Labyrinth
A babysitter must journey through a mystical labyrinth to save her brother from becoming a goblin.
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Unique Selling Point
This captivating fantasy adventure script blends whimsical humor with heart-stopping thrills, creating an immersive experience that will enchant audiences of all ages. Through a young girl's courageous journey to save her baby brother from the clutches of a malevolent Goblin King, the script explores profound themes of family, friendship, and self-discovery. With an imaginative world filled with unforgettable characters, a unique blend of fantasy and reality, and a compelling narrative told through a distinctive and evocative voice, this script stands out as an exceptional and unforgettable piece of storytelling.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines' ratings to compare.
Hover over verdict cards for Executive Summaries
Consider
Recommend
Story Facts
Genres: Fantasy, Adventure, Drama, Comedy, Family, Musical, Romance
Setting: Contemporary, A mix of fantasy realms, suburban neighborhoods, and labyrinthine mazes
Themes: Coming of age, The power of imagination, The dangers of temptation, The importance of friendship, The transformative power of love, The search for identity
Conflict & Stakes: Sarah's quest to save her brother from the clutches of Jareth, the Goblin King, while navigating a series of challenges and betrayals
Mood: Whimsical and fantastical with moments of tension and emotional depth
Standout Features:
- Innovative Setting: The blend of fantasy realms, suburban neighborhoods, and labyrinthine mazes creates a visually captivating world for the story
- Unique Characters: The diverse and memorable characters, from the enigmatic Goblin King to the gentle giant Ludo, offer a rich tapestry of personalities
- Genre Blending: The screenplay seamlessly blends elements of fantasy, adventure, and drama to create a compelling and immersive narrative
Comparable Scripts: Alice in Wonderland, The Wizard of Oz, Pan's Labyrinth, The Princess Bride, The Dark Crystal, Spirited Away, Coraline, Harry Potter
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- **Originality:** The screenplay exhibits exceptional originality, ranking in the top 90%, indicating a fresh and distinctive approach to the story and characters.
- **Concept Rating:** With a high percentile of 90.65%, the concept of the screenplay is highly engaging and intriguing, capturing the reader's attention and establishing a solid foundation for the narrative.
- **Internal Goal Score:** The internal goal of the protagonist is well-defined and compelling, scoring an impressive 78.79%, driving the character's motivations and creating a strong emotional connection with the audience.
- **Plot Rating:** The plot development could benefit from further refinement, currently ranking in the 28th percentile. Enhancing the pacing, introducing unexpected twists, or exploring alternative plotlines could elevate the screenplay's overall impact.
- **Character Rating:** While the internal goal of the protagonist is strong, the overall character development could be strengthened. Exploring the characters' backstories, motivations, and relationships in more depth could enhance their depth and relatability.
- **Emotional Impact:** The screenplay's emotional impact, currently ranked at 39.84%, has room for improvement. Heightening the stakes, intensifying the conflicts, and evoking stronger emotional responses from the characters could amplify the screenplay's resonance with the audience.
The percentile patterns suggest a **conceptually driven** writer. The high rankings in concept rating, originality, and structure indicate a focus on crafting a unique and well-structured narrative framework.
Balancing Elements- To enhance the screenplay's overall impact, the writer could consider balancing the strong concept and originality with a more engaging plot and well-developed characters.
- Strengthening the emotional impact through heightened stakes and character conflicts could complement the screenplay's originality and conceptual strengths.
- Polishing the dialogue and refining the character development could further elevate the screenplay's overall execution and audience engagement.
Conceptual
Overall AssessmentThe screenplay showcases a strong foundation with exceptional originality and a compelling concept. By addressing the areas for improvement, particularly in plot development and character depth, the writer can unlock the full potential of this promising narrative.
How scenes compare to the Scripts in our Library
| Percentile | Before | After | ||
|---|---|---|---|---|
| Scene Overall | 8.3 | 35 | a few good men : 8.2 | Knives Out : 8.4 |
| Scene Concept | 8.4 | 80 | the 5th element : 8.3 | the dark knight rises : 8.5 |
| Scene Plot | 7.7 | 23 | severance (TV) : 7.6 | Erin Brokovich : 7.8 |
| Scene Characters | 8.0 | 15 | severance (TV) : 7.9 | the pursuit of happyness : 8.1 |
| Scene Emotional Impact | 7.5 | 24 | glass Onion Knives Out : 7.4 | True Blood : 7.6 |
| Scene Conflict Level | 7.4 | 41 | Back to the future : 7.3 | Blade Runner : 7.5 |
| Scene Dialogue | 7.3 | 9 | The Wizard of oz : 7.2 | face/off : 7.4 |
| Scene Story Forward | 8.0 | 39 | Scott pilgrim vs. the world : 7.9 | Erin Brokovich : 8.1 |
| Scene Character Changes | 6.7 | 27 | glass Onion Knives Out : 6.6 | True Blood : 6.8 |
| Scene High Stakes | 7.4 | 45 | severance (TV) : 7.3 | fight Club : 7.5 |
| Scene Unpredictability | 7.86 | 84 | Enemy of the State : 7.85 | Ex-Machina : 7.89 |
| Scene Internal Goal | 8.18 | 80 | a few good men : 8.17 | Gran Torino : 8.19 |
| Scene External Goal | 7.45 | 70 | Erin Brokovich : 7.44 | glass Onion Knives Out : 7.46 |
| Scene Originality | 8.93 | 89 | Lucifer : 8.91 | Some like it hot : 8.95 |
| Scene Engagement | 9.00 | 83 | Vice : 8.99 | the dark knight rises : 9.02 |
| Scene Pacing | 8.29 | 54 | The apartment : 8.28 | Ghostbusters : 8.30 |
| Scene Formatting | 8.21 | 62 | Knives Out : 8.20 | The Umbrella Academy : 8.22 |
| Script Structure | 8.21 | 67 | Green Book : 8.20 | Knives Out : 8.22 |
| Script Characters | 8.10 | 67 | Casablanca : 8.00 | groundhog day : 8.20 |
| Script Premise | 8.60 | 75 | Erin Brokovich : 8.50 | the black list (TV) : 8.70 |
| Script Structure | 7.90 | 48 | fight Club : 7.80 | Knives Out : 8.00 |
| Script Theme | 8.50 | 79 | Titanic : 8.40 | Mr. Smith goes to Washington : 8.60 |
| Script Visual Impact | 7.10 | 11 | Midnight cowboy : 7.00 | Erin Brokovich : 7.20 |
| Script Emotional Impact | 8.00 | 61 | the dark knight rises : 7.90 | the black list (TV) : 8.10 |
| Script Conflict | 8.60 | 95 | Erin Brokovich : 8.50 | Knives Out : 8.70 |
| Script Originality | 7.70 | 21 | Requiem for a dream : 7.60 | face/off : 7.80 |
| Overall Script | 8.29 | 75 | Black mirror 304 : 8.25 | the black list (TV) : 8.30 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Pass / Consider / Recommend Analysis
Claude
Executive Summary
