True lies
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo
USP: This script offers a unique blend of action, suspense, and humor, with a focus on the personal and emotional stakes of its characters. Set in the world of espionage, it stands out with its innovative storytelling techniques, such as underwater infiltration, high-tech gadgets, and formal event infiltration. The story features a resourceful and skilled protagonist, Harry Tasker, who must balance his dangerous spy life with his family responsibilities, adding depth and complexity to the familiar spy narrative. The script also explores themes of trust, betrayal, and the impact of deception on personal relationships, all presented in a sharp and witty dialogue that enhances the story's authenticity and relatability. Overall, this script is a compelling and original take on the spy genre, offering a thrilling ride filled with suspense, humor, and heart.
Overview
Genres: Thriller, Action, Drama, Comedy, Spy, Family, Mystery, Romance
Setting: Contemporary, Switzerland, Washington D.C., and various other locations in the United States and Caribbean
Overview: The screenplay has strong elements such as vivid visual imagery, compelling themes, and engaging characters. However, there are areas for improvement in dialogue consistency, emotional depth, and character development.
Themes: Deception, Betrayal, Espionage and Action
Conflict and Stakes: The primary conflict in this story is between Harry and the terrorists, led by Malik, who are planning a major attack. The stakes are high, as the terrorists have acquired nuclear weapons and are threatening to use them. Harry's personal life is also at stake, as his wife discovers his secret life and becomes involved in the danger. The conflict is resolved when Harry and his team are able to stop the terrorists and prevent the attack.
Overall Mood: Suspenseful and action-packed, with moments of humor and romance
Mood/Tone at Key Scenes:
- Scene 1: Tense and suspenseful, as Harry infiltrates the chateau and accesses Khaled's office.
Standout Features:
- Unique Hook: The movie's blend of action, adventure, and humor, as well as its exploration of complex themes, sets it apart from other movies in the genre.
- Plot Twist : The revelation of Harry's secret life and Helen's involvement in the danger adds a layer of complexity and suspense to the story.
- Distinctive Setting : The movie's diverse locations, from the Swiss Alps to the Caribbean, add visual interest and variety to the story.
Comparable Scripts:
Market Analysis
Budget Estimate:$100-150 million
Target Audience Demographics: Adults aged 18-49, fans of action and adventure movies
Marketability: The movie has a strong cast, high-stakes action, and a unique blend of humor and suspense. It has the potential to attract a wide audience and generate buzz.
The movie's unique blend of genres and exploration of compelling themes with a diverse cast could appeal to a niche audience.
The movie's compelling characters and gripping storyline, as well as its relevant social themes, could attract a dedicated fanbase.
Profit Potential: High, due to strong appeal to a wide adult audience and potential for award nominations.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Screenplay Analysis
- The screenplay has a strong concept (84.96th percentile) which is compelling and likely forms the foundation of an engaging story.
- The emotional impact (77th percentile) is another notable strength, suggesting that the story is able to elicit strong emotional responses from its audience.
- The screenplay also demonstrates high scores in stakes (85.06th percentile), story forward (88.82th percentile), and character changes (80.26th percentile), indicating a well-structured narrative with characters that undergo significant development.
- The plot (58.85th percentile) could benefit from further development to create a more engaging and cohesive narrative.
- The characters (26.99th percentile) and dialogue (37.17th percentile) scores are relatively low, suggesting that the writer could focus on creating more well-rounded characters and improving the dialogue to enhance the overall story.
- The formatting (0th percentile) score is currently very low, so the writer should ensure that the screenplay adheres to standard formatting guidelines.
Based on the provided percentiles, the writer appears to be more conceptual, with a focus on strong concepts and story structure. However, there is room for improvement in character development and dialogue.
Balancing Elements- To balance the various elements of the screenplay, the writer could focus on fleshing out the characters and their relationships, while also refining the dialogue to make it more natural and engaging.
- Additionally, working on the plot and ensuring a stronger connection between the story's events could help create a more cohesive and engaging narrative.
The writer's intuition level appears to be conceptual, with a focus on strong concepts and story structure, but there is potential for growth in the areas of character development and dialogue.
Overall AssessmentThe screenplay has a strong foundation with a compelling concept and emotional impact. However, there is room for improvement in character development, dialogue, and plot. Addressing these areas will help refine the story and create a more engaging and balanced narrative.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
|---|---|---|---|---|
| Scene Pacing | 8.71 | 95 | Sherlock Holmes: 8.70 | True lies: 8.71 |
| Script Visual Impact | 8.40 | 90 | Crouching Tiger Hidden Dragon: 8.30 | Everything Everywhere All at Once: 8.40 |
| Scene High Stakes | 8.7 | 89 | Argo: 8.6 | Black panther: 8.7 |
| Scene Conflict Level | 8.5 | 88 | Sherlock Holmes: 8.4 | Rambo: 8.5 |
| Overall Script | 8.40 | 84 | The Pianist: 8.39 | Mr. Smith goes to Washington: 8.40 |
| Scene Engagement | 9.00 | 81 | The Addams Family: 8.99 | fight Club: 9.00 |
| Scene External Goal | 7.57 | 80 | the 5th element: 7.56 | LA confidential - draft: 7.57 |
| Script Originality | 8.40 | 79 | Ghostbusters: 8.30 | Casablanca: 8.40 |
| Script Emotional Impact | 8.10 | 77 | Ex-Machina: 8.00 | the black list (TV): 8.10 |
| Scene Story Forward | 8.5 | 77 | Deadpool & wolverine : 8.4 | Casablanca: 8.5 |
| Script Conflict | 8.00 | 76 | The shining: 7.90 | the black list (TV): 8.00 |
| Scene Unpredictability | 7.67 | 72 | Jojo rabbit: 7.66 | Birdman: 7.67 |
| Scene Plot | 8.2 | 67 | American Fiction: 8.1 | Casablanca: 8.2 |
| Scene Overall | 8.5 | 63 | The father: 8.4 | Casablanca: 8.5 |
| Scene Concept | 8.2 | 57 | Coda: 8.1 | face/off: 8.2 |
| Script Theme | 8.30 | 56 | A Complete Unknown: 8.20 | the dark knight rises: 8.30 |
| Scene Character Changes | 7.1 | 53 | Triangle of sadness: 7.0 | Knives Out: 7.1 |
| Scene Originality | 8.74 | 53 | A Complete Unknown: 8.72 | True lies: 8.74 |
| Scene Emotional Impact | 7.9 | 52 | Triangle of sadness: 7.8 | fight Club: 7.9 |
| Script Premise | 7.90 | 39 | Zootopia: 7.80 | fight Club: 7.90 |
| Script Structure | 8.10 | 38 | Fleabag: 8.09 | glass Onion Knives Out : 8.10 |
| Script Characters | 7.80 | 30 | American Fiction: 7.70 | Easy A: 7.80 |
| Scene Dialogue | 7.5 | 26 | The Umbrella Academy: 7.4 | Titanic: 7.5 |
| Scene Internal Goal | 8.00 | 20 | KILLING ZOE: 7.98 | fight Club: 8.00 |
| Scene Characters | 8.0 | 18 | Narcos Pilot: 7.9 | Knives Out: 8.0 |
| Scene Formatting | 7.98 | 8 | fight Club: 7.96 | Pawn sacrifice: 7.98 |
Writer's Voice
Summary:The writer's voice is characterized by a blend of action, humor, and suspense, creating a dynamic and engaging atmosphere. The writer effectively portrays the tension and urgency of the story through detailed descriptions and sharp dialogue.
