As good as it gets
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Overview
Genres: The, return, string, would, be:, drama, comedy, Romance
Setting: Present day, A small town in the Midwest
Overview: The screenplay has strong character development and emotional depth, but it could benefit from improved pacing and resolution. Originality and creativity are notable strengths.
Themes: Mental Illness, Relationships, Redemption, Empathy, Isolation
Conflict and Stakes: Tom's struggle to clear his name after being falsely accused of a crime, with his family's reputation at stake
Overall Mood: Hopeful and Inspiring
Mood/Tone at Key Scenes:
- Scene 12: The scene where Tom is finally exonerated is both emotionally cathartic and uplifting
- Scene 25: The scene where Tom and his family reunite is filled with joy and a sense of closure
Standout Features:
- Unique Hook: The film's unique blend of courtroom drama and social commentary is refreshing and thought-provoking
- Plot Twist : The revelation of the true villain's identity adds a layer of suspense and keeps the audience guessing
- Distinctive Setting : The film's small-town setting adds a layer of authenticity and relatability
- Innovative Idea : The film's exploration of the concept of wrongful conviction is timely and relevant
- Unique Characters : The film's diverse cast of characters brings a range of perspectives and experiences to the story
- Genre Blend : The film's successful blend of drama, mystery, and social commentary sets it apart from other legal thrillers
Comparable Scripts:
Market Analysis
Budget Estimate:$20-30 million
Target Audience Demographics: Adults aged 25-54, fans of drama and legal thrillers
Marketability: It has the potential to attract a wide audience and generate buzz due to its strong cast, compelling storyline, and timely themes
While it has a unique blend of genres and explores compelling themes with a diverse cast, its marketing potential may be limited by its lack of mainstream appeal
Despite compelling characters and a gripping storyline, its focus on a sensitive topic and lack of A-list stars may limit its commercial appeal
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Summary:The writer's voice in the screenplay is characterized by sharp and witty dialogue, naturalistic and realistic narrative description, and efficient and concise direction. The writer focuses on character psychology and motivation, and uses vivid sensory details to enhance the mood and depth of the screenplay.
Best representation: Scene 12 - Melvin's Unwanted Arrival at Spencer's Apartment. Scene 12 showcases the author's unique voice in the screenplay. The sharp and acerbic dialogue is delivered in quick wit and repartee, displaying the distinct voices of the characters. The narrative description is efficient and minimalistic, focusing on necessary actions and emotions. The scene direction is understated yet evocative, adding depth and tension to the interactions between the characters.
Memorable Lines:
- Melvin: You make me want to be a better man. (Scene 26)
- Simon: If you look at someone long enough, you discover their humanity. (Scene 6)
- Melvin: What if this is as good as it gets? (Scene 12)
- Melvin: I think of a man and take away reason and accountability. (Scene 14)
- Melvin: '... Son-of-a-bitch-pansy-assed-stool-pusher.' (Scene 2)
Story Shape
Emotions Elicited
Recommend
Executive Summary
As Good as It Gets is a well-crafted character-driven screenplay that effectively balances comedic and dramatic elements. The screenplay establishes the main characters, Melvin and Simon, in the early scenes and then skillfully develops their complex relationship throughout. The character arcs, particularly Melvin's, are the core strength of the screenplay, as the audience is drawn into his journey of transformation. While there are a few areas that could be tightened, such as pacing in certain sections, the screenplay is overall a strong, emotionally resonant story that would be well-suited for an adult-oriented, character-focused drama.
