Memento
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo

USP: Delve into a captivating cinematic experience that unravels the enigmatic world of "Amnesia," where the boundaries of memory, identity, and morality blur. Witness an immersive journey through fragmented narratives, cryptic clues, and unsettling encounters as you accompany Leonard, a man haunted by amnesia, on his relentless pursuit of truth amidst a web of deception. Join this unconventional thriller as it explores the profound depths of the human psyche, questioning what is real and what is fabricated, leaving you captivated and grappling with its lingering echoes long after the credits roll.
Overview
Genres: Thriller, Mystery, Drama, Crime, Action
Setting: Present, Various locations, including a motel, a tattoo parlor, and an abandoned building.
Overview: The screenplay earns a strong overall score of 8.35, reflecting its compelling premise, intricate character dynamics, and effective exploration of themes. However, opportunities for improvement exist in terms of narrative clarity, pacing, and the integration of subplots.
Themes: Memory and Identity, Violence and Revenge, Love and Loss, Trust and Betrayal
Conflict and Stakes: Leonard's struggle to find the man who killed his wife, while dealing with his anterograde amnesia and questioning his reality and relationships.
Overall Mood: Dark, suspenseful, and introspective.
Mood/Tone at Key Scenes:
- Scene 1: Leonard wakes up in a motel room, covered in blood, with a Polaroid photo of a bloody corpse in his hand.
Standout Features:
- Unique Hook: Anterograde amnesia as a central plot device.
- Plot Twist : The revelation that Leonard is the one who killed his wife.
- Unique Characters : Leonard Shelby, a complex and unreliable protagonist with a unique perspective on the world.
- Genre Blend : Neo-noir, psychological thriller, and character study.
Comparable Scripts:
Market Analysis
Budget Estimate:$10-15 million
Target Audience Demographics: Adults aged 18-49, fans of psychological thrillers, neo-noir films, and character-driven dramas.
Marketability: The screenplay has a strong hook, compelling characters, and a unique and twisty plot that will keep audiences engaged. It has the potential to appeal to a wide audience and generate buzz.
While the screenplay has a unique and intriguing concept, the non-linear storytelling and Leonard's unreliable memory may make it challenging for some audiences to follow. It may also be difficult to market to a mainstream audience due to its dark and violent nature.
The screenplay has a strong cast and a lot of visual style, but the lack of a clear antagonist and the ambiguity of the ending may limit its commercial appeal.
Profit Potential: Moderate, due to its limited mainstream appeal but strong potential for critical acclaim and word-of-mouth.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- **Originality:** The screenplay exhibits remarkable originality, ranking in the 92nd percentile. This suggests that the story concept and execution are fresh and captivating, potentially setting it apart from other screenplays.
- **Conflict Level:** With a high percentile ranking of 89%, the screenplay demonstrates strong conflict development. This indicates the presence of compelling obstacles and challenges that drive the plot and create tension for the characters.
- **Character Development:** The screenplay's character development lags behind other elements, ranking in the 22nd percentile. Exploring character motivations, backstories, and relationships in more depth could enhance audience connection and emotional investment.
- **Pacing:** The pacing of the screenplay, ranked in the 17th percentile, suggests that it may benefit from refinement. Adjusting the rhythm and flow of the story, while maintaining a balance between exposition and action, could enhance the overall engagement.
The percentile patterns indicate a potential for a more intuitive writing style. The higher rankings in dialogue and character development suggest a focus on creating believable and relatable characters, while the lower rankings in concept and plot imply a preference for exploring themes and emotions rather than intricate plot structures.
Balancing Elements- To enhance the screenplay's overall impact, the writer could consider balancing the originality with stronger character development. By exploring the characters' motivations and backstories, the originality of the concept can be further emphasized and emotionally connected to the audience.
- Balancing the high conflict level with a well-paced narrative is crucial. Refining the pacing to create a more engaging rhythm, while maintaining the intensity of the conflict, could elevate the screenplay's overall effectiveness.
The screenplay leans towards an intuitive writing style, prioritizing character and dialogue development over complex plot structures. However, integrating more conceptual elements, such as a stronger central conflict or a well-defined plot structure, could enhance the screenplay's overall appeal.
Overall AssessmentThe screenplay exhibits strong potential with its originality and conflict development. By addressing the areas for improvement, particularly character development and pacing, the writer has the opportunity to craft a captivating and well-rounded story that resonates with audiences.
