Overview
Unique Selling Point
Delve into a captivating tale where the duality of human nature takes center stage. "Duality" explores the eternal battle between good and evil, morality and ambition, and love and sacrifice. With its unique blend of philosophical depth, suspenseful moments, and compelling characters, this script stands out as a thought-provoking and emotionally resonant cinematic experience.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines’ ratings to compare.
Consider
Consider
Story Facts
Genres: Drama, Thriller, Horror, Romance, Mystery, Psychological Thriller, Historical, Period Piece, Period, Historical Fiction, Sci-Fi, Tragedy
Setting: Late Victorian England, London
Themes: Good vs. Evil, The Dangers of Science, The Power of Love, The Importance of Self-Control
Conflict & Stakes: Jekyll's struggle to control his transformation into Hyde, and the threat that Hyde poses to his loved ones and society. Jekyll's reputation and his relationship with Beatrix are at stake, as well as the safety of the people around him.
Mood: Dark and suspenseful, with a sense of impending doom.
Standout Features:
- Unique Hook: The Jekyll and Hyde story is a classic that has been adapted many times, but this screenplay offers a fresh take on the story by focusing on the psychological and emotional aspects of Jekyll's transformation.
- Plot Twist: The revelation that Dr. Lanyon is aware of Jekyll's secret and has been helping him all along is a major plot twist that adds an extra layer of suspense to the story.
- Distinctive Setting: The film is set in Victorian London, a time and place that is both familiar and exotic, adding to the film's atmosphere and appeal.
- Unique Character: Mr. Hyde is a truly iconic villain, and his presence in the film is sure to generate excitement and anticipation among audiences.
Comparable Scripts: Frankenstein, Dr. Jekyll and Mr. Hyde, The Incredible Hulk, Spider-Man, The Wolf Man, Buffy the Vampire Slayer, The Exorcist, The Shining, Psycho, The Silence of the Lambs
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Story Critique
Characters
Emotional Analysis
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- **Strong Emotional Impact (82.93%)**: The screenplay effectively evokes strong emotions in the reader, creating a powerful and engaging experience.
- **High Character Changes (95.04%)**: The characters undergo significant growth and transformation throughout the story, adding depth and relatability.
- **Low Pacing Score (5.39%)**: The story may benefit from a more engaging pacing, keeping the reader invested throughout.
- **Weak External Goal (29.90%)**: Developing a stronger external goal for the protagonist can provide a clearer direction and drive the plot forward.
The percentile patterns suggest an **intuitive writing style**, with higher rankings in character development and dialogue compared to plot and concept.
Balancing Elements- Consider balancing the emotional impact with a stronger pacing to maintain reader engagement.
- Explore ways to enhance the external goal while maintaining the strengths in character development.
Intuitive
Overall AssessmentThe screenplay showcases potential in emotional impact and character development. By addressing areas such as pacing and external goal, the writer can elevate the overall effectiveness of the story.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
|---|---|---|---|---|
| Script Structure | 8.30 | 86 | Parasite: 8.20 | Casablanca: 8.30 |
| Scene Character Changes | 7.6 | 85 | Parasite: 7.5 | Dr. Jekyll and Mr Hyde : 7.6 |
| Script Premise | 8.70 | 82 | Ex-Machina: 8.60 | the black list (TV): 8.70 |
| Script Originality | 8.40 | 80 | Ghostbusters: 8.30 | Casablanca: 8.40 |
| Script Theme | 8.50 | 74 | V for Vendetta: 8.40 | face/off: 8.50 |
| Scene Conflict Level | 8.1 | 73 | Ex-Machina: 8.0 | fight Club: 8.1 |
| Scene Emotional Impact | 8.3 | 73 | American Fiction: 8.2 | face/off: 8.3 |
| Scene Concept | 8.3 | 70 | Silicon Valley: 8.2 | the 5th element: 8.3 |
| Scene Story Forward | 8.3 | 65 | The Brutalist: 8.2 | Titanic: 8.3 |
| Scene Internal Goal | 8.08 | 60 | Parasite: 8.07 | face/off: 8.08 |
| Scene High Stakes | 7.7 | 57 | Stranger Things: 7.6 | Dr. Jekyll and Mr Hyde : 7.7 |
| Scene Characters | 8.4 | 54 | Silicon Valley: 8.3 | True Blood: 8.4 |
| Scene Overall | 8.4 | 51 | Silicon Valley: 8.3 | Knives Out: 8.4 |
| Scene Engagement | 8.96 | 49 | Conclave: 8.95 | Rambo: 8.96 |
| Overall Script | 8.06 | 47 | A Complete Unknown: 8.05 | Dr. Jekyll and Mr Hyde : 8.06 |
| Scene Originality | 8.68 | 46 | The Greatest Showman: 8.67 | True Blood: 8.68 |
| Script Emotional Impact | 7.80 | 45 | Inside Out: 7.70 | Erin Brokovich: 7.80 |
| Scene Unpredictability | 7.41 | 44 | Pawn sacrifice: 7.40 | Dr. Jekyll and Mr Hyde : 7.41 |
| Scene Plot | 7.9 | 41 | Manchester by the sea: 7.8 | the 5th element: 7.9 |
| Scene Dialogue | 7.6 | 33 | Coco: 7.5 | the boys (TV): 7.6 |
| Script Characters | 7.70 | 27 | The Brutalist: 7.60 | Dr. Jekyll and Mr Hyde : 7.70 |
| Scene External Goal | 7.07 | 23 | Triangle of sadness: 7.06 | Dr. Jekyll and Mr Hyde : 7.07 |
| Script Structure | 8.05 | 22 | Blackkklansman: 8.04 | Dr. Jekyll and Mr Hyde : 8.05 |
| Scene Formatting | 8.04 | 20 | Women talking: 8.03 | True Blood: 8.04 |
| Scene Pacing | 8.09 | 13 | Le souvenir des belles choses: 8.08 | Dr. Jekyll and Mr Hyde : 8.09 |
| Script Conflict | 7.00 | 10 | Dune Part Two: 6.80 | Arsenic and old lace : 7.00 |
| Script Visual Impact | 6.70 | 4 | Cruel Intentions: 6.60 | True Blood: 6.70 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Engine: Gemini
Consider
Executive Summary
The screenplay of 'Dr. Jekyll and Mr. Hyde' is a compelling adaptation of the classic novel, with strong character portrayals, vivid transformation scenes, and a thought-provoking exploration of good and evil. However, the pacing could be improved in the middle section, and there are opportunities to further develop the characters of Ivy and explore the societal context of the story. Overall, the screenplay has the potential to be a successful film with some revisions.
