 7.4 | Titanic: 7.5 |
Script Structure | 7.50 | 21 | The father: 7.40 | severance (TV): 7.50 |
Scene External Goal | 7.02 | 15 | Call me by your name: 7.01 | Mulholland Drive: 7.02 |
Scene Concept | 7.6 | 6 | Le souvenir des belles choses: 7.5 | Manhattan murder mystery: 7.6 |
Script Emotional Impact | 6.60 | 4 | Fear and loathing in Las Vegas: 6.50 | Mulholland Drive: 6.60 |
Scene Unpredictability | 6.62 | 3 | Harold and Maude: 6.60 | Mulholland Drive: 6.62 |
Script Premise | 6.60 | 2 | Inside Out: 6.50 | Mulholland Drive: 6.60 |
Scene Engagement | 8.05 | 1 | Harold and Maude: 7.98 | Mulholland Drive: 8.05 |
Scene Originality | 5.83 | 1 | Bad Boy: 5.67 | Mulholland Drive: 5.83 |
Scene Internal Goal | 7.85 | 0 | - | Mulholland Drive: 7.85 |
Writer's Voice
Summary:The writer's voice is characterized by its dark, suspenseful, and dreamlike atmosphere, with a focus on psychological depth and the exploration of the human psyche.
Best representation: Scene 1 - Midnight Run. This scene is the best representation of the writer's voice because it perfectly encapsulates the dark, suspenseful, and dreamlike atmosphere that permeates the entire script. The vivid imagery and psychological depth of this scene draw the reader in and create a sense of intrigue and mystery that keeps them on the edge of their seat.
Memorable Lines:
- Betty: Before I kill you. (Scene 26)
- Betty: I don't know who I am. (Scene 11)
- Adam: That girl is not in my film!!! (Scene 10)
- Dark-Haired Woman: What are you doing? You don't stop here ... (Scene 1)
- Betty: Oh my! (Scene 6)
Writing Style:
The screenplay exhibits a blend of writing styles, often shifting between mystery, suspense, and humor. It incorporates elements of psychological thrillers, crime dramas, and romantic comedies.
Style Similarities:
- David Lynch
- Quentin Tarantino
- Nora Ephron
Story Shape
Emotions Elicited
Engine: Gemini
Consider
Executive Summary
Mulholland Drive is a unique and ambitious screenplay with a dreamlike atmosphere and a complex, fragmented narrative. While its strengths lie in its surreal imagery, compelling character arcs, and exploration of Hollywood's dark side, the screenplay could benefit from greater clarity and resolution. The fragmented storytelling and unresolved plot points may alienate some viewers, but the film's overall impact and thought-provoking themes make it a worthwhile consideration for production.
- Dreamlike atmosphere and surreal imagery create a unique and unsettling experience, keeping the audience engaged and guessing. high
- Betty's journey and audition scenes showcase her talent and determination, creating a compelling character arc. high ( Scene 31 Scene 34 )
- The presence of mysterious and powerful figures like the Castigliane brothers and the Cowboy add intrigue and suspense to the narrative. medium ( Scene 10 Scene 21 Scene 25 )
- The gradual unraveling of Rita's identity and the exploration of memory loss create a sense of mystery and keep the audience invested in the story. high ( Scene 7 Scene 20 Scene 38 )
- The exploration of Hollywood's dark side and the contrast between dreams and reality provide a thought-provoking commentary on the entertainment industry. medium
- The fragmented narrative and non-linear storytelling, while effective in creating a dreamlike atmosphere, can also be confusing and alienate some viewers. high
- The subplot involving Joe and the killings feels disconnected from the main narrative and its purpose is unclear. medium ( Scene 8 Scene 13 )
- Some character motivations, particularly those of the secondary characters, are not fully developed or explained. medium
- The pacing of the film can be uneven, with some scenes feeling slow and drawn out, while others feel rushed. medium
- The ending leaves many questions unanswered and can be frustrating for viewers who seek a clear resolution. high
- A clearer connection between the dream sequences and the reality of the characters' lives would help to provide a more satisfying understanding of the story. high
- Further exploration of the themes of identity, memory, and desire would enrich the overall narrative. medium
- Greater integration of the Joe subplot into the main storyline or a clearer explanation of its relevance would improve the narrative flow. medium ( Scene 8 Scene 13 )
- The casting scene with Camilla Rhodes is a pivotal moment that highlights the themes of power, control, and the commodification of beauty in Hollywood. high ( Scene 34 )
- The Cowboy's cryptic message to Adam adds a layer of mystery and foreshadows the dark forces at play in the story. medium ( Scene 25 )
- The discovery of the dead woman in Bungalow #17 is a shocking and disturbing moment that intensifies the sense of danger and mystery. high ( Scene 38 )
- The use of recurring motifs, such as the blue key, the red lampshade, and the Club Silencio, contributes to the film's dreamlike atmosphere and symbolic meaning. medium
Engine: Claude
Consider
Executive Summary
Mulholland Drive is a complex and intriguing screenplay that blends elements of mystery, suspense, and character transformation. While the narrative can feel somewhat disjointed at times, the screenplay showcases strong individual scenes and character moments that suggest significant potential. Key strengths include the effective establishment of narrative hooks and mysteries, the compelling central performances (particularly Betty's audition scene), and the visually striking transformation of Rita. Areas for improvement include enhancing overall narrative cohesion, more clearly defining the central protagonist(s) and their goals, and more consistently exploring the thematic undercurrents. With thoughtful revisions to address these areas, this screenplay could evolve into a compelling and distinctive cinematic experience.
