Hors de prix
Irène's birthday takes a sour turn when she finds her partner drunk and unresponsive in their hotel room, sparking a series of events that shake their relationship.
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AI Verdict & Suggestions
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Consider
Consider
Story Facts
Genres: drama, romance
Setting: Not specified, Not specified
Themes: Betrayal and Infidelity, Emotional Disappointment and Loneliness, Self-Discovery and Independence, Guilt and Consequences, Relationship Dynamics and Change, Finding Joy and Redemption
Conflict & Stakes: Not provided in the given text
Mood: Not provided in the given text
Comparable Scripts: Lost in Translation, Two for the Road, Eternal Sunshine of the Spotless Mind, Blue Valentine, In the Mood for Love, The Great Gatsby, Before Sunrise, Closer, Revolutionary Road, The Apartment
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Pass / Consider / Recommend Analysis
Gemini
Executive Summary
- The screenplay excels in its witty and sharp dialogue, creating a consistent tone of lighthearted cynicism and amusement. high ( Scene general )
- The character of Irène is well-developed, showcasing her cunning, ambition, and vulnerability as she navigates the world of luxury and relationships. high ( Scene general )
- The screenplay's setting in luxurious hotels and high-society events adds a layer of escapism and glamour, enhancing the overall appeal of the story. medium ( Scene general )
- The romantic tension between Irène and Jean is palpable, creating a compelling dynamic that keeps the audience engaged. medium ( Scene 31 Scene 66 Scene 70 )
- Jean's transformation from a submissive pushover to a manipulative individual is an interesting character arc, adding depth to the story. medium ( Scene 75 Scene 81 )
- The pacing of the screenplay could be improved, particularly in the middle section where the repetition of shopping sprees and hotel encounters slightly slows down the momentum. high ( Scene general )
- Jean's motivations and backstory could be further explored to provide a deeper understanding of his actions and choices. medium ( Scene general )
- The ending feels somewhat abrupt, leaving the future of Irène and Jean's relationship unclear and lacking a definitive resolution. medium ( Scene 114 Scene 115 )
- The screenplay could benefit from exploring the ethical implications of Irène and Jean's actions, adding a layer of complexity and moral ambiguity. medium ( Scene general )
- The supporting characters, such as Jacques and Madeleine, could be given more depth and development to enhance the richness of the story. low ( Scene general )
- The use of recurring motifs, such as the cocktail umbrellas and the phrase "hors de prix," effectively reinforces the themes of materialism and value. medium ( Scene general )
- The screenplay's humor often stems from the absurdity of the situations and the characters' self-delusion, creating a unique comedic style. medium ( Scene general )
Claude
Executive Summary
- The screenplay opens with a strong introduction to the main characters, Irène and Jacques, establishing their dynamic and setting the stage for the central conflict. high ( Scene 7 (INT . SOIR / SUITE LUXUEUSE / SALLE DE BAIN) )
- The screenplay effectively builds the relationship between Jean and Irène through a series of engaging scenes that explore their growing attraction and connection. high ( Scene 11 (INT . SOIR / BAR) Scene 12 (INT / NUIT . ASCENSEUR) Scene 13 (INT / NUIT . PALIER) Scene 14 (INT / NUIT . CHAMBRE) )
- The screenplay effectively weaves in humorous and lighthearted moments, such as Jean's interactions with Gilles over the phone, that provide a nice balance to the more dramatic elements. medium ( Scene 19 (INT / JOUR . RESTAURANT DE L'HOTEL) Scene 20 (INT / SOIR . TOILETTES DU RESTAURANT DE L'HOTEL) )
- The screenplay effectively explores the complexities of the relationships between the characters, particularly the evolving dynamic between Jean, Irène, and Madeleine. high ( Scene 23 (EXT / JOUR . PLAGE) Scene 24 (INT / JOUR . SALON DE BEAUTE) Scene 25 (INT / JOUR . SUITE GILLES/IRENE) )