Best representation: Scene 3 - Harry's Daring Helicopter Heist. This scene is the best representation of the author's voice because it effectively combines action, humor, and suspense, showcasing the writer's ability to create a dynamic and engaging narrative.
Memorable Lines:
- Harry: Honey, I'm home. (Scene 1)
- Juno: Getting what you want is the only important thing. (Scene 11)
- GIB: Women. Can't live with 'em. Can't kill 'em. (Scene 18)
- Helen: Mission accomplished, motherfuckers. (Scene 30)
- Simon: Harry, I want you to be my wife. (Scene 24)
Writing Style:
The screenplay combines elements of action, suspense, and character-driven drama, creating a unique and engaging narrative. The writing style is sharp, witty, and fast-paced, with a strong emphasis on dialogue and complex character dynamics. The storytelling often explores moral dilemmas, ethical questions, and high-stakes conflicts, resulting in a compelling and thought-provoking screenplay.
Style Similarities:
- Tony Gilroy
- Aaron Sorkin
- Shane Black
Story Shape
Emotions Elicited
Engine: Gemini
Consider
Executive Summary
True Lies is an action-comedy screenplay with a strong premise and well-developed lead characters. The action sequences are thrilling, the dialogue is witty, and the blend of genres keeps the audience engaged. However, the screenplay could benefit from more nuanced portrayals of female characters, more complex villains, and a deeper exploration of the emotional consequences of Harry's double life. Overall, the screenplay has the potential to be a successful film with some revisions.
- The screenplay excels in creating a blend of action, comedy, and suspense, keeping the audience engaged and entertained throughout. high
- Harry Tasker's character is well-developed, showcasing his competence as a spy while revealing his vulnerabilities as a husband and father. high
- The action sequences are well-choreographed and thrilling, demonstrating Harry's skills and resourcefulness. high ( Scene 1 Scene 26 Scene 322 )
- The dialogue is witty and engaging, especially the banter between Harry and Gib. medium
- Helen's character arc is compelling, as she transforms from an unappreciated housewife to a woman who discovers her own strength and desires. medium ( Scene 118 Scene 200 Scene 209 )
- The portrayal of female characters, particularly Juno, relies on stereotypes and could be more nuanced. high
- The motivations of the Crimson Jihad terrorists are underdeveloped, making them appear more like caricatures than complex villains. medium ( Scene 50 Scene 111 )
- The pacing in the middle of the screenplay slows down, particularly during the scenes focusing on Harry's domestic life. medium ( Scene 100 Scene 119 )
- The use of humor in some scenes, especially during tense situations, can undercut the seriousness of the threat. low ( Scene 35 Scene 245 )
- The screenplay could benefit from exploring the emotional consequences of Harry's double life on his family in more depth. medium
- The internal workings of Omega Sector and the larger context of the spy world could be further developed. low
- The hotel scene where Harry poses as a client to test Helen is a unique and memorable sequence that showcases both humor and tension. high ( Scene 232 Scene 233 )
- The use of technology, such as the virtual video display and the sub-vocal transceiver, adds a futuristic and exciting element to the story. medium
Engine: Claude
Recommend
Executive Summary
True Lies is a well-crafted, high-stakes spy thriller that effectively blends action, suspense, and emotional character drama. The screenplay features a compelling protagonist in Harry Tasker, a skilled secret agent whose double life as a government spy is upended when his wife Helen is drawn into a dangerous terrorist plot. The action sequences are expertly executed, showcasing Harry's resourcefulness and combat prowess, while the character-driven moments explore the personal toll of his deception on his family. Overall, the screenplay is a highly recommended piece of storytelling that balances crowd-pleasing thrills with deeper themes of trust, loyalty, and the complexities of modern relationships.
