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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. UNDERWOOD RESIDENCE - NIGHT SLOWLY PULL IN on the front door of a fashionable DC townhouse. Off-screen, we hear the SOUND OF SCREECHING TIRES followed by a LOUD COLLISION. A CAR ALARM blares.
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INT. UNDERWOOD RESIDENCE - BATHROOM - A FEW MINUTES LATER Francis stands at his sink, methodically washing his hands. INT. UNDERWOOD RESIDENCE - BEDROOM - MOMENTS LATER CLOSE ON FRANCIS’ HANDS zipping up the back of a woman’s elegant evening gown.
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INT. FRANCIS’S CAR - NIGHT Francis and Claire ride in the back the SUV. Steve drives. CLAIRE (she runs her hand through his hair)
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INT. WASHINGTON HERALD - NEWSROOM - MORNING A bustling bull-pen of writers, editors and assistants. Mounted TVs blare with 24 hour news channels. The steady clacking of keyboards wafts from a sea of cubicles. ZOE BARNES (mid 20s) - a strong and hungry young reporter -
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INT. RUSSO’S OFFICE - MORNING CHRISTINA MALONE (late 20s) - sexy and headstrong - ushers a humorless looking LOBBYIST into Rep. Peter Russo’s office. Christina is Russo’s Executive Assistant. Russo is smart and amiable, but a bit of rascal.
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INT. BLAIR HOUSE - OFFICE - DAY As the Aide lets Francis into the office, we see that it’s Vasquez, not Walker, who is behind the desk. Francis registers a whiff of surprise. 11.
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INT. CLEAN WATER FOR AMERICA (CWA) OFFICES - DAY TO ESTABLISH: A large polished steel sign above a reception desk that reads: CLEAN WATER FOR AMERICA We TRACK an older woman (50s) - EVELYN - carrying a folder
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INT. WASHINGTON HERALD - NEWSROOM - NIGHT JANINE SKORSKY (late 30s) - hard-edged and ruthless - is punching away at her computer. Zoe leans over her cubicle partition, lingers for a moment. JANINE
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INT. UNDERWOOD RESIDENCE - LIVING ROOM - NIGHT TIGHT on Claire sitting alone, stock still, face grim. We hear the front door open. In the background we see Francis enter the room. He looks weary, spent. He comes into the foreground, sits down across from her.
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INT. UNDERWOOD RESIDENCE - BEDROOM - DAWN Claire is in bed as morning light seeps in through the window. The bed is empty beside her. Her eyes are open. She stares at the ceiling. The alarm beeps. She reaches over, turns it off.
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INT. UNDERWOOD’S OFFICE - KAUFBERGER’S OFFICE - DAY TIGHT on screen. MICHAEL KERN (50s) - clean-cut and handsome - is speaking at a lectern, flanked by Walker and Vasquez. The ticker-tape reads: KERN NOMINATED FOR SEC. OF STATE. CUT TO DOUG STAMPER (early 40s) - Francis’s well-connected,
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INT. FRANCIS’S (INNER) OFFICE - DAY Francis and Stamper behind closed doors. Stamper is trying to process it all. STAMPER How do we get there...?
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INT. CAPITOL MESS HALL - LATER Francis waits at the checkout. Junk food heaped on his tray. We hear some commotion. Entering the mess hall is Michael Kern followed by a couple of AIDES. People are congratulating him. He’s smiling like a pig in shit.
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INT. EPISCOPAL CHURCH - MORNING The service is chock full of DC’s political heavyweights, including Francis and Claire seated near the back. A MINISTER is in the midst of delivering a sermon. 24.
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EXT. EPISCOPAL CHURCH - LATER We’re following Francis and Claire as everyone files out. FEMALE VOICE (O.S.) Claire... They’re approached by another power couple: the longtime
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INT. RUSSO’S BEDROOM - NIGHT A cluttered high-rise apartment. Russo and his secretary Christina are having wild, wall-pounding sex. As soon as Russo climaxes with a primal yawp, he rolls over and pours himself a drink from the night stand. Takes a sip.
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INT. KENNEDY CENTER - LOBBY - NIGHT A full lobby. OPERA-GOERS dressed to the hilt. A decidedly middle-aged crowd. Gray haired men, matronly women. We ZERO in on Francis and Claire. People seem to be parting subtly around them - a wide berth. Francis got snubbed for
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EXT. KENNEDY CENTER - NIGHT. Franics stands outside, scrolling through his blackberry, more to look like he’s busy than because he is. 29. A cab pulls up. Zoe emerges. She’s in a strapless black dress
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INT. KENNEDY CENTER - OPERA - NIGHT. Francis slips into the booth and takes his seat next to Claire. She doesn’t even look at him, but she reaches out and takes his hand. The SOUND of an orchestra tuning. The LIGHTS begin to fade.
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INT. CAB - NIGHT. The cab pulls up in front of Zoe’s apartment. Zoe and Brian are in the back seat. Zoe’s got Brian’s jacket draped over her. She hands it to Brian. ZOE