- The screenplay builds to a satisfying conclusion, with the characters' journeys coming to a meaningful resolution. high ( Scene 26 (EXT / SOIR . HOTEL / SUITE JACQUES) Scene 27 (INT / NUIT . COULOIR DE L'HOTEL / SUITE JEAN) Scene 28 (AUTOROUTE / PETIT MATIN) )
- The opening sequence of the screenplay could be tightened and streamlined to better establish the central conflict and characters more efficiently. medium ( Scene 1 (EXT.JOUR / RUE) Scene 2 (INT . JOUR / BIJOUTERIE) Scene 3 (INT . JOUR / MAGASIN DE VÊTEMENTS) Scene 4 (INT . JOUR / MAGASIN DE CHAUSSURES) Scene 5 (EXT . JOUR / PATIO D'UN HOTEL DE LUXE) Scene 6 (EXT . JOUR -/ JARDIN DE L'HOTEL) )
- The screenplay could benefit from a more consistent and compelling narrative structure, as the transitions between some of the early scenes feel abrupt at times. medium ( Scene 8 (INT . SOIR / BAR DE L'HOTEL) Scene 9 (INT NUIT / BAR DE L'HOTEL) Scene 10 (INT / NUIT . ASCENSEUR) )
- The subplot involving Mme Contini could be further developed and integrated more seamlessly into the overall narrative. low ( Scene 22 (INT / JOUR . SUITE MME CONTINI) )
- The screenplay could benefit from a more clearly defined central theme or message that ties the various plot elements and character arcs together in a more cohesive way. medium
- While the characters are well-developed, the screenplay could explore their motivations and internal conflicts in greater depth to further enhance their complexity and emotional resonance. medium
- The scene in the salon of beauty is a standout, as it effectively captures the growing tension and shifting dynamics between the characters. high ( Scene 17 (INT / JOUR . SALON DE BEAUTE) )
- The scene in Irène and Gilles' suite is a well-crafted moment of character development, revealing deeper layers of Irène's motivations and emotional state. high ( Scene 21 (INT / SOIR . SUITE IRENE / GILLES) )
- The final sequence on the highway is a poignant and bittersweet conclusion, leaving the audience with a sense of hope and possibility for the characters. high ( Scene 28 (AUTOROUTE / PETIT MATIN) )
Summary
High-level overview
The movie revolves around the character of Irène, who on her birthday, discovers her partner Jacques drunk and unresponsive in their hotel room. Despite her attempts to help him, he dismisses her concerns, leaving her feeling disappointed and alone. In another scene, Jean, a hotel employee, is exhausted from his various duties and agrees to do the closing shift at the hotel bar.
As the story progresses, Irène confronts Jean in their hotel room with another woman, which ultimately leads to her decision to leave. She goes to a train station to change and store her luggage in a locker. Jean and Madeleine, a friend of Jean's, go shopping together. Irène's discovery of Jean with another woman and the subsequent confrontation becomes a turning point in the storyline. Irène's ultimate decision to leave affects not only her relationship but also the dynamics between Jean and Madeleine.
Scene by Scene Summaries
Scene by Scene Summaries
- A young man walking through a luxurious beach town with a pack of dogs catches the attention of a woman who mistakes him for a dog walker. Meanwhile, the young man rushes off to complete various purchases using a gold credit card. He eventually arrives at a fancy hotel and encounters the woman again, who is now talking to her own dog. Later, in a hotel suite, the young man unpacks his purchases while the woman tries on the earrings he bought.
- Irene discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive on her birthday and tries to help him. Later, feeling disappointed, she sits alone in the room. In a separate scene, Jean is exhausted from his work and agrees to do the closing shift at the hotel bar.
- Irène discovers Jean in their hotel room with another woman, leading to a confrontation and Irène's ultimate departure. She then goes to a train station, where she changes and stores her luggage in a locker.
- Irène discovers Jacques drunk and unresponsive in their hotel room on her birthday. She tries to help him, but he dismisses her concerns. Later, she sits alone in the room, disappointed. In a separate scene, Jean is working at the hotel bar and chatting with his boss. He is exhausted from his various duties and agrees to do the closing shift.