- The screenplay establishes the main characters, Melvin Udall and Simon Nye, effectively in the early scenes. Their first interactions set up their antagonistic yet complex relationship well. high ( Scene 1 (1) Scene 2 (5) )
- The character development is strong, particularly for Melvin, as he starts to open up and show vulnerability, while still maintaining his quirks and flaws. high ( Scene 9 (27) Scene 10 (31) Scene 11 (35) )
- The screenplay effectively balances the comedic and dramatic elements, creating a layered and emotionally resonant story. high ( Scene 22 (79) Scene 23 (87) Scene 24 (90) )
- The restaurant scene could be tightened and made more focused, as it feels a bit meandering at times. medium ( Scene 26 (103) )
- The pacing could be improved in certain sections, particularly towards the end, to maintain narrative momentum. medium ( Scene 30 (119) )
- Some additional insight into Simon's backstory and motivations could help further develop his character arc. medium ( Scene 16 (57) Scene 17 (61) )
- The screenplay effectively explores the relationships between the main characters, particularly the growing bond between Melvin and Carol. high ( Scene 15 (54) Scene 18 (62) )
- The dialogue is sharp, witty, and reveals much about the characters, especially Melvin's transformation. high ( Scene 21 (77) Scene 32 (127) )
Screenplay Insights:
Premise: 7.0, The screenplay establishes a compelling and clear premise by introducing an unlikable and unsettling character, Melvin, who struggles with OCD tendencies and a fear of emotional attachment. The premise sets up an intriguing narrative that explores Melvin's journey of self-improvement and his struggle to connect with others. However, the premise could be enhanced by providing more details about Melvin's past and the reasons behind his behavior, which would help the audience better understand and empathize with his character. Additionally, the premise could benefit from a stronger hook that immediately captures the audience's attention and sets up the stakes of the story. See More
Structure: 7.6, The screenplay exhibits a well-structured plot and a coherent narrative that gradually builds tension and character dynamics. However, certain aspects of the structure and pacing could be refined to enhance the screenplay's impact and emotional resonance. See More
Theme: 8.3, The screenplay effectively explores themes of loneliness, redemption, and the power of human connection. However, some aspects of the message could be refined to enhance the emotional impact and thematic coherence of the narrative. See More
Visual Impact: 7.7, The screenplay effectively uses visual imagery to create a distinct and immersive environment, enhancing the storytelling and emotional impact. While some scenes lack vivid descriptions, the screenplay's overall visual style is cohesive and memorable. See More
Emotional Impact: 7.5, The screenplay effectively conveys a range of emotions, portraying the characters' struggles, vulnerabilities, and relationships with depth. It has the potential to resonate with audiences; however, further exploration of the characters' emotional arcs and thematic undercurrents could enhance its overall emotional impact. See More
Conflict: 7.2, The screenplay effectively utilizes conflict and stakes to craft a gripping narrative, but there are opportunities to deepen the emotional impact and enhance narrative tension. See More
Originality: 8.1, This screenplay presents a fresh and compelling narrative about the complexities of human relationships. The poignant character of Melvin, along with the exploration of unconventional themes and storytelling techniques, sets it apart from typical films in its genre. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Melvin, an unlikable and unsettling man, terrorizes a dog in the hallway of his apartment building before entering his own apartment and engaging in his ritualistic cleaning routine.
- Simon is reunited with his beloved dog, Verdell, after he was missing. Meanwhile, Melvin is interrupted while reading and writing in his apartment.
- Simon confronts Melvin about mistreating Verdell, leading to a heated exchange and Frank stepping in to defend Simon. Later, Melvin is shown walking through a crowded street, with a focus on his avoidance of cracks.
- Melvin goes to Carol's restaurant and causes trouble with his rude behavior. He insults a couple at a nearby table and makes a cruel comment about Carol's son. Carol warns him to never mention her son again and Melvin backs down.
- Carol is interrupted during a romantic moment with a younger man by her sick child.
- Simon has hired Vincent as a model for his artwork. Vincent is flirtatious and strikes blatantly sexual poses, making Simon uneasy. Simon tries to direct Vincent while explaining his artistic process, which leads Vincent to have an intellectual moment of discovery.
- Melvin causes trouble at Carol's restaurant, Simon finishes his painting of Vincent, and Vincent is captivated by his own portrait.
