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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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4 INT. CIRCUS TENT - NIGHT 4 Absolute darkness. Then, a single narrow spotlight goes on, revealing a RINGMASTER, with top hat, his back to us, alone. With his head bowed, the top hat casts his face in shadow. As the MUSIC picks up, he sings in a hushed, dramatic voice:
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5 EXT. WATERFRONT ESTATE - DAY 5 SILENCE. A close-up of YOUNG BARNUM (10) silhouetted against * the sun. Someone else is with him, but hard to see. We don’t know where we are. Young Barnum speaks gently. YOUNG BARNUM
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6 INT. BARNUM HOUSE - KITCHEN - BETHEL - DAY 6 Nothing quaint here, the austere room reflects a hardscrabble Yankee life. The family sits at the table as Barnum’s four younger SIBLINGS (ages 3 to 7) are served thin soup by their mother IRENE. Barnum is telling them stories, and they are
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9 EXT. MANSION - NIGHT 9 Barnum leads Charity up the front walk of a huge neoclassical * mansion that has fallen into disrepair. YOUNG BARNUM It’s okay. No one lives here anymore.
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16A INT. OFFICE - DAY 16A * Barnum hunches at a desk, punching buttons into a mechanical * Burroughs adding machine, writing the results into a ledger. * WIDER -- His is one desk in a vast office of Accountants, all * crammed in tidy rows. A CACOPHONY of adding machines. It’s *
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20 EXT. BARNUM’S TENEMENT APARTMENT - ROOFTOP - NIGHT (LATER) 20 MUSIC continues as Barnum sits on the ledge, flipping thru a * pile of BILLS, many stamped OVERDUE. Barnum sings, wistful: * BARNUM * ‘CAUSE EV’RY NIGHT I LIE IN BED *
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21 EXT. GROCERY STORE - LOWER EAST SIDE - MANHATTAN - DAY 21 CLOSE ON: A window sign that reads: LOTTERY TICKETS INSIDE! * (CONTINUED) The Greatest Showman On Earth 4/20/15 Draft 15. 21 CONTINUED: 21
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30 INT. BARNUM’S MUSEUM - A FEW MINUTES LATER 30 Barnum comes into the lobby to find Charity, fretting. BARNUM I know how it looks. CHARITY
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38 EXT. BARNUM’S MUSEUM - DAY 38 Barnum and O’Malley step onto the street, nervous. People pass by without a second look. Barnum speaks sotto. (CONTINUED) The Greatest Showman On Earth 4/20/15 Draft 22.
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INT. BARNUM’S MUSEUM - CONTINUOUS Barnum runs in, stops. The Cop comes in and joins him. It’s immediately clear that they are, in fact, confederates. BARNUM Here we go! Stand back!
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47 EXT. BARNUM’S MUSEUM - NIGHT 47 CLOSE ON -- A giant poster on the marquee features a drawing of Stratton, in a general’s uniform, riding a gigantic horse: GRAND OPENING! TOM THUMB - THE SMALLEST GENERAL IN HISTORY! CRANE DOWN to find a small CROWD, a few hundred customers,
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49 INT. BARNUM’S MUSEUM - NIGHT 49 The audience is seated on benches now, right in the middle of the main floor attractions. Anne, W.D., and other PERFORMERS do a few acrobatic tricks. Barnum hasn’t worked it out yet, but we can see the idea of the circus starting to take shape.
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51 INT. BARNUM’S MUSEUM - DAY 51 Morning. Barnum, Charity, W.D., Anne, and Tom sit at a table * by the stage, as Charity finishes reading Roth’s review. * CHARITY ”...insulting, degrading, and perhaps
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54 EXT. BARNUM’S MUSEUM - DAY 54 The line is now around the block. W.D. supervises more TICKET * TAKERS. A sign: “BY POPULAR DEMAND, SECOND SHOW TONIGHT.” * As CUSTOMERS move quietly through the doors, there’s more a * sense of drudgery than excitement -- people with hard lives. *
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58 INT. BARNUM’S MUSEUM - DAY 58 * Barnum watches the Oddities lined up to take a bow. Lettie comes and pulls him from the wings out onto the stage. She places a tin CROWN on his head. It reads: “PRINCE OF HUMBUG.” Barnum plays to the joke, proudly strutting across the stage.
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60 INT. BARNUM’S MUSEUM - DAY (ANOTHER DAY) 60 The grand finale, every act on stage. Barnum beams as he * takes in the delirium in the audience, feeling as much at * home with the Oddities as he has felt anywhere in his life. ALL
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63 INT. BARNUM MANSION - CONTINUOUS 63 CHARITY It’s beautiful! She runs upstairs to look around. Barnum stands at the foot of the stairs watching happily as the members of his family
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67 EXT. STREET - BRIDGEPORT, CT. - NIGHT (LATER) 67 Charity and Helen walk ahead while Barnum strolls with Caroline, who is withdrawn and a bit down. BARNUM I was so proud of you tonight, Caroline.
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69 EXT. WINTER GARDEN THEATRE - NIGHT 69 Barnum exits, pulling on his coat, and spots Phillip Carlyle standing under the marquis, beside a poster advertising the play that just ended: “THE DRUNKARD or THE FALLEN SAVED,” a temperance movement drama that was the snob hit of 1857.
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71 INT. BARNUM’S MUSEUM, BACKSTAGE - NIGHT 71 Barnum enters and walks Phillip through the large backstage space. It’s surreal. Oddities, acrobats, jugglers, animals, contortionists -- Phillip takes it all in. Barnum welcomes him into the fold with an exuberant, well-practiced patter.
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77 INT. BUCKINGHAM PALACE - CORRIDOR - DAY 77 The group is led down an endless hall by a prim and proper LORD-IN-WAITING. Even dressed up, they look wildly out of place. The enormous Lord of Leeds is wheezing and falling behind. Tom Thumb tugs on the bottom of his coat.
