SCENES
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Scene Map 60
# PG SLUGLINE
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INT EXT INT/EXT hover for full slug
Scene Map
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# PG SLUGLINE
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Rev. 12/29/90 (Tan) Rev. 01/07/91 (Lilac) Rev. 01/15/91 (Forest) Rev. 01/18/91 (Orange) Rev. 02/07/91 (Magenta)
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A2 INT. FESTER'S ROOM A2 Gomez wears a fez and a smoking jacket over his pajamas. Even at this early hour, he puffs on his trademark cigar. Gomez is all enthusiasm or all despair. At the moment, he radiates unfathomable woe.
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3 INT. PUGSLEY'S ROOM - SAME TIME 3 Pugsley crouches on the floor, playing with his kid-sized chemistry set. The walls of his room are covered with road signs he's collected -- "Bridge Out!", "Detour! Excavation Ahead!",
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6 EXT. ROOFTOP - SAME TIME 6 Granny delivers a swift kick to her fog machine. GRANNY Lousy bucket of bolts...! The FOG MACHINE, straight out of a Jules Verne nightmare,
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B14 INT. THE CONSERVATORY - LATER THAT MORNING B14 Morticia, wearing gardening gloves, is snipping the blossoms off her roses. Gomez sits at a table, playing CHESS with Thing. GOMEZ
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B15 EXT. GATE - SAME TIME B15 MARGARET Tully! Can't you keep up? TULLY I'm trying...
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16 INT. GOMEZ'S STUDY - SAME TIME 16 A SABER slices through the air, its blade glinting. TULLY'S HAND grabs for the hilt of the sword. He misses.
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18 INT. GOMEZ'S STUDY - SAME TIME 18 Gomez and Tully are still duelling. Still signing. Gomez hasn't even broken a sweat. GOMEZ I wish you'd drop by more
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A20 INT. DEN - SAME TIME A20 At one of the floor-to-ceiling bookshelves, Gomez reaches for A BOOK, pulling it partway from the shelf. We see the book's title - GREED. The entire shelf -- a secret panel -- revolves and deposits Gomez on the other side of the wall.
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C20 INT. DEN - SAME TIME C20 At the bookshelf, Tully reaches for a book, approximately in the same place where Gomez unlocked the secret panel -- but Tully's book comes out of its place on the shelf and nothing happens.
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C27 INT. TULLY'S LAW OFFICE - LATER C27 Tully enters the secretary's alcove, still lugging his impossibly heavy briefcase. His offices were once quite elegant, but now the leather on the chairs is starting to crack and a repainting is long overdue.
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E27 EXT. THE ADDAMS MANSION - SILHOUETTED AGAINST THE E27 NIGHT SKY RAIN, THUNDER AND LIGHTNING! CUT TO: 27 INT. ADDAMS MANSION DEN - EVENING 27
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31 INT. ENTRYWAY - A FEW MINUTES LATER 31 Lurch peels off Margaret's and Tully's wet overcoats. Margaret wears the same clothes she wore on her earlier visit -- the finger trap has made it impossible for her to change.
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32 INT. DEN - SAME TIME 32 The family and Tully and Margaret sit at a round table, the crystal ball in the center. In the background, Lurch continues to play mood music on the organ. Morticia holds a tarnished gold CANDLEHOLDER in the shape of a
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35 EXT. THE FRONT DOOR - SAME TIME 35 We see Gordon's hand on the DOOR KNOCKER - just his hand. He pounds THREE TIMES, the heavy hollow sound reverberating... CUT TO:
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40 INT. DRAWING ROOM - A SHORT WHILE LATER 40 Fester stands by the tall, baronial fireplace where an enormous fire burns. Steam rises off his wet greatcoat, enveloping him. He seems immobile, a pair of shining black ferret eyes, calculating.
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42 INT. FESTER'S ROOM - LATER 42 Morticia has shown Fester to his room. As she speaks, the camera lingers on the following photographs atop the bureau: A PICTURE OF FESTER AND GOMEZ AS YOUNG BOYS, EACH IN A
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43 INT. MORTICIA AND GOMEZ'S BEDROOM - SAME TIME 43 Gomez and Morticia snuggle in bed in the afterglow of their celebration, her head resting dreamily on his shoulder, Gomez enjoying a post-coital cigar. Fester's SCREAM is heard distinctly from down the hall.
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45 INT. DEN - LATER 45 Gomez and Fester are in front of the bookcase THAT'S THE ENTRANCE TO THE VAULT. (CONTINUED) THE ADDAMS FAMILY - 11/20/90 38.
