Fargo Pilot
Executive Summary
Pass/Consider/Recommend/Highly Recommend
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Promo
Note: This is for fun only. There will be many wrong things in the mock poster. It doesn't mean the AI misunderstood your story.
USP: This script offers a unique blend of naturalistic dialogue, atmospheric scene description, and a focus on the internal thoughts and emotions of the characters. It explores themes of moral ambiguity, power dynamics, and personal growth, while also incorporating dark humor and irony. The writer's voice creates a sense of realism, tension, and depth, allowing the audience to connect with the characters and their struggles. With its unique storytelling techniques and compelling characters, this script stands out from others in its genre. It will be of interest to its target audience who are looking for a thought-provoking and engaging piece of storytelling.
Overview
Genres: Crime, Drama, Thriller, Comedy, Mystery, Dark Comedy
Setting: Contemporary, Rural Minnesota
Overview: The screenplay demonstrates a solid foundation with strong character development, compelling dialogue, and themes that resonate with the audience. However, there are opportunities for improvement in enhancing unpredictability, secondary character development, and variety in character changes.
Themes: Identity and self-discovery, Violence and its consequences, Power and manipulation, Fate and destiny
Conflict and Stakes: The primary conflicts in this story revolve around the escalating violence and deception caused by Lorne Malvo's presence in the town. The stakes are high as innocent lives are at risk, and the characters must navigate a web of lies and danger to uncover the truth and protect themselves and their loved ones.
Overall Mood: Tense and suspenseful
Mood/Tone at Key Scenes:
- Scene 1: The scene where Lorne Malvo confronts Lester Nygaard in the Arby's restaurant is tense and confrontational.
Standout Features:
- Unique Hook: The blending of dark comedy and crime drama genres creates a unique and compelling tone.
- Plot Twist : The unexpected twists and turns in the story keep the audience engaged and guessing.
- Distinctive Setting : The rural Minnesota setting adds a unique atmosphere and sense of isolation to the story.
Comparable Scripts:
Market Analysis
Budget Estimate:$20-30 million
Target Audience Demographics: Adults aged 25-54, fans of crime dramas and psychological thrillers
Marketability: The screenplay offers a compelling and suspenseful story with complex characters and explores themes that resonate with a wide adult audience. The success of the Fargo TV series demonstrates the marketability of this type of story.
The unique blend of genres, including crime drama and dark comedy, along with the strong performances and gripping storyline, make this screenplay stand out in the market.
The screenplay's strong critical reception and potential for awards recognition, combined with its appeal to a wide adult audience, contribute to its marketability.
Profit Potential: High, due to the strong appeal to a wide adult audience and potential for critical acclaim and awards recognition.
Scene Level Percentiles
Writer's Voice
Summary:The writer's voice is characterized by a blend of naturalistic dialogue, atmospheric scene description, and a focus on the internal thoughts and emotions of the characters. This voice creates a sense of realism, tension, and depth in the story, allowing the audience to connect with the characters and their struggles.
Best representation: Scene 1 - Lester's Frustrations. This scene is the best representation of the author's voice because it showcases the atmospheric scene description, naturalistic dialogue, and focus on the characters' internal thoughts and emotions. The scene also introduces the themes of moral ambiguity and violence, setting the tone for the rest of the story.
Memorable Lines:
- Malvo: Because some roads you shouldn’t go down. Because maps used to say there be dragons here. And now they don’t. But that don’t mean the dragons aren’t there. (Scene 40)
- MALVO: Your problem is, you lived your whole life thinking there are rules. There aren’t. (Scene 28)
- MALVO: Why do you let her talk to you like that? (Scene 20)
- IDA: Your boy wanted a hamburger. (Scene 8)
- LESTER NYGAARD: What did you do? You killed her. You killed her. (Scene 34)
Writing Style:
The writing style of the entire screenplay is characterized by a mix of dark humor, tension, and morally ambiguous situations. The dialogue is often concise and impactful, driving the narrative forward and revealing the complexities of the characters' relationships. The scenes frequently explore everyday conversations and subtle character dynamics, capturing the nuances of human interactions.
Style Similarities:
- Coen Brothers
- Quentin Tarantino
Story Shape
Beta Feature.
The reasons might be more valuable than the rating.
The reasons might be more valuable than the rating.
Screenplay Rating:
Consider
Executive Summary
The screenplay for 'Fargo Pilot' is well-constructed and engaging, effectively establishing a sense of mystery and tension from the beginning. The enigmatic character of Lorne Malvo adds intrigue to the story, and the scene with the wounded deer foreshadows violence. The screenplay could benefit from more clarity and context regarding the relationships and motivations of the characters, as well as smoother transitions between scenes. The use of offensive language in one scene could also be reconsidered. Overall, the screenplay has strong moments of tension, compelling character arcs, and a captivating narrative, making it a recommended watch.
Strengths
- The scene effectively establishes a sense of mystery and tension through its atmospheric setting and the enigmatic character of Lorne Malvo. (Scene 1)
- The scene sets up a potential conflict and moral dilemma for Lester, as Malvo suggests killing Sam Hess. (Scene 5)
- The scene effectively contrasts the chaos of the washing machine with the mundane and monotonous nature of Lester's job. (Scene 3)
- The scene effectively sets up the relationship between Lester and his brother Ronald, highlighting Lester's feelings of inadequacy. (Scene 12)
- The scene creates tension and a sense of urgency with the sudden and violent murder of Sam Hess. (Scene 16)
Areas of Improvement
- The scene could benefit from more clarity and context regarding the relationship between Malvo and the man in the trunk. (Scene 1)
- The significance of the deer and Malvo's interaction with it could be further developed and connected to the larger story. (Scene 1)
- The scene could provide more information about the overall plot and the characters' motivations to enhance the audience's understanding and engagement. (Scene 1)
- The transition from the basement scene to the insurance agency scene feels abrupt and disjointed. (Scene 2)
- The use of offensive language and derogatory terms may be unnecessary and could alienate some viewers. (Scene 4)
MissingElements
- More information about Lorne Malvo's background and his connection to the events of the screenplay. (Scene 1)
- Further development of the relationship between Malvo and the man in the trunk. (Scene 1)
- Additional context and explanation of the overall plot and the characters' motivations. (Scene 1)
- The transition from the previous scene to this one could be smoother to ensure better continuity. (Scene 7)
- The dialogue could be more concise and focused to maintain the audience's interest. (Scene 2)
NotablePoints
- The scene ends with a mysterious and intriguing image of Malvo studying the deer's eyes, leaving the audience curious about his intentions. (Scene 1)
- The scene sets up a potential conflict between Lester's desire for peace of mind and the discomfort of the young couple. (Scene 3)
- The introduction of the inflatable women and the boys' playfulness adds a touch of dark humor to the scene. (Scene 10)
- The scene effectively foreshadows potential conflicts and problems in Lester's life, setting up future developments in the story. (Scene 13)
- The scene introduces the character of Malvo and his peculiar behavior. (Scene 19)
Screenplay Insights:
Characters: 8.25, The screenplay showcases a strong foundation for character development, with characters that are relatable, complex, and undergo significant transformations. However, there are opportunities to further refine and enhance the character arcs to deepen the emotional resonance and drive the narrative forward. See More
Premise: 8.75, The screenplay establishes a compelling and clear premise with a unique and engaging hook that sets up intriguing character arcs and narrative threads. While the premise effectively introduces the central conflict and characters, there are opportunities to enhance its depth and originality further to maximize audience interest. See More
Structure: 8.5, The screenplay demonstrates a well-structured narrative and a compelling plot that effectively captures the viewer's attention. While minor aspects could be refined for pacing and clarity, the screenplay effectively balances character development, suspense, and themes. Overall, the structure and plot provide a solid foundation for an engaging storytelling experience. See More
