SCENES
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Scene Map 60
# PG SLUGLINE
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INT EXT INT/EXT hover for full slug
Scene Map
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# PG SLUGLINE
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IT Written by Chase Palmer & CJ Fukunaga Based on the novel
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INT. BILL’S HOUSE - DAY Georgie hurries downstairs, catching a glimpse of their mother SHARON DENBROUGH (30s) in the parlor playing piano, an earthy beauty transported to another world while she plays. INT. KITCHEN - BILL’S HOUSE - DAY
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EXT. WITCHAM STREET - LATER A DEAD TRAFFIC LIGHT sways overhead, its black lenses gazing back at A BOY IN A YELLOW SLICKER AND RED GALOSHES. George races down the street past dark houses after his PAPER BOAT, which sluices along a gutter swollen with rushing
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EXT. DERRY - AERIAL - DAY In the distance, settled on a crosscut of the Penobscot River and Kenduskaeg Stream rests the TOWN OF DERRY, MAINE. TILT STRAIGHT DOWN to HANLON ABBATOIR SEVERAL multi-acre, manure filled sheep pens stand empty. One
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INT. DERRY MIDDLE SCHOOL - DAY Doors fling open and ROWDY 6TH, 7TH, and 8TH GRADERS spill out into the halls like sheep. Books are hurled in the trash, lockers emptied out, papers strewn all over -- summer is officially commenced. Swept up among this madness is...
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EXT. EMERGENCY EXIT - DERRY HIGH SCHOOL - DAY Pudgy BEN HASCOMB (13) lingers with his bike. He has headphones ON, connected to a Walkman. Doesn’t hear the door open behind him and Beverly step out. Ben blocks her way. She taps him on the shoulder. Startled, he turns and rips off
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EXT. WITCHAM STREET - STRIP MALL - DAY Backpacks. Unzipped. Stuffed with old homework, school projects, battered notebooks, broken pencils. Bill, Richie, Stanley and Eddie shake their backpacks out over a dumpster in the back of Keene’s Pharmacy.
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EXT. BILL DENBROUGH’S HOUSE - DAY Bill walks up his driveway as -- BILL He th-th-thrusts his fists against the po-po-po-po-SH-SH-SHIT...
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EXT. COSTELLO AVENUE MARKET - LATER Mike exits and hops on his bike. Doesn’t notice Victor’s Trans Am pass him on the street. But we do. And as Mike takes off in the other direction we keep with the Trans Am as it stops and makes a slow U-Turn. Uh-oh...
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INT. DERRY SYNAGOGUE - DAY Stanley reads from the TORAH as the RABBI -- aka Stanley’s Dad -- watches over his shoulder. Waiting for a fuck up. STANLEY Baruk atah Adonai, eloheynu
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EXT. NEIBOLT STREET - DAY Eddie walks down the street with crumbling asphalt that runs along the canal and the OLD TRAIN YARD. Beep beep beep. He looks at his Casio Calculator Watch. Alarm has been set. Stops. Digs into his pocket.
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INT. HANLON HOUSE - NIGHT Mike picks at his food. Leroy studies him. Half-amused. LEROY Long day? Mike. Lost in thought.
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INT. EDDIE’S KITCHEN - DAY While Eddie watches, Bill and Richie raid the kitchen like feral animals, stuffing Capri Suns, a bag of marshmallows, whatever snacks they can find into their backpacks. EDDIE
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INT. DERRY LIBRARY - READING ROOM - LATER Green globes, curved iron staircases, shadowy charm. Ben sits at one of the long tables. Outside the Window, he sees -- Bill, Richie, Eddie and Stanley pedal past. A sharp reminder of his solitary state. He looks down at a POSTCARD. Reads the
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EXT. DERRY LIBRARY - DAY Ben exits. Rattled. Clutching the postcard. Crosses over to MONUMENT SQUARE Walks by the STATUE OF THE GOVERNOR OF MAINE. Its eyes seem to follow Ben. Sensing this, Ben meets its gaze. Unnerved.
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EXT. KENDUSKAEG STREAM - CONTINUOUS Ben tumbles down the culvert, fetching up hard against a fallen tree. He picks himself up as -- TRAVIS I’m gonna cut your tits off! I
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EXT. BARRENS - CONTINUOUS Hockstetter and Belch split up. One going this way. The other going that. Hockstetter hears commotion up ahead. The Boys. He smiles and picks up his pace. Passing the droning Morlock Hole as he creeps up toward the Sewer Drainpipe.
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EXT. KANSAS STREET - CONTINUOUS On the Sewer Grate. As cars drive past and pedestrians walk by. No one hears the horrible screams. Except for us. And only because we know it’s there. INT. SEWER - CONTINUOUS
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INT. KEENE’S PHARMACY - DAY Tampons. Lots of varieties. Too many. Beverly stares at them all. Overwhelmed and unsure. GRETTA (O.C.) Dad, I’m gonna take off early...
