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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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COCO Original Story By Lee Unkrich, Jason Katz, Matthew Aldrich, Adrian Molina Screenplay By Adrian Molina and Matthew Aldrich
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EXT. COURTYARD MIGUEL I used to run like this... Miguel pumps his arms with his hands in fists. Then he switches to flat palms.
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EXT. DINING AREA Miguel leans toward Mamá Coco at the dinner table. MIGUEL I have a dimple on this side, but not on this side. Dimple. No
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INT. RIVERA WORKSHOP - DAY We see the Rivera family tinkering in the shoe shop, no music to be heard. Miguel jogs past them. MIGUEL (V.O.) And my family’s fine with that...
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EXT. CEMETERY - MOMENTS LATER Miguel weaves up to de la Cruz's mausoleum and peeks in the window. He catches a glimpse of de la Cruz's signature skull guitar. MIGUEL (V.O.)
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EXT. STREET - MOMENTS LATER Miguel catches up to his family. TÍO BERTO How many times have we told you -- that plaza is crawling with
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INT. RIVERA WORKSHOP The Rivera workshop is abuzz with family making shoes. WHOMP! Miguel is plopped onto a stool, ready for a lecture. ABUELITA I found your son in Mariachi Plaza!
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INT. OFRENDA ROOM - MOMENTS LATER Miguel follows his Abuelita to the family ofrenda, holding the pile of flowers as she arranges them on the altar. ABUELITA Don't give me that look. Día de
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EXT. SIDE STREET Tío Berto unloads rolls of leather from a truckbed. Nearby, Dante sleeps under the shade of a tree. He startles awake by a faint TWANGING. The dog scrambles up to the roof. He reaches a shoe sign advertising the Rivera Family business
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EXT. RIVERA COMPOUND - SUNSET Children run by with sparklers as Abuelita opens the doors to the family compound. ©2017 DISNEY•PIXAR - PRIVILEGED AND CONFIDENTIAL ABUELITA
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INT. OFRENDA ROOM Miguel backs out of the courtyard and into the family ofrenda room. Nearly cornered, he ushers Dante past a sleeping Mamá Coco. He stashes the dog and the guitar under the ofrenda table.
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INT. ROOFTOP HIDEOUT Miguel goes to his secret ofrenda, to the record album of Ernesto de la Cruz. He compares the guitar in the family photo with the guitar on the sleeve. An exact match! MIGUEL
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EXT. COURTYARD - EARLY EVENING Miguel's guitar is cast at his feet, along with his de la Cruz albums. The whole family encircles the boy. ABUELITA What is all this? You keep secrets
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EXT. SIDE STREET Miguel bursts out of the compound, desperate to get away. Dante, nose buried in a trash bag, hears Miguel and chases after him. Miguel runs past a poster for the plaza “TALENT SHOW.”
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EXT. CEMETERY - MOMENTS LATER A sea of candles and flowers, families gathered at graves. Miguel sneaks through the cemetery unnoticed, slipping from one shadow to the next. Dante suddenly catches up to Miguel. He barks excitedly.
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EXT. CEMETERY - NIGHT A panicked Miguel runs out, trying to figure out what's going on! But the people in the cemetery walk through him too. Suddenly he hears a familiar voice. MAMÁ
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EXT. CEMETERY - MOMENTS LATER Miguel and his family weave through the graves, rounding a corner. His gaze falls upon a glowing MARIGOLD BRIDGE arching before them.
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EXT. MARIGOLD GRAND CENTRAL STATION CANNED LOOP (V.O.) Welcome back to the Land of the Dead. Please have all offerings ready for re-entry. We hope you
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INT. MARIGOLD GRAND CENTRAL STATION Miguel and his family are escorted by a security guard across an arching second floor walkway. VOICE OVER P.A. Paging Marta Gonzales-Ramos. Marta
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INT. CLERK'S OFFICE CLERK Well, you're cursed. The family gasps. MIGUEL
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INT. STAIRCASE - MOMENTS LATER Miguel hustles down a staircase with Dante. Once on the ground floor, they huddle beneath the staircase. He looks to the upper floor. The Dead Riveras are there. Tío Oscar asks a PATROLWOMAN about a boy of Miguel's height. The
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INT. NEARBY CORRIDOR Miguel and Dante hide from the patrolman. But Dante wanders off to inspect a side room. MIGUEL No, no -- Dante!
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INT. HALLWAY MIGUEL Hey. Hey! You really know de la Cruz? HÉCTOR
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EXT. MARIGOLD GRAND CENTRAL STATION Miguel and Dante burst out the door and rush down the stairs. Héctor's arm snaps to get Miguel’s attention. Miguel realizes it’s no longer attached to Héctor’s body. The arm signals backwards to Héctor who is ten paces behind.
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EXT. UNDERPASS TUNNEL - NIGHT Miguel sits on a wooden crate. Héctor uses his thumb to smudge black and white shoe polish on the boy’s face. HÉCTOR Hey, hey, hold still.
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EXT. BUSTLING STREET They make their way through a pedestrian path. HÉCTOR (CONT'D) ...It's not gonna be easy, you know? He's a busy man.
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EXT. WAREHOUSE, BENEATH WINDOWS Héctor uses his suspenders to slingshot his arm to a third floor window. The hand taps on it. INT. COSTUME ROOM CECILIA, a costumer, turns from a costume to look at the
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INT. REHEARSAL AREA MIGUEL We shouldn't be in here... Miguel follows Dante through a giant warehouse, divided into different artists workspaces. He passes papier-mâché
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EXT. UNDERPASS TUNNEL - NIGHT Pepita sweeps across the sky, landing in a darkened corner. She casts a shadow on the wall, then lurches into the light. She sniffs out the spot where Héctor painted Miguel's face, finding a canister of shoe polish. She lets out a low growl.