- The opening Denny's scene establishes an effective sense of mystery and unease, building tension through Dan's unsettling dream and the unseen 'man in back' that haunts him. This sets up an intriguing narrative hook. high ( Scene 5 (INT. DENNY'S RESTAURANT , HOLLYWOOD - MORNING) )
- The scene where Betty and Rita discover the money and the blue key in Rita's purse is a gripping moment of mystery and intrigue, effectively raising questions about Rita's past and the nature of the trouble she may be in. high ( Scene 17 (INT. AUNT RUTH'S BEDROOM - DAY) )
- Adam's phone call with Cynthia provides helpful exposition about the Castigliane brothers and the unusual circumstances Adam finds himself in, further advancing the narrative's central mystery. medium ( Scene 24 (INT. ROOM 214 - NIGHT) )
- The Cowboy's cryptic and ominous meeting with Adam is an intriguing plot point, hinting at larger forces at work beyond Adam's control and adding to the screenplay's sense of intrigue and suspense. high ( Scene 25 (EXT. BEACHWOOD CANYON - NIGHT) )
- The audition scene where Betty impresses the casting director and director is a strong showcase of her acting talents, effectively introducing the character and hinting at her potential as a protagonist. medium ( Scene 32 (INT. EXECUTIVE BUILDING - SECOND FLOOR - DAY) )
- The opening sequence, depicting the car accident on Mulholland Drive, feels somewhat disjointed and lacking in clarity. The quick cuts between different locations and perspectives make it difficult to fully follow the chain of events. A more cohesive and streamlined approach to this inciting incident could strengthen the narrative foundation. medium ( Scene 1 (EXT. NIGHT - HOLLYWOOD HILLS, LOS ANGELES) Scene 2 (EXT. HOLLYWOOD HILLS - LATER - NIGHT) Scene 3 (EXT. HOLLYWOOD STREETS - EARLY DAWN) )
- The scenes involving the dark-haired woman, later revealed to be Rita, are somewhat ambiguous and unclear. More exposition or context around her situation and backstory could help the audience better understand her role and connection to the overall narrative. medium ( Scene 6 (INT. APARTMENT - BEDROOM) Scene 7 (INT. APARTMENT BATHROOM) )
- The scenes involving Adam Kesher and the Castigliane brothers feel slightly disconnected from the main narrative focusing on Betty and Rita. While they introduce an intriguing conflict and antagonist, their relevance to the overall story could be better integrated or clarified. medium ( Scene 9 (INT. CONFERENCE ROOM - CENTURY CITY BUILDING - DAY) Scene 10 (EXT. CENTURY CITY - DAY) Scene 11 (INT. AUNT RUTH'S APARTMENT - LATER DAY) )
- The discovery of the dead body in Bungalow #17 is a shocking and unsettling moment, but its significance and connection to the overall narrative could be better established. More context or exploration of the implications of this discovery would strengthen its impact and relevance. medium ( Scene 36 (EXT. SIERRA BONITA APARTMENT - BACK ALLEY - DAY) Scene 37 (INT. - BUNGALOW #17 - DAY) )
- The transition from the discovery of the body to Rita's emotional reaction and subsequent transformation feels somewhat abrupt. More gradual development of this character arc, or a more seamless integration of these events, could enhance the overall narrative cohesion. medium ( Scene 38 (EXT. SIERRA BONITA APARTMENTS - BUNGALOW #12 - DAY) Scene 39 (INT. AUNT RUTH'S APARTMENT - BATHROOM - DAY) )
- The screenplay would benefit from a stronger sense of overall narrative cohesion and interconnectedness between the different storylines and characters. While there are many intriguing elements and mysteries introduced, the relationships and thematic connections between them could be more clearly defined and developed. medium ( Scene Overall )
- The screenplay lacks a clear central protagonist or driving narrative force. While Betty and Rita are compelling characters, their respective arcs and motivations are not always clearly delineated or prioritized. Strengthening the protagonist(s) and their central goal(s) could help unify the narrative. high ( Scene Overall )
- The screenplay would benefit from more overt thematic exploration and development. While there are hints of themes related to identity, mystery, and the dark underbelly of Hollywood, these themes are not always clearly or consistently woven throughout the narrative. Greater emphasis on thematic resonance could enhance the screenplay's emotional impact and overall coherence. medium ( Scene Overall )
- The audition scene where Betty impresses the casting director and director is a strong showcase of her acting talents, effectively introducing the character and hinting at her potential as a protagonist. The scene also features a notable chemistry and connection between Betty and the director, Adam Kesher, that could be further explored. medium ( Scene 32 (INT. EXECUTIVE BUILDING - SECOND FLOOR - DAY) )
- The encounter between Betty, Rita, and the musician Cornell Dumont is an intriguing moment that suggests a deeper connection or backstory between Rita and this 'Sol' character. This subtle narrative thread could be expanded upon or more fully integrated into the overall story. medium ( Scene 35 (EXT. COURTYARD - 1612 HAVENHURST DAY) )
