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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
1
EXT. SHOPPING DISTRICT - RESTAURANT - DAY The violin music drifts over a busy shopping district. Footsteps POUND towards the violin music. A cute, black child with Muslim roots, KID (12), races down the street, chased by WHITE TEENAGE BULLIES wearing hoodies. Kid dashes around a
2
EXT. FRANCE - DAY French buildings with French flags and a glimpse of the Eiffel Tower. French music reinforces the image. INT. OFFICE - FRANCE - DAY Two men dressed in suits, MR. ALTHOM TAYLOR, a banker, and
3
EXT. SHOPPING DISTRICT - RESTAURANT - DAY Betrand plays his violin. A few shoppers drop coins in his upside down hat. Kid, still next to him, listens while he plays with Polly the dog. KID
4
INT. BONA'S HOUSE - SIMPLE HOME KITCHEN - DAY BONA FERRARA (38), a pretty, young mother with Italian roots, makes breakfast. At the kitchen table sits MISS JEFFERSON (65), who lives upstairs. She is sometimes referred to as "Granny," but
5
INT. RESTAURANT LA VÉRITÉ - DAY As Sitterly shows Bona out, an old, stately skinny man dressed in block using a cane, THEODORE ARANOWITZ, enters the restaurant. SITTERLY
6
EXT. SHOPPING DISTRICT - RESTAURANT - NIGHT Kid's still hanging out with Betrand. Created using Celtx 13. BETRAND
7
INT./EXT. 'HOUSEHOLDS' MONTAGE - NIGHT A MONTAGE of shots illustrate the social contrast in America: - Betrand in his hideaway: The restaurant kitchen light goes out. BETRAND
8
EXT. CHURCH - DAY Kid walks up to the entrance of a church. CHURCHGOING WOMEN walk past him into the building. Kid hesitates and stops at a sign that says "FAMILY DAY - HOMEMADE PIES." Kid enters.
9
INT. SHOPPING DISTRICT - CONTINUOUS Betrand (violin case dangling around his neck), Kid and Polly Created using Celtx 23. leave the steps and walk through the shopping district.
10
EXT. STREETS - NIGHT Homeless John follows Kid unseen. EXT. SHOPPING DISTRICT - RESTAURANT - NIGHT Betrand and Polly wait. In the meantime, we see three beefy 16 year old TEENAGERS pass by. One is a typical American
11
EXT. SHOPPING DISTRICT - RESTAURANT - DAY Betrand plays his violin. Polly besides him. Betrand's music sounds bad, sloppy. Betrand's dog looks up every moment. He sees no Kid. Bona walks along on the way to the restaurant. Stops.
12
EXT. HIDEAWAY AT THE BACK OF THE RESTAURANT - NIGHT Betrand at the provisional table. Again the restaurant door, the sounds of the garbage box and empty bottles are heard. However, this time Betrand does not get up. BETRAND
13
INT. BONA'S HOUSE - DAY Bona and Gina at the door, going out to take Gina to school. Kissing Miss Jefferson goodbye. LITTLE GINA It's nice, you taking me to school.
14
EXT. SHOPPING DISTRICT - RESTAURANT - DAY Demario passes by in his white restaurant outfit on his way to La Vérité. BETRAND Everybody has to take his future into
15
EXT. LAKE MANOR RESTAURANT - DAY The big black car stops in front of the posh Lake Manor restaurant next to a golf course. The RECEPTIONIST hurries around the car to open the mayor's door. He leaves Bona's door untouched. It is the chauffeur who exits the car and
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EXT. CITY HALL - DAY The city hall stands tall. Well dressed people walk in and out. INT. CITY HALL - DAY Mayor Jim enters his office. He greats MONICA, his rather OLD
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INT. OFFICE RECEPTION - DAY Secretary Monica reads the letter and makes a photocopy. SECRETARY MONICA I don't understand how a simple letter from a far away friend opens doors to
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EXT. PARK - DAY Families walk through the park. Children play on the lawn. Betrand meets Homeless John. After some words John points in a direction. Betrand and Polly walk in that direction. There they take a
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EXT. SHOPPING DISTRICT - NIGHT Betrand, Polly and Kid walk through the shopping district, this time with people going out, talking too loud. Lots of drunk people, no shoppers. They get close to the restaurant and hold as Sitterly leaves
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EXT. HIDING PLACE BEHIND RESTAURANT -LATER It is pure night. Betrand, Polly and Kid get to sleep. Betrand and Kid don't see each other in the dark. They only hear each other speak. KID
21
EXT. REMAINS OF A BURNT DOWN FRENCH RESTAURANT - DUSK In a black, burnt, former restaurant in France, a younger Betrand, without beard, in chef's clothes sits down, mourning over the framed picture (the audience knows from his hiding place) of his late wife and son.