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INT. KEENE’S PHARMACY - DAY Beverly puts her tampons down at the counter. Mr. Keene smiles at her. BEVERLY I like your glasses, Mr. Keene. You
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EXT. BASSEY PARK QUARRY, SHORE - LATER ...legs are strong, and you’re so so long and you don’t come from this town... Beverly lays out on a rock. She’s sun-drenched. As Richie’s Boom Box nearby continues playing Love and Rocket’s 1989
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INT. BEN’S BEDROOM - CONTINUOUS Panicking, Ben hurries into his messy bedroom. We can hear the others coming up the stairs behind him as he kicks dirty underwear under the bed -- tosses PJs in his dresser -- stuffs books of poetry into his desk right before --
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INT. POLICE STATION - DAY Bill hands Dorsey Corcoran’s shoe, still wet in a marshmallow bag, a map rolled into it, to Chief Borton (50s, pudgy). The wall behind him is plastered with fliers of kids, each with “MISSING” or “MURDERED” over their smiling faces -- with
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INT. BEVERLY’S APARTMENT - NIGHT A slummy apartment over Lower Main Street. Beverly’s Dad, MR. MARSH (late 30s), still in his janitor’s uniform from Derry Home Hospital, sits passed out in front of the TV. Entering the apartment, Beverly quietly tiptoes past him.
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INT. BILL’S HOUSE - NIGHT Bill’s mom washes the dishes while Bill sits at the table and eats a bowl of ice cream. Zach flips through a Popular Mechanics, still in his overalls from the DERRY PUBLIC WORKS. BILL
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INT. BEVERLY’S APARTMENT, LIVING ROOM - NIGHT Bev finds HER FATHER (40s) now asleep in front of the TV. His toolbelt is thrown up on the coffee table. She creeps over and steals the TAPE MEASURE. INT. BEVERLY’S APARTMENT, BATHROOM - NIGHT
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INT. DETAIL ON CEILING - NIGHT ANGLE ON a wet, dark spot as it grows on a white plaster ceiling, the first droplet of water forming. SLOW MOTION as it breaks away and falls through space... SMASH CUT TO:
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INT. KITCHEN - BILL’S HOUSE - DAY Bill steps in, face to face with THE CELLAR DOOR, the door creaking closed, light snapped on behind it, footprints disappearing down into the cellar. He slowly approaches the door and reaches out for the handle,
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INT. TRAVIS BOWERS HOUSE, TRAVIS’ BEDROOM - DAY Travis puts cream on FRESH BELT LASHES across his back. All around him on the walls are posters of monster trucks. A HONK from outside. He throws down his shirt and goes into the
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EXT. LOWER MAIN STREET - CONTINUOUS Bill and Richie wait as Ben, Stanley and Eddie join them. STANLEY What’s going on? BILL
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INT. BEVERLY’S BATHROOM - DAY While Ben and Stanley carry out trash bags of soaked towels, Bill and Beverly pour the last bucket of pink water down the bathtub drain. The bathroom now as clean as it ever was. The bucket is filled with blood stained rags.
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INT. BEVERLY’S APARTMENT, BEDROOM - CONTINUOUS Ben stands, stunned at the wonder of being in her room. He hears a giggle and looks out into the hall. Sees Bill and Bev at the end of it, having their moment. CUT TO:
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EXT. CANAL STREET - DAY The Town prepares for a celebration. Red, White and Blue Banners. Fireworks For Sale Signs. A Brass Band rehearses. BEN (pre-lap)
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INT. BILL’S BEDROOM - NIGHT Bill can’t sleep. He lays in bed, eyes wet with tears, as he stares at the lone Walkie Talkie on his shelf. Can’t bear to look at it any longer, he rolls over to his other side. Which is why he doesn’t see --
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EXT. 29 NEIBOLT STREET - LATER Bill hops off his bike and stares at the house. A little less brave now that he’s there. As he walks -- BILL He th-thrusts his fists against the
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EXT. NEIBOLT HOUSE - FRONT PORCH - MOMENTS LATER At the windows, the Losers cup their hands around their faces, trying to get a sense of what awaits them inside but -- RICHIE -- I can’t see shit.
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INT. NEIBOLT HOUSE - LIVING ROOM - CONTINUOUS Condoms, Candy Wrappers, and Cigarette Butts litter the floor. Old Magazines and Newspapers stacked so high it’s like they’re holding up the second floor. And Graffiti. It’s everywhere.
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EXT. 29 NEIBOLT STREET - DAY Richie’s pulled out and the kids stumble through the sunflowers to their bikes. Away from Neibolt, the whole house seeming to laugh at them from behind... As Eddie balances himself on Ben’s bike, Ben looks over. Sees
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EXT. KANSAS STREET - LATER Bill, Richie, Beverly, Stanley, Ben and Mike walk along. BILL We’ll need to go back. Prepared this time...
