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Scene Map 65
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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THIS SCRIPT IS FOR EDUCATIONAL PURPOSES ONLY "Titanic" a screenplay by James Cameron Cast: KATE WINSLET... Rose DeWitt Bukater LEONARDO DICAPRIO... Jack
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EXT. / INT. MIR ONE AND TWO 5 MINUTES LATER: THE TWO SUBS skim over the seafloor to the sound of sidescan sonar and the THRUM of big thrusters. 6 The featureless gray clay of the bottom unrols in the lights of the subs. Bodine is watching the sidescan sonar
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14 EXT. STERN OF DECK OF KEDYSH - DAY 14 THE SAFE, dripping wet in the afternoon sun, is lowered onto the deck of a ship by a winch cable. We are on the Russian research vessel AKADEMIK MISTISLAV KELDYSH. A crowd has gathered, including most of the crew
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17 INT. HOUSE / CERAMICS STUDIO 17 PULL BACK from the screen, showing the CNN report playing on a TV set in the living room of a small rustic house. It is full of ceramics, figurines, folk art, the walls crammed with drawings and paintings... things collected over a
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21 EXT. KELDYSH - DAY 21 Brock and Bodine are watching Mir 2 being sweng over the side to start a dive. BODINE She's a goddamned liar! A nutcase.
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24 INT. LAB DECK, PRESERVATION AREA 24 Rose looks at the drawing in its tray of water, confronting herself across a span of 84 years. Until they can figure out the best way to preserve it, they have to keep it immersed. It sways and ripples, almost as if alive.
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29 INT. IMAGING SHACK / KELDYSH 29 It is a darkened room lined with TV monitors. IMAGES OF THE WRECK fill the screens, fed from Mir One and Two, and the two ROVs, Snoop Dog and DUNCAN. BODINE
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34 EXT. SOUTHAMPTON DOCK - DAY 34 SHOT CONTINUES IN A FLORIOUS REVEAL as the gleaming white superstructure of Titanic rises mountainously beyond the rail, and above that the buff-colored funnels stand against the sky like the pillars of a great temple. Crewmen move
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36 EXT. SOUTHAMPTON DOCKS / TITANIC - DAY 36 A VIEW OF TITANIC from several blocks away, towering above the terminal buildings like the skyline of a city. The steamer's whistle echoes across Southampton. (CONTINUED)
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38 EXT. TERMINAL - TITANIC 38 Jack and Fabrizio, carrying everything they own in the world in the kit bags on their shoulders, sprint toward the pier. They tear through milling crowds next to the terminal. Shouts go up behind them as they jostle slow-moving
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46 INT. SUITE B-52-56 - DAY 46 By contrast, the so-called "Millionaire Suite" is in the Empire style, and comprises two bedrooms, a bath, WC, wardrobe room, and a large sitting room. In addition there is a private 50 foot promenade deck outside.
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52 INT. / EXT. TITANIC - SERIES OF SCENES - DAY 52 ON THE BRIDGE, CAPTAIN SMITH turns from the binnacle to FIRST OFFICER WILLIAM MURDOCH. CAPTAIN SMITH Take her to sea Mister Murdoch.
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59 INT. PALM COURT RESTAURANT - DAY 59 CLOSE ON J. BRUCE ISMAY, Managing Director of White Star Line. ISMAY ...and our master shipbuilder, Mr.
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61 INT. FIRST CLASS DINING SALOON - NIGHT 61 SLOWLY PUSHING IN ON ROSE as she sits, flanked by people in heated conversation. Cal and Ruth are laughing together, while on the other side LADY DUFF-GORDON is holding forth animatedly. We don't hear what they are saying. Rose is
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65 EXT. POOP DECK - NIGHT 65 Jack is kicked back on one of the benches gazing at the stars blazing gloriously overhead. Thinking artist thoughts and smoking a cigarette. Hearing something, he turns as Rose runs up the stairs from
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66 EXT. POOP DECK - NIGHT 66 A few minutes later. Jack is being detained by the burly MASTER AT ARMS, the closest thing to a cop on board. He is handcuffing Jack. Cal is right in front of Jack, and furious. He has obviously just rushed out here with Lovejoy
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67 INT. ROSE'S BEDROOM - NIGHT 67 As she undresses for bed Rose sees Cal standing in her doorway, reflected in the cracked mirror of her vanity. He comes toward her. CAL
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69 EXT. LAUNCH AREA/KELDYSH DECK - DAY 69 As the big hydraulic jib swings one of the Mir subs out over the water. Lovett walks as he talks with Bobby Buell, the partners' rep. They weave among deck cranes, launch crew, sub maintenance guys.
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72 INT. THIRD CLASS GENERAL ROOM 72 The social center of steerage life. It is stark by comparison to the opulence of first class, but is a loud, boisterous place. There are mothers with babies, kids running between the benches yelling in several languages and
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73 EXT. BOAT DECK - DAY 73 Jack and Rose walk side by side. They pass people reading and talking in steamer chairs, some of whom glance curiously at the mismatched couple. He feels out of place in his rough clothes. They are both awkward, for different
