1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Scene Map 42
# PG SLUGLINE
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Scene Map
42
# PG SLUGLINE
1
1 EXT. MANHATTAN SKYLINE - DAY 1 We circle around the island of Manhattan moving closer and closer till we're looking down on Fifth Avenue. As the melody continues to play we MOVE towards a building and ZOOM into a window.
2
3 INT. RACHEL'S BEDROOM - DAY 3 RACHEL, Doctor Greenbaum's daughter sits at her desk, crying while holding the phone. RACHEL Hi, mom.
3
4 INT. THERAPIST'S OFFICE BUILDING - HALLWAY - DAY 4 Doctor Greenbaum bolts out of her office and spots Sebastian standing in the elevator. DR. GREENBAUM You son of a bitch.
4
9 EXT. PARK - DAY 9 COURT REYNOLDS, an Aryan seventeen year old preppy, wears a Polo sweater with an American Flag. KATHRYN (V.O.) You know Court Reynolds, son of Garret
5
15 EXT. ROSEMOND ESTATE - AERIAL SHOT - DAY 15 WE MOVE across the sky looking down at lush greens and stately mansions till WE PASS over the ROSEMOND ESTATE. Enormous in size. WE SEE two riders on horseback. 16 EXT. ESTATE - MEADOW - DAY 16
6
17 EXT. ESTATE - GARDEN - DAY 17 Sebastian stands holding a shotgun. A groundskeeper, FRANKLIN stands by the trap. SEBASTIAN Pull!
7
18 INT. ESTATE - STABLE - DAY 18 Sebastian and Annette put the riding gear away. SEBASTIAN So what year are you going into? ANNETTE
8
19 INT. CALDWELL APARTMENT - STUDY - DAY 19 CLOSE ON: A hand stroking the bridge of a cello. RONALD (O.S.) That's good, that's good. WE PULL BACK
9
20 EXT. BLAINE'S HOUSE - DAY 20 Another nice home in Connecticut. Sebastian's Porsche is parked outside. 21 INT. BLAINE'S HOUSE - BEDROOM - DAY 21 A typical teenagers bedroom, expect this one is a shrine
10
22 EXT. CENTRAL PARK - DAY 22 Kathryn and Cecile sit on a blanket. A lavish picnic lies around them. Kathryn wears large sunglasses, a scarf and a hat to protect her from the sunlight. She sits behind Cecile and braids her hair.
11
23 INT. ESTATE - ANNETTE'S GUEST ROOM - NIGHT 23 Little touches of Annette's life (photo of dead mother) adorn the room. Annette is reading The Fountainhead when she HEARS singing coming from outside. Unable to concentrate, she walks out onto the balcony.
12
25 INT. VALMONT TOWNHOUSE - KATHRYN'S BEDROOM - NIGHT 25 Kathryn sits in her bathrobe. One foot soaks in a small tub of water while Sook-Hee tends to her other foot. KATHRYN Fuck her yet?
13
27 EXT. BLAINE'S HOUSE - NIGHT 27 Sebastian's Porsche is parked outside. 28 INT. BLAINE'S HOUSE - HALLWAY - NIGHT 28 Sebastian presses his ear to the door. GREG (O.S.)
14
30 EXT. ESTATE - ROAD - DAY 30 Annette jogs up a dirt road on her morning run. THIRTY YARDS BEHIND HER - a golf cart drives off a meadow and lands on the road. Sebastian is driving. Annette looks back and scowls. Sebastian catches up to
15
31 EXT. BEACH - DAY 31 Annette and Greg walk along the beach and gaze out at the ocean. GREG He told you he's failing in love
16
32 INT. PORSCHE - DAY 32 Sebastian drives down the highway towards Manhattan. He holds his cell phone in one ear. SEBASTIAN That nosey bitch. Are you sure?
17
35 EXT. TOWNHOUSE - NIGHT 35 A meter maid writes a ticket on Sebastian's car when she grabs her neck in pain. 36 INT. VALMONT TOWNHOUSE - SEBASTIAN'S BEDROOM - NIGHT 36 Sebastian closes his window and sets down a bb rifle with
18
38 INT. VALMONT TOWNHOUSE - SEBASTIAN'S BEDROOM - NIGHT 38 GRETCHEN Of Human Bondage. You're such a bullshit artist. SEBASTIAN
19
41 INT. CALDWELL APARTMENT - STUDY - DAY 41 Ronald gives Cecile a cello lesson when Mrs. Caldwell bursts into the room. MRS. CALDWELL Who the hell do you think you are?!
20
42 INT. CALDWELL APARTMENT - ELEVATOR - DAY 42 Ronald rides down in the elevator. RONALD (angry) Took me off the streets?
21
46 INT. VALMONT TOWNHOUSE - SEBASTIAN'S BEDROOM - NIGHT 46 Cecile lies on Sebastian's bed. She finishes the letter while Sebastian fiddles with a camera. CECILE Finished.
22