- Strong opening scene that immediately establishes themes and conflict. high ( Scene 1 (1) Scene 2 (9) Scene 7 (36) )
- Jekyll's passion for his research and his belief in its potential are conveyed convincingly, making him a compelling protagonist. high ( Scene 5 (22) Scene 9 (46) Scene 10 (54) )
- The love story between Jekyll and Beatrix is well-developed and adds emotional depth to the narrative. medium ( Scene 12 (70) Scene 13 (72) Scene 22 (155) Scene 36 (212) )
- The transformation scenes are vividly described and capture the horror and fascination of Jekyll's metamorphosis. high ( Scene 20 (137X) Scene 21 (150) )
- Hyde's character is effectively portrayed as both charismatic and terrifying, highlighting the duality of human nature. high ( Scene 25 (174) Scene 26 (179) Scene 27 (188) Scene 30 (196) Scene 33 (205) Scene 34 (205C) )
- The pacing of the screenplay could be improved in the middle section, where the focus on Jekyll's experiments slows down the narrative momentum. medium
- Ivy's character arc feels underdeveloped and her motivations are not fully explored. medium ( Scene 31 (202) )
- The ending could be more impactful and explore the consequences of Jekyll's actions in greater depth. medium
- The screenplay could benefit from exploring the societal context of Victorian London and how it contributes to the themes of repression and duality. medium
- There is an opportunity to delve deeper into the psychological aspects of Jekyll's transformation and the internal struggle between good and evil. medium
- The screenplay effectively uses dialogue to convey the philosophical and moral questions at the heart of the story. high
- The use of music as a motif throughout the screenplay adds emotional resonance and symbolism. medium ( Scene 11 (64) Scene 12 (70) )
Engine: GPT4
Consider
Executive Summary
The screenplay for 'Dr. Jekyll and Mr. Hyde' offers a compelling exploration of duality and the human psyche through the well-executed character arc of Dr. Jekyll. The transformation scenes are particularly strong, providing the horror and suspense that would attract audiences. However, the pacing and development of secondary characters could be improved to enhance the overall narrative.
- The screenplay opens with a strong and engaging scene that sets the tone for the dual nature of the main character. high ( Scene 1 (1) )
- The transformation scenes are vividly described, enhancing the horror and suspense elements of the screenplay. high ( Scene 10 (10) )
- The character development of Dr. Jekyll is well-executed, showing his internal conflict and descent into madness. high ( Scene 14 (14) )
- The dialogue is sharp and engaging, particularly in scenes where Jekyll interacts with other characters about his controversial experiments. medium ( Scene 22 (22) )
- The climax is effectively dramatic, providing a satisfying and thematic conclusion to the story. high ( Scene 50 (50) )
- Some scenes, particularly in the middle of the screenplay, could benefit from tighter pacing to maintain suspense. medium ( Scene 5 (5) )
- The motivations of secondary characters are sometimes unclear and could be better developed to enhance the story. medium ( Scene 8 (8) )
- There are occasional lapses in tone that could be smoothed out to keep the atmosphere consistent. low ( Scene 3 (3) )
- The use of horror elements sometimes overshadows the psychological depth of the story, which could be balanced better. medium ( Scene 12 (12) )
- The scientific explanations are sometimes too complex and could be simplified for clarity and better audience engagement. low ( Scene 17 (17) )
- The screenplay could benefit from more scenes showing the impact of Jekyll's transformation on the wider community. medium ( Scene 20 (20) )
- The opening scene effectively sets up the story's central themes and hooks the audience's interest. high ( Scene 1 (1) )
Screenplay Insights:
Characters: 7.7, The screenplay presents a compelling portrayal of characters, effectively capturing their complexities, transformations, and emotional journeys. However, there are opportunities for further development and enhancement to deepen the audience's connection to the characters and heighten the narrative's emotional impact. See More
Premise: 8.7, The screenplay's premise effectively establishes a captivating and clear foundation, building upon the classic Jekyll and Hyde story with intriguing explorations of duality, societal expectations, and the complexities of human nature. While the core concept is familiar, the screenplay's unique approach to character dynamics and thematic depth offers a fresh perspective. However, there's potential to further enhance the premise by delving deeper into the motivations behind Jekyll's experiments and exploring the societal context that fuels his obsession with separating good and evil. See More
Structure: 8.3, The screenplay's structure effectively builds tension and engages the audience through its exploration of the protagonist's inner conflict and the exploration of good versus evil. However, the plot could benefit from a more cohesive resolution to fully satisfy the audience. See More
Theme: 8.5, The screenplay effectively explores its themes of good versus evil, the duality of human nature, and the consequences of unchecked ambition. These themes are woven into the narrative through the character arcs of Dr. Jekyll and Mr. Hyde, creating a compelling and thought-provoking story. See More
Visual Impact: 6.7, The screenplay exhibits thoughtful visual imagery and has the potential to deliver a visually engaging film. The utilization of social events and locations, such as the church, hospital, and dinner parties, offers a range of visual textures and opportunities for visually impactful scenes. However, there are areas where enhancing the screenplay's visual storytelling would significantly elevate the audience's immersive experience and emotional connection to the story. See More
Emotional Impact: 7.8, The screenplay exhibits emotional depth and resonance in its exploration of the battle between good and evil within the human psyche. However, it has the potential to further enhance its emotional impact by expanding the emotional depth of certain characters and refining its exploration of the emotional consequences of the protagonist's actions. See More
Conflict: 7.0, The screenplay presents a compelling conflict and significant stakes, establishing a solid foundation for narrative tension and audience engagement. However, certain enhancements could deepen the conflict, elevate the stakes, and create a more rewarding and impactful story. See More
Originality: 8.4, The screenplay demonstrates originality and creativity in its exploration of the duality between good and evil within a single individual, focusing on the psychological and physical transformations of Dr. Jekyll and Mr. Hyde. The screenplay delves into complex themes of morality, repression, and the struggle against inner demons, leading to a captivating and thought-provoking narrative. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- During a Bishop's sermon at All Souls Southwick Church, a man named Sam disrupts the service with laughter and scornful remarks, challenging the Bishop's authority. Despite Sam's wife's attempts to quiet him, the Bishop remains unfazed and continues his sermon. The congregation pays little attention to the disturbance, except for Dr. Jekyll, who turns around to observe it with interest. The scene ends with the aislemen approaching Sam to quell his outburst.