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A49 INT. ATTIC - SAME TIME A49 Wednesday and Pugsley are exploring the attic, investi- gating various items. PUGSLEY Do you think that's really Uncle
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51 INT. VAULT - SAME TIME 51 Rather than a treasure trove, it looks like A DECREPIT NINETEENTH CENTURY MEN'S CLUB -- torn red leather chairs and settees, an assortment of TORTURE DEVICES and HUNTING TROPHIES. An elaborate bar with a cracked mirror.
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53 INT. OUTER TREASURE ROOM - SAME TIME 53 Gomez is running home movies. He and Fester sit in side- by-side armchairs with the stuffing coming out. They smoke cigars and drink brandy from extra-large snifters. (CONTINUED)
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A56 INT. ATTIC - SAME TIME A56 The electric chair is really humming. Pugsley now has the chair's helmet on as well. Wednesday is about to throw the huge master SWITCH. (CONTINUED)
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58 INT. DUESENBERG - DUSK 58 CLOSEUP ON THE FINGER TRAP -- The jewels glinting in the passing lights. FESTER has his fingers TRAPPED in it. He stares at it, almost
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61 INT. DINING ROOM - SAME TIME 61 Puffing black smoke, the model trains race toward one another, toward the inevitable. His emotions churning like the locomotive wheels, Gomez rants to Thing. (CONTINUED)
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B65 INT. PUGSLEY'S ROOM - SAME TIME B65 Morticia and the children are listening to the sounds of the trains, now a CHUGGING, WHISTLING CACOPHONY. PUGSLEY (listening)
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73 EXT. YARD - MIDDLE OF THE NIGHT 73 A COAL CHUTE set in the side of the house DROPS open depositing the soaked, disoriented Fester AT THE FEET OF MORTICIA Silhouetted by the full moon, she stands regally above
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75 INT. HALLWAY - EARLY MORNING 75 Fester is on the phone hunched over, his eyes darting to make sure no one overhears. FESTER (into phone)
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C76 INT. UNCLE FESTER'S BEDROOM - SAME TIME C76 Fester is sitting on the bed, kneading his hands, very upset. Abigail is calmly inspecting the room, studying various objects with disdain. FESTER
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79 INT. DRAWING ROOM - SAME TIME 79 Gomez is still raving... GOMEZ ...A faker! A phony! An utter fraud! A base, deceitful--
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A81 INT. WEDNESDAY'S ROOM - SAME TIME A81 Fester is seated on a leather couch; Pugsley and Wednesday are snuggled up on either side. They are all looking at an enormous, ancient BOOK which Fester holds open in his lap.
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81 INT. FESTER'S ROOM - A FEW MINUTES LATER 81 ABIGAIL (in her real voice) Everyone will be at the children's play tonight, correct?
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C91 INT. SCHOOL AUDITORIUM LOBBY - A MINUTE LATER C91 Susan Firkins is showing Morticia a bulletin board hanging on one side of the lobby. SUSAN Wednesday is an excellent student, but
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92 INT. VARIETY SHOW STAGE - LATER 92 A HALF DOZEN ADORABLE SEVEN YEAR OLDS are on stage singing "We Are The World." They finish to the enthusi- astic applause of the AUDITORIUM FULL OF PARENTS. Morticia and Gomez politely join in while Lurch fidgets
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93 INT. VARIETY SHOW STAGE. A SHORT WHILE LATER. 93 Pugsley and Wednesday in their elaborate costumes are drawing to the climax of their scene from "Hamlet." As they duel, they act their little Addams' hearts out. WEDNESDAY
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C95 INT. CEMETERY - SAME TIME C95 Morticia is standing in the moonlight. Gomez sits on a bench nearby. MORTICIA What a sublime evening. A
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A96 INT. KITCHEN - LATER A96 The cheerful Addams breakfast is underway. Fester is at the table with the family. PUGSLEY (to Fester)
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96 EXT. FRONT WALK - A LITTLE LATER. 96 Fester is escorting Abigail through the yard. FESTER I'm fine, Mother. I'm completely in control.
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99 INT. THE BALLROOM. 99 When the shroud comes down THE PARTY IS IN FULL SWING. Gomez and Morticia, resplendent now in their party clothes, Morticia in a formal version of her black sheath, and Gomez in black velvet lounging pajamas,
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101 INT. BALLROOM - A LITTLE LATER 101 Lurch escorts COUSIN IT into the ballroom. Gomez and Morticia come over to greet him. GOMEZ It, old man!
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102 INT. FESTER'S ROOM - A MINUTE LATER 102 The door opens and Wednesday peeks inside... WEDNESDAY Uncle Fester? She hears the water running in Fester's bathroom, the