- The opening sequence establishes the fantastical world of the Labyrinth in a visually striking and evocative manner, immediately drawing the audience into the story. The introduction of Hoggle and the worm provide engaging characters and humor that balance the more ominous elements. The transition to the Escher-like architecture of the castle is a remarkable visual feat that heightens the sense of challenge and wonder. high ( Scene 1 (LABYRINTH) Scene 6 (EXT. LABYRINTH - DAY) Scene 11 (EXT. CORRIDOR 3 - DAY) )
- The introduction of the supporting characters - Didymus, Ludo, and Ambrosius - adds depth and richness to the narrative. Their individual personalities and skills complement Sarah's journey, highlighting the importance of teamwork and friendship. The sequences featuring these characters are well-developed, entertaining, and integral to the overall story. high ( Scene 10 (EXT. FOREST GATE - DAY) Scene 20 (EXT. CLEARING - DAY) Scene 24 (EXT. GOBLIN TOWN - NIGHT) )
- The ballroom sequence is a visually stunning and thematically complex set piece that explores the allure and danger of Jareth's world. The surreal, decadent atmosphere and the interplay between Sarah and her reflections/Jareth add layers of psychological depth to the story. high ( Scene 22 (INT. BALLROOM - NIGHT) )
- The sequences in the Forbidden Forest and the encounter with the Wild Things feel a bit uneven in pacing and could be tightened to maintain the narrative momentum. Some of the interactions and dialogue in these scenes could be streamlined to better serve the overall story. medium ( Scene 16 (EXT. FORBIDDEN FOREST - DAY) Scene 17 (EXT. FOREST - DAY) )
- The sequences involving Hoggle's struggle in the hole and the junk city detour feel a bit detached from the main narrative. While these scenes provide character development and obstacles for Sarah, they could be streamlined or better integrated to maintain the pacing and tension of the overall story. medium ( Scene 18 (INT. HOLE - DAY) Scene 19 (EXT. JUNK CITY - NIGHT) )
- The final confrontation between Sarah and Jareth, while dramatic and impactful, could be further developed to provide a more substantial emotional payoff. Exploring Jareth's motivations and the deeper significance of his offer to Sarah could elevate the climax and make it more resonant. medium ( Scene 26 (INT. JARETH'S QUARTERS - NIGHT) Scene 27 (INT. JARETH'S CHAMBERS - NIGHT) )
- The early character development of Sarah and her relationship with her family provides a strong foundation for the story. The contrast between Sarah's imaginative world and her frustration with her domestic responsibilities establishes her as a relatable and sympathetic protagonist. high ( Scene 2 (INT. SARAH'S ROOM - NIGHT) Scene 3 (INT. NURSERY - NIGHT) )
- The interactions between Hoggle and Jareth, as well as Hoggle's internal conflict, add depth and moral ambiguity to the story. Hoggle's struggle between self-preservation and loyalty to Sarah creates a compelling character arc that resonates throughout the narrative. high ( Scene 9 (INT. CORRIDOR 2 - DAY) Scene 18 (INT. HOLE - DAY) )
- The final confrontation between Sarah and Jareth, and the transformation of Jareth into a goblin, provides a satisfying and unexpected resolution to the story. This subversion of the traditional power dynamic between the protagonist and antagonist adds a layer of depth and complexity to the narrative. high ( Scene 26 (INT. JARETH'S QUARTERS - NIGHT) Scene 27 (INT. JARETH'S CHAMBERS - NIGHT) )
Gemini
Executive Summary
- Strong opening that immediately establishes the fantasy world and Sarah's character. The labyrinth's visual description is captivating and sets the stage for a fantastical adventure. high ( Scene 1 Scene 6 )
- Effective use of Sarah's room as a reflection of her inner world and character development. The details and symbolism within the room provide insight into her personality and desires. medium ( Scene 2 )
- Creative and memorable creature designs, each with unique personalities and quirks. Hoggle, Ludo, and Sir Didymus are particularly well-developed and add humor and heart to the story. high ( Scene 3 Scene 14 Scene 20 )
- The labyrinth itself is a character, presenting challenges and obstacles that force Sarah to grow and learn. The various sections of the labyrinth, such as the False Alarms and the Escher Room, are imaginative and visually engaging. high ( Scene 11 Scene 22 Scene 26 )
- Satisfying conclusion that emphasizes Sarah's growth and maturity. Her rejection of Jareth's offer and her return to reality demonstrate her newfound self-awareness and responsibility. high ( Scene 27 )
- The pacing of the screenplay is uneven, with some scenes feeling rushed while others drag. The middle section, particularly within the labyrinth, could benefit from tighter editing and a clearer sense of urgency. high
- The ballroom scene, while visually impressive, feels somewhat indulgent and slows down the momentum of the story. Its purpose in Sarah's character arc could be clarified. medium ( Scene 22 )
- The Wild Things sequence, while entertaining, feels disconnected from the main narrative and could be trimmed or removed to maintain focus on Sarah's journey. medium ( Scene 17 )
- Jareth's motivations and character arc could be explored in more depth. His transformation into a goblin at the end feels abrupt and lacks emotional resonance. medium
- The screenplay could benefit from a stronger thematic throughline. While there are hints of themes related to growing up, responsibility, and the power of imagination, these could be more explicitly developed and woven into the narrative. medium
- Further exploration of Sarah's relationship with her stepmother and the reasons behind her resentment would add depth to her character and motivations. medium
- More backstory on Jareth and the Goblin Kingdom would enrich the fantasy world and provide context for his actions. low
- A clearer sense of the stakes involved in Sarah's quest. While the threat of Freddie being turned into a goblin is present, the consequences of failure could be emphasized to heighten the tension. low
- The use of mirrors as a recurring motif throughout the screenplay is intriguing and could be further explored to enhance the themes of self-reflection and identity. medium ( Scene 22 )
- The screenplay's blend of humor, fantasy, and adventure creates a unique tone that appeals to both children and adults. high
Summary
High-level overview
Sarah, a struggling actress with a turbulent family life, is pulled into a fantastical adventure when she enters a labyrinth to save her baby brother from the Goblin King, Jareth. Along the way, she befriends quirky allies like Hoggle, Ludo, and Didymus, all while facing challenges and deception in the labyrinth. Eventually, Sarah confronts Jareth in a climactic showdown, ultimately choosing love and family over the superficial allure of power and control. In the end, Sarah and Freddie find peace and unity as they emerge from the labyrinth, signaling a hopeful new chapter in their lives.