How scenes compare to the Scripts in our Library
|
|
Percentile | Before | After |
---|---|---|---|---|
Scene Unpredictability | 8.08 | 98 | Poor Things: 8.05 | Memento: 8.08 |
Script Characters | 9.00 | 94 | Women talking: 8.75 | Black mirror 304: 9.00 |
Script Conflict | 8.50 | 92 | V for Vendetta: 8.25 | True Blood: 8.50 |
Script Visual Impact | 8.75 | 91 | Jojo rabbit: 8.50 | Mr. Smith goes to Washington: 8.75 |
Scene Conflict Level | 8.6 | 91 | Jack Reacher: 8.5 | LA confidential - draft: 8.6 |
Scene Originality | 8.95 | 91 | The Addams Family: 8.93 | Some like it hot : 8.95 |
Scene Story Forward | 8.6 | 85 | Narcos Pilot: 8.5 | the 5th element: 8.6 |
Script Premise | 8.75 | 84 | Manchester by the sea: 8.50 | Erin Brokovich: 8.75 |
Overall Script | 8.35 | 78 | 12 Monkeys: 8.30 | Memento: 8.35 |
Scene High Stakes | 8.3 | 77 | Conclave: 8.2 | Vice: 8.3 |
Script Originality | 8.75 | 74 | Inside Out: 8.50 | Casablanca: 8.75 |
Scene Internal Goal | 8.12 | 71 | Breaking Bad: 8.11 | Memento: 8.12 |
Scene Concept | 8.3 | 71 | Crouching Tiger Hidden Dragon: 8.2 | the 5th element: 8.3 |
Script Emotional Impact | 8.25 | 70 | Battlefield Earth: 8.00 | the dark knight rises: 8.25 |
Scene Plot | 8.2 | 70 | Crouching Tiger Hidden Dragon: 8.1 | Casablanca: 8.2 |
Scene Character Changes | 7.3 | 68 | A real pain : 7.2 | Casablanca: 7.3 |
Scene External Goal | 7.30 | 61 | Spotlight: 7.29 | House of cards pilot: 7.30 |
Scene Emotional Impact | 8.0 | 60 | Spotlight: 7.9 | the dark knight rises: 8.0 |
Scene Engagement | 8.98 | 59 | Anora: 8.97 | Mr. Smith goes to Washington: 8.98 |
Scene Overall | 8.4 | 54 | Triangle of sadness: 8.3 | Knives Out: 8.4 |
Script Structure | 8.13 | 50 | Call me by your name: 8.12 | Erin Brokovich: 8.13 |
Scene Dialogue | 7.8 | 49 | Ted: 7.7 | the dark knight rises: 7.8 |
Script Theme | 8.25 | 46 | Stranger Things: 8.00 | the dark knight rises: 8.25 |
Scene Formatting | 8.12 | 41 | 12 Monkeys: 8.11 | Memento: 8.12 |
Scene Pacing | 8.15 | 26 | The Fabelmans: 8.14 | Erin Brokovich: 8.15 |
Scene Characters | 8.0 | 19 | Narcos Pilot: 7.9 | Knives Out: 8.0 |
Script Structure | 7.25 | 7 | 500 days of summer: 6.75 | A Quiet Place: 7.25 |
Writer's Voice
Summary:The writer's unique voice is characterized by its blend of mystery, intrigue, and psychological depth. The writing style is characterized by sparse dialogue, fragmented narrative techniques, and the use of evocative descriptions and imagery, creating a sense of suspense and uncertainty.
Best representation: Scene 23 - An Unbelievable Search. This scene effectively showcases the writer's unique voice through its blend of suspense, mystery, and psychological depth. The fragmented narrative, sparse dialogue, and use of evocative descriptions create a palpable sense of tension and uncertainty.
Memorable Lines:
- Leonard: YOU PAY FOR WHAT YOU DID! YOU BEG FORGIVENESS, THEN YOU PAY! (Scene 2)
- Teddy: Don’t believe his lies (Scene 20)
- Leonard: I want my fucking life back! (Scene 34)
- Unknown: I RAPED AND KILLED YOUR WIFE. (Scene 41)
- Leonard: NEVER ANSWER THE PHONE (Scene 24)
Writing Style:
The screenplay exhibits a notable blend of introspective, non-linear storytelling with an emphasis on psychological depth and thematic complexity. It draws inspiration from the distinctive styles of several renowned screenwriters and authors, primarily Christopher Nolan and David Fincher.
Style Similarities:
- Christopher Nolan
- David Fincher
Story Shape
Emotions Elicited
Engine: Gemini
Recommend
Executive Summary
Memento is a highly original and thought-provoking screenplay with a complex protagonist, a compelling narrative structure, and a unique exploration of memory and identity. While the film's non-linear structure and unreliable narrator may pose challenges for some viewers, its strengths far outweigh its weaknesses, making it a highly recommendable project.
