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Scene Map 44
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
1
THE SILENCE OF THE LAMBS by Ted Tally Based on the novel by Thomas Harris
2
EXT. FBI ACADEMY GROUNDS, QUANTICO, VIRGINIA - DAY Crawford is watching a group of trainees on the firing range, as Clarice joins him. He looks tired, haunted. Between master and student, we sense a subtle, muted tug of sexuality.
3
INT. ASYLUM CORRIDOR - UPPER FLOOR - DAY Clarice flinches as a heavy steel gate CLANGS shut behind her, the bolt shooting home. Chilton walks ahead of her. CHILTON Lecter carved up nine people - that
4
INT. DR. LECTER'S CORRIDOR - DAY MOVING SHOT - with Clarice, as her footsteps ECHO. High to her right, surveillance cameras. On her left, cells. Some are padded, with narrow observation slits, others are normal, barred... Shadowy occupants pacing, MUTTERING...
5
EXT. THE HOSPITAL - PARKING LOT - DAY The grim gothic pile of the asylum looms overhead as Clarice rushes out the front doors. She is badly shaken, almost stumbling, as she rubs at her face. She looks around for, and finally, with some relief, spots -
6
INT. CRAWFORD'S HOUSE - STUDY - NIGHT Crawford, in a cardigan, sits in a wing chair in the book- lined study of his suburban home. He turns the pages of Clarice's memo as they talk. His tone is sharp. CRAWFORD
7
EXT. STORAGE UNIT NUMBER 31 - DUSK Clarice, kneeling before a closed, roll-up metal door, takes a FLASH photo of its sealed padlock. EVERETT YOW, a fat, 60ish Chinaman, holds an umbrella over them both. He looks unhappy.
8
INT. STORAGE SHED - DUSK (VERY DARK) Clarice squirms, on her back, through the narrow opening. As she squeezes all the way in, she snags one thigh on the metal edge of the door. She curses softly, shining her flashlight on her ripped khakis - there's a small streak
9
INT. DR. LECTER'S CELL AND CORRIDOR - NIGHT (DIM LIGHT) On a noiseless TV screen, an evangelist rants, waving his arms. Behind him, a swaying choir in gaudy robes. CLARICE (O.S.) It's an anagram, isn't it, Doctor?
10
INT. CATHERINE MARTIN'S APARTMENT - MEMPHIS, TENNESSEE - NIGHT CATHERINE MARTIN takes a long toke from a bong pipe. She is 21, a tall, big-boned, rather fleshy girl with long brown fair. Her head is on the lap of her boyfriend, CODY;
11
INT. BRIGHAM'S JEEP CHEROKEE - DAY (DRIVING) Brigham steers as they pass hangars, parked planes, an airstrip. Clarice holds a big fingerprint kit and a weekend bag. BRIGHAM
12
INT. RENTAL CAR - DAY (DRIVING) Crawford steers, following a highway patrol car along a winding mountain road. Clarice has the file open on her lap. He glances at her, inscrutable behind his sunglasses. CRAWFORD
13
INT. FUNERAL HOME - BACK CORRIDOR - DAY A young deputy, several state troopers, and a SHERIFF are all waiting, as Crawford and Clarice enter. The dim, cluttered corridor doubles as storage space - there's a treadle sewing machine, a soft-drink machine, a tricycle.
14
INT. EMBALMING ROOM - DAY Crawford, in one corner of the room, has set up a Litton Policefax fingerprint transmitter. SOUND of many men's low voices, in background. He is on the phone, and has to speak loudly.
15
EXT. BACK STEPS OF THE FUNERAL HOME - DAY Clarice sits outside, with her head on her knees, drained. She looks up wanly as Lamar appears, offers her a can of Coke. CLARICE
16
INT.CLARICE'S DORM ROOM - FBI ACADEMY - DAWN Clarice is at her desk, exercising her right hand with the grip flexer, while simultaneously studying a thick law book. Ardelia sticks her head in the door, excited. ARDELIA
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INT. MUSEUM OFFICE - DAY CLOSE ON an live, enormous, rhinoceros beetle, as it weaves its clumsy way among the men on a chessboard, before finally stepping off the edge, onto a lettuce leaf. RODEN (V.O.)
18
INT. THE SURVEILLANCE VAN - DAY (DRIVING) The van is crammed with an impressive array of hi-tech equipment, all CLICKING and HUMMING. Burroughs is talking quietly on a scrambler phone, while another agent works a computer.
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INT. DR. LECTER'S CELL AND CORRIDOR - DAY Dr. Lecter sits at his table, languidly sketching with charcoal on butcher paper. 60. He uses his own hand and forearm as a model. His other
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INT. MR. GUMB'S CELLAR - DAY VERY CLOSE ON a cocoon, split along its back, as a living Death's-head Moth wriggles torturously free. Trembling and damp, the new creature clings to a sprig of nightshade. DR. LECTER (V.O.)
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INT. DR. LECTER'S CELL - DAY Chilton lounges on Dr. Lecter's cot, casually reading his large stack of private correspondence, and making notations with his gold pen on a little pad. Another orderly mops the floor.
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INT. JOHNS HOPKINS - GENDER IDENTITY CLINIC - DAY MOVING ANGLE - as the very impatient Crawford, clutching a folder, strides down a hall beside DR. DANIELSON - early 50's, severe, in a lab coat. Nurses, doctors, glance as they pass.
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INT.CLARICE'S DORM ROOM - DOORWAY - DAY Clarice opens her door, stares out at Crawford. She's just slipping on her blazer, over her shoulder holster. She's furious. CLARICE
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INT. AIR NATIONAL GUARD HANGER - MEMPHIS, TENNESSEE - DAY CLOSE ON Dr. Lecter. Behind his mask, the alert, searching eyes. 76. CRAWFORD (V.O.)