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INT. ZOE’S APARTMENT - NIGHT. The sound of keys, the bolt unlocking. The door opens and Zoe enters. Tosses her purse on the bed (just a mattress on the floor, no bed frame) and slips off her heels. Goes to the fridge. It’s pretty empty - just yogurt, some old
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INT. UNDERWOOD’S (INNER) OFFICE - MORNING Underwood is working at his desk. Stamper knocks and peeks his head in the door. STAMPER She’s here.
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INT. UNDERWOOD’S (OUTER) OFFICE - FRONT DOOR - DAY Francis opens the door for Vasquez. As she’s leaving -- VASQUEZ Keep me posted? FRANCIS
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INT. FRANCIS’S OFFICE - AFTERNOON Francis and Stamper are having a brainstorming session. STAMPER Ferguson? FRANCIS
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EXT. UNDERWOOD RESIDENCE - FRONT DOOR TIGHT on a finger pushing the door bell. A moment later the door opens, revealing Francis. We CUT TO Zoe standing opposite, Steve right beside her. STEVE
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INT. UNDERWOOD RESIDENCE - LIVING ROOM - A FEW MINUTES LATER Francis pours drinks from the liquor cabinet. Hands one to Zoe, then sits across from her. Zoe takes a sip. ZOE It’s strong.
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INT. UNDERWOOD RESIDENCE - FOYER - MOMENTS LATER Francis helps Zoe put her coat on. Steve is in the foyer with them. Zoe hands Francis a card. 42. ZOE
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EXT. MICHIGAN AVENUE - LATE AT NIGHT A BMW slows to a halt by the curb with a POLICE CAR slowing to a stop behind it, lights flashing. CUT TO: A POLICE OFFICER ambles up to the stopped BMW and aims a flashlight at the driver. It’s Russo. He looks wasted.
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INT. UNDERWOOD RESIDENCE - BEDROOM - LATER The phone rings. Francis groggily answers it. FRANCIS Hello...? Listens for a second. Sits up, suddenly alert.
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INT. POLICE STATION - HOLDING CELL - MORNING Russo is sitting on a bench, head in hands. We hear footsteps. He looks up. A COP enters, unlocks the door, opens it. COP
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INT. UNDERWOOD RESIDENCE - KITCHEN - MORNING Claire picks up two fresh cups of coffee from the espresso machine. Meanwhile Francis finishes slicing an apple, places half the slices on one plate, half on another. They meet at the kitchen table - Claire with the coffee, Francis with the
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INT. BLYTHE’S OFFICE - DAY Francis holds up a document as HAROLD BLYTHE looks on. FRANCIS (holding up the document) This is the only hard copy?
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INT. HOTEL ROOM - NIGHT TIGHT on the door. A knock. A moment later the door opens, revealing the CALL-GIRL we saw with Russo the night before. She’s wearing a long overcoat and heels. CUT TO to Stamper. STAMPER
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INT. FRANCIS’S (INNER) OFFICE - LATE MORNING Francis sits across from CATHERINE DURANT (early 50s), another conservative Democrat from the South. 51. DURANT
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INT. RAYBURN BLDG PARKING GARAGE - NIGHT A Black SUV rounds a corner on the bottom floor of the garage, pulls into an empty spot. We can see that Steve is driving. The back door opens. Stamper gets out. He heads toward a set of dumpsters in the far corner. Looks around.
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INT. NATIONAL GALLERY - DAY Francis and Zoe sit side by side on a bench in front of a Thomas Eakins painting. It depicts two rowers in a skull. FRANCIS Do the math, Ms. Barnes.
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INT. ZOE’S APARTMENT - AFTERNOON Zoe in her cramped, hopelessly messy apartment. She’s flipping through Blythe’s original draft. Making notes. Utterly focused. She has something no one else on the planet has. Her cell phone rings. She presses ignore without even
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INT. FRANCIS’S OFFICE - CONTINUOUS Francis shuts the door as Russo takes a seat. FRANCIS Drink? RUSSO
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INT. WASHINGTON HERALD - NEWSROOM - AFTERNOON Zoe makes a B-line for Lucas’s office. As she barges in... LUCAS Where have you been? I’ve been calling you.
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EXT. THE MALL - MORNING A WIDE PAN of massive crowds gathered for the Inauguration Ceremony on a crystal clear, January morning. FRANCIS (V.O.) Power is like real estate. It’s
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EXT. PENNSYLVANIA AVENUE - EARLY MORNING The streets are empty. Sanitation workers sweep up the ticker tape from the previous day’s celebration. Police crews load barricades into flatbed trucks. EXT. FREDDY’S BBQ JOINT - EARLY MORNING
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EXT. FREDDY’S BBQ JOINT - MORNING Francis’ plate is empty. He wipes his hands and dabs his mouth with a napkin. Freddy starts to clear Francis’s plate. FREDDY You want seconds?