- Irène discovers Jacques drunk and unresponsive on her birthday and tries to help him. Later, feeling disappointed, she sits alone in the room. In a separate scene, Jean is exhausted from his work and agrees to do the closing shift at the hotel bar.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave. She goes to a train station to change and store her luggage in a locker.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave. She goes to a train station to change and store her luggage in a locker.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave.
- Irène discovers Jean with another woman, leading to a confrontation. She then goes shopping with Jean and his friend, Madeleine.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and Irène's decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave.
- Irène discovers Jean with another woman in their hotel room and confronts him about it. She then tries to teach him how to be charming and seductive. However, their intimacy is interrupted by a persistent alarm on Jean's watch. Irène becomes frustrated with Jean's inability to prioritize their time together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman, leading to a confrontation. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room and confronts him about it. She decides to leave and sends Jean to retrieve her belongings from the hotel. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room and confronts him about it. She decides to leave and sends Jean to retrieve her belongings from the hotel. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman in their hotel room, leading to a confrontation and her decision to leave. Later, Jean and Madeleine go shopping together.
- Irène discovers Jean with another woman, confronts him, and decides to leave. Later, Jean goes shopping with Madeleine.
- Irène discovers Jean with another woman in their hotel room, confronts him, and decides to leave. Later, Jean and Madeleine go shopping together.
📊 Script Snapshot
What's Working
Where to Focus
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Analysis: The screenplay's character development is fairly effective, with some notable strengths but also areas that could be refined to enhance the audience's connection to the characters. The relationships between the characters are well-established and believable, and their motivations are clear. However, some of the characters could benefit from greater depth and complexity to make them more relatable and emotionally engaging.
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View Complete AnalysisAnalysis: The screenplay establishes a reasonably compelling and clear premise, but there are some areas that could be enhanced to strengthen its originality, clarity, and potential audience engagement.
Key Strengths
- The premise sets up an intriguing conflict between the characters, creating tension and anticipation for the audience.
Analysis: The screenplay exhibits a compelling narrative structure, with its three-act structure lending clarity and logical progression to the story. The plot is engaging, and tension effectively builds throughout the scenes. However, the resolutions of some subplots feel abrupt, impacting the overall satisfaction of the narrative. With a focus on refining these elements, the screenplay can enhance its impact and emotional resonance.
Key Strengths
- The use of flashbacks to reveal the characters' past and motivations is effective in building empathy and understanding.
Areas to Improve
- The resolution of the subplot involving the missing child feels rushed and unsatisfying.
Analysis: The screenplay effectively explores themes of loneliness, regret, and the search for connection, but it could benefit from a clearer articulation of its messages and a more nuanced portrayal of its characters.
Key Strengths
- The screenplay's exploration of loneliness is particularly effective. The characters are all isolated and disconnected from each other, and the screenplay does a good job of conveying their sense of longing and isolation.
Analysis: The screenplay provides a solid foundation for visual storytelling, effectively capturing the emotional atmosphere and character dynamics through its visual descriptions. The portrayal of intimate moments between characters is particularly strong, creating a sense of closeness and vulnerability.
Key Strengths
- The screenplay effectively captures the emotional atmosphere and character dynamics through its visual descriptions. The portrayal of intimate moments between characters is particularly strong, creating a sense of closeness and vulnerability.
Analysis: This screenplay elicits strong emotional responses through its themes of love, betrayal, and self-discovery. While it effectively depicts emotional turmoil and showcases compelling character development, the depth and impact of the emotional journey could be enhanced by expanding on the characters' inner conflicts and motivations, exploring the consequences of their actions more thoroughly, and incorporating a wider range of emotional experiences.
Key Strengths
- The screenplay effectively portrays emotional turmoil and complex human relationships. Characters are well-developed and relatable, leading to a strong emotional connection with the audience.
Areas to Improve
- The screenplay could benefit from delving deeper into the characters' inner conflicts and motivations to enhance emotional depth.
- Expanding on the consequences of the characters' actions would add weight and emotional impact to their choices and dilemmas.