- The screenplay masterfully employs a non-linear narrative structure, weaving between color and black-and-white sequences to create a sense of disorientation and intrigue, mirroring Leonard's condition. high ( Scene 1 Scene 2 Scene 3 )
- Leonard's character is deeply complex and engaging. His struggle with memory loss and his relentless pursuit of revenge make him a compelling protagonist. high ( Scene 10 Scene 21 Scene 22 )
- The screenplay's exploration of memory, perception, and the nature of truth is thought-provoking and adds depth to the overall narrative. high
- The dialogue is sharp, witty, and often darkly humorous, perfectly capturing the characters' personalities and the film's noir-ish tone. medium ( Scene 6 Scene 13 Scene 24 )
- The pacing of the screenplay is excellent, keeping the audience constantly engaged and on edge with its twists and turns. high ( Scene 4 Scene 14 Scene 28 )
- The screenplay's reliance on Leonard's unreliable narration could potentially leave some viewers feeling confused or frustrated, particularly on the first viewing. medium
- The supporting characters, while intriguing, could benefit from further development and exploration, especially Natalie and Teddy. medium
- The repeated scenes of Leonard forgetting and rediscovering information can feel somewhat repetitive at times, potentially slowing down the momentum. low ( Scene 17 Scene 27 )
- A deeper exploration of Leonard's past and his relationship with his wife could provide additional context and emotional resonance. low
- More information about the world and the rules governing Leonard's condition could further enhance the film's internal consistency. low
- The Sammy Jankis subplot serves as a powerful parallel to Leonard's story, raising questions about the nature of memory and self-deception. high ( Scene 40 Scene 64 Scene 142 )
- The use of tattoos as a memory aid is a unique and visually striking element that reinforces the film's themes of identity and self-reliance. high ( Scene 18 Scene 21 )
- The screenplay's open ending leaves room for interpretation and discussion, encouraging viewers to actively engage with the story and its themes. high
Engine: GPT4
Recommend
Executive Summary
The screenplay 'Memento' offers a unique and engaging narrative through its reverse chronological order and complex character development. It stands out due to its innovative storytelling technique and the profound exploration of themes such as memory, identity, and truth. While there are areas for improvement in pacing and character motivation, the screenplay's strengths in creating a compelling mystery and emotional depth make it a recommendable project for production.
- The opening sequence effectively sets a gripping tone and immediately engages the audience with its reverse chronology. high ( Scene 1 )
- The character development of Leonard is profound, showing his complexity and the impact of his condition on his life. high ( Scene 5 )
- The screenplay uses a unique narrative structure that enhances the mystery and engages the audience to piece together the story. high ( Scene 10 )
- The dialogue is sharp and memorable, contributing to character development and the overall narrative. medium ( Scene 14 )
- The climax is well-crafted, providing a satisfying and thought-provoking resolution to the story. high ( Scene 22 )
- Some scenes may benefit from a slower pace to allow deeper emotional connection and character reflection. medium ( Scene 8 )
- The motivations of secondary characters could be clearer to enhance their roles and interactions with the protagonist. medium ( Scene 12 )
- Certain plot points could be introduced earlier to avoid confusion and improve narrative flow. medium ( Scene 18 )
- The use of color and black-and-white sequences is innovative but may require more visual cues to aid audience understanding. low ( Scene 20 )
- Enhancing the emotional depth of some scenes could strengthen the impact of the story's themes on the audience. medium ( Scene 25 )
- The backstory of some characters is missing, which could provide more depth and motivation for their actions. medium
- There is a lack of strong female characters with significant impact on the plot, which could be addressed to broaden appeal. medium
- More detailed settings descriptions could enhance the visual imagery and atmosphere of the film. low
- Inclusion of subtle foreshadowing elements could enrich the storytelling and audience engagement. medium
- Exploring the psychological impact of Leonard's condition in more depth could add another layer to the narrative. medium
- The screenplay's approach to storytelling through a non-linear narrative is innovative and distinguishes it from typical films in its genre. high
- The theme of memory and identity is explored in a unique and compelling way, resonating with universal human experiences. high
- The screenplay effectively uses suspense and mystery to keep the audience engaged throughout the film. high
- The character of Leonard is well-developed, with a clear arc that offers both challenges and growth. high
- The final twist provides a powerful conclusion that redefines the entire narrative, encouraging viewers to rethink what they have watched. high
Screenplay Insights:
Premise: 8.75, The screenplay presents a highly original and intriguing premise centered around Leonard, a man with anterograde amnesia seeking revenge for his wife's murder. The premise effectively establishes a sense of mystery, suspense, and unreliable narration, keeping the audience engaged and guessing. However, the complex, non-linear structure and the abundance of plot twists may require further refinement to ensure clarity and prevent audience confusion. See More
Structure: 7.25, The screenplay exhibits strengths in its intriguing premise and character dynamics. However, the execution of the plot could benefit from refinement to enhance narrative clarity and pacing. The screenplay has potential and can be further developed to improve its overall storytelling impact. See More
Theme: 8.25, The screenplay effectively conveys its themes and messages through a multi-layered narrative, exploring themes of memory, identity, and the nature of reality. While the exploration of themes is generally clear, some aspects could be further refined to deepen the screenplay's impact and emotional resonance. See More
Visual Impact: 8.75, This screenplay demonstrates a strong foundation in visual storytelling, featuring vivid and engaging descriptions that effectively transport the reader into the world of the narrative. The script's visual imagery is both creative and consistent, with a distinct visual style that complements the screenplay's tone and genre. The immersive descriptions and powerful use of symbolism enhance the emotional impact and narrative depth, leaving a lasting impression on the reader. See More
Emotional Impact: 8.25, This screenplay effectively elicits emotional responses by delving into complex characters and their journeys. The emotional depth can be further enhanced by enriching the backstory and motivations of key characters, adding layers to their struggles and conflicts. See More
Conflict: 8.5, The screenplay presents a compelling and intricate web of conflict and stakes, effectively driving the narrative tension and audience engagement. However, certain developments could further enhance the impact of these elements, deepening the audience's emotional investment and propelling the story to even greater heights. See More
Originality: 8.75, This screenplay showcases a strong foundation for originality and creativity, particularly in its intricate narrative structure and multifaceted characters, which set it apart from conventional storytelling. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Leonard, covered in blood, photographs the corpse of Teddy. Later, they find a truck with bullets inside outside an abandoned building and decide to investigate.
