1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Scene Map 25
# PG SLUGLINE
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Scene Map
25
# PG SLUGLINE
1
EXT. PARK - DAY For a few seconds we watch A MAN (20s) and a WOMAN (20s) on a park bench. Their names are TOM and SUMMER. Neither one says a word. CLOSE ON her HAND, covering his. Notice the wedding ring. No
2
INT. OFFICE - DAY Tom trying to work. And failing. He turns to McKenzie. TOM What do we know about this new girl?
3
INT. ELEVATOR - LATER Tom is listening to headphones. Summer enters the elevator and Tom actively puts on a show to ignore her. Summer hears the music. SUMMER
4
INT. SF MUSEUM OF MODERN ART - DAY CU: the same painting. ANGLE ON Summer and Tom looking at it curiously. TOM It’s very... complex.
5
EXT. MOVIE THEATER - LATER The marquee reads “Part Vampire. Part Giant. ‘VAGIANT!’” INT. MOVIE THEATER - CONT. The theater is packed. Everyone is laughing and screaming and throwing popcorn. Tom and Summer are having a great time.
6
INT. SHOWER - LATER We just see the curtain, but we can see their silhouettes behind it. Summer and Tom are trying to have sex in the shower. They’re trying to stable themselves, grip something so as not to fall, elbows are flying, it’s a mess.
7
INT. SUMMER’S APARTMENT - LATER Tom and Summer get comfortable. Both are excited and looking forward to this. The movie starts, the credits roll. Tom and Summer start to make out a bit, both keeping an eye on the TV.
8
INT. BOOKSTORE - DAY Tom, starting to get that unshaven, unkempt look, wanders through the self-help section. He leafs through some of the titles. He grabs just about every one of them. INT. APARTMENT - LATER
9
EXT. STREET - DAY Tom jogs. TOM (V.O.) “One. Exercise. The body’s release of endorphins will assuage the
10
INT. YOGA CENTER - NIGHT Tom is taking a yoga class. TOM (V.O.) “Two. Physical and Mental relaxation. Channel all of your
11
INT. HOMELESS SHELTER - DAY Tom feels good about himself as he gives out food to the homeless. TOM (V.O.) “Three. Charity. Reach out! You are
12
EXT. FOREST - DAY Tom backpacks alone in the forest. TOM (V.O.) “Five. Travel. Take some time to see another environment. Get
13
INT. APARTMENT - LATER Tom is painting the walls of his now nearly bare apartment. TOM (V.O.) “Six. Redecorate. Start anew.” He’s focused on his task and in fact seems pretty good at it.
14
INT. OFFICE - LATER Tom is in the photocopy room with a bandage on his nose. Summer walks in, not realizing he would be there. She stops short. TOM
15
SPLITSCREEN - INT. BOTH APARTMENTS - THAT NIGHT Left: Tom tosses and turns in his sleep. 66. Right: Summer lies awake, staring at the ceiling. Left: Tom picks up the phone. Is about to dial when he stops
16
EXT. STREET - DAY Tom, unshaven, un-showered, walks by himself. He turns a corner and sees Summer walking towards him. As she gets closer he sees it’s not her after all and breathes a sigh of relief.
17
TOM “You said you’d stand by your man!/So tell me something I don’t understand. You said you loved me!/And that’s a fact! And then you
18
INT WEDDINGS AND ANNIVERSARIES SUITE - LATER All of the people who work in here are MIDDLE AGED WOMEN. Currently, they are standing around one desk where Tom sits writing everyone’s cards. 79.
19
TOM Where were you an hour ago? I might have danced then. I’ve been standing here by myself this whole time and you didn’t look over once.
20
TOM You guys, look, I’m... I appreciate what you’re saying and, thank you, really, for putting up with me these past few months. I’ve been
21
TOM Yes but think about it! Why do people buy these things? Not to say how they feel. There’s paper and pens for that. People give these
22
RACHEL Your apple pies are really great. So Uncle Sid and Aunt Ro, come light candle number eight! ANGLE ON TOM sitting with his mom Sarah at the table. They
23
TOM Where did you guys go? SUMMER Some restaurant. TOM
24
INT. APARTMENT - LATER Tom, almost with a full beard, is redecorating his apartment again. We see him rearranging the furniture in the room. LATER. He hangs some new pictures. LATER. He uses a pencil on the wall to mark for a bookshelf.
25
EXT. PARK - DAY Tom walks over and sits down on a bench. He stares off, lost in thought. And then, from out of nowhere, there’s her voice. SUMMER (V.O.) Hey.

500 days of summer

After a relationship ends, a man struggles to let go of the past and find his true path, challenging the notion of 'true love' and exploring the complexities of modern relationships.

See other logline suggestions

Overview

Poster
Unique Selling Point

What sets '500 Days of Summer' apart is its unconventional storytelling approach, utilizing a non-linear timeline that reflects the chaotic nature of love and memory. The film's blend of humor and realism resonates with audiences, making it relatable and thought-provoking. Its exploration of the idea that love is not always reciprocated and that relationships can be complex and messy is compelling, appealing to a target audience that appreciates nuanced romantic narratives.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Gemini
 Recommend
GPT4
 Recommend
Story Facts

Genres: Drama, Romance, Comedy, Romantic Comedy

Setting: Present day, San Francisco, California

Themes: Love and Relationships, Personal Growth and Self-Discovery, The Search for Meaning and Purpose, Humor and Lightheartedness, The Power of Nostalgia and Memory, Social Norms and Expectations

Conflict & Stakes: Tom's idealistic belief in love and soulmates is challenged by Summer's pragmatic views, leading to emotional turmoil and heartbreak.

Mood: Bittersweet and introspective

Standout Features:

  • Unique Hook: The non-linear storytelling that juxtaposes Tom's idealism with Summer's realism, creating a compelling narrative structure.
  • Character Dynamics: The contrasting beliefs about love between Tom and Summer drive the emotional core of the story, making it relatable and engaging.
  • Innovative Ideas: The use of flashbacks and voiceover narration to explore the characters' inner thoughts and feelings adds depth to the storytelling.

Comparable Scripts: 500 Days of Summer, Eternal Sunshine of the Spotless Mind, Before Sunrise, Her, The Graduate, Crazy, Stupid, Love, Love, Rosie, The One I Love, Annie Hall

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.13
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.