Breaking bad, episode 306
Executive Summary
Pass/Consider/Recommend/Highly Recommend
Promo

USP: This script stands out from others in its genre with its unique elements, such as the use of a souvenir medallion as a symbol, the introduction of the Cousins as antagonists, and the unexpected discovery of a murder. The script also showcases distinctive characters, innovative storytelling techniques, and a compelling narrative. With its exploration of complex relationships, high-stakes conflicts, and intense tension, this script will captivate its target audience and offer a fresh and compelling piece of storytelling.
Overview
Genres: Crime, Drama, Thriller
Setting: Contemporary, New Mexico, USA
Overview: The screenplay has solid foundations with authentic dialogue, engaging unpredictability, and nuanced character changes. However, there are areas for improvement in the consistency of unpredictability and the depth of character changes.
Themes: Identity and Heritage, Suspense and Danger, Family and Relationships, Ambition and Success, Guilt and Consequences, Science and Knowledge, Power and Control, Desperation and Survival, Justice and Morality, Betrayal and Loyalty
Conflict and Stakes: The primary conflicts in this story include the investigation of Mrs. Peyketewa's death, the conflict between Walt and Skyler regarding their divorce and the meth business, the conflict between Jesse and his crew over the new approach to selling meth, and the conflict between Walt and Hank as Hank suspects Walt's involvement in the meth business. The stakes include the safety and reputation of the characters, their relationships, and their freedom.
Overall Mood: Dark, intense, and suspenseful
Mood/Tone at Key Scenes:
- Scene 2: Suspenseful and ominous
- Scene 5: Tense and foreboding
- Scene 9: Lighthearted and optimistic
- Scene 12: Anticipation, tension, and unease
- Scene 15: Positive and uplifting
- Scene 18: Reflective and contemplative
- Scene 21: Tense and suspenseful
- Scene 24: Tense and urgent
- Scene 27: Tense and suspenseful
- Scene 30: Tense and panicked
- Scene 33: Tense and fearful
- Scene 36: Sad and melancholy, tense and suspenseful
Standout Features:
- Unique Hook: Exploration of the moral complexities of its characters and the consequences of their actions
- Major Twist : The Cousins killing the Deputy and the negotiation between Gus and the Cousins
- Distinctive Setting : The New Mexico desert and the tribal police cruiser
Comparable Scripts:
Market Analysis
Budget Estimate:$50-70 million
Target Audience Demographics: Adults aged 18-54, fans of crime dramas and character-driven stories
Marketability: The screenplay has a strong and dedicated fan base, and the success of the TV show 'Breaking Bad' demonstrates the marketability of this type of story. The screenplay offers a compelling and complex narrative with well-developed characters and explores themes that resonate with a wide audience.
The screenplay has a unique blend of genres, combining elements of crime drama, thriller, and character study. It offers a fresh take on the drug trade and explores the moral complexities of its characters. The screenplay has the potential to attract both mainstream and niche audiences.
The screenplay's strong writing, compelling characters, and intense storytelling make it marketable to fans of crime dramas and character-driven stories. The success of similar projects in recent years, such as 'Breaking Bad' and 'Better Call Saul,' also indicates a market for this type of content.
Profit Potential: High, due to the strong marketability and potential for critical acclaim. The screenplay has the potential to attract a wide audience and generate significant revenue through box office sales, streaming rights, and merchandise. Additionally, the screenplay's potential for awards recognition could further boost its profitability.
Scene Level Percentiles
Emotions Elicited Percentiles
This is a rough estimate of how the average intensity of emotions elicited in this script compare to all scripts in the Vault (all genres).
Higher isn't necessarily better. This is FYI.
Writer's Voice
Summary:The writer's voice is characterized by a blend of descriptive language, realistic dialogue, and concise narrative description. They have a talent for creating tension and suspense through their writing, as well as conveying emotional depth and authenticity in their characters.
