Analysis of Some like it hot

Executive Summary

Poster
Overview

Genres: Comedy, Musical, Romance, Crime, Drama, Action, Romantic Comedy

Setting: The story takes place in the 1920s-1930s, Chicago and Florida

Overview: The screenplay exhibits a strong sense of originality in its unconventional characters and unexpected plot developments. However, it could benefit from further exploration of its themes and narrative structure to reach its full creative potential.

Themes: Identity, Deception, Friendship, Love, Crime

Conflict and Stakes: The primary conflict is between Joe, Jerry, and the gangsters who are after them. The stakes are their lives and the potential loss of their careers as musicians. Additionally, Jerry's relationship with Osgood creates a subplot conflict as Jerry struggles with his true identity and Osgood's expectations.

Overall Mood: Predominantly lighthearted and comedic, with moments of tension and drama.

Mood/Tone at Key Scenes:

  • Scene 1: Tense and suspenseful, with a sense of danger and urgency.
  • Scene 10: Lively and upbeat, with a festive atmosphere.
  • Scene 15: Chaotic and tense, with a sense of danger and urgency.
  • Scene 20: Lighthearted and humorous, with a hint of tension and camaraderie.
  • Scene 25: Emotional and intense, with a mix of romance, tension, and relief.

Standout Features:

  • Unique Hook: Cross-dressing musicians on the run from gangsters in the 1920s-1930s.
  • Plot Twist : Jerry's relationship with Osgood and his struggle with his true identity.
  • Distinctive Setting : Chicago and Florida in the 1920s-1930s.
  • Innovative Idea : The exploration of gender identity and sexuality in the context of crime and comedy.
  • Unique Characters : Cross-dressing musicians, gangsters, and federal agents.

Comparable Scripts:

  • Some Like It Hot (1959)
  • Tootsie (1982)
  • White Chicks (2004)
  • Mrs. Doubtfire (1993)
  • The Crying Game (1992)
  • Yentl (1983)
  • Victor/Victoria (1982)
  • La Cage aux Folles (1978)
  • Priscilla, Queen of the Desert (1994)
  • The Adventures of Priscilla, Queen of the Desert (1994)
Pass/Consider/Recommend

Recommend


Explanation: Overall, the screenplay for 'Some Like It Hot' is a well-written and highly entertaining piece with a strong cast of characters, clever dialogue, and a captivating narrative. While there are areas that could be improved upon, such as pacing, character motivations, and certain plot points, the screenplay's strengths, notable points, and overall narrative strength make it a highly recommendable work that effectively executes its comedic and entertaining intent.


USP: Discover a wildly entertaining and original Prohibition-era romp in this script, where two cross-dressing musicians, Joe and Jerry, navigate the chaotic world of speakeasies, gangsters, and glamorous parties on their journey to find work and true love. With its fast-paced action, witty dialogue, and a blend of humor and tension, this story offers a fresh take on classic themes of identity, deception, and acceptance. The unique characters, including the notorious gangster Spats Colombo and the eccentric millionaire Osgood, add depth and intrigue to the narrative, while the innovative storytelling techniques keep readers on their toes. Dive into this captivating world and experience a thrilling escape filled with laughter, suspense, and unforgettable moments.
Market Analaysis

Budget Estimate:$30-40 million

Target Audience Demographics: Adults aged 18-54, fans of comedy, crime, and romance.

Marketability: The unique blend of comedy, crime, and romance, along with the cross-dressing theme, has the potential to attract a wide audience and generate buzz. Additionally, the film's star-studded cast and strong appeal to adult audiences make it a strong contender for box office success.

The film's unique blend of genres and exploration of compelling themes with a diverse cast make it a strong candidate for award nominations and critical acclaim. However, its niche subject matter and potentially controversial themes may limit its appeal to some audiences.

The film's compelling characters and gripping storyline, along with its relevant social themes, make it a strong candidate for success in the current cultural climate. However, its potentially polarizing subject matter and niche appeal may limit its box office potential.

Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations.

Scene Level Percentiles
Script Level Scores
Writer's Voice

Summary:The writer's voice is characterized by its use of witty dialogue, fast-paced action, and a blend of humor and tension, creating an engaging and entertaining reading experience.

Best representation: Scene 17 - Deception Aboard the Train. Scene 17 effectively showcases the writer's unique voice through its fast-paced action, sharp dialogue, and tense atmosphere. The unexpected train stop due to Jerry's sleepwalking and the subsequent chaos create a humorous and engaging moment that highlights the characters' personalities and the unpredictable nature of their journey.

Memorable Lines:

  • Osgood: Well -- nobody's perfect. (Scene 42)
  • Jerry: I'm a girl, I'm a girl, I'm a girl (Scene 14)
  • Sugar: I'm tired of getting the fuzzy end of the lollipop. (Scene 15)
  • Jerry: I'm engaged. (Scene 30)
  • Jerry: We would be caught dead with men. Those rough, hairy beasts with eight hands. (Scene 12)

Writing Style:

The writing style in this screenplay is characterized by a blend of witty dialogue, fast-paced action, and dynamic character interactions, with a strong emphasis on humor and tension. The narrative explores complex themes and relationships through engaging and unpredictable scenes.

Style Similarities:

  • Billy Wilder
  • Preston Sturges
Other Similarities: While Wilder and Sturges are the most dominant screenwriters in this screenplay, there are also traces of other notable authors such as Quentin Tarantino, Martin Scorsese, and Woody Allen. These influences contribute to the screenplay's diverse and engaging style, making it a compelling and entertaining read.
Story Shape