- During a church service, a man acts erratically and is removed by aislemen. Dr. Jekyll examines the man, determines he has suffered a shock, and instructs a constable to take him to Camden Hospital. The man continues to rant about evil and the devil before being taken away.
- Jekyll returns to the church, where he joins Beatrix and Sir Charles in their pew. After the service, they make plans for the day, and Jekyll kisses Beatrix, causing tension with Sir Charles. The scene concludes with a humorous mishap as Jekyll waves goodbye to Beatrix and nearly bumps into a dowager.
- Dr. Jekyll and Dr. Heath engage in a heated debate regarding the controversial treatment of Mr. Higgins. Despite Heath's ethical concerns, Jekyll insists on proceeding with his experimental approach, valuing scientific advancement over patient safety. Mrs. Higgins, caught between her desire to aid her husband and her apprehension about Jekyll's methods, watches the argument unfold with anxiety.
- Dr. Jekyll passionately argues with Heath about continuing his groundbreaking medical experiments despite ethical concerns. After an intense exchange, Jekyll storms off and enters the Children's Ward, where he encourages a young girl to walk despite her fears. As he leaves, he is joined by Dr. Lanyon, who expresses concern about rumors of a disagreement between Jekyll and Heath.
- Dr. Jekyll assures Dr. Lanyon that he is stopping dangerous experiments, but then admits he is close to a breakthrough and will keep working, ethics aside. Jekyll retrieves a mysterious vial, dismisses his butler, and enters his laboratory, lost in thought.
- Dr. Jekyll prepares for a dinner party in his laboratory, experimenting with rabbits and rats. Meanwhile, the guests wait for his arrival in the dining room, engaging in polite conversation.
- Dr. Jekyll attends a dinner party and discusses his controversial research on separating the facets of the brain and the soul. He claims that a man seen behaving badly in church that morning was not insane, but rather had one evil side of him in existence due to a recent traumatic event. This claim shocks the other guests at the party, who debate the implications of his research.
- Dr. Jekyll's passionate argument about the coexistence of good and evil in the human soul sparks discomfort among dinner guests, challenging their beliefs and leaving them deeply unsettled.
- At a Victorian dinner party, Dr. Jekyll challenges societal norms by arguing that humans have dark thoughts and desires that should be acknowledged. The Bishop warns against tampering with the soul before God solves the problem, while Dr. Courtney and the Colonel express outrage. Jekyll confronts the Colonel about the thoughts of soldiers returning from battle, reminding him of his own past experiences. The discussion is cut short when the ladies leave, leaving the conflicts unresolved.
- Sir Charles, Dr. Lanyon, Dr. Jekyll, and Beatrix arrive at Sir Charles' mansion. Sir Charles invites Lanyon in for a nightcap, which Jekyll and Bee are relieved about. Lanyon pours drinks while Jekyll and Beatrix choose a disc for the music box. Beatrix chooses a waltz that reminds Sir Charles of his late wife. Jekyll and Beatrix dance, while Sir Charles watches, feeling wistful. Lanyon hands Sir Charles a drink, who is worried about Jekyll and Beatrix. Jekyll and Beatrix continue to dance and embrace in the conservatory.
- Beatrix and Jekyll discuss the nature of good and evil in relation to their love for each other. They decide to ask Beatrix's father for permission to marry sooner. However, their conversation is interrupted by Sir Charles, who asks Jekyll for help finding a song.
- Jekyll's enthusiasm for his experiments and eagerness to marry Beatrice clashes with Sir Charles's disapproval, leading to a tense confrontation. Jekyll's resentment and Sir Charles's insistence on conformity set the stage for future conflicts.
- In a dimly lit alley, Dr. Lanyon attempts to persuade Jekyll to abandon his theories and rekindle their friendship. Amidst their discussion, they witness a man's brutal assault on a young girl. Despite their differences, both men intervene, with Jekyll tending to the injured girl's wounds and offering her a ride home in a cab. Lanyon, initially reluctant, agrees to drive her. Together, they leave the harrowing alley behind, marking a moment of unity and compassion amid the urban darkness.
- A barmaid shares her experience of being harassed by a man. Dr. Jekyll helps her home and examines her injury. The barmaid is surprised to learn that he is a doctor and tries to flirt with him.
- Jekyll and the Girl engage in playful banter that turns flirtatious as Jekyll examines her injured side. Their moment is interrupted by Dr. Lanyon's arrival, prompting Jekyll to reluctantly leave with him. The Girl is left confused and disappointed by his departure.
- Jekyll apologizes for his actions with the girl, but she rejects his apology. Jekyll and Lanyon discuss Jekyll's behavior and Jekyll insists that he will continue his experiments. Jekyll returns to his laboratory and begins working furiously, determined to find what he's looking for.
- Jekyll immerses himself in relentless experimentation, neglecting his well-being as time elapses. Poole's efforts to provide sustenance and rest go unheeded, as Jekyll's obsession consumes him.
- Dr. Jekyll conducts experiments on animals, elated by the results but grief-stricken when his patient dies. Lost in despair, he wanders through a dimly lit park, his future clouded in uncertainty.
- Dr. Jekyll, grappling with his inner conflict, seeks Mr. Weller's opinion on taking a risky journey. As Jekyll contemplates his choices, he pens a letter expressing his intentions to Beatrix. Back in his lab, Jekyll's resolve solidifies as he pours a mysterious substance into a vial. Consumed by determination, he drinks the contents, triggering a violent transformation into a grotesque version of himself. The scene culminates in Jekyll's agony as he writhes on the floor.