Best representation: Scene 6 - Chemistry and Surveillance. This scene is the best representation because it showcases the writer's ability to create vivid and engaging visual and sensory descriptions, as well as their talent for crafting natural and authentic dialogue that reveals character traits and dynamics.
Memorable Lines:
- Jesse: THIS IS MY OWN PRIVATE DOMICILE AND I WILL NOT BE HARASSED! BITCH! (Scene 12)
- Officer Kee: HOLD IT RIGHT THERE!! (Scene 2)
- GUS: I told you before. You will not kill Walter White. Not until my business with him has concluded. (Scene 14)
- DISPATCHER: KDK-12, come in... KDK-12... (Scene 1)
- SAUL: what do I look like, the RV disposal people? Did you not plan for this contingency? (Scene 9)
Writing Style:
The writing style of the screenplay is characterized by a focus on tension, suspense, and character-driven storytelling. The dialogue is often concise and impactful, revealing the characters' professionalism and commitment. There is also a strong emphasis on realism and authenticity in the portrayal of characters and their actions.
Style Similarities:
- Vince Gilligan
- David Simon
Story Shape
Emotions Elicited
Engine: Gemini
Highly Recommend
Executive Summary
Breaking Bad, episode 306, is a masterfully crafted episode that showcases the show's strengths in character development, plot, dialogue, and thematic exploration. The episode's pacing is excellent, building tension and suspense throughout. While there are minor opportunities to further develop supporting characters, the episode's overall impact is undeniable.
- Exceptional character development, particularly Walt's internal conflict and Jesse's growth. high
- Masterful use of contrasting scenes and montages to highlight the differences between Walt's partnerships with Jesse and Gale. high ( Scene 7 Scene 14 )
- Intense and suspenseful plot that keeps the audience on the edge of their seats. high ( Scene 1 Scene 2 Scene 11 Scene 14 )
- Sharp and witty dialogue that reveals character motivations and adds depth to the story. high
- Exploration of moral ambiguity and the consequences of Walt's choices. high ( Scene 3 Scene 9 Scene 13 )
- Walt's use of Saul to manipulate Hank highlights the depths of his descent into darkness. high ( Scene 13 )
- The symbolism of the RV's destruction represents the end of an era for Walt and Jesse. high ( Scene 11 Scene 14 )
- The ending scene with Gus and the Cousins sets the stage for a new conflict and raises questions about Gus's past. high ( Scene 14 )
Engine: Claude
Consider
Executive Summary
Overall, this Breaking Bad episode is a solid continuation of the series, with strong character development, tense plot progressions, and visually striking sequences. The screenplay effectively balances the ongoing storylines, introducing new elements while advancing the overarching narrative. While there are a few areas that could be tightened or more seamlessly integrated, the episode showcases the show's strong writing and direction, making it a worthy consideration for the series.
- The meth cooking montage sequence is visually striking and effectively conveys the collaborative chemistry between Walt and Gale. The use of classical/jazz music creates a celebratory tone around their work, highlighting the scientific artistry. high ( Scene 6 (INT. SUPERLAB - MORNING - LATER) )
- The dialogue between Walt and Gale reveals their shared passion for chemistry and their differing perspectives on the morality of their work. This scene effectively develops their relationship and provides insight into Gale's backstory and motivations. medium ( Scene 7 (INT. SUPERLAB - AFTERNOON - LATER) )
- The tense standoff between Walt, Jesse, and Hank in the RV is well-executed, with strong character moments and a palpable sense of danger. The use of suspense and the introduction of Old Joe as a legal foil adds complexity to the situation. high ( Scene 12 (INT. RV - AFTERNOON - OUR BOYS) )
- The conversation between Walt and Skyler feels a bit expository and could be streamlined to maintain a faster pace. Some of the dialogue could be made more natural and less on-the-nose. medium ( Scene 3 (INT. WELL-APPOINTED CONDO - DAY) )