- The opening sequence effectively sets up the high-stakes spy thriller premise of the story, introducing the protagonist Harry Tasker as a skilled secret agent on a covert mission. The atmospheric, cinematic visuals and tension-building pacing draw the audience in and establish the world of the story. high ( Scene 1 (1) Scene 1 (2) Scene 1 (3) Scene 1 (4) )
- The extended action sequence in the mall restroom, where Harry efficiently takes down two terrorist assailants, showcases his impressive skills and resourcefulness as a spy. The choreography and pacing of this scene are particularly well-executed. high ( Scene 23 (80) Scene 23 (81) Scene 23 (82) )
- The tense and emotionally-charged interrogation scene between Harry, Gib, and Helen effectively explores the complexity of Harry's double life and the strain it has placed on his marriage. The revelation of Helen's affair and the underlying vulnerabilities of the characters are compellingly portrayed. high ( Scene 19 (65) Scene 19 (66) Scene 19 (67) Scene 19 (68) )
- The sequence on the high-rise rooftop, where Harry rescues his daughter Dana from the terrorist Malik, is an exceptionally well-crafted and suspenseful action set piece. The integration of the Harrier jet, the crane, and the high-stakes confrontation creates a thrilling and visually striking climax to the story. high ( Scene 41 (305) Scene 41 (306) Scene 41 (307) Scene 41 (308) Scene 41 (309) )
- The scenes involving Harry's interactions with the character Simon could be tightened and better integrated into the overall narrative. While these scenes provide some character development and backstory, they feel somewhat distracting and tangential to the main plot. medium ( Scene 22 (163) Scene 22 (164) )
- The extended sequence of Harry evading security at the party and making his way through the chateau could be streamlined and tightened to maintain a more consistent pace. While the individual scenes are well-executed, the overall sequence feels slightly drawn out and could benefit from some judicious editing. medium ( Scene 15 (20) Scene 15 (21) Scene 15 (22) Scene 15 (23) Scene 15 (24) )
- While the opening sequence effectively establishes the high-stakes spy thriller premise, there could be more explicit character development and backstory for Harry Tasker, the protagonist, to better ground the audience in his motivations and internal world. medium ( Scene 1 (1) Scene 1 (2) Scene 1 (3) Scene 1 (4) )
- The emotional fallout and aftermath of the revelation of Harry's double life could be explored in more depth, particularly in regards to his relationship with his daughter Dana. The screenplay could benefit from more scenes that delve into the personal impact of Harry's actions on his family. medium ( Scene 19 (65) Scene 19 (66) Scene 19 (67) Scene 19 (68) )
- The sequence where Harry confronts his daughter Dana about her truancy and reconnects with her is a poignant and well-executed character moment that showcases the emotional depth of the father-daughter relationship. The scene effectively balances the action-thriller elements with more intimate, character-driven storytelling. high ( Scene 29 (218) Scene 29 (219) Scene 29 (220) Scene 29 (221) )
- The sequence of Harry chasing the terrorist Malik through the hotel is an exhilarating and well-choreographed action set piece, featuring inventive uses of the environment and seamless transitions between different locations. The integration of the scenic elevator as a unique setting adds to the excitement and visual flair of the sequence. high ( Scene 24 (93) Scene 24 (94) Scene 24 (95) Scene 24 (96) )
- The sequence where Helen is abducted by the terrorists and discovers Harry's true identity as a spy is a pivotal moment that effectively escalates the stakes and raises the emotional tension. The transitions between the different locations and the revelation of Harry's secret profession create a compelling narrative thrust. high ( Scene 30 (234) Scene 30 (235) Scene 30 (236) )
Screenplay Insights:
Premise: 7.9, The screenplay's premise has a solid foundation, introducing a captivating scenario of a secret agent navigating the complexities of family life and high-stakes missions. The premise effectively sets up the potential for an engaging and thrilling narrative, yet there are areas where refinement could enhance its overall intrigue. See More
Structure: , See More
Theme: 8.3, This screenplay effectively conveys its central themes of the struggle between duty and family, the consequences of deception on personal and professional relationships, and the ambiguity of morality in the world of espionage. The screenwriter skillfully weaves these themes into the narrative, creating a compelling and emotionally resonant story. See More
Visual Impact: 8.4, The screenplay exhibits strong visual storytelling techniques by leveraging vivid descriptions, employing creative visual elements, and maintaining overall consistency in its imagery. The nuanced portrayal of characters and their motivations through visual details adds depth to the narrative, engaging the reader's imagination. See More
Emotional Impact: 8.1, The screenplay showcases strong potential in terms of emotional depth, offering moments of vulnerability, character growth, and exploration of complex relationships. However, it could benefit from enhancing the emotional variety, including more nuanced and contrasting emotions, to create a more captivating and impactful emotional journey for the audience. See More
Conflict: 8.0, The screenplay presents a compelling central conflict and significant stakes that drive the narrative and engage the audience. However, it has areas where the conflict can be further refined and stakes elevated to enhance its impact. See More
Originality: 8.4, This screenplay presents a creative blend of action, suspense, and intricate character dynamics. The originality and creative approaches employed in its storytelling techniques, character arc developments, and examination of complex themes make this screenplay stand out. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In the snow-covered Alps, Harry Tasker infiltrates a fortress-like chateau during a nighttime party for a middle-eastern dignitary. After cutting through the icy canal in diving gear, Harry enters the chateau through a back service entrance, dressed in a tuxedo. This tense and suspenseful scene includes key dialogue such as Harry's casual 'Honey, I'm home' and Gib's instructions to Faisil. The scene concludes with Harry successfully entering the chateau undetected, ready to continue his mission.
- Harry, the main character, infiltrates a party at a chateau, makes his way to the host's office, and connects a device to the host's computer to transmit data to his team. Faisil begins to decode the encrypted files. Harry faces no challenges, and the main conflict lies in accessing and decoding the files. The scene takes place at night, starting in the kitchen, moving to the main hall, and ending in Khaled's office and a van outside. The tone is suspenseful and exciting.
- In this action-packed scene, Harry sneaks out of a library and encounters a guard, asking for the location of the restroom before heading to a party. There, he meets Juno Skinner and shares a dance with her. Meanwhile, his team in a van tries to unlock files on a computer, communicating with Harry through ear pieces. Harry leaves the party, causing a distraction with a remote detonator, and fights off guards and dogs. He then steals ski boots and escapes on skis while being chased by guards and a helicopter. The scene is tense and action-packed, with moments of flirtation and banter between Harry and the other characters.