Theme: 7.5, The screenplay effectively conveys its themes and messages, but it could benefit from further refinement to enhance the clarity of its themes and deepen its emotional impact. The messages resonate with the audience, but some aspects of the thematic exploration could be strengthened to elevate the overall coherence and depth of the screenplay. See More
Visual Impact: 9.25, The screenplay demonstrates a strong foundation for visual storytelling, effectively utilizing vivid descriptions and incorporating symbolism to create immersive and impactful scenes. The distinctive visual elements and unique imagery enhance the narrative, providing a strong basis for cinematic adaptation. See More
Emotional Impact: 7.5, The screenplay demonstrates a solid foundation for emotional storytelling, with a compelling cast of characters and a storyline that explores complex and thought-provoking themes. Enhancing the emotional depth of certain scenes and refining character arcs could amplify the screenplay's impact and create a more profound emotional connection with the audience. See More
Conflict: 8.0, The screenplay effectively establishes a central conflict between Lester Nygaard's desperation and the escalating consequences of his actions. However, it could benefit from clarifying the motivations behind certain key events and incorporating more personal stakes that drive the narrative forward. See More
Originality: 7.5, The screenplay showcases notable originality in its character dynamics and exploration of complex themes. The characters are well-developed and authentic, driving the narrative in unexpected and engaging ways. See More
Premise: 8.75, The screenplay establishes a compelling and clear premise with a unique and engaging hook that sets up intriguing character arcs and narrative threads. While the premise effectively introduces the central conflict and characters, there are opportunities to enhance its depth and originality further to maximize audience interest. See More
Structure: 8.5, The screenplay demonstrates a well-structured narrative and a compelling plot that effectively captures the viewer's attention. While minor aspects could be refined for pacing and clarity, the screenplay effectively balances character development, suspense, and themes. Overall, the structure and plot provide a solid foundation for an engaging storytelling experience. See More
Theme: 7.5, The screenplay effectively conveys its themes and messages, but it could benefit from further refinement to enhance the clarity of its themes and deepen its emotional impact. The messages resonate with the audience, but some aspects of the thematic exploration could be strengthened to elevate the overall coherence and depth of the screenplay. See More
Visual Impact: 9.25, The screenplay demonstrates a strong foundation for visual storytelling, effectively utilizing vivid descriptions and incorporating symbolism to create immersive and impactful scenes. The distinctive visual elements and unique imagery enhance the narrative, providing a strong basis for cinematic adaptation. See More
Emotional Impact: 7.5, The screenplay demonstrates a solid foundation for emotional storytelling, with a compelling cast of characters and a storyline that explores complex and thought-provoking themes. Enhancing the emotional depth of certain scenes and refining character arcs could amplify the screenplay's impact and create a more profound emotional connection with the audience. See More
Conflict: 8.0, The screenplay effectively establishes a central conflict between Lester Nygaard's desperation and the escalating consequences of his actions. However, it could benefit from clarifying the motivations behind certain key events and incorporating more personal stakes that drive the narrative forward. See More
Originality: 7.5, The screenplay showcases notable originality in its character dynamics and exploration of complex themes. The characters are well-developed and authentic, driving the narrative in unexpected and engaging ways. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In this tense and mysterious scene, Lorne Malvo's car skids off the road and rolls after hitting a deer. A man escapes from the trunk and disappears into the snow. Despite being injured, Malvo walks towards the wounded deer and closely observes it. The scene ends with Malvo standing over the deer, studying its eyes.
- Lester Nygaard and his wife Pearl have lunch in their kitchen and discuss their plans, Lester's work, and his brother's success. Lester feels inadequate and frustrated with his own situation. The scene ends with Lester opening the door to the basement.
- Lester Nygaard becomes mesmerized by his chaotic washing machine in the basement. He then tries to sell life insurance to a young couple at an insurance agency, but his examples of accidents and tragedies make them uncomfortable. The couple abruptly leaves, leaving Lester disappointed and alone.
- Lester stands outside an appliance shop in Saint Cloud, Minnesota, where he is confronted by Sam Hess and his twin sons. Hess bullies and embarrasses Lester, culminating in a fake punch that causes Lester to run into the plate glass window of the store. The scene ends with Lester lying on the ground, his face broken and bleeding, staring up at the sky.
- Lester Nygaard and Lorne Malvo sit in a hospital waiting room, both nursing injuries. Lester asks a nurse about his wait time, but is dismissed. He offers Malvo his soda, leading to a conversation about Lester's recent altercation with Sam Hess. Malvo suggests that Lester should kill Sam, unsettling him. The nurse interrupts, and Lester leaves with her to an exam room, while Malvo watches him go.
- Deputy Molly Solverson and Police Chief Vern Thurman investigate the scene of Malvo's accident on a cold day in Saint Cloud, MN. They find a rolled car with footprints leading away from it, blood and hair on the car, and a trail of blood in the snow. They hear thumping from the trunk and discover a live deer inside. Vern puts the deer out of its misery. Molly suggests they investigate the footprints further.
- Vern and Molly are walking through the snowy woods in Saint Cloud, Minnesota at dusk. They discuss Ida's upcoming childbirth and the difficulty of choosing a name. Molly mentions a missed deer in a car trunk, and Vern reassures her. Suddenly, Molly spots a frozen dead man in his underwear in the snow, leaving them in suspense. The scene ends with Vern acknowledging the presence of the frozen dead man.
- Vern comes home and greets his pregnant wife Ida. They discuss the smell of food and their unborn child's craving for a hamburger. Vern locks his gun in the safe and notices the baby's room has been cleared of furniture and prepared for painting.
- Vern and Ida enjoy dinner together in the kitchen of their home. They discuss a wreck that Molly found, where the driver froze to death in the woods. They talk about the driver's peculiar choice of wearing only underpants and not being able to find his clothes. The couple also discusses the color for the nursery, with Vern expressing his eagerness to start painting. Throughout the conversation, they share a loving and comfortable relationship, exchanging affectionate remarks. The scene ends with Vern and Ida continuing to eat in a peaceful silence.
- In this scene at the Hess Trucking Company, Sam Hess and his lawyer, Bruce Gold, are confronted by Lorne Malvo. As Mickey and Moe play with inflatable women in the garage, Malvo offers them wrestling advice. However, when Malvo starts questioning Sam about his connection to Narcol, tensions rise. Bruce Gold tries to mediate, but Sam threatens Malvo. The scene ends with Malvo leaving, leaving Sam and his men confused about his intentions.
- Lester and Pearl arrive at Lester's brother's house with a meatloaf. Lester's nose is taped and his eyes are black from a fall on ice. Scotty, Lester's nephew, slams the door in their face. Lester rings the bell again and Kitty, Lester's sister-in-law, opens the door. The conflict arises when Scotty slams the door, creating a tense and uncomfortable atmosphere. The scene ends with Kitty inviting Lester and Pearl to come inside.
- In this scene, Ronald Nygaard massages honey into a ham while Lester holds a can of beer. Kitty and Pearl set the table, and Scotty watches TV. Ron talks about his recent trip to Duluth and his boss taking him out for dinner. Kitty and Pearl tease Lester about Ron's success, and Ron suggests broadening Scotty's horizons. Lester jokes about Ron getting too familiar with the ham. The scene ends with Ron asking Lester to come to the garage for more beer.
- In this tense and confrontational scene, Ron shows Lester an illegal automatic weapon, but Lester accidentally drops it, damaging the weapon. Ron becomes angry with Lester and confronts him about his strange behavior and his wife's concerns. The scene ends with Ron expressing his disappointment in Lester and questioning when he will get his act together.