Analysis: The screenplay presents a compelling conflict between Irène, Jean, and Jacques, exploring themes of betrayal and emotional disappointment. While the conflict is clear and the stakes are personal, the resolution could be further developed to enhance audience satisfaction and narrative tension.
Key Strengths
- The screenplay effectively captures the emotional turmoil of a relationship breakdown. The scenes between Irène and Jean are particularly powerful, showcasing the raw emotions of betrayal, anger, and disappointment.
Areas to Improve
- The resolution could be more developed. The ending feels somewhat abrupt and unsatisfying. A more nuanced and emotionally satisfying resolution would have enhanced the overall impact of the story.
Analysis: This screenplay showcases a complex and emotionally charged narrative with well-developed characters. However, despite its strengths in character development and dialogue, the story lacks originality and fails to push creative boundaries in terms of plot or narrative structure.
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View Complete AnalysisScreenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
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Character Irène
Description Irène's motivations and actions seem to shift abruptly. Initially, she appears driven by a desire for a luxurious lifestyle and stability, even willing to marry Jacques for it. However, she later abandons this goal for a passionate romance with Jean, despite his financial instability. While people can change, the transition lacks a clear catalyst or internal conflict, making it feel somewhat inconsistent.
( Scene 7 Scene 32 ) -
Character Jean
Description Jean's transformation from a timid and insecure employee to a confident and assertive individual happens quickly without a convincing arc. The shift is primarily triggered by material possessions and Irène's guidance, rather than a genuine internal growth or realization. This makes his newfound confidence feel slightly unearned and out of character.
( Scene 11 Scene 34 )
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Description The consequences of Jean's credit card fraud are inconsistently portrayed. Initially, the hotel takes immediate action, involving the police and demanding payment. However, later, Jean seems to freely use the card for luxury purchases without any repercussions. This inconsistency creates a logical gap in the story's internal logic and raises questions about the hotel's security measures and financial practices.
( Scene 54 Scene 76 )
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Description After spending the night with Irène, Jean manages to leave the suite unnoticed despite the presence of security and staff in a high-end hotel. While it's possible he could have slipped out, the ease with which he does so stretches believability and feels like a convenient plot device to avoid complications.
( Scene 16 ) -
Description It remains unclear how Irène is able to afford a luxurious hotel room after being abandoned by Gilles. While the script hints at her resourcefulness, the source of her sudden financial independence is never explained, leaving a gap in the narrative logic.
( Scene 106 )
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Description The dialogue during intimate moments between Jean and Irène often feels overly theatrical and expository. The characters engage in lengthy monologues and poetic declarations that seem unnatural and out of place in the context of a passionate encounter. This stylized dialogue may detract from the authenticity and emotional impact of these scenes.
( Scene 31 Scene 44 )
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Element Scenes of Irène attracting wealthy men
( Scene 38 Scene 110 )
Suggestion While these scenes showcase Irène's skills and determination, they become somewhat repetitive as the story progresses. Consider streamlining or combining these scenes to maintain narrative momentum and avoid redundancy. -
Element Jean's internal struggle with morality
( Scene 51 Scene 75 )
Suggestion Jean's moments of reflection on his actions and the ethical implications of his choices could be consolidated. Explore alternative ways to convey his internal conflict without explicitly stating his thoughts and feelings.
Jean - Score: 82/100
Character Analysis Overview
Irène - Score: 80/100
Role
Protagonist
Character Analysis Overview
Madeleine - Score: 71/100
Character Analysis Overview
Irene - Score: 83/100
Role
Protagonist
Character Analysis Overview
Jacques - Score: 44/100
Character Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation |
|---|---|---|
|
Betrayal and Infidelity
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Irène discovers Jean with another woman in their hotel room, leading to confrontations, disappointment, and her decision to leave.
|
The theme of betrayal and infidelity is a significant theme in the screenplay. It drives the conflict and ultimately leads to the end of Irène and Jean's relationship. |
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Emotional Disappointment and Loneliness
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Irène confronts Jacques about his heavy drinking and is disappointed when he dismisses her concerns. She is also left feeling alone after Jacques falls into a coma and when she discovers Jean with another woman.