- While the scene with Jesse, Badger, and Skinny Pete establishes the new business plan, it could be tightened up to avoid repetition and maintain momentum. Some of the character interactions feel a bit forced. medium ( Scene 4 (INT. JESSE'S HOUSE - LIVING ROOM - DAY) )
- The opening sequence with the tribal police officer and the subsequent events at Mrs. Peyketewa's house feel somewhat disconnected from the rest of the episode. More could be done to integrate these plot points and establish their significance to the overall narrative. medium ( Scene 1 (INT. TRIBAL POLICE CRUISER - DAY) Scene 2 (EXT./INT. MRS. PEYKETEWA'S HOUSE - DAY) )
- Walt's decision to call Saul and use his resources to create a false emergency situation to distract Hank is a notable and morally questionable move that further develops Walt's character arc. high ( Scene 13 (INT. RV - AFTERNOON - LATER) )
- The final scene with Gus and the Cousins sets up an intriguing conflict and power struggle, hinting at larger forces at play beyond Walt and Jesse's immediate predicament. high ( Scene 14 (EXT. EMPTY DESERT PLAIN - SUNSET) )
Screenplay Insights:
Premise: 7.9, This screenplay's premise has a compelling and clear setup, establishing a potentially engaging narrative. However, there are areas where it could be further enhanced to strengthen its originality and overall intrigue. See More
Structure: 8.0, The screenplay exhibits a solid narrative structure and plot development with compelling character arcs. However, there are some areas where the plot could be further refined to enhance overall clarity and impact. See More
Theme: 9.0, The screenplay effectively conveys its themes of morality, ambition, and the corrupting influence of power. The exploration of these themes is nuanced and interwoven with the characters' choices and actions, resulting in a powerful and thought-provoking narrative. The emotional impact of the story is heightened by the characters' struggles and the consequences of their decisions. See More
Visual Impact: 7.1, This screenplay showcases effective visual imagery in depicting the stark landscapes, intense emotions, and dramatic confrontations that drive the narrative. The use of symbolic motifs, such as the souvenir medallion and the RV, adds depth to the story and visually represents the characters' inner struggles and motivations. See More
Emotional Impact: 7.5, The screenplay exhibits a solid grasp of storytelling techniques to elicit emotional responses from the audience, particularly through its realistic character portrayals and intense scenes. However, enhancing the emotional depth and complexity could elevate the screenplay's overall impact. See More
Conflict: 8.9, The screenplay effectively presents conflict and stakes, capturing the audience's attention and driving the narrative forward. The conflict escalates steadily, with high stakes for the protagonist, making the viewer invested in the outcome. See More
Originality: 8.5, Overall, this screenplay is a solid example of creative storytelling with its unique exploration of themes and innovative plot structure. The introduction of the Cousins as menacing and enigmatic figures adds an element of tension and unpredictability, driving the narrative forward in a compelling way. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Officer Kee, a young Native American deputy, receives a call from the dispatcher asking him to check on Mrs. Peyketewa. The scene opens with a souvenir medallion hanging from the rearview mirror of a tribal police cruiser. The medallion twists in the wind, revealing an old photograph of an armed band of Apache warriors. The cruiser makes its way towards a small house in the New Mexico desert. No conflicts arise in this scene, and the tone is calm and reflective.
- The Deputy arrives at Mrs. Peyketewa's deserted house and discovers a shrine with offerings and a steaming cup of coffee. He then finds Mrs. Peyketewa's body rolled up in a rug. The Deputy confronts the Cousins, one of whom is holding a red apple, and the other with a fire axe. The Cousins kill the Deputy, leaving the scene ominous and suspenseful.
- Walt and Skyler discuss their divorce and their son, but tension arises when they argue about the child support worksheet. Meanwhile, the Cousins wait for Walt at Los Pollos Hermanos, putting pressure on Gus. Badger admires a chunk of blue crystal, adding to the foreboding tone of the scene.
