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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. INTERSTATE 95, JUNCTION 14 – DAY INT. JOHN'S CAR – MOVING – DAY JOHN, 28, a burly marine type, slips a CD in the stereo. AMY BLAIRE, 27, a natural beauty, munches a piece of birthday cake and then flicks crumbs off a pregnancy book.
2
INT. JOHN'S BEDROOM – DAY A massive poster of Einstein hangs beside a jumbo-sized DeLorean from "Back to the Future." John (10), a skinny kid wearing a "Quantum Leap" T-shirt, solders circuit boards with a welding iron. A green light switches on. A faint blue
3
EXT. STREET – DAY Amy,11, a tomboy, smiles at John who has now mastered dragging his stick along the ground. AMY My name's Amy. What's yours?
4
INT. KITCHEN – NIGHT John reads his comic. Dr. Webber answers a knock at the door. Amy sits beside John. John eyes up his piece of cake. Amy eyes up hers. They race to see how can demolish theirs the fastest. ON-SCREEN: MAY 11, 2024. NEW YORK, PARALLEL UNIVERSE P01
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INT. ABANDONED WAREHOUSE – DAY Poor lighting gives the nuance of a sketchy drug dealing spot. John demolishes a slice of chocolate cake. He changes into a futuristic white suit and enters a combination code into a brown briefcase.
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SERIES OF SHOTS: EXT. NEW TIMES SQUARE – DAY - NEW YORKERS wear vapid décor. - TOURISTS hold compact handheld holographic devices. - Robots direct flying cars. EXT. TOP OF EMPIRE STATE BUILDING – DAY
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INT. SCHOOL CORRIDOR – DAY Amy, 10, crouches against the lockers crying. Amy rubs her eyes, and she vanishes, leaving her reflection in a glass door to her classroom. INT. FIFTH GRADE CLASSROOM – DAY
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EXT. WAREHOUSE – DAY - P255 Dripping in Art-Deco luxury. INT. WAREHOUSE – DAY John teleports too close to Lucy who takes a sidestep. JOHN
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INT. WAREHOUSE - DAY – 1ST APRIL 2024 – P255 JOHN I’ve to tell you that I want a new fancy watch, one that will work in all universes and at all times.
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EXT. EARTH, SPACE - DAY In a higher orbit is GO6, a futuristic SATELLITE the size of a two-story house with several small windows, many antennae, and solar panels on the side. "GO6" is printed next to the international flag of Planet Earth (seven white rings that
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INT. WAREHOUSE – DAY ON BLACKBOARD: Complex quantum equations, printouts of conversations, and social media feeds are all joined together by different colors of thread. ON WALL: Photos of everyday people from around the world with
12
SERIES OF SHOTS: EXT. TIMES SQUARE – NIGHT - Shiny, eco-friendly glass buildings. - CINEMA BILLBOARD: "Cattle Queen of Montana" is showing, starring R. Reagan and B. Stanwyck. - TRAVEL AGENT BILLBOARD: Faresi Island, where you can
13
EXT. WAREHOUSE ROOF – DAY A roof opens and the black SUV maneuvers downwards. 21 INT. CORRIDORS – DAY John and Mike are marched along a white anonymous corridor. He
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INT. WAREHOUSE – DAY Mike bumps into Lucy who spills her coffee. LUCY Excusey moi, mister. Mike tears down the photos of the postman and female barista
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INT. WAREHOUSE – DAY ON SCREEN: Keywords - Retrograde dissociative amnesia, memory manipulation, an image of a hippocampus. A tattooed hand (PARALLEL JOHN) inserts a solution into a syringe.
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EXT. WAREHOUSE – DAY PARALLEL JOHN,30, buzzcut, tattooed hand, and dressed in second-hand clothes, steps through a green portal. EXT. EARTH, SPACE – DAY GO1, GO2, GO3, GO4 satellites, and GO5 are activated. They
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INT. BABY SHOE SHOP – DAY SCREAMING BABIES. Amy buys a pair of boys' and girls' shoes. ASSISTANT What are you hoping for? Amy gives the assistant the girl's shoes first.
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EXT. MOUNTAIN RANGE – DAY Mike and Lucy stare at the wilderness. LUCY Where is the warehouse? MIKE
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INT. GO6 – DAY The noise is observed, recorded, and analyzed on many screens. MAIN MONITOR: Locating John. Found him. Connecting. CCTV CAMERA: EXT. INTERSTATE 95, JUNCTION 14 – DAY INT. JOHN'S CAR – MOVING – DAY
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EXT. CAR – DAY An AMBULANCE with SIRENS blazing speeds by an OLDER MODEL CAR discharging oil. John's car slides on the oil. INT. CAR – LATER The car crashes sideways through a safety barrier stopping
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EXT. CAR – DAY Amy places the briefcase in front of the car. JOHN (O.C) NOW!!! Amy presses the button - but no portal opens. She BANGS it.
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EXT. JOHN'S CAR (MOVING) – DAY John swerves on the oil on the road. He crashes through the safety barrier and comes to a halt at the top of a steep hill. EXT. INTERSTATE 95 - DAY The ambulance brakes. SIRENS flash as it reverses. MAN throws
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EXT. HILL - DAY Danny offers John a hug, but John scowls intently at him. AT THE BOTTOM OF HILL – THE CRASH SITE John unbuttons his shirt and uses it to cover his face to get closer. He throws his necklace toward the burning car.
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INT. GO6 – SPACE COMPUTER MONITOR 1: 8 billion lives to optimize. FML. 97% is the best. Recalculating. Hierarchy of people. Who are the most important – world leaders? Janitors? Nurses? People under 16 can find their own way – eliminating under 16s. Upgrading the
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INT. KITCHEN - DAY He slurps a hot cup of tea. BRIGHT LIGHT. John slurps his tea, but now the cup has at least five days' worth of mold. He spits it out.
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EXT. SHOE SHOP – DAY Lucy and Mike watch John from across the street. MIKE I remember buying John his first pair of shoes.
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EXT. NEW YORK UNIVERSITY – DAY STUDENTS meander to class. INT. CORRIDOR – DAY Dr. Webber THUNDERS into PROF. WEST, 57. Papers go flying. DR. WEBBER
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INT. LECTURE HALL – DAY Astrophysics calculations are scribbled on the board. ADAM (19) sits with his feet up on the chair in front. DR. WEBBER Determinism, is everything chance?
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EXT. CORRIDOR – DAY This slow walk soon becomes a full-paced run. INT. OFFICE – DAY SECRETARY gives Dr. Webber the phone. He nods his head. EXT. STREET – DAY
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INT. GOVERNMENT BUILDING, WAITING AREA - DAY Anonymous. Rorschach inkblot tests artwork on the walls. Dr. Webber straightens his university I.D. lanyard stating his name and Astrophysics Department. With blood dripping from his nose and a defeated look, John fixes his tie and sits beside
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INT. LUCY'S TERMINAL – MOMENTS LATER A fish tank has a "My name is" sticker that reads "New Needles." John slumps on a chair that is further behind Lucy's, now with brown corporate hair. As Lucy types, John brings his chair in line with hers.
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INT. MASEULEUM – DAY John kneels at his mom’s tombstone. Mike startles John at the entrance. MIKE Hi, John.
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VIDEO: EXT. WAREHOUSE – DAY JOHN I designed GO6 so it can save the world and make humanity the best it can be. With the implant in my
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INT. CIRCUS TENT, SEATING AREA – NIGHT John (10), and Amy (11), munch their popcorn. MIKE John, I’ll be back in a bit. John is too busy watching the lions ROAR at the crowd.
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INT. WAREHOUSE – DAY Mike unwraps a bandage around John's head. Two holes have been drilled again. Mike places the docking port’s two pins into the two holes. MIKE
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INT. WAREHOUSE – DAY John takes a blindfold off Dr. Webber who is standing next to an active portal. JOHN That’s a portal to a parallel
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INT. WAREHOUSE – DAY John teleports with a massive thump. He tidies his hair. LUCY It's good to have you back. JOHN
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EXT. CRASH SITE – DAY The car dangles off the edge of the cliff. 51 INT. CAR – DAY John holds Amy’s hand.
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EXT. CRASH SITE – DAY The car rolls off the cliff. John sits with his head in his hands. He jumps and teleports at the last moment. INT. WAREHOUSE - DAY John wipes away tears and puts his wedding ring back on his
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INT. JOHN'S BEDROOM – DAY John takes out the implant. He steps into a Faraday cage, 8 by 8 feet. He closes the door. He switches on a computer. He clicks on a folder named "Omega." John transfers the folder onto a flash drive. He puts it in his pocket and exits the
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EXT. SAN FRANCISCO BAY – NIGHT (1969) BEGIN TIME TRAVEL SEQUENCE. John wears a striking pair of flares and platform shoes. DR. WEBBER (V.O.) GO6, who is best to develop a
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EXT. GEORGIAN MANSION – NIGHT Shards of a blown-up moon illuminate the night sky. The pristine Georgian Mansion is heavily protected with armed security men and cameras. INT. BALLROOM – NIGHT