- In the derelict hallway of a decaying building, Leonard confronts Teddy. Driven by a thirst for revenge, Leonard pistol-whips Teddy and threatens him with a gun. Teddy desperately tries to reason with Leonard, claiming ignorance of his true identity. As the tension escalates, Leonard places the gun in Teddy's mouth, leaving the scene on a chilling note.
- Leonard, an amnesiac, awakens in a motel room and encounters Teddy, a dubious character. Teddy claims knowledge of Leonard's wife's killer's whereabouts, but Leonard's skepticism leads him to write a self-reminder to eliminate Teddy.
- In a motel room, Leonard discovers tattoos on his body with cryptic messages, linking him to a man named John Edward Gammell. Realizing Gammell is the same man as Teddy, Leonard writes 'Kill him' on a photo of Teddy and prepares to take action.
- In a motel room, Leonard, a man with short-term memory loss, prepares to meet Natalie at a restaurant. Leonard confides in Natalie about his condition, emphasizing the importance of routine. They discuss John G., a man connected to Leonard's past. Natalie questions Leonard's pursuit of revenge, highlighting his memory limitations. Despite this, Leonard remains resolute in his quest, even though he knows his memory will erase it. The scene culminates with Leonard closing his eyes, triggering a flashback.
- Leonard encounters Natalie, who provides him with an address and key to an abandoned meeting place, hinting at their shared past as survivors. He discovers cryptic messages on his hand and wrists, adding to his confusion. Calling Sammy, Leonard struggles to recall their connection. At the motel, Burt's mistake reveals Leonard's old room, triggering a confrontation over multiple room rentals.
- Leonard arrives at the City Grill to meet Natalie, recalling the case of Sammy Jankis and his own anterograde amnesia. He chooses to ignore Natalie initially, but she grabs his jacket, leaving the outcome uncertain.
- Leonard confronts Sammy Jankis, suspecting he's faking memory loss, but Sammy denies it. Leonard's acquaintance, Teddy, warns him against relying solely on memories. Leonard insists on finding John G., the man he believes stole his memories and killed his wife.
- Leonard wakes up in Natalie's bed with no memory of how he got there. Natalie informs him of his investigation into a license plate and provides him with a note containing meeting details. As Leonard leaves, Natalie requests her shirt back, highlighting his confusion and the ongoing struggle he faces with his memory loss.
- Leonard confronts Natalie, questioning her involvement in his search for John G. Despite her reassurances, Leonard's suspicions persist. Natalie reveals she may be able to assist, leaving Leonard with both hope and confusion.
- Leonard wakes up in bed alone and realizes that his wife, Natalie, is gone and will never return. He goes into the living room and sees a photo of Natalie and his deceased friend, Jimmy. He writes on the back of the photo that Natalie will help him out of pity because she has also lost someone. Leonard then goes back to bed and lies down next to Natalie. He is struggling to cope with the loss of his wife and is looking for someone to help him. He believes that Natalie can help him because she has also lost someone, but it is unclear whether she can actually help him.
- In a motel room, Leonard uncovers a mysterious bag of items, including a needle and handgun. The scene shifts to his apartment, where strange events unfold. Awakening in a different motel room, Leonard discovers a bound and gagged man in the closet, plunging him into a perplexing and unsettling situation.
- Leonard confronts Teddy with the discovery of an unknown man, Dodd, hidden in the motel room closet. As they examine a Polaroid of Dodd bound and gagged, Leonard realizes it's Dodd's room. Together, they decide to clean up Dodd, untie him, and escort him out while keeping a gun close in case of trouble.
- Array
- Leonard is stressed and confused as he talks on the phone about memory under pressure. He attacks and ties up Dodd in a motel room, leaving him in a closet. Leonard struggles with what to do next, calling Teddy for help before lying down on the bed.