- In this intense and action-packed scene, Gib's van slides on an icy road while pursuing guards jump over the van. Harry, a skier in a black tux, launches over the van and rakes a burst across the helicopter's windshield, causing it to crash. Harry then takes cover behind the burning wreckage and steals the helicopter, skiing it down the mountain and causing chaos and destruction. Harry crashes the helicopter in front of Gib's van, which then blows up. Harry, unharmed, emerges from the wreckage and gets into the van with Gib and Faisil, who opens fire on two guard teams on snowmobiles. The scene ends with the van driving away from the burning wreckage, pursued by the guard teams.
- In this warm and familial scene, secret agent Harry returns home after a mission and is dropped off by his partner Gib. He checks on his sleeping daughter Dana and gets into bed with his wife Helen. The next morning, Harry interacts with Dana and Helen before leaving for work. However, Dana is unimpressed with the gift her father brought her from his trip. The scene takes place in the Tasker family's suburban home in Washington D.C., and ends with Harry leaving for work and Dana dismissively throwing away the gift.
- Gib, Harry, Dana, and Trent are in the house during the day. Gib pours coffee for himself and Harry, and gives Harry a pair of Ray Bans with a virtual video display. Meanwhile, Dana steals money from Gib's wallet while he's in the kitchen. Harry discovers this and charges after Gib, but Dana runs out of the house with Trent. The scene is tense and confrontational, with Harry expressing shock and disbelief over Dana's behavior. The main conflict is Dana's theft, which is not fully resolved. The visual elements include the high-tech Ray Bans and Dana stealing money. The scene ends with Dana leaving the house with Trent.
- Harry and Gib, two coworkers, engage in friendly banter while navigating through the secure 12th floor of Tektel Systems. They pass by a 14-year-old secretary, discussing her potential relationships, and encounter a security specialist named Janice. Despite minor tensions surrounding a theft and personal matters, they maintain a lighthearted tone, ultimately entering a new area with armed guards.
- Gib and Harry meet with their chief, Spencer Trilby, and new team member Faisil in the Omega Sector inner sanctum's conference room. Faisil presents evidence of a potential terrorist threat involving smuggled nuclear warheads, but Trilby is dissatisfied, urging them to find more substantial proof. The scene is serious and tense, ending with Trilby challenging the team to find solid evidence.
- Helen, a paralegal, vents to her friend Allison about her husband Harry's arrogant behavior. Meanwhile, Harry is preoccupied with work discussions and later confronts their daughter Dana about cutting class. The scene unfolds in various locations, including an office building, a data center, a kitchen, a driveway, and a house interior, with conflicts arising from Helen's dissatisfaction, Brad's work interruption, and Harry's disagreement with Dana. The scene ends with Helen mocking Harry's earlier statement, highlighting the strained relationship between them.
- Harry, accompanied by his driver Gib, visits his former flame Juno, who owns a corporate art consulting company, in her office warehouse. The warehouse is filled with ancient sculptures and artifacts from various countries. A middle-eastern workman watches them intently as Harry and Juno discuss the desire of his clients for a dramatic piece of art for their new corporate headquarters. The scene is professional with a hint of flirtation and tension, and it ends with Juno asking Harry if he sees anything he likes.
- In this scene, Harry, Gib, and Fast Faisil discuss surveillance on Juno in a luxury hotel suite, while Malik confronts Juno in her office. Tension arises between the parties involved due to the surveillance and Juno's carelessness, which results in a slap from Malik. Amidst this tension, Harry and Juno share a sensual moment before Harry is called away on duty. The scene takes place in various settings, including a luxury hotel suite, Juno's warehouse, and Tektel Systems offices. The tone is tense and suspenseful, with moments of sensuality and intimacy between Harry and Juno. The dialogue revolves around surveillance and the potential threat that Juno poses. The scene ends with Harry leaving Juno's warehouse and getting beeped, indicating that he needs to leave.
- In this tense and suspenseful scene, agents Harry and Gib conduct nighttime surveillance on three men (Yusif, Mahmoud, and Abu Malik) at a mall, using advanced technology to communicate and observe. Simultaneously, at Harry's home, his daughter Dana, feeling disappointed and hurt by her father's absence on her birthday, engages in a heated argument with her mother, Helen. The conflicts of family drama and the challenges of covert operations create a powerful undercurrent in this scene.
- Harry defends himself against attackers Yusif and Mahmoud in a mall restroom, killing Mahmoud and subduing Yusif. Gib, outside, is shot at by Malik but escapes. A shootout between Harry and Malik ensues, leading to Harry commandeering a horse to chase Malik through a park.
- In a chaotic scene taking place at night, Malik and Harry charge through a hotel lobby and restaurant on horseback, causing chaos. Malik manages to escape on his motorcycle from the rooftop, while Harry's horse refuses to jump, causing Harry to fall off the edge and barely hang on. The scene is visually chaotic, and the tone is tense with a hint of humor. The main conflict of Malik's escape and Harry's pursuit is not resolved, and the scene ends with Malik escaping and Harry hanging on for dear life.
- Helen, still hurt from Harry's absence at her birthday party, tries to reconnect with him through intimate activities. However, her efforts are in vain as she finds Harry asleep after she prepares herself in sexy lingerie. The scene takes place at night, in the Tasker house, and is filled with emotional and intimate tones, ultimately ending with disappointment as Helen realizes her attempts have failed.
- In the morning near Dana's high-school, Harry and his nonchalant partner, Gib, stake out for a suspect. Harry spots Dana with Trent on a motorcycle and starts following them, causing Dana to be embarrassed. Trent skillfully evades Harry, leaving him frustrated and angry. This creates tension between Harry and Dana, and ultimately results in Trent and Dana escaping. The scene is tense and frustrating for Harry, while Dana is embarrassed and Trent seems excited by the chase.
- Harry and other agents discuss the new target, terrorist leader Abu Kaleem Malik, while Trilby expresses her displeasure about Harry's cover being blown. Harry sneaks past the receptionist to surprise Helen in her office, where she is expecting a call from someone named Simon. The scene takes place in a conference room and then moves to Helen's office building, with a serious tone but also moments of humor. The conflict of Harry's blown cover is not resolved, and another conflict arises as Helen is surprised by Harry's visit while expecting Simon's call. The scene ends with Harry's surprise visit to Helen's office.