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106 INT. BALLROOM - SAME TIME 106 Lurch escorts FLORA AND FAUNA AMOR, the twins from the home movies, into the ballroom. He takes their wraps revealing that they are, in fact, a pair
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B108 INT. KITCHEN - SAME TIME B108 Morticia watches as Granny garnishes a ROAST PIG set on silver tray. It is beautifully glazed, deliciously plump and has an apple in its mouth. MORTICIA
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108 INT. BALLROOM - SAME TIME 108 Morticia and Fester have appeared at the door to the ballroom. MORTICIA Everyone. Your attention please.
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A109 INT. A REMOTE CORNER OF THE BALLROOM - SAME TIME A109 Cousin It and Margaret are waltzing in an out-of-the-way nook; they are somewhat involved. MARGARET We've been married for almost twenty
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113 INT. FESTER'S ROOM - SAME TIME 113 Fester dances into the room. He grabs Abigail and starts dancing with her, swinging her around and singing bits of the patter song. (CONTINUED)
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115 EXT. ADDAMS YARD - LATER 115 Gomez rallies the family for the search. Morticia wears a black cloak. Granny has grabbed her divining rod. Lurch distributes torches, then stands aside, awaiting instructions. Pugsley helps Gomez unroll an ancient map
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124 EXT. GATE - DARKNESS BEFORE DAWN 124 Gate can't open. He rattles miserably on his hinges -- locked tight with heavy chains and yellow police tape - large "NO TRESPASSING!! COURT ORDER!! ADDAMS FAMILY - KEEP OUT!!" signs are posted on Gate's rusty bars.
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130 EXT. WAMPUM COURT - LATER. 130 A two-story NEON ARROW points the way to this bungalow court -- Bright and awful ersatz western. LOG CABINS OF SIMULATED WOOD surround the TEEPEE-SHAPED OFFICE. The Addams' Duesenberg is parked in front of the furthest
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A133 EXT. ADDAMS YARD - MIDNIGHT A133 THE COAL CHUTE ON THE SIDE OF THE HOUSE -- drops open, dumping out Fester, Abigail, and Tully - all of them wet and bedraggled and gasping for air. ABIGAIL
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136 EXT. SIDEWALK IN FRONT OF THE WAMPUM COURT - DAY 136 Wednesday and Pugsley have set up a LEMONADE STAND, their contribution to the Addams' financial well-being. An array of POISONS are lined up on their rickety table. They've slashed their prices to a nickel per cup. The
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139 INT. ADDAMS LIVING ROOM - DAY 139 Abigail and Fester are seated at opposite ends of the couch. Fester stares off into space. Abigail is going through a stack of colorful travel brochures. ABIGAIL
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A153 EXT. WAMPUN BUNGALOW - DAY A153 Granny holds a club behind her back as she stalks something. GRANNY Here kitty, kitty, kitty...
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A155 INT. BUNGALOW - AN HOUR LATER A155 C.U. on the TV screen. Geraldo is talking to a woman in the studio audience. GERALDO So your son was brainwashed by voodoo
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A155A INT. WAMPUM COURT - LATER A155A* Morticia is putting Wednesday to bed. WEDNESDAY If that man isn't Uncle Fester, then who is he, mother?
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C155 EXT. BUNGALOW - LATER C155 Morticia, fully dressed, wearing her cloak, heads off down the walk. Unseen by her, Thing trails after. CUT TO: D155 EXT. GATE - A LITTLE LATER D155
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157 EXT. WAMPUM COURT - NIGHT 157 A hand possessed, Thing RACES up the driveway, raising dust as he goes. 158 EXT. BUNGALOW - NIGHT 158 Thing leaps dramatically onto the porch, then stops dead
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A165 INT. DUESENBERG - NIGHT A165 Gomez cuts the engine. The car glides silently through Gate -- who opens uncharacteristically without a creak. Gomez stops the car and skulks out. Thing skulks after him.
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174 EXT. ADDAMS MANSION, NEXT OCTOBER - NIGHT 174 A group of little CHILDREN approach the front door. There is a hand-lettered sign on the door reading "HALLOWEEN OPEN HOUSE." The children are dressed in traditional Halloween costumes - there's a witch, a ghost, a skeleton,
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176 INT. DINING ROOM - A FEW MINUTES LATER 176 Fester and Pugsley are posed at one end of the room. Lurch has set up an easel and canvas; he is painting Fester and Pugsley's portrait. Gomez and Wednesday are sitting on the floor amid
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The Addams Family