- Lester drives while Pearl sits next to him, fuming. Pearl confronts Lester about hitting his own brother, expressing her disapproval. The scene then cuts to an office in St. Louis where Mr. Rundle sits alone. His phone rings, and he answers the call, identifying himself as working in Claims and Adjustments.
- Lorne Malvo, driving in a stolen car, talks on the phone with Mr. Rundle about his delayed arrival and car trouble. They confirm the completion of his assignment and mention a new client in Duluth. Malvo follows an SUV into The Lucky Penny strip club and watches Sam Hess and his two guys enter before hanging up the phone.
- In this scene, Sam Hess engages in a sexual encounter with a bored hooker in the back room of The Lucky Penny. Suddenly, Lorne Malvo appears and brutally stabs Hess in the head, causing him to fall on top of the hooker. Meanwhile, Vern receives a phone call about a homicide and prepares to leave with Molly. The emotional tone is tense and violent, with a sense of anticipation and urgency. The conflict arises from the murder, which is partially resolved when Hess falls on top of the hooker, blocking her view. The scene ends with Vern and Ida expressing their love for each other before Vern departs for the homicide.
- Molly picks up Vern in her prowler outside the Thurman House in Saint Cloud, Minnesota. They discuss a messy incident at the Lucky Penny where a customer was stabbed in the head. Vern ponders the possibility of it being an assassination. The scene ends with Vern responding with a thoughtful 'Huh' to Molly's information.
- In this scene at The Lucky Penny, Sam Hess is found dead with a knife in the back of his head. Vern and Molly discuss the cause of death and speculate about whether it was a hit by the syndicate from Fargo. The emotional tone is tense as the mystery surrounding Sam Hess's death unfolds. The scene ends with Vern expressing his uncertainty and frustration about the situation.
- In this tense scene at the Farmdale Motel in Saint Cloud, Minnesota, the owner confronts a sullen teen for putting dirty sheets on a bed. Malvo enters and asks about a room, leading to a minor conflict with the owner regarding the pet policy. The conflict with the teen is resolved when he exits the scene, but the pet policy issue remains unresolved. The scene ends with Malvo clarifying that he doesn't have a pet and just wants to know the policy.
- Malvo questions the teen's tolerance for a woman's disrespect at the Farmdale Motel in Saint Cloud, Minnesota. After the teen defends the woman, he realizes she compared him to a clam. Inspired by Malvo's story of retaliation, the teen decides to take action by walking over to the woman's car. Meanwhile, Malvo enters his room, leaving the scene with a mix of curiosity, amusement, and empowerment.
- Malvo witnesses a teen urinating into the gas tank of a red Miata from his motel room. He calls the front desk to report it, and the woman at the front desk comes out with a shotgun, yelling at the teen. The teen panics and runs away with his pants falling down. Malvo closes the curtain, ending the scene.
- Molly Solverson reviews a murder case file at a family coffee shop in Saint Cloud, Minnesota. Her father, Lou Solverson, brings her coffee and they discuss the case briefly. Vern Thurman joins them and they exchange pleasantries. Molly shares her suspicions about a man found dead in the snow and a stolen car involved in the case. Vern compliments Molly's police work and suggests she would make a good chief one day. The scene ends with Molly and Vern discussing their investigation.
- Mickey, Moe, and their mother Gina Hess sit on the sofa looking bored in their house in Saint Cloud, Minnesota. Bruce Gold, Hess's consigliere, advises them to keep it simple when talking to the police. Gina expresses her indifference towards the death of someone in a whorehouse, causing Mickey and Moe to try to stop her. Vern and Molly arrive outside the house, and Gina breaks into tears, mystifying the men of Minnesota. The scene ends with Mickey answering a phone call in the kitchen.
- Lorne Malvo sits in a motel room, clipping his toenails while talking on the phone with Mickey. He informs Mickey that his late father's estate is to be left to his younger brother, Moe, which angers Mickey. The conflict remains unresolved as Malvo hangs up the phone and finishes clipping his toenails.
- Vern and Molly visit the Hess house to gather information about Sam Hess's business. They talk to Gina, Moe, and Bruce Gold. Mickey and Moe have a confrontation outside, resulting in Mickey beating Moe with a hockey stick. Molly witnesses this and calls for help. She tackles Mickey in the yard, resolving the conflict.
- In this scene, Mickey is handcuffed and silent in the back of a police car while Molly questions him about why he would harm his own brother. Vern sits in the passenger seat. Meanwhile, Lester is driving and sees Lorne Malvo leaving his room at the Farmdale Motel and entering the Arby's next door. The scene ends with Lester expressing confusion at Malvo's actions.
- Lester Nygaard arrives at the insurance agency in Saint Cloud, Minnesota where his boss, Bo Munk, asks about a spot on his face and instructs him to pull the policy for Sam Hess, who has been murdered. Lester, shocked by the news, reveals that he went to high school with Sam. Bo walks away, leaving Lester feeling both terrified and strangely excited.
- Lorne Malvo confronts Lester Nygaard at an Arby's restaurant in Saint Cloud, accusing him of killing Sam. Despite Lester's denial, Malvo challenges his perception of rules in life and societal pressures. The tense conversation leaves Lester both terrified and strangely empowered.
- Molly enters the nurse's station and talks to Sue Roundtree about the Hess boy who was attacked with a hockey stick. They discuss his surgery and the possibility of brain damage. Molly then asks about a car wreck and describes a man with head injuries. Sue remembers a man named Lester Nygaard who was arguing with another man about the dead fella, Hess. Molly considers this a lead. The scene ends with Molly realizing that the information about Lester Nygaard and the argument is a potential lead.
- Vern is interrupted by Deputy Bill Olsen with a phone call from his wife, Ida. Ida and Vern discuss the color of the nursery and express their excitement about having a baby. Vern hangs up the phone.
- Vern pulls into the Home Depot parking lot and receives a radio call from Molly who is at the hospital. Molly informs Vern about a potential connection between the head injury case and Sam Hess. Vern decides to investigate Lester Nygaard, who works at Bo's shop. The conflict arises when Molly discovers the connection, but it is resolved when Vern decides to investigate Lester. The scene ends with Vern telling Molly to call it a day.
- Pearl berates Lester for his failed attempt to fix the washing machine, leading to a violent outburst where Lester beats Pearl to death with a hammer. Afterward, he cleans the hammer and makes a distressed phone call for help.
- Lester, dressed in new clothing, practices for a phone call. He picks up the phone and dials. Meanwhile, Malvo sits on his bed in a motel room and answers the phone, surprised by the call. Lester tells Malvo about an accident involving his wife and asks for help. Malvo questions how Lester got his number and asks if Lester has been a bad boy. Lester pleads for Malvo to come over. The scene ends with Lester hanging up the phone and thinking about his next step.
- Lester retrieves a shotgun and hides it against the living room wall. Vern Thurman arrives and engages in conversation with Lester. Lester becomes nervous and tries to block Vern from entering the kitchen. Vern asks about Lester's injured nose and mentions Sam Hess's death. Lester denies talking to anyone and becomes startled when the cuckoo clock chimes. Vern notices the open basement door.
- Vern notices a bloody footprint on the floor and draws his gun. Lester tries to explain but Vern insists he gets on the ground. Vern glances down the basement stairs and sees Pearl's feet. Vern calls for backup but is shot by Lorne Malvo. Malvo asks Lester if there are any more cops and kicks Vern's gun away. Malvo studies Vern's dying eyes and asks Lester what he told him. Lester denies saying anything and Malvo asks if he has more shotgun shells. Lester points to the basement and Malvo goes downstairs. Lester realizes his injured hand is now illuminated by police lights outside.
