SCENES
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Scene Map 60
# PG SLUGLINE
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INT EXT INT/EXT hover for full slug
Scene Map
60
# PG SLUGLINE
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!"#$#%&'((%)#%)(**+ Written by Paul Thomas Anderson Based on "Oil!" by Upton Sinclair
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5 INT. SHAFT. LATER. 5 cu. PICK into earth once again. CU. DANIEL. He sees something in the earth here. HIS POV- IN THE ROCK. The clear tracing, glistening vein of a SLIVER ORE CHAMBER.
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10 EXT. SOMEWHERE IN CALIFORNIA. DAY -A FEW YEARS LATER- 1902 10 DANIEL is working again in a large field with some MEN. There is: CANBURRY (30s) an OLDER MAN (50s) and a YOUNG MAN (around 15) and a mining acquaintance: H.B. AlLMAN (30s) and nearby, kept in the shade in a small bassinet, is a ONE YEAR
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13 EXT. DRILLING SITE - DAY 13 This crew of men has erected a very CRUDE TWENTY FOOT TALL DERRICK. They have fashioned a drill by attaching a cross shaped bit to a three inch rod. They've got a pump, driven by horsepower.
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16 EXT. HOLE. DAY. 16 with DANIEL. It's all been re-constructed. They are drilling. drilling. ON ONE BLOW -- they HIT SOMETHING VERY HARD. SOLID. THEY CAN'T BUDGE THE DRILL FOR A MINUTE. THEN THEY GET IT. THEY PULL THE RIG UP AND OUT.
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21 INT. TRAIN. MOVING. DAY. 21 CAMERA holds on DANIEL sleeping. The baby, H.W. is in the seat next to him, awake and looking about. CAMERA moves in CLOSE ON THEM BOTH. HOLD. LONG DISSOLVE TO:
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23 EXT. SIGNAL HILL - THAT MOMENT. 23 CAMERA leads DANIEL and H.W. out of the bungalow and onto the street, they are followed out of the house by a small man named PRESCOTT (50s) pleading his case PRESCOTT
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24 INT. BANKSIDE HOME - NIGHT. 24 DANIEL is now sitting with a nice, mild mannered man: JIM BANKSIDE (50s) his WIFE sits with him and their TWO SONS aged 10 and 12. HW sits beside Daniel and a bit behind; DANIEL
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26 INT. PLAINVIEW AMERICA DRILLING CO. (BANKSIDE HOUSE) NIGHT 26 Inside what was the Bankside horne, Daniel and his main partner in business: FLETCHER HAMILTON (40s) have made offices. It's clearly been a few hard weeks of work, the horne is now dirty, cramped, with tools, paper, etc. This has become their horne
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27 EXT. TRAIN DEPOT/LITTLE BOSTON, CALIFORNIA- LATE DAY. 27 CAMERA looks down a long stretch of TRAIN TRACKS that cuts across a dry, flat, empty valley floor. We can see, in the distance, the faint trace of DANIEL and HW driving in their CAR on a road that runs parallel to the
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30 EXT. SUNDAY RANCH/MOMENTS LATER. 30 The three men come up to the small, very run down HOME. Standing, waiting outside is the SUNDAY FAMILY: MOTHER SUNDAY (50s) RUTH SUNDAY (aged 12) MARY SUNDAY (aged 7) and a very skinny, man/boy, the son: ELI SUNDAY (aged 18)
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31 INT. SUNDAY RANCH/NIGHT - LATER. 31 DANIEL and HW and ABEL SUNDAY sit close to the FIRE. Just back a bit, on stones, sits the rest of the FAMILY and ELI. Abel directs the girls to clear and wash their dishes - they collect the dishes, and then;
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32 EXT. SUNDAY RANCH - DAWN 32 DANIEL and HW put out their morning fire, collect their HUNTING GEAR and head off CUT TO: 33 EXT. HILLS NEARBY/CANYON - MORNING. 33
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34 EXT. FIELD - MOMENTS LATER. 34 They stand over a minor PATCH OF TAR/OIL SLICK that bubbles on the surface ... DANIEL is kneeling over it, dips a stick into it, moves it about, looks at it against the light - ANGLE, CU. DANIEL.