- The transformation of Rita into a blonde-haired, fresh-faced woman is a visually striking and emotionally resonant moment, hinting at the character's desire to reinvent herself and start anew. This could be a powerful narrative arc to further explore. high ( Scene 40 (INT. AUNT RUTH'S APARTMENT - LATER - DAY) )
- The closing scenes where Betty and the 'new' Rita embrace the opportunity to start fresh in Hollywood are emotionally resonant and suggest intriguing narrative possibilities. The sense of hope and possibility, contrasted with the lingering mysteries and potential dangers, creates an intriguing tonal balance. high ( Scene 41 (INT. AUNT RUTH'S APARTMENT - BEDROOM - NIGHT) Scene 42 (EXT. COURTYARD - NIGHT) )
Screenplay Insights:
Premise: 6.6, The screenplay's premise, while intriguing and full of potential, faces challenges in establishing a clear and compelling narrative. While it presents an interesting blend of mystery, psychological drama, and commentary on the film industry, further refinement is needed to fully captivate the audience and entice them to invest in the story's journey. See More
Structure: 7.5, The screenplay exhibits a well-structured narrative with a compelling central mystery that drives the plot forward. The pacing is effective, and the story unfolds in a manner that sustains audience interest. However, some aspects of the plot could be refined for greater clarity and depth, such as further developing the motivations of certain characters and exploring the central mystery in more detail. See More
Theme: 8.4, The screenplay effectively explores and conveys its themes of identity, illusion, and the dark side of Hollywood. The themes are woven into the narrative through the experiences of the characters, particularly Betty and Rita. The screenplay's messages about the importance of authenticity and the dangers of pursuing fame and fortune at all costs are impactful and resonate with the audience. However, the exploration of some themes could be further developed, and the integration of themes into the plot could be more cohesive. See More
Visual Impact: 8.1, The screenplay exhibits a strong visual style, employing vivid imagery to create a visually engaging and immersive experience for the reader. The unique and creative use of visual elements, particularly in scenes depicting the darker, surreal aspects of the narrative, sets the screenplay apart. While the visual imagery is generally consistent and well-integrated with the narrative, there are areas where enhancements could further elevate the visual storytelling. See More
Emotional Impact: 6.6, The screenplay effectively elicits emotional responses through its exploration of love and loss, but it could benefit from deepening its character development and expanding its emotional range. See More
Conflict: 7.2, The screenplay effectively presents conflict and stakes, providing a solid foundation for narrative tension and audience engagement. However, there are opportunities to deepen the conflicts and elevate the stakes, which would enhance the overall impact of the story. See More
Originality: 7.9, The screenplay exhibits a blend of originality and creative approaches. It introduces a mysterious and complex female character, Rita, whose amnesia and enigmatic past drive the narrative. The script effectively explores themes of identity, manipulation, and the dark underbelly of the entertainment industry. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- A young woman is forced out of a black Cadillac limousine on Mulholland Drive by two men in dark suits. As she steps out, a convertible and a sedan engage in a deadly drag race, resulting in a collision with the limousine. The driver and the other man are killed instantly, while the woman is thrown into the front seats. In a daze, she manages to crawl out of the wreckage and walks away, injured and disoriented.
- A woman flees through the Hollywood Hills from unknown pursuers before finding refuge in bushes outside of an apartment building. Meanwhile, Detectives McKnight and Domgaard investigate a fatal car accident on Mulholland Drive.
- A woman stealthily enters an apartment while the owners load luggage into a cab. Inside a Denny's, a man experiences a strange feeling after seeing his friend standing in the exact spot from a dream about the restaurant.
- Outside a Denny's, Dan suddenly collapses and dies from a heart attack after seeing a man with a dark and intimidating face appear from around a corner. Herb, who was walking with Dan, is horrified when he discovers Dan's death.
- Betty arrives at her new home and meets Mrs. Lanois, the manager. They discuss Betty's grandfather and aspirations to become an actress. Mrs. Lanois mentions Louise Bonner, an acting class instructor in the building, and actors who have lived there. The scene ends with Mrs. Lanois addressing a dog owner about pet waste.
- Betty arrives at her new apartment and discovers a soiled dress and a naked dark-haired woman in the shower. The woman reveals she sought refuge after a car accident, and Betty leaves her to continue showering.
- Betty, a bubbly and friendly woman, discovers Rita, a mysterious and standoffish woman, hiding in her apartment bathroom. Rita emerges wearing only a towel, revealing a large bruised wound on her head. Despite Betty's concern, Rita refuses medical attention and falls asleep on the bed, leaving Betty intrigued and worried.