- Leonard prepares a makeshift weapon and confronts Dodd at a motel. He tricks Dodd and escapes, leading him on a chase through a trailer park and alley.
- Leonard burns personal items in a fire and is confronted by Dodd, who threatens him at gunpoint and demands to know how he got his car. Leonard remains calm and amused, but the conflict is not resolved.
- Leonard discovers a blonde woman snorting cocaine in his bathroom. He is shaken and asks her to leave. He then packs his belongings, including a paperback book, hairbrush, alarm clock, and stuffed toy. Leonard realizes that pages are missing from the police report he has on the motel room murder and makes a note of it.
- Leonard meticulously prepares his motel room, enlists an escort for assistance, and attempts to unravel the mystery of his wife's murder amid his memory loss.
- Leonard wakes up alone in a motel room, unaware of how he got there. He receives conflicting information about Natalie, the woman he recently left, from Teddy, a man claiming to be his friend. Teddy warns Leonard against Natalie, but Leonard discovers a note on his picture of Natalie that contradicts Teddy's claims. Leonard is left alone in his car, questioning the truth and his own memories.
- Leonard checks into the Discount Inn and reminisces about a conversation with Mrs. Jankis, the wife of a former patient with anterograde amnesia. Mrs. Jankis confided in Leonard about her suspicions that her husband was faking his condition. Leonard struggles with his own memory loss and contemplates his next move.
- After getting a new tattoo, Leonard discovers a bandage on his arm and finds Natalie injured from being beaten by Dodd. Natalie blames Leonard, who decides to confront Dodd to resolve the situation.
- In a tense confrontation outside Natalie's house, Leonard is startled by Teddy. After discovering a mysterious tattoo in a motel room, Leonard has an explosive conversation with Natalie about missing money and a man named Dodd. As accusations fly, Natalie bursts into her house, pleading with Leonard to kill Dodd. The scene climaxes in a physical altercation and ends with Natalie leaving in distress, leaving Leonard alone with a sense of unease.
- Leonard, a man haunted by fragmented memories, visits Natalie's house with the hope of finding the killer who took his wife's life. Despite the police's disbelief in his claims, Leonard remains determined to uncover the truth. Natalie, intrigued but concerned, questions Leonard's methods and the lack of evidence. As Leonard delves into his file, the air thickens with suspense and uncertainty, leaving the fate of his quest hanging in the balance.
- Leonard's morning takes a sinister turn as he discovers his missing wife, a masked attacker in his bathroom, and a concealed threat lurking behind him. Amidst confusion and disbelief from the police, Leonard seeks refuge with Natalie, recounting his ordeal and capturing a memory of their encounter.
- Leonard receives a message from the front desk about a call from a cop, but declines due to his aversion to phone conversations. At Ferdy's Bar, the bartender observes his behavior and mentions a cop's comment about his condition. Leonard experiences a flashback of his wife's death after receiving a new drink. Back at his motel room, Leonard receives a Polaroid with a cryptic message, directing him to 'take the call.' The phone then rings, leaving Leonard in a state of uncertainty.
- Leonard, a man with short-term memory loss, encounters Natalie at Ferdy's Bar. Natalie suspects Leonard's connection to her boyfriend Jimmy. Leonard reveals his condition and shows Natalie a beer mat from his pocket. Natalie becomes emotional upon seeing the beer mat.
- Leonard, anxious and frightened, receives a phone call and fears he may have committed a wrongdoing. Despite his confusion, he drives away from a tattoo parlor and seeks solace at a bar.
- Concerned about his condition, Leonard recounts Sammy's story. Sammy, with a mental illness, unknowingly overdosed his wife, Mrs. Jankis, with insulin injections, leading to her death. Suspecting he was faking his illness, Mrs. Jankis tested Sammy's love, setting off a tragic chain of events.
- Leonard visits a tattoo parlor to get a new tattoo on his thigh. While in the middle of the tattooing process, Teddy interrupts and offers to move Leonard's car. After a brief conflict, Teddy promises to return with something for Leonard.
- Leonard gets a tattoo that says "FACT 6. CAR LICENSE: SG13 7IU." Teddy tells Leonard that a cop is looking for him and that he needs to get a new identity. Teddy gives Leonard a bag of clothes and tells him to take his car and get out of there.
- Leonard finds a note in his pocket instructing him to meet Natalie at a bar. He seizes a chance to escape the tattoo parlor by climbing out a window and driving away in his car.
- Leonard tracks down Jimmy Grantz to a derelict building, determined to force him to beg. Teddy, an undercover agent, provides Leonard with directions to the building. Jimmy is surprised to see Leonard and questions his motives. Leonard, armed with a jack handle, faces Jimmy in the desolate, industrial setting, leaving the outcome uncertain.