- Molly arrives at Nygaard's house and spots Vern's prowler. She approaches the door while inside, Lester hurriedly informs Malvo that the police have arrived. Lester goes down to the basement but discovers Malvo has vanished and finds Pearl dead with a hammer nearby. Lester is left trapped in the basement, realizing he is in a dire situation.
- Molly pounds on the door of the Nygaard house in Saint Cloud, Minnesota and sees Vern dead on the floor through a window. She becomes upset and calls for help. Meanwhile, Lester is trapped in the basement and realizes there is no way out. He runs towards a wall and knocks himself out. Molly checks Vern's pulse and confirms his death. Cautiously, she searches the house, aware that Malvo could still be inside.
- Molly cautiously enters the basement of the Nygaard house at night, with her gun drawn. She finds Pearl and Lester lying face down, appearing to be dead. Bill calls Molly from upstairs, and she responds. Molly determines that Pearl is dead but discovers that Lester is still alive. As she assesses the situation, she notices a bloody human face print with a halo on a poster, sparking her curiosity about its meaning. The scene ends with Molly pondering the significance of the mysterious print.
- Patrolman Gus Grimly sits in his state police car on a two-lane highway in rural Minnesota at night. He receives a call from his son Kurt, discussing the Vikings game and Kurt's dental hygiene. Gus then pursues a speeding car, pulls over another vehicle, and notes down its license plate number before getting out of the car.
- Gus Grimly pulls over Lorne Malvo on a rural Minnesota highway. Malvo tries to manipulate Gus into letting him go by suggesting hidden dangers on certain roads. Gus hesitates but ultimately decides not to arrest Malvo. He writes down Malvo's license plate number before the scene ends with Gus talking to his son on the walkie talkie, shaken by the encounter.
- Molly sits in shock outside Lester's house as emergency vehicles surround the area. Vern's body is covered inside. Molly notices two cans of house paint in Vern's prowler, symbolizing her determination to take on responsibilities. Ida comes out and realizes the worst has happened. In the hospital, Lester wakes up and examines his bandaged head, showing a hint of uncertainty. The aftermath of Vern's death and the uncertainty surrounding Lester's involvement remain unresolved.
- Molly's dad, Lou, unpacks fishing gear while Molly sits on the tailgate. Lou offers her sandwiches and suggests she work as a hostess at his restaurant. Molly declines and decides to go to work instead. She kisses her dad goodbye and walks to her cruiser.
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| Lorne Malvo | Lorne Malvo's character arc in the TV pilot begins with his introduction as a mysterious and dangerous hitman involved in criminal activities. He is established as a formidable threat, using violence to achieve his goals. As the pilot progresses, it becomes clear that Malvo is not just a hired gun but a master manipulator who revels in chaos and psychological games. He enjoys toying with his victims and exerting power and control over them. However, as the story unfolds, Malvo's actions start to catch up with him. His manipulative tactics begin to backfire, and he finds himself facing unexpected challenges and consequences. This leads to a gradual unraveling of his carefully constructed facade, exposing his vulnerabilities and weaknesses. By the end of the pilot, Malvo's power and control are significantly diminished, and he is forced to confront the consequences of his actions. | The character arc for Lorne Malvo in the TV pilot is well-developed and engaging. It effectively establishes him as a formidable antagonist and gradually reveals his vulnerabilities and weaknesses. However, one suggestion for improvement would be to provide more clarity and specificity in terms of his hidden agenda and motivations. While his manipulative nature is evident, it would be beneficial to delve deeper into why he enjoys chaos and psychological games, and what drives him to exert power and control over others. This would add depth and complexity to his character, making him even more compelling and intriguing. | To improve the character arc for Lorne Malvo in the TV pilot, consider exploring his backstory and providing more insight into his hidden agenda and motivations. This could be done through flashbacks or conversations that shed light on his past experiences and the events that shaped him into the manipulative and dangerous individual he has become. Additionally, consider introducing a foil or rival character who challenges Malvo's power and control, forcing him to adapt and evolve throughout the pilot. This would create additional tension and conflict, further enhancing the character arc and overall narrative. |
| Lester Nygaard | Lester Nygaard's character arc in the TV pilot begins with him as a meek and timid individual, constantly belittled by his wife and lacking confidence. However, after being pushed to his breaking point, he transforms into a desperate and violent man, willing to commit a brutal murder. This transformation is driven by his fear and desperation to protect himself. Throughout the pilot, Lester's character arc shows a progression from a submissive and hesitant individual to a ruthless and assertive character, willing to go to extreme measures to avoid the consequences of his actions. | The character arc for Lester Nygaard in the TV pilot is well-developed and effectively portrays his transformation from a meek and timid individual to a desperate and violent man. However, it would be beneficial to provide more specific details about the catalysts for his character change and the internal struggles he faces. Additionally, the speaking style synthesis could be improved by providing more specific examples of his unique phrases and mannerisms throughout the pilot. | To improve the character arc, consider adding specific scenes or moments that trigger Lester's transformation and highlight his internal struggles. This could include exploring his relationship with his wife and the constant belittlement he faces, as well as the impact of the murder of Sam Hess on his psyche. Additionally, provide more specific examples of Lester's unique phrases and mannerisms throughout the pilot to further enhance his characterization. |
| Pearl | Pearl starts off as a nagging and discontented wife who constantly criticizes Lester. She is deeply affected by his recent actions and becomes even more confrontational and belittling towards him. However, her dominance and emasculating behavior ultimately lead to her demise when Lester kills her in a fit of rage. | The character arc for Pearl is quite predictable and lacks depth. It follows a typical trajectory of a nagging wife who becomes even more confrontational and eventually meets a tragic end. This arc doesn't offer any surprises or unique insights into the character. Additionally, the transition from Pearl being a nagging wife to being killed by Lester feels abrupt and lacks proper development. | To improve the character arc for Pearl, consider adding layers to her character. Explore her motivations and vulnerabilities that contribute to her nagging and discontented behavior. Show moments of tenderness or affection between Pearl and Lester to create a more complex dynamic. Instead of a sudden and violent end, consider a more gradual escalation of tension and conflict between Pearl and Lester, leading to a climactic moment that challenges the audience's expectations. |
| Sam Hess | Sam Hess starts off as a menacing bully who uses his power to intimidate and humiliate others. However, his life is abruptly ended by Lorne Malvo, cutting short any potential character arc. | The character arc for Sam Hess is quite limited in the TV pilot. While he is initially portrayed as a menacing bully, his arc is cut short before any significant development can occur. This leaves the character feeling somewhat one-dimensional and underutilized. | To improve the character arc for Sam Hess, it would be beneficial to explore his motivations and backstory further. This could provide a deeper understanding of why he behaves the way he does and potentially create opportunities for growth or redemption. Additionally, allowing Sam Hess to interact with other characters in a more meaningful way could help to develop his arc and create more dynamic relationships within the story. |