- In the depths of his laboratory, Dr. Jekyll undergoes a sinister metamorphosis into Hyde, reveling in his malevolent appearance. As Poole, the butler, attempts to enter the room, he is met with silence. Hyde ignores Poole's pleas, mixing a potion that returns him to his original form. Pale and disheveled, Jekyll emerges, startled by Poole's announcement of Miss Beatrix's arrival. Mechanically, he dons his tailcoat and rushes to the mirror, seeking reassurance that no trace of Hyde remains.
- Jekyll and Beatrix share a passionate encounter, unaware that Sir Charles is present. Sir Charles disapprovingly chastises Jekyll for causing his daughter anxiety and sleeplessness, and demands that she return home with him.
- Sir Charles confronts Jekyll about his concerning scientific pursuits, threatening to sever Jekyll's engagement to his daughter, Beatrix, if he does not cease. Torn between love and his scientific endeavors, Jekyll reluctantly yields to Sir Charles's demands, causing heartache for both himself and Beatrix.
- Jekyll confronts Poole about a letter, learning that Beatrix is leaving for Italy indefinitely. He becomes angry and drinks a potion, transforming into Hyde who is more bestial than before.
- Mr. Hyde revels in his transformation, admiring his reflection and reveling in his cruelty. He inquires about Ivy Pearson at a rooming house, then plays a cruel prank on an old blind man. Hyde takes a cab to the Palace of Varieties, continuing his sinister quest.
- Dr. Jekyll transforms into Mr. Hyde and causes a scene at the Palace of Varieties. He knocks over a cabbie, threatens a waiter, and orders champagne from barmaid Ivy. The manager intervenes, resolving the tension temporarily. The scene ends with Hyde's sinister demand for Ivy to serve him, leaving the outcome uncertain.
- In this scene at a bar, Ivy is asked to serve champagne to a man in a box named Hyde. Despite her initial intentions to leave, Hyde insists she sit down and engages her in conversation, leading to a flirtatious and slightly tense interaction.
- Hyde and Ivy's conversation in a bar turns chaotic when a drunken man grabs Ivy, prompting a fight instigated by Hyde. The manager is injured, and the scene shifts to the manager's office due to the escalating violence.
- Hyde convinces the manager to discharge Ivy from her job at the Palace of Varieties. He then waits for Ivy outside and offers her money to help her, suggesting a life of luxury and pleasure. Ivy is initially hesitant but intrigued by Hyde's offer. The conflict arises when Hyde convinces the manager to fire Ivy, but it is resolved when Ivy accepts Hyde's offer of money and a luxurious lifestyle. The tone of the scene is manipulative and seductive, with significant visual elements including Hyde offering Ivy money and promising her a life of luxury inside the cab. The scene ends with Ivy feeling unsure about Hyde's intentions and trying to get away from him.
- Hyde reveals his evil intentions towards Ivy, threatening to keep her captive and harm her. Despite Ivy's pleas and confusion, Hyde continues to mock and torment her, promising that she will eventually understand his sinister plans. The scene is characterized by a dark and menacing tone, with a power struggle between Hyde and Ivy creating a sense of uncertainty and foreboding about Ivy's fate.
- Ivy, in her new apartment, is playing solitaire when Marcia arrives and attempts to persuade her to join her and her brother. Ivy initially declines, but Marcia persists, pointing out bruises on Ivy's arm and accusing Hyde of abusing her. Hyde enters the room, confronting Marcia, who eventually leaves. Hyde then focuses his attention on Ivy.
- In this scene, Hyde interacts with Ivy after Marcia leaves, teasing her about his potential interest in Marcia and hinting at leaving her for a trip in the future. Ivy becomes hopeful and anxious about the possibility of Hyde leaving, leading to a tense and manipulative atmosphere in the room. The scene ends with Ivy quickly exiting after Hyde continues to toy with her emotions.
- Hyde plays a cruel game with Ivy, manipulating her emotions and denying her desire to escape. As Ivy becomes increasingly desperate, he switches between promising and reneging on plans to go out, then mocks her language and suggests she sing for him. Overwhelmed, Ivy breaks down, unable to fulfill his demand.
- In this scene, Hyde forces Ivy to sing a song while mocking her, throws grapes at her, and kisses her before transforming back into Dr. Jekyll. Poole arrives to inform Jekyll of Miss Beatrix and her father's return, causing Jekyll to feel torn between joy and anxiety.
- Dr. Jekyll requests a special messenger for the following day and melts down a key, feeling relieved afterwards. Ivy receives a mysterious envelope containing money and fears it's from Hyde. Jekyll appears carefree with Beatrix, while Ivy remains terrified.
- Beatrix confronts Jekyll for not informing her about his illness, leading to a heartfelt apology and a marriage proposal. After Beatrix threatens to elope with Jekyll, her father eventually agrees to their marriage. The scene ends with Sir Charles inviting Jekyll to dinner to announce their engagement.
- Jekyll arrives home excited about his upcoming marriage, but his joy is interrupted when Ivy shows up with marks on her shoulder, revealing she is being abused by Hyde. Jekyll is horrified and struggles to find a way to help Ivy, who breaks down and reveals the extent of the abuse she is facing.
- Ivy, terrified of Hyde, seeks refuge with Dr. Jekyll, offering herself to him in exchange for protection. Jekyll declines but assures her that she's safe from Hyde, offering a moment of resolution for Ivy.
- Dr. Jekyll excitedly informs Mr. Weller about his upcoming marriage proposal, but as he walks through the park, he begins to transform into Mr. Hyde. Despite his efforts to control the transformation, Jekyll succumbs to convulsions and becomes Hyde, setting a sinister tone for what is to come.
- In a tense confrontation, Hyde accuses Ivy of substance abuse and reveals his knowledge of her true thoughts. Confessing to being Dr. Jekyll, he lunges at her, leading to a violent struggle that ends with Ivy's death. As Hyde flees, tenants gather outside her door, witnessing the aftermath.
- Hyde exhibits violent behavior, knocking down a man, attacking a horse, and causing chaos. Tenants accuse him of murder and confront him at Jekyll's lab, but Poole denies him entry, leading to a tense standoff as Hyde flees the scene.
- In the shadows of the night, Hyde frantically searches for a stationery store. Stumbling upon one, he shatters the window and seizes paper, ink, and a pen. The store owners emerge in alarm, witnessing Hyde's hasty escape. The scene then shifts to Sir Charles' home, where he and Beatrix bid farewell to a guest at a party. Their conversation quickly turns sour, as Beatrix confronts Sir Charles about Jekyll's absence.