Scene by Scene Summaries
Scene by Scene Summaries
- In an idyllic glade, Sarah practices a play, but her playful dog Merlin interrupts her. She rushes off to rehearsal, leaving the peaceful setting for a suburban neighborhood. Despite her late arrival home, Sarah excuses herself to her parents, claiming she was rehearsing. As she heads upstairs, she continues to act out her role, ignoring her mother's request to babysit her brother.
- Sarah confronts her stepmother about her missing bear, only to be ignored. She discovers her baby brother has taken it and retrieves it. Despite reuniting with her beloved toy, she still feels misunderstood.
- Sarah Williams, a struggling actress, is interrupted while trying to calm her crying baby brother by the arrival of renowned playwright, Robin Zakar. Sarah's frustration and anxiety escalate as she navigates the demands of her infant and the unexpected social encounter.
- Zakar follows Sarah downstairs and into the living room, ignoring her attempts to make him leave. He uses a coin and a goblin hand puppet to entertain Freddie. Sarah is startled by the puppet's movements and discovers a goblin in a cabinet. When she turns around, she witnesses Zakar transform into Jareth, King of the Goblins, and goblins emerge throughout the room, prompting Sarah to flee.
- Sarah desperately tries to save her baby from the Goblins and Jareth, but is pulled into the darkness with them.
- Sarah, accused of destroying Hoggle's shrub, demands to know her brother's whereabouts. Hoggle, guarding the labyrinth's secrets, offers help in exchange for payment. Despite initial reluctance, Sarah pays Hoggle with her circlet, prompting him to reveal flower fairies' hostility and offer guidance into the labyrinth.
- Hoggle leads Sarah through a labyrinthine maze, where they encounter grotesque faces lining the corridors. Despite the warnings of the faces, Hoggle encourages Sarah to ignore them, dismissing them as false alarms. Sarah initially hesitant, becomes more confident as Hoggle provides reassurance, and they continue through the labyrinth.
- Hoggle warns Sarah about the deceiving nature of the labyrinth, but she ignores his advice and marks her path with a rock. Unbeknownst to her, a Brickkeeper replaces the marked cobblestone upside down, leading her astray.
- Sarah encounters Hoggle amidst confusion. Jareth appears, threatening Freddie's transformation unless she reaches his castle within 13 hours. Sarah receives a gold watch marking the countdown. A talking worm invites them for tea, offering respite amidst the urgency.
- Sarah and Hoggle meet the Worm, who offers information on a shortcut. After encountering the long-winded Wise One, they are guided by the Worm to walk through the wall, leading them to the shortcut to the castle.
- Sarah and Hoggle navigate through a crumbling corridor and labyrinthine maze while evading armed Goblins sent by Jareth. Tensions escalate as the Goblins relentlessly pursue them, forcing them to seek refuge on arches in a corridor, hoping to remain undetected.
- Sarah and Hoggle, while hiding from goblins, stumble upon a secret wall opening leading to the Garden Maze. They encounter a menacing slashing machine blocking their path. Hoggle, attempting to walk through a wall, disappears. Sarah, terrified, finds keys to a nearby door and falls through it just as the slashing machine closes in.
- Sarah discovers paintings depicting her watch, Freddie, an Escher room, Jareth, and a hedge maze with Hoggle. She touches the hedge maze painting, and it turns into a shimmering wall she walks through. She reunites with Hoggle in the hedge maze, but they become lost. They hear a scream and go in separate directions to investigate. Sarah eventually finds her way through the maze, but she is horrified by what she sees.
- Sarah witnesses goblins torturing Ludo. She intervenes by throwing a rock, blinding a goblin and causing the goblins to chase her instead of Ludo. Hoggle cuts the rope holding Ludo, freeing him; Ludo scares the goblins away. Sarah befriends Ludo and convinces him to help save her brother. The three enter the hedge maze together.
- Sarah, Hoggle, and Ludo search for the entrance to the forest, encountering talking doorknockers. Sarah, tries to open the doors, confronting an obstinate knocker. She eventually tricks the knocker into opening the door, leaving Hoggle and Ludo trapped outside.
- On one side of the door in the Forest is a long expanse of wall instead of another door. Hoggle falls down a hole, and Ludo seeks a door from the Wise One, who offers esoteric explanations. Meanwhile, Sarah grows impatient and decides to leave without waiting for them.
- Sarah encounters a group of wild creatures in the woods who dance around her and invite her to join them. She initially fears them but becomes fascinated by their antics. However, when one creature takes things too far and removes his own head, Sarah has had enough and tells them to stop. The creatures are disappointed but propel her into the woods, telling her there are wild goings on at the castle.