| Molly Solverson | Molly Solverson starts as a competent and curious police deputy, dedicated to her job and passionate about solving the murder case. As the investigation progresses, she becomes more determined and observant, not easily swayed by deception. Molly's no-nonsense attitude and assertive speaking style reflect her growth in confidence and determination. She evolves into a dedicated and empathetic officer, seeking justice and genuinely concerned for others. | The character arc for Molly Solverson in the TV pilot is well-developed and engaging. It showcases her growth from a competent and curious deputy to a dedicated and empathetic officer. However, the arc could benefit from further exploration of Molly's personal struggles and vulnerabilities, which would add depth to her character and make her journey even more compelling. | To improve the character arc, consider incorporating moments of vulnerability and personal challenges for Molly. This could include exploring her past experiences or relationships that have shaped her determination and sense of justice. Additionally, allow Molly to face obstacles and setbacks that test her resolve, forcing her to confront her own limitations and grow stronger as a result. These additions will add complexity to her character and make her arc more dynamic and relatable. |
| Vern Thurman | Vern Thurman starts off as an experienced and confident police chief, comfortable in his role and supportive of Molly. However, as the murder investigation progresses, Vern becomes more suspicious of Lester and confronts him about his involvement. This confrontation leads to Vern discovering Pearl's body in the basement, but unfortunately, he is shot by Lorne Malvo before he can call for backup. Vern's character arc is cut short due to his untimely death, but his dedication to justice and his commitment to protecting his community are evident throughout the pilot. | The character arc for Vern Thurman is well-established and engaging. However, his untimely death cuts short his development and potential for further growth. It would have been interesting to see Vern's character evolve and face more challenges as the series progresses. | To improve the character arc for Vern Thurman, consider keeping him alive and allowing him to face more obstacles and conflicts. This would provide opportunities for further character development and exploration of his relationships with other characters. Additionally, consider giving Vern a personal stake in the murder investigation, such as a connection to one of the victims or a personal vendetta against the killer. This would add depth to his character and increase the emotional impact of his actions and decisions. |
| Vern | Vern's character arc begins with him as a dedicated police chief, valuing his family and displaying a warm and caring personality. As the story unfolds, he transitions into a seasoned detective, becoming more observant and analytical. He takes charge of the investigation and showcases his knowledge about the town's people. However, his arc takes a tragic turn when he becomes suspicious of Lester's behavior and confronts him, leading to his demise at the hands of the antagonist. | The character arc for Vern is well-developed and engaging. It showcases his growth from a loving husband to a seasoned detective, highlighting his determination and dedication to his job. However, the sudden shift from being a dedicated police chief to a seasoned detective could be further explored and justified in the TV pilot. Additionally, Vern's demise feels somewhat abrupt and could benefit from more foreshadowing or buildup. | To improve the character arc, consider incorporating more scenes that depict Vern's transition from a police chief to a seasoned detective. Show his journey of acquiring the necessary skills and knowledge to take charge of the investigation. Additionally, provide subtle hints or foreshadowing of the danger Vern faces, building up the tension leading to his demise. This will create a more satisfying and impactful character arc for Vern in the TV pilot. |
| Lester | Lester's character arc begins with him as a reserved and introverted brother, but his actions strain his relationships and lead to tension. He becomes a nervous and deceptive character, trapped in a web of lies, and desperately tries to hide his involvement in a crime. However, he is forced to confront his survival instincts and face the consequences of his actions when he becomes the protagonist of the story. Trapped in a basement, he must find a way to escape and deals with the aftermath of the violence he witnessed. Waking up in the hospital, he questions the consequences of his actions and experiences uncertainty and doubt. | The character arc for Lester is well-developed and showcases his transformation from a reserved and introverted individual to a conflicted and troubled protagonist. However, it would be beneficial to provide more specific details about the events that lead to his strained relationships and the tension with his family. Additionally, the drastic action he takes when confronted by Vern could be further elaborated to enhance the impact of his desperation and fear. Furthermore, the transition from being trapped in the basement to waking up in the hospital could be smoother to ensure a seamless flow in the character's journey. | To improve the character arc, consider adding specific incidents or conflicts that strain Lester's relationships with his family, providing more context for the tension. When Lester is confronted by Vern, describe the drastic action he takes in more detail, emphasizing the intensity of his desperation and fear. Additionally, ensure a smoother transition from the basement scene to the hospital scene, allowing for a seamless flow in Lester's journey and maintaining the audience's engagement. |
| Molly | In the TV pilot, Molly starts as a young and ambitious police officer, eager to solve cases and uncover the truth. As the story progresses, she becomes more experienced and determined, showcasing her dedication and resilience in the face of violent events. However, these events also lead her to question her choices and priorities, causing her to reflect on the balance between her professional responsibilities and personal desires. By the end of the pilot, Molly learns to navigate this conflict, finding a way to prioritize her duty while also acknowledging her own needs and vulnerabilities. | The character arc for Molly is well-developed and provides a clear progression for her throughout the TV pilot. However, it would be beneficial to further explore the emotional impact of the violent events on Molly and how they shape her character. Additionally, the arc could benefit from more specific examples or incidents that highlight Molly's growth and transformation. | To improve the character arc, consider incorporating scenes or moments that delve deeper into Molly's emotional journey. Show how the violent events affect her on a personal level and explore the internal conflicts she faces. Additionally, provide specific instances where Molly's determination and resilience are tested, allowing her to grow and evolve as a character. This will create a more engaging and dynamic arc for Molly in the TV pilot. |
| Malvo | Malvo starts off as a mysterious and deadly hitman, carrying out his tasks with precision and detachment. However, as the tv_pilot progresses, we see glimpses of his manipulative nature and his desire for revenge. He begins to use his wit and cunning to manipulate others, particularly targeting Mickey. This leads to a confrontation where Malvo provokes and unsettles Mickey using dark humor. Towards the end of the pilot, Malvo receives a distressing phone call from Lester, which further showcases his control and power. Overall, Malvo's character arc reveals his transformation from a silent and deadly assassin to a manipulative and vengeful force. | The character arc for Malvo in the tv_pilot is intriguing and sets up potential conflicts and dynamics. However, it would benefit from further exploration of his motivations and backstory. While his manipulative nature is hinted at, delving deeper into his past and the reasons behind his actions would add depth and complexity to his character. Additionally, providing more opportunities for interaction and conflict with other characters would enhance the overall narrative. | To improve the character arc, consider incorporating flashbacks or dialogue that shed light on Malvo's past, revealing the events that shaped him into the enigmatic hitman he is. This could help the audience understand his motivations and provide a stronger foundation for his actions. Furthermore, introducing more dynamic interactions between Malvo and other characters, such as a rival hitman or a potential ally, would create additional layers of tension and intrigue. This could be achieved through carefully crafted dialogue exchanges and confrontations that showcase Malvo's manipulative skills and the impact he has on those around him. |
