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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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1 INT. POLICE STATION, BOSTON - NIGHT, 1976 1 A quiet, cold winter night. An OLDER COP emerges from an INTERVIEW ROOM, walks down a long hall. Boston, MA - December, 1976 He reaches the front desk. A YOUNG COP looks to him,
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6 INT. BOSTON GLOBE, NEWSROOM - DAY, 2001 6 A large newsroom. REPORTERS and EDITORS gathered. Boston, MA - July, 2001 DEPUTY MANAGING EDITOR BEN BRADLEE JR., 50s, gruff, stands in front with an older reporter, STEWART, 60s. And a cake.
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10 INT. FOUR SEASONS HOTEL, RESTAURANT - LATER 10 Marty sits at a table reading “The Curse of the Bambino,” a NOTEPAD beside him. ROBBY Mr. Baron.
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12A EXT. BOSTON GLOBE - DAY 12A The front of the Globe. Marty gets out of a cab, shuts the door. He walks inside. 13 INT. GLOBE, NEWSROOM - DAY 13 Ben strides across the newsroom. Robby falls in.
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16 INT. GLOBE, LARGE CONFERENCE ROOM - LATER 16 The meeting is wrapping up. 11/26/14 12. SPORTS EDITOR ...and it looks like Pedro’s gonna
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17 INT. GLOBE, BEN’S OFFICE - LATER 17 Ben and Robby walk into Ben’s office. ROBBY Gutsy call for the first day. BEN
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19 INT. GLOBE, SPOTLIGHT OFFICE - LATER 19 Mike, Sacha, Matt all working. Sacha on the phone. 11/26/14 17. SACHA (INTO PHONE) I don’t know if he’s writing about
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20 EXT. SACHA’S GRANDMOTHER’S HOUSE, SOUTHIE - NIGHT 20 The quiet street dips down, disappearing into the harbour. Sacha and Hansi get out of their car, cross the street. 21 INT. SACHA’S GRANDMOTHER’S HOUSE, DINING ROOM - NIGHT 21 A cozy dining room. Sacha, her GRANDMOTHER and her husband
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24A INT. GLOBE - DAY 24A Matt walks down a row of cubicles, disappears down a spiral staircase. 24B INT. BOSTON GLOBE LIBRARY - CONTINUOUS 24B Matt descends the staircase and arrives at the front desk.
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29 INT. GARABEDIAN’S OFFICE - LATER 29 Mike, still waiting, checks his watch. He hears more YELLING behind the door. Suddenly the door opens. A SHORT MAN exits. Mike looks at the paralegal, points: “Is that him?” She shakes her head, walks off screen. Mike watches her go.
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31 INT. GLOBE, LIBRARY - DAY 31 A Button is pushed, CONTROL PANEL lights up. A rotating library clip file comes to stop. A few old newspaper clips are pulled. A folder from the LARGE PHOTO clip file is pulled.
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34 EXT. FENWAY PARK - NIGHT 34 Establishing. From up above, a game in progress. 34A INT. FENWAY PARK - NIGHT 34A Mike and Matt sit with Ben and Steve Kurkjian at the game. A called third strike and the crowd groans.
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37 EXT. WOLLASTON GOLF CLUB, 8TH TEE, MILTON, MA - DAY 37 JIM SULLIVAN, 50s, lines up a tee shot. Smacks it. ROBBY and TWO OTHER GOLFERS watch as Jim talks to his ball... JIM Stay away from that trap.
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39 INT. BARBARA’S CAR, WOLLASTON PARKING LOT - LATER 39 Robby gets in. She pulls off. BARBARA How’d you play? ROBBY
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46 INT. GLOBE, ROBBY’S OFFICE - MOMENTS LATER 46 Robby’s looking over some of the clips Matt pulled. 11/26/14 35. MIKE Hey. Shouldn’t you be golfing?
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47 EXT. LAKE STREET, CARDINAL’S RESIDENCE - DAY 47 An Audi A4 pulls up in a large parking lot. Marty gets out, looks up at the Cardinal’s MASSIVE LAKE STREET MANSION. CARDINAL LAW (PRELAP) I’ve always been fascinated with the
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50 INT. GLOBE, ROBBY’S OFFICE - DAY 50 The entire team sits in Robby’s small sitting area facing PHIL SAVIANO. Phil is mid-40s, thin and twitchy. He’s got a medium sized BOX in front if him. He rifles through some papers on his lap.
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52 EXT. STATE STREET, BOSTON - DAY 52 Garabedian walks down State Street. Mike falls in with him. MIKE Mitch, what a surprise. How are you? GARABEDIAN
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55A EXT. CAFE FRANCESCA, SOUTH END - DAY 55A Sacha walks up to a small cafe in the South end. 56 INT. CAFE FRANCESCA, SOUTH END - DAY 56 A small, bohemian cafe, mostly men. JOE CROWLEY, 42, heavy, boyish face, sits alone WATCHING the door. NERVOUS as shit.
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58 INT. CAFE FRANCESCA, SOUTH END - DAY 58 Joe talks very fast. He takes a big gulp of water. JOE CROWLEY ...and there was this nun, Sister Barbara, she ran this group for kids