- Harry discovers his wife Helen is having an affair and confronts his best friend Gib about it. Feeling hurt and angry, Harry is taken to work by Gib to distract him from the situation. Helen doesn't deny the affair when confronted. The scene is emotional and tense, with significant visual elements including Harry's dazed expression and physical pain, Helen's guilty look, and Gib's supportive demeanor. The conflict is not resolved, and the scene ends with Harry and Gib driving away from the office to focus on work.
- Harry pressures Gib to tap Helen's phone due to his suspicions, which leads to conflict. At dinner, Helen acts strangely, further fueling Harry's concerns. After finding evidence of Helen's secretive calls, Harry confronts her, but she lies. Harry and Gib then plant a tracking device in Helen's purse, escalating the situation and creating tension between the characters.
- In a crowded cafe during the day, Helen meets with a man named Simon, who she hasn't seen in a while due to his covert operations. Harry and Gib, two spies who are following Helen, suspect that Simon is working for someone else and are trying to figure out who that is. Through a speaker in their car, they overhear Simon and Helen's conversation, in which Simon alludes to a dangerous mission and takes credit for a recent operation that Harry and Gib were a part of. Harry and Gib are shocked by Simon's lies, but Helen seems to be captivated by him. The scene ends with Simon telling Helen that he will call her to arrange another meeting, and that they have to leave separately for her safety.
- In this humorous and lighthearted scene, Simon parks a Corvette on a run-down car lot and pretends to be a used car salesman, talking loudly on the phone to give the impression that the car is being sold. Harry and Gib observe him from across the street, while Doug, the owner of the car lot, confronts Simon about his lack of interaction with a potential customer. The conflict is resolved when Simon begins to show the car to Harry, who is pretending to be a customer. The scene ends with Simon's ruse in full swing.
- Harry and Simon cruise in a Corvette, with Simon discussing his affair, which makes Harry increasingly agitated. They later arrive at a used car lot, where Simon tries to sell the car to Harry. Meanwhile, Helen prepares to go out, leaving Dana confused. The scene takes a tense turn when Harry discovers a missing page from a transcript in a sedan, leading to a confrontation with Gib, resulting in Harry breaking the car window to retrieve the missing page.
- In a tense and urgent scene, Simon, in a flashback, urgently calls Helen to meet him, while in the present, Harry checks his watch and realizing it's almost eight, prompts him to check the GPS locator which shows Helen's purse is still at his house. Harry then orders two units to follow Helen without authorization, causing a conflict with Gib. The conflict is resolved when Harry reveals Gib's secret, causing him to back off. The scene ends with Harry making a turn, squealing tires, determined to follow Helen.
- Helen meets Simon under a bridge and they drive off in his red-and-white Vette, evading Agent Morton and his partner. They reach Simon's trailer where he proposes a two-day Paris operation marriage scheme. The scene is filled with tension, visual surveillance, and a hint of romance.
- Helen agrees to help Simon with a cover story, leading to romantic tension and a forced separation. After the trailer they are in is blown up, Helen is taken by black-suited figures and interrogated by Harry and Gib, who use a digital processor to alter their voices. The scene is filled with tension, suspense, and moments of romance.
- In this tense and confrontational scene, Helen is interrogated by Harry and Gib about her relationship with suspected criminal Simon. Despite their aggressive questioning tactics, Helen denies having an affair with Simon and becoming increasingly defensive. The conflict between the interrogators and the suspect remains unresolved, as Helen becomes enraged and attacks the mirror in the interrogation room. The scene highlights the power dynamic between the interrogators and Helen, and the significant visual elements include the mirror and Helen's increasing agitation and anger.
- Helen Tasker is interrogated by Harry and Gib about her husband's alleged crimes, and is offered a deal to work for them as an agent named Doris. Meanwhile, Simon/Carlos is captured and threatened with death, but pleads for his life and is eventually released. The scene takes place at night in various locations and is tense and serious, with significant visual elements including Helen's distress in the interrogation room and Simon/Carlos's pleading in the rock quarry. The scene ends with Simon/Carlos left alone in the moonlight, miles from nowhere.
- Harry and his partner, Gib, are on a surveillance mission, staking out Trent and Dana in a sedan. Harry receives a call from his boss, Trilby, who is displeased with a recent report, adding to the tension. After spotting Trent and Dana on a Yamaha at a stoplight, Harry goes to a warehouse where Dana is singing with a garage band. Harry cuts the power, confronts Dana, and shares a tender moment with her, reminiscing about their past. The scene ends with Harry telling Dana that he loves her.
- In this scene, Dana and Harry share a light-hearted moment singing in the car, where Dana is surprised to find out that her father knows the words to a song she thought Trent had written. Meanwhile, Helen receives a call from Gib, disguising his voice, instructing her to pick up an envelope from a hotel. She lies to Harry about visiting a sick friend, but instead runs upstairs, arousing Harry's suspicion. The scene ends with Harry calling Gib to confirm his suspicions, setting the stage for further conflicts and revelations.
- Helen, posing as a prostitute, goes to a hotel room to plant a bug and meets Harry, an arms dealer. Despite her initial reluctance, she follows his prerecorded commands, which are given in a French accent. However, when Harry realizes that Helen is reacting erotically to his commands, he is taken aback. In a sudden turn of events, Helen knocks Harry unconscious and flees the scene, still unaware of his true identity. The scene is tense, suspenseful, and has a hint of eroticism.
- In this tense and suspenseful scene, three men from Malik's terrorist brigade burst into Harry's hotel suite, handcuff him and Helen, and drag them to a rental van. They take them to a private airport and bring them onto a G-3 jet, where they are strapped in and served a drink laced with a tranquilizer. Harry and Helen have a conflicted relationship, with Helen trying to explain their situation to the terrorists, but Harry denies knowing her. The scene ends with them passing out as the plane takes off.