- Hoggle, dangling from a cliff, is taunted by Jareth who offers him a choice: help him deliver Sarah to the castle, or die. Hoggle reluctantly agrees and is given a peach to give to Sarah.
- Sarah follows the Wild Things into a dance and is rescued by Ludo when the Wild Things start throwing their heads at her. Ludo and Sarah reunite with Hoggle and march through the forest, unaware that they are being watched by Jareth's Goblins.
- Sarah, Hoggle, and Ludo encounter the diminutive guardian Didymus, who blocks their path until he is defeated by Ludo, who becomes his brother. Despite the bridge collapsing beneath Ludo's weight, they find a way across with the help of his summoned rocks. Joined by a sheepdog resembling Sarah's own, they proceed on their journey.
- Sarah and her companions gather by a campfire. Sarah expresses her gratitude for their support. Hoggle feels neglected and wanders away. Sarah eats a peach and is captivated by dancing bubbles in the sky. She follows the bubbles, leaving Hoggle behind.
- Sarah enters a grand ballroom, feeling out of place. Despite Jareth's presence and whispered compliments, a strange encounter with a man and a snake music box leaves her feeling uneasy. Witnessing her reflection dancing with Jareth, Sarah is jostled by the crowd and pushed away. Her attempt to join Jareth causes the ballroom to crumble, revealing a junkyard as Sarah seeks refuge in a tent.
- Sarah, trapped by the Junk Woman, breaks free and confronts her, revealing Jareth's disguise. Sarah escapes, leaving Jareth behind.
- Ludo and Didymus wait for Sarah at the castle gates and learn Hoggle abandoned them. Inside Goblin Town, Hoggle drinks to forget while the Wise One warns of the dangers. Sarah, Didymus, and Ludo are attacked by the Goblin army in the courtyard. Ludo summons rocks to save them, allowing their escape.
- Sarah, Didymus, and Ludo fight off Goblins in the castle courtyard and stealthily enter. Hoggle's drunken antics distract guards. Despite encountering a creature that alerts Goblins, the trio navigates the corridors. Hoggle's battle with a Goblin and opening of a pit saves them from pursuing Goblins. Through Hoggle's heroic actions, the group finds a way into the castle.
- Sarah enters Jareth's quarters with Didymus, Ludo and Hoggle, and they find it empty. Sarah spots a door and runs to it, but Didymus tries to stop her. The sound of Goblins interrupts him, and they start trying to smash down the door. Sarah puts her finger to Hoggle's lips and tells him she forgives him. She slips off her mother's ring and presses it into Hoggle's hand. Sarah tells Didymus to take care of Hoggle, and she runs to the other door. Sarah enters an overwhelming room with many staircases, balconies, and doorways at different heights and at all kinds of strange angles. Jareth is sitting on the wall and tells Sarah he has been expecting her. Sarah stumbles and falls into the room, ending up on the ceiling. Jareth points to Freddie, who is climbing up the stairs happily. Sarah screams, but Freddie doesn't fall and instead crawls up the wall. Sarah sighs with relief and closes her eyes, but she ends up in one of the archways and sees Freddie about to crawl off a balcony! Sarah screams again, and Jareth laughs. He begins a song that tells Sarah she never really understood what was going on. Nothing is what it appears to be, not even things like "up" and "down." Freddie is teetering on the edge of a balcony and Sarah knows she must save him. She looks at Jareth who grins at her, then at Freddie who is teetering on the edge. She takes a deep breath and jumps to save Freddie.
- Sarah confronts Jareth in his chambers, rejecting his offer to be his queen. She punches him in the jaw, kicks him in the shin, and he shrinks into a small goblin. Sarah and Freddie escape through a crack in the floor as the clock strikes thirteen.
- Sarah, after regaining consciousness, reunites with a relieved Freddie. She gives him Lancelot, and as they share a tender moment, a white bird descends from the starry sky to perch on a nearby tree, bringing a sense of peace to the scene.
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Analysis: The screenplay provides depth and complexity to its characters, particularly Sarah, who undergoes a significant transformation throughout her journey, evolving from a vulnerable teenager to a courageous and determined young woman. However, the development of Jareth could be further explored to enhance his character arc and motivations.
Key Strengths
- Sarah's character development is particularly strong, capturing her growth from a self-conscious girl to a powerful and assertive individual who stands up for herself and those she cares about.
Analysis: The screenplay's premise effectively establishes a compelling and clear foundation for a fantasy adventure, particularly with its unique blend of coming-of-age themes and dark fairytale elements. However, there is potential for enhancing the initial hook by emphasizing the stakes and emotional depth of Sarah's journey, further solidifying audience investment from the beginning.
Key Strengths
- The blend of fantasy and coming-of-age themes creates a unique and engaging premise with broad appeal.
- The character of Jareth, the Goblin King, is intriguing and adds a layer of darkness and complexity to the narrative.
Analysis: This screenplay exhibits a strong overall structure with a plot that unfolds in a compelling and engaging manner. The narrative effectively employs traditional narrative structure while incorporating elements of fantasy and adventure. However, certain aspects of the plot's execution and character development could be refined to enhance its storytelling dynamics and emotional impact.
Key Strengths
- The screenplay effectively creates a sense of mystery and wonder, immersing the audience in a captivating fantasy realm.
Areas to Improve
- The pacing becomes somewhat slow and repetitive in the middle section of the screenplay, potentially losing the audience's attention.
Analysis: The screenplay effectively explores themes of imagination, self-discovery, and the power of courage. These themes are seamlessly integrated into the narrative and resonate deeply with the audience through relatable characters and compelling emotional journeys.
Key Strengths
- The screenplay effectively uses the fantastical setting to explore the theme of imagination. Sarah's journey through the labyrinth symbolizes her struggle to embrace her creativity and find her own path.
Analysis: This whimsical and imaginative screenplay features a range of visually compelling scenes that effectively support the narrative and create a captivating cinematic experience. The visual imagery effectively communicates the shifting emotions and challenges faced by the protagonist, Sarah, and the fantastical world she navigates.