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EXT. DERRY - VARIOUS - DAY Warehouse Row. City Center. Memorial Park. A LONE PATROL CAR creeps down West Broadway, passing the Synagogue. INT. SYNAGOGUE - CONTINUOUS Stanley is reaching the Dvar Torah part of his Bar Mitzvah
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INT. WELLHOUSE - NIGHT ABIGAIL, 19. Rushes in and SLAMS the door. As if trying to keep Satan himself out. She clutches her BABY to her breast. Kneels by DYING EMBERS in the hearth. She blows on ‘em but a flame never catches. Her Baby starts to fuss...
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EXT. TRAVIS BOWER’S BACKYARD - DAY BLAM! Of a gun. A bottle of Southern Comfort sits on a log. Travis shoots at it with his dad’s police issue .45. Victor and Snatch look on, giggling.
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INT. KEENE’S PHARMACY - DAY -- above the door as Eddie enters, his arm still in a cast. He sees Greta at the Cash Register reading a SEVENTEEN MAGAZINE. She watches him, amused. Because she’s bored. MR. KEENE
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INT. BEVERLY’S APARTMENT, BEDROOM - CONTINUOUS Rrrrrrin-- Beverly picks up the phone. BEVERLY Hello?
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INT. BEVERLY’S APARTMENT, BEDROOM - CONTINUOUS Beverly stands in front of the mirror, buttoning up her shirt. Freezes when she sees behind her -- Creeeeeeaaaak. Of her Bedroom Door as it opens. In the reflection, she can
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INT. TRAVIS BOWER’S HOUSE - DAY The front door creaks open, Victor and Snatch poking their heads in... SNATCH Travis?
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INT. KASPBRAK HOUSE, EDDIE’S BEDROOM - DAY Eddie on the phone with Richie -- EDDIE Meet you there. He hangs up. Stares at himself in the mirror. Can he do this?
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EXT. MONUMENT SQUARE - LATER The Losers reunited. Save for one. The serious nature of their task weighs on ‘em. Richie sees Mike’s Stunbolt. MIKE Better than a broken bottle.
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EXT. NEIBOLT HOUSE - MOMENTS LATER The Boys drop their bikes on the lawn. They stare at the house that looms before them. This is It. As they walk up toward their probable deaths, they fail to notice Vic’s Trans Am appear at the end of Neibolt.
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INT. NEIBOLT HOUSE - LIVING ROOM - MOMENTS LATER As the boys investigate further, the house wheezes with its creaks and groans. Like it’s been disturbed from sleep. BANG! BANG! From the KITCHEN
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INT. BASEMENT - CONTINUOUS Richie, Stanley, Eddie, Ben and Mike steps off into the basement. But no sign of Bill. He’s vanished. EDDIE Where’s Bill? We were supposed to
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EXT. MACROVERSE - CONTINUOUS Beverly continues through the thick fog of suffocating blackness. Sticks to her like cobwebs. She stops. Sees a FLICKERING CAMPFIRE in the distance illuminating -- A DECREPIT 19TH-CENTURY CIRCUS WAGON.
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INT. COAL CHUTE - CONTINUOUS Stanley, Richie and Ben climb. Flinching as the hear the BANGS of the brawl between Mike and Travis. At the top of the chute, Stanley pushes open the Access Door. Crawls out first, followed by Richie and Stanley.
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INT. BASEMENT - CONTINUOUS Mike. On the floor. Trying to get to his feet. But the pain and the fear, it’s starting to get the better of him. Ooomf! Travis KICKS him again while he’s down. EXT. MACROVERSE - CONTINUOUS
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EXT. MACROVERSE - CONTINUOUS At the door of defeat, Ben hugs Bev. Doesn’t want her to go through this alone. And in the first moment of passion in his life, he kisses her. Something inside of Beverly -- the light of life, maybe -- flickers.
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EXT. MACROVERSE - CIRCUS WAGON - CONTINUOUS ...Bill, Eddie and Richie help him out of the wagon. Nearby, Ben tries to free Beverly from her chains. BEN Help! I can’t -- C’mon! Hurry!
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EXT. MACROVERSE - CONTINUOUS SPARKS! As Richie snaps the chains around Beverly with the Ax. Now free, she stands up and gives Ben a hug -- BEVERLY Thank you...
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EXT. MACROVERSE - THE DARKNESS - CONTINUOUS Bill stops. Looks that way. No Georgie. This way. Uh-uh. BILL GEORGIE! He squints. Sees something approach. Coming at him fast. Is
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EXT. THE BARRENS - DAY Bodies of children disgorge from the sewer pipe the Losers’ found Dorsey’s shoe in, into a swollen stream. It’s hard at first to distinguish who is who, everyone is covered in mud. Among them, a body blinks and sits up. It’s Travis.
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EXT. WILL’S HOUSE - DAY Bill packs his suitcase and looks out for his friends, someone to send him off. No one. His mom closes the truck and kisses him on the forehead. Still distant, but trying. SHARON
INT EXT INT/EXT tap to expand