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60 EXT. TITUS SPARROW PARK, SOUTH END - DAY 60 Sacha and Crowley walk through Peter’s Park. We can see the Cathedral in the distance. Crowley’s a little less nervous. JOE CROWLEY He said it was a way to make me more
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61A INT. KITCHEN, SACHA’S GRANDMOTHER’S APARTMENT - DAY 61A Sacha sits at the table looking through her notes. Her grandmother is at the stove cooking. Sacha notices something in her notes, stands and takes out her cell. She walks out while she dials.
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62AA INT. GLOBE, CANTEEN - NIGHT 62AA Robby getting a coffee, paying. Matt enters. MATT Hey. ROBBY
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65 INT. MIKE’S APARTMENT, EAST BOSTON - NIGHT 65 Mike opens the fridge when his phone RINGS. He picks up. MIKE (INTO PHONE) Hello. SIPE (OVER THE PHONE)
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66 INT. GLOBE, CAFETERIA - LATE MORNING 66 Eileen reads the paper, drinks a diet coke. Kurkjian sits nearby, working on a story and some eggs. Matt joins. MATT Hey Mac, if I needed historical data
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70 INT. GLOBE, BASEMENT - CONTINUOUS 70 A dank basement, low fluorescents and rows of old books on cheap tin bookshelves. Robby and Mike react to the smell. MIKE Jeez, what the hell is that smell?
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72 INT. GREENBERG TRAURIG, CONFERENCE ROOM - MORNING 72 Robby and Sacha have been waiting. Macleish enters. ERIC MACLEISH Thanks for waiting, so sorry guys, I got stuck on a call. What’s up?
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75 INT. COPLEY SQUARE BALLROOM, ATRIUM - NIGHT 75 CLOSE ON a woman scanning a list of names on clipboard. WOMAN I’m sorry, what was it again? 11/26/14 65.
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76 INT. ARMENIAN DINER, DOWNTOWN BOSTON - NIGHT 76 CLOSE ON a bowl of soup. HANDS reach for it... REVEAL Garabedian and Mike having dinner. Mike’s going over notes. MIKE You said there was a victim who
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77 INT. COPLEY SQUARE BALLROOM, ATRIUM - NIGHT 77 Robby crosses the room, joins Jim Sullivan at the bar. JIM There he is. They two men shake.
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78 INT. GLOBE, ROBBY’S OFFICE - DAY 78 Matt, Sacha and Mike are crammed in Robby’s office, Matt downloading the team on the directories. MATT I’ve been through a lot of these.
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80 INT. GLOBE, BEN’S OFFICE - DAY 80 Ben eats lunch, Robby and Mike download him. Ben’s shocked. BEN Ninety fucking priests? In Boston? ROBBY
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82 INT. GLOBE, SPOTLIGHT - LATER 82 CLOSE ON a ruler moving down a directory. It stops at a designation: Sick Leave. PAN TO the name of a priest. MAHAN. A pen circles it and we -- CUT TO another ruler scanning a directory. It stops.
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90 INT. GLOBE, SPOTLIGHT OFFICE - DAY 90 CLOSE ON a COMPUTER SCREEN. We’re scrolling through the EXCEL SPREADSHEET. Dozens of problematic priests. REVEAL Mike, Sacha and Matt huddled around the computer. Sacha reads from a large printout. Matt checks it against a
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93 INT. MIKE’S APARTMENT, EAST BOSTON - NIGHT 93 Mike boils hot dogs on the stove. MIKE Richard, do you still go to mass? SIPE (ON SPEAKERPHONE)
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94 INT. GLOBE, MARTY’S OFFICE - DAY 94 CLOSE ON an EMAILED LIST of Priests and victims. BEN (O.C.) This is unbelievable. MARTY
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100 INT. RUNDOWN HOUSE, DORCHESTER - DAY 100 Sacha sits with the middle-aged-man. MIDDLE-AGED-MAN The Bishop came over the house. He said nothing like this had ever
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104 EXT. TWO FAMILY HOUSE - MALDEN, MA - LATE AFTERNOON 104 Sacha walks up to a door. The knock. A kindly looking OLDER MAN (RONALD PAQUIN) in a checkered shirt answers the door. SACHA Hi, I’m looking for Ronald Paquin.
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105 INT. HAMPDEN SUPERIOR COURT, COURTROOM, SPRINGFIELD, MA - DAY 105 Mike watching the Globe’s lawyer, JON ALBANO, 50s, white beard and moustache, present to JUDGE CONSTANCE SWEENEY, 40s. JUDGE SWEENEY
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109 EXT. HAMPDEN SUPERIOR COURT, SPRINGFIELD, MA - LATER 109 Garabedian sits on the courthouse steps, eating a packed lunch out of tupperware. Simmering. MIKE How you doing, Mitch?
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110 EXT. SUFFOLK COUNTY COURTHOUSE, DOWNTOWN BOSTON - LATER 110 Mike gets out of his car, runs across same street into the courthouse. 11/26/14 97. 111 INT. SUFFOLK COUNTY COURTHOUSE, RECORDS ROOM - DAY 111