- In this tense and violent scene, Joe shoots and kills Ed in an office on the sixth floor of a low rent office building in downtown Los Angeles. He then encounters a heavyset woman and tries to silence her, but is interrupted by a man with a vacuum cleaner. Joe shoots the man as well, causing a power outage in the building. After cleaning the gun, Joe places it back in Ed's hand before making his escape through the office window.
- In a tense meeting, Adam, a director, faces pressure from executives and his talent manager to reconsider recasting the lead actress in his film. Despite their pleas, Adam remains resistant to the suggestion, creating an awkward and uncomfortable atmosphere.
- Two men in dark suits arrive at a modern office building and bring a photo of a girl to a conference room. Adam, the film's director, is angered by the photo. The men leave, and Adam vandalizes their limo.
- Betty, while enjoying coffee in the courtyard, discovers a sleeping and disoriented woman named Rita in her aunt's apartment. Upon waking, Rita exhibits distress and memory loss. Betty finds money and a blue key in Rita's purse. Simultaneously, Ray faces questioning from the paralyzed Mr. Roque, who communicates silently, creating an unsettling atmosphere. Elsewhere, Joe and Billy monitor Laney, a sickly girl, emphasizing the need to prevent her from causing trouble.
- In a windowless office, Mr. Roque receives a phone call about a missing person. He makes another call to an unknown man who then calls a hairy-armed man in a filthy kitchen.
- Rita struggles with memory loss while Adam faces a crisis in his film production. Mysterious figures linger in the background, adding to the suspense and confusion.
- Betty and Rita, sitting in an apartment, discuss the car crash Rita was in. Betty convinces Rita to call the police anonymously to inquire about an accident on Mulholland Drive. They decide to go out and find a payphone to make the call.
- Adam arrives home to find his driveway blocked by a poolman's truck. Greeted by his gardener Taka, Adam enters his house and discovers Lorraine in bed with the poolman, Gene. Confronting them, Adam takes a case of jewelry and leaves the bedroom. He walks through the house, trying to process the betrayal.
- An intense confrontation unfolds as Lorraine accuses Adam of pouring paint into her jewelry case. Gene, the poolman, intervenes, leading to a physical altercation between Adam and Lorraine. The conflict escalates, resulting in Gene throwing Adam out of the house, leaving him bloodied and dazed.
- Rita prepares to leave Aunt Ruth's house, hiding her purse in a hatbox with Betty's help. As they walk through the courtyard and onto the street, Betty notices a young boy with crutches and luminous blue eyes.
- Betty and Rita walk along Sunset Boulevard, with Betty searching for a payphone. Outside Denny's, Betty calls the Hollywood Police Department to inquire about a car crash on Mulholland Drive. The police confirm the accident but refuse to provide details. Convinced it was Rita's accident, Betty suggests they check the newspapers for more information.
- At Denny's, Betty notices a waitress named Diane secrete a pen under a check. A heated conversation with the manager and a woman in blue ensues, but Diane's pockets are found empty. Rita, initially lost in thought, suddenly remembers something.
- Betty and Rita return home, unaware of the suspicious car watching them. Inside, Rita suspects that Diane Selwyn might be her real name. They find a matching phone number and address in the phone book, but when Rita calls, she hears a familiar voice on the answering machine. Betty abruptly ends the call, leaving Rita uncertain about the voice and her true identity.
- A mysterious man named Kenny arrives at Adam's house and forces his way inside. Despite resistance from Adam's wife, Lorraine, and the poolman, Gene, Kenny knocks them both unconscious. He then searches the house for Adam and his golf clubs. As he leaves, the kitchen sink starts to overflow.
- Kenny departs in a limo while Taka tends to his garden. As night falls over Los Angeles, Betty and Rita consult a map in the courtyard. An elderly woman, Louise Bonner, arrives seeking Ruth. Betty is taken aback by Louise's distressed demeanor and claims of trouble, which Coco later dismisses. However, Louise remains anxious, leaving Betty and Rita bewildered.
- Confronted by a hotel manager, Adam's financial struggles become apparent. Despite his insistence, his credit card is declined due to overdraft and a frozen line of credit. Adam argues he has cash for one night, and the manager reluctantly allows it, leaving Adam alone to grapple with his financial woes.
- Adam, in a panic, calls Cynthia to report that his money has been cut off. Cynthia reveals she has received calls that Adam is broke, which he initially denies. She insists he is and suggests he meet with "The Cowboy," who may be connected to the situation. Adam reluctantly agrees to the meeting, which is scheduled to take place at a corral in Beachwood Canyon.
- In a deserted canyon, Adam seeks guidance from the enigmatic Cowboy. Despite Adam's troubles, the Cowboy assures him of a brighter future if he maintains a positive outlook. The Cowboy urges Adam to return to work, recast his film's lead actress, and accept the extended closure of the bank. He warns of future encounters based on Adam's actions, leaving Adam hopeful and resolved to make amends.
