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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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1 EXT. HOLLYWOOD - NIGHT 1 The soundtrack opens with Frank Sinatra's "Fly Me to the Moon". A HELICOPTER SHOT OF THE L.A. basin.
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2 EXT. "BOURGEOIS PIG" COFFEEHOUSE - COUCHES AND TABLE IN FRONT 2 WINDOW - NIGHT ROB sits down next to Mike, pouring himself some tea. MIKE
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3 INT. MIKE'S APARTMENT - NIGHT 3 Close up on answering machine. Mike pushes the button. ANSWERING MACHINE (synthesized voice)
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4 EXT. MIKE'S BUILDING - FRANKLIN AVENUE - NIGHT 4 Mike is dressed to the nines in classic vintage threads. He's trying to look at ease as he straightens his cuff links. He approaches Trent who suavely leans against his worn down
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8 INT. TRENT'S CAR - HOURS LATER 8 The two swingers are starting to fray around the edges but are unwilling to admit it to each other or themselves. Frank has been replaced by talk radio.
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11 EXT. VEGAS STRIP - NIGHT 11 The shrill cry of Basie's fat brass section heralds the arrival of the young swingers. Their eyes drink every watt of golden light as Sinatra's crooning urges them on.
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13 INT. TREASURE ISLAND CASINO - THE CLASSY SECTION - NIGHT 13 Mike is at a blackjack table with Trent at his side. The game has paused to observe the newcomers as Mike draws a billfold out of his breast pocket. They're pulling it off
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14 INT. TREASURE ISLAND CASINO - CASHIER'S WINDOW - NIGHT 14 Mike is presented a stack of twenties by the CASHIER, who counts them out. Trent looks on. CASHIER
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15 INT. TREASURE ISLAND CASINO - COFFEE SHOP - SAME NIGHT 15 Trent and Mike are looking at menus. They're smoking at the table because the can. MIKE
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16 INT. TREASURE ISLAND CASINO - LANDLUBBER LOUNGE - SAME NIGHT 16 Christy is at the bar wearing acid-washed jeans with a matching denim top. She's sexy in a pathetic mid-eighties sort of way. She's sitting next to a pretty brunette, LISA,
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17 EXT. CHRISTY'S TRAILER - EARLY MORNING 17 Establishing shot of an Airstream trailer dug into the desert on chocks. Trent's car and two El Caminos are parked out front.
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19 INT. CHRISTY'S TRAILER - SLEEPING COMPARTMENT - SAME 19 Trent is already at work. He's smooth. A cascade of stuffed animals tumble off the bed with every thrust. Clothes start to peel off.
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20 INT. CHRISTY'S TRAILER - FRONT ROOM - SAME 20 What seemed like necking is actually Lisa and Mike huddled tight having an intimate conversation. LISA
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21 INT. CHRISTY'S TRAILER - SLEEPING COMPARTMENT - SAME 21 Mike dials. BACK TO: 22 INT. CHRISTY'S TRAILER - FRONT ROOM - SAME
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25 EXT. DESERT ROAD - DAY 25 Establishing whot of Trent's car heading back to L.A. on the northbound I-15. The speeding car is dwarfed by the expansive badlands.
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27 EXT. DESERT ROAD - SAME 27 Trent's car drives off into the distance. A sign reads: "Los Angeles - 270 miles". DISSOLVE TO:
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29 EXT. PUTTING GREEN - PITCH AND PUTT GOLF COURSE - SAME 29 Mike and Rob putt. MIKE Haven't you noticed I didn't mention
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30 INT. SUE'S APARTMENT - HOLLYWOOD BOULEVARD - EVENING 30 First of all, SUE is a guy, and a tough guy at that. He is wearing an L.A. Kings home jersey. His sweater bears the sacred number "99". Sue is lounging in front of the TV in
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31 INT. SUE'S LIVING ROOM - CONTINUOUS 31 Trent and Sue are flushed. They pause long enough to torment Mike. TRENT
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33 EXT. DARK ALLEY - OFF OF HOLLYWOOD BLVD. - SEEDY - NIGHT 33 MIKE and ROB walk down the dirty deserted alleyway. Mike is wearing baggy slacks, Doc Martin shoes, and an oversized Eisenhower-cut jacket with a vertical stripe inset. The
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34 INT. "THE ROOM" - HOLLYWOOD BAR - SAME 34 A smoke-filled, windowless, black-walled room. There are several round padded booths lining the walls. The place is packed, and the funk standard "Brick House" throbs over the
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35 INT. "SWINGERS DINER" - BEVERLY BLVD. - LATER THAT NIGHT 35 MIKE, TRENT, SUE, CHARLES, and ROB sit around the round scotch-plaid corner booth of the retro-hip coffee shop. All of our boys, with the exception of Rob, are classily dressed.
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36 EXT. SUNSET BOULEVARD - HEADLIGHTS AND NEON - NIGHT 36 The five swingers walk down the boulevard in a SLO-MO SHOT which is extremely "derivative" of the "Reservoir Dogs" credit sequence.
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40 INT. LIVING ROOM - BUNGALOW - SAME 40 Trent and Sue are scouting some LADIES across the room. One wears a FUNKY OVERSIZED HAT. Intermittent eye contact has been established.
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42 INT. LIVING ROOM - BUNGALOW - CONTINUOUS 42 Trent and Sue are trying to look like they're not paying attention to the group of ladies they saw across the room. TRENT
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43 INT. LIVING ROOM - TRENT'S CONVERSATION - CONTINUOUS 43 Trent is having a sensitive one-on-one with the girl in the hat. GIRL IN HAT
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44 INT. LIVING ROOM - TRENT'S CONVERSATION - CONTINUOUS 44 GIRL WITH CIGAR ... Then one day after class my drama teacher, the one who directed the play,
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46 EXT. SUNSET BOULEVARD - OUTSIDE THE CHATEAU MARMONT - NIGHT 46 The swingers have left the party and are heading to their cars. They are all parked in a row, one behind the other. They each climb behind the wheel of their own car. They pull
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50 INT. BAR - DRESDEN ROOM - SAME 50 Mike unsuccessfully tries to catch the attention of the middle aged BARTENDER. MIKE
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51 EXT. THE DRESDEN - PARKING LOT - OUT BACK - NIGHT 51 The swingers are leaving through the back door. The doorway is congested with another group of guys who are entering. A BALD GUY with a goatee brushes by Sue.
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52 INT. MIKE'S APARTMENT - LATER THAT NIGHT 52 Mike opens the door and flicks on the lights in his sparsely furnished single. He drops his keys on the table and makes a bee line to the
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53 INT. COLLEGE CLASSROOM - QUEENS COLLEGE - DAY 53 YOUNGER MIKE catches his first glimpse of MICHELLE. She doesn't see him looking at her. She is paying attention to the lesson.
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58 INT. MIKE'S BEDROOM - NEW YORK APARTMENT - NIGHT 58 Their first sexual experience. Mike is obviously nervous as he lies undressed under the covers. He sporadically adjusts his hair and strikes poses as he waits for Michelle to come
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60 INT. MIKE'S APARTMENT - NEW YORK - NIGHT 60 Mike and Michelle lethargically lay across the couch. They half-heartedly watch a rented video as they shovel Chinese take-out into their bloating faces.
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63 INT. MIKE'S APARTMENT - NIGHT 63 He hasn't moved. The PHONE RINGS. He looks to the answering machine hopefully as it picks up
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64 INT. SUE'S APARTMENT - OUTSIDE THE DOOR - NIGHT 64 Trent opens the door. He sees Mike standing there dressed for trouble. His face lights up. TRENT
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66 EXT. "THE DERBY" - HOLLYWOOD NIGHTCLUB - NIGHT 66 The THREE SWINGERS are waved pass the line by the doorman in a Scorsese-style STEADICAM SHOT which continues up the stairs and through a curtained doorway into...
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70 EXT. LA BREA AVENUE - OUTSIDE THE DERBY - NIGHT 70 Mike is walking Lorraine to her car. They come upon a parked Escort. LORRAINE
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71 EXT. SUNSET BOULEVARD - NIGHT 71 Mike is driving Trent and Sue home in his car. CUT TO: 72 INT. MIKE'S CAR - SUNSET BOULEVARD - SAME NIGHT
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73 INT. MIKE'S CAR - SUNSET BOULEVARD - NIGHT 73 Trent and Sue scream at the top of their lungs as they cruise down Sunset. Alcohol is a terrible drug. DISSOLVE TO:
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75 INT. MIKE'S APARTMENT - THE NEXT MORNING 75 Mike wakes up and rolls out of bed. He walks to the phone and pulls the CARD out of the crack. He looks at the clock.
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77 EXT. "BOURGEOIS PIG" COFFEEHOUSE - LATE AFTERNOON 77 Mike sips espresso as he stares at the CARD. DISSOLVE TO: 78 INT. MIKE'S APARTMENT - NIGHT