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INT. MR. GUMB'S BASEMENT - DAY (DIMLY LIT) CLOSE ON scraps of food - peas, chicken bones - lying on the cement floor of the pit, near the foil tray of a TV dinner. CATHERINE (O.S.)
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INT. BEDROOM CLOSE ON an open, multi-tiered jewelry box, resting atop a bureau, as Clarice's fingers pick through costume jewelry. Clarice closes the box, and is just turning away when a
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INT. HISTORICAL SOCIETY ROOM - 5TH FLOOR Pembry, at a desk by the door, looks up from examining the unrolled pile of Dr. Lecter's drawings. PEMBRY You know the rules, ma'am?
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THE LITTLE GIRL in her winter coat, slips noiselessly towards the open barn door. She ducks into the shadows to avoid a ranch hand, who passes her with a squirming bundle of some kind. He goes into the barn, and she edges after him reluctantly.
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INT. GARMENT SWEATSHOP - DAY MOVING ANGLE - MR. GUMB'S POV as he pushes a rolling rack of completed leather garments, each wrapped in plastic, down as aisle. SOUND of many sewing machines, all clattering at once, as he passes row on row of work
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INT. SHELBY CO. COURTHOUSE - HISTORICAL SOCIETY ROOM - NIGHT CLOSE ON a steaming, rather elegant dinner tray, being carried by Pembry, as he approaches Dr. Lecter's cell. PEMBRY
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INT. COURTHOUSE - GROUND FLOOR LOBBY - NIGHT The bronze arrow above the elevator swings towards "5," then indicates a stop there, at the top floor. FAVORING SGT. TATE at his command desk, as he stares at the indicator.
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EXT. STREET IN FRONT OF COURTHOUSE - NIGHT VARIOUS ANGLES on a floodlit scene of barely controlled pandemonium. Flashing red lights, men shouting commands, SIRENS in the distance. SWAT members, in full gear, leap from a black van... fan out... swarm up the steps... EMS
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INT. GROUND FLOOR LOBBY - NIGHT A small army of cops is now covering the elevator doorway, from both sides. Tate crouches next to the SWAT COMMANDER. SWAT COMMANDER (into radio mike)
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INT.CLARICE'S DORM ROOM - NIGHT Clarice is hunched on her cot, in a bathrobe, her hair wet. The Buffalo Bill case file, a think bundle, rests by her feet. Ardelia hovers anxiously nearby. ARDELIA
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INT. FBI BUILDING - OFFICE OF THE DIRECTOR - DAY Clarice and Crawford are seated in front of Director Burke, who's at his desk. Another chair is empty, because Krendler is pacing. All four are nearing their boiling points.
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INT. MR. GUMB'S CELLAR - DAY (DIM LIGHT) CLOSE ON the needle of the Victrola, on the spinning record, as Mr. Gumb's fingers lift away. MUSIC continues in background. MR. GUMB (O.S.)
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INT. BIMMEL HOUSE - STAIRCASE - DAY HIGH ANGLE - LOOKING DOWN as Mr. Bimmel leads Clarice up a steep flight of steps. The bannister is worn, sags a bit. MR. BIMMEL I don't know nothin' new to tell ya.
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INT. FBI TURBOJET - FLYING - DAY Crawford sits at a communications console, with Burroughs, in headphones, by his side. This forward section of the cabin is crammed with hi-tech equipment, all lit up and WHIRRING. Through a window we see clouds, part of the
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INT. SAVING & LOAN - BELVEDERE - DAY STACY HUBKA - short, perky, early 20's - sits nervously at her desk, talking to Clarice, who jots in her notebook. In the background. beyond them, bank tellers, lines of waiting customers, MUZAK.
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INT. MR. GUMB'S CELLAR - DAY (GREEN LIGHT) Slowly, savoring the moment, Mr. Gumb aims the big Colt, which is already cocked, using both hands... He is just about to squeeze the trigger, when we hear his DOOR BUZZER, surprisingly loud and close by. He turns,
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INT. MR. GUMB'S PARLOR - DAY Clarice, pulling her notebook from her shoulder bag, glances around the musty-looking room. MR. GUMB (O.S.) That horrible business, I shiver every
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INT. MR. GUMB'S CELLAR - DAY MOVING ANGLE - WITH CLARICE - hurrying down the steps. More SCREAMS; they seem to be coming from the left door. Clarice goes that way, entering a brick-walled passage - pipes over-head, naked bulbs. The lighting, though dim, is
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INT. MR. GUMB'S WORKROOM - DAY (GREEN LIGHT) Clarice emerges from the bathroom in a half-crouch, arms out, both hands on the gun, extended just below the level of her unseeing eyes. She stops, listens. In her raw- nerved darkness, every SOUND is unnaturally magnified -
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INT. ACADEMY DORM - REC ROOM - THAT NIGHT A LOUD party is underway - food, beer, dancing - as the new grads celebrate ferociously. Ardelia weaves her way through the crowded room, reaches Clarice, who is flanked by her special guests - Pilcher and Roden, the two ardent