- As Rita and rehearse a dramatic scene, tensions escalate over a secret that Rita is using to manipulate her sister. The conflict reaches a peak when pulls a knife on Rita, threatening to kill her. However, Rita remains composed, and the moment of danger dissolves into laughter, as the girls realize the absurdity of the situation and the melodrama of the scene they are rehearsing.
- Coco visits Betty to check on her, finding Rita on the couch. Betty evades Coco's concerns, leaving Rita alone in the apartment.
- Coco shares her aunt's concerns about Rita staying in her apartment; Betty insists that Rita is harmless; Coco warns Betty to address any trouble that may arise; Betty thanks Coco for her trust and exits.
- Detectives Domgaard and McKnight examine wallets filled with counterfeit credit cards obtained from suspects in a Caddy. Despite injuries, their identities and fingerprints remain unknown. The detectives note a shared address in Palmdale.
- Betty approaches Coco to ask for the name of the individual who assisted Aunt Ruth with the deal. Coco provides Betty with the name Wally Brown and expresses confidence in Betty's upcoming audition. Betty thanks Coco and departs, leaving Coco with a smile as she observes Betty leave.
- Betty arrives at Paramount Studios for her audition and is directed to the Executive Building by a helpful guard. She thanks him and wishes him a good day.
- Betty Elms attends an audition where she encounters an inappropriate scene partner, Jimmy Katz. Despite the uncomfortable situation, Betty delivers a powerful performance, impressing the audition panel. Casting director Wally Brown expresses his admiration, and renowned casting agent Sarah James escorts Betty out, leaving her with a sense of accomplishment and confidence.
- In the bustling corridor of an executive building, Sarah, Nicki, and Betty engage in a lively conversation. Sarah's sharp wit and critical nature clash with Betty's defense of rising actors. A twist is revealed when Sarah confesses her past marriage to Wally Brown, diffusing the tension and showcasing the complexities of human relationships.
- During a screen test on a movie set, director Adam Kesher discovers the perfect actress for his film, Camilla Rhodes. After initially considering Carol for the role, Adam's attention is drawn to Camilla's audition, leading him to cast her as the lead. The scene captures the excitement and competition of the film industry, fueled by Adam's pursuit of the ideal cast for his vision.
- Cornell Dumont, a musician, greets Betty and Rita from his balcony. He asks about a friend named Sol, but Betty and Rita don't know him. Betty tries to ask Cornell more about Sol, but Rita gets in a cab and leaves, prompting Betty to follow her.
- Betty and Rita travel in a cab, Betty pressures Rita to seek assistance from Sol despite Rita's reluctance. As they approach Rita's destination, Rita spots a suspicious black car parked nearby. She alerts Betty, and they decide to drive to the back entrance to avoid the car.
- Betty and Rita arrive at Sierra Bonita and find that Diane has moved. They meet a middle-aged woman who offers to help them retrieve her belongings from bungalow 17. Betty enters through a window while Rita stays outside. Betty discovers a horrible smell within the apartment.
- Betty and Rita stumble upon a macabre scene as they explore a desolate bungalow, finding a woman's lifeless body riddled with shotgun blasts. Horrified silence gives way to frantic whispering when a persistent knocking shatters their solitude, leaving them frozen with fear.
- Rita hysterically runs out of her apartment in distress, wanting to cut her hair. Betty takes the scissors and comforts Rita, convincing her to let Betty do it.
- In an eerie apartment, Rita's reflection transforms, startling Betty. Upstairs, Wilkins arranges for his friend Adam to bring food amidst the chaos of his untidy apartment.
- Rita, desperate for protection, offers money to Betty. Betty, compassionate, refuses the money and offers Rita a chance to start over with her support. Rita agrees to let Betty introduce her to Hollywood.
- Betty and Rita arrive in Hollywood and run up to a roof garden to take in the sights. They introduce themselves to the city, then the scene cuts to Aunt Ruth's apartment, where money and a key are shown. Finally, a mysterious figure is seen lurking in an alleyway.
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Character Rita
Description Rita's fear and reluctance to investigate her identity seem inconsistent at times. For example, she agrees to visit Diane Selwyn's address but then panics and wants to avoid it. Her motivations for fearing discovery are unclear.
( Scene 22 Scene 36 ) -
Character Adam Kesher
Description Adam's defiance against the Castigliane brothers and then sudden compliance with their demands regarding Camilla Rhodes seem contradictory. His shift in attitude lacks a clear explanation, making his actions feel driven by plot rather than character development.
( Scene 25 Scene 34 )
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Description The Cowboy's omniscience and influence over events are never fully explained. It remains unclear who he represents and how he wields such power over Adam's life and the film production.
( Scene 25 ) -
Description The motivations and goals of the Castigliane brothers are never fully revealed. Their insistence on casting Camilla Rhodes and their subsequent actions against Adam remain shrouded in mystery, leaving their role in the story ambiguous.
( Scene 10 Scene 21 )
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Description The Cowboy's dialogue, while adding to the enigmatic atmosphere, feels overly cryptic and philosophical at times, potentially detracting from the natural flow of conversation.