- Jesse, Skinny Pete, and Badger sit around a coffee table admiring Jesse's blue crystal meth. Badger hesitates to snort it due to Jesse's recent rehab stint, but eventually gives in and becomes ecstatic. Jesse proposes a new, safer approach to selling meth and assigns tasks to his crew. The conflict in this scene is resolved when Badger gives in and becomes ecstatic. The tone of this scene is lighthearted and optimistic. Key pieces of dialogue include Jesse proposing a new, safer approach to selling meth and assigning tasks to his crew. The scene ends with Jesse assigning tasks to his crew for their new approach to selling meth.
- Jesse bids farewell to his crew as Hank watches from afar. Walt prepares for his day and has a tense conversation with his son on the way to school. Meanwhile, Gus enters Los Pollos Hermanos and encounters the Cousins, hinting at a potential conflict. The scene is filled with anticipation, tension, and unease as the characters navigate their respective conflicts.
- Walt walks through an industrial laundry and enters the superlab where he meets his new lab assistant, Gale. They bond over coffee and begin a montage of cooking meth together. The scene takes place in the morning and there are no conflicts. The tone is positive and uplifting as Walt and Gale bond over their shared passion for chemistry. Gale introduces himself and shares his qualifications with Walt. They bond over coffee and discuss the process of making meth. The montage of cooking meth is visually stunning with slow-mo shots, split-screens, and fancy dissolves. The scene ends with Walt and Gale beginning their meth-cooking montage.
- Gale and Walt celebrate the end of their first day in the superlab with wine and discuss their work. They share a moment of appreciation for chemistry. Meanwhile, Hank watches Jesse's house from his car and receives a call from Marie. The tone of this scene is reflective and contemplative. There are no conflicts or significant visual elements or actions. The scene ends with Hank talking to Marie on the phone about his work.
- Marie talks to Hank about finding the RV and suggests someone who might know something. Hank calls Walt and asks if Jesse ever had an RV, indicating his suspicion of Jesse selling crystal meth. Walt is shocked and hangs up. He then calls Saul to ask for a secure line. The scene ends with Walt calling Saul to ask for a secure line.
- Saul lies on the floor with a Chinese massage machine while talking on the phone with Walt, who informs him about a DEA problem. Walt's brother-in-law knows about their RV, which contains a meth lab and is covered with Walt's fingerprints. Saul suggests getting rid of it before the feds do, but Walt is unsure how to make an RV disappear. The scene ends with Walt hanging up on Saul, realizing he's gotten all the help he's going to get.
- Walt arrives at the tow yard to find the RV being worked on by Badger's cousin, Clovis. He demands that they wipe the RV clean and destroy the evidence before the DEA finds it. Clovis agrees to help and calls a guy who can make the RV disappear. Meanwhile, Jesse receives a call from Badger and rushes to find out where the RV is being taken. The Cousins are still haunting Gus at Los Pollos Hermanos, but Gus handles the situation calmly and speaks to them in Spanish. They leave without incident. The scene ends with Walt and Clovis heading to call the guy who can make the RV disappear, and the Cousins leaving Los Pollos Hermanos without incident.
- Walt pays Old Joe to crush the RV, but Jesse barges in angry and confused. They both panic when they see Hank's Commander approaching and blocking them in. The conflict arises when Jesse accuses Walt of trying to get rid of the RV without him. The scene takes place in a crusher yard filled with scrap metal and a massive car crusher. The tone of this scene is tense and panicked. The visual elements include the massive car crusher devouring a vehicle, the RV parked between piles of crushed cars, and Hank's Commander blocking them in. The scene ends with Hank approaching and blocking them in, leaving Walt and Jesse panicked and trapped.
- Walt and Jesse are hiding inside an RV in a junkyard, afraid of being discovered by Hank. Hank approaches the RV and tries to break in, but Old Joe, the owner of the lot, confronts him and argues that he needs a warrant. Hank decides to wait for a warrant and calls his colleague, buying Walt and Jesse some time. The emotional tone of the scene is tense and fearful, with Hank threatening Jesse with arrest and Old Joe challenging Hank's authority. The scene ends with Hank calling his colleague and deciding to wait for a warrant.