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74 INT. RECEPTION ROOM / D-DECK - DAY 74 Ruth is having tea with NOEL LUCY MARTHA DYER-EDWARDES, the COUNTESS OF ROTHES, a 35ish English blue-blood with patirician features. Ruth sees someone coming across the room and lowers her voice.
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76 EXT. A DECK PROMENADE / AFT - SUNSET 76 Painted with orange light, Jack and Rose lean on the A-deck rail aft, shoulder to shoulder. The ship's lights come on. It is a magical moment... perfect. ROSE
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77 INT. MOLLY BROWN'S STATEROOM 77 Men's suits and jackets and formal wear are strewn all over the place. Molly is having a fine time. Jack is dressed, except for his jacket, and Molly is tying his bow tie. (CONTINUED)
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80 INT. D-DECK RECEPTION ROOM 80 CUT TO THE RECEPTION ROOM ON D DECK, as the party descends to dinner. They encounter Molly Brown, looking good in a beaded dress, in her own busty broad-shouldered way. Molly grins when she sees Jack. As they are going into the dining
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82 INT. DINING SALOON 82 67. CLOSE ON RUTH. RUTH Tell us of the accommodations in
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84 INT. A-DECK FOYER-NIGHT 84 Rose crosses the A-Deck foyer, sighting Jack at the landing above. Overhead is the crystal dome. Jack has his back to her, studying the ornate clock with its carved figures of Honor and Glory. It softly strikes the hour.
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88 EXT. BOAT DECK - NIGHT 88 The stars blaze overhead, so bright and clear you can see the Milky Way. Rose and Jack walk along the row of lifeboats. Still giddy from the party, they are singing a popular song "Come Josephine in My Flying Machine".
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90 INT. RUTH'S SUITE - DAY 90 Rose is dressed for the day, and is in the middle of helping Ruth with her corset. The tight bindings do not inhibit Ruth's fury at all. RUTH
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93 EXT. AFT WELL DECK, B-DECK AND A-DECK - DAY 93 Jack, walking with determination, is followed closely by Tommy and Fabrizio. He quickly climbs the steps to B-Deck and steps over the gate separating 3rd from 2nd class. TOMMY
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97 INT. GYMNASIUM - DAY 97 Jack closes the door behind her, and glances out through the ripple-glass window to the starboard rail, where the gym instructor is chatting up the woman who was riding the bike. Rose and Jack are alone in the room.
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99 EXT. TITANIC - DAY 99 TITANIC STEAMS TOWARD US, in the dusk light, as if lit by the embers of a giant fire. As the ship looms, FILLING FRAME, we push in on the bow. Jack is there, right at the apex of the bow railing, his favorite spot. He closes his
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103 INT. ROSE'S SUITE 103 ... 1912. Like in a dream the beautiful woodwork and satin upholstery emerge from the rusted ruin. Jack is overwhelmed by the opulence of the room. He sets his sketchbood and drawing materials on the marble table.
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108 INT. FIRST CLASS SMOKING ROOM - NIGHT 108 Lovejoy enters from the Palm Court through the revolving door and crosses the room toward Hockley. (CONTINUED) 90.
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117 INT. FIRST CLASS SMOKING ROOM 117 Amid unparalled luxury, Cal sits at a card game, sipping brandy. COLONEL GRACIE We're going like hell I tel you. I
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125 EXT. ATLANTIC / TITANIC - NIGHT 125 The bow sweeps under us, and the CAMERA CLIMBS toward the foremast and the tiny half-cylinder of the crow's nest, which grows as we push in on lookouts Fleet and Lee. They are stamping their feet and swinging their arms, trying to
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131 INT. / EXT. BRIDGE 131 Inside the enclosed wheelhous, SIXTH OFFICER MOODY walks unhurriedly to the telephone, picking it up. FLEET (V.O.) Is someone there?
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150 INT. / EXT. BRIDGE 150 CLOSE ON MURDOCH. The alarm bells still clatter mindlessly, seeming to reflect his inner state. He is in shock, unable to get a grip on what just happened. He just ran the biggest ship in history into an iceberg on its maiden
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157 INT. BRIDGE / CHARTROOM 157 C.U. CAPTAIN SMITH studying the commutator. He turns to Andrews, standing behind him. SMITH A five degree list in less than ten
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161 INT. ROSE AND CAL'S SUITE 161 Cal and Ruth wait in the sitting room, along with the Master at Arms and two stewards (Steward #1 and Barnes). Silence as Rose and Jack enter. Ruth closes her robe at her throat when she sees Jack.
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163 INT. BRIDE / CHARTROOM 163 Andrews unrolls a big drawing of the ship across the chartroom table. It is a side elevation, showing all the watertight bulkheads. His hands are shaking. Murdoch and Ismay hover behind Andrews and the Captain.
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166 INT. STEERAGE BERTHING AFT 166 BLACKNESS. Then BANG! The door is thrown open and the lights snapped on by a steward. The Cartmell family rouses from a sound sleep. STEWARD #2
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171 INT. BRIDGE 171 Junior Wireless Operator Bride is relaying a message to Captain Smith from the CUNARD LINER CARPATHIA. BRIDE Carpathia says they're making 17