- Melvin witnesses an attack on Simon and later takes care of Verdell, whom he tried to kill. He confesses that he has never let anyone into his apartment and doesn't have dog food, causing Verdell to be afraid.
- Melvin takes care of Verdell, Simon is visited in the hospital by friends
- Melvin takes care of Verdell, writes, and reads to him before shutting down his computer. Simon wakes up in a bad mood. In the living room, Nora and Jackie talk about Simon's financial situation.
- Melvin takes care of Verdell and struggles with his attachment to him. Simon visits Melvin to retrieve Verdell.
- Melvin seeks help from his psychiatrist but struggles with changes in the room. He later has a breakdown at the restaurant and is forced to leave.
- Melvin shows up uninvited to Carol's apartment and unapologetically demands food. Carol rebuffs Melvin's advances, prompting him to ask about her absence at work, resulting in Carol revealing that her son is sick. Melvin then follows Carol and her son to the hospital, where things quickly turn combative.
- Simon learns that he is broke and struggling with medical bills while Verdell pines for Melvin. Melvin has a breakdown and seeks help from his psychiatrist but ends up causing a scene at a restaurant. He later shows up uninvited to Carol's apartment and demands food, causing her to reveal that her son is sick. Melvin follows Carol and her son to the hospital, resulting in a combative situation.
- Melvin follows Carol and her son to the hospital, where Spencer is revealed to be sick and Carol is worried for him.
- Melvin follows Carol and her sick son to the hospital, causing a combative situation between the two.
- Simon struggles to make ends meet and asks for a loan from his former employer. Melvin and Verdell show up unexpectedly and a tense, combative conversation ensues.
- Melvin follows Carol to her apartment and she confronts him about his intentions. Melvin denies any ulterior motives and Carol leaves, having cleared the air.
- Melvin visits Simon, who is struggling financially and dealing with health issues. Carol is shown writing a letter while her friend Beverly visits her and tries to convince her to move on.
- Carol and her mother leave the apartment, while Carol asks her son if he loves her. Later, Carol and Beverly go out and end up at a corner bar.
- Melvin asks Carol to chaperone him on a trip to Baltimore and she refuses
- Carol packs for a trip with Melvin, while expressing frustration towards him. She leaves for the trip, while her mother and son see her off. Melvin takes Verdell to the vet and impresses the veterinarian. Carol disembarks from the bus.
- Carol and Melvin head out to Baltimore with Simon in the backseat, where they struggle with small talk and music selection.
- Carol, Melvin, and Simon share their traumatic pasts, with Simon recounting his father's physical abuse and eventual disownment for his passion for art.
- Melvin and Carol go out to a fancy restaurant where Melvin is uncomfortable and refuses to wear a jacket and tie. He leaves to buy one and returns with a tie only, leading to a scene in the restaurant causing Carol to feel embarrassed.
- Melvin and Carol go on a dinner date, but Melvin's social ineptitude leaves Carol embarrassed and humiliated.
- Simon confesses his struggles with his parents to an unenthused Carol. Carol prepares to take a bath while Simon is in the confines of his own thoughts. Simon is intrigued by Carol's beauty while she bathes and he sketches her.
- Melvin and Carol deal with the aftermath of their date while Simon comes to terms with his relationship with his parents and his feelings for Carol.
- Melvin leaves the restaurant to buy a jacket and tie and returns with only a tie causing a scene, leaving Carol embarrassed. Carol gives Simon a baseball cap as a gift, while Melvin finds Simon a temporary place to stay. Carol confronts Melvin about his behavior, and they part ways. Carol unpacks but is clearly internalizing her emotions.
- Melvin speaks with Carol on the phone after their disastrous date, while Simon worries about his parents and bonds with Carol over a gift. Melvin and Carol come to an understanding but acknowledge their incompatibility.
- Melvin confesses his feelings for Carol and seeks advice from Simon, while Carol is uncertain about her feelings for Melvin.
- Melvin confesses his feelings to Carol and they try to make sense of their situation.