- Walt and Jesse are trapped in an RV and contemplate their options. Hank receives a distressing call about his wife's accident. Walt comes up with a plan and makes a phone call for help. Officer Tanner delivers the news to Hank, and Saul and Francesca are involved in a phone call related to Walt's plan. The emotional tone of this scene is tense, desperate, and filled with guilt and fear. The scene ends with the RV being forcefully pierced by steel forks, causing chaos inside.
- Walt and Jesse watch as their RV is crushed in a car crusher at a yard during sunset. Meanwhile, Gus negotiates with the Cousins in an empty desert plain at sunset, offering them Hank Schrader's life instead of Walter's. The emotional tone of the scene is sad and melancholy as the RV is destroyed and tense as Gus negotiates in Spanish. The scene ends with the Cousins considering Gus's offer.
Walt - Score: 88/100
Role
Protagonist
Character Analysis Overview
Jesse - Score: 82/100
Role
Protagonist
Character Analysis Overview
Gale - Score: 73/100
Character Analysis Overview
Hank - Score: 79/100
Character Analysis Overview
Theme | Theme Details | Theme Explanation |
---|---|---|
Identity and Heritage | The scene opens with a souvenir medallion hanging from the rearview mirror of a tribal police cruiser, revealing an old photograph of Apache warriors. Officer Kee, a young Native American deputy, is the main character in this scene. | The theme of identity and heritage is present in the scene through the visual representation of the Apache warriors on the medallion and Officer Kee's Native American background. This theme may explore the struggle of maintaining cultural identity in a modern world or the connection between one's heritage and their actions. |
Suspense and Danger | The scene ends with the Cousins killing the Deputy with a fire axe. | The theme of suspense and danger is evident in this scene as the conflict escalates and leads to the Deputy's death. This theme may explore the consequences of being involved in dangerous situations or the unpredictability of life and the potential dangers that can arise. |
Family and Relationships | Walt and Skyler discuss their divorce and their son. The scene ends with the Cousins waiting for Walt at Los Pollos Hermanos, putting pressure on Gus. | The theme of family and relationships is present in this scene through the discussion between Walt and Skyler about their divorce and their son. This theme may explore the complexities of family dynamics, the impact of personal relationships on one's actions, or the struggle to balance personal and professional responsibilities. |
Ambition and Success | Jesse proposes a new, safer approach to selling meth and assigns tasks to his crew. | The theme of ambition and success is evident in this scene as Jesse proposes a new approach to selling meth and assigns tasks to his crew. This theme may explore the pursuit of success and the lengths people are willing to go to achieve their goals, or the consequences of ambition and the potential dangers it can bring. |
Guilt and Consequences | The conflict in this scene arises between Walt and Walter Jr. as they discuss Walt's guilt and the impact it has on their relationship. | The theme of guilt and consequences is present in this scene through the conflict between Walt and Walter Jr. This theme may explore the emotional and psychological impact of guilt, the consequences of one's actions, or the struggle to reconcile with past mistakes. |
Science and Knowledge | Walt and Gale bond over their shared love of chemistry. | The theme of science and knowledge is evident in this scene as Walt and Gale bond over their shared passion for chemistry. This theme may explore the power of knowledge, the pursuit of scientific discovery, or the ethical implications of using scientific knowledge for personal gain. |
Power and Control | The conflict in this scene arises when Jesse barges in and accuses Walt of trying to get rid of the RV without him. | The theme of power and control is present in this scene through the conflict between Jesse and Walt. This theme may explore the dynamics of power and control in relationships, the struggle for dominance, or the consequences of seeking control over others. |
Desperation and Survival | Walt and Jesse are trapped in an RV and contemplating their options. | The theme of desperation and survival is evident in this scene as Walt and Jesse find themselves in a desperate situation and must come up with a plan to survive. This theme may explore the lengths people are willing to go to in order to survive, the psychological and emotional toll of desperation, or the resilience of the human spirit in the face of adversity. |