- A tense scene unfolds at a Caribbean island warehouse, where a fourth stone figure of a Persian warrior is unloaded from a freighter. The figure contains a Soviet MIRV-Six nuclear weapon, and Malik threatens to kill Helen, Harry's wife, if Harry doesn't cooperate. Harry and Helen's relationship is strained as they learn about each other's secrets, including Harry's life as a salesman and spy, and Helen's discovery of a geo-positioning transmitter in her handbag. The scene ends with Helen punching Harry in the face, as Juno laughs at the situation.
- Gib and his team are working in a jet, trying to locate terrorists who have the necessary equipment to detonate warheads. They lose the signal and order choppers to be ready. Meanwhile, Harry records a message about the terrorists' capabilities. In a warehouse on an island in the Keys, Malik rallies his men, but the camera recording him runs out of battery. The scene ends with a sense of impending danger as the camera's image goes black.
- Harry and Helen are held captive by terrorists and questioned about Harry's agency. They are threatened with torture, and Harry is injected with truth serum. He confesses to Helen that he has been a spy for 17 years and has wanted to have sex with Juno, who is revealed to be helping the terrorists for money. The scene takes place in a filthy building and ends with Helen crying and Harry looking groggy.
- In a tense warehouse scene, Harry is tortured by Samir but makes a bold escape, killing both his torturer and the guard. Meanwhile, Malik searches through Harry and Helen's belongings, finding a family picture. Harry and Helen then confess their love for each other before being pursued by terrorists in a mangrove swamp. Harry fights off their pursuers, and the scene ends with the couple continuing to flee.
- In a tense and action-packed warehouse scene, Harry fights off terrorists, uses a jet fuel hose as a flamethrower, and jumps into the water to avoid a LAW rocket explosion. Meanwhile, Helen accidentally saves Harry by shooting at the terrorists and Juno threatens her, but is stopped by Malik. The scene takes place at night and features the arming of a nuclear warhead and the explosion of a gas truck, adding to the intensity and suspense.
- Harry, the main character, surfaces near a dock and sees Juno forcing Helen into a limo at gunpoint. The terrorist Malik escapes with his men and the fourth bomb in a helicopter. Harry is later picked up by Gib and his team, and they work together to evacuate the area and request military backup. The limo with Helen and Juno is shown traveling on the Overseas Highway, with Juno threatening Helen inside. The scene ends with Harry and Gib coordinating the evacuation in the helicopter, while Helen remains a hostage.
- In a thrilling scene, two Harrier jets successfully destroy a convoy of trucks carrying bombs on a highway, neutralizing two of them. Meanwhile, in a limo trailing the convoy, Helen overpowers Juno and shoots Akbar, taking control of the vehicle amidst their struggle. The scene takes place during the day in various settings, including the cockpit of the lead Harrier, a Bell 206 copter, the limo, and the battle site on the highway and ocean. The main conflict lies between the Harrier pilots and the terrorists in the convoy, while a separate struggle unfolds in the limo. The tone is intense and action-packed, filled with urgency and significant visual elements such as low attack runs, explosions, and a swerving limo. The scene concludes with the successful destruction of two bombs, the death of Akbar, and the Harrier pilots remaining on station to monitor the situation.
- Harry, Helen, and Gib arrive at the causeway via helicopter, where Harry saves Helen from the crashing car. Two Harrier jets land, and as a nuclear bomb goes off in the distance, Harry and Helen share a romantic moment. The tone is tense and action-packed, but also romantic and emotional. However, the scene ends on a dark note as Harry leaves Helen to join Gib and the other agents, who inform him that Malik has kidnapped his daughter Dana.
- In this action-packed scene, Harry, with the help of Gib and a young pilot, commandeers a Harrier jet despite not having flown one in years, causing chaos on the ground as he takes off without proper gear. The main conflict lies in Harry's determination to save his daughter Dana, who is being held hostage by terrorists in a high-rise building in Miami. The scene is filled with tense dialogue, significant visual elements such as the chaotic takeoff and near-miss with a cop car, and ends with the Harrier heading towards Miami and the terrorists inside the high-rise building.
- Malik and his men pursue Dana to the roof, where she threatens to drop the arming key for a nuclear weapon. Harry arrives in a Harrier jet and eliminates terrorists inside the building. Dana slips and hangs over a 20-story drop, but Harry catches her. Malik jumps onto the back of the Harrier in pursuit. The scene ends with Malik hanging onto the last Sidewinder missile on the back of the Harrier.
- The scene starts with the aftermath of a dangerous dogfight, where Harry's jet remains intact while Malik is killed by a Sidewinder missile. Harry brings Dana into the cockpit and they share a warm moment of connection. One year later, the Tasker family is having a happy dinner together, full of teasing and joking. Dana leaves the table to do her homework, the phone rings, and Helen answers it. There are no major conflicts in this scene, and the tone is happy and familial. Key pieces of dialogue include Harry calling Dana 'pumpkin', the family sharing a funny story about Harry, and Dana teasing her father about knowing everything. The scene ends with the camera pulling back and up as Harry and Helen dance, and the film fades to black, signaling the end of the story.