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The theme of emotional disappointment and loneliness is prevalent throughout the screenplay. Through various scenes, characters experience the pain of unmet expectations, abandonment, and deceit, highlighting the complex emotions they navigate. |
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Self-Discovery and Independence
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Irène decides to leave Jean and embark on her own journey after discovering his betrayal. She also sets out on a scooter with Jean in the final scene, symbolizing a new chapter of self-discovery and independence.
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The theme of self-discovery and independence is showcased as Irène makes the brave decision to leave a relationship that no longer serves her. This theme emphasizes personal growth and the pursuit of individuality. |
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Guilt and Consequences
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Jean feels guilty about his infidelity and faces the consequences of his actions when Irène discovers him with another woman. Irène also steals money from her companion's wallet, showing the consequences of her own actions.
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The theme of guilt and consequences explores the moral repercussions that characters face as a result of their choices. Jean and Irène both experience guilt and face the consequences of their actions, highlighting the weight of their decisions. |
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Relationship Dynamics and Change
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The screenplay portrays the dynamics and changes within relationships, such as the deterioration of Irène and Jacques' relationship due to his drinking, the betrayal and end of Irène and Jean's relationship, and the shifting dynamics between Jean and Madeleine.
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The theme of relationship dynamics and change explores the complexities and evolution of relationships. It highlights how relationships can be tested, broken, and transformed, showcasing the impact of individuals' actions on their interpersonal connections. |
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Finding Joy and Redemption
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Amidst the turmoil and disappointment, some characters find moments of joy and redemption, such as Irene accepting Jean's cocktail to cheer her up and Jean attempting to reconcile and explain himself to Irène.
|
The theme of finding joy and redemption amidst adversity showcases the resilience of characters in finding moments of happiness and working towards redemption. It provides hopeful and uplifting elements in the midst of challenging situations. |
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Scene Analysis
📊 Understanding Your Percentile Rankings
Your scene scores are compared against professional produced screenplays in our vault (The Matrix, Breaking Bad, etc.). The percentile shows where you rank compared to these films.
Example: A score of 8.5 in Dialogue might be 85th percentile (strong!), while the same 8.5 in Conflict might only be 50th percentile (needs work). The percentile tells you what your raw scores actually mean.
Hover over each axis on the radar chart to see what that category measures and why it matters.
Scenes are rated on many criteria. The goal isn't to try to maximize every number; it's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Characters | Character Changes | Conflict | High stakes | Story forward | Emotional Impact | Dialogue | ||
| 1 - HORS DE PRIX | "light-hearted" | 7 | 8 | 7 | 6 | 4 | 4 | 5 | 7 | 5 | 6 | ||