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175 EXT. / INT. TITANIC HULL AND MASTER AT ARMS OFFICE 175 TRACKING along the rows of portholes angling down into the water. Under the surface, they glow green. PUSHING IN on one porthole which is have submerged. Inside we see Jack, looking apprehensively at the water rising up the glass.
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177 EXT. BOAT DECK / PORT SIDE 177 SECOND OFFICER LIGHTOLLER is loading the boat nearest Cal and Rose... Boat 6. LIGHTOLLER Women and children only! Sorry sir, no
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182 INT. FIRST CLASS CORRIDOR 182 Thomas Andrews is opening stateroom doors, checking that people are out. ANDREWS Anyone in here?
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189 INT. MASTER AT ARMS OFFICE 189 Rose stops trashing the room, and stands there, breathing hard. ROSE There's no key in here.
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193 INT. MASTER AT ARMS OFFICE 193 Jack has climbed up on the bench, and is hugging the waterpipe. Rose wades in, holding the axe above her head. (CONTINUED) 129.
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197 EXT. BOAT DECK 197 ON THE BOAT DECK, the action has moved to the aft group of boats, numbers 9, 11, 13 and 15 on the starboard side, and 10, 12, 14 and 16 on the port side. The pace of work is more frantic. You see crew and officers running now to work
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201 INT. E-DECK CORRIDORS AND STAIRWELL 201 Fabrizio, standing with Helga Dahl and her family, hears Jack's voice. JACK Fabrizio! Fabri!
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206 EXT. BOAT 6 / TITANIC - NIGHT 206 Ruth rows with Molly Brown, two other women and the incompetent sailors. She rests on her oars, exhausted, and looks back at the ship. It slants down into the water, still ablaze with light.
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217 EXT. BOAT DECK, STARBOARD, AFT 217 The shots echo away. (CONTINUED) 140. 217 CONTINUED: 217
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221 EXT. BOAT DECK / PORT SIDE - NIGHT 221 ON THE PORT SIDE Lightoller is getting people into Boat 2. He keeps his pistol in his hand at this point. Twenty feet below them the sea is pouring into the doors and windows of B deck staterooms. They can hear the roar of water
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223 INT. GRAND STAIRCASE 223 TRACKING WITH JACK as he bangs through the doors to the foyer and sprints down the stairs. He sees her coming into A-deck foyer, running toward him, Cal's long coat flying out behind her as she runs.
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227 INT. E-DECK CORRIDORS 227 The corridor is awash, about a foot deep. Standing against the wall, about 50 feet away, is a little BOY, aobut 3. The water swirls around his legs and he is wailing. ROSE
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234 EXT. BOAT DECK, STARBOARD SIDE 234 Murdoch, at Collapsible A, is no longer in control. The crowd is threatening to rush the boat. They push and jostle, yelling and shouting at the officers. The pressure from behind pushes them forward, and one guy falls off the
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EXT. BOAT DECK / BRIDGE 242 IN A WIDE SHOT we see a wave travel up the boat deck as the bridge house sinks into the water. 243 ON THE PORT SIDE Collapsible B is picked up by water. Working frantically, the men try to detach it from the falls
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255 INT. BELOWDECKS 255 The flooding is horrific. Walls and doors are splintered like kindling. Water roars down corridors with pile-driver force. The CARTMELL FAMILY is at the top of a stairwell, jammed
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270 INT. ENGINE ROOM 270 In darkness Chief Engineer Bell hangs onto a pipe at the master braker panel. Around him men climb through tilted cyclopean mahcines with electric hand-torches. It is a black hell of breaking pipes, spraying water, and groaning
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279 EXT. OCEAN / UNDERWATER AND SURFACE 279 Bodies are whirled and spun, some limp as dolls, others struggling spasmodically, as the vortex sucks them down and tumbles them. 280 Jack rises INTO FRAME F.G. kicking hard for the
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286 EXT. LIFEBOATS / OCEAN 286 IN BOAT 6: Ruth has her ears covered against the wailing in the darkness. The first class women in the boat sit, stunned, listening to the sounds of hundreds screaming. HITCHINS
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290 EXT. OCEAN / BOAT 14 290 The beam of an electric torch plays across the water like a searchlight as boat 14 comes toward us. ANGLE FROM THE BOAT as the torch illuminates floating debris, a poignant trail of flotsam: a violin, a child's
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296 EXT. LIFEBOATS / OPEN SEA - PRE-DAWN 296 MATCHING MOVE as the camera tracks along the faces of the saved. (CONTINUED) 174.
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300 EXT. DECK / CARPATHIA - DAY 300 It is the afternoon of the 15th. Cal is searching the faces of the widows lining the deck, looking for Rose. (CONTINUED) 175.
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305 EXT. OCEAN FLOOR / TITANIC WRECK 305 The Mir submersibles make their last pass over the ship. We hear Yuri the pilot on the UQC: YURI Mir One returning to surface.
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309 INT. ROSE'S CABIN / KELDYSH 309 A GRACEFUL PAN across Rose's shelf of carefully arranged pictures: Rose as a young actress in California, radiant... a theatrically lit studio publicity shot... Rose and her