| Gina Hess | Throughout the TV pilot, Gina Hess undergoes a transformation from a vengeful and emotionally volatile woman to someone who starts to question her own actions and the consequences they have on others. Initially driven by a desire for revenge, Gina's experiences and interactions with other characters gradually chip away at her hardened exterior. She begins to realize the impact of her actions and the toll it takes on those around her. This realization leads her to question her loyalty to her criminal family and consider a different path for herself. | The character arc for Gina Hess is well-developed and provides a clear progression for her throughout the TV pilot. However, it would be beneficial to further explore the catalysts or specific events that trigger her transformation. This would help deepen the audience's understanding of her journey and make her character arc even more compelling. | To improve the character arc, consider incorporating specific moments or interactions that challenge Gina's beliefs and values. These moments could be pivotal in her transformation and provide a clearer understanding of her internal struggle. Additionally, exploring her backstory and the reasons behind her strong personality and desire for revenge could add further depth to her character and make her arc more impactful. |
| Mickey | Mickey's character arc in the TV pilot begins with him as a loyal and caring son, trying to keep the peace in his family. However, upon learning about the will, his impulsive and hot-headed nature takes over, leading him to become more volatile and violent. As the story progresses, Mickey's internal conflicts intensify, causing him to betray his own brother for personal gain. This betrayal marks a turning point in Mickey's arc, as he becomes more defensive and confrontational. By the end of the TV pilot, Mickey's character arc leaves him in a morally ambiguous position, torn between his loyalty to his family and his own desires. | The character arc for Mickey is well-developed and showcases his internal conflicts effectively. However, it would be beneficial to provide more context and motivation for Mickey's violent tendencies. Additionally, the transition from being a loyal and caring son to betraying his own brother could be further explored and justified within the TV pilot. | To improve the character arc, consider incorporating flashbacks or dialogue that provide insight into Mickey's past experiences or traumas that may have contributed to his volatile nature. This would help to deepen his character and provide a stronger justification for his violent actions. Additionally, explore the emotional turmoil Mickey experiences when making the decision to betray his brother, highlighting the internal struggle he faces. This will add complexity to his character and make his arc more compelling. |
| Theme | Theme Details | Themee Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Identity and self-discovery | The screenplay explores the characters' search for their true identities and their struggle to discover who they really are. | This theme is represented through Lester's dissatisfaction with his life and his desire for change, Molly's determination to solve the murder case and prove herself as a capable police officer, and Malvo's manipulation of others to fulfill his own desires. | ||||||||||||
Strengthening Identity and self-discovery:
| ||||||||||||||
| Violence and its consequences | The screenplay depicts the violent actions of the characters and the repercussions they face as a result. | This theme is evident in the murder of Sam Hess, the assault on Lester by Malvo, and the eventual deaths of several characters. It explores the cycle of violence and the impact it has on individuals and society. | ||||||||||||
| Power and manipulation | The screenplay delves into the dynamics of power and control, as characters manipulate and influence others to achieve their goals. | This theme is exemplified through Malvo's manipulation of Lester to commit murder, Lester's attempts to assert power and control in his own life, and the power struggles within the criminal underworld. | ||||||||||||
| Fate and destiny | The screenplay explores the idea of fate and how events unfold according to a predetermined path. | This theme is represented through the coincidences and chance encounters that shape the characters' lives, as well as the consequences they face as a result of their actions. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals revolve around validation and acceptance, success and recognition, control and power, connection and belonging, and fear of humiliation and failure. |
| External Goals | The protagonist's external goals involve solving mysteries and upholding justice, achieving success in his job, avoiding confrontation and maintaining dignity, seeking revenge and asserting authority, and surviving and protecting himself. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the clash between individualistic and selfish values, such as power, control, and revenge, and communal values, such as justice, empathy, and connection. |
Character Development Contribution: The goals and conflicts push the protagonist to confront his fears, challenge his beliefs, and undergo personal growth and transformation as he navigates through the story. They contribute to his development from a meek and insecure individual to someone who takes control of his life and faces the consequences of his actions.
Narrative Structure Contribution: The goals and conflicts provide direction and motivation for the protagonist's actions, creating tension and driving the narrative forward. They shape the plot, creating obstacles for the protagonist to overcome and pushing the story towards its climax and resolution.
Thematic Depth Contribution: The goals and conflicts explore themes of morality, identity, justice, and the consequences of one's actions. They delve into the complexities of human nature and the choices we make, offering insights into the consequences of selfishness, the importance of empathy and connection, and the search for personal redemption and growth.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \
It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - The Mysterious Crash | Suspenseful, Intense, Mysterious | 9 | 8 | 7 | 6 | 8 | 6 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 8 | 6 | 9 | 8 | 9 | 8 | |
| 2 - Lester's Frustrations | Exasperated, Tense, Resigned | 8 | 7 | 6 | 6 | 9 | 6 | 8 | 6 | 7 | 5 | 5 | 6 | 4 | 7 | 9 | 7 | 8 | 9 | 9 | |
| 3 - The Unsettling Sales Pitch | Serious, Light-hearted | 7 | 7 | 6 | 6 | 7 | 4 | 8 | 7 | 5 | 6 | 3 | 5 | 7 | 4 | 8 | 9 | 9 | 9 | 8 | |
| 4 - Humiliation and Violence Outside the Appliance Shop | Dark, Humorous, Intense | 9 | 8 | 9 | 7 | 10 | 7 | 8 | 7 | 10 | 9 | 9 | 9 | 7 | 8 | 9 | 8 | 8 | 9 | 9 | |
| 5 - Tense Hospital Encounter | Tense, Intense, Suspenseful, Confrontational | 9 | 8 | 8 | 6 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 10 | 9 | 8 | 9 | 8 | |
| 6 - Investigating the Accident | Suspenseful, Dark, Mysterious | 8 | 8 | 7 | 6 | 7 | 5 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 5 | 6 | 8 | 8 | 9 | 9 | |
| 7 - A Chilling Discovery | Dark, Suspenseful, Melancholic | 9 | 8 | 9 | 7 | 9 | 7 | 8 | 9 | 9 | 7 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 9 | |
| 8 - Preparations for Painting | Tense, Dark, Suspenseful | 8 | 7 | 7 | 5 | 8 | 5 | 8 | 7 | 6 | 3 | 6 | 7 | 4 | 5 | 6 | 7 | 8 | 9 | 8 | |
| 9 - A Cozy Dinner Conversation | Dark, Humorous, Melancholic | 8 | 7 | 7 | 3 | 8 | 6 | 8 | 5 | 6 | 3 | 5 | 7 | 2 | 7 | 9 | 6 | 8 | 9 | 7 | |
| 10 - Suspicion and Tension at Hess Trucking Company | Suspenseful, Dark, Intense | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 9 | 9 | |
| 11 - Unwelcome Arrival | Unhappy, Confused, Tense | 8 | 7 | 7 | 4 | 8 | 6 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 8 | 7 | 8 | 9 | 8 | |
| 12 - A Light-hearted Kitchen Conversation | Light-hearted, Humorous | 8 | 7 | 6 | 7 | 9 | 3 | 8 | 6 | 4 | 4 | 2 | 4 | 5 | 5 | 9 | 8 | 8 | 9 | 9 | |
| 13 - Confrontation in the Garage | Suspenseful, Dark, Intense | 8 | 7 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 7 | 9 | 9 | 8 | 9 | 9 | |
| 14 - Tense Confrontation and Phone Call | Tense, Dramatic | 8 | 7 | 7 | 6 | 9 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | |
| 15 - Malvo's Detour | Suspenseful, Intense, Serious | 8 | 7 | 8 | 4 | 9 | 6 | 8 | 7 | 9 | 7 | 9 | 8 | 6 | 7 | 8 | 7 | 9 | 9 | 8 | |
| 16 - A Sudden Murder and an Urgent Phone Call | Dark, Intense, Suspenseful | 9 | 8 | 8 | 8 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 17 - Late Night Coffee Chat | Dark, Suspenseful | 9 | 8 | 9 | 5 | 8 | 7 | 0 | 8 | 10 | 6 | 10 | 9 | 6 | 9 | 7 | 7 | 7 | 9 | 8 | |
| 18 - Mysterious Death at The Lucky Penny | Dark, Suspenseful, Deadpan | 9 | 8 | 9 | 6 | 8 | 7 | 7 | 6 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | |
| 19 - Confrontation at the Farmdale Motel | Dark, Suspenseful, Deadpan | 8 | 7 | 7 | 6 | 8 | 4 | 8 | 7 | 6 | 6 | 5 | 7 | 9 | 5 | 9 | 7 | 8 | 9 | 8 | |