| 2 - The Revelation | "dramatic" | 8 | 9 | 8 | 7 | 6 | 7 | 6 | 8 | 8 | 8 | ||
| 3 - Irène's Disappointment | "bittersweet" | 7 | 6 | 7 | 8 | 5 | 4 | 3 | 6 | 7 | 7 | ||
| 4 - Irène's Disappointment | "Melancholy" | 8 | 7 | 7 | 8 | 6 | 6 | 6 | 7 | 9 | 7 | ||
| 5 - Lost Love | "Melancholic" | 8 | 7 | 8 | 8 | 6 | 6 | 6 | 7 | 9 | 7 | ||
| 6 - Disappointment and Betrayal | "Emotional" | 9 | 8 | 9 | 7 | 8 | 6 | 6 | 8 | 9 | 9 | ||
| 7 - Betrayal and Rejection | "Tense" | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 7 | ||
| 8 - Disappointment and Confrontation | "Dramatic" | 7 | 7 | 7 | 7 | 6 | 6 | 6 | 7 | 8 | 7 | ||
| 9 - Disappointment and Miscommunication | "Tense" | 7 | 8 | 7 | 7 | 6 | 6 | 6 | 7 | 7 | 6 | ||
| 10 - Confrontation and Departure | "intense" | 8 | 7 | 9 | 7 | 7 | 9 | 10 | 9 | 10 | 8 | ||
| 11 - Confrontation and Departure | "Tense" | 9 | 8 | 9 | 8 | 8 | 9 | 10 | 9 | 9 | 7 | ||
| 12 - Irène's Departure | "Emotional" | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 10 | 7 | ||
| 13 - Confrontation and Departure | "Tense" | 9 | 7 | 8 | 9 | 6 | 9 | 7 | 9 | 9 | 8 | ||
| 14 - Confrontation and Shopping | "Tense" | 8 | 7 | 9 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | ||
| 15 - Confrontation and Revelations | "Tense" | 8 | 7 | 9 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | ||
| 16 - Confrontation and Decision | "tense" | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 7 | 6 | ||
| 17 - Irène's Revelation | "Emotional" | 7 | 7 | 8 | 6 | 6 | 8 | 7 | 8 | 9 | 7 | ||
| 18 - Confrontation and Uncertainty | "tense" | 8 | 7 | 8 | 7 | 6 | 9 | 7 | 9 | 6 | 8 | ||
| 19 - Confrontation and Revelation | "Tense" | 9 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 9 | 8 | ||
| 20 - Irène's Discovery | "Tense" | 7 | 8 | 7 | 7 | 7 | 9 | 7 | 8 | 8 | 6 | ||
| 21 - Confrontation and Reflection | "Emotional, Reflective" | 8 | 7 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | ||
| 22 - Betrayal and Redemption | "Dramatic" | 9 | 8 | 9 | 9 | 6 | 7 | 7 | 8 | 9 | 8 | ||
| 23 - Confrontation and Departure | "Emotional" | 7 | 7 | 8 | 7 | 6 | 8 | 7 | 8 | 9 | 7 | ||
| 24 - Betrayal and Redemption | "intense, emotional" | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | ||
| 25 - Confrontation and Decision | "Tense, emotional" | 8 | 7 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 7 | ||
| 26 - Confrontation and Betrayal | "dramatic" | 8 | 7 | 9 | 8 | 6 | 9 | 7 | 8 | 8 | 7 | ||
| 27 - Confrontation and Departure | "Emotional" | 10 | 9 | 10 | 10 | 8 | 9 | 10 | 9 | 10 | 8 | ||
| 28 - Irène's Discovery | "Dramatic" | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 8 | 9 | 7 | ||
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Strong emotional moments between Irene and Jacques
- Interesting dynamic between Irene and Jean at the hotel bar
- Detailed character development, emotional depth in dialogue
- Strong emotional impact, well-developed characters, and realistic dialogue
- Tense confrontation, emotional impact, character development
Scene Weaknesses
- Lack of clear resolution for Irene and Jacques' relationship
- Some scenes feel disconnected from the overall story
- Limited external conflict, slow pacing
- Lack of significant plot development and low conflict level
- Lack of memorable dialogue, some scenes feel unnecessary
Suggestions
- Provide a clear resolution for Irene and Jacques' relationship to avoid leaving loose ends.
- Ensure that all scenes are directly related to the overall story and contribute to the plot.
- Introduce more external conflict and increase the stakes to keep the pacing engaging.
- Focus on developing a strong and significant plot to drive the story forward.
- Work on crafting memorable dialogue that enhances character dynamics and adds depth to the scenes.