Key Strengths
- The scene in which Sarah and her companions find themselves in a room with constantly shifting architecture is particularly visually striking and memorable.
Areas to Improve
- Some of the visual concepts could be developed further in order to make them more original and distinctive.
Analysis: The screenplay successfully captivates viewers with a magical and imaginative journey, effectively eliciting emotional responses through its captivating storyline and intriguing characters. However, there are opportunities to enhance the script's emotional depth by refining character motivations, exploring the emotional consequences of key decisions, and incorporating nuanced emotional beats.
Key Strengths
- The screenplay's immersive fantasy setting and engaging storyline effectively captivate the audience, creating an environment for emotional investment.
- The character of Sarah is particularly well-developed, with a clear emotional journey that the audience can relate to and root for.
Analysis: The screenplay effectively establishes a compelling central conflict and high stakes for the protagonist, Sarah, driving the narrative forward and engaging the audience. However, there are opportunities to deepen the conflict, heighten the stakes, and refine their resolution for a more impactful and satisfying screenplay.
Key Strengths
- The screenplay effectively establishes the conflict between Sarah and Jareth, creating a strong foundation for tension and driving the narrative forward.
- The integration of the conflict into the narrative is well executed, influencing the plot and character development in a meaningful way.
Analysis: The screenplay displays originality in crafting a fantastical world and characters that draw inspiration from classic fairy tale elements while introducing unique twists that set it apart. The narrative pushes boundaries through its imaginative settings, surreal encounters, and a compelling protagonist who undergoes a transformative journey.
Expand to see detailed analysis
View Complete AnalysisScreenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
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Character Hoggle
Description Hoggle's character arc fluctuates between self-serving cowardice and genuine support for Sarah. While his internal conflict adds depth, his sudden shifts in allegiance could benefit from more gradual development and clearer motivations.
( Scene 7 Scene 15 Scene 20 ) -
Character Jareth
Description Jareth's transformation into a sniveling goblin after Sarah rejects him seems a bit abrupt. Given his powerful and confident persona throughout the story, a more nuanced or symbolic representation of his defeat might be more fitting.
( Scene 26 (INT. JARETH'S CHAMBERS – NIGHT) )
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Description The scale and appearance of the labyrinth seem to differ between the opening aerial view and the scenes where Sarah first enters. The initial vastness and complexity are not entirely consistent with the more manageable and defined sections Sarah navigates.
( Scene 1 (EXT. LABYRINTH – DAY) Scene 6 (EXT. LABYRINTH – DAY) )
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Description The transition between the dreamlike ballroom scene and the junk city feels somewhat disjointed. While it's implied that the ballroom is a fabricated illusion, the sudden shift in setting could be smoother with a clearer explanation or visual connection between the two environments.
( Scene 22 (INT. BALLROOM – NIGHT) Scene 23 (EXT. JUNK CITY – NIGHT) )
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Description The Wise One's overly verbose and esoteric dialogue, while humorous, might not be entirely believable as a means of practical guidance for Sarah. A balance between his eccentricity and providing useful information could enhance the scene's purpose.
( Scene 11 (INT. CORRIDOR 3 – DAY) )
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Element Sarah's frustration and self-pity
( Scene 1 (EXT. GLADE – DAY) Scene 2 (INT. SARAH'S ROOM – NIGHT) Scene 17 (EXT. FOREST – DAY) )
Suggestion While Sarah's emotional journey is important, her repeated expressions of frustration and self-pity could be streamlined to avoid redundancy and maintain a dynamic character arc. Exploring alternative ways to convey her struggles might add depth and variety to her emotional responses.
Sarah - Score: 86/100
Character Analysis Overview
Hoggle - Score: 74/100
Role
Supporting Character
Character Analysis Overview
Ludo - Score: 74/100
Role
Supportive Protagonist
Character Analysis Overview
Jareth - Score: 82/100
Aliases
King of the Goblins
Role
Antagonist
Character Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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Coming of age
25%
|
Sarah's journey to rescue her brother forces her to face her fears, confront her flaws, and mature into a more responsible and brave individual.
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The film explores the challenges and triumphs of transitioning from childhood to adulthood, emphasizing the importance of self-reliance, courage, and determination. | ||||||||||||
Strengthening Coming of age
|
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The power of imagination
20%
|
The labyrinth is a realm of fantasy and imagination, where reality and illusion blur. Sarah must navigate this surreal world, relying on her creativity and belief in the impossible.
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The film celebrates the limitless potential of the imagination, encouraging viewers to embrace their own fantasies and dreams. | ||||||||||||
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The dangers of temptation
15%
|
Jareth offers Sarah power and glamour, tempting her to abandon her quest. However, Sarah ultimately resists these temptations, realizing that true happiness lies in protecting her loved ones and following her own path.
|
The film warns against the perils of succumbing to superficial desires, emphasizing the importance of prioritizing values and relationships. | ||||||||||||
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The importance of friendship
15%
|
Sarah, Hoggle, Ludo, and Didymus form an unlikely alliance, overcoming obstacles together and relying on each other's strengths.
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The film celebrates the power of friendship, showcasing how it can provide support, courage, and resilience in times of adversity. | ||||||||||||
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The transformative power of love
10%
|
Sarah's love for her brother drives her to face her fears and overcome all obstacles. Her unwavering determination and devotion inspire those around her, ultimately saving Freddie and defeating Jareth.
|
The film emphasizes the transformative power of love, demonstrating how it can empower individuals to overcome challenges and achieve the impossible. | ||||||||||||
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The search for identity
10%
|
Sarah's journey through the labyrinth is also a journey of self-discovery. She learns to embrace her individuality, confront her insecurities, and ultimately find her own path.
|
The film explores the complexities of identity formation, encouraging viewers to embrace their unique strengths and perspectives. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals evolved from seeking escape to proving her courage and protecting her loved ones |
| External Goals | The protagonist's external goals evolved from making it to rehearsal on time to rescuing her brother from the Goblin King |
| Philosophical Conflict | The overarching philosophical conflict in the screenplay revolves around fantasy vs reality, autonomy vs control, and fear vs courage |
Character Development Contribution: The evolving internal and external goals challenge the protagonist's beliefs, pushing her to grow, seek independence, and demonstrate bravery
Narrative Structure Contribution: The goals and conflicts drive the protagonist's journey through the labyrinth, creating tension and urgency in the narrative structure
Thematic Depth Contribution: The exploration of fantasy, autonomy, fear, and courage deepens the thematic exploration of identity, power dynamics, and overcoming adversity
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Scene Analysis
📊 Understanding Your Percentile Rankings
Your scene scores are compared against professional produced screenplays in our vault (The Matrix, Breaking Bad, etc.). The percentile shows where you rank compared to these films.