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EXT. NARROW STAIRWAY Miguel follows Héctor down a steep stairway. Miguel looks to his bony knuckles, concern on his face. HÉCTOR Why the heck would you wanna be a
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EXT. SHANTY TOWN Graffiti on the archway depicts skeletal angels with wings the color of marigolds. Inside the archway, a group of ratty skeletons huddle around a burning trashcan and laugh raucously. They are gray and
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INT. SHANTY BUNGALOW TENT Héctor holds the curtain open. Miguel and Dante walk in. The tent is cramped, dark, and quiet. Piles are organized everywhere: stacks of old dishes, a drawer full of pocket watches, magazines, records. This place belongs to a
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EXT. LAND OF THE DEAD Héctor and Miguel hang off the back of a moving trolley. Miguel holds Héctor's photo in his hands, scanning it, while Héctor fiddles on the guitar idly. MIGUEL
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EXT. ON STAGE An EMCEE greets her audience. EMCEE Bienvenidos a todos! Who's ready for some música?
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EXT. BACKSTAGE Miguel and Héctor stand amongst other contestants. HÉCTOR So what's the plan? What are you gonna play?
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EXT. PEDESTRIAN THOROUGHFARE Miguel hustles to get away from Héctor. Dante bounds after him, but looks back and whimpers. He barks to get Miguel's attention. MIGUEL
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EXT. NARROW STAIRCASE MAMÁ IMELDA (CONT'D) Come back! Miguel! He wriggles through an iron gate. MAMÁ IMELDA (CONT'D)
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EXT. BOTTOM OF THE TOWER Miguel arrives at the foot of the hill to de la Cruz's tower. Vehicles from all eras (limousines, motor cars, carriages) drop off finely dressed guests who line up to get aboard a funicular that scales the tower to the mansion.
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EXT. DE LA CRUZ'S MANSION The doors of the funicular open to reveal de la Cruz's lavish mansion. Los Chachalacos all file out. MIGUEL Whoa...
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INT. DE LA CRUZ’S MANSION Miguel heads into the foyer but loses de la Cruz in the crowd. MIGUEL Señor de la Cruz!
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EXT. BOTTOM OF THE TOWER CROWD Look, it's Frida! The silhouette of Frida Kahlo steps up to the security guard. HÉCTOR
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INT. DE LA CRUZ’S OFRENDA ROOM De la Cruz gestures to the massive piles of gifts from his fans: bread, fruits, flowers, instruments, etc. All piled up to the ceiling. DE LA CRUZ
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EXT. VERANDA The party guests move outside to watch the light show. INT. DE LA CRUZ’S MANSION The hall has emptied, the lights are turned down. Bursts of color from outside flash across the walls. The only light
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INT. MEXICO CITY HOTEL ROOM Héctor throws a songbook in a suitcase, shuts it. He grabs his guitar case like he means to leave. HÉCTOR (V.O.) We'd been performing on the road
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EXT. EMPTY STREET HÉCTOR (V.O.) You walked me to the train station. They walk down an empty street at night, Héctor with suitcase and guitar case in tow. Héctor stumbles, de la Cruz steadies
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INT. DE LA CRUZ’S MANSION Héctor clenches his jaw. Then he bounds at de la Cruz, tackling him to the ground. HÉCTOR How could you?!
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EXT. DE LA CRUZ'S TOWER The guards drag Miguel out the back of de la Cruz's mansion. MIGUEL Let go! They throw him into a cenote, an inescapable sinkhole behind
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INT. YOUNG COCO’S BEDROOM - DAY HÉCTOR (singing) REMEMBER ME THOUGH I HAVE TO SAY GOODBYE
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INT. CENOTE The echo of Héctor’s song fades to silence. MIGUEL He stole your guitar... He stole your songs...
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EXT. NIGHT SKY Miguel, wind in his hair, hugs Dante fiercely. MIGUEL Dante, you knew he was my Papá Héctor the whole time! You ARE a
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EXT. SMALL PLAZA Pepita flies in, landing in a small plaza where the other Riveras wait. PAPÁ JULIO Look, there they are!
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EXT. SUNRISE SPECTACULAR AMPHITHEATER - BEFORE DAWN Crowds are congregated at de la Cruz's Sunrise Spectacular which takes place in an open air amphitheater. They hurry to their seats as the lights begin to dim. ON STAGE
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INT. BACKSTAGE CORRIDOR - MOMENTS LATER The Dead Riveras congregate in a hidden backstage corridor, shedding their Frida outfits. Miguel rips off his unibrow. MIGUEL Ow!
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INT. BELOW STAGE De la Cruz knocks over a group of giant sugar skull dancers. He emerges at a full sprint to where his rising platform is set up. DE LA CRUZ
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INT. DE LA CRUZ’S MAUSOLEUM - SUNRISE Miguel finds himself back in de la Cruz's tomb. Dazed, he looks through the windows; day has broken. On the floor is the skull guitar. Miguel grabs it. He exits the tomb and takes off out of the cemetery.
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EXT. RIVERA COMPOUND Miguel rounds the corner and follows the trail of marigolds through the front gate. He runs for Mamá Coco’s bedroom. Just as he makes it to the doorway, Abuelita steps up and blocks him.
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EXT. CEMETERY - MORNING TITLE CARD: ONE YEAR LATER The cemetery is once again filled with families cleaning off head stones and laying flowers. EXT. DE LA CRUZ'S MAUSOLEUM
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EXT. MARIGOLD GRAND CENTRAL STATION Héctor waits in the departures line nervously. MIGUEL (O.S.) (singing) SAY THAT I’M CRAZY
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EXT. FOOT OF THE BRIDGE Héctor exits from the Marigold Grand Central Station. Mamá Imelda waits on the cobblestones to greet him. They kiss. Then he hears a familiar voice. MAMÁ COCO
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EXT. STREETS OF SANTA CECILIA ©2017 DISNEY•PIXAR - PRIVILEGED AND CONFIDENTIAL Dante's shadow is cast against a wall. When he rounds the corner, he is just a normal xolo dog, no wings or vibrant colors. Pepita's shadow looms large, but as she rounds the