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38 INT. SUNDAY RANCH - DUSK. 38 CAMERA holds on DANIEL. The Sunday Family and H.W. eat the quail, minor conversation... then: DANIEL what would you say is a fair price for
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39 EXT. TRAIN DEPOT/LITTLE BOSTON - MORNING (START MUSIC) 39 DANIEL and HW are driven on CART AND HORSE by ELI...They approach the TRAIN DEPOT AREA and their PARKED CAR. DANIEL _you can just leave us here.
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40 INT. ROSE REAL ESTATE, INSURANCE, LOANS OFFICE - MORNING. 40 CAMERA behind them as they enter and greet the real estate man: AL ROSE (40s) DANIEL Hello.
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41 INT. TRAIN DEPOT - DAY - LATER. 41 DANIEL and HW come in to do some business with the TRAIN DEPOT MAN: HOWARD SOMMERVILLE (50s) He introduces himself, makes small talk and goes about making filling out a TELEGRAM, hands it over;
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42 EXT. SUNDAY RANCH. DAYS LATER. LATE AFTERNOON. 42 H.W. and the young girl MARY are sitting around, talking. The WATER WELL MAN is at work digging the well, which HW supervises from a distance; FLETCHER has arrived now and is walking the area with a
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43 INT. TENT/SUNDAY RANCH. NIGHT. 43 It's night and DANIEL and H.W. are in their tent. DANIEL is looking over maps, HW near his side_.then: HW. Mary told me that her father beats her
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44 INT. ROSE REAL ESTATE. DAY 44 DANIEL is with AL ROSE and they are looking over the MAP OF THE AREA that is spread on the desk; AL is pointing to it, giving details of Daniel's purchases; AL ROSE
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45 EXT. TRAIN DEPOT. DAY 45 DANIEL'S WORKERS GET OFF THE TRAIN. MURGINS, GHUNDA, BEN BLAUT...AND SOME OTHER ROUGHNECKS-.They head off. CUT TO: 46 EXT. SUNDAY RANCH. NEW ROAD. DAY. 46
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50 INT. ABANDONED RANCH HOUSE/NEW PLAINIEW COTTAGE. DAY 50 HW and DANIEL stand in this cleaned up abandoned ranch house. It's been put together nicely; DANIEL You did a good job on the house, boy.
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52 EXT. DERRICK AREA. SUNDAY FARM. DUSK. 52 This is later that night. A small celebration and dinner has happened. At a long table, the last of some food. Various Little Boston residents. H.W. is running around with Mary. Daniel has maybe had a little too much to drink.
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53 INT. PLANVIEW COTTAGE - NIGHT 53 DANIEL. He's asleep, so is HW. AN OIL WORKER, BEN BLAUT knocks on the door. no answer. they don't wake up. Ben enters the house. HW hears him, wakes; HW
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55 INT. PLAINVIEW COTTAGE - CONTD. 55 DANIEL can you hear anything? BEN no.
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60 INT. ELI'S CHURCH. DAY 60 Eli is going full throttle: ELI SUNDAY -.and from that day to this when a man has been a sinner and has covered himself,
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61 INT. CHURCH. LATER. 61 Daniel approaches Eli at the front of the Church. Eli is going over some plans to break the back wall of the church down and add-on ...there is some pre-construction work already...FOLLOWERS and a few members of DANIEL'S CREW are there-.go about their
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63 EXT. DERRICK - NIGHT. 63 It's night now and many hours later: The BROKEN PIECE revealed to the men up top, it FALLS TO THE FLOOR OF THE DERRICK. DANIEL kicks the piece across the floor and off the derrick -
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65 EXT. SUNDAY DRILLING AREA. DAY. 65 CAMERA moves/walks with DANIEL around the derrick and the workers and all of it_ -~Y and HW are nearby, playing with each other, they run past Daniel, who smiles to them and says;