Scene 1 - HORS DE PRIX
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - The Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Irène's Disappointment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Irène's Disappointment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Lost Love
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Disappointment and Betrayal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Betrayal and Rejection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Disappointment and Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Disappointment and Miscommunication
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Confrontation and Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Confrontation and Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Irène's Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Confrontation and Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Confrontation and Shopping
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Confrontation and Revelations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Confrontation and Decision
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Irène's Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Confrontation and Uncertainty
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Confrontation and Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Irène's Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Confrontation and Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Betrayal and Redemption
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Confrontation and Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Betrayal and Redemption
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Confrontation and Decision
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Confrontation and Betrayal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Confrontation and Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Irène's Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Correlation between Emotional Impact and Overall Grade | There is a strong positive correlation between the Emotional Impact score and the Overall Grade score (0.88). This suggests that scenes with higher emotional impact tend to receive higher overall grades. |
| Correlation between Conflict and Dialogue | There is a moderate positive correlation between the Conflict score and the Dialogue score (0.59). This indicates that scenes with higher levels of conflict also tend to have more engaging and impactful dialogue. |
| Correlation between High Stakes and Emotional Impact | There is a moderate positive correlation between the High Stakes score and the Emotional Impact score (0.61). This suggests that scenes with higher stakes tend to evoke stronger emotional reactions. |
| Correlation between Character Changes and Move Story Forward | There is a strong positive correlation between the Character Changes score and the Move Story Forward score (0.87). This implies that scenes in which character changes occur also tend to play a significant role in advancing the story. |
| Correlation between Tone and Emotional Impact | There is a moderate positive correlation between the Tone score and the Emotional Impact score (0.55). This indicates that scenes with specific tones, such as emotional or tense, often generate a stronger emotional response. |
| Correlation between Concept and Plot | There is a high positive correlation between the Concept score and the Plot score (0.81). This suggests that scenes with well-developed concepts also tend to have a strong and cohesive plot. |
| Correlation between Characters and Dialogue | There is a high positive correlation between the Characters score and the Dialogue score (0.79). This implies that scenes with well-developed characters often feature impactful and engaging dialogue. |
| Correlation between Overall Grade and Move Story Forward | There is a strong positive correlation between the Overall Grade score and the Move Story Forward score (0.82). This indicates that scenes that effectively move the story forward tend to receive higher overall grades. |
| Correlation between Emotional Impact and Character Changes | There is a strong positive correlation between the Emotional Impact score and the Character Changes score (0.84). This suggests that scenes with a significant emotional impact often coincide with significant character changes. |
| Correlation between Emotional Impact and Dialogue | There is a strong positive correlation between the Emotional Impact score and the Dialogue score (0.83). This indicates that scenes with a strong emotional impact often feature impactful and meaningful dialogue. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|
Memorable lines in the script:
Some Loglines to consider:
| Array ( [0] => Irène's birthday takes a sour turn when she finds her partner drunk and unresponsive in their hotel room, sparking a series of events that shake their relationship. [1] => Exhausted hotel employee Jean agrees to cover the closing shift at the bar, setting off a chain of events that will have unexpected consequences for both him and Irène. [2] => A confrontation between Irène and another woman leads to a life-altering decision for Irène, forcing her to confront the truth about her failing relationship. [3] => As Irène decides to leave, the dynamics between Jean and Madeleine, his friend, take an unexpected turn, leading to unforeseen turmoil. [4] => A pivotal moment occurs when Irène discovers Jean with another woman, changing the course of their relationship and leaving Irène feeling betrayed and alone. ) |
| A cunning young woman uses her charm to seduce wealthy men, but her materialistic lifestyle is challenged when she falls for a charming hotel employee who pretends to be a millionaire. |
| In the glamorous world of luxury hotels and high-society events, a woman and a man engage in a game of deception and seduction, leading to unexpected consequences and a reevaluation of their values. |
| A romantic comedy with a twist, exploring the themes of love, materialism, and the price of happiness in a world obsessed with wealth and status. |
| A young hotel employee finds himself unexpectedly entangled in a high-stakes game of seduction and survival when he becomes infatuated with a beautiful guest, leading him to make some questionable choices that put everything he's worked for at risk. |
| When a down-on-his-luck hotel worker is taken under the wing of a wealthy widow, he must navigate the complexities of class, power, and his own desires as he is drawn into a world of luxury and manipulation. |
| A chance encounter between a jaded hotel employee and a beautiful, enigmatic guest sets off a chain of events that forces both of them to confront their own demons and the harsh realities of a society divided by wealth and status. |
| In a world of glitz and glamour, a hotel worker finds himself caught between his own dreams of a better life and the web of deceit and temptation that surrounds a captivating guest, leading him to make a choice that will change the course of his life forever. |
| Hors de prix is a poignant and thought-provoking exploration of the invisible barriers that divide society, as a hotel worker's pursuit of love and acceptance leads him into a high-stakes game of manipulation and self-discovery. |
Help & FAQ
Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
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