It

In the town of Derry, a group of childhood friends must confront their deepest fears and a malevolent entity that preys on children.

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Overview

Poster
Unique Selling Point

What sets this screenplay apart is its ability to seamlessly blend the horror and coming-of-age genres, creating a unique and compelling narrative that explores the power of friendship, the nature of fear, and the resilience of the human spirit in the face of unspeakable evil. The diverse ensemble of young characters, each with their own distinct personalities and struggles, are highly relatable and draw the audience into their world, making the stakes and their journey all the more compelling. Additionally, the screenplay's exploration of the town of Derry and the history of the evil that plagues it adds a depth and richness to the overall story that sets it apart from more conventional horror narratives.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT4
 Recommend
DeepSeek
 Recommend
Claude
 Recommend
Average Score: 8.5
Note: As Neil Gaiman says, ”People are usually right about what's wrong, and usually wrong about how to fix it.” Consider the suggestions in this analysis as potential catalysts: adopt what strengthens your vision, and let the rest deepen your understanding of what the story wants to become.
Model Upgrade — March 31, 2026
Our AI readers were upgraded — the verdicts and written analysis on this page are from our newer, significantly stronger models.
The scoring scale changed with the upgrade, so scores may not be directly comparable to earlier analyses.
Key Takeaways
For the Writer:
To enhance the screenplay, focus on tightening the pacing in certain scenes, particularly those that feel drawn out or overly expository. Additionally, consider deepening the exploration of character arcs, especially for Mike and the adult characters, to create a more cohesive narrative. Addressing these elements will strengthen the emotional impact and engagement of the audience.
For Executives:
While the screenplay for 'It' presents a compelling blend of horror and coming-of-age themes, it faces challenges with pacing and character development that could hinder its marketability. The underdeveloped subplots and abrupt transitions may alienate audiences seeking a more cohesive narrative. Addressing these issues is crucial to ensure the screenplay resonates with both critics and viewers, maximizing its potential for success in a competitive market.
See Details in P/C/R/HR Section
Story Facts
Genres:
Horror 45% Drama 40% Thriller 30% Action 15% Comedy 10% Romance 5%

Setting: 1988-1989, Derry, Maine

Themes: The power of friendship and unity, Fear of the unknown, Childhood innocence and loss, The impact of trauma, Confrontation with evil

Conflict & Stakes: The Losers Club's struggle against Pennywise, a shape-shifting entity that preys on their fears, while dealing with personal traumas and the threat of bullying.

Mood: Tense and foreboding, with moments of childhood innocence and camaraderie.

Standout Features:

  • Unique Hook: The story combines childhood innocence with horror, exploring how childhood fears manifest into a tangible threat.
  • Major Twist: The revelation that Pennywise feeds on the children's fears, making their personal struggles integral to the plot.
  • Distinctive Setting: Derry, Maine, serves as a character itself, with a dark history that influences the events of the story.
  • Innovative Ideas: The use of a group of misfit children, known as the Losers Club, to confront their fears and the embodiment of evil.
  • Unique Characters: Each member of the Losers Club represents different childhood fears and struggles, making them relatable and memorable.