Justice and Morality | The conflict in this scene arises when Hank asks Walt about Jesse's RV, indicating that he suspects Jesse of selling crystal meth. | The theme of justice and morality is present in this scene through the conflict between Hank and Walt. This theme may explore the concepts of right and wrong, the pursuit of justice, or the moral dilemmas faced by individuals in difficult situations. |
Betrayal and Loyalty | The conflict in this scene is whether or not the Cousins will spare Walter's life. | The theme of betrayal and loyalty is evident in this scene as the Cousins consider whether or not to spare Walter's life. This theme may explore the complexities of loyalty and betrayal, the consequences of betrayal, or the sacrifices made for loyalty. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist's internal goals evolved throughout the script, reflecting his desire to fulfill his duty as a police officer, protect and serve his community, maintain a sense of control and dignity in his crumbling marriage, regain a sense of pride and accomplishment, assess and evaluate his new lab assistant, establish a connection and bond with his lab assistant, find evidence against Jesse, protect himself and his associates from the DEA's investigation, ensure there is no incriminating evidence left behind, remain hidden and avoid being discovered by Hank, come up with a plan to escape their current situation, and come to terms with the destruction of the RV and the end of their meth lab. |
External Goals | The protagonist's external goals evolved throughout the script, reflecting the immediate challenges he faced in investigating Mrs. Peyketewa's well-being, solving a homicide case, finalizing his divorce and discussing arrangements for his son, convincing his friends to join him in selling meth, starting his new job at the industrial laundry, continuing the meth cooking operation, gathering information about Gale's background, finding Jesse's RV, getting rid of the RV before the authorities find it, ensuring no evidence is left behind in the RV, remaining hidden and avoiding detection, finding a way to escape their current location, and witnessing the destruction of the RV. |
Philosophical Conflict | The overarching philosophical conflict in the screenplay revolves around the protagonist's belief in his ability to provide for his family and be a good father despite the divorce, his belief in the magic and beauty of chemistry, and his attachment to his old life as a meth producer. These conflicts intertwine with the protagonist's journey as he navigates the challenges of his personal and criminal life, questions the purpose and value of his work, and grapples with the consequences of his actions. |
Character Development Contribution: The protagonist's internal goals and the philosophical conflicts he faces contribute to his character development by challenging his beliefs, values, and worldview. They force him to confront his fears, desires, and flaws, and ultimately shape his transformation throughout the screenplay.
Narrative Structure Contribution: The protagonist's internal and external goals provide a framework for the narrative structure of the screenplay. They drive the plot forward, create tension and conflict, and guide the protagonist's actions and decisions. The philosophical conflicts add depth and complexity to the narrative, exploring larger themes and ideas.
Thematic Depth Contribution: The protagonist's internal and external goals, as well as the overarching philosophical conflicts, contribute to the thematic depth of the screenplay by exploring themes of duty, protection, control, pride, validation, fear, self-preservation, identity, survival, closure, and the purpose and value of one's work. They raise questions about morality, responsibility, and the consequences of one's actions, and invite reflection on the nature of power, ambition, and the pursuit of happiness.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Officer Kee Responds to a Call | Ironic, Mysterious | 8 | 7 | 7 | 9 | 7 | 5 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 5 | 6 | 8 | 8 | 9 | 9 | |
2 - Murder at Mrs. Peyketewa's House | Suspenseful, Creepy, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 7 | 6 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | |
3 - Tension and Pressure | Resigned, Bitter, Sarcastic, Polite, Tense | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 6 | 7 | 9 | 8 | 8 | 9 | 9 | |