47 INT. CALDWELL APARTMENT - CECILE'S BEDROOM - DAY 47 Mrs. Caldwell enters the room. MRS. CALDWELL Cecile are you up yet? We're gonna to be late for the -
23
50 INT. ESTATE - CECILE'S GUEST ROOM - DAY 50 Cecile talks on the phone. CECILE Please. I need you. I don't know what to do. You're the only one I can talk
24
56 INT. PORSCHE - DAY 56 Sebastian and Annette drive towards the estate. SEBASTIAN It's weird. I actually feel good about myself. Can we do this again next week?
25
57 INT. ESTATE - CECILE'S GUEST ROOM - DAY 57 Cecile lies in the bed. There's a knock on the door. CECILE Who is it? KATHRYN (O.S.)
26
58 EXT. ESTATE - GARDEN - DAY 58 Annette sits on the grass reading Gabriel Garcia Marquez's Love In The Time Of Cholera. She puts the book down and wipes a tear from her eye. 59 INT. ESTATE - SEBASTIAN'S ROOM - DAY 59
27
60 EXT. ESTATE - GARDEN - DAY 60 Sebastian walks over to Annette, who continues to read her book. She notices him and sets the book down. SEBASTIAN Am I bothering you?
28
61 INT. ESTATE - SEBASTIAN'S ROOM - DAY 61 Sebastian enters the room and slams the door behind him. SEBASTIAN (frustrated) Shit.
29
64 INT. ESTATE - ANNETTE'S GUEST ROOM - NIGHT 64 Annette is reading in bed. There's a knock on the door. ANNETTE Come in. Sebastian enters the room.
30
65 INT. ESTATE - SEBASTIAN'S ROOM - NIGHT 65 Sebastian closes the door and leans against it. SEBASTIAN Shit. He wipes his eyes, which are starting to water. He goes
31
68 INT. GREG'S DORM ROOM - DAY 68 A shrine to hot babes, who's posters adorn the walls. Greg is busy dumping muscle magazines, several issues of Teen Beat and some Musical Theater CDs into a trash bag when the phone rings. He answers it.
32
70 EXT. HIGHWAY - DAY 70 The Porsche weaves in and out of traffic on it's way to the city. 71 INT. TRAIN CONCOURSE - DAY 71 A group of passengers exit the train. Annette is among
33
78 INT. VALMONT TOWNHOUSE - KATHRYN'S BEDROOM - DAY 78 Sebastian enters the room, to find Kathryn lying in bed, wearing only her bathrobe. SEBASTIAN Bad time?
34
79 INT. VALMONT TOWNHOUSE - SEBASTIAN'S BEDROOM - DAY 79 Sebastian talks on the phone. SEBASTIAN I'll pick you up in an hour. I love you too.
35
80 EXT. MANHATTAN STREET - DAY 80 A taxi drives down the street. 81 INT. TAXI - DAY 81 Kathryn and Sebastian sit in the back seat. Her arm is around his. Sebastian looks nervous.
36
86 EXT. VALMONT TOWNHOUSE - DAY 86 A cab driver carries several shopping bags out of a cab. 87 INT. VALMONT TOWNHOUSE - HALLWAY - DAY 87 Kathryn walks down the hallway and enters her room. 88 INT. VALMONT TOWNHOUSE - KATHRYN'S BEDROOM - DAY 88
37
89 INT. VALMONT TOWNHOUSE - SEBASTIAN'S BEDROOM - DAY 89 Sebastian paces while talking on the phone. SEBASTIAN It's desperate that I talk to her. MRS. O'SHEA (O.S.)
38
92 INT. O'SHEA APARTMENT - FOYER - NIGHT 92 Mrs O'Shea turns away from the door towards Annette, who stands in the hallway. 93 INT. VALMONT TOWNHOUSE - KATHRYN'S BEDROOM - NIGHT 93 Kathryn sits in a chair doing her nails. She checks her
39
95 INT. VALMONT TOWNHOUSE - KATHRYN'S BEDROOM - DAY 95 Kathryn hangs up the phone. She instantly becomes calm and returns to doing her nails. 96 INT. O'SHEA APARTMENT - ANNETTE'S GUEST ROOM - NIGHT 96 Annette sits and stares at Sebastian's package.
40
102 EXT. O'SHEA APARTMENT BUILDING - DAY 102 A STREET CLEANING MACHINE drives past the apartment 103 INT. O'SHEA APARTMENT BUILDING - LOBBY - DAY 103 Sebastian lies sleeping on a sofa in the lobby. The NIGHT DOORMAN taps him awake.
41
105 INT. VALMONT TOWNHOUSE - LIVING ROOM - DAY 105 Blaine, twenty high-school girls and several friends of the family are dressed in black, making polite conversation and consoling Sebastian's parents and his Aunt Helen. Mrs. Caldwell stands in the corner with Cecile and her
42
107 INT. PORSCHE - DAY 107 Annette races down the highway. She opens up the glove compartment and rifles through some cassettes. She takes out The Carpenter's Greatest Hits and inserts it. CUE UP: The Carpenter's singing "Goodbye To Love."