- Beatrix defies Sir Charles' orders, leading to a heated confrontation. Dr. Lanyon retrieves vials from Jekyll's lab and encounters Hyde, who demands the package. Lanyon insists on questioning Hyde, setting up a tense encounter in Lanyon's study.
- Hyde, seeking the vial case containing Jekyll's potion, confronts Lanyon. Lanyon suspects Hyde's intentions and refuses to hand it over without an explanation. Hyde evades Lanyon's questions but reveals his identity as an old friend of Jekyll. Lanyon remains hesitant, but Hyde snatches the case as Lanyon retrieves it. Lanyon threatens to shoot Hyde, who grows increasingly agitated and threatens to consume the potion. Despite Lanyon's warnings, Hyde drinks it, transforming back into Jekyll before Lanyon's horrified gaze.
- In the aftermath of Dr. Jekyll's horrifying transformation into the monstrous Hyde, Dr. Lanyon confronts him about his secret experiments. Jekyll reveals the existence of a formula that allows him to transform into Hyde, confessing to murdering a girl while in that state. Lanyon, horrified, condemns Jekyll's actions as blasphemy and demands he destroy the formula and give up his fiancée. Jekyll, torn by guilt and remorse, agrees to face the consequences of his actions, leaving the audience with a sense of impending doom.
- Jekyll discovers the murder committed by "Hyde" and is horrified. He realizes he has lost the right to ask for help and ends his engagement with Beatrix, leaving her heartbroken.
- In this scene, Beatrix confronts Jekyll about his feelings for her, leading to a heartbreaking conversation where Jekyll expresses his love but insists on giving her up. Beatrix tries to comfort him, but Jekyll is tormented by his inner turmoil. The emotional tone is intense and filled with love, pain, and inner turmoil. The scene ends with Jekyll walking away from Beatrix, leaving her in tears and anguish on the ground.
- As Jekyll witnesses Beatrix's despair, his transformation into Hyde becomes uncontrollable. Hyde's limbs emerge, startling Beatrix, and he confronts Sir Charles, fatally wounding him. Hyde escapes, pursued by the police, eventually breaking into Jekyll's house, leaving a trail of destruction and despair.
- Dr. Jekyll's sinister alter-ego, Hyde, violently attacks Poole and flees into his laboratory, desperately searching for a potion to transform back. Poole and the constables pursue but are thwarted by locked doors. Meanwhile, Dr. Lanyon identifies the murder weapon and joins forces with the constable to confront Hyde, leaving the outcome of their encounter unknown.
- Constables and Poole break down the door to the laboratory to find Hyde mixing a potion. Hyde knocks over a jar and transforms back into Jekyll as Lanyon reveals the truth about Hyde. Once again Hyde transforms into a violent Hyde and fights off the officers until he is shot by the inspector, at which point he dies and transforms back into Jekyll.
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Character Dr. Jekyll
Description Dr. Jekyll's decision to send Beatrix away despite their deep love and her willingness to stay feels inconsistent with his passionate character and their established relationship. It appears driven by plot necessity rather than genuine character motivation.
( Scene 22 (155) ) -
Character Sir Charles Emery
Description Sir Charles' sudden change of heart regarding the marriage, especially after his strong disapproval and insistence on Beatrix leaving for the Continent, feels abrupt and lacks a convincing justification within his otherwise firm and traditional character.
( Scene 37 (212) )
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Description The explanation of Mr. Hyde's physical appearance changing with each transformation is unclear and inconsistent. The script mentions variations without providing a clear logic or explanation for these changes.
( Scene 20 (137) )
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Description The script doesn't explain how Dr. Jekyll, after transforming into Mr. Hyde, acquires knowledge of Ivy Pearson's residence and personal details, including the specific events that transpired during his previous encounter with her as Jekyll.
( Scene 21 (150) Scene 25 (174) )
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Description The barmaid's dialogue, while attempting to portray a lower-class individual, occasionally feels forced and stereotypical, relying on cliched expressions and mannerisms.
( Scene 15 (122) )
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Element Descriptions of violence and brutality inflicted by Mr. Hyde
( Scene 26 (179) Scene 27 (187) Scene 29 (194) Scene 33 (205) )
Suggestion While emphasizing Hyde's brutality is important, the repeated descriptions of his violent acts could be streamlined to maintain narrative impact while avoiding unnecessary repetition.
Dr. - Score: 17/100
Aliases
none
Role
Protagonist
Mr. - Score: 90/100
Role
Antagonist
Character Analysis Overview
Beatrix - Score: 77/100
Character Analysis Overview
Ivy - Score: 73/100
Character Analysis Overview
Sir - Score: 71/100
Role
Protagonist
Character Analysis Overview
Jekyll - Score: 88/100
Role
Protagonist
Character Analysis Overview
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Good vs. Evil (40%) | The battle between good and evil is explored throughout the film, with Dr. Jekyll representing the good side and Mr. Hyde representing the evil side. The film shows how even the best of us can be tempted by evil and the importance of resisting those temptations. | This theme is a classic in literature and film, and it is explored in a unique way in this film. The film shows how even the best of us can be tempted by evil, and the importance of resisting those temptations. | ||||||||||||
Strengthening Good vs. Evil:
| ||||||||||||||
| The Dangers of Science (30%) | The film also explores the dangers of science, and how it can be used for evil. Jekyll's experiments with the potion that transforms him into Hyde lead to his downfall, and the film shows how science can be used to create monsters, both physical and psychological | This theme is relevant in today's world, as scientists continue to push the boundaries of what is possible. The film serves as a warning about the importance of using science responsibly. | ||||||||||||
| The Power of Love (20%) | The film also explores the power of love, and how it can help to overcome evil. Jekyll's love for Beatrix helps to keep him from completely succumbing to Hyde, and it is ultimately love that saves him in the end. | This theme is a powerful one, and it is one that audiences can relate to. The film shows how love can help to overcome even the darkest of evils. | ||||||||||||
| The Importance of Self-Control (10%) | The film also explores the importance of self-control, and how it is essential for resisting temptation. Jekyll's lack of self-control leads to his downfall, and the film shows how important it is to be able to control one's own desires. | This theme is a valuable one, and it is one that everyone can learn from. The film shows how important it is to be able to control one's own desires, and how a lack of self-control can lead to disaster. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goal is to navigate his emotions and desires for love, balance his personal and professional life, and come to terms with his dual identity as Jekyll and Hyde. |
| External Goals | The protagonist's external goal is to maintain a respectable reputation, pursue his scientific research despite skepticism, navigate societal expectations, protect his loved ones, and come to terms with the consequences of his actions. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the duality of human nature, the boundaries of scientific experimentation, and the consequences of tampering with societal norms and personal desires. |
Character Development Contribution: The protagonist's internal and external goals evolve throughout the screenplay, leading to a deeper exploration of his struggles with identity, love, ambition, and morality. The conflicts he faces push him to confront his darker impulses, come to terms with his dual nature, and make difficult choices that shape his character development.
