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Scene Map 44
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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THE DARK KNIGHT RISES by Jonathan Nolan and Christopher Nolan Story by Christopher Nolan & David S. Goyer
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INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS The three Hooded Men kneel by the cargo door, handcuffed. CIA Man grabs Hooded Man 1. CIA MAN What are you doing in the middle of
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INT. MAIN CABIN, COMMUTER PLANE - CONTINUOUS An explosion takes off the rear door of the cabin - the Armed Men drop through the smoke on cables. A body bag is lowered into the cabin. Bane lies it on the seat backs next to Dr. Pavel and unzips it to reveal a body
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EXT. GOTHAM - EVENING Drifting over the vast city... MAYOR (V.O.) Harvey Dent Day may not be our oldest public holiday...
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INT. HALL, WAYNE MANOR - MOMENTS LATER Following the Maid through the empty house. She comes to the large oak door to the East Wing. Unlocks it... INT. DRAWING ROOM, EAST WING, WAYNE MANOR - CONTINUOUS The room is dark, quiet. The Maid places the tray on the
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EXT. ROOFTOP, MAJOR CRIMES UNIT - CONTINUOUS Gordon brings a stack of files against the air duct, settles to read. Next to him is a rusty, broken searchlight. YOUNG VOICE (O.S.) Sir?
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INT. BATCAVE - CONTINUOUS Alfred walks through the arches as the stone floor starts to lower, becoming a ramp. At the bottom, Alfred is level with a series of dark slate obelisks - a bridge over the water to where Wayne sits at a computer atop a massive slate cube.
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INT. DIVE BAR - NIGHT Selina Kyle, in a little black dress, walks in with a drunk in a Hawaiian shirt. She sits him on a bar stool - walks over to a table where a neatly dressed man, Stryver, sits. STRYVER
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EXT. ALLEY BEHIND BAR - CONTINUOUS Blake comes into the alley. Cops surround the manhole. COP Where’s the DWP guy? BLAKE
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INT. STUDY, WAYNE MANOR - MOMENTS LATER Blake is sitting, drumming his leg, nervous. Wayne enters. WAYNE What can I do for you, officer? BLAKE
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INT. BOARDROOM, WAYNE ENTERPRISES - CONTINUOUS Miranda is talking to Lucius Fox at the table. 34. MIRANDA I’m only asking for explanations
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INT. EXAMINATION ROOM, GOTHAM GENERAL HOSPITAL - NIGHT Wayne listens, distracted, while a Doctor examines an X-ray. DOCTOR I’ve seen worse cartilage in knees -
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INT. MUSEUM - CONTINUOUS A lavish ball - the expressively attired dance under falling confetti... Even Bruce Wayne is struck by the ostentation. He spots Selina dancing with a deeply smitten Rich Twit. She wears a small, velvet pair of cat ears. And the pearls.
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EXT. MUSEUM - MOMENTS LATER Wayne approaches the Valet. Pats down his pockets. WAYNE I must have lost my ticket - VALET
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INT. STOCK EXCHANGE - EVENING A frenzy of trading on the packed floor... Two Traders sit on a shoeshine stand in the lobby. TRADER 2 You can’t short the stock because
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EXT. HIGHWAY - CONTINUOUS Food Guy drives the rear bike. He looks back - sees streetlights explode behind him - darkness catching him up. The engine chokes and dies. The Trader jumps off, shouting for the cops. Food Guy turns, pulling his gun. SMASH! - Food
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EXT. DOWNTOWN STREET - CONTINUOUS The Bat-Pod tears along, pursued by a phalanx of cruisers, choppers overhead. More cops appear at the far end of the boulevard. The Bat-Pod executes a ninety-degree turn, flipping over as
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EXT. FLAT ROOF - MOMENTS LATER Catwoman dumps Daggett onto the roof, towering over him. CATWOMAN Where is it? DAGGETT
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INT. BATCAVE - NIGHT Alfred is studying security camera footage of Bane killing at the stock exchange. A roar builds - the waterfall glows brighter until...SMASH! The Bat breaches, downdraft spraying water. Two cubes rise - the Bat lands, Batman jumps out.
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INT. HALL, WAYNE MANOR - CONTINUOUS (NIGHT) As Wayne hits the bottom of the stairs, Alfred calls. ALFRED I’ll get this to Fox. But no more. Waynne hears his tone of voice. Turns to him.
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INT. ELEVATOR, FUSION REACTOR - CONTINUOUS They descend diagonally into a massive concrete tunnel... MIRANDA This is it, isn’t it? FOX
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INT. DAGGETT’S PENTHOUSE - DAY Daggett bursts in, furious. Stryver tries to placate him. DAGGETT How the hell did Miranda Tate get the inside track on the Wayne
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INT. SELINA’S APARTMENT - MOMENTS LATER Wayne looks at the cramped space. Selina shifts, embarrassed. SELINA Yeah, it’s not much. (Smiles.) But
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INT. SAME - LATER (NIGHT) Wayne watches as Miranda tends to a roaring fire. WAYNE You’re pretty good at that. MIRANDA
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INT. BANE’S LAIR, SEWERS - CONTINUOUS Mercenaries look down on him from above. Catwoman turns. CATWOMAN I had to find a way to stop them trying to kill me.
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INT. INTERROGATION ROOM, AIRPORT - DAY Selina, now in cuffs, looks up as Blake walks in. BLAKE I showed your picture to the Congressman and guess what?
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INT. HOSPITAL ROOM - DAY Gordon, with a Nurse’s help, pulls himself to a seated position as Blake watches. GORDON So you think our friend is gone
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INT. SEWERS - CONTINUOUS Hundreds of SWATs wade, flashlights swinging, heading towards the center... Teams are converging from different entry points... INT./EXT. CRUISER ON GOTHAM STREETS - CONTINUOUS
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EXT. GOTHAM STADIUM - CONTINUOUS The crowd goes wild as a Receiver catches - starts a run - the Mayor looks on, suddenly confused. As the Receiver sprints for the end zone, the field behind him DROPS away in smoking ruins, swallowing Players...
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EXT. GOTHAM BRIDGE - SUNSET Mercenaries hold the bridge. A tank rolls across from the mainland, soldiers behind. The Lead Mercenary uses a bullhorn. LEAD MERCENARY
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EXT. BLACKGATE PRISON - CONTINUOUS The crowd is silent, stunned, as Bane continues to read. BANE ’The things we did in Harvey’s name brought desperately needed security
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INT. STONE CELL, UNDERGROUND PRISON - DAY Wayne rolls of his cot. Grunts. The Prisoner realizes Wayne is trying to do a push-up. From the next cell, the Blind Prisoner says something... PRISONER
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INT. ST. SWITHIN’S HOME FOR BOYS - CONTINUOUS The home is packed. People, not just kids, huddle in every corner. Blake spots Father Reilly. Hands him the can. BLAKE For the bus in case there’s a
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EXT. DOWNTOWN STREET - DAY Blake scouts with Jones. A rumble makes them turn. GORDON (V.O.) They keep it on a truck - it must have a lead-lined roof. They move
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INT. SAME - LATER Wayne does endless push-ups, squats, stretches. The Blind Prisoner listens. He speaks in an ancient tongue. PRISONER He says the leap to freedom is not
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INT. EMPTY OFFICE BUILDING - DAY Gordon stands over a map of the city. A handful of Cops sit around the room. Waiting. Gordon looks at his watch. GORDON Where the hell are they? It’s not
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EXT. GOTHAM STREET - DAY A Kid sprints down the deserted street, chased by two Gangbangers. The Kid slips in the snow - the men are on him. GANGBANGER You steal from us, you little
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INT. BASEMENT, ABANDONED STOCK EXCHANGE - DAY Miranda comforts a crying Woman in the corner. Thugs come down the stairs, laughing, leading a Hooded Prisoner. They kick him down the last step and he stumbles. Fox moves to his aid.
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EXT. OUTFLOW PIPE, ACKERMAN PARK - CONTINUOUS Mercenaries guarding the entrance see the sign. One of them moves out to get a better look. WHAM! He is taken out by a dark figure. The figure steps into the light - it is Blake...
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EXT. CITY HALL - CONTINUOUS Bane stands in the colonnade. Watching. BANE Open fire. EXT. STREET, DOWNTOWN GOTHAM - CONTINUOUS
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INT. LOBBY, CITY HALL - CONTINUOUS Talia looks into Bane’s eyes as she holds the knife in Batman’s side. TALIA He saw only a monster who could
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EXT. GOTHAM BRIDGE - CONTINUOUS Blake continues to walk, ignoring the warning shots. UNIFORM Son-of-a-bitch! (To his partner.) Blow it! Before he reaches the line
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EXT. TUNNEL ENTRANCE - CONTINUOUS Gordon puts a hand on Batman’s arm. GORDON I never cared who you were - BATMAN
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INT. LAWYER’S OFFICE - DAY People file out as the Lawyer stands. LAWYER My clerk will help anyone with the smaller correspondences and