- Melvin confesses his feelings to Carol and they share an awkward kiss that turns into a passionate one. They are unsure of where to go from here.
Melvin - Score: 83/100
Role
Protagonist
Character Analysis Overview
Carol - Score: 82/100
Role
Protagonist
Character Analysis Overview
Simon - Score: 84/100
Role
Protagonist
Character Analysis Overview
| Theme | Theme Details | Theme Explanation |
|---|---|---|
| Mental Illness | Melvin’s behavior is influenced by his obsessive-compulsive disorder (OCD) and anxiety. He has a difficult time communicating with others due to his condition, which causes conflict and tension among characters. | The theme of mental illness is a prominent one throughout the film. The screenplay highlights how mental illness can affect an individual’s life, relationships, and personality. Melvin’s condition is depicted as debilitating and challenging for himself and those around him. The theme serves to increase awareness of mental health issues and to encourage empathy for those who struggle with them. |
| Relationships | The screenplay explores different types of relationships, including friendship, romantic relationships, and parent-child relationships. The narrative delves into the complexity, fragility, and strength of these connections. | Relationships are a significant theme in the screenplay. The development and evolution of relationships affect the characters' actions, decisions, and emotions. The screenplay highlights how individuals in a relationship negotiate their boundaries, goals, and expectations. Moreover, the theme explores how relationships can have a redemptive and healing quality. |
| Redemption | Melvin's transformation from a rude and selfish individual to a caring and empathetic one highlights the theme of redemption. Simon's forgiveness towards Melvin, despite their rocky relationship, also demonstrates redemption. | The theme of redemption is a profound one in the screenplay. It shows how people can change and grow when presented with challenges and opportunities. The theme emphasizes how individuals' self-reflection and actions can positively impact themselves and the people around them. |
| Empathy | The screenplay portrays the importance of empathy in building connections and understanding others. Melvin's character arc involves learning to empathize with those around him, leading to a change in his behavior. | Empathy is a critical theme in the screenplay. It highlights the value of understanding others' perspectives and feelings. Characters that demonstrate empathy are depicted as compassionate, caring, and emotionally intelligent. The theme serves to encourage viewers to understand and appreciate others better. |
| Isolation | Melvin's obsessive-compulsive disorder and anxiety contribute to his sense of isolation. Simon's character is also depicted as isolated due to his physical limitations. | The theme of isolation is present in the screenplay. It deals with characters that experience loneliness, disconnection, or a lack of belonging. The screenplay highlights how isolation can lead to mental health issues and hinder individuals' growth and development. The theme aims to raise awareness of the negative impact of social isolation and the importance of social support. |
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goal is to find a sense of community and connection with others, while Simon's internal goal is to be reunited with his lost dog and to confront Melvin. Melvin's internal goal is to establish control over his surroundings, overcome his OCD, and seek acceptance and connection from others. Carol's internal goal is to explore her sexuality, be a responsible mother, and maintain her composure in the face of Melvin's criticisms. The protagonist's internal goal evolves from seeking power and validation to seeking friendship and belonging. |
| External Goals | The protagonist's external goals include intimidating and harassing Simon, finding Verdell and returning him to Melvin, proving his worth as a model, and finding a new place to live. Simon's external goal is to pay the Handyman and find someone to walk his dog while he is recovering. Melvin's external goals include eating food, interacting with people, seeking help for his OCD, and convincing Carol to stay with him. Carol's external goals include delivering orders, finding out what is wrong with her son, and maintaining her job and financial stability. |
| Philosophical Conflict | The overarching philosophical conflict in the screenplay revolves around the clash of values and beliefs between characters. This includes conflicts between selfishness and kindness, power dynamics and empathy, control and chaos, personal desires and responsibilities, appearance-based judgments and authenticity, cynicism and optimism, and change and stagnation. These conflicts challenge the characters' beliefs and force them to question their behavior and worldview. |
Character Development Contribution: The evolving internal goals of the protagonist, Simon, Melvin, and Carol contribute to their character development by showcasing their growth, vulnerabilities, and desires. As their goals evolve, they are forced to confront their fears, challenge their existing beliefs, and seek personal growth and connection. Through their internal journeys, they learn to prioritize empathy, kindness, acceptance, and personal transformation.