Example: A score of 8.5 in Dialogue might be 85th percentile (strong!), while the same 8.5 in Conflict might only be 50th percentile (needs work). The percentile tells you what your raw scores actually mean.
Hover over each axis on the radar chart to see what that category measures and why it matters.
Scenes are rated on many criteria. The goal isn't to try to maximize every number; it's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - The Labyrinth: A Girl's Journey | Whimsical, Melodramatic, Playful | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7 | 6 | 7 | 4 | 7 | 7 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 2 - Sarah's Missing Bear | Angry, Resentful, Defiant, Melancholic | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 3 - Baby Blues and Unexpected Visitors | Whimsical, Melancholic, Mysterious | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7 | 6 | 7 | 6 | 8 | 8 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 4 - Jareth's Arrival | Mysterious, Whimsical, Suspenseful, Humorous | 8 | 8 | 7 | 9 | 7 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 9 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 5 - Sarah's Fight for Freddie | Hysterical, Desperate, Gleeful, Macabre | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 6 - Sarah and Hoggle's Encounter | Whimsical, Mysterious, Suspenseful, Sarcastic | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 7 - Navigating the Labyrinth | Whimsical, Mysterious, Suspenseful | 8 | 8 | 7 | 9 | 7 | 6 | 8 | 7 | 8 | 7 | 7 | 8 | 8 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 8 - Confusion in the Labyrinth | Determined, Mysterious, Tense | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 8 | |
| 9 - Confrontation in the Corridor | Mysterious, Intense, Suspenseful, Confrontational, Whimsical | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 10 - The Wise One's Shortcut | Whimsical, Surreal, Light-hearted | 8 | 9 | 7 | 9 | 8 | 5 | 8 | 7.5 | 6 | 8 | 6 | 7 | 8 | 6 | 9 | 9 | 8 | 8 | 8 | |
| 11 - Goblin Pursuit | Whimsical, Mysterious, Suspenseful | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 12 - Escape from the Slashing Machine | Whimsical, Thrilling, Humorous | 8 | 8 | 7 | 9 | 7 | 6 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 13 - The Picture Gallery | Mysterious, Suspenseful, Whimsical | 9 | 9 | 8 | 9 | 7 | 6 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 7 | 7 | 9 | 9 | 9 | 9 | |
| 14 - Sarah Rescues Ludo | Distressed, Compassionate, Sarcastic, Nauseated | 8 | 8 | 8 | 9 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 8 | 9 | 7 | 9 | 8 | 9 | 9 | |
| 15 - The Talking Doorknockers | Whimsical, Playful, Mysterious | 8 | 9 | 7 | 9 | 8 | 5 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 5 | 8 | 9 | 8 | 8 | 8 | |
| 16 - The Impatient Departure | Mysterious, Suspenseful, Dark | 8 | 9 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 7 | 7 | 6 | 9 | 8 | 8 | 8 | |
| 17 - A Dance with the Wild Things | Whimsical, Playful, Surreal, Energetic | 8 | 9 | 7 | 9 | 8 | 4 | 8 | 7 | 3 | 7 | 2 | 5 | 9 | 6 | 6 | 9 | 8 | 8 | 8 | |
| 18 - Hoggle's Betrayal | Dark, Menacing, Suspenseful, Desperate | 8 | 8 | 9 | 9 | 8 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
| 19 - Rescue from the Wild Things | Whimsical, Playful, Mysterious | 8 | 8 | 7 | 9 | 8 | 6 | 8 | 7.5 | 6 | 8 | 6 | 7 | 8 | 7 | 7 | 9 | 8.5 | 8 | 8 | |
| 20 - The Bridge Encounter | Whimsical, Chivalrous, Light-hearted, Surreal | 8 | 8 | 7 | 9 | 9 | 7 | 9 | 8 | 6 | 8 | 6 | 8 | 8 | 6 | 8 | 9 | 8 | 8 | 8 | |
| 21 - The Enchanting Forest | Enchanting, Whimsical, Melancholic | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 5 | 7 | 6 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 22 - The Enchanting and Sinister Ballroom Dance | Enchanting, Mysterious, Sensual, Dreamlike | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 23 - Sarah's Escape from the Junk Woman | Triumphant, Mysterious, Dark, Whimsical | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 7 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 24 - Goblin Attack | Action-packed, Tense, Dramatic, Heroic | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 9 | 9 | 8 | 9 | 9 | 8 | 8 | 6 | 9 | 9 | 8 | 8 | |
| 25 - Castle Infiltration and Goblin Chase | Action-packed, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
| 26 - The Escher Rotunda | Whimsical, Intense, Surreal, Emotional | 9 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 27 - Sarah's Triumph | Intense, Emotional, Confrontational, Defiant, Surreal | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 28 - Freddie's Return | Magical, Whimsical, Heartwarming, Mysterious | 9 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 6 | 7 | 7 | 7 | 7 | 9 | 7 | 9 | 8 | 9 | 9 | |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Emotional depth
- Strong character development
- Engaging dialogue
- Intriguing concept
- Compelling character dynamics
Scene Weaknesses
- Limited character development for minor characters
- Some cliched elements in family dynamics
- Limited character development for secondary characters
- Some dialogue may feel repetitive or predictable
- Limited impact on main plotline
Suggestions
- Consider exploring the backstories of minor characters to add depth to their motivations and actions.
