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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. LITTLE LEAGUE BASEBALL FIELD - DAY (2016) The chatter of a baseball game fills the air. NOAH ROCKFORD, 12, grips a baseball tight, eyes locked on the field, waiting. EXT. PITCHER’S MOUND - CONTINUOUS
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EXT. PARKING LOT - LATER Noah and Rita walk to the car. NOAH Coach said a Yankees scout was here.
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INT. HALLWAY - CONTINUOUS Cain emerges from the shadows, his body loose with alcohol, eyes wild. CAIN You sleeping in the kid’s room
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EXT. ROCKFORD HOUSE - DAY RITA ROCKFORD stares at a pile of overdue bills on the kitchen table. A KNOCK at the door startles her. She opens it—to find Cain standing there, hands in pockets.
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EXT. BALL FIELD - NIGHT Noah, stands, frustrated and hurls a ball into the net. A voice behind him— CAIN(softly) More from the shoulders.
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EXT. BASEBALL FIELD - DAY Noah pedals up on his bike. Players warm up on both sides. In the stands, scouts with clipboards, stopwatches, and radar guns zero in on him. EXT. DUGOUT - CONTINUOUS
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EXT. PITCHER’S MOUND - CONTINUOUS Noah exhales, mitt tight to his chest. His focus sharpens. He grips the ball like it’s alive. Windup. Delivery. A curveball with bite. The batter flinches, hacks nothing but air.
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EXT. BASEBALL FIELD - LATER The scoreboard in the outfield reads the final inning. Noah’s team leads seven to nothing. One out. The tension is thick, the anticipation electric. EXT. BATTER’S BOX - CONTINUOUS
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EXT. ROCKFORD HOUSE - DAY Noah pedals hard, gravel crunching beneath his tires. He rounds the corner, chest heaving. His father’s Toyota pickup sits in the driveway, idling like a sleeping beast.
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INT. LAW OFFICE - CHARLESTON - DAY LAURA WOOD, 28, sits at her desk, reading a letter. INSERT - LETTER From the law offices of Shearson, Hector, Schmidt It was a pleasure meeting you at our annual Chicago dinner and
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EXT. HOSPITAL HALLWAY - LATER Laura walks, distant. Everything is moving in slow motion. The elevator doors slide open. She steps inside, the doors sealing her in. INT. JUVENILE JUSTICE OFFICE - LATER
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EXT. CEMETERY - DAY Rain drizzles, a soft curtain over the gathered mourners. A priest speaks in hushed, reverent tones. PRIEST Give her, O Lord, your peace. Let
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EXT. GAS STATION - MOMENTS LATER The dog stays close, tail wagging. Noah rubs its head, looks up at another worker. NOAH Is this your dog?
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INT. COACH MILLER’S HOUSE - DAY COACH JACKSON MILLER, late 30s, stands at the stove, poking at a pan of scrambled eggs, steam rising like a lost cause. His son, KOLE, 14, sits at the table, eyeing his plate with skepticism.
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EXT. VETS OFFICE - LATER Noah and Jeter push through the glass door. The dog still grips the ball between his jaws. BLAKE HOPKINS, 16, effortless beauty with a confident edge, stands behind the counter.
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EXT. CHURCH PARKING LOT - NIGHT A shadow lingers in the distance. FATHER ED, late fifties, the pastor of St. Michael’s, watches Noah and Jeter fade into the night, curiosity flickering in his eyes.
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EXT. LAURA’S HOUSE - CONTINUOUS Jeter trots back to the porch, baseball in mouth. He drops it at Noah’s feet. Noah picks up the ball. KOLE (O.S.) Hey! Throw it here!
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EXT. SCHOOL OFFICE - CONTINUOUS Laura hurries after Noah, her heels clicking against on the terrazzo floor. LAURA Noah, wait... Noah!
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EXT. SCHOOL COURTYARD - LATER Noah eats alone. Watches the students. Across the courtyard we see an argument. BLAKE and BRODY HOPKINS, twins, mid-fight. It’s heated. BRODY
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INT. LAURA’S HOUSE - MORNING Noah jolts awake, drenched in sweat, breath sharp and shallow. The night terror already fading, but the weight of it lingers. Jeter sits beside the bed, watching him. Silent. Waiting. EXT. LAURA’S HOUSE - LATER
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INT. CHAPEL - MORNING The first light of dawn floods the chapel, bathing the wooden pews in gold. Noah hesitates, takes it in. FATHER ED (O.S.) Back here.
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INT. FATHER ED’S OFFICE - DAY A knock. Noah pushes open the door. NOAH You wanted to see me? FATHER ED
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EXT. ST MICHAEL’S SCHOOL - DAY Father Ed and Noah walk past the school’s athletic fields. Jeter emerges from under an oak tree, walking silently after them. NOAH
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EXT. BASEBALL FIELD - CONTINUOUS Noah stands firm on the mound, rolling the ball in his palm. Father Ed and Coach Miller linger behind him, silent observers. Miller raises his radar gun. EXT. BATTER’S BOX - CONTINUOUS
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EXT. BATTER’S BOX - CONTINUOUS Drew swings hard. Air ball. PEDRO Strike two! EXT. DUGOUT - CONTINUOUS
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EXT. DUGOUT - CONTINUOUS The players react. Some impressed, others annoyed. PEDRO Damn, Rockpaw! NOAH
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EXT. PITCHER’S MOUND - CONTINUOUS Noah stands, breathing heavy. The team claps—grudgingly. Slow motion sets in. The echoes of cheers ring through his ears. He turns, eyes drifting to the stands. EXT. STANDS - CONTINUOUS
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INT. SCHOOL BATHROOM - MOMENTS LATER Noah grips the sink, splashes cold water on his face. He exhales, steadies himself, then looks down. His hands. Blood.
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INT. SCHOOL LOCKER ROOM - DAY The team mills around, tossing gear into lockers, peeling off sweaty jerseys. Kole sits on the bench, unwrapping a Snickers. KOLE …all I know is both his parents
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INT. LAURA’S KITCHEN - DAY Laura sits at the kitchen table, papers scattered, laptop open, attempting to work. Noah walks in from school, tossing his backpack on a chair. NOAH