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79 INT. BUCKINGHAM PALACE - QUEEN’S DRAWING ROOM - LATER 79 Barnum’s group is now off to the side, mingling with other * guests. Lettie stands proud and pretty. Chang and Eng bow to * each side. Tom grabs a creamy pastry off a passing server’s * tray and bites into it, leaving a dab of cream on his nose.
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80 EXT. CASTLE GARDEN THEATRE - NIGHT 80 A stone castle in Battery Park. A CROWD surges past POSTERS touting the ‘PREMIERE CONCERT OF THE SWEDISH NIGHTINGALE!’ BARNUM (V.O.) Ladies and gentlemen, I recently had the
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83 INT. THE “BARNUM ARMS” - DAY 83 Barnum sits at a table as Phillip runs in with the paper. PHILLIP Hot off the press. Barnum flips through roughly, looking for the review. As he
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86 INT. BARNUM’S MUSEUM - NIGHT 86 Tom Thumb sits, playing the Ukulele to the sold out crowd. Lettie sings “Oddities”, a celebration of the self-acceptance * that Barnum has given them, but somehow can’t give himself. * LETTIE
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INT. CASTLE GARDEN THEATER - BACKSTAGE - NIGHT * Barnum smiles and nods to a well-heeled couple, who completely ignore him as they walk past. We INTERCUT: * 89 THE ODDITIES 89 * Singing raucously, then, back to... *
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94 INT. WINTHROP MANSION - NIGHT - A FEW MINUTES LATER 94 Jenny sings to the assembled guests, accompanied by a lone pianist. Caroline sits between Barnum and Charity. JENNY [SINGS EPIC LOVE SONG]
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95 INT. BARNUM’S MUSEUM - BARNUM’S OFFICE - DAY 95 CLOSE ON a poster for the Jenny Lind tour. It is wildly extravagant -- the 19th Century version of Las Vegas. Barnum loves it. Phillip is desperately trying to reason with him. PHILLIP
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97 EXT. BARNUM’S MUSEUM - DUSK (LATER) 97 Phillip walks out of Barnum’s office, looking at artwork for the Jenny Lind tour. He is troubled and anxious. He stops. In the middle of the otherwise empty Museum, Anne practices her acrobatic routine, spinning on a rope high up. She is
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INT. BANK - PRESIDENT’S OFFICE - MANHATTAN - DUSK Barnum sits with the BANK PRESIDENT as a CLERK enters with a sheaf of papers. He sets the papers before Barnum. (CONTINUED) The Greatest Showman On Earth 4/20/15 Draft 77.
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105 EXT. TRAIN STATION - DAY 105 Barnum has turned the kick-off of the tour into a 19th century media circus, with an entire train commandeered and painted to advertise the event. Jenny Lind moves down the platform, surrounded by REPORTERS and FANS.
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111 INT. HOUSE - NIGHT 111 * At the Barnum house, Charity and the girls eat dinner. They * are telling stories and laughing. But Charity can’t help * notice Barnum’s place at the table is conspicuously vacant. * CHARITY (V.O.)
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116 INT. CINCINNATI THEATER - STAGE - NIGHT (LATER) 116 Yet another audience is on its feet. Jenny takes her bow. PEOPLE IN AUDIENCE Encore!!! Jenny finds Barnum in the wings and summons him out. He
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118 INT. TRAIN PLATFORM - NIGHT 118 Barnum steps off the train, carrying suitcases. He looks around. No one greets him. Then the crowd parts, he sees... (CONTINUED) The Greatest Showman On Earth 4/20/15 Draft 87.
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127 INT. BARNUM’S MUSEUM - CONTINUOUS 127 Barnum holds his shirt over his mouth, calling out for Phillip as he moves through the intense heat. A BEAM, engulfed in flames, comes crashing down behind him. The Greatest Showman On Earth 4/20/15 Draft 90.
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132 EXT. NEW YORK HARBOR - DOCK - DAY 132 A CROWD of FANS and PRESS have gathered to see Jenny Lind * depart. A line of PORTERS ascend the gangplank onto an OCEAN * LINER. Jenny signs a last autograph, smiles for pictures. * Then she steps onto the gangplank, follows the Porters up. A *
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135 EXT. STREET - BETHEL, CT. - DUSK 135 Barnum trudges up the road. He stops and looks up at the family mansion, dark and desolate now, with a FOR SALE. BARNUM I CLOSE MY EYES
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138 EXT. NEW YORK CITY - CARRIAGE - DAY 138 Barnum rides north out of Manhattan in a carriage. BARNUM I DRANK CHAMPAGNE WITH KINGS AND QUEENS THE POLITICIANS PRAISED MY NAME
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141 EXT. BEACH - SUNSET - DUSK 141 Silence. Charity gazes out at the wintry surf. She looks sad, lost, lonely. The beach is familiar, it’s where they played as kids. Then something catches her eye. She turns. In the distance, Barnum walks towards her.
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142 EXT. BANK - MANHATTAN - DAY 142 Barnum steps out of the bank, loosening his tie. PHILLIP (O.C.) Did they say no? Barnum looks up to see Phillip, now fully recovered, joining
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143 EXT. BROOKLYN RIVERBANK - DAY 143 A SLEDGEHAMMER hits a metal stake, driving it deep into the ground. We WIDEN to find DOZENS OF WORKERS across the field. Barnum pitches in, sleeves rolled, honest sweat on his brow. Phillip picks up a sledgehammer and joins the others.
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147 INT. CIRCUS TENT - DUSK 147 We return to Barnum’s reverie from the opening of the movie: Barnum gazes at the crowd, taking in the joy and excitement * all around him. SOUND FADES. In a wistful moment, he sings * to himself about the long road it took to get here. *