4 - Jesse's New Approach to Selling Meth | Pride, Excitement, Cautious | 8 | 7 | 7 | 6 | 8 | 5 | 8 | 7 | 5 | 6 | 6 | 8 | 7 | 6 | 9 | 9 | 8 | 9 | 8 | |
5 - Goodbyes and Tension | Tense, Anxious, Nostalgic | 8 | 7 | 8 | 2 | 9 | 7 | 0 | 5 | 7 | 6 | 6 | 8 | 4 | 7 | 8 | 6 | 7 | 9 | 8 | |
6 - Walt meets his new lab assistant | Serious, Intense, Professional, Friendly | 9 | 8 | 8 | 7 | 9 | 5 | 8 | 7 | 6 | 7 | 5 | 8 | 6 | 6 | 9 | 8 | 8 | 9 | 9 | |
7 - Chemistry and Surveillance | Educational, Reflective, Intimate | 9 | 8 | 7 | 9 | 9 | 4 | 8 | 7 | 3 | 6 | 2 | 5 | 7 | 7 | 10 | 9 | 8 | 9 | 8 | |
8 - Hank Suspects Jesse of Selling Meth | Frustration, Exasperation, Curiosity, Tension | 8 | 7 | 8 | 5 | 7 | 5 | 8 | 7 | 7 | 8 | 7 | 8 | 6 | 6 | 9 | 7 | 9 | 9 | 8 | |
9 - Dealing with the DEA | Tense, Panicked, Sarcastic | 9 | 8 | 9 | 7 | 9 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 8 | 10 | 9 | 9 | 9 | 9 | |
10 - Walt demands the RV be wiped clean | Tense, Intense, Threatening | 9 | 8 | 9 | 7 | 9 | 7 | 8 | 9 | 10 | 8 | 10 | 9 | 8 | 8 | 10 | 9 | 9 | 9 | 9 | |
11 - Walt and Jesse Panic as Hank Blocks Them In | Tense, Anxious, Fearful, Reflective | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 9 | 8 | 9 | 9 | 9 | 8 | |
12 - Hank Confronts Walt and Jesse in the RV | Tense, Anxious, Intense | 9 | 8 | 9 | 6 | 9 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 10 | 9 | 9 | 9 | 8 | |
13 - Trapped in the RV | Despair, Nervous, Desperate, Scared, Reluctant, Bitterness, Anger, Defeated | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | |
14 - The Crushing of the RV and Negotiations in the Desert | Sad, Melancholy, Tense | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 9 | 8 | 8 | 9 | 9 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Engaging dialogue
- Tension-building
- Character development
- Effective setting establishment
- Intriguing use of the medallion as a symbol
Scene Weaknesses
- Limited character development
- Lack of strong emotional moments
- Limited dialogue interactions
- Lack of conflict
- Lack of high stakes
Suggestions
- Explore the characters more deeply to increase their emotional impact
- Increase the frequency and depth of dialogue interactions
- Introduce more conflict and high stakes to drive the plot forward
- Create stronger emotional moments to resonate with the audience
- Use the medallion as a more prominent symbol throughout the screenplay to reinforce the theme and engage the audience
Scene 1 - Officer Kee Responds to a Call
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Murder at Mrs. Peyketewa's House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Tension and Pressure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Jesse's New Approach to Selling Meth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Goodbyes and Tension
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Walt meets his new lab assistant
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Chemistry and Surveillance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Hank Suspects Jesse of Selling Meth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Dealing with the DEA
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Walt demands the RV be wiped clean
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Walt and Jesse Panic as Hank Blocks Them In
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Hank Confronts Walt and Jesse in the RV
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Trapped in the RV
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - The Crushing of the RV and Negotiations in the Desert
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Engine: Gemini
Highly Recommend
Explanation: Breaking Bad, episode 306, is a masterfully crafted episode that showcases the show's strengths in character development, plot, dialogue, and thematic exploration. The episode's pacing is excellent, building tension and suspense throughout. While there are minor opportunities to further develop supporting characters, the episode's overall impact is undeniable.
Engine: Claude
Consider
Explanation: Overall, this Breaking Bad episode is a solid continuation of the series, with strong character development, tense plot progressions, and visually striking sequences. The screenplay effectively balances the ongoing storylines, introducing new elements while advancing the overarching narrative. While there are a few areas that could be tightened or more seamlessly integrated, the episode showcases the show's strong writing and direction, making it a worthy consideration for the series.