Cruel Intentions

In the cutthroat world of Manhattan's privileged elite, a step-sibling duo engage in a dangerous game of manipulation and seduction, with devastating consequences.

See other logline suggestions

Overview

Poster
Unique Selling Point

Immerse yourself in a gripping tale of manipulation, betrayal, and self-discovery in this thought-provoking screenplay. The narrative weaves together unique characters, from a manipulative young man to a strong-willed young woman, each with their own complex motivations and vulnerabilities. Set against a backdrop of wealth and privilege, this screenplay explores the dark side of human nature, delving into themes of power, control, and the intricate web of relationships that bind us together. With sharp, witty dialogue and a distinctive voice, this screenplay captivates and challenges, promising a captivating journey into the depths of human emotion.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Consider
GPT4
 Consider
Story Facts

Genres: Drama, Romance, Comedy, Thriller, Teen

Setting: Contemporary, Manhattan and its surrounding areas

Themes: Manipulation and Betrayal, Love and Redemption, The Power of Women, The Dangers of Toxic Masculinity, The Importance of Communication

Conflict & Stakes: The conflict arises from the destructive games and manipulations of Sebastian and Kathryn, which have far-reaching consequences for their victims. The stakes are high, as the characters' reputations, relationships, and even lives are at risk.

Mood: Dark and suspenseful, with moments of romance and humor

Standout Features:

  • Unique Hook: A modern adaptation of a classic novel, blending elements of romance, drama, coming-of-age, and social commentary.
  • Major Twist: The revelation of Kathryn's true intentions and her manipulation of Cecile to destroy Annette.
  • Distinctive Setting: The glamorous and decadent world of New York City in the early 21st century.
  • Innovative Idea: The exploration of the harmful consequences of manipulation and the power of redemption through the characters' journeys.
  • Unique Character: The character of Kathryn Merteuil, a complex and iconic female villain.

Comparable Scripts: Cruel Intentions (1999), Dangerous Liaisons (1988), Cruel Intentions 2 (2000), Gossip Girl (TV Series), The Great Gatsby (Book by F. Scott Fitzgerald), Gone Girl (2014), The Talented Mr. Ripley (1999), The Social Network (2010)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.64
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.