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Scene Map 43
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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L.A. CONFIDENTIAL by Brian Helgeland Based on the novel by James Ellroy November 16, 1995
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EXT. GRAUMAN'S CHINESE - DAY JOHN WAYNE gets his hand prints in the sidewalk. EXT. WESTCHESTER BEAN FIELD - DAY MIGRANT WORKERS hurry to finish the harvest. We PAN TO CONSTRUCTION WORKERS who wait impatiently with bull-
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INT. STAGE FOUR (VARIETY INTERNATIONAL PICTURES) - NIGHT The "Badge of Honor" set. A Christmas party in full swing. Eating, drinking, and dancing. Star Brett Chase, seen earlier on television, is holding court. LAPD Sgt. "Trashcan" JACK VINCENNES, late 30s with slick,
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EXT. HOLLYWOOD BOULEVARD - HOLLYWOOD LIQUOR - NIGHT Tinsel-trimmed photos of movie stars look down from the walls as the OWNER takes an order from LYNN BRACKEN. LYNN A case each of gin, Scotch, and
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INT. PRECINCT HOUSE - DISPATCH DESK - NIGHT Ed Exley gets another report from the Young Officer. YOUNG OFFICER Two police officers were assaulted in a bar. Brown and Helenowski.
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INT. PRECINCT HOUSE - NARCO PEN - NIGHT Jack Vincennes at his desk. Holding the Fleur-de-Lis card, Jack dials the number. A corkboard on the wall is posted with press clippings. "Dope Crusader Wounded in Shootout." "Actor Mitchum Seized in Marijuana Shack
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INT. CHIEF'S OFFICE - DAY The CHIEF sits behind a desk in a four-star uniform. Dudley Smith sits to his left, D.A. Ellis Loew to his right. Seen earlier at the Mickey Cohen press conference, Loew is the only civilian. Bud White stands
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INT. ROOM 114 (GRAND JURY WITNESS ROOM) - DAY Glasses off, Exley waits, looks up as Jack enters. JACK You're the key witness? EXLEY
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INT. TWILIGHT LOUNGE - NIGHT An old black guy in a frayed, threadbare tux plays piano. Bud, nursing a highball at the bar, steps over to a REDHEAD with too much make-up on too many miles. BUD
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EXT. HOLLYWOOD HIGH SCHOOL - DAY The marquee gushes: "Today Sgt. Joe Reno: Badge of Honor Star Brett Chase." INT. HOLLYWOOD HIGH SCHOOL - AUDITORIUM - DAY A nerdy 14-YEAR-OLD asks Brett Chase:
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INT. BRIEFING ROOM - AD VICE - DAY Addressing the squad, a no-nonsense VICE CAPTAIN picks up a stack of magazines. VICE CAPTAIN Picture-book smut, gentlemen.
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EXT. HOLLYWOOD STATION - PARKING LOT - NIGHT Accompanied by Bud, Stensland reaches his car, loads his box of stuff into the trunk. Bud is moody, pensive. STENSLAND Don't look so down in the mouth,
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INT. VICTORY MOTEL - ROOM 6 - DAWN Bare. A table and chair bolted to the floor. A tough FLAT-NOSED GANGSTER is cuffed to the hot seat. On the table are a .45 and a fat roll of $100 bills. Breuning and Carlisle watch as Bud White delivers a
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INT. COUNTY MORGUE - EXAMINATION ROOM - DAY HILDA LEFFERTS, 50, enters with the coroner to ID the body of her daughter, Susan. There's stray buckshot in the upper chest and shoulders, but a sheet hides the real damage. It's the girl Bud saw
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EXT. 1184 GRETNA GREEN, BRENTWOOD (PATCHETT'S) - DAY A big, pink Spanish mansion with lots of tile. Also last seen outside Hollywood Liquor on Christmas Eve, Pierce Patchett is in the front yard, chipping golf balls over a koi pond. They land in a tight grouping. As he tees up:
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INT. 1736 NOTTINGHAM (LYNN BRACKEN'S) - DAY The film is This Gun For Hire with Alan Ladd and Veronica Lake. It's projected on a wall in front of which stands Lynn Bracken and an OLDER GENTLEMAN, in his underwear. Lynn's long, blonde hair hangs down over one eye. She
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INT. 1736 NOTTINGHAM (LYNN BRACKEN'S) - DAY A nice breezy feel. The perfect place to shack up. LYNN It's Officer White, isn't it? Bud nods, eyeballs the place.
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EXT. TEVERE HOTEL - DAY An L-shaped walk-up. Jack coasts the car to the curb. He leaps out with Exley. Exley holds up at the sight of a late model sedan. He leans down to look in the window at the two-way on the dash.
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INT. #1 ROOM - DAY Exley closes the door. Ray Coates is cuffed to a chair, dressed in baggy County denims. One eye swollen shut, lip split, a smashed nose with one nostril split. Exley unlocks his cuffs. drops cigarettes and amtches
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EXT. AVALON BOULEVARD - EVENING A four cordon. They coast up to a GRAY CORNER HOUSE. Dudley Smith behind the wheel of the lead cruiser. Bud White rides shotgun, reloading his revolver. BUD