- In the depths of a dilapidated building, Leonard's relentless pursuit of vengeance unfolds. He strangles Jimmy, concealing his body and stolen clothes in the basement. As Teddy, a police officer, arrives, Leonard orchestrates a deceptive encounter, leading him to Jimmy's corpse. With ruthless efficiency, Leonard eliminates Teddy, seizing his weapon and badge, leaving him armed and elusive.
- Leonard pushes Teddy out of the basement and confronts him about the man he was set up to kill. Teddy reveals that Leonard's memory is faulty and that Leonard is actually responsible for his wife's death. Leonard is shocked and confused by this revelation, leading to a tense and suspenseful scene. The confrontation ends with Leonard left alone in the basement, trying to process the possibility that his memories may be false.
- Amidst haunting flashbacks, Leonard grapples with a shocking revelation: he may have already avenged his wife's death. As Teddy, the enigmatic stranger, manipulates the narrative, Leonard finds himself on a desperate quest to uncover the truth, questioning what he remembers and what is real.
- Leonard eliminates evidence, crafts false memories, and assumes a new identity by claiming ownership of a stolen car, outsmarting a pursuer and leaving the scene in the stolen vehicle.
- Leonard drives aimlessly, contemplating life's complexities and his amnesia. His blind driving leads him to a strip mall where a tattoo parlor sparks his interest, prompting him to investigate.
- Earl discovers a note accusing him of cowardice and notices a scar on his head. He examines pictures of a brain abnormality and a grave, contemplating his past and future. A handwritten note urging him to seek revenge adds to his turmoil.
- Earl awakens in a desolate room, discovering money, a letter, and keys taped to his hand. As he ponders controlling his own being, a towering figure appears, inflicting agony upon him. The scene concludes with Earl writhing in pain, his fate uncertain.
- Earl receives an enigmatic tattoo and a bell, accompanied by a cryptic note from the tattoo artist. The note explains the significance of both the tattoo and the bell, leaving Earl with a lingering mystery.
- Earl, lost in his thoughts while riding in a car, questions the meaning of time and the significance of his actions. He realizes the futility of dwelling on the past and the importance of living in the present moment. His discovery of a tattoo on his wrist, bearing two enigmatic dates, adds a layer of mystery and uncertainty to his introspections.
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Character Leonard
Description Leonard's emotional responses seem to vary significantly between scenes. In sequence 20, he is composed and methodical when dealing with Natalie, but in sequence 23 he becomes increasingly agitated and lashes out physically, which seems out of character given his previous demeanor.
( Scene 20 (112) Scene 23 (123) ) -
Character Teddy
Description Teddy's motivations and relationship to Leonard are inconsistent. In sequence 31, he appears to be helping Leonard and warns him about Natalie, but in sequence 34 he reveals that he has been manipulating Leonard all along, which contradicts his earlier concern for Leonard's well-being.
( Scene 31 (150) Scene 34 (174) )
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Description The revelation that the 'real' John G. has already been killed by Leonard a year ago creates a significant plot inconsistency. This contradicts the narrative that Leonard has been searching for his wife's killer all along, and raises questions about the reliability of the information presented to the audience.
( Scene 34 (174) )
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Description It is unclear how Leonard ended up in Dodd's motel room and why Dodd was tied up there. The script does not provide a convincing explanation for these events, leaving a plot hole in the narrative.
( Scene 13 (69) ) -
Description The revelation that Leonard has already killed the 'real' John G. a year ago creates a significant plot hole. It is unclear why Leonard would continue his obsessive search for this person if he had already achieved his goal of revenge, undermining the central narrative drive of the film.
( Scene 34 (174) )
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Description Natalie's dialogue in sequence 23, where she viciously insults Leonard and his wife, does not seem authentic to her previous characterization. The language and vitriol feel out of place and serve more to advance the plot than reflect a realistic character interaction.
( Scene 23 (123) )
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Element Exposition about Sammy Jankis
( Scene 8 (41) Scene 9 (47) Scene 10 (52) )
Suggestion Consider consolidating or rearranging the exposition about Sammy Jankis to avoid repetition and maintain narrative momentum.
