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Scene Map 46
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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THE WOLF OF WALL STREET Written by Terence Winter Based on the book by
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8 INT. HOTEL BEDROOM - NIGHT (FEB ‘95) 8 Sweaty, wild-eyed and naked, Jordan fucks an HISPANIC HOOKER from behind. JORDAN (V.O.) I also gamble like a degenerate,
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20 INT. L.F. ROTHSCHILD - BULLPEN - DAY (MAY ‘87) 20 Computers, telephones everywhere. At their desks, 45 shirt-sleeved BROKERS read their Wall St. Journals, readying for war. Like an eager puppy, Jordan follows broker JERRY FOGEL, 30, thick-lipped and bow-tied...
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21 INT. WINDOWS ON THE WORLD - DAY (MAY ‘87) 21 CLOSE ON a COKE SPOON whose contents disappear up a nostril. PULL BACK TO REVEAL... The lunchtime power spot with panoramic views of the city. At a corner table, a paranoid Jordan looks around
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25 INT. JORDAN & TERESA’S APARTMENT - KITCHEN - DAY (DEC ‘87) 25 Jordan sits at the table perusing the Times classifieds. Teresa approaches with two coffees. Sits next to him. TERESA So I’ll take an extra shift, don’t
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29 INT. INVESTOR’S CENTER - (ANOTHER) DAY (FEB ‘88) 29 Jordan sits at his desk in mid-pitch, totally focused. JORDAN It’s a rock-solid company, sir, it’s the next Microsoft...
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36 INT. KACANDES DINER - DAY (OCT ‘88) 36 Jordan sits with CHESTER MING, ROBBIE FEINBERG, ALDEN KUPFERBERG (”SEA OTTER”) and BRAD, muscular and bald, with a Fu Manchu mustache. JORDAN (V.O.)
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41 INT. STRATTON OAKMONT I - AUTO BODY SHOP - DAY (AUG ‘89) 41 CLOSE ON Jordan, brow furrowing as his wheels turn. JORDAN (V.O.) I mean what person of any substance would trust this bunch
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53 INT. STRATTON OAKMONT I - AUTO BODY SHOP - REAR - NIGHT 53 Jordan stands before the Brokers. JORDAN He doesn’t know, he needs to think, he’s gotta ask his wife!
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59 INT. STRATTON OAKMONT II - BULLPEN - DAY (APR ‘91) 59 4PM the place goes nuts as Jordan emerges from his office * holding a spread sheet. He addresses the crowd of 100 BROKERS, which now includes a dozen WOMEN. JORDAN
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74 INT. STRATTON OAKMONT III - LOBBY - DAY (JAN ‘92) 74 Two dozen Brokers cheer, watching through the rising glass elevator as BEN JENNER, 25, gets a blowjob from a brunette SALES ASSISTANT. * JORDAN (V.O.)
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77 INT. STRATTON OAKMONT III - JORDAN’S OFFICE - DAY 77 (MAR ‘92) Holding a HEADSHOT of the Dwarf from the opening, Jordan sits talking with Donnie, Robbie and Rugrat. JORDAN
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78 EXT. BEACH HOUSE - SOUTH HAMPTON - DAY (JUN ‘92) 78 Massive, with an Olympic-size pool overlooking the beach. Dozens of luxury cars parked outside. On a balcony, Jordan is mid-speech, in a bathing suit, addressing the Strattonites below, Teresa at his side.
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79 INT. BEACH HOUSE - SOUTH HAMPTON - (LATER THAT) DAY 79 GORGEOUS PEOPLE dance/drink/snort coke. Upstairs, Jordan plays pool with Sea Otter, Donnie, Robbie, Toby and Rugrat, assigning ludes with every pocketed ball. JORDAN
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82 INT. SIGN OF THE DOVE - MANHATTAN - NIGHT (JUN ‘92) 82 Romantic; elegant. Over a bottle of ‘53 Lafite, Jordan sits in mid conversation with Naomi, who is stunning in a low-cut black cocktail dress. JORDAN
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88 INT. NAOMI’S APARTMENT - DAY (JUN ‘92) 88 CLOSE ON Naomi, who talks on the phone, smiling. We PULL BACK to see the apartment is packed with flowers. JORDAN (V.O.) Every chance we got, we’d sneak
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97 INT. JORDAN’S MANHATTAN APARTMENT - LIBRARY - DAY 97 (OCT ‘92) With Nicholas seated in a chair, Jordan sits across from him. Pacing behind him is Donnie, coked-up, face contorted, frothing with rage. Nearby, giant Chester
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101 INT. STRATTON OAKMONT III - BULLPEN - (ANOTHER) DAY 101 Jordan, Max and securities lawyer MANNY RISKIN exit the kitchen with coffees. MANNY RISKIN I’m telling you -- piss on the
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111 INT. OCEAN CLUB - BAHAMAS - BALLROOM - LATER 111 As Jordan and Naomi mingle with a few Strattonites, videographer BARRY KLEINMAN, 40s, approaches Rugrat and his DATE, ABBY with a video camera: The Wolf of Wall Street Buff Revised Pages 3/5/13 56.
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118 INT. JORDAN’S ESTATE - MASTER BEDROOM - DAY (FEB ‘95) 118 Back to scene. Naomi holds another full glass, rocking back and forth on the balls of her feet like a fighter. The Wolf of Wall Street Buff Revised Pages 3/5/13 59. NAOMI
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122 INT. JORDAN’S ESTATE - SKYLAR’S ROOM - DAY (FEB ‘95) 122 Jordan enters the tiny pink wonderland. On the fluffy pink carpet is Naomi, now in a minidress hiked above her hips, Manolo Blahniks showing polished red toes. Between her legs sits SKYLAR, their 5-month-old daughter.
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126 INT. BULLPEN - CONTINUOUS 126 DONNIE The fuck you doing? BROKER IN A BOWTIE (bewildered)
