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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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INT. FITTS HOUSE ­ RICKY'S BEDROOM ­ NIGHT On VIDEO: JANE BURNHAM lays in bed, wearing a tank top. She's sixteen, with dark, intense eyes. JANE I need a father who's a role model,
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INT. BURNHAM HOUSE ­ JANE'S ROOM ­ CONTINUOUS JANE is seated at her desk, working at her computer. LESTER (V.O.) My daughter Jane. Only child. CLOSE on the COMPUTER MONITOR: A PERSONAL BANKING SOFTWARE
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INT. MERCEDES­BENZ ML320 ­ A SHORT TIME LATER Carolyn is driving; Jane stares out the window. Lester is asleep in the back seat. LESTER (V.O.) I have lost something. I'm not
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EXT. BURNHAM HOUSE ­ LATE AFTERNOON A MOVING VAN is parked in front of the COLONIAL HOUSE next door to the Burnhams'. Movers carry furniture toward the house. The Mercedes­Benz pulls into the Burnham driveway. Carolyn
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INT. BURNHAM HOUSE ­ CONTINUOUS Jane stands at the sink, rinsing off her plate. Lester enters. LESTER Honey, I'm sorry. I...
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INT. SALE HOUSE ­ LIVING ROOM ­ MOMENTS LATER The interior of this house is ugly, oppressive and tasteless. Carolyn opens the front door, breathes deeply and solemnly announces: CAROLYN
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INT. SALE HOUSE ­ KITCHEN ­ LATER Carolyn enters, followed by a different couple in their fifties. CAROLYN It's a dream come true for any cook.
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INT. MERCEDES­BENZ ML320 ­ CONTINUOUS Carolyn drives. Lester is slumped in the passenger seat. LESTER What makes you so sure she wants us to be there? Did she ask us to come?
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INT. HIGH SCHOOL GYMNASIUM ­ CONTINUOUS Angela, fully clothed, is once again surrounded by the other girls. The HIGH SCHOOL BAND plays its last note, the Dancing Spartanettes strike their final pose, and the audience APPLAUDS.
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INT. BURNHAM HOUSE ­ MASTER BEDROOM ­ A FEW HOURS LATER CLOSE on a solitary red ROSE PETAL as it falls slowly through the air. We're looking down on Lester and Carolyn in bed. Even in sleep, Carolyn looks determined. Lester is awake and stares
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EXT. BURNHAM HOUSE ­ CONTINUOUS On VIDEO: Jane gets out of the car, still LAUGHING, and waves as Angela pulls away. We ZOOM toward Jane as she walks up the driveway. She turns suddenly, sensing our presence. Her POV: We're looking at the COLONIAL HOUSE next door where
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INT. FITTS HOUSE ­ FOYER ­ MOMENTS LATER The Colonel opens the front door to reveal the two JIMS. JIM #1 Hi. JIM #2
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INT. FITTS HOUSE ­ DEN ­ THAT NIGHT CLOSE on a TV SCREEN: "Hogan's Heroes" on Nick at Nite. The Colonel and Barbara are seated on a couch, watching television. The Colonel is smiling, enjoying the show; Barbara just stares. The Colonel CHUCKLES at a joke and
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INT. HOTEL BALLROOM ­ MOMENTS LATER Lester stands at the bar. A bartender pours him a drink. LESTER Whoa. Put a little more in there, cowboy.
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INT. BURNHAM HOUSE ­ FAMILY ROOM ­ LATER Jane and Angela are watching MTV. We HEAR the back door open. JANE Oh, shit. They're home. Quick, let's
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INT. BURNHAM HOUSE ­ HALLWAY ­ CONTINUOUS Lester, still listening, looks like he's about to implode. ANGELA (O.C.) (laughs) I would! I would suck your dad's big
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INT. FITTS HOUSE ­ RICKY'S BEDROOM ­ CONTINUOUS Ricky holds his Digicam up and starts to videotape. EXT. BURNHAM HOUSE ­ GARAGE ­ CONTINUOUS Ricky's POV, on VIDEO: Through a WINDOW on the side of the Burnham's garage, we see Lester step out of his pants and
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INT. BURNHAM HOUSE ­ MASTER BATH ­ CONTINUOUS Lester enters and switches on the LIGHT. The room is filled with STEAM. Lester looks around, confused, then focuses on: His POV: Across from us, in a PEDESTAL BATHTUB, is Angela. She smiles and beckons us, and we MOVE CLOSER. ROSE PETALS
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EXT. ROBIN HOOD TRAIL ­ EARLY MORNING We're FLYING high above the neighborhood. Below us we see the two Jims, jogging. We APPROACH them steadily. LESTER It's a great thing when you realize
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INT. FITTS HOUSE ­ RICKY'S BEDROOM ­ MOMENTS LATER Ricky enters, followed by Lester. RICKY Can you hold this for a sec? LESTER
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EXT. BURNHAM HOUSE ­ LATER Carolyn, carrying a basket of fresh cut ROSES, passes by the GARAGE WINDOW. From inside the garage, we HEAR ROCK MUSIC. Carolyn stops and SNIFFS the air, frowning. She peers through the window.