( Scene 25 )
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Element Theme of dreams and reality
Suggestion While the blurring of dreams and reality is a central theme, some instances of dreamlike sequences or ambiguous dialogue could be streamlined to maintain a balance between intrigue and clarity for the audience.
Betty - Score: 84/100
Role
Protagonist
Character Analysis Overview
Rita - Score: 84/100
Character Analysis Overview
Adam - Score: 73/100
Role
Protagonist
Character Analysis Overview
Theme | Theme Details | Theme Explanation | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Identity and Memory (70%) | The screenplay explores the theme of identity and memory through the character of Rita, who suffers from amnesia and struggles to remember her true identity. This theme is also reflected in Betty's journey to become an actress and find her place in Hollywood. | Identity and memory are central themes in the screenplay, as the characters grapple with their own sense of self and the memories that shape their lives. | ||||||||||||
Strengthening Identity and Memory:
| ||||||||||||||
Dreams and Reality (60%) | The screenplay blurs the lines between dreams and reality, with characters experiencing surreal and dreamlike sequences. This theme is evident in Dan's unsettling dreams, Betty's encounter with the mysterious dark-haired woman in her apartment, and the overall narrative structure of the screenplay. | Dreams and reality are intertwined in the screenplay, challenging the audience's perception of what is real and what is imagined. | ||||||||||||
Hollywood and the Entertainment Industry (50%) | The screenplay explores the dark underbelly of Hollywood and the entertainment industry, depicting the struggles, manipulation, and corruption that exist behind the glamorous facade. This theme is evident in the auditions, casting decisions, and power dynamics between the characters. | The theme of Hollywood and the entertainment industry sheds light on the harsh realities and hidden truths that exist within the glamorous world of show business. | ||||||||||||
Mystery and Intrigue (40%) | The screenplay is filled with mystery and intrigue, as the characters navigate through a web of secrets, hidden identities, and unexpected events. This theme is evident in the car accident, the discovery of the dead woman in the apartment, and the mysterious blue key. | Mystery and intrigue drive the narrative of the screenplay, keeping the audience engaged and guessing about the true nature of the events unfolding. | ||||||||||||
Power and Control (30%) | The theme of power and control is explored through the manipulation and dominance exerted by certain characters. This theme is evident in the interactions between the Castigliane brothers and Adam, as well as the control exerted by the mysterious figures in the screenplay. | Power and control play a significant role in the screenplay, highlighting the lengths some characters will go to maintain their power and influence over others. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist's internal goals in the screenplay revolve around her need for safety, survival, understanding, and identity. |
External Goals | The protagonist's external goals in the screenplay involve escaping danger, finding safety, uncovering the truth, helping others, and achieving success in the film industry. |
Philosophical Conflict | The overarching philosophical conflict in the screenplay is between the protagonist's desire for truth, identity, and justice, and the chaotic, deceptive, and manipulative nature of the film industry and Hollywood. |
Character Development Contribution: The protagonist's internal goals and conflicts contribute to her development by forcing her to confront her fears, navigate complex relationships and power dynamics, and ultimately discover her own identity and truth amidst the illusionary world of Hollywood.
Narrative Structure Contribution: The protagonist's evolving internal and external goals provide the backbone for the narrative structure, creating suspense, mystery, and character growth as she navigates through various obstacles and challenges on her journey.
Thematic Depth Contribution: The goals and conflicts in the screenplay explore themes of identity, authenticity, truth, corruption, and the often deceptive and manipulative nature of the film industry. These themes deepen the narrative and offer commentary on the human desire for connection, success, and the search for personal truth in a complex and illusionary world.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Tragic Crash on Mulholland Drive | Tense, Suspenseful, Mysterious | 9 | 8 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
2 - Midnight Run | Suspenseful, Panicked, Mysterious | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 9 | 7 | 9 | 9 | 9 | 8 | |
3 - Apartment Infiltration and Unsettling Dreams | Suspenseful, Mysterious, Tense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 9 | |
4 - Sudden Death | Suspenseful, Intense, Mysterious | 9 | 8 | 9 | 3 | 8 | 7 | 0 | 8 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 6 | 7 | 8 | 7 | |
5 - Arriving at the Courtyard Apartment | Mysterious, Dreamlike, Nostalgic | 8 | 7 | 6 | 6 | 8 | 5 | 8 | 7 | 4 | 7 | 3 | 6 | 6 | 6 | 7 | 8 | 8 | 9 | 9 | |