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130 INT. STRATTON OAKMONT III - BULLPEN - DAY (FEB ‘95) 130 Bustling with activity. With Jordan and Donnie looking on from nearby, Steve Madden approaches a microphone on the raised platform, in his hands several shoe boxes. STEVE MADDEN
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130A INT. FBI OFFICES - MANHATTAN - DAY 130A Agent Denham exits the elevator, arriving for work. He strides between cubicles, briefcase in hand. He enters -- 130B INT. AGENT DENHAM’S OFFICE - DAY 130B -- where pinned up on one wall is a massive chart on
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137 EXT. BATTERY PARK MARINA - DAY (LATE SPRING ‘95) 137 As Agent Denham steps into frame, another FED, AGENT * HUGHES, beside him, both G-man stoic in impenetrably dark * glasses -- JORDAN (O.S.)
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138 INT. JORDAN’S ESTATE - MASTER BEDROOM - DAY (SUMMER ‘95) 138 As Naomi looks on, 5 months pregnant, Jordan packs a suitcase. NAOMI Switzerland? What the fuck is in
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151 INT. BANQUE REAL DE GENEVE - SAUREL’S OFFICE - DAY 151 Jordan, Rugrat and Donnie drink coffee with Saurel and one other SWISS BANKER. It’s an impressive office, with * an enormous fish tank. DONNIE
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155 EXT. HYDE PARK - DAY (SUMMER ‘95) 155 Amid towering trees and horse trails, a noticeably twitchy Jordan walks arm-in-arm with Aunt Emma. AUNT EMMA So tell me about this plan of
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158 INT. BEACH HOUSE - SOUTH HAMPTON - GUEST BEDROOM - DAY 158 (SUMMER ‘95) With $20 mil in CASH on the bed, Jordan and a stoned Donnie watch as Brad tapes stacks of cash to his wife CHANTALLE, a bombshell in panties, bra and sneakers.
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170D EXT. STRIP MALL - PARKING LOT - LONG ISLAND - DAY 170D (LATE SUMMER ‘95) Brad waits by his Range Rover as Donnie’s Rolls careens into the lot. He emerges, briefcase in hand. DONNIE
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182 INT. JORDAN’S ESTATE - BASEMENT - LATER (LATE SUMMER ‘95) 182 Bored, Jordan and Donnie sit on the couch watching “Family Matters” on TV. JORDAN You feeling anything?
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188 INT. BO DIETL’S CADILLAC - NIGHT (LATE SUMMER ‘95) 188 Bo talks on his cell. BO DIETL Your buddy Brad’s in jail. JORDAN
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193 INT. JORDAN’S ESTATE - FAMILY ROOM - NIGHT (LATE SUMMER ‘95) 193 CLOSE ON the TV, where a POPEYE cartoon is playing. PULL BACK to reveal Skylar watching. As Jordan staggers in, Naomi approaches... JORDAN
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201 EXT. HEGEMAN’S ROAD - NIGHT (LATE SUMMER ‘95) 201 FLASHBACK. Nodding out, Jordan drives the Lamborghini like a maniac, careening off parked cars and trees. JORDAN (V.O.) It was an absolute miracle I
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202E INT. STRATTON OAKMONT III - BULLPEN - DAY 202E (SPRING ‘96) The troops ROAR as Jordan takes center stage. JORDAN I’m sure many of you have been
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202H INT. STRATTON OAKMONT III - JORDAN’S OFFICE - DAY 202H (SPRING ‘96) Janet enters Jordan’s office, leaves a stack of legal papers on his desk. JORDAN (V.O.)
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208E INT. BANQUE REAL DE GENEVE - SAUREL’S OFFICE - DAY 208E (SUMMER ‘96) Jean-Jacques Saurel sits at his desk, calmly smoking as he talks on the phone. SAUREL
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210 INT. YACHT NAOMI - BRIDGE - NIGHT (SUMMER ‘96) 210 Donnie and Naomi stand on the bridge where Captain Ted * Beecham holds the ship's wheel with both hands, the radio blaring in the background. Jordan enters. * JORDAN *
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215 INT. JORDAN’S ESTATE - LIVING ROOM - DAY (SUMMER ‘98) *215 Jordan, looking healthier than we’ve seen him thus far, * sits on the couch; stacks of paperwork on the coffee * table. After a few beats, Naomi enters from the kitchen. * NAOMI *
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221 EXT. MIAMI MANSION - NIGHT (SEP ‘98) 221 ROCKY AOKI, Japanese, 50s, is led out in handcuffs by a MAN in an FBI windbreaker. JORDAN (V.O.) Something about laundering drug
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226 EXT. JORDAN’S ESTATE - POOL AREA - DAY (SEP ‘98) 226 ON SKYLAR AND PARKER, playing with a NANNY and Rocky the dog. Jordan watches them, sitting by his pool, drinking an O’Douls, weighing his options. Donnie pops into the yard, in “Uncle Donnie” mode.
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230 INT. JORDAN’S ESTATE - MASTER BEDROOM - NIGHT (SEP ‘98) 230 JORDAN * How was Christy’s party? * NAOMI * It was fine. *
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230A INT. JORDAN’S ESTATE - MASTER BEDROOM - CONTINUOUS 230A * TIME CUT: Jordan is fucking Naomi. It’s the best he’s * felt in days. While he’s lost in it, she’s lost interest, * going through the motions perfunctorily. *
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230C INT. / EXT. GARAGE - NIGHT 230C * Jordan races through the garage door, slamming and * locking it behind him. * NAOMI (CONT’D) *
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235 INT. JORDAN’S ESTATE - FOYER - DAY (NOV ‘98) 235 Jordan descends the stairs in sweats and T-shirt. Agents * Denham and Hughes are waiting. * AGENT DENHAM I need you to get dressed.
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248 INT. HOTEL BANQUET HALL - EARLY 2000’S - DAY *248 CLOSE ON A MOVIE SCREEN: DIFFERENT INTERVIEWS... * AFRICAN KID * I watch him speak and what he says * is motivational about life. He *