Narrative Structure Contribution: The protagonist's internal and external goals, as well as the overarching philosophical conflicts, contribute to the narrative structure by creating tension, conflict, and character development. These elements drive the plot forward and create meaningful interactions and relationships between the characters. The evolving goals and conflicts also provide a sense of progression and development for the protagonist, making the narrative more engaging and compelling.
Thematic Depth Contribution: The protagonist's internal and external goals, as well as the philosophical conflicts, contribute to the thematic depth of the screenplay by exploring themes of loneliness, connection, personal growth, acceptance, and the importance of empathy and kindness. The characters' journeys and interactions highlight the complexities of human relationships, the power of transformation, and the potential for personal redemption. These thematic elements add depth and resonance to the screenplay, elevating it beyond a simple character-driven story.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - As Good as it Gets - Scene 1 | "darkly comedic" | 7 | 6 | 7 | 6 | 8 | 2 | 7 | 9 | 8 | 0 | 4 | 5 | 0 | 6 | 6 | 10 | 9 | 9 | 8 | |
| 2 - Verdell Returns Home | "sarcastic" | 7 | 6 | 7 | 4 | 8 | 3 | 9 | 8 | 4 | 0 | 3 | 6 | 0 | 5 | 6 | 7 | 8 | 8 | 8 | |
| 3 - Confrontation with Melvin | "Tense and Confrontational" | 8 | 7 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 0 | 8 | 8 | 0 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 4 - Melvin crosses a line | "tense and uncomfortable" | 8 | 7 | 7 | 7 | 8 | 6 | 8 | 6 | 7 | 0 | 6 | 7 | 0 | 8 | 8 | 9 | 7 | 10 | 8 | |
| 5 - A vulnerable moment | "Intimate, awkward" | 7 | 8 | 6 | 6 | 8 | 7 | 8 | 7 | 4 | 0 | 3 | 8 | 0 | 9 | 5 | 7 | 8 | 9 | 9 | |
| 6 - Model Shoot | "tense" | 8 | 7 | 6 | 4 | 8 | 5 | 8 | 9 | 7 | 0 | 4 | 7 | 0 | 6 | 8 | 9 | 7 | 9 | 8 | |
| 7 - Confrontations and Creativity | "Tense" | 7 | 7 | 7 | 6 | 7 | 6 | 8 | 7 | 8 | 0 | 7 | 6 | 0 | 7 | 6 | 7 | 9 | 9 | 8 | |
| 8 - Attack and Confession | "Tense" | 8 | 7 | 8 | 6 | 8 | 7 | 8 | 9 | 10 | 0 | 7 | 8 | 0 | 9 | 7 | 7 | 9 | 9 | 8 | |
| 9 - Melvin's Apartment and Hospital Visit | "somber" | 7 | 7 | 7 | 5 | 8 | 6 | 8 | 7 | 5 | 0 | 4 | 6 | 0 | 8 | 6 | 6 | 7 | 8 | 8 | |
| 10 - Melvin takes care of Verdell and writes | "lighthearted" | 8 | 8 | 7 | 7 | 8 | 6 | 8 | 7 | 3 | 0 | 2 | 5 | 0 | 5 | 7 | 8 | 9 | 10 | 9 | |
| 11 - Verdell's Return | "emotional" | 8 | 7 | 8 | 6 | 9 | 7 | 8 | 8 | 7 | 0 | 8 | 8 | 0 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 12 - Melvin's breakdown at the psychiatrist | "Tense" | 8 | 8 | 7 | 8 | 9 | 8 | 9 | 8 | 9 | 0 | 8 | 7 | 0 | 8 | 7 | 9 | 9 | 9 | 8 | |
| 13 - Melvin's Unwanted Arrival at Spencer's Apartment | "Tense" | 7 | 6 | 8 | 5 | 8 | 5 | 8 | 7 | 9 | 0 | 7 | 8 | 0 | 6 | 7 | 8 | 7 | 9 | 8 | |
| 14 - Financial Woes and Unwanted Advances | "tense" | 8 | 8 | 8 | 7 | 7 | 6 | 8 | 8 | 9 | 0 | 8 | 9 | 0 | 9 | 9 | 7 | 7 | 8 | 8 | |
| 15 - The Hospital | "anxious" | 8 | 7 | 8 | 3 | 9 | 3 | 9 | 8 | 5 | 0 | 7 | 8 | 0 | 9 | 7 | 7 | 7 | 9 | 8 | |
| 16 - Hospital Visit | "tense" | 8 | 7 | 8 | 8 | 9 | 7 | 9 | 7 | 9 | 0 | 9 | 8 | 0 | 8 | 7 | 9 | 9 | 10 | 10 | |