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67 INT. MESS HALL. THAT MOMENT 67 DANIEL brings him in, sets him down, looks over his body to see it's all put together, HW is starting to loose it and go crazy; HW I CAN'T HEAR MY VOICE. I CAN'T HEAR MY VOICE.
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69 EXT. GUSHER. THAT MOMENT. 69 MEN are rushing around to battle the blaze-.DANIEL barks directions towards taming the FIRE-._.... ANGLE, GUIDE WIRES. Two of the four guide wires for the derrick are SNAPPED BY SOME
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72 INT. PLAINVIEW COTTAGE. MORNING. 72 A LOCAL DOCTOR brought in by Daniel, attempting to look HW over. HW is very angry, kicking and screaming and punching the Doctor away. Daniel tries to hold him down and calm him. The Doctor is kicked by HW again and again.
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74 INT. DANIEL'S OFFICE/BASECAMP. DAYS LATER. 74 Daniel is sitting with a woman, a TEACHER/SUPERINTENDANT named FANNIE CLARK (30s) who has been brought down to speak with Daniel and help with HW. Through the scene we HEAR ALL THE NOISE FROM OUTSIDE, DRILLING,
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75 INT. A GIANT RESERVOIR UNDER CONSTRUCTION- DAY. 75 Daniel, Fletcher, et al, standing in the middle of A GIANT RESERVOIR that's essentially a large DUG HOLE IN THE GROUND. TEAMS OF HORSES PULL PLOWS to grade it flat-.They have torn into the land as a place to dump the oil.
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76 INT. SUNDAY RANCH. NIGHT. 76 CAMERA holds a MEDIUM cu. on ELI. his face is red and bruised from the beating he took from Daniel. OC we hear the sounds of the family eating, small tal~-CAMERA sits with Eli and watches his face start to turn and scowl towards ABEL. FINALLY:
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78 EXT. PLAINVIEW COTTAGE. EVENING. 78 CAMERA is behind Daniel as he walks towards his cottage... He gets closer... sitting out front of the house, waiting... ...THE STRANGER. He holds some camping equipment, life in a bag...He stands up as Daniel approaches ...
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79 INT. PLAINVIEW COTTAGE. DAY. LATER. 79 Henry is eating ferociously from a meal set out in front of him at the breakfast table. Daniel sits with HW on his lap. WE WATCH HENRY SPEAK AND EAT IN SILENCE FROM HW'S POV. CU. HW. watching him.
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81 EXT. FIELDS - NIGHT - LATER. 81 It's later. Daniel and Henry are away from it all, sipping from a flask, handed back and forth; DANIEL What did my Mother know... ?
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82 INT. PLAINVIEW COTTAGE. MORNING. 82 HW gets out of bed, looks around the empty house. He goes into HENRY'S BAG and begins to look through the i terns . He picks up a SMALL LEATHER JOURNAL. He looks it over... ... he has it upside down, trying to make sense of it... he looks
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88 INT. SUNDAY HOUSE. THAT MOMENT • 88 ...H. w. looks up at ELI standing over him...Eli sits down, crosses H.W. and gives him a blessing; ELI There is only one Father.
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90 INT. PLAINVIEW COTTAGE. NIGHT - LATER. 90 It's dark and quiet. DANIEL is passed out in bed.-HENRY is in another room sleeping. H. w. enters into Henry's room. _____.. and takes out a sample bottle of CRUDE OIL. He pours this THICK BLACK OIL around Henry's
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92 EXT. TRAIN DEPOT. LITTLE BOSTON. DAY. 92 Daniel and H.W. are walking together. Both dressed for a trip. They board the train. CUT TO: 93 INT. TRAIN. MOMENTS LATER. 93
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95 INT. MESS HALL. NIGHT. 95 Daniel and Henry together, drunk. Sitting and talking. Daniel is nodding off. So drunk he can't keep his eyes open. DANIEL He's not my son. He's not even my son.
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97 INT. LITTLE BOSTON TRAIN DEPOT. DAY 97 It's days later. DANIEL and HENRY enter, dressed and clean and meet with two MEN (40s) waiting for them: H.M. TILFORD and J.J. CARTER from STANDARD OIL COMPANY. They all shake hands, reserved, polite. Daniel intro's Henry as