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INT. 4TH FLOOR HALLWAY - VICTORIAN BUILDING - DAY Exley squints, reaches to a pocket. No glasses. He passes an elevator, rounds a corner. There's 408. Exley pumps the shotgun, nods to Carlisle who kicks the door in.
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INT. MIDDLE CLASS LIVING ROOM - NIGHT A father holds out his hand, counts along as Jack slaps $100 bills into his palm. Maybe four thousand dollars. Jack says something about "We appreciate your understanding during this difficult time." As "Badge of
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INT. VARIETY INTERNATIONAL PICTURES - STAGE 4 - NIGHT A "Badge of Honor" fund-raiser for D.A. Loew's re- election cmpaign. Hot dogs and sauerkraut. Fishbowls stuffed with cash. Jack is here, returns a smile half- heartedly. Loew sits with his wife and teenage daughter
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INT. VICTORY HOTEL - ROOM SIX - NIGHT Screams. A cauliflower-eared Cleveland mob enforcer on the hotseat. Breuning works him with a rubber hose as Dudley asks unanswered questions. Bud watches, revulsion growing.
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INT. AFTER HOURS CLUB - NIGHT The BARTENDER walks down the bar to where Jack arrives. BARTENDER What'll it be, Jack? JACK
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INT. FORENSICS LAB - DAY Ray Pinker looks up from his microscope as Bud enters. PINKER Bud White, what brings you down to the basement?
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INT. LEFFERTS' HOUSE - LIVING ROOM - DAY Pictures of Susan smile down from four walls. Vamp poses on a nightclub floor. Mrs. Lefferts is all twitchy and nervous, her eyes darting to a closed door. BUD
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EXT. LEFFERTS' HOUSE (SAN BERNARDINO) - DAY Mrs. Lefferts waters the grass, watches as a car pulls up. Exley gets up, starts toward her. She drops the hose and runs for the front door Exley cuts her off. MRS. LEFFERTS
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INT. JACK'S DESK - DAY Sitting in disgust, Jack spots something amidst all the clutter -- the Great Jerk-Off Books of 1962. He flips one over, looks at the Fleur-de-Lis stamp. Jack remembers something Matt Reynolds told him. He dials the
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INT. BROWN DERBY - BAR - DAY At the bar, Johnny Stompanato looks over as Bud joins him. Stompanato isn't happy about it, but he smiles anyway. STOMPANATO
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INT. BROWN DERBY - ENTRANCE - DAY Exley and Jack enter. EXLEY Check the bar. I got the restaurant. RESTAURANT
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INT. 1736 NOTTINGHAM (LYNN'S) - LIVING ROOM - NIGHT KNOCKING on the door. Lynn answers to reveal Exley. EXLEY Miss Bracken, I'm Lieutenant Exley.
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INT. 1736 NOTTINGHAM (LYNN'S) - LIVING ROOM - NIGHT Spent, Exley and Lynn sit, half-dressed, on the floor. They're quiet. Then, through a smile: EXLEY How was I?
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INT. 9608 VENDOME - KITCHEN - NIGHT Jack sits at the table while Dudley makes coffee. JACK You remember Buzz Meeks, Dudley? DUDLEY
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EXT. VICTORY MOTEL - DAY A RAIN STORM has turned the courtyard into a mud bath. As usual, a light burns in room six. Bud White parks alongside the other cars already here. He makes a dash for the door.
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INT. RECORDS ROOM - LAPD - DAY A wormish CLERK searches dusty filing cabinets with dates like 1939 and 1940. The same ones Jack looked through. Exley steps over from another row. EXLEY
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INT. RECORDS ROOM - LAPD - DAY Drawers are open. Files are everywhere. Exley's reached the end of the line. As he looks through one last file, he finds a stack of official photos. Then he stops short. There's a photo of four cadets and an academy
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EXT. 1184 GRETNA GREEN (PIERCE PATCHETT'S) - DAY Exley and Bud make their way up the walk. Bud pulls his .38 from its shoulder holster, shoves it in his waistband. EXLEY
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INT. DISTRICT ATTORNEY'S OUTER OFFICE - DAY A SECRETARY looks up as Bud and Exley beeline Loew's door. SECRETARY You can't go in there!
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EXT. CITY OFFICE BUILDING - DAY Exley and Bud exit. Bud's wheels are turning. BUD They never made a match on the shotgun serial numbers. What if
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INT. VICTORY MOTEL - ROOM 6 - NIGHT There's a big back window. Bud covers most of it with a ratty old mattress. He pumps the shotgun. He pulls a .45 automatic from his waistband. BUD
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EXT. VICTORY MOTEL - NIGHT Dudley drops his gun as the cruisers stream down. Exley steps out behind him, but doesn't drop the shotgun. The two of them are bleached white by headlights. Dudley raises his badge over his head.
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EXT. PARKING LOT - DAY Exley walks Lynn out. EXLEY Where will you go? LYNN