Titanic

A poor artist and a wealthy socialite fall in love on the doomed Titanic ship, experiencing both the luxury and tragedy of first-class and steerage passengers.

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Overview

Poster
Unique Selling Point

In this epic tale of love, loss, and redemption, discover an unforgettable cinematic experience that reimagines the iconic Titanic disaster through the eyes of a century-old survivor. Join the deep-sea exploration to uncover the haunting secrets of the sunken ship while following the compelling journey of Rose, a spirited young woman torn between societal expectations and her passionate love for a charismatic artist. Witness firsthand the grandeur and hubris of the Titanic's maiden voyage as it sets sail on a fateful night, carrying the dreams and aspirations of its passengers. Dive into the emotional depths of their struggles, sacrifices, and triumphs as they navigate the catastrophic events that forever altered the course of their lives. With its immersive historical setting, captivating characters, and poignant themes, this cinematic masterpiece offers a fresh and deeply moving perspective on one of history's most legendary tragedies.

AI Verdict & Suggestions

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Hover over verdict cards for Executive Summaries

Claude
 Highly Recommend
Gemini
 Highly Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Drama, Romance, Historical, Adventure, Action, Thriller, Mystery, Tragedy, Historical Drama

Setting: 1912, On the RMS Titanic, in the North Atlantic Ocean

Themes: Love and Sacrifice, Social Class and Inequality, Survival and Resilience, Loss and Grief, The Power of Memory

Conflict & Stakes: Jack and Rose's love for each other, which is forbidden by their different social classes and Rose's engagement to Cal; the sinking of the Titanic, which threatens the lives of all on board.

Mood: Romantic, suspenseful, and tragic

Standout Features:

  • Unique Hook: The film's iconic love story between Jack and Rose, which has been parodied and referenced in popular culture for decades.
  • Plot Twist: The sinking of the Titanic, which is a major turning point in the film and changes the course of the characters' lives.
  • Distinctive Setting: The film's setting on the Titanic, which is a unique and iconic location that provides a sense of grandeur and scale.
  • Innovative Idea: The film's use of flashbacks to tell the story, which allows the audience to learn about the characters' pasts and motivations.
  • Unique Characters: The film's cast of characters, who are all well-developed and relatable.
  • Genre Blend: The film's blend of romance, drama, disaster, and historical epic genres, which makes it appealing to a wide range of audiences.

Comparable Scripts: The Poseidon Adventure, The Eagle Has Landed, The Towering Inferno, The Sand Pebbles, Life of Pi, Doctor Zhivago, The Remains of the Day, Blood Diamond

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Overall Score: 8.50
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