- Look for ways to subvert or twist cliched family dynamic elements to keep them fresh and engaging.
- Find opportunities to give secondary characters more meaningful moments and arcs to build a richer world.
- Take another pass at dialogue to tighten it up and make it more impactful.
- Consider ways to raise the stakes and increase the impact of the main plotline on the characters and world.
Scene 1 - The Labyrinth: A Girl's Journey
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Sarah's Missing Bear
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Baby Blues and Unexpected Visitors
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Jareth's Arrival
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Sarah's Fight for Freddie
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Sarah and Hoggle's Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Navigating the Labyrinth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Confusion in the Labyrinth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Confrontation in the Corridor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - The Wise One's Shortcut
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Goblin Pursuit
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Escape from the Slashing Machine
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - The Picture Gallery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Sarah Rescues Ludo
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - The Talking Doorknockers
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - The Impatient Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - A Dance with the Wild Things
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Hoggle's Betrayal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Rescue from the Wild Things
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - The Bridge Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - The Enchanting Forest
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - The Enchanting and Sinister Ballroom Dance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Sarah's Escape from the Junk Woman
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Goblin Attack
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Castle Infiltration and Goblin Chase
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - The Escher Rotunda
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Sarah's Triumph
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Freddie's Return
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The screenplay depicts a surreal and fantastical world that blends elements of reality and fairy tales. The scenes transition between idyllic glades and labyrinthine corridors, with a constant sense of wonder and mystery. The labyrinth itself is a complex and ever-changing environment, filled with hidden paths, strange creatures, and shifting walls.
- Culture: The world is steeped in a sense of folklore and myth, with references to goblins, fairies, and magical rituals. The characters interact with these elements in various ways, from fear and superstition to curiosity and acceptance. The presence of a wise mentor figure in the form of the Wise One suggests a respect for traditional wisdom and knowledge.
- Society: The societal structure appears to be hierarchical, with characters like Jareth holding power over others. The goblins are portrayed as minions of Jareth, while the other characters form a kind of fellowship seeking to achieve a common goal.
- Technology: Technology is minimal in this world, with a focus on the magical and the supernatural. The few instances of technology, such as the storm blowing open a window or the use of a music box, are often portrayed as disruptive or unsettling.
- Characters influence: The unique physical environment shapes the characters' experiences by constantly challenging their expectations and assumptions. The fantastical elements, such as the talking worm and the Wild Things, force the characters to question their perceptions and adapt to the ever-changing circumstances.
- Narrative contribution: The world elements contribute to the narrative by creating a sense of suspense and uncertainty. The labyrinthine setting keeps the characters and the audience guessing about what might happen next, while the magical elements introduce an element of the unknown and unpredictable. The societal structure and power dynamics also add tension to the narrative, as the characters must navigate a world where power is not always distributed fairly.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by exploring themes such as the power of imagination, the importance of perseverance, and the nature of good and evil. The labyrinth can be seen as a metaphor for the journey of life, with its many challenges and rewards. The magical elements represent the power of imagination and creativity, while the societal structure and power dynamics raise questions about the nature of authority and the role of the individual in society.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by a blend of whimsy, playfulness, and vivid imagination. The dialogue is rich with wordplay, and the narrative description is infused with a sense of wonder and adventure. |
| Voice Contribution | The writer's voice contributes to the script by creating a unique and engaging world that captivates the reader's imagination. The whimsical and playful tone adds a lightheartedness to the story, while the vivid imagery brings the fantastical elements to life. |
| Best Representation Scene | 16 - The Impatient Departure |
| Best Scene Explanation | This scene is the best representation of the writer's voice because it combines all the elements that define the writer's style. The dialogue is witty and playful, and the narrative description is rich with vivid imagery and a sense of wonder. The scene also highlights the writer's ability to create a unique and engaging world that captivates the reader's imagination. |
Style and Similarities
The overall writing style of the screenplay exhibits a blend of fantasy, humor, and emotional depth. It incorporates elements of magical realism, whimsical dialogue, and fantastical world-building. The stories emphasize the power of imagination, the complexities of human nature, and the importance of friendship and loyalty.
Style Similarities:
| Writer | Explanation |
|---|---|
| Guillermo del Toro | Guillermo del Toro's influence is evident throughout the screenplay. His signature style of dark fantasy, surreal imagery, and character-driven narratives is prevalent in multiple scenes. The imaginative world-building, fantastical elements, and exploration of darker themes resonate with del Toro's body of work. |
| Neil Gaiman | Neil Gaiman's whimsical storytelling and imaginative worlds are also reflected in several scenes. The blend of fantasy, reality, and self-discovery aligns with his writing style. Complex characters, philosophical themes, and the exploration of human emotions are consistent with Gaiman's approach to narrative. |
| Terry Gilliam | Terry Gilliam's influence is noticeable in scenes characterized by whimsical humor, surreal settings, and quirky characters. The use of fantastical elements, unique dialogue, and imaginative world-building is reminiscent of Gilliam's distinctive style in films like 'Time Bandits' and 'Brazil'. |
Other Similarities: The screenplay also incorporates elements from other notable writers, such as Jim Henson, Wes Anderson, and Richard Curtis. These influences contribute to the overall richness and diversity of the writing style, creating a tapestry of imaginative storytelling.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Dialogue Correlates Negatively with Tone | Scenes with high dialogue scores tend to have lower tone scores, while scenes with lower dialogue scores tend to have higher tone scores. This suggests that the author may rely on dialogue to establish emotional context, but that scenes that carry emotional weight may be more powerful when they use less dialogue. |