LA confidential - draft

Corruption and violence come to light in 1950s Los Angeles as a group of characters navigate the city's dark underbelly.

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Overview

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Unique Selling Point

What sets 'L.A. Confidential' apart is its ability to intertwine multiple character arcs with a complex narrative that reflects the moral ambiguities of its time. The screenplay not only serves as a gripping crime story but also as a commentary on the nature of justice and the human condition, appealing to audiences who appreciate depth in storytelling alongside thrilling plot twists.

AI Verdict & Suggestions

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Claude
 Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Crime, Drama, Mystery, Thriller, Romance, Film-Noir, Action, Film Noir

Setting: Post-World War II, specifically the late 1940s to early 1950s, Los Angeles, California

Themes: Corruption and Power, Moral Ambiguity, The American Dream and its Disillusionment, The Power of Influence and Manipulation, Redemption and Second Chances

Conflict & Stakes: The primary conflicts revolve around the moral dilemmas faced by the LAPD officers as they navigate corruption, personal loyalties, and the pursuit of justice in a crime-ridden Los Angeles, with high stakes involving their lives and careers.

Mood: Tense and gritty, with moments of introspection and moral ambiguity.

Standout Features:

  • Unique Hook: The intertwining lives of LAPD officers and their struggles against corruption within their own ranks.
  • Major Twist: The revelation of Dudley's deep involvement in organized crime and his manipulation of other characters.
  • Distinctive Setting: The vibrant yet dangerous backdrop of postwar Los Angeles, capturing the essence of the era.
  • Innovative Ideas: The screenplay's exploration of the duality of human nature and the moral complexities faced by law enforcement.
  • Unique Characters: Complex characters like Bud White and Ed Exley, who embody the struggle between personal ethics and professional duties.

Comparable Scripts: L.A. Confidential, The Godfather, Chinatown, The Departed, The Wire, Se7en, American Gangster, The Nice Guys, Heat

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.79
Story Critique
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Characters

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Emotional Analysis

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Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
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Scene Analysis

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Writer Exec

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Unique Voice
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Writer's Craft
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Memorable Lines
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Tropes
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World Building
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Correlations
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Loglines
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