The Wolf of Wall Street

Overview

Poster
Unique Selling Point

This screenplay stands out due to its unflinching portrayal of greed and excess in the financial world, combined with a darkly comedic tone that engages the audience. Its unique perspective on the consequences of ambition and moral decay makes it compelling for viewers interested in character studies and cautionary tales.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
N/A
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Crime, Comedy, Thriller, Biography, Romance, Dark Comedy

Setting: 1987 to 1998, Primarily set in New York City and surrounding areas, including Wall Street, upscale restaurants, and luxurious homes.

Themes: The American Dream and its Corruption, Greed and Its Consequences, Addiction and its Impact on Relationships, The Power of Persuasion and Manipulation, The Price of Success, Loyalty and Betrayal, The Justice System and its Imperfections

Conflict & Stakes: Jordan's struggle with his self-destructive behavior, legal troubles, and the impact on his relationships, particularly with Naomi, as he navigates the high-stakes world of finance.

Mood: Chaotic and exuberant, with moments of dark humor and tension.

Standout Features:

  • Unique Hook: The film's portrayal of the chaotic and hedonistic lifestyle of stockbrokers, providing a behind-the-scenes look at Wall Street's excesses.
  • Major Twist: Jordan's eventual downfall and legal troubles serve as a stark contrast to his earlier success, highlighting the consequences of his actions.
  • Distinctive Setting: The vibrant and chaotic atmosphere of the Stratton Oakmont bullpen, showcasing the frenetic energy of the stock market.
  • Innovative Ideas: The use of dark humor to address serious themes of greed and moral ambiguity, making the story both entertaining and thought-provoking.

Comparable Scripts: The Wolf of Wall Street, American Psycho, Boiler Room, The Big Short, Catch Me If You Can, Wall Street, The Social Network, Mad Men, Scarface

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.40
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.