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EXT. LAURA’S HOUSE - CONTINUOUS Laura and Noah open the door to find the entire baseball team standing on the porch. Brody, Kole and Pedro front and center. KOLE I hope you don’t mind I told the
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INT. NOAH’S ROOM – NIGHT Noah sits at his desk, doing homework. The door creaks open. Laura pokes in her head, stands there, awkward. Noah looks up.
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INT. CHAPEL - DAY Father Ed sits at his desk, flipping through papers. A door slams. He glances at the clock—six a.m. He gets up. INT. HALLWAY - CONTINUOUS Father Ed follows the noise down the hallway. It leads to the
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EXT. BASEBALL FIELD - DAY The team huddles around Coach Miller and Father Ed for a pre- practice meeting. COACH MILLER As most of you know, Father Ed
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EXT. BASEBALL FIELD - CONTINUOUS Blake approaches, fresh off lacrosse practice, still in her gear. She steps into the dugout, plops down next to Jeter, scratching his ears. Brody and Noah finish up, walk into the dugout, tossing their
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INT. ST. MICHAEL’S SCHOOL GYM - NIGHT Music pumps, bass shaking the gym. String lights dangle over the dance floor, where students move in a chaotic rhythm. Tables line the sides with snacks and drinks. Noah steps inside—alone. Scans the room.
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EXT. WANDO HIGH SCHOOL BALL FIELD - DAY The Crusaders face off against Wando High School in a scrimmage, both teams are on the field. EXT. BULLPEN - CONTINUOUS Noah crouches behind the plate, catching for Kole, who’s
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EXT. PITCHER’S MOUND - CONTINUOUS Noah catches it, a slow smirk forming. He shakes off the call, brushes dirt with his cleat, sets again. Another fastball. Dead center. EXT. BATTER’S BOX - CONTINUOUS
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INT. WEIGHT ROOM - LATER The entire baseball team is lifting in the weight room. Coach Miller and Father Ed walk in and post a paper on the bulletin board. COACH MILLER
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INT. WEIGHT ROOM - LATER The players are wrapping up the workout and are cleaning up, putting weights back, etc. Bennett walks over to Noah. BENNETT Noah, Coaches want to see you in
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EXT. BASEBALL FIELD - DAY The team is gathered for practice. Coach Miller and Father Ed stand to the side, observing. Noah is on the mound. Pedro catches, Kole plays second. Brody is in the batter’s box. COACH MILLER
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EXT. LAURA’S HOUSE - LATER Laura pulls into the driveway and steps out of her car. The exhaustion in her posture is evident. As she makes her way toward the house, Coach Miller steps onto the porch, hands in his pockets.
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INT. LAURA WOOD’S HOUSE - NIGHT Noah jolts awake, breath ragged, his body drenched in sweat. He sits upright, disoriented, chest rising and falling as he fights for control. 4 a.m. Jeter, ever-watchful, sits in the doorway, eyes locked on Noah.
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EXT. SCHOOL PARKING LOT - DAY The school bus idles, heat rising from the pavement. Players file on, bagged lunches in hand. Laura hands out brown paper sacks to the boys as they board. Noah grabs his, then turns, whistles for Jeter.
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EXT. BERKELEY HIGH SCHOOL - CONTINUOUS The Crusaders’ bus pulls into the lot. The team files off, slinging their bags over their shoulders. Noah and Jeter are last. They step down, eyes set on the field ahead.
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EXT. BASEBALL FIELD BLEACHERS - CONTINUOUS The scouts take notice. SCOUT #1 There he is. Anthony Brunetti SCOUT #2
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EXT. AWAY BULLPEN – DAY Noah fires his last warm-up pitch to Pedro. It hits the mitt with a sharp THWACK. NOAH I’m good.
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EXT. STANDS – CONTINUOUS Laura enters the stadium, scanning the field before she makes her way to the stands. The atmosphere hums with tension. Scouts with radar guns, stopwatches ticking, parents murmuring, a mix of nerves and excitement.
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EXT. AWAY DUGOUT – CONTINUOUS The team presses up against the dugout fence. ISAAC (muttering) Make him throw a strike. EXT. BALL FIELD – CONTINUOUS
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EXT. STANDS – CONTINUOUS The scouts lounge in their seats, casually chatting, barely glancing at the Crusaders warming up behind them. To them, this game is background noise—they’re here for one reason: Donnie Stevens.
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EXT. BASEBALL FIELD – CONTINUOUS Laura and Blake step away from the scouts, weaving through the crowd. BLAKE You think Noah’s nervous?
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EXT. PITCHER’S MOUND – CONTINUOUS Noah stares down the next batter. Pedro flashes the sign. Noah winds up, uncoiling like a whip— CRACK!
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EXT. BERKELEY HOME STANDS – CONTINUOUS Hank paces, fuming. HANK (to coach, seething) Who the hell is this kid? What’s going on? Is he even in high
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EXT. BASEBALL FIELD – LATER Top of the seventh. Game tied, 0-0. Donnie stands on the mound, locked in, but there’s a crack forming. First batter up.
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EXT. BATTER’S BOX – CONTINUOUS Sam digs in. Donnie checks Carter, grips the ball. He winds up—fires. 89 MPH. High.
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EXT. STANDS – CONTINUOUS Hank goes stone-cold. His jaw tightens. EXT. BATTER’S BOX – CONTINUOUS Bennett steps in, pinch-hitting for Noah.
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EXT. BASEBALL FIELD – CONTINUOUS CRACK! The batter lifts one deep down the first base line. Brody breaks fast, sprinting. The ball hangs. Fading, drifting, staying just inside the chalk
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EXT. BASEBALL FIELD – CONTINUOUS The batter waits, confused. Pedro calls time. UMPIRE Time!
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EXT. AWAY DUGOUT – CONTINUOUS Jeter barks. Coach Miller and Father Ed are on their feet. Laura leans forward, gripping the fence. Blake can barely watch.
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EXT. BUS PARKING LOT – LATER The parking lot buzzes with energy. The team loads their baseball bags under the bus. Parents mingle, shaking hands, congratulating the boys. Blake throws her arms around Noah, squeezing him.