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114 EXT. GLOBE, PARKING LOT - EARLY MORNING 114 Marty gets out of his car and walks toward the building. It’s a beautiful September morning. 115 INT. GLOBE, NEWSROOM - MOMENTS LATER 115 It’s pretty empty. Marty walks in, heads toward his office,
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117 INT. GARABEDIAN’S OFFICE, CONFERENCE ROOM - DAY 117 Garabedian works at his desk. The phone rings, he picks up. GARABEDIAN (INTO PHONE) Mitchell Garabedian. 118 INT. MIKE’S CAR (MOVING), I-95 - DAY 118
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121 INT. GLOBE, MARTY’S OFFICE - EVENING 121 Marty’s working at his computer. Ben knocks. BEN Marty, you gotta a second? MARTY
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123 INT. GLOBE, ROBBY’S OFFICE/SPOTLIGHT - SAME TIME 123 Robby sitting in his chair. ROBBY (INTO PHONE) I know, wrap up what you’re doing and catch the first flight you can.
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129 INT. SUFFOLK COUNTY COURTHOUSE, HALLWAY - MOMENTS LATER 129 Mike, still carrying his bags from the plane, emerges from an elevator, hurries down the hall, nearly knocking people out of the way. He arrives at the Records Room and slams up against the glass just as the clerk (O’BRIAN) LOCKS the door.
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133 INT. BC HIGH, PRESIDENT KEMEZA’S OFFICE, DORCHESTER - DAY 133 Robby, Sacha sit with PRESIDENT BILL KEMEZA, 50s, SPOKESMAN JACK DUNN, 40, and Pete Conley, the swell we met earlier. JACK DUNN I’m just not sure what you want from
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134 EXT. BC HIGH, DORCHESTER, MA - DAY 134 Robby and Sacha walk from BC High back to the Globe. SACHA Does Jack Dunn work for the school? ROBBY
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137 INT. SUFFOLK COUNTY COURTHOUSE, RECORDS ROOM - DAY 137 Clerk O’Brian drops the file in front of Mike, who dives in. His face says it all. HOLY SHIT. A beat, then Mike grabs the files, starts to rush out. CLERK O’BRIAN
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142A EXT. COLUMBIA STREET, DORCHESTER - SAME TIME 142A The cab drives down by the water. MIKE (V.O.) Here’s another one to Law, same year. Listen to this...
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149 INT. SACHA’S HOUSE, KITCHEN - NIGHT 149 Sacha and Hansi have just finished dinner. Hansi’s cleaning off the table as Sacha loads the dishwasher. 11/26/14 116. She tries to slide the upper rack into the dishwasher. It’s
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151 INT. FAIRMONT HOTEL, OAK ROOM, DOWNTOWN BOSTON - NIGHT 151 The posh bar of one of Boston’s oldest hotels. Robby is at the bar, a glass of red wine in front of him. PETER CONLEY Looks like a long day.
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153 INT. GLOBE, ROBBY’S OFFICE/SPOTLIGHT OFFICE - DAY 153 Robby, Mike, Sacha and Matt sit working. It’s dark, quiet, serious. A beat, then Robby’s phone RINGS. He answers. ROBBY (INTO PHONE) Robby. What? No shit, when? Okay.
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155 INT. GLOBE, MARTY’S OFFICE - MOMENTS LATER 155 CLOSE ON the letters. Reveal Marty and Ben reading, STUNNED. MARTY When did you -- ROBBY
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156 INT. GLOBE, NEWSROOM OUTSIDE MARTY’S OFFICE - CONTINUOUS 156 Ben and Robby walk out. BEN Tell Mike I want a draft before Christmas. And we need a response
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163 EXT. SULLIVAN HOUSE, BROOKLINE - MOMENTS LATER 163 Robby walks out of the house, toward his car. JIM Hey! Robby turns, finds Sullivan.
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165 INT. GLOBE, MARTY’S OFFICE - DAY 165 Marty sits reading copy. He crosses something out. Ben, Robby and Sacha sit opposite Marty. BEN What?
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165A EXT. GLOBE - NIGHT (FORMERLY 171A, ALREADY SHOT) 165A The building is dark, save for the PRESS ROOM. Through the window, we see the presses. Running. 166 INT. GLOBE, BEN’S OFFICE - NIGHT (FORMERLY 166A) 166 Ben, coat on, sits alone in his office.
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169 INT. GARABEDIAN OFFICE, HALLWAY - CONTINUOUS. 169 Mike walks back toward the elevator. He presses the button, waits, hears children laughing. He peers into -- 170 INT. GARABEDIAN OFFICE, SMALL WAITING ROOM - CONTINUOUS 170 A MOTHER sits with TWO YOUNG CHILDREN, ten and eight, playing
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175 EXT. GLOBE, FRONT PARKING LOT - MORNING 175 The small visitor’s lot at the Globe entrance is empty, save for MIKE’S CAR. Idling. Robby’s car enters, pulls up next to Mike’s. Robby looks across at Mike. The two men connect. Mike and Robby get out of their cars.