Narrative Structure Contribution: The goals and conflicts in the screenplay drive the storyline forward, creating tension and suspense as the protagonist navigates through moral dilemmas and societal pressures. The evolution of the protagonist's goals adds depth to the narrative, revealing his internal struggles and external challenges as he grapples with the consequences of his actions.
Thematic Depth Contribution: The goals and conflicts in the screenplay contribute to the thematic depth by exploring themes of duality, morality, love, ambition, and the boundaries of science. The protagonist's journey highlights the complexity of human nature, the consequences of unchecked ambition, and the eternal struggle between good and evil within each individual.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Interruption at the Sermon | Serious, Religious, Scornful | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 8 | 7 | 6 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 2 - Disturbance in the Church | Suspenseful, Mysterious, Tense, Dramatic | 8 | 8 | 7 | 9 | 7 | 6 | 8 | 7.5 | 9 | 8 | 7 | 8 | 8 | 7 | 6 | 9 | 8.5 | 8 | 8.5 | |
| 3 - Church Encounter | Serious, Light-hearted, Romantic | 8 | 8 | 7 | 9 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 4 - Ethical Dispute over Patient Treatment | Agitated, Worried, Pathetic, Timorous | 8 | 9 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 5 - The Doctor's Dilemma | Intense, Compassionate, Authoritative | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 6 - Jekyll's Division | Intense, Sarcastic, Serious, Hopeful | 8 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 7 - Dinner Preparations | Anxious, Anticipatory, Troubled, Casual, Sarcastic, Charming, Mollified | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 8 - The Nature of Good and Evil | Serious, Mysterious, Intriguing, Tense | 8 | 9 | 8 | 9 | 7 | 6 | 8 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | |
| 9 - The Duality of Man | Intense, Philosophical, Controversial | 8 | 9 | 7 | 9 | 7 | 6 | 8 | 7 | 7 | 8 | 7 | 8 | 7 | 6 | 9 | 8 | 8 | 8 | 8 | |
| 10 - Jekyll's Provocative Theories | Controversial, Intense, Nostalgic, Indignant, Sarcastic | 8 | 9 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 11 - An Evening at Sir Charles' Mansion | Wistful, Romantic, Reflective, Concerned | 8 | 7 | 7 | 8 | 9 | 7 | 8 | 7 | 3 | 6 | 4 | 7 | 6 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 12 - Transforming Love | Tender, Serious, Passionate, Reflective, Wistful | 8 | 8 | 7 | 8 | 9 | 8 | 9 | 7 | 6 | 6 | 5 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 13 - The Clash of Wills | Serious, Emotional, Contentious | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 14 - An Act of Kindness | Suspenseful, Intense, Dramatic, Mysterious | 8 | 7 | 8 | 9 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 15 - The Helpful Doctor | Suspenseful, Intense, Dramatic, Mysterious | 8 | 7 | 8 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 16 - Flirtatious Encounter | Playful, Intimate, Serious | 8 | 7 | 7 | 9 | 9 | 7 | 8 | 7.5 | 6 | 7 | 6 | 7 | 7 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
| 17 - Jekyll's Dangerous Obsession | Intense, Controversial, Emotional, Tense, Mysterious | 8 | 9 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 18 - Jekyll's Tireless Labors | Intense, Mysterious, Dark | 8 | 9 | 8 | 8 | 7 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | |
| 19 - Jekyll's Tormented Night | Tense, Dark, Mysterious, Gloomy | 8 | 9 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 20 - Jekyll's Transformation | Intense, Dark, Mysterious, Foreboding | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 21 - Jekyll's Transformation and Poole's Interruption | Dark, Intense, Mysterious, Tense | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 22 - The Confrontation | Tense, Passionate, Anxious, Defiant, Cold | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 23 - The Choice | Tense, Emotional, Resentful, Anxious, Regretful | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 24 - The Transformation | Dark, Intense, Tragic, Suspenseful | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 7 | 9 | 6 | 9 | 9 | 7 | 10 | 7 | 9 | 8 | 8 | 8 | |
| 25 - Hyde's Malice | Dark, Intense, Mysterious, Sinister | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 26 - Hyde Arrives at the Palace of Varieties | Dark, Sinister, Menacing, Suspenseful | 9 | 9 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 7 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 27 - Unexpected Conversation | Tense, Romantic, Suspenseful | 8 | 9 | 8 | 9 | 7 | 8 | 8 | 7 | 9 | 7 | 8 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 28 - Barroom Brawl | Dark, Intense, Suspenseful | 8 | 9 | 8 | 8 | 7 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 9 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 29 - Temptation and Manipulation | Dark, Intense, Suspenseful, Romantic | 8 | 9 | 8 | 8 | 8 | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 30 - The Menacing Threat | Dark, Intense, Emotional | 8 | 9 | 8 | 9 | 8 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 31 - Confrontation in Ivy's Apartment | Tense, Dark, Suspenseful, Menacing | 9 | 8 | 9 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 32 - Manipulative Mind Games | Tense, Sinister, Manipulative, Intense | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 33 - Hyde's Mind Games | Dark, Sinister, Manipulative, Menacing | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 34 - The Transformation | Dark, Intense, Menacing, Emotional | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 35 - Post-Transformation Tranquility and Envelope Delivery | Tense, Emotional, Dark, Intense | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 36 - A Proposal and a Threat | Anxious, Passionate, Tense, Emotional, Hopeful | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 37 - The Revelation of Ivy | Tense, Disturbing, Anxious, Horror, Hopeful | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 38 - Ivy's Plea for Help | Anxiety, Fear, Hope, Desperation | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 39 - The Transformation | Menacing, Intense, Emotional | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 40 - Hyde's Deadly Confession | Intense, Menacing, Terrifying, Sinister | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 41 - Hyde's Rampage | Dark, Intense, Suspenseful, Menacing | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 42 - Hyde's Desperation | Tense, Suspenseful, Anxious | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 43 - Tension and Confrontations | Suspenseful, Intense, Dark | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 44 - Hyde's Desperate Demand | Suspenseful, Intense, Menacing, Confrontational | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 8 | 9 | 9 | 8 | 7 | 9 | 8.5 | 8 | 8 | |
| 45 - Jekyll Confesses to Lanyon | Anguish, Horror, Desperation, Pleading | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 10 | 8 | 9 | 9 | 9 | 9 | |
| 46 - Jekyll's Despair | Tense, Agonized, Worried, Anguished, Desperate | 9 | 8 | 9 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 47 - Heartbreaking Confrontation in the Garden | Heartbreaking, Intense, Emotional | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 7 | 8 | 8 | 9 | 8 | 7 | 10 | 8 | 9 | 8 | 8 | 8 | |
| 48 - The Hyde Transformation | Tense, Suspenseful, Dramatic, Violent | 9 | 9 | 8 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 49 - Hyde's Escape | Tense, Frantic, Horror | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
| 50 - The Transformation and Death of Hyde | Tense, Horror, Tragic, Intense | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 10 | 7 | 9 | 8 | 8 | 8 | |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Effective tension-building