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INT. BRAD'S OFFICE ­ DAY Brad is seated behind his desk, reading a document. Lester sits across from him, smiling. BRAD (reads)
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INT. OFFICE BUILDING ­ MOMENTS LATER Exhilarated, Lester walks down a corridor, his belongings in a box on his shoulder. He's happier than he's been in years. LESTER Yeah!
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INT. MR. SMILEY'S ­ A SHORT TIME LATER Lester sits at a booth with the MANAGER, a greasy kid wearing a white short sleeve shirt and a tie covered with the Mr. Smiley's logo. He looks over Lester's application, baffled.
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EXT. SUBURBAN STREET ­ LATER THAT DAY Ricky and Jane walk along without speaking. He seems comfortable with the silence; she doesn't. After a beat: JANE So how do you like your new house?
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INT. FITTS HOUSE ­ RICKY'S BEDROOM ­ MOMENTS LATER On VIDEO: We're in an empty parking lot on a cold, gray day. Something is floating across from us... it's an empty, wrinkled, white PLASTIC BAG. We follow it as the wind carries it in a circle around us, sometimes whipping it
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INT. BURNHAM HOUSE ­ JANE'S BEDROOM ­ THAT NIGHT Jane is sitting on her bed. There is a KNOCK at the door. JANE Go. Away. CAROLYN (O.C.)
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INT. INDOOR FIRING RANGE ­ ONE MONTH LATER Carolyn, wearing PROTECTIVE HEADGEAR, is holding a GLOCK 19 AUTOMATIC REVOLVER with both hands, FIRING it directly at us. She empties a round and stands there, exhilarated. An
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INT. FITTS HOUSE ­ RICKY'S BEDROOM ­ NIGHT On VIDEO: Jane lays in Ricky's bed, wearing a tank top. She glances at us. JANE (shy)
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EXT. ROBIN HOOD TRAIL ­ EARLY MORNING We're FLYING above Robin Hood Trail. We see the BURNHAM'S HOUSE below us as we APPROACH it steadily. LESTER Remember those posters that said,
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INT. FITTS HOUSE ­ UPSTAIRS HALLWAY ­ CONTINUOUS We're outside Ricky's room, MOVING slowly toward the open door, through which we can see Ricky, standing at his bureau mirror, combing his hair. The scars on his face are almost gone now.
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EXT. MR. SMILEY'S ­ CONTINUOUS The Mercedes pulls around to the DRIVE­THRU WINDOW. Carolyn drives; Buddy sits beside her. CAROLYN I think we deserve a little junk
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EXT. TOP HAT MOTEL ­ A SHORT TIME LATER The sky is filled with ominous gray clouds. Wind whips garbage across the parking lot as Carolyn's Mercedes pulls in next to Buddy's Jaguar. INT. MERCEDES­BENZ ML320 ­ CONTINUOUS
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INT. FITTS HOUSE ­ KITCHEN ­ CONTINUOUS The Colonel rinses off his plate at the sink. Something outside catches his eye, and he cranes his neck to get a better look at... His POV: Through the window over the sink, we can see into
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INT. FITTS HOUSE ­ RICKY'S ROOM ­ CONTINUOUS Ricky enters, wet from the pouring rain, and crosses to his bureau, pulling the wad of CASH out of his pocket as he goes. COLONEL (O.C.)
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INT. FITTS HOUSE ­ KITCHEN ­ MOMENTS LATER Ricky enters to discover Barbara standing in the middle of the room, clutching a dish, frightened. She's obviously heard his argument with his father, and she looks into his eyes, searching, aware that something eventful is taking
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INT. BURNHAM HOUSE ­ UPSTAIRS HALLWAY ­ CONTINUOUS Angela sits on the stairs, shaken, crying. EXT. BURNHAM HOUSE ­ GARAGE ­ CONTINUOUS We're MOVING SLOWLY toward the Burnham's GARAGE WINDOW through the RAIN. Through the window, we see Lester, wearing
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INT. MERCEDES­BENZ ML320 ­ CONTINUOUS Carolyn is still listening to the same MOTIVATIONAL TAPE. She holds the GLOCK in her hand. TAPE VOICE "I refuse to be a victim." When this
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INT. MERCEDES­BENZ ML320 ­ CONTINUOUS Carolyn drives, her face resolute. CAROLYN I refuse to be a victim. I refuse to be a victim. I refuse to be a
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EXT. ROBIN HOOD TRAIL ­ MOMENTS LATER The Mercedes pulls onto Robin Hood Trail. INT. MERCEDES­BENZ ML320 ­ CONTINUOUS CLOSE on Carolyn's eyes, reflected in the REAR­VIEW MIRROR. She turns her head to look out the window:
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INT. BURNHAM HOUSE ­ FOYER ­ MOMENTS LATER Ricky comes down the stairs, followed by Jane. INT. BURNHAM HOUSE ­ KITCHEN ­ MOMENTS LATER Ricky opens the door from the dining room, then stops. Jane appears behind him.
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EXT. SUBURB ­ DAY In BLACK & WHITE: A 1970 PONTIAC FIREBIRD in the driveway of a suburban home. The SUN'S REFLECTION in the windshield FLASHES BRILLIANTLY. LESTER (V.O.)