Comparable Scripts: It (2017), Stand By Me (1986), The Goonies (1985), Stranger Things (2016-present), The Monster Squad (1987), Super 8 (2011), The Sandlot (1993), Coraline (2009), The Babadook (2014)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.64
Key Suggestions:
To enhance the screenplay, focus on deepening the character arcs of secondary characters like Eddie and Ben, as their backgrounds and motivations are currently underdeveloped. This will not only enrich the narrative but also strengthen audience connection and emotional investment. Additionally, consider refining the pacing in key scenes to maintain engagement and build tension effectively.
> Go to Screenplay Insights
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
To enhance the screenplay, focus on deepening character backstories, particularly for antagonists like Travis, to provide more motivation and complexity. Streamlining the pacing and ensuring consistent character development will help maintain tension throughout the narrative. Additionally, integrating the town's dark history more cohesively can enrich the story's thematic foundation, while allowing for a more impactful climax will elevate the emotional stakes and resolution.
> Go to Story Critique
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
To enhance the script, focus on deepening the emotional arcs of the characters, particularly the protagonists like Bill, Beverly, and Eddie. Their internal conflicts and relationships with one another can be further explored to create a more compelling narrative. Additionally, consider amplifying the presence of Pennywise in scenes where he is referenced but not directly shown, as this will build anticipation and tension, making his eventual appearances more impactful.
> Go to Characters
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
To enhance the emotional depth and engagement of the script, it's crucial to introduce a wider variety of emotional tones throughout the narrative. This can be achieved by incorporating moments of dark humor during tense sequences, developing emotional 'oasis' scenes that reflect on positive memories, and ensuring character-specific arcs are fully realized. By balancing horror with moments of warmth and vulnerability, the script can create a more dynamic emotional landscape that resonates with audiences.
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Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
To enhance the script, focus on deepening the internal conflicts of the protagonist, Bill, particularly his journey from passive grieving to active engagement. This can be achieved by emphasizing his emotional struggles and the evolution of his relationships with his friends, which will create a more compelling narrative arc. Additionally, consider refining the philosophical conflict between fear and courage to resonate more profoundly with the audience, ensuring that the characters' growth feels authentic and relatable.
> Go to Goals and Philosophical Conflict
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
To enhance the script, focus on deepening the emotional connections between characters, particularly within the Losers Club. Highlight their individual fears and traumas while showcasing how their friendship serves as a powerful tool for overcoming these challenges. This can be achieved through more intimate moments that reveal their vulnerabilities, ultimately reinforcing the primary theme of unity in the face of fear.
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Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
To enhance the script's coherence and emotional impact, focus on refining character consistency, particularly for Bill Denbrough and Eddie Kaspbrak. Ensure that their actions align with their established traits throughout the narrative. Additionally, clarify the transition between the real world and the Macroverse, as well as the mechanics of Pennywise's manipulation of fears, to avoid confusion for the audience. Streamlining dialogue to feel more organic will also strengthen character authenticity and engagement.
> Go to Logic & Inconsistencies

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
To enhance the script, consider deepening character backstories and emotional arcs, particularly for the supporting characters. This will not only enrich the narrative but also allow for more nuanced interactions that resonate with the audience. Additionally, maintaining a consistent tone throughout the screenplay will help in balancing the horror elements with the coming-of-age themes, ensuring that the emotional stakes remain high and relatable.
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Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
To enhance the screenplay, the writer should focus on refining dialogue to deepen emotional resonance and character motivations. Additionally, improving plot structure and pacing will help create a more cohesive narrative. By addressing these areas, the writer can elevate the overall impact of the story and better engage the audience.
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Memorable Lines

Spotlights standout dialogue lines with emotional or thematic power.

Key Suggestions:
The script effectively captures the horror elements through memorable lines that resonate with the characters' fears and the overarching theme of confronting nightmares. To enhance the script, consider deepening character arcs and emotional stakes, particularly in scenes where characters face their fears. This could involve expanding on the backstories of characters like Bill and Beverly, allowing their motivations to shine through their dialogue and actions, thus creating a more profound connection with the audience.
> Go to Memorable Lines
Tropes
Highlights common or genre-specific tropes found in the script.
> Go to Tropes
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
To enhance the script, consider deepening the emotional connections between characters, particularly within the Losers Club. Their shared experiences of fear and trauma should be more vividly portrayed to create a stronger bond that resonates with the audience. Additionally, explore the duality of Derry's idyllic surface and its underlying darkness more intricately, allowing the setting to reflect the characters' internal struggles and fears more effectively.
> Go to World Building
Correlations

Identifies patterns in scene scores.

Key Suggestions:
To enhance the emotional resonance of the script, focus on deepening character relationships and ensuring that scenes with significant character changes are well-developed. Incorporating darker tones effectively evokes strong emotions, so consider amplifying these elements in key scenes to maintain audience engagement. Additionally, ensure that dialogue quality remains high, as it directly correlates with the overall impact of the screenplay.
> Go to Correlations
Loglines
Presents logline variations based on theme, genre, and hook.
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