A dysfunctional yet loving family's quirky life is turned upside down when a long-lost uncle returns, sparking chaos and heartwarming revelations. Other loglines ›

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Overview

Poster
Unique Selling Point

The Addams Family screenplay stands out for its ability to balance dark humor with heartfelt family dynamics, creating a unique and compelling cinematic experience. The screenplay's eccentric characters, visually striking setting, and exploration of themes like belonging and identity make it a compelling piece of storytelling that appeals to audiences seeking a refreshingly offbeat take on the classic family comedy genre.

AI Verdict

How to read these: in industry coverage, Pass is the default outcome for the majority of professional scripts, and Consider means the reader stayed in the room. Industry-wide, the median professional evaluation sits at a 6 — scores of 8+ are rare everywhere, on purpose.

Synthesis Where readers agree and split
7.3

A highly distinctive macabre comedy with a strong ensemble voice that requires targeted structural revision to restore midsection momentum and clarify the protagonist's emotional turn before it can be championed.

Readers read as Mainstream commercial2 Elevated commercial3 majority
Genres Comedy5 Fantasy3 Horror2 Crime1

An elevated commercial dark family comedy aiming to deliver broad genre pleasure through a distinctive macabre register, sophisticated verbal wit, and a con-driven plot spine.

Readers split on the contract: three read this as elevated commercial, two as mainstream commercial. The split traces to tonal register and pacing expectations — the elevated read prioritizes verbal wit and macabre inversion, while the mainstream read demands tighter plot mechanics and clearer stakes.

Why not lower

The script's consistent macabre comic register and distinctive ensemble dynamics keep it above a Pass despite structural unevenness.

Why not higher

The midsection's loss of causal traction and the climax's reliance on external mechanics rather than character choice keep it from a stronger recommendation.

Rewrite map

A script with a distinctive macabre comic voice and strong ensemble dynamics that requires targeted structural work to restore midsection momentum and clarify the protagonist's emotional turn.

Readers read as Mainstream commercial2 Elevated commercial3 majority

Start here

Re-anchoring the second act so that family rituals and character dynamics drive the deception plot, rather than letting procedural vault mechanics dictate the pacing, will simultaneously restore midsection momentum and clarify Fester's emotional turn.

Protect while fixing 1
Macabre domestic register and ensemble comic rhythm

Tightening the midsection or clarifying the identity arc risks cutting the vignettes that carry the script's distinctive voice or flattening the deadpan tone into conventional exposition.

When restructuring the middle act, preserve the family's matter-of-fact reactions to danger and their ritualized affection as self-contained units rather than trimming them for plot efficiency.

Fix first 2
Midsection pressure stalls as plot mechanics replace character dynamics

The reader loses forward pull as scenes entertain in isolation but fail to accumulate consequence toward the vault goal.

Root cause

The script relies on repetitive deception beats rather than escalating stakes or shifting character dynamics to drive the middle act.

One direction

Interleave a visible logistical or emotional step toward the vault into each set piece so the comedy advances the con rather than pausing it.

Fester's identity and emotional turn resolve through external mechanics rather than earned choice Medium confidence

The reader experiences the climax as a mechanical resolution rather than an emotional payoff, diluting the weight of the family reunion.

Root cause

The script resolves the impostor mystery and Fester's loyalty through a supernatural lightning strike rather than a staged choice that costs him.

One direction

Plant an earlier moment of quiet resistance or belonging so the climactic break reads as a culmination of character choice rather than a sudden reversal.