American Beauty

In a suburban community, a middle-aged man's midlife crisis leads him to rebel against the conformity of his life, resulting in unexpected consequences for his family.

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Overview

Poster
Unique Selling Point

What sets 'American Beauty' apart is its unflinching examination of the American Dream and the dark undercurrents of suburban life. The screenplay's ability to blend dark humor with poignant emotional moments creates a compelling narrative that resonates with audiences, making them reflect on their own lives and societal norms. Its unique perspective on beauty, desire, and the quest for authenticity in a conformist world makes it a timeless piece of storytelling.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Comedy, Romance, Family, Dark Comedy, Thriller, Coming of Age

Setting: Late 1990s, Suburban neighborhood in the United States

Themes: Midlife Crisis, Family Dynamics, Identity and Self-Discovery, Sexuality and Desire, Conformity and Rebellion

Conflict & Stakes: The primary conflicts revolve around Lester's midlife crisis and desire for freedom, Jane's struggle with her identity and family relationships, and Carolyn's ambition clashing with her family's disintegration. The stakes include the emotional well-being of the family and the consequences of Lester's actions.

Mood: Darkly comedic and introspective

Standout Features:

  • Unique Hook: The juxtaposition of suburban life with dark, existential themes, exploring the hidden desires and discontent of seemingly ordinary characters.
  • Plot Twist: The shocking and violent climax that abruptly alters the narrative and character trajectories, leaving a lasting impact.
  • Innovative Ideas: The use of voiceover narration to provide insight into Lester's thoughts and reflections, enhancing the emotional depth.
  • Distinctive Settings: The contrast between the idyllic suburban neighborhood and the characters' internal struggles, creating a visually striking backdrop.

Comparable Scripts: American Beauty, The Virgin Suicides, Little Children, Revolutionary Road, Donnie Darko, The Graduate, Six Feet Under, The Perks of Being a Wallflower, Fargo

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.50
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.