| 20 - Retaliation at the Farmdale Motel | Dark, Suspenseful, Cynical | 9 | 8 | 7 | 6 | 9 | 5 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 7 | 8 | 9 | 8 | 9 | 8 | |
| 21 - Gas Tank Incident | Dark, Suspenseful, Humorous | 9 | 8 | 9 | 6 | 9 | 6 | 8 | 9 | 8 | 8 | 7 | 9 | 7 | 7 | 8 | 9 | 9 | 9 | 8 | |
| 22 - Coffee Shop Investigation | Serious, Humorous | 8 | 7 | 8 | 5 | 9 | 5 | 8 | 7 | 7 | 7 | 7 | 9 | 6 | 6 | 8 | 7 | 8 | 9 | 8 | |
| 23 - Indifference and Mystification | Tense, Dark, Humorous | 9 | 8 | 8 | 6 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 7 | 9 | 9 | 8 | 9 | 8 | |
| 24 - Inheritance Anger | Dark, Humorous, Suspenseful | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 9 | 9 | 9 | |
| 25 - Confrontation at the Hess House | Suspenseful, Dark, Intense | 9 | 8 | 9 | 2 | 9 | 8 | 0 | 7 | 9 | 6 | 9 | 9 | 4 | 8 | 8 | 6 | 7 | 9 | 8 | |
| 26 - Mickey's Silence and Lester's Observation | Tense, Emotional, Mysterious | 9 | 8 | 9 | 3 | 10 | 8 | 5 | 8 | 9 | 7 | 9 | 9 | 6 | 8 | 9 | 7 | 8 | 9 | 8 | |
| 27 - A Shocking Revelation | Tense, Suspenseful, Emotional | 9 | 8 | 9 | 5 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 6 | 9 | 7 | 7 | 8 | 9 | 8 | |
| 28 - Confrontation at Arby's | Tense, Suspenseful, Intense, Dark | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 10 | 9 | 9 | 9 | 9 | |
| 29 - Investigating Head Injuries | Tense, Mysterious, Intense | 8 | 7 | 8 | 6 | 9 | 6 | 8 | 7 | 7 | 6 | 7 | 8 | 7 | 6 | 8 | 9 | 8 | 9 | 8 | |
| 30 - Excitement for the Baby | Tense, Terrified, Empowered, Happy | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 6 | 9 | 3 | 9 | 9 | 4 | 8 | 8 | 8 | 8 | 9 | 9 | |
| 31 - Investigating a Potential Connection | Tense, Terrified, Empowered, Impressed | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 8 | 9 | 8 | 9 | 9 | 9 | |
| 32 - A Fatal Repair Attempt | Tense, Terrifying, Empowering | 9 | 8 | 9 | 6 | 9 | 9 | 8 | 7 | 10 | 9 | 10 | 8 | 8 | 10 | 8 | 9 | 9 | 9 | 8 | |
| 33 - Desperate Call for Help | Tense, Suspenseful, Dark | 9 | 8 | 9 | 6 | 8 | 9 | 8 | 9 | 9 | 8 | 10 | 9 | 7 | 10 | 7 | 9 | 9 | 9 | 8 | |
| 34 - Tense Encounter | Tense, Suspenseful, Nervous | 9 | 8 | 9 | 5 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 9 | 9 | 9 | 9 | 8 | |
| 35 - Bloody Footprint | Tense, Dark, Suspenseful | 9 | 8 | 9 | 6 | 8 | 8 | 8 | 9 | 10 | 9 | 10 | 10 | 9 | 9 | 7 | 10 | 9 | 9 | 8 | |
| 36 - Trapped in the Basement | Tense, Dark, Suspenseful | 9 | 8 | 9 | 6 | 8 | 9 | 8 | 9 | 9 | 8 | 10 | 9 | 7 | 9 | 7 | 9 | 9 | 9 | 8 | |
| 37 - Molly Discovers Vern Dead | Tense, Suspenseful, Dramatic | 9 | 8 | 9 | 5 | 9 | 8 | 8 | 7 | 10 | 8 | 10 | 10 | 6 | 9 | 8 | 9 | 9 | 9 | 8 | |
| 38 - A Gruesome Discovery | Suspenseful, Intense, Dark | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 10 | 7 | 10 | 9 | 7 | 9 | 8 | 8 | 8 | 9 | 9 | |
| 39 - Night Patrol in Rural Minnesota | Suspenseful, Intense, Grim | 9 | 8 | 9 | 4 | 9 | 8 | 7 | 9 | 10 | 7 | 10 | 9 | 6 | 9 | 8 | 8 | 9 | 9 | 8 | |
| 40 - A Tense Encounter on a Dark Highway | Suspenseful, Intense, Dark | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 10 | 8 | 10 | 9 | 7 | 9 | 10 | 9 | 9 | 9 | 8 | |
| 41 - Uncertainty and Responsibilities | Suspenseful, Grim, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 6 | 9 | 7 | 8 | 8 | 9 | 9 | |
| 42 - A Father's Offer | Serious, Reflective, Nostalgic | 8 | 7 | 6 | 6 | 9 | 7 | 8 | 7 | 4 | 7 | 3 | 5 | 5 | 7 | 9 | 7 | 8 | 9 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Suspenseful atmosphere
- Sharp dialogue
- Intense and gripping plot
- Tension-building
- Effective character development
Scene Weaknesses
- Limited emotional impact
- Minimal character change
- Minimal plot progression
- Limited exploration of themes
- Minimal dialogue
Suggestions
- Focus on developing more emotionally impactful scenes and character arcs
- Explore themes more fully and make them a more integral part of the plot
- Work on developing dialogue that is more nuanced and memorable
- Ensure there is a clear and consistent plot progression throughout the screenplay
- Consider incorporating more dialogue to enhance character development and emotional impact
World Building
- Physical environment: The world depicted in this screenplay is a combination of rural areas, suburban neighborhoods, small towns, and specific locations like hospitals, motels, and offices. The physical characteristics vary from snowy and harsh environments to familiar and everyday settings.
- Culture: The cultural elements in the screenplay include Midwestern accents, casual conversations, family gatherings, and interactions within small-town communities. There are also elements of criminal underworld culture and seedy environments.
- Society: The societal structures in the screenplay are implied through family dynamics, law enforcement, organized crime, and small-town communities. There are hierarchies, power dynamics, and social norms that shape the characters' interactions.
- Technology: The technological aspects in the screenplay are minimal but include cars, phones, walkie talkies, and basic household appliances. These elements are used for transportation, communication, and everyday tasks.
- Characters influence: The unique physical environment, culture, society, and technology shape the characters' experiences and actions by creating a sense of isolation, danger, familiarity, tension, mystery, and harshness. These elements influence their decisions, relationships, and conflicts.
- Narrative contribution: The world elements contribute to the narrative by establishing the setting, creating atmosphere, setting up conflicts and mysteries, and influencing the characters' goals and motivations. The physical environment, cultural elements, societal structures, and technology provide the backdrop for the story to unfold.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by exploring themes of isolation, danger, everyday life, small-town dynamics, moral ambiguity, power dynamics, and the consequences of actions. The physical environment, cultural elements, societal structures, and technology enhance the exploration of these themes.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by a blend of naturalistic dialogue, atmospheric scene description, and a focus on the internal thoughts and emotions of the characters. This voice creates a sense of realism, tension, and depth in the story, allowing the audience to connect with the characters and their struggles. |
| Voice Contribution | The writer's voice contributes to the script by creating a unique atmosphere and mood, enhancing the themes of moral ambiguity, power dynamics, and personal growth. The voice also adds a layer of dark humor and irony, making the story more engaging and thought-provoking. |
| Best Representation Scene | 1 - The Mysterious Crash |
| Best Scene Explanation | This scene is the best representation of the author's voice because it showcases the atmospheric scene description, naturalistic dialogue, and focus on the characters' internal thoughts and emotions. The scene also introduces the themes of moral ambiguity and violence, setting the tone for the rest of the story. |
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation between Emotional Impact and Overall Grade in this screenplay. Scenes with higher Emotional Impact tend to have higher Overall Grades. |
| Correlation between Conflict and High Stakes | There is a strong positive correlation between Conflict and High Stakes in this screenplay. Scenes with higher Conflict tend to have higher High Stakes. |
| Correlation between Dialogue and Character Changes | There is a moderate positive correlation between Dialogue and Character Changes in this screenplay. Scenes with more Dialogue tend to have more Character Changes. |
| Correlation between Tone and Emotional Impact | There is a weak positive correlation between Tone and Emotional Impact in this screenplay. Scenes with certain tones like 'Suspenseful', 'Intense', and 'Dark' tend to have slightly higher Emotional Impact. |
| Correlation between Concept and Plot | There is a weak positive correlation between Concept and Plot in this screenplay. Scenes with higher Concept tend to have slightly higher Plot scores. |
Writer's Craft Overall Analysis
The writer demonstrates a strong command of dialogue and scene direction, effectively creating tension, suspense, and emotional depth in their scenes. The writing style effectively captures the nuances of everyday conversations and the internal struggles of the characters. The scenes showcase the writer's ability to create authentic and relatable dialogue, as well as their skill in establishing atmosphere and engaging the audience. However, there is room for improvement in terms of exploring deeper philosophical conflicts, developing more original narrative situations, and enhancing character development and storytelling techniques.