6 - Unexpected Encounter in the New Apartment | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 6 | 9 | 7 | 8 | 6 | 8 | 6 | 9 | 8 | 7 | 9 | 8 | 7 | 8 | 9 | 8 | |
7 - An Unexpected Guest | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 4 | 8 | 7 | 8 | 7 | 9 | 5 | 8 | 9 | 6 | 8 | 7 | 7 | 8 | 9 | 8 | |
8 - Violent Confrontation in Downtown LA Office | Suspenseful, Dark, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | |
9 - Casting Concerns | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 7 | 6 | 9 | 7 | 9 | 8 | 7 | 8 | 9 | 8 | 8 | 9 | 8 | |
10 - The Conference Room Showdown | Suspenseful, Intense, Confrontational | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 9 | 8 | |
11 - Mysteries Unravel | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 8 | 6 | 8 | 9 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | |
12 - The Call | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 6 | 8 | 6 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 7 | 7 | 9 | 9 | 9 | 8 | |
13 - Mystery and Amnesia | Suspenseful, Mysterious, Intriguing | 8 | 7 | 7 | 6 | 8 | 6 | 8 | 7 | 6 | 7 | 7 | 8 | 6 | 6 | 7 | 7 | 8 | 9 | 8 | |
14 - Call the Police | Suspenseful, Mysterious, Curious | 9 | 8 | 9 | 6 | 9 | 7 | 8 | 7 | 7 | 6 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 9 | 9 | |
15 - Unexpected Discovery | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 9 | 7 | 8 | 9 | 8 | 8 | 9 | 9 | |
16 - Paint and Fury | Tense, Mysterious, Intense | 9 | 8 | 9 | 6 | 10 | 8 | 8 | 7 | 10 | 8 | 9 | 9 | 7 | 10 | 8 | 9 | 9 | 9 | 8 | |
17 - Rita and Betty Leave Aunt Ruth's House | Curiosity, Excitement, Hope | 9 | 8 | 8 | 4 | 9 | 6 | 7 | 6 | 6 | 5 | 6 | 8 | 6 | 7 | 8 | 7 | 8 | 9 | 8 | |
18 - An Unexplained Accident | Suspenseful, Mysterious, Tense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 8 | 6 | 8 | 9 | 7 | 7 | 7 | 8 | 8 | 9 | 9 | |
19 - Waitress Under Suspicion | Tense, Suspenseful, Mysterious | 9 | 8 | 8 | 6 | 7 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 7 | 8 | 9 | 8 | 9 | 8 | |
20 - The Search for Diane Selwyn | Mysterious, Tense, Confused, Curious | 8 | 7 | 7 | 9 | 8 | 6 | 8 | 7 | 6 | 6 | 6 | 7 | 7 | 6 | 7 | 9 | 8 | 9 | 8 | |
21 - Unwelcome Visitor | Suspenseful, Intense, Dramatic | 9 | 8 | 9 | 6 | 8 | 7 | 7 | 9 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | |
22 - Unveiling Mysterious Visitors | Suspenseful, Mysterious, Tense | 8 | 7 | 8 | 6 | 7 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 6 | 7 | 8 | 9 | 9 | 9 | |
23 - Financial Quandary | Confusion, Anger, Suspense | 8 | 7 | 8 | 4 | 7 | 6 | 8 | 7 | 8 | 7 | 8 | 8 | 6 | 7 | 7 | 7 | 8 | 9 | 9 | |
24 - Adam's Financial Crisis | Suspenseful, Tense, Mysterious | 8 | 7 | 8 | 6 | 7 | 5 | 8 | 7 | 6 | 7 | 7 | 8 | 6 | 5 | 8 | 7 | 8 | 9 | 8 | |
25 - The Cowboy's Advice | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 7 | 8 | 10 | 9 | 8 | 9 | 9 | |
26 - Sisterly Conflict: Rita and | Tense, Suspenseful, Emotional | 9 | 8 | 9 | 9 | 10 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 10 | 9 | 9 | 8 | 9 | 9 | |
27 - An Awkward Visitor | Tense, Suspenseful, Melodramatic | 8 | 7 | 7 | 4 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 7 | 9 | 9 | 8 | |
28 - Aunt's Suspicions | Tense, Suspenseful, Melodramatic | 8 | 7 | 8 | 6 | 9 | 7 | 8 | 7 | 9 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 9 | 8 | |
29 - Detectives Investigate Phony Credit Cards | Tense, Suspenseful, Melodramatic | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 9 | 7 | 8 | 9 | 6 | 9 | 8 | 7 | 8 | 9 | 8 | |
30 - Betty Inquires About The Deal's Facilitator | Tense, Suspenseful, Melodramatic, Mysterious | 9 | 8 | 9 | 3 | 9 | 7 | 8 | 6 | 8 | 3 | 7 | 8 | 4 | 8 | 9 | 7 | 7 | 9 | 8 | |
31 - Betty Arrives at Paramount Studios | Suspenseful, Melodramatic, Intense | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 7 | 8 | 9 | 6 | 7 | 8 | 8 | 9 | 9 | 9 | |
32 - The Audition | Tense, Suspenseful, Melodramatic | 9 | 8 | 8 | 5 | 9 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 6 | 8 | 8 | 7 | 8 | 9 | 8 | |
33 - Dispute in the Corridor | Tense, Melodramatic, Suspenseful | 8 | 7 | 7 | 4 | 8 | 6 | 8 | 6 | 8 | 6 | 6 | 7 | 5 | 7 | 9 | 7 | 8 | 9 | 7 | |
34 - Casting Call | Suspenseful, Melodramatic, Hopeful | 8 | 7 | 7 | 6 | 9 | 7 | 7 | 8 | 8 | 6 | 7 | 8 | 7 | 7 | 8 | 9 | 8 | 9 | 8 | |
35 - A Chance Encounter | Suspenseful, Melodramatic, Mysterious | 8 | 7 | 8 | 6 | 9 | 7 | 7 | 6 | 8 | 6 | 7 | 8 | 7 | 7 | 8 | 8 | 8 | 9 | 8 | |
36 - Suspicious Encounter | Tense, Suspenseful, Mysterious, Dramatic | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 7 | 7 | 8 | 8 | 9 | 9 | |
37 - Seeking Diane at Sierra Bonita | Tense, Suspenseful, Mysterious, Melodramatic | 8 | 7 | 7 | 4 | 7 | 5 | 8 | 7 | 7 | 7 | 6 | 7 | 6 | 6 | 6 | 7 | 9 | 9 | 8 | |
38 - Deadly Discovery | Suspenseful, Dark, Disturbing | 9 | 8 | 8 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 6 | 9 | 9 | 9 | 9 | |
39 - Betty Calms Rita | Horror, Suspense, Drama | 9 | 8 | 7 | 6 | 8 | 7 | 8 | 7 | 8 | 6 | 9 | 7 | 7 | 9 | 6 | 9 | 8 | 9 | 8 | |
40 - An Uncanny Reflection | Eerie, Suspenseful, Mysterious | 8 | 7 | 8 | 6 | 7 | 6 | 7 | 6 | 8 | 6 | 9 | 8 | 7 | 7 | 6 | 8 | 8 | 9 | 8 | |
41 - A Helping Hand | Suspenseful, Intense, Emotional | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 8 | 4 | 9 | 9 | 5 | 9 | 8 | 9 | 7 | 9 | 8 | |