- Compelling character development
- Emotional depth
- Intense atmosphere
- Engaging dialogue
Scene Weaknesses
- Limited character development
- Lack of emotional depth
- Potential for triggering content
- Some dialogue may feel cliched or predictable
- Limited exploration of certain characters or perspectives
Suggestions
- Focus on developing characters more fully, exploring their motivation and backstory to increase emotional depth and clarity
- Consider potentially sensitive themes and how they may impact audience members, finding ways to address them respectfully and thoughtfully
- Look for opportunities to move beyond cliched or predictable dialogue, seeking to create conversation that feels natural and authentic to the characters and their situations
- Make a conscious effort to explore a wider range of perspectives and experiences, particularly those that may be underrepresented or overlooked in mainstream media
- Experiment with different approaches to pacing and tone, considering the impact they have on the audience's engagement and understanding of the story
Scene 1 - Interruption at the Sermon
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Disturbance in the Church
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Church Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Ethical Dispute over Patient Treatment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - The Doctor's Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Jekyll's Division
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Dinner Preparations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - The Nature of Good and Evil
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - The Duality of Man
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Jekyll's Provocative Theories
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - An Evening at Sir Charles' Mansion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Transforming Love
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - The Clash of Wills
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - An Act of Kindness
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - The Helpful Doctor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Flirtatious Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Jekyll's Dangerous Obsession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Jekyll's Tireless Labors
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Jekyll's Tormented Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Jekyll's Transformation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Jekyll's Transformation and Poole's Interruption
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - The Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - The Choice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - The Transformation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Hyde's Malice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Hyde Arrives at the Palace of Varieties
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Unexpected Conversation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Barroom Brawl
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - Temptation and Manipulation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - The Menacing Threat
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Confrontation in Ivy's Apartment
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Manipulative Mind Games
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Hyde's Mind Games
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - The Transformation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Post-Transformation Tranquility and Envelope Delivery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - A Proposal and a Threat
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - The Revelation of Ivy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Ivy's Plea for Help
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - The Transformation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Hyde's Deadly Confession
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Hyde's Rampage
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Hyde's Desperation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 43 - Tension and Confrontations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 44 - Hyde's Desperate Demand
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 45 - Jekyll Confesses to Lanyon
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 46 - Jekyll's Despair
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 47 - Heartbreaking Confrontation in the Garden
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 48 - The Hyde Transformation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 49 - Hyde's Escape
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 50 - The Transformation and Death of Hyde
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: Victorian-era London is depicted as a place of societal norms and class distinctions, with a focus on the Anglican church and its influence on the community. The environment is often dark and ominous, reflecting the inner turmoil and moral struggles of the characters.
- Culture: Religious principles, moral values, and the celebration of Queen Victoria's Golden Jubilee play a significant role in shaping the culture. Social hierarchy is evident in the seating arrangements in the church, with the less well-to-do parishioners seated separately from the well-dressed families.
- Society: Class divide is evident in the seating arrangements in the church, with the less well-to-do parishioners seated separately from the well-dressed families. The medical practices and ethics of the time are showcased in the hospital setting, highlighting the scientific advancements and ethical dilemmas of the era.
- Technology: Technological aspects are limited, as the screenplay is set in the 19th century. However, the use of medical equipment and vials in the hospital setting showcases the scientific advancements of the time.
- Characters influence: The societal norms and class distinctions shape the characters' interactions and actions. The characters' struggles with mental health issues and ethical dilemmas are influenced by the medical practices and ethics of the time. The physical environment, with its dark and ominous atmosphere, reflects the inner turmoil and moral struggles of the characters.
- Narrative contribution: The physical environment, with its dark and ominous atmosphere, contributes to the sense of tension and suspense. The societal norms and class distinctions create conflict and drive the plot forward. The medical practices and ethics of the time provide a backdrop for the characters' ethical dilemmas and struggles with mental health issues.
- Thematic depth contribution: The physical environment, societal norms, and medical practices contribute to the exploration of themes such as good and evil, the duality of human nature, and the struggle between science and morality.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by a blend of eloquence, psychological depth, and social commentary. |
| Voice Contribution | The writer's voice contributes to the script by enhancing the atmosphere, emotional depth, and thematic richness of the screenplay. |
| Best Representation Scene | 36 - A Proposal and a Threat |
| Best Scene Explanation | This scene is the best representation of the writer's voice due to its effective combination of character-driven dialogue and descriptive narrative to create a compelling and immersive setting. |
Style and Similarities
The screenplay exhibits a diverse range of writing styles, drawing inspiration from renowned authors and screenwriters. It effectively blends elements of literary fiction, psychological thrillers, and character-driven dramas to create a captivating and multi-layered narrative.