Swingers

In the vibrant and ever-changing landscape of 1990s Los Angeles, a group of young, aspiring actors and comedians navigate the challenges of pursuing their creative dreams, while also grappling with the complexities of relationships, personal growth, and the search for identity.

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Overview

Poster
Unique Selling Point

The unique selling proposition of 'Swingers' lies in its authentic portrayal of the dating scene in Los Angeles during the 1990s, combined with witty dialogue and relatable character arcs. It stands out in the romantic comedy genre by blending humor with genuine emotional struggles, making it compelling for audiences who appreciate character-driven narratives.

AI Verdict & Suggestions

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Claude
 Consider
GPT4
 Recommend
Story Facts

Genres: Drama, Comedy, Romance, Film Noir, Road Trip, Adventure, Crime

Setting: Modern day, Los Angeles, California

Themes: Moving On from Past Relationships, The Search for Connection and Meaning, The Allure and Illusion of Las Vegas, Friendship and Camaraderie, The Transient Nature of Life, The City of Angels: Hollywood

Conflict & Stakes: Mike's internal struggle with moving on from his ex-girlfriend while navigating friendships and romantic interests in a vibrant yet challenging Los Angeles nightlife.

Mood: Nostalgic and contemplative with moments of humor.

Standout Features:

  • Unique Hook: The exploration of the Los Angeles nightlife through the lens of a struggling comedian.
  • Character Dynamics: The contrasting personalities of Mike and Trent create engaging interactions and comedic moments.
  • Romantic Journey: Mike's journey of self-discovery and romantic pursuits adds depth to the narrative.
  • Nostalgic Tone: The screenplay evokes a sense of nostalgia for the 90s and early 2000s culture.

Comparable Scripts: Swingers, Before Sunrise, The Graduate, 500 Days of Summer, How I Met Your Mother, La La Land, The Big Lebowski, Friends, Crazy, Stupid, Love

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

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Overall Score: 7.83
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
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