Rockpaw

In the aftermath of a family tragedy, a high school baseball star must confront his demons and find the strength to pursue his dreams, while navigating the complexities of grief, forgiveness, and self-discovery.

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Overview

Poster
Unique Selling Point

What sets 'Rockpaw' apart is its unique blend of sports drama and psychological exploration. The protagonist's journey is not just about baseball; it's about healing from trauma and finding one's identity amidst chaos. This duality appeals to audiences who appreciate character-driven stories that delve into personal struggles while still delivering the excitement of sports. The screenplay's emotional resonance, combined with its authentic portrayal of family dynamics, makes it a compelling piece of storytelling.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
Gemini
 Recommend
GPT4
 Recommend
Story Facts
Genres:
Drama 60% Action 25% Thriller 15% Romance 10%

Setting: 2016-2021, Various locations in the United States, primarily focusing on baseball fields, a suburban home, and a law office.

Themes: Overcoming Trauma and Finding Redemption, The Healing Power of Sport, Family Dysfunction and the Search for Belonging, Mentorship and the Importance of Support

Conflict & Stakes: Noah's struggle to overcome the trauma of his past, particularly the loss of his parents and his father's abusive legacy, while trying to succeed in baseball and find his identity.

Mood: Tense yet hopeful, with moments of emotional depth and light-heartedness.

Standout Features:

  • Unique Hook: The story intertwines the world of youth baseball with deep emotional themes of trauma and healing.
  • Character Development: Noah's journey from a troubled youth to a confident pitcher showcases significant character growth.
  • Emotional Depth: The exploration of grief and family dynamics adds layers to the narrative, making it relatable and poignant.
  • Diverse Settings: The screenplay features various locations, from baseball fields to law offices, enhancing the storytelling.

Comparable Scripts: The Pursuit of Happyness, A League of Their Own, The Blind Side, Friday Night Lights, The Sandlot, The Way Back, Moneyball, The Fault in Our Stars, The Karate Kid

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.61
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.

Comparison with Previous Draft

See how your script has evolved from the previous version. This section highlights improvements, regressions, and changes across all major categories, helping you understand what revisions are working and what may need more attention.

Version Comparison Analysis
Summary of Changes
Improvements (5)
  • Character Complexity - characterConsistency: 7.0 → 9.0 +2.0
  • Premise - hookStrength: 6.0 → 8.0 +2.0
  • Character Complexity - characterDiversity: 6.0 → 7.0 +1.0
  • Character Complexity - antagonistDevelopment: 6.0 → 7.0 +1.0
  • Pacing: 6.0 → 7.0 +1.0
Areas to Review (1)
  • Originality - characterInnovation: 9.0 → 7.0 -2.0