Spotlight

A tenacious team of Boston Globe reporters unravels a decades-long cover-up of child sexual abuse within the Catholic Church, exposing a systemic crisis that shakes the city to its core.

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Overview

Poster
Unique Selling Point

What sets 'Spotlight' apart is its unflinching portrayal of real-life events through the lens of investigative journalism, emphasizing the moral responsibility of the press. The screenplay's focus on the human stories behind the headlines, combined with its exploration of institutional power dynamics, makes it a compelling piece of storytelling that resonates with audiences concerned about accountability and justice.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

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Gemini
 Highly Recommend
Claude
 Recommend
GPT4
 Highly Recommend
Story Facts
Genres:
Drama 50% Thriller 30% Crime 40%

Setting: 1976 and 2001, Boston, Massachusetts

Themes: Journalistic Integrity and Investigative Reporting, Institutional Cover-up and Systemic Abuse, Faith vs. Doubt, Personal Sacrifice and Perseverance, Psychological Trauma of Abuse

Conflict & Stakes: The Spotlight team's struggle to uncover the truth about widespread abuse within the Catholic Church, facing resistance from powerful figures and the church's influence.

Mood: Tense and somber, reflecting the gravity of the subject matter.

Standout Features:

  • Unique Hook: The investigation into the Catholic Church's cover-up of sexual abuse, a topic that resonates with contemporary societal issues.
  • Plot Twist: The revelation of the extent of the abuse and the church's systematic efforts to silence victims and protect abusers.
  • Distinctive Setting: The juxtaposition of the bustling Boston Globe newsroom with the somber realities of the abuse victims.
  • Innovative Ideas: The use of investigative journalism as a means to confront powerful institutions and seek justice.
  • Unique Characters: A diverse cast of journalists and survivors, each with their own motivations and backgrounds, adding depth to the narrative.

Comparable Scripts: Spotlight, The Boston Globe's Coverage of the Catholic Church Scandal, All the President's Men, The Insider, The Wire, A Few Good Men, The Post, The Crucible, The Silence of the Lambs

Script Level Analysis

Writer Exec

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Overall Score: 8.54
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