Your decisions 1
Market positioning: elevated commercial vs mainstream commercial Consequential
Side A

Committing to elevated commercial means leaning into the sophisticated verbal wit and macabre inversion, accepting a slower, character-driven pace that prioritizes tone over plot velocity.

Side B

Committing to mainstream commercial means tightening the plot mechanics and clarifying the identity and estate stakes to ensure broader audience accessibility and faster narrative momentum.

Quick credibility wins 1
Standardize character names and strip overwritten action emphasis

Run a strict continuity pass to lock character and place names, and remove all-caps and hyperbolic verbs from action lines so the staging carries the direction.

Ask AI about this read
Would readers champion it · Rewrite depth · Voice · Score stability
What's working 4 of 5 readers agree

The script's macabre comic set-pieces and consistent tonal register are distinctive enough that a reader could champion the draft on its voice alone, even with midsection pacing concerns.

What's blocking 4 of 5 readers agree

The midsection's loss of causal traction and the climax's reliance on external mechanics rather than character choice prevent a stronger recommendation.

Would readers champion it?
Not yetNot yetReaders wouldn’t actively push for it.
Early interestEarly interestMentioned, but no real push behind it.
ModeratelyModeratelyMentioned favorably to the right buyer.
StronglyStronglyActively championed across their network.
ClaudeModeratelyDeepSeekModeratelyGPT5ModeratelyGrokModeratelyGeminiStrongly
How much rewrite does it need?
Start from scratchStart from scratchPremise or core engine isn’t working. Page-one rebuild.
Structural rewriteStructural rewriteSpecific acts or zones need rebuilding — not starting over, but significant revision work on those sections.
Targeted rewriteTargeted rewriteSpecific scenes or threads need rework. ~1 month.
Just polishJust polishLines and pacing tweaks. A few weeks.
ClaudeStructural rewriteDeepSeekTargeted rewriteGPT5Targeted rewriteGrokTargeted rewriteGeminiJust polish
How distinctive is the voice?
GenericGenericReads like other scripts in the genre.
EmergingEmergingHints of a distinctive voice, not yet locked in.
DistinctiveDistinctiveA clear, recognizable authorial voice.
One-of-a-kindOne-of-a-kindA voice that couldn’t be anyone else’s.
ClaudeDistinctiveDeepSeekDistinctiveGPT5DistinctiveGrokDistinctiveGeminiOne-of-a-kind

On the score: The score sits at the high edge of its band — a focused revision could push it to the next verdict.

Story Facts
Genres:
Comedy 55% Horror 40% Drama 35% Romance 25% Fantasy 20% Crime 5%

Setting: Modern day, The Addams Mansion and surrounding areas, including a bungalow court and various whimsical locations

Themes: Family, Identity and Belonging, Appearance vs. Reality, Greed and Deception, The Absurd and the Unexpected

Conflict & Stakes: The Addams family's struggle to maintain their unique identity and protect their home from external threats, particularly from Tully and Abigail, while also dealing with Fester's mysterious return and identity crisis.

Mood: Darkly comedic and whimsical, with a blend of absurdity and familial warmth.

Standout Features:

  • Unique Hook: The return of Uncle Fester after years of absence, creating intrigue about his identity.
  • Plot Twist: Fester's struggle with his identity and the revelation of his connection to Abigail.
  • Distinctive Setting: The gothic and whimsical atmosphere of the Addams Mansion, filled with quirky decor and dark humor.
  • Innovative Ideas: The blend of dark comedy with family dynamics, showcasing the Addams family's unique lifestyle.
  • Unique Characters: The eccentric personalities of the Addams family members, each with their own quirks and charm.

Comparable Scripts: The Addams Family (1991), The Addams Family Values (1993), A Series of Unfortunate Events (2004), The Nightmare Before Christmas (1993), Beetlejuice (1988), The Munsters (TV Series, 1964-1966), Coraline (2009), The Witches (1990), The Royal Tenenbaums (2001)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.45
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Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
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Characters
Explores the depth, clarity, and arc of the main and supporting characters.
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Emotional Analysis

Breaks down the emotional journey of the audience across the script.

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Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
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Themes
Analysis of the themes of the screenplay and how well they’re expressed.
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Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.
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Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
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Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
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Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
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Tropes
Highlights common or genre-specific tropes found in the script.
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
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Correlations
Identifies patterns in scene scores.
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Loglines
Presents logline variations based on theme, genre, and hook.
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Script•o•Scope