the dark knight rises

Eight years after the death of Harvey Dent, a broken Bruce Wayne must rise from the ashes to confront a ruthless mercenary named Bane, who threatens to plunge Gotham City into chaos.

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Overview

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Unique Selling Point

This script offers a unique and gripping take on the superhero genre. Its complex and morally ambiguous characters, intense action sequences, and thought-provoking themes set it apart from other films in its category. The unique voice of the writer shines through in the sharp dialogue, dark and gritty tone, and focus on the human cost of vigilantism. The film will appeal to fans of action, drama, and those seeking a deeper exploration of the complexities of heroism and sacrifice.

AI Verdict & Suggestions

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Gemini
 Recommend
Claude
 Consider
GPT4
 Recommend
Story Facts

Genres: Thriller, Action, Drama, Crime, Mystery

Setting: Contemporary, Gotham City

Themes: Law and Order, Duality, Fear, Sacrifice and Redemption, Hope and Resilience, Betrayal and Trust

Conflict & Stakes: Batman must defeat Bane and save Gotham City from destruction. The fate of the city hangs in the balance.

Comparable Scripts: The Dark Knight (2008), The Raid: Redemption (2011), Prisoners (2013), Zero Dark Thirty (2012), Batman Begins (2005), The Matrix (1999), 1984 (1984), The Lord of the Rings (2001-2003), The Bible

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

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Overall Score: 8.29
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.