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EXT. SHOPPING DISTRICT - RESTAURANT - DAY Ambiance in the shopping district has changed: CITY WORKERS assemble Christmas decorations. The OWNER of a small shop places a cheap Christmas tree next to the entrance. The black car with chauffeur and Mayor Jim stops in front of
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INT. RESTAURANT LA VÉRITÉ - DAY Decorated for Christmas with a tree in the corner. Chef Sitterly shows Demario and Bona the New York Times newspaper. SITTERLY I know you doubted my cooking
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INT. OFFICE TOWN HALL - DAY Mayor Jim bends over his desk, reading the New York Times. JIM Unbelievable. He bends further as the camera for the second picture of the
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EXT. SHOPPING DISTRICT - NIGHT Betrand, Polly and Kid walk back home to their place. Betrand's hand rests fatherly on Kid's shoulder. KID What a nice day.
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EXT. HIDEAWAY AT THE BACK OF THE RESTAURANT - NIGHT HOMELESS JOHN Tssss, wonderful. Betrand, like a waiter, puts a towel over his arm, and covers the table.
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EXT. SHOPPING DISTRICT - RESTAURANT - TWILIGHT Betrand hands Kid a brown envelope. Kid puts the envelope in La Vérité's letterbox. From the opposite side of the street, two uniformed POLICEMEN are watching Betrand. They see how Kid works in books and
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EXT. SHOPPING DISTRICT - RESTAURANT - NIGHT Betrand hands his violin carefully to Kid who stands beside with Polly. Homeless John is also there. Created using Celtx 85.
29
INT. HIDING PLACE - LATER Later in the evening, Betrand returns. At the entrance of the alley, Polly waits. Created using Celtx 87.
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EXT. MONTAGE: PARK, METRO, STREET - NIGHT Montage shows Betrand and Polly are looking for Kid at different places: - Betrand and Polly walk up to the park where they found Kid the first time. The park is empty.
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INT. MAYOR'S CAR - BACK SEAT - DAY JIM You didn't sign your new employment papers yet. Bona's eyes are on Betrand and Polly walking on the pavement.
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EXT. STREET - NIGHT Betrand, Kid and Polly leave the site. Betrand's arm on Kid's shoulder. Polly happily dances around the two. Created using Celtx 95.
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INT. RESTAURANT LA VÉRITÉ - DAY SITTERLY (to Demario) The damned violin player is back. (to Bona)
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EXT. SHOPPING DISTRICT - RESTAURANT - NIGHT Bona finishes her job. She stops at Betrand. BONA (mocking) St. Jacob Shells are fragile, but he
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EXT. PHOTO SHOP - DAY The three, Betrand, Kid and Polly, roam through the Christmas decorated streets until they stop in front of a shop with Created using Celtx 104.
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EXT. SHOPPING DISTRICT - NEXT TO RESTAURANT - DAY Next day the two police officers are already waiting. OLD POLICE OFFICER Good morning. Created using Celtx
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EXT. BONA'S HOUSE - NIGHT Betrand, Kid and Polly leave, pulling the door behind them. KID They can help now that I am your son. BETRAND
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EXT. LA VÉRITE - SHOPPING DISTRICT - DAY Seen through the opposite café, a lot of JOURNALIST, PHOTOGRAPHERS AND TV PEOPLE gather around the entrance of La Vérité. Big cars with chauffeurs enter the street. Mayor Jim, Paris's mayor and the French consul arrive.
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EXT. SHOPPING DISTRICT - RESTAURANT - DAY As usual, Betrand plays his violin, restored with tape (the sound is scratchy, not nice). Two police officers, accompanied by the private investigator approach. They are led by Homeless John, excited and clearly
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INT. BONA'S LIVING ROOM - DAY Six weeks later. Kid and Gina enter the room. Kid lifts a school bag from his shoulder. MISS JEFFERSON How was your day at school, children?
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EXT. RESTAURANT LA NOUVELLE VÉRITÉ - DAY The facade of La Vérité is clean. Nice banners with the logo communicate a new image of quality. Balloons and garlands decorate the entrance. Bona Ferrara, nicely dressed, is impressed. She enters La
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INT. LARGE IMPRESSIVE HALL - DAY SUPERIMPOSE: 20 YEARS LATER At an official ceremony in a hall, such as an impressive atrium of a museum, a black man in a chef's uniform, FRANCOIS DESCHAMPS, is honored in front of a lot of visitors and