Leonard - Score: 81/100
Character Analysis Overview
Teddy - Score: 81/100
Character Analysis Overview
Natalie - Score: 75/100
Character Analysis Overview
Dodd - Score: 74/100
Role
Antagonist
Character Analysis Overview
Theme | Theme Details | Theme Explanation | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Memory and Identity (70%) | The protagonist, Leonard, has anterograde amnesia, which means he cannot form new memories. This leads to him struggling to remember who he is and what happened to his wife. He relies on notes, Polaroids, and tattoos to try to piece together his past. | The theme of memory and identity explores how our memories shape who we are. Leonard's amnesia forces him to question who he is and what his purpose is. He must learn to rely on others and to trust his own instincts in order to find out the truth about his past. | ||||||||||||
Strengthening Memory and Identity:
| ||||||||||||||
Violence and Revenge (50%) | The film is filled with violence, both physical and psychological. Leonard is constantly being threatened and attacked, and he must use violence to protect himself. He also seeks revenge against the man he believes killed his wife. | The theme of violence and revenge explores the destructive nature of violence. Leonard's quest for revenge leads him down a dark path, and he ultimately realizes that violence is not the answer. | ||||||||||||
Love and Loss (40%) | Leonard is grieving the loss of his wife, and he struggles to move on. He meets Natalie, a woman who also lost someone she loved, and they find solace in each other. | The theme of love and loss explores the power of love and the pain of loss. Leonard and Natalie's relationship shows that even in the darkest of times, love can provide hope and healing. | ||||||||||||
Trust and Betrayal (30%) | Leonard struggles to trust anyone, including himself. He has been betrayed by his wife, his friends, and even his own mind. He must learn to trust again in order to find out the truth about his past. | The theme of trust and betrayal explores the importance of trust in relationships. Leonard's journey shows that trust can be difficult to give, but it is essential for finding love, happiness, and peace. |
Screenwriting Resources on Themes
Articles
Site | Description |
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Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
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Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
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internal Goals | The protagonist's internal goals revolve around uncovering the truth about his past and identity, seeking revenge for his wife's murder, understanding his memory loss, coming to terms with loss, and grappling with guilt and responsibility. |
External Goals | The protagonist's external goals include investigating the abandoned building, confronting Teddy, tracking down John G., navigating dangerous encounters, and finding closure and justice for his wife's murder. |
Philosophical Conflict | The overarching philosophical conflict revolves around memory, truth, identity, trust, control, and the nature of reality, challenging the protagonist's beliefs and perception of the world. |
Character Development Contribution: The protagonist's internal and external goals drive his development as he grapples with his past, memory loss, and the search for truth and justice, leading to a deeper understanding of himself and the world around him.
Narrative Structure Contribution: The goals and conflicts drive the narrative structure by creating tension, mystery, and suspense as the protagonist navigates through conflicting memories, unreliable information, and dangerous encounters, keeping the audience engaged and guessing.
Thematic Depth Contribution: The goals and conflicts deepen the thematic exploration of memory, identity, truth, justice, and the complexities of human emotions and relationships, adding layers of depth and complexity to the screenplay's themes.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
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Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Aftermath | Suspenseful, Dark, Intense | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
2 - Leonard's Revenge | Intense, Suspenseful, Dark | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 10 | 8 | 10 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | |
3 - Anterograde Amnesia | Tense, Suspenseful, Mysterious, Intense | 8 | 8 | 8 | 9 | 7 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
4 - The Revelation | Intense, Suspenseful, Dark, Emotional | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
5 - Memory and Vengeance | Suspenseful, Intense, Emotional | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
6 - Uncovering Clues and Confusion | Tense, Mysterious, Intense, Conflicted | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
7 - City Grill Encounter | Intense, Suspenseful, Reflective | 8 | 8 | 8 | 9 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
8 - The Memory Thief | null | 0 | 0 | 0 | 9 | 0 | 0 | 9 | 8 | 0 | 8 | 0 | 0 | 8 | 0 | 0 | 9 | 8 | 8 | 8 | |
9 - Leonard's Memory Lapse | Suspenseful, Intense, Mysterious, Emotional | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
10 - Leonard and Natalie: A Suspicious Encounter | Intense, Suspenseful, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
11 - Leonard's Loneliness | Intense, Emotional, Suspenseful | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 7 | 8 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
12 - Leonard's Motel Mystery | Suspenseful, Intense, Confused, Frightened | 8 | 8 | 9 | 9 | 7 | 6 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 7 | 6 | 9 | 8 | 8 | 8 | |
13 - Discovery and Dilemma | Tense, Suspenseful, Confrontational, Mysterious | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
14 - The Parking Lot Encounter | Suspenseful, Intense, Confrontational, Mysterious | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
15 - Pressure and Violence | Intense, Suspenseful, Dark, Emotional | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 8.5 | 8 | 8 | |
16 - Confrontation at the Motel | Intense, Suspenseful, Tense, Desperate | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
17 - Confrontation in the Parking Lot | Suspenseful, Intense, Emotional, Dark | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
18 - Cocaine in the Bathroom | Tense, Suspenseful, Confused, Intriguing | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
19 - Leonard's Motel Encounter | Suspenseful, Intense, Mysterious, Emotional | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7.5 | 7 | 8 | 7 | 8 | 9 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
20 - Memory Maze | Suspenseful, Intense, Mysterious, Intriguing | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | |
21 - Anterograde Amnesia | Suspenseful, Intense, Emotional, Intriguing | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
22 - Leonard and Natalie's Confrontation | Tense, Suspenseful, Emotional, Agitated | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
23 - Money, Murder, and Mayhem | Intense, Emotional, Tense, Confrontational, Suspenseful | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 8 | |
24 - An Unbelievable Search | Suspenseful, Intense, Mysterious, Intriguing | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7.5 | 8 | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 8.5 | 8 | 8 | |