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98 INT. DANIEL'S TENT. NIGHT - DAYS LATER 98 Daniel is speaking as he packs a bag, in a bit of a trance, sotto scene~ Fletcher is back from his trip with H.W. They commiserate~ FLETCHER
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99 EXT. BASECAMP. DAWN. (start music/building) 99 THREE HORSES are being SADDLED and OUTFITED with CAMPING SUPPLIES, GEAR and HUNTING WEAPONS.- ANGLE, CU. CRUDE OIL SAMPLES. are loaded into jars that are wrapped for safety and loaded
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102 EXT. LARGE FLAT FIELD. DAY. 102 DANIEL and HENRY drive another WOOD STAKE WITH RED FLAG INTO THE GROUND. CUT TO: 103 EXT. MOUNTAINS. DAY. 103
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107 INT. UNION OIL MEETING HALL/NEAR THE OCEAN- DAY. 107 DANIEL and HENRY are here with six MEN FROM UNION OIL, led by "PRESS" st. CLAIR. They discuss pipelines, oil, etc. Maps and drawings and crude samples in front of them; come to the scene for celebratory feeling, a joke after business has finished:
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109 EXT. SEA SHORE. DUSK. 109 CAMERA with DANIEL and HENRY, from behind, as they finish swimming and arrive at the shore line-They rise up, naked, out of the water and move to their clothes and their HORSES. HOLD THIS MOMENT.
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112 EXT. FORREST - DUSK. 112 * HENRY and DANIEL. dusk. campfire. horses off to the side. * they sit, then: * HENRY what do you do next with your
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114 EXT. SAME - NIGHT. 114 * HENRY is asleep. DANIEL is sitting over him, with a * REVOLVER out by his side, HENRY feels him near and wakes up: * DANIEL I want to know something, Henry~
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120A INT. SAME. DAWN. 120A * DANIEL comes to ... CAMERA DOLLIES BACK A BIT TO REVEAL: * A FIGURE sitting over him; * DANIEL looks. we see this FIGURE, an OLDER MAN~.. * BANDY *
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121 INT. CHURCH OF THE THIRD REVELATION. DAY LATER. 121 DANIEL enters, cleaned up, days later.-ELI has got a desk now and a few Church Supporters are here with him. He notices Daniel and stands, a little flinchy and nervous; They STARE at each other...
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123 EXT. RESERVOIR FULL OF OIL - DAWN. 123 IMAGE. There's a boy in a row boat on the lake of oil that fills the reservoir. SUN RISES. Everything is calm and quiet, distant noise of the derricks. CUT TO:
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124 EXT. FIELDS NEAR THE SUNDAY RANCH. DAY. It's weeks later. THE CONSTRUCTION OP TBB PIPELINE IS UNDER WAY. ANGLB, DANIEL. out here, sweating in the sun, working/supervising.
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126 INT. BASECAMP OIL FIBLDS. DAY. 126* BW is teaching GBORGB the language of the OIL BUSINESS. * MARY is hera as wall, learning. SIGH LANGUAGE- * They spell out words and find SIGNS for OIL BQUIPMBNT that * is laid out around the camp - George will silently MOUTH *
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128D INT. BEDROOM. MORNING. 128D* IMAGE. Daniel sleeping. OC we hear the voice of GEORGE * (interpreter) speak; * BW/GEORGB ( VO) Bow many can say that they have known *
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135 INT. PLAINVIEW MANSION - FOYER/HALLWAY - DAY (LATER) 13~ B. w. and GBORGB coma walking down this long, dark hallway-entering in from the FRONT DOOR- CAMERA moves into cu. on s.w. aa they arrive at DANIEL'S OFPICEa CUT TO:
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138 INT. BOWLING ALLBY/PLAIHVID MANSIOB. HIGHT 138 This is a very large party area/bowling area/recreational room in the basement of the Plainview Bstate- There are BMPTY LIQUOR BOTTLBS around-signs of a MBSS/BOOZE/TROUBLB-
INT EXT INT/EXT tap to expand