House of cards pilot

A ruthless politician will stop at nothing to conquer Washington D.C., in this dark political drama.

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Overview

Poster
Unique Selling Point

**Unique Selling Proposition** Journey into the world of "House of Cards," an electrifying political drama that captivates with its unique blend of realism and ruthless ambition. Through its distinct elements, "House of Cards" sets itself apart as a gripping and thought-provoking series: * **Authentic Storytelling:** Experience the raw and intricate power dynamics within the halls of Congress as the series delves into the complexities of political maneuvering, corruption, and the insatiable hunger for power. * **Complex Characters:** Immerse yourself in a cast of morally ambiguous characters driven by ambition, deceit, and vulnerability. Their motivations are as murky as the corridors they navigate, making their every move unpredictable. * **Sharp Dialogue:** Engage with razor-sharp dialogue that cuts through the political jargon and exposes the underlying desires and manipulations of the characters. Each conversation is a masterclass in wit and strategy. * **Thrilling Plotlines:** Be on the edge of your seat as the series weaves intricate plotlines that intertwine personal ambition, political intrigue, and the quest for absolute power. The stakes are high, and the consequences are dire. * **Deep Exploration of Morality:** Challenge your own moral compass as the series forces you to confront the blurred lines between right and wrong, loyalty and betrayal, and the sacrifices one is willing to make in the pursuit of success. "House of Cards" is a captivating and unflinching exploration of the corridors of power, where ambition and morality collide in a relentless game of strategy and deception. Prepare to be engrossed in a world where every move carries weight and the price of success is as high as the stakes themselves.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT4
 Highly Recommend
Claude
 Recommend
Story Facts

Genres: Thriller, Political Drama, Drama, Political, Romance, Political Thriller, Character Study, Comedy, Journalism

Setting: Modern day, Washington, D.C. and surrounding areas

Themes: Power and Corruption, Media and Influence, Ambition and Betrayal, Manipulation and Deception, Love and Relationships, Political Intrigue

Conflict & Stakes: Francis's ruthless pursuit of power and his willingness to do whatever it takes to achieve his goals. The high stakes involved in the political game, where one wrong move can have disastrous consequences.

Mood: Dark, suspenseful, and cynical.

Standout Features:

  • Unique Hook: The show's unique and compelling premise: a behind-the-scenes look at the world of politics, told from the perspective of the ruthless and ambitious Francis Underwood.
  • Plot Twist: The show's shocking and unexpected plot twists, which keep viewers on the edge of their seats.
  • Distinctive Setting: The show's unique and distinctive setting: the world of politics in Washington, D.C.
  • Innovative Ideas: The show's innovative use of technology, including social media and online streaming.
  • Unique Characters: The show's unique and complex characters, who are both fascinating and flawed.
  • Genre Blend: The show's unique blend of genres, including political drama, thriller, and black comedy.

Comparable Scripts: House of Cards, The West Wing, Scandal, The Wire, Breaking Bad, The Godfather, The Shawshank Redemption, The Matrix, Fight Club, The Lord of the Rings

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.78
Story Critique
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Characters

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Emotional Analysis

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Goals and Philosophical Conflict
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Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
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Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
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Memorable Lines
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Tropes
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World Building
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Correlations
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Loglines
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