25 - A Night of Violence and Suspicion | Tense, Suspenseful, Dark, Mysterious | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
26 - Mysterious Messages | Suspenseful, Intense, Mysterious, Dark | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7.5 | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 9 | 8.5 | 8 | 8 | |
27 - Memory and Mystery at Ferdy's Bar | Suspenseful, Intense, Confused, Emotional | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7.5 | 7 | 8 | 7 | 8 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | |
28 - A Troubled Mind | Anxious, Frightened, Casual | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
29 - Memories and a Tragic Twist | Anxious, Suspenseful, Reflective, Emotional | 8 | 9 | 8 | 9 | 7 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
30 - Interrupted Tattoo Session | Suspenseful, Intense, Mysterious, Emotional | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | |
31 - Flight Plan | Suspenseful, Conspiratorial, Intense | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7.5 | 9 | 8 | 8 | 9 | 8 | 7 | 7 | 9 | 9 | 8 | 8.5 | |
32 - Leonard's Escape | Suspenseful, Intriguing, Mysterious | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7.5 | 8 | 8 | 8 | 9 | 9 | 7 | 7 | 9 | 8.5 | 9 | 9 | |
33 - Confrontation at the Derelict Building | Suspenseful, Tense, Mysterious | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
34 - Deadly Descent | Intense, Suspenseful, Dark, Emotional | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
35 - The Basement Confrontation | Tense, Suspenseful, Confrontational, Revealing | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
36 - A Question of Reality | Tense, Confrontational, Revealing, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 8 | 8 | |
37 - Escape from the Parking Lot | Intense, Suspenseful, Dark, Mysterious | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
38 - Leonard's Introspection | Confusion, Suspense, Emotional, Reflective | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
39 - Earl's Morning Reflections | Suspenseful, Intense, Emotional, Dark | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
40 - Awakening in Mystery | Suspenseful, Intense, Mysterious, Reflective | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
41 - The Tattooed Message | Suspenseful, Intense, Dark, Mysterious | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
42 - Earl's Contemplations in the Car | Mysterious, Intense, Reflective, Dark | 8 | 8 | 8 | 9 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Engaging dialogue
- Intriguing plot twists
- Complex characters
- Emotional depth
- Tension-filled atmosphere
Scene Weaknesses
- Some ambiguity in character motivations
- Complexity may be overwhelming for some viewers
- Some scenes may be confusing for viewers unfamiliar with nonlinear storytelling style
- Some elements may be confusing for the audience
- Some dialogue may feel repetitive or expository
Suggestions
- Consider adding more clarity to character motivations and plot points
- Simplify storytelling style to make it more accessible to wider audience
- Avoid repetitive exposition and overly expository dialogue
- Work on deepening character development and emotional impact
- Ensure that violent content is necessary and serves a purpose in the story
Scene 1 - Aftermath
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Leonard's Revenge
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Anterograde Amnesia
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - The Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Memory and Vengeance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Uncovering Clues and Confusion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - City Grill Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - The Memory Thief
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Leonard's Memory Lapse
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Leonard and Natalie: A Suspicious Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Leonard's Loneliness
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Leonard's Motel Mystery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Discovery and Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - The Parking Lot Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Pressure and Violence
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Confrontation at the Motel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Confrontation in the Parking Lot
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Cocaine in the Bathroom
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Leonard's Motel Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Memory Maze
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Anterograde Amnesia
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Leonard and Natalie's Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Money, Murder, and Mayhem
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - An Unbelievable Search
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - A Night of Violence and Suspicion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Mysterious Messages
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Memory and Mystery at Ferdy's Bar
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - A Troubled Mind
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Memories and a Tragic Twist
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Interrupted Tattoo Session
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Flight Plan
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Leonard's Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Confrontation at the Derelict Building
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Deadly Descent
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - The Basement Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - A Question of Reality
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Escape from the Parking Lot
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Leonard's Introspection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Earl's Morning Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Awakening in Mystery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - The Tattooed Message
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Earl's Contemplations in the Car
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Recommend
Explanation: Memento is a highly original and thought-provoking screenplay with a complex protagonist, a compelling narrative structure, and a unique exploration of memory and identity. While the film's non-linear structure and unreliable narrator may pose challenges for some viewers, its strengths far outweigh its weaknesses, making it a highly recommendable project.
Engine: GPT4
Recommend
Explanation: The screenplay 'Memento' offers a unique and engaging narrative through its reverse chronological order and complex character development. It stands out due to its innovative storytelling technique and the profound exploration of themes such as memory, identity, and truth. While there are areas for improvement in pacing and character motivation, the screenplay's strengths in creating a compelling mystery and emotional depth make it a recommendable project for production.