There will be blood

A ruthless oilman's relentless pursuit of wealth corrupts his soul and destroys the lives of those around him.

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Overview

Poster
Unique Selling Point

This screenplay stands out for its intense character study of Daniel Plainview, a man whose relentless pursuit of wealth leads to moral decay. Its unique blend of historical context with personal ambition creates a gripping narrative that resonates with contemporary themes of capitalism and ethical dilemmas, making it compelling for audiences interested in character-driven dramas.

AI Verdict

Model upgrade — Mar 31, 2026: Analysis is from our newer, stronger readers. Scores aren't directly comparable to pre-upgrade analyses.
Gemini
 Highly Recommend
Score 9.5
Claude
 Recommend
Score 9.0
DeepSeek
 Highly Recommend
Score 9.5
GPT4
 Highly Recommend
Score 9.5
Average Score: 9.4
Key Takeaways
For the Writer:
To enhance the screenplay, focus on deepening the development of supporting characters, particularly female roles and H.W. This will add emotional resonance and complexity to the narrative, allowing for a richer exploration of themes such as ambition and the consequences of unchecked power. Additionally, tightening the pacing in exposition-heavy scenes will maintain audience engagement and improve overall flow.
For Executives:
While 'There Will Be Blood' presents a compelling narrative with strong character arcs, the screenplay's reliance on male-centric perspectives and underdeveloped female characters may limit its market appeal. Addressing these blind spots could enhance its relevance and resonance with contemporary audiences, ultimately increasing its potential for success in a competitive landscape.
See Details in P/C/R/HR Section
Story Facts
Genres:
Drama 65% Western 35%

Setting: Late 19th century to early 20th century (1898-1908), New Mexico and California, primarily in rural and oil drilling areas

Themes: The destructive nature of unchecked ambition, Faith vs. Materialism, Family and Betrayal, The destructive nature of power

Conflict & Stakes: Daniel's relentless pursuit of oil leads to personal and moral conflicts, including his strained relationship with his son H.W. and his rivalry with Eli Sunday, culminating in violence and betrayal.

Mood: Tense and dramatic, with moments of introspection and moral conflict.

Standout Features:

  • Unique Hook: The story's focus on the oil boom era and its impact on personal relationships.
  • Major Twist: The violent confrontation between Daniel and Eli, culminating in Eli's death.
  • Distinctive Setting: The contrasting landscapes of the oil fields and rural America during the late 19th century.
  • Innovative Ideas: The exploration of capitalism's moral implications through character-driven narratives.
  • Unique Characters: Complex characters like Daniel and Eli, who embody the struggle between ambition and faith.

Comparable Scripts: There Will Be Blood, The Revenant, No Country for Old Men, Blood Meridian by Cormac McCarthy, Deadwood (TV Series), The Assassination of Jesse James by the Coward Robert Ford, The Gold Rush, The Road by Cormac McCarthy, Gangs of New York