Key Improvement Areas
Character Development
While the writer excels in creating authentic and relatable characters, there is room for further development in terms of exploring deeper internal conflicts, motivations, and goals. This can add more depth and complexity to the characters and enhance the overall storytelling.
Storytelling Techniques
The writer's craft in creating tension, suspense, and emotional depth is strong, but there is potential for further improvement in terms of exploring more original narrative situations and enhancing the overall structure and pacing of the screenplay.
Dialogue Writing
The writer demonstrates a strong command of dialogue, capturing the nuances of everyday conversations. However, there is room for further development in terms of exploring subtext, creating more complex dialogue exchanges, and enhancing the authenticity and impact of the dialogue.
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Book | Save the Cat! Writes a Novel by Jessica Brody | This book provides valuable insights and exercises for improving character development, storytelling techniques, and crafting engaging narratives. It can help the writer enhance their craft in terms of character depth, plot structure, and overall storytelling skills. |
| Video | MasterClass: Aaron Sorkin Teaches Screenwriting | This video course by Aaron Sorkin offers valuable lessons on dialogue writing, storytelling techniques, and character development. It can provide the writer with practical guidance and inspiration to further develop their screenwriting skills. |
| Exercise | Write a scene with conflicting internal goals for the protagonistPractice In SceneProv | This exercise can help the writer explore the complexities of their characters' motivations and internal conflicts. By creating scenes where the protagonist faces conflicting goals, the writer can further develop their ability to create tension, depth, and complexity in their storytelling. |
| Exercise | Write a scene with a different emotional tonePractice In SceneProv | By exploring different emotional tones, the writer can expand their range and versatility as a screenwriter. This exercise can help them further develop their skills in creating tension, exploring moral dilemmas, and evoking a wider range of emotions in their scenes. |
| Exercise | Write a scene with a different genrePractice In SceneProv | Exploring different genres can help the writer expand their skills, creativity, and storytelling abilities. By writing scenes in different genres, they can explore new narrative possibilities, experiment with different writing styles, and challenge themselves to adapt to different storytelling conventions. |
Additional Notes:
Overall, the writer shows great potential and skill in creating engaging and authentic scenes. With further development and exploration of character depth, storytelling techniques, and dialogue writing, they have the potential to become even more skilled in their craft.
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Car Crash | A car driven by Lorne Malvo skids off the road and rolls after hitting a deer. | Car crashes are a common trope in movies and TV shows, often used to create tension or propel the plot forward. An example of this trope can be seen in the movie 'Crash' (2004), where multiple characters' lives intersect through a series of car accidents. |
| Domestic Dispute | Lester and Pearl have a conversation in their kitchen, with Pearl berating Lester for his incompetence. | Domestic disputes are a common trope in movies and TV shows, often used to depict conflicts within a family or relationship. An example of this trope can be seen in the TV show 'Marriage Story' (2019), where a couple's deteriorating marriage leads to intense arguments and emotional turmoil. |
| Police Investigation | Deputy Molly Solverson and Police Chief Vern Thurman investigate the scene of a car accident and a potential homicide. | Police investigations are a common trope in crime dramas, often used to drive the plot and uncover clues. An example of this trope can be seen in the TV show 'True Detective' (2014), where detectives investigate a series of murders and delve into the dark underbelly of society. |
| Hitman | Lorne Malvo is a mysterious and dangerous hitman who carries out assassinations. | Hitmen are a common trope in crime thrillers, often used to add suspense and danger to the story. An example of this trope can be seen in the movie 'No Country for Old Men' (2007), where a relentless hitman pursues a man who stumbled upon a drug deal gone wrong. |
| Small Town Setting | The events of the screenplay take place in Saint Cloud, Minnesota, a small town. | Small town settings are a common trope in movies and TV shows, often used to create a sense of community, isolation, or nostalgia. An example of this trope can be seen in the TV show 'Twin Peaks' (1990-1991), where the quirky residents of a small town are drawn into a web of mystery and intrigue. |
| Murder Mystery | The screenplay revolves around the investigation of a murder and the search for the killer. | Murder mysteries are a common trope in crime dramas, often used to engage the audience and keep them guessing. An example of this trope can be seen in the movie 'Gone Girl' (2014), where a man becomes the prime suspect in his wife's disappearance and must uncover the truth to clear his name. |
| Character Transformation | Lester Nygaard undergoes a transformation from a meek and downtrodden man to a more assertive and ruthless individual. | Character transformations are a common trope in movies and TV shows, often used to depict personal growth or a shift in values. An example of this trope can be seen in the TV show 'Breaking Bad' (2008-2013), where a high school chemistry teacher transforms into a ruthless drug lord. |
| Dark Comedy | The screenplay combines elements of crime and humor to create a darkly comedic tone. | Dark comedies are a common trope in movies and TV shows, often used to explore taboo subjects or satirize societal norms. An example of this trope can be seen in the movie 'Fargo' (1996), where a bungled kidnapping plot leads to darkly humorous and absurd situations. |
| Unreliable Narrator | The screenplay presents events from multiple perspectives, leaving the audience uncertain about the truth. | Unreliable narrators are a common trope in movies and TV shows, often used to create suspense and challenge the audience's perception of reality. An example of this trope can be seen in the movie 'Fight Club' (1999), where the narrator's mental state and perception of events are called into question. |
| Foreshadowing | The screenplay includes subtle hints and clues that foreshadow future events and plot twists. | Foreshadowing is a common trope in movies and TV shows, often used to build anticipation and create a sense of inevitability. An example of this trope can be seen in the movie 'The Sixth Sense' (1999), where subtle clues throughout the story hint at the twist ending. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 40 | Malvo: Because some roads you shouldn’t go down. Because maps used to say there be dragons here. And now they don’t. But that don’t mean the dragons aren’t there. |
| 28 | MALVO: Your problem is, you lived your whole life thinking there are rules. There aren’t. |
| 20 | MALVO: Why do you let her talk to you like that? |
| 8 | IDA: Your boy wanted a hamburger. |
| 34 | LESTER NYGAARD: What did you do? You killed her. You killed her. |
Help & FAQ
Frequently Asked Questions
Start with the executive summary to get a bird's eye view.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
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You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
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Consider
Explanation: The screenplay for 'Fargo Pilot' is well-constructed and engaging, effectively establishing a sense of mystery and tension from the beginning. The enigmatic character of Lorne Malvo adds intrigue to the story, and the scene with the wounded deer foreshadows violence. The screenplay could benefit from more clarity and context regarding the relationships and motivations of the characters, as well as smoother transitions between scenes. The use of offensive language in one scene could also be reconsidered. Overall, the screenplay has strong moments of tension, compelling character arcs, and a captivating narrative, making it a recommended watch.