Restaurant la Vérité - The American Dream

A homeless French man befriends a young refugee in New York City, and together they overcome adversity, find family, and create a new future through the transformative power of food and community.

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Overview

Poster
Unique Selling Point

The screenplay uniquely combines the struggles of homelessness and immigration with the culinary world, offering a fresh perspective on the American Dream. The emotional depth and character arcs make it compelling for audiences interested in heartfelt dramas.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Gemini
 Consider
GPT4
 Consider
Story Facts
Genres:
Drama 65% Romance 20% Thriller 30%

Setting: Present day, New York City

Themes: Finding Family, Identity and Belonging, Social Inequality and Classism, Redemption and Second Chances

Conflict & Stakes: The main conflict in the story revolves around Betrand's struggle to provide a safe and stable environment for Kid, a young refugee who has lost his family and is struggling to survive in New York City. Betrand's own experiences with loss and hardship make him determined to protect Kid and offer him a chance at a better life. The stakes are high, as Kid faces the threat of deportation and exploitation, and Betrand risks his own safety and well-being to help him. Other conflicts include Bona's struggle with her own past and her conflicting feelings towards Mayor Jim, as well as Chef Sitterly's ruthless pursuit of success and his exploitation of Betrand's culinary skills.

Mood: Hopeful and uplifting, with moments of humor and tenderness. The story acknowledges the challenges faced by the characters but ultimately celebrates their resilience and their ability to find love and support in unexpected places.

Standout Features:

  • Unique Hook: The story centers on an unlikely friendship between a homeless violinist and a young, undocumented immigrant, providing a fresh perspective on themes of compassion, resilience, and the power of human connection.
  • Plot Twist: Betrand's hidden identity as a skilled chef and his connection to the restaurant La Vérité creates intrigue and suspense, leading to a surprising twist in the plot.
  • Distinctive Setting: The setting of New York City, with its diverse and often challenging urban landscape, provides a backdrop for the characters' struggles and triumphs.
  • Genre Blend: The film seamlessly blends drama, comedy, romance, and social commentary, creating a unique and engaging viewing experience.
  • Unique Characters: The characters are well-developed and relatable, with complex motivations and backstories. Betrand's kindheartedness, Kid's resilience, and Bona's struggle to balance motherhood and ambition create a compelling ensemble cast.

Comparable Scripts: The Pursuit of Happyness, The Blind Side, The Curious Case of Benjamin Button, Slumdog Millionaire, The Intouchables, Chef

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.21
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.