The Greatest Showman

A struggling showman risks everything to bring his dreams to life and build the greatest circus the world has ever seen, only to face personal and professional challenges that threaten to tear his family and empire apart.

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Overview

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Unique Selling Point

The screenplay stands out in its genre by blending a biographical narrative with musical elements that not only entertain but also deepen character exploration. Its focus on the theme of acceptance and the celebration of diversity resonates with contemporary audiences, making it a compelling piece of storytelling that emphasizes the importance of community and belonging.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

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Claude
 Recommend
Gemini
 Consider
GPT4
 Recommend
Story Facts

Genres: Drama, Musical, Romance, Biographical, Biography, Comedy, Action, Historical

Setting: 19th century, Primarily in New York City and Bethel, Connecticut, with scenes in England and Buckingham Palace.

Themes: The Power of Dreams and Imagination, Family and Belonging, The Pursuit of Success and the Cost of Ambition, The Nature of Entertainment and Authenticity, Social Class and Acceptance

Conflict & Stakes: Barnum's struggle for acceptance and success in high society versus his commitment to his family and the performers he represents, with financial ruin and personal relationships at stake.

Mood: Uplifting and celebratory, with moments of tension and introspection.

Standout Features:

  • Unique Hook: The story of P.T. Barnum, a real-life figure, intertwined with musical elements and a celebration of 'oddities'.
  • Plot Twist: Barnum's rise to fame is contrasted with his personal struggles, particularly his relationship with Charity and the performers.
  • Distinctive Setting: The vibrant and chaotic world of the circus, showcasing a blend of historical and fantastical elements.
  • Innovative Ideas: The integration of musical numbers that reflect the characters' emotions and ambitions.
  • Unique Characters: A diverse cast of performers, each with their own backstories and struggles, adding depth to the narrative.

Comparable Scripts: The Greatest Showman, Les Misérables, Billy Elliot, Big Fish, Moulin Rouge!, The Music Man, A Star is Born, The Elephant Man, The Producers

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.25
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.