| 17 - Simon's Struggle | "Tense" | 8 | 8 | 9 | 6 | 8 | 7 | 9 | 7 | 9 | 0 | 8 | 8 | 0 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 18 - Carol Confronts Melvin | "Tense" | 8 | 7 | 8 | 6 | 9 | 6 | 9 | 8 | 7 | 0 | 6 | 7 | 0 | 8 | 9 | 9 | 8 | 10 | 9 | |
| 19 - Melvin and Simon's Conversation | "somber" | 7 | 8 | 7 | 5 | 8 | 6 | 8 | 6 | 4 | 0 | 5 | 5 | 0 | 7 | 7 | 8 | 8 | 9 | 9 | |
| 20 - Love and Loss | "somber" | 5 | 4 | 2 | 0 | 7 | 5 | 0 | 0 | 3 | 0 | 2 | 4 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | |
| 21 - Melvin's Request | "Tense, emotional" | 8 | 7 | 7 | 7 | 8 | 5 | 9 | 8 | 7 | 0 | 6 | 6 | 0 | 8 | 9 | 8 | 8 | 9 | 8 | |
| 22 - Packing and Leaving | "emotional" | 7 | 7 | 6 | 8 | 8 | 5 | 9 | 8 | 5 | 0 | 6 | 6 | 0 | 8 | 6 | 7 | 8 | 9 | 9 | |
| 23 - The Car Ride | "Tense yet somewhat humorous" | 7.5 | 8 | 7 | 3 | 8 | 3 | 0 | 7 | 5 | 0 | 4 | 5 | 0 | 5 | 7 | 5 | 8 | 9 | 8 | |
| 24 - Trauma Stories | "Reflective, Emotional" | 8 | 8 | 8 | 5 | 9 | 8 | 9 | 8 | 6 | 0 | 6 | 7 | 0 | 10 | 9 | 7 | 9 | 9 | 8 | |
| 25 - Restaurant Disaster | "Anxious" | 8 | 9 | 9 | 6 | 9 | 5 | 9 | 8 | 7 | 0 | 5 | 7 | 0 | 7 | 6 | 8 | 8 | 9 | 9 | |
| 26 - The Awkward Dinner Date | "Emotional, tense, and awkward" | 9 | 8 | 8 | 7 | 9 | 9 | 10 | 9 | 10 | 0 | 8 | 8 | 0 | 11 | 9 | 9 | 9 | 10 | 8 | |
| 27 - Vulnerability Revealed | "Intense" | 10 | 9 | 9 | 6 | 10 | 7 | 8 | 8 | 6 | 0 | 5 | 7 | 0 | 8 | 9 | 7 | 8 | 9 | 9 | |
| 28 - Morning After | "Bittersweet" | 9 | 8 | 8 | 5 | 8 | 7 | 8 | 7 | 6 | 0 | 4 | 7 | 0 | 8 | 9 | 6 | 7 | 8 | 7 | |
| 29 - Moving On | "emotional" | 8 | 7 | 7 | 6 | 10 | 8 | 8 | 7 | 6 | 0 | 7 | 7 | 0 | 9 | 8 | 9 | 8 | 8 | 7 | |
| 30 - Good-bye, Maybe | "bittersweet" | 8 | 7 | 8 | 5 | 9 | 7 | 9 | 8 | 5 | 0 | 4 | 8 | 0 | 8 | 8 | 10 | 8 | 10 | 9 | |
| 31 - Melvin's Confession and Carol's Uncertainty | "Tense" | 8 | 8 | 8 | 6 | 8 | 7 | 8 | 9 | 7 | 0 | 7 | 8 | 0 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 32 - Melvin's Confession | "Tense and emotional" | 8 | 7 | 8 | 8 | 9 | 7 | 7 | 5 | 6 | 0 | 4 | 7 | 0 | 8 | 8 | 8 | 9 | 8 | 8 | |
| 33 - Melvin's Epiphany | "Tender, hopeful" | 9 | 8 | 8 | 5 | 10 | 8 | 7 | 8 | 5 | 0 | 7 | 8 | 0 | 9 | 9 | 8 | 8 | 10 | 10 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intimate and vulnerable moment that delves deeper into Carol's character and relationships.
- Strong characterization and emotional depth.
- Powerful emotional moments that reveal the vulnerabilities of the characters
- Realistic and relatable dialogue
- Strong emotional moments conveyed through dialogue and acting
Scene Weaknesses
- The scene doesn't offer much in terms of plot development, and some of the dialogue feels a bit contrived.
- Slow pacing, lack of major plot developments.
- Melvin's behavior is often off-putting and occasionally cringe-worthy, which could be a turn-off for some viewers. Additionally, the scene lacks a clear thematic focus.
- Not much plot development
- Lack of true conflict in this scene, as it mostly serves as a moment of character development and emotional reflection
Suggestions
- Consider adding more conflict and higher stakes to scenes that lack them.
- Focus on balancing character moments with plot development.
- Be mindful of melodramatic or contrived dialogue.
- Consider the impact of Melvin's behavior on the audience and aim for a clearer thematic focus.