Style Similarities:
| Writer | Explanation |
|---|---|
| Robert Louis Stevenson | Stevenson's influence is evident in the screenplay's exploration of duality, morality, and the inner conflicts of characters. Several scenes showcase his ability to create complex and psychologically nuanced individuals struggling with the consequences of their choices. |
| David Mamet | Mamet's sharp dialogue and focus on power dynamics are prevalent throughout the screenplay. His influence is particularly notable in scenes that feature intense verbal confrontations and psychological manipulation. |
| Mary Shelley | Shelley's gothic elements, themes of science and morality, and exploration of the human condition are woven into the fabric of the screenplay. Her influence is particularly evident in scenes that delve into the darker aspects of human nature. |
| Edgar Allan Poe | Poe's dark and atmospheric writing style, use of suspense, and exploration of psychological horror leave a mark on the screenplay. Scenes that create a sense of unease and delve into the macabre reflect his influence. |
Other Similarities: Other notable influences include Jane Austen, Arthur Miller, Oscar Wilde, and Alfred Hitchcock, whose respective styles contribute to the screenplay's rich tapestry of literary and cinematic references.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Emotional Scenes Tend to Score Higher | Scenes with strong emotional content (e.g., intense, compassionate, emotional) generally receive higher overall grades (8 or 9) compared to scenes with less emotional weight. |
| Scenes with High Emotional Impact Often Feature Character Changes | Scenes that evoke a strong emotional response from the audience (Emotional Impact score of 8 or higher) frequently coincide with significant character changes or developments. |
| Suspenseful Scenes are Often Intense and Tense | Scenes classified as suspenseful often exhibit high levels of intensity and tension, as indicated by their respective scores in those categories. |
| Dark Scenes Tend to be Intense and Mysterious | Scenes characterized as dark frequently align with high scores in intensity and mystery, creating an atmosphere of intrigue and foreboding. |
| High-Stakes Scenes Often Advance the Story | Scenes with significant stakes or consequences for the characters tend to play a crucial role in moving the story forward, suggesting that the author effectively uses tension to drive the narrative. |
Writer's Craft Overall Analysis
The screenplay demonstrates a strong command of character development, dialogue, and thematic depth, creating engaging and thought-provoking narratives. The writer excels in building tension, emotional depth, and conflict, showcasing a talent for immersive storytelling.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Screenplay | Read 'Screenplay: The Foundations of Screenwriting' by Syd Field | This book provides valuable insights into screenplay structure, character development, and dialogue, which can enhance the writer's craft in key areas like dialogue and character dynamics. |
| Exercise | Practice writing scenes with conflicting internal and external goals to deepen character motivations and conflicts.Practice In SceneProv | This exercise will help the writer refine their ability to create engaging character interactions and thematic depth. |
| Video | Watch films with strong philosophical debates to observe how tension and conflict are portrayed on screen. | Visual study of philosophical debates can enhance the writer's understanding of translating intellectual discussions to the screen, improving thematic depth. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Dr. Jekyll and Mr. Hyde | Split personalities, good and evil. | The idea of a person having two distinct personalities, one good and one evil, is a common trope in literature and film. |
| The Mad Scientist | Jekyll is a brilliant scientist who becomes obsessed with his work and ignores the consequences. | The trope of the mad scientist is a common one, and it often involves a scientist who is so obsessed with their work that they ignore the consequences of their actions. |
| The Damsel in Distress | Beatrix is a beautiful and innocent woman who is pursued by the evil Hyde. | The damsel in distress is a common trope in literature and film, and it often involves a beautiful and innocent woman who is pursued by a villain. |
| The Byronic Hero | Hyde is a charismatic and dangerous figure who is both attractive and repulsive. | The Byronic hero is a common trope in literature and film, and it often involves a charismatic and dangerous figure who is both attractive and repulsive. |
| The Double | Jekyll and Hyde are two sides of the same person. | The double is a common trope in literature and film, and it often involves two characters who are either identical or very similar and who represent different aspects of the same person. |
| The Gothic | The film's setting is dark and atmospheric, and it is filled with themes of horror and suspense. | The Gothic is a common trope in literature and film, and it often involves a setting that is dark and atmospheric and filled with themes of horror and suspense. |
| The Victorian Era | The film is set in the Victorian era, and it reflects the social and cultural norms of the time. | The Victorian era is a common setting for literature and film, and it often reflects the social and cultural norms of the time. |
| The Religious Subtext | The film explores themes of good and evil, and it draws on religious imagery and symbolism. | The religious subtext is a common trope in literature and film, and it often explores themes of good and evil and draws on religious imagery and symbolism. |
| The Social Commentary | The film explores issues of class, gender, and morality. | The social commentary is a common trope in literature and film, and it often explores issues of class, gender, and morality. |
| The Tragic Hero | Jekyll is a tragic hero who is ultimately destroyed by his own hubris. | The tragic hero is a common trope in literature and film, and it often involves a character who is destroyed by their own hubris. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 9 | Dr. Jekyll: Good and evil are so close as to be chained together in the soul. Man isn't truly one, but two. |
| 12 | Dr. Jekyll: You and I are in love. Such a small word for such a great thing! |
| 41 | Hyde: You'll have what you have longed for. |
| 42 | Hyde: You will have what you have longed for. |
| 45 | Dr. Jekyll: I'm a murderer, John. A murderer! |
Some Loglines to consider:
| A London doctor's experiments with good and evil spirals out of control, unleashing his evil alter ego Mr. Hyde. |
| Dr. Jekyll's obsession with power and knowledge leads him down a dangerous path towards his own destruction and the havoc of Mr. Hyde. |
| A tale of the duality of human nature as a London doctor's experiments go horribly awry, resulting in violent consequences. |
| Dr. Lanyon tries to intervene as Dr. Jekyll transforms into the dangerous Mr. Hyde, but it may be too late to stop the chaos. |
| Dr. Jekyll's descent into madness and Mr. Hyde's reign of violence ultimately lead to tragedy and the consequences of playing with the forces of nature. |
Help & FAQ
Frequently Asked Questions
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