Harry - Score: 81/100
Character Analysis Overview
Helen - Score: 84/100
Role
Protagonist
Character Analysis Overview
Gib - Score: 68/100
Role
Supporting Character
Character Analysis Overview
Dana - Score: 71/100
Character Analysis Overview
Simon - Score: 68/100
Role
Antagonist
Character Analysis Overview
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Deception (45%) | Harry Tasker, the main character, leads a double life as a spy and a family man, keeping both worlds separate; Helen Tasker, Harry's wife, hides her affair from Harry; Gib, Harry's partner, hides the truth about Helen's affair from Harry; Simon/Carlos, a suspected criminal, hides his true identity from Helen and others. | The theme of deception is strongly represented in the screenplay as characters constantly hide their true identities, motives, and actions from others. This theme creates tension and conflict throughout the story. | ||||||||||||
Strengthening Deception:
| ||||||||||||||
| Betrayal (30%) | Helen Tasker betrays her husband by having an affair; Harry Tasker betrays his wife's trust by hiding his true identity and leading a double life; Simon/Carlos betrays the trust of those he works with by pretending to be someone else. | The theme of betrayal is present in the screenplay as characters break trust with others, causing emotional pain and conflict. This theme adds depth to the characters and their relationships. | ||||||||||||
| Espionage and Action (25%) | The screenplay features a spy, Harry Tasker, who embarks on dangerous missions, complete with action scenes, gadgets, and suspenseful moments. | The theme of espionage and action is present in the screenplay, providing thrilling moments and a sense of adventure. This theme is essential to the genre and adds excitement to the story. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | Throughout the screenplay, the protagonist Harry Tasker's internal goals evolve from proving his skills as a spy and protecting his loved ones, to navigating the emotional fallout of his wife's affair and ultimately fighting for his family and moral integrity in the face of dangers posed by terrorists. |
| External Goals | Harry's external goals involve infiltrating dangerous environments, retrieving information to thwart threats, and ultimately stopping the terrorist plans against his family and country throughout the script. As he navigates these high-stakes missions, his goal shifts towards direct action to protect his daughter from imminent danger. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the tension between duty to one's country as a spy and the personal responsibilities of being a husband and father. Harry's journey intertwines with this conflict as he grapples with balancing the expectations of his professional life with the needs and safety of his family, causing him to reconsider his values and priorities. |
Character Development Contribution: The interplay of internal and external goals, along with the philosophical conflicts faced, drives Harry's character development from a detached spy focusing on mission execution to a committed father and husband who recognizes the importance of trust, love, and family.
Narrative Structure Contribution: These elements drive the narrative structure by providing escalating stakes that intertwine action, suspense, and emotional resonance, leading to a climax where personal and professional conflicts converge.
Thematic Depth Contribution: The goals and conflicts enrich the thematic depth of the screenplay by exploring contemporary issues of loyalty, the moral complexities of espionage, and the significance of personal relationships in a high-pressure world, ultimately conveying a message about the value of love and commitment amidst chaos.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Harry Tasker's Stealthy Entrance | Suspenseful, Mysterious, Intense | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 6 | 7 | 9 | 9 | 9 | 9 | |
| 2 - Harry Infiltrates a Chateau Party and Transmits Encrypted Data | Suspenseful, Intriguing, Mysterious | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 9 | 7 | 6 | 7 | 9 | 9 | 8 | 9 | |
| 3 - Harry's Daring Escape on Skis | Intense, Suspenseful, Fast-paced | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 7 | 8 | |
| 4 - Harry's Daring Helicopter Heist | Intense, Exciting, Suspenseful | 9 | 9 | 9 | 9 | 8 | 6 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 5 - Homecoming of a Secret Agent | Suspenseful, Intense, Emotional, Mysterious | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 6 - Discovery of Theft and Betrayal with High-Tech Ray Bans | Humorous, Casual, Light-hearted | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 7 | 8 | 5 | 8 | 8 | 6 | 9 | 9 | 9 | 8 | 8 | |
| 7 - Harry and Gib's Playful Office Escapade | Humorous, Suspenseful, Action-packed | 8 | 8 | 8 | 7 | 8 | 6 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 8 - Unsatisfactory Findings on Terrorist Threat | Intense, Serious, Suspenseful | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | |
| 9 - Workplace Tensions and Family Frustrations | Suspenseful, Humorous, Serious | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 7 | 8 | 7 | 9 | 8 | 6 | 7 | 7 | 9 | 8 | 8 | 7 | |
| 10 - A Trip to the Art Warehouse: A Reunion with an Old Flame | Suspenseful, Intriguing, Flirtatious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 6 | 7 | 9 | 8 | 8 | 8 | |
| 11 - Surveillance, Tension, and Sensuality: A Scene with Harry, Juno, and Company | Suspenseful, Intense, Erotic, Tense, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 12 - Surveillance, Disappointment, and a Missed Birthday | Tense, Emotional, Suspenseful | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 13 - Intense Mall Restroom Confrontation and High-Speed Park Chase | Intense, Suspenseful, Fast-paced | 9 | 9 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 6 | 9 | 9 | 8 | 8 | |
| 14 - Chaotic Escape through a Luxury Hotel | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 6 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | |
| 15 - Unsuccessful Intimate Reconnection | Tender, Reflective, Disappointment | 8 | 7 | 7 | 8 | 9 | 7 | 8 | 7 | 6 | 7 | 5 | 6 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 16 - Harry's Frustrating Stakeout | Intense, Suspenseful, Humorous | 8 | 7 | 8 | 7 | 8 | 6 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 9 | 9 | 8 | 9 | |
| 17 - Harry's Blown Cover and a Surprise Visit | Intense, Suspenseful, Serious, Emotional | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 18 - Harry's Discovery | Shocking, Intense, Emotional, Dramatic | 8 | 7 | 7 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 19 - Harry's Suspicions and Wiretap Scheme | Intense, Suspenseful, Emotional | 8 | 8 | 8 | 9 | 7 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 7 | 8 | |
| 20 - Suspicion and Intrigue: Helen's Meeting with a Mysterious Spy | Suspenseful, Intense, Deceptive, Mysterious | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 8 | 9 | 8 | 7 | 8 | |
| 21 - Simon's Used Car Salesman Ruse | Suspenseful, Intense, Humorous | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 22 - Harry's Building Anger and Confrontation with Gib | Tense, Suspenseful, Intense, Dramatic | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 23 - Urgent Pursuit and Unauthorized Surveillance | Intense, Suspenseful, Emotional, Confrontational | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 24 - Escape, Surveillance, and a Surprise Proposal | Suspenseful, Intense, Dramatic, Tense | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 25 - Explosive Interrogation: A Cover Story Unravels | Tense, Suspenseful, Dramatic, Intense | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 26 - Helen's Interrogation: A Struggle for Power | Intense, Emotional, Confrontational, Tense | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 27 - Helen Strikes a Deal & Simon/Carlos Escapes Death | Intense, Suspenseful, Emotional | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 28 - Harry's Tense Surveillance and Tender Moment with Dana | Suspenseful, Emotional, Reflective | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 6 | 8 | 6 | 7 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 29 - Uncovering Secrets: A Family Car Ride and an Envelope Pickup | Tense, Deceptive, Seductive | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 30 - Prostitute and the Arms Dealer: A Tense Encounter | Tense, Erotic, Suspenseful, Shocking | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 31 - Abduction and Betrayal: Harry and Helen's Forced Journey | Tense, Suspenseful, Dramatic | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 32 - Unloading Danger and Secrets at a Caribbean Warehouse | Intense, Suspenseful, Dramatic, Emotional | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 33 - Lost Signal and Impending Danger | Tense, Suspenseful, Dramatic | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 7 | 8 | 9 | 9 | 9 | 8 | 8 | |