| Emotional Impact Correlates Strongly with Multiple Factors | Emotional impact is strongly correlated with concept, plot, characters, and dialogue. This indicates that the author is able to create emotional impact through a combination of compelling story elements and effective writing. |
| Character Changes are Less Common in Scenes with High Emotional Impact | Character changes are less likely to occur in scenes with high emotional impact. This suggests that the author may use emotional impact to maintain character consistency, rather than using it as a catalyst for character development. |
| Conflict Strongly Correlates with Character Changes | Scenes with high conflict scores also tend to have high character change scores. This indicates that the author is using conflict as a means of developing the characters. |
| Memorable Scenes Across Multiple Metrics | Scenes 16, 26, and 27 stand out as having high scores across multiple metrics, including overall grade, concept, plot, characters, dialogue, emotional impact, and character changes. These scenes likely represent the author's best work and may provide valuable insights into their writing style. |
| Whimsical Tone Often Accompanies High Character Change | Scenes with whimsical tones tend to have higher character change scores than scenes with other tones. This suggests that the author may use whimsical scenes as opportunities for character development. |
Writer's Craft Overall Analysis
The screenplay showcases the writer's unique voice and storytelling style, blending fantasy and reality in engaging and imaginative ways. The scenes effectively establish central conflicts, explore character dynamics, and balance humor, tension, and supernatural elements. The writing style is characterized by vivid descriptions, witty dialogue, and an immersive world-building. Overall, the screenplay demonstrates strong storytelling skills and a foundation for further development and refinement.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Screenplay | Read 'Save the Cat' by Blake Snyder | This book provides valuable insights into crafting compelling stories, structuring scenes effectively, and developing engaging characters. |
| Exercise | Practice writing dialogue between characters with contrasting motivations and beliefsPractice In SceneProv | This exercise helps enhance conflict, emotional depth, and character dynamics in dialogue. |
| Video | Watch films with strong scene pacing and tension-building techniques | Studying visual storytelling techniques can provide valuable lessons on creating immersive and engaging scenes. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Hero's Journey | Sarah embarks on a quest to save her brother from the Goblin King, Jareth. | The Hero's Journey is a common narrative structure in which a protagonist goes on a journey to achieve a goal. |
| Damsel in Distress | Sarah is kidnapped by Jareth and must be rescued by her friends. | The Damsel in Distress is a female character who is in need of rescue by a male hero. |
| Evil Queen | Jareth is a powerful and evil king who wants to keep Sarah as his queen. | The Evil Queen is a female character who is evil and often tries to harm the protagonist. |
| Talking Animals | Sarah befriends a dog named Merlin and a worm who helps her on her quest. | Talking Animals are animals who can talk and interact with humans. |
| Magic | Jareth uses magic to trap Sarah and her friends. | Magic is a supernatural force that can be used to perform extraordinary feats. |
| Time Limit | Sarah has 13 hours to save her brother before he becomes a goblin. | A Time Limit is a deadline that the protagonist must meet in order to achieve their goal. |
| The Chosen One | Sarah is the only one who can save her brother from Jareth. | The Chosen One is a character who is destined to save the day. |
| The Labyrinth | Sarah must navigate a dangerous labyrinth to reach Jareth's castle. | The Labyrinth is a maze-like structure that is difficult to navigate. |
| The Quest | Sarah must complete a series of tasks in order to reach Jareth's castle. | The Quest is a journey undertaken by the protagonist in order to achieve a goal. |
| The Hero's Return | Sarah returns home after defeating Jareth and saving her brother. | The Hero's Return is the moment when the protagonist returns home after completing their quest. |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 4 | Jareth: I've been known by many names... but the one I prefer is Jareth, King of the Goblins!!! |
| 5 | Sarah: Give him back, you monster! Give him back! |
| 20 | Sir Didymus: I have sworn with my life-blood, no one shall pass this way without my permission. |
| 25 | Hoggle: Thash right. Jareth owes me sumthin'... an' I'm here ta collect... |
| 27 | Sarah: I wouldn't want you if you were the last goblin on earth! |
Some Loglines to consider:
| Array ( [0] => A babysitter must journey through a mystical labyrinth to save her brother from becoming a goblin. [1] => A teenage girl must rescue her younger brother from a Goblin King before it's too late. [2] => With only 13 hours to save her brother from becoming a goblin, a babysitter must face her fears and confront a mystical labyrinth. [3] => Join Sarah on a magical adventure through the labyrinth as she battles goblins and faces off against the Goblin King. [4] => A babysitter's routine job turns into a heroic quest to save her brother from the clutches of the Goblin King in this mystical adventure. ) |
| A frustrated teenager must navigate a treacherous labyrinth to rescue her baby brother from the clutches of a flamboyant Goblin King. |
| When Sarah wishes her baby brother away, she must confront her own desires and fears in a magical labyrinth to bring him back before time runs out. |
| A journey through a fantastical world of goblins, talking doors, and strange creatures becomes a coming-of-age adventure for a young woman seeking to find her place in the world. |
| In a battle of wits and will, a teenage girl must outsmart a powerful Goblin King and overcome the temptations of escapism to save her brother and herself. |
| A labyrinth of challenges and illusions forces a young woman to confront the consequences of her choices and discover the true meaning of responsibility and love. |
| A teenage girl must navigate the treacherous and magical Labyrinth to rescue her baby brother from the clutches of the Goblin King, facing her own fears and self-discovery along the way. |
| When a young woman's baby brother is taken by the Goblin King, she must venture into a fantastical realm and confront her own desires in order to bring him home. |
| A girl's journey through a mysterious and ever-changing labyrinth becomes a test of her courage, loyalty, and understanding of the nature of power and responsibility. |
| In a world of enchantment and moral ambiguity, a girl must choose between the comforts of her own dreams or the perilous quest to rescue her baby brother from the Goblin King. |
| A teenage girl's quest to save her baby brother from the Goblin King becomes a journey of self-discovery, as she navigates the treacherous and visually stunning Labyrinth. |
| A teenager must navigate a treacherous labyrinth filled with fantastical creatures to rescue her baby brother from the Goblin King. |
| When Sarah wishes her baby brother away, she must confront her own fears and desires in a magical labyrinth to bring him back. |
| A young woman's journey of self-discovery through a fantastical world filled with challenges and temptations. |
| A battle of wits and wills between a headstrong teenager and a charismatic Goblin King with the fate of a child hanging in the balance. |
Help & FAQ
Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
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- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at [email protected]
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Scene by Scene Emotions