- Remember to incorporate significant plot developments in all scenes, even those focused on character development.
Scene 1 - As Good as it Gets - Scene 1
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Verdell Returns Home
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Confrontation with Melvin
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Melvin crosses a line
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - A vulnerable moment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Model Shoot
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Confrontations and Creativity
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Attack and Confession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Melvin's Apartment and Hospital Visit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Melvin takes care of Verdell and writes
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Verdell's Return
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Melvin's breakdown at the psychiatrist
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Melvin's Unwanted Arrival at Spencer's Apartment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Financial Woes and Unwanted Advances
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - The Hospital
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Hospital Visit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Simon's Struggle
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Carol Confronts Melvin
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Melvin and Simon's Conversation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Love and Loss
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Melvin's Request
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Packing and Leaving
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - The Car Ride
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Trauma Stories
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Restaurant Disaster
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - The Awkward Dinner Date
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Vulnerability Revealed
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Morning After
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Moving On
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Good-bye, Maybe
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Melvin's Confession and Carol's Uncertainty
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Melvin's Confession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Melvin's Epiphany
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Recommend
Explanation: As Good as It Gets is a well-crafted character-driven screenplay that effectively balances comedic and dramatic elements. The screenplay establishes the main characters, Melvin and Simon, in the early scenes and then skillfully develops their complex relationship throughout. The character arcs, particularly Melvin's, are the core strength of the screenplay, as the audience is drawn into his journey of transformation. While there are a few areas that could be tightened, such as pacing in certain sections, the screenplay is overall a strong, emotionally resonant story that would be well-suited for an adult-oriented, character-focused drama.