| 34 - Harry's Truth Serum Confession | Tense, Intense, Emotional, Suspenseful | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | |
| 35 - Harry's Daring Escape and Pursuit through the Swamp | Intense, Suspenseful, Emotional, Passionate | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 36 - Harry's Daring Escape from the Warehouse | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 37 - Harry and Gib Coordinate Evacuation as Juno Takes Helen Hostage | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 38 - Intense Air Strike and Limo Showdown: Bombs Neutralized, Lives Lost | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 39 - Reunited in the Midst of Chaos: A Nuclear Bomb Goes Off as Harry and Helen Share a Kiss, Only to be Interrupted by the News of Dana's Kidnapping | Intense, Suspenseful, Emotional | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 7 | 8 | |
| 40 - Harry's Daring Rescue: Commandereering a Harrier to Save Dana | Intense, Suspenseful, Dramatic | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 41 - Dana's Daring Escape and Harry's Daring Rescue | Intense, Suspenseful, Dramatic | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 42 - A Moment of Connection and a Family Dinner | Tense, Emotional, Suspenseful, Heartwarming | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense action sequences
- Emotional depth
- High stakes
- Engaging plot
- Strong character development
Scene Weaknesses
- Limited character development
- Minimal dialogue
- Some cliched dialogue
- Slightly predictable plot twists
- Some unrealistic action sequences
Suggestions
- Focus on further developing character arcs to increase emotional depth and avoid cliches in dialogue.
- Explore ways to add more dynamic and engaging dialogue to keep the story fresh and unpredictable.
- Consider adding more external conflict and plotting to keep the story progressing at a fast pace.
- Be mindful of unrealistic action sequences that can distract from the emotional resonance of the story.
- Experiment with different plot twists that add complexity and surprise to the story without relying on cliches.
Scene 1 - Harry Tasker's Stealthy Entrance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Harry Infiltrates a Chateau Party and Transmits Encrypted Data
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Harry's Daring Escape on Skis
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Harry's Daring Helicopter Heist
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Homecoming of a Secret Agent
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Discovery of Theft and Betrayal with High-Tech Ray Bans
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Harry and Gib's Playful Office Escapade
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Unsatisfactory Findings on Terrorist Threat
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Workplace Tensions and Family Frustrations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - A Trip to the Art Warehouse: A Reunion with an Old Flame
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Surveillance, Tension, and Sensuality: A Scene with Harry, Juno, and Company
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Surveillance, Disappointment, and a Missed Birthday
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Intense Mall Restroom Confrontation and High-Speed Park Chase
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Chaotic Escape through a Luxury Hotel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Unsuccessful Intimate Reconnection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Harry's Frustrating Stakeout
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Harry's Blown Cover and a Surprise Visit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Harry's Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Harry's Suspicions and Wiretap Scheme
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Suspicion and Intrigue: Helen's Meeting with a Mysterious Spy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Simon's Used Car Salesman Ruse
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Harry's Building Anger and Confrontation with Gib
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Urgent Pursuit and Unauthorized Surveillance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Escape, Surveillance, and a Surprise Proposal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Explosive Interrogation: A Cover Story Unravels
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Helen's Interrogation: A Struggle for Power
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Helen Strikes a Deal & Simon/Carlos Escapes Death
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Harry's Tense Surveillance and Tender Moment with Dana
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Uncovering Secrets: A Family Car Ride and an Envelope Pickup
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Prostitute and the Arms Dealer: A Tense Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Abduction and Betrayal: Harry and Helen's Forced Journey
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Unloading Danger and Secrets at a Caribbean Warehouse
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Lost Signal and Impending Danger
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Harry's Truth Serum Confession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Harry's Daring Escape and Pursuit through the Swamp
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Harry's Daring Escape from the Warehouse
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Harry and Gib Coordinate Evacuation as Juno Takes Helen Hostage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Intense Air Strike and Limo Showdown: Bombs Neutralized, Lives Lost
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Reunited in the Midst of Chaos: A Nuclear Bomb Goes Off as Harry and Helen Share a Kiss, Only to be Interrupted by the News of Dana's Kidnapping
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Harry's Daring Rescue: Commandereering a Harrier to Save Dana
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Dana's Daring Escape and Harry's Daring Rescue
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - A Moment of Connection and a Family Dinner
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Consider
Explanation: True Lies is an action-comedy screenplay with a strong premise and well-developed lead characters. The action sequences are thrilling, the dialogue is witty, and the blend of genres keeps the audience engaged. However, the screenplay could benefit from more nuanced portrayals of female characters, more complex villains, and a deeper exploration of the emotional consequences of Harry's double life. Overall, the screenplay has the potential to be a successful film with some revisions.
Engine: Claude
Recommend
Explanation: True Lies is a well-crafted, high-stakes spy thriller that effectively blends action, suspense, and emotional character drama. The screenplay features a compelling protagonist in Harry Tasker, a skilled secret agent whose double life as a government spy is upended when his wife Helen is drawn into a dangerous terrorist plot. The action sequences are expertly executed, showcasing Harry's resourcefulness and combat prowess, while the character-driven moments explore the personal toll of his deception on his family. Overall, the screenplay is a highly recommended piece of storytelling that balances crowd-pleasing thrills with deeper themes of trust, loyalty, and the complexities of modern relationships.