GO6

In a world where parallel universes and time travel are possible, a former marine must navigate the ethical minefield of an advanced AI satellite that can manipulate people's destinies, all while fighting to save his own family from a looming catastrophic event.

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Overview

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Unique Selling Point

Discover a captivating blend of time travel, parallel universes, and the human struggle for meaning in this groundbreaking script. Dive into the emotional journeys of complex characters, as they grapple with the consequences of manipulating destiny and the ethical implications of advanced AI. With its unique narrative techniques, this story offers a fresh perspective on the classic themes of love, loss, and redemption, taking audiences on an unforgettable ride through a richly imagined world.

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Claude
 Recommend
Gemini
 Consider
Story Facts
Genres:
Science Fiction 50% Drama 40% Action 30% Thriller 25% Romance 20%

Setting: The story takes place in various time periods, ranging from 1969 to a future where time travel is possible., The story takes place in multiple locations, including New York, San Francisco, a parallel universe, and space.

Themes: Time Travel and Parallel Universes, Destiny and Free Will, Family and Relationships

Conflict & Stakes: John's struggle to save his loved ones and prevent future tragedies, while also dealing with the consequences of altering the timeline.

Mood: Suspenseful and thought-provoking

Standout Features:

  • Unique Hook: The innovative blend of time travel and artificial intelligence, combined with a strong cast and compelling storyline, make this screenplay stand out.
  • Plot Twist: The consequences of altering the timeline add a unique twist to the story.
  • Distinctive Settings: The distinctive settings, including a parallel universe and space, make this screenplay visually stunning.

Comparable Scripts: The Time Machine by H.G. Wells, Back to the Future (1985), The Butterfly Effect (2004), Interstellar (2014), The Fifth Element (1997), The Adjustment Bureau (2011), Looper (2012), Donnie Darko (2001), Frequency (2000), The Lake House (2006)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.71
Story Critique
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Characters
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Emotional Analysis

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Goals and Philosophical Conflict
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Themes
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Logic & Inconsistencies
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Scene Analysis

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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
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Writer's Craft
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Memorable Lines
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World Building
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Correlations
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Loglines
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