Coco

When a young boy named Miguel discovers his family's forgotten musical heritage, he embarks on a magical journey to the Land of the Dead to uncover the truth about his great-great grandfather and restore his family's legacy.

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Overview

Poster
Unique Selling Point

What makes 'Coco' unique is its heartfelt exploration of Mexican culture and the Day of the Dead, combined with a universal theme of family and self-discovery. The narrative's emotional resonance, particularly through the character of Miguel and his relationship with his ancestors, creates a compelling story that is both entertaining and deeply meaningful. The vibrant visuals and music further enhance its appeal, making it a standout in the animated feature genre.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

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Claude
 Recommend
Gemini
 Highly Recommend
GPT4
 Highly Recommend
Story Facts

Genres: Family, Animation, Musical, Fantasy, Adventure, Comedy, Drama, Mystery, Thriller

Setting: Modern day, during the Día de los Muertos celebration, Santa Cecilia, Mexico, and the Land of the Dead

Themes: Family, Music, Memory and Forgetting, Identity and Self-Discovery, The Power of Love and Sacrifice

Conflict & Stakes: Miguel's struggle to pursue his passion for music against his family's strict ban, risking his connection to his family and their traditions.

Mood: Nostalgic and heartfelt, with moments of joy and tension.

Standout Features:

  • Unique Hook: The exploration of Día de los Muertos and its significance in Mexican culture, providing a rich backdrop for the story.
  • Major Twist: The revelation that Héctor is Miguel's true ancestor and the emotional connection they share through music.
  • Distinctive Setting: The vibrant and fantastical Land of the Dead, filled with colorful characters and imaginative visuals.
  • Innovative Ideas: The integration of music as a central theme that drives the narrative and character development.

Comparable Scripts: Coco, The Book of Life, Soul, Moana, The Lion King, A Wrinkle in Time, The Princess and the Frog, The Little Mermaid, Cinderella

Script Level Analysis

Writer Exec

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Overall Score: 8.54
Story Critique
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Characters

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Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
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Themes
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Logic & Inconsistencies
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Scene Analysis

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Writer Exec

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Unique Voice
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Writer's Craft
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Loglines
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