42 - Betty and Rita Arrive in Hollywood | Suspenseful, Mysterious, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 9 | 5 | 10 | 9 | 6 | 9 | 7 | 8 | 8 | 9 | 9 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense atmosphere
- Engaging plot
- Building suspense
- Compelling character interactions
- Effective use of dialogue to convey tension
Scene Weaknesses
- Limited dialogue
- Minimal character development
- Lack of emotional impact
- Lack of resolution to conflicts
- Limited exploration of theme
Suggestions
- Exploring deeper character development through more meaningful dialogue
- Adding more conflict to increase emotional impact and resolution
- Focusing on developing themes to create a more cohesive and impactful story
- Improving dialogue by making it more nuanced and impactful
- Enhancing the overall emotional depth of the screenplay
Scene 1 - Tragic Crash on Mulholland Drive
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Midnight Run
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Apartment Infiltration and Unsettling Dreams
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Sudden Death
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Arriving at the Courtyard Apartment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Unexpected Encounter in the New Apartment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - An Unexpected Guest
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Violent Confrontation in Downtown LA Office
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Casting Concerns
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - The Conference Room Showdown
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Mysteries Unravel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - The Call
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Mystery and Amnesia
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Call the Police
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Unexpected Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Paint and Fury
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Rita and Betty Leave Aunt Ruth's House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - An Unexplained Accident
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Waitress Under Suspicion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - The Search for Diane Selwyn
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Unwelcome Visitor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Unveiling Mysterious Visitors
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Financial Quandary
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Adam's Financial Crisis
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - The Cowboy's Advice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Sisterly Conflict: Rita and
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - An Awkward Visitor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Aunt's Suspicions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Detectives Investigate Phony Credit Cards
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Betty Inquires About The Deal's Facilitator
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Betty Arrives at Paramount Studios
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - The Audition
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Dispute in the Corridor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Casting Call
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - A Chance Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Suspicious Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Seeking Diane at Sierra Bonita
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Deadly Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Betty Calms Rita
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - An Uncanny Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - A Helping Hand
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Betty and Rita Arrive in Hollywood
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Consider
Explanation: Mulholland Drive is a unique and ambitious screenplay with a dreamlike atmosphere and a complex, fragmented narrative. While its strengths lie in its surreal imagery, compelling character arcs, and exploration of Hollywood's dark side, the screenplay could benefit from greater clarity and resolution. The fragmented storytelling and unresolved plot points may alienate some viewers, but the film's overall impact and thought-provoking themes make it a worthwhile consideration for production.
Engine: Claude
Consider
Explanation: Mulholland Drive is a complex and intriguing screenplay that blends elements of mystery, suspense, and character transformation. While the narrative can feel somewhat disjointed at times, the screenplay showcases strong individual scenes and character moments that suggest significant potential. Key strengths include the effective establishment of narrative hooks and mysteries, the compelling central performances (particularly Betty's audition scene), and the visually striking transformation of Rita. Areas for improvement include enhancing overall narrative cohesion, more clearly defining the central protagonist(s) and their goals, and more consistently exploring the thematic undercurrents. With thoughtful revisions to address these areas, this screenplay could evolve into a compelling and distinctive cinematic experience.