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.88
Key Suggestions:
To enhance the emotional resonance of the screenplay, consider deepening the character arcs of secondary characters like Eli and Abel. By exploring their motivations and vulnerabilities, you can create a more balanced narrative that enriches the conflict and stakes, ultimately leading to a more engaging story for the audience.
> Go to Screenplay Insights
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
To enhance the screenplay, focus on streamlining the plot by prioritizing fewer, more impactful subplots that directly connect to Daniel's personal journey and the overarching themes of ambition, faith, and the corrupting influence of power. Strengthening character development, particularly in the opening scenes, will ground the audience in Daniel's motivations and make his transformation more impactful. Additionally, a more emotionally resonant resolution between Daniel and H.W. is crucial for delivering a satisfying conclusion.
> Go to Story Critique
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
To enhance the script, consider deepening the emotional complexity of the characters, particularly Daniel and H.W. By exploring their vulnerabilities and internal conflicts more explicitly, you can create a richer narrative that resonates with audiences. Incorporating flashbacks or moments of introspection can help humanize Daniel, while showcasing H.W.'s growth and struggle for identity will add depth to his character arc.
> Go to Characters
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
To enhance the emotional depth of the script, consider incorporating contrasting emotional moments that allow for a more varied emotional landscape. This could involve adding scenes that showcase vulnerability and warmth among characters, particularly in their relationships, to balance the prevailing themes of isolation and despair. By doing so, the audience can connect more deeply with the characters and their journeys, making the darker themes more impactful.
> Go to Emotional Analysis
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
To enhance the script, focus on deepening Daniel's internal conflicts and moral struggles, particularly his desire for redemption and connection with family. This can be achieved by incorporating more nuanced interactions with supporting characters that highlight his vulnerabilities and the consequences of his ambition. Additionally, consider refining the philosophical conflicts to create a more resonant exploration of individual ambition versus communal responsibility, which will enrich the narrative and engage the audience on a deeper level.
> Go to Goals and Philosophical Conflict
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
To enhance the script, consider deepening the exploration of the primary theme of unchecked ambition by incorporating more nuanced character interactions that highlight the emotional and moral costs of Daniel's relentless pursuit of wealth. This could involve expanding on the relationships with H.W. and Henry, showcasing their struggles and the impact of Daniel's choices on their lives. Additionally, integrating more moments of introspection for Daniel could provide insight into his internal conflicts, making his eventual downfall more poignant and relatable.
> Go to Themes
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
To enhance the script's emotional depth and character consistency, focus on developing Daniel Plainview's relationship with H.W. and Eli Sunday's character arc. Moments of tenderness should feel organic rather than manipulative, and Eli's vulnerability should be built up gradually to avoid abrupt shifts. Additionally, clarify H.W.'s motivations for his actions to ensure they stem from character development rather than plot necessity.
> Go to Logic & Inconsistencies

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
To enhance the script, consider deepening the emotional resonance of character interactions through more nuanced dialogue and internal monologues. While the visual storytelling is strong, adding layers to the characters' motivations and conflicts can create a richer narrative experience. This will help to further explore the themes of ambition, faith, and the consequences of power, making the characters' journeys more relatable and impactful for the audience.
> Go to Unique Voice
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
To enhance the screenplay, the writer should focus on deepening character development and exploring internal conflicts, as well as refining dialogue to create more impactful scenes. Incorporating quieter moments alongside intense confrontations will add nuance and realism, ultimately elevating the emotional depth of the narrative.
> Go to Writer's Craft
Memorable Lines

Spotlights standout dialogue lines with emotional or thematic power.

Key Suggestions:
The script features several memorable lines that encapsulate the characters' motivations and conflicts, particularly Daniel's ruthless ambition and Eli's fervent faith. To enhance the script, consider deepening the emotional resonance of these lines by providing more context and character development leading up to these moments. This will create a stronger connection between the audience and the characters, making their climactic exchanges more impactful.
> Go to Memorable Lines
Tropes
Highlights common or genre-specific tropes found in the script.
> Go to Tropes
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
To enhance the script, consider deepening the exploration of the characters' moral conflicts and the impact of their environment on their decisions. The contrast between the harsh physical landscape and the characters' ambitions can be further emphasized to create a more profound emotional resonance. Additionally, integrating more nuanced interactions between characters, particularly regarding their faith and ambition, can enrich the narrative and provide a clearer thematic focus.
> Go to World Building
Correlations

Identifies patterns in scene scores.

Key Suggestions:
To enhance the screenplay, focus on maintaining a strong conceptual backbone throughout, particularly in scenes where emotional impact dips. Consider integrating more visual storytelling and subtext to convey emotions, especially in emotionally charged moments where dialogue may detract from the intended impact. Additionally, ensure that character arcs are consistently developed to drive the emotional core of the story, particularly in the mid-section where pacing issues may arise.
> Go to Correlations
Loglines
Presents logline variations based on theme, genre, and hook.
> Go to Loglines