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Scene Map 29
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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DR. STRANGELOVE Or: How I Learned To Stop Worrying
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4 DAY - B-90 "LEPER COLONY" at 30,000 FEET NARRATOR One of the 843d's aircraft, the "Leper Colony," was approaching its Positive- Control point, Bear Island, a small dot
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LIEUTENANT ZOGG (into intercom) I wonder why the're doing that. 8t CU - PILOT - MAJOR "KING" KONG MAJOR KONG
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11 INT. GENERAL JACK D. RIPPER'S OFFICE Large, plush, part Air Force, part big executive - swank office decorations and furniture. A name-plate on his desk reads, "General Jack D. Ripper". GENERAL JACK D. RIPPER
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LT. "BINKY" BALLMUFF (standing) You must have made a mistake. LT. TOEJAM That's what it decodes. Come and see for
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LT. BALLMUFF I've got the heading, Major. One-three-eight. MAJOR KONG Roger. One-three-eight. While he talks, other CUTS to the crew prepraring for battle.
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Digging in a machine gun about ten yards outside fence. The riflemen are spread out at 5-year intervals and are digging foxholes. GENERAL RIPPER (p.a.)
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30 INT. WAR ROOM COMMAND BRIDGE A very large conference room. One wall is an enormous soundproof glass panel opening onto the various electronic displays in the War Room. Enter, PRESIENT MERKIN MUFFLEY, in a fury.
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31 EXT. FLYING SHOT - B-90 STING RAY Tilting down toward the sea.
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32 INT. B-90 LT. BALLMUFF (navigator) Make rate of descent fifteen hundred per minute. That should slide us in
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GENERAL RIPPER Because I thought it proper, Major. Why else would you think I'd do it? 34b CU - MAJOR MANDRAKE - AS THE FULL TRUTH SINKS IN MAJOR MANDRAKE
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GENERAL RIPPER But we mean it because we are a peace- loving country. Are they a peace-loving country, Major. MAJOR MANDRAKE
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36 INT. WAR ROOM - COMMAND BRIDGE Air Force General "BUCK" SCHMUCK is speaking as the scene opens. The huge, polished wood table is neatly spread with the remains of breakfast. Eggs and bacon, melon, toast, silver thermos jugs of coffee, pastries, and glasses of ice water.
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INT. HOTEL ROOM MILKY WAY (southern accent) Buck, I know you're a General and everything, but if you don't learn to behave in a more
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43 INT. B-90 - NAVIGATOR is hunched over his master search radarscope. See coastline coming at top of tube. LT. BALLMUFF We should be crossing the coast in about six
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46 INT. WAR ROOM - AMBASADOR DE SADE AMBASSADOR DE SADE (hysterical) Mister President, I demand to be taken back to my embassy at once.
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48 INT. B-90 All dialogue comes rapid-fire, amidst coughing, wiping eyes, etc. MAJOR KONG (flipping switches) Shutting down three and four.
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52 INT. WAR ROOM A telephone is placed on the conference table. ZLAT (speaking in a strange foreign language) He covers the mouthpiece.
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55 INT. WAR ROOM All eyes are directed to AMBASSADOR DE SADE. AMBASSADOR DE SADE (shaking his head) It was to have been announced at the party
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56 INT. GENERAL RIPPER'S OFFICE The scene opens as if on a still photograph. MAJOR MANDRAKE stands motionless and expressionless in the bullet-splattered office. CAMERA moves and reveals GENERAL RIPPER grotesquely sprawled, face down,
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58 INT. WAR ROOM Enter, GENERAL "BUCK" SCHMUCK. GENERAL SCHMUCK (with quiet majesty) Mister President, Gentlemen, we are
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60 INT. B-90 - VARIOUS CUTS TO CREW Low-level terrain features flashing by. MAJOR KONG Let's have a rundown on the damage, Lothar? LT. ZOGG
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63 INT. B-90 - OVER PILOT'S SHOULDER Looking out over nose of the plane. Trees, a road, a cluster of houses, a small town, all flash by. 63a VARIOUS CUTS AND INSERTS The D.S.O. is bandaged up and apparently functioning again.
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68 INT. B-90 - VARIOUS CUTS The smoke has cleared to a greyish mist. A jagged hole about four feet at its widest has been blasted out of the rear of the crew section. 68a MAJOR KONG
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MAJOR KONG Look. 68s DISTANT VIEW OUT OVER INSTRUMENTS The searchlights continue their signaling. 68t CU - LT. QUIFFER - PUZZLED
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70 INT. B-90 - LT. ZOGG He anxiously flips switches, bangs panels with the palm of his hand, curses to himself, and flips more switches. Various insert cuts to important-looking switches and warning lights. LT. ZOGG
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74 INT. WAR ROOM Everyone is predictably gloomy and philosophical. It should be apparent they've heard the news. GENERAL SCHMUCK (shaking his head, miserably)
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VON KLUTZ Regrettably, yes. But it is a sacrifice required for the future of the human race. I hasten to add that since each man will be required to perform prodigious service along these lines,
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Nardac Blefescu Macro-Galaxy-Meteor Pictures T H E E N D

Dr. Strangelove

A nuclear attack on Russia leads to a race against time to deliver a warhead, despite concerns and malfunctions on the flying machine.

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Overview

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Unique Selling Point

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Gemini
 Highly Recommend
Story Facts

Genres: Comedy, Satire, Political, War, Action, Drama, Thriller, null, drama, war, Science, Fiction, comedy, sci-fi

Setting: Present day, Not specified

Themes: Impending Nuclear War, Leadership and Responsibility, Self-Sacrifice, International Relations and Conflict, Control and Power

Conflict & Stakes: John's struggle to clear his name after being falsely accused of a crime, with his family's reputation at stake

Mood: Tense and suspenseful

Standout Features:

  • Unique Hook: False accusation of a successful lawyer
  • Plot Twist: The real criminal is revealed to be someone close to John
  • Distinctive Setting: The story takes place in a small town where everyone knows each other

Comparable Scripts: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, WarGames, The Day After, Threads

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 8.00
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Characters

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Emotional Analysis

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Themes
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Logic & Inconsistencies
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Scene Analysis

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Scene-Level Percentile Chart
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Writer Exec

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Unique Voice
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Memorable Lines
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Tropes
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World Building
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Correlations
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Loglines
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