Silence of the lambs

A young FBI trainee with a haunted past must gain the trust of a cultured cannibal imprisoned for murder to extract clues that could save a senator’s kidnapped daughter—while the bargain she strikes threatens to destroy her.

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Overview

Poster
Unique Selling Point

The screenplay's unique selling proposition lies in its sophisticated psychological depth and the unconventional mentor-protégé relationship between a young FBI trainee and an incarcerated serial killer. Unlike typical crime thrillers, it explores themes of trauma, transformation, and the nature of evil through complex character dynamics rather than relying solely on procedural elements or action sequences.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT5
 Highly Recommend
Grok
 Highly Recommend
Gemini
 Highly Recommend
Claude
 Recommend
DeepSeek
 Highly Recommend
Average Score: 9.5
Key Takeaways
For the Writer:
The screenplay is structurally and emotionally strong — the Clarice/Lecter dynamic, forensic beats, and motif work are exceptional. The top creative priority is to remove or rework any conflation of gender identity with pathology: recast 'Buffalo Bill' as a violent misogynist/psychopath whose crimes are about control and transformation, not trans identity. Strengthen secondary characters (Chilton, Crawford, Senator Martin) by tightening motivations and reducing caricature, compress slower investigative beats for momentum, and clarify low-light action choreography so the cellar climax reads clearly on the page. Finally, add a brief epilogue beat that deepens Clarice’s psychological aftercare to give emotional closure beyond the ceremonial graduation.
For Executives:
This is a near-classic screenplay with clear commercial and awards upside: a tense, character-driven thriller that plays to star actors and prestige filmmakers. Major value drivers — the Clarice/Lecter intellectual duel and forensic procedural hook — remain intact. The primary risk is reputational and market: the script’s historic linking of trans identity to pathology is now a significant liability for broadcasters, studios, and critics and could impede distribution, PR, and awards momentum. Mitigate risk by commissioning sensitivity reads, reworking the antagonist’s motivation (maintain horror but decouple from gender identity), and tightening a few bureaucratic and pacing beats to keep modern audiences engaged while preserving the script’s psychological core.
Story Facts
Genres:
Thriller 50% Crime 40% Drama 30% Horror 20% Action 10%

Setting: Modern day, Primarily set in various locations in the United States, including the FBI Academy in Quantico, Virginia, a high-security prison, and various locations in Memphis, Tennessee.

Themes: Self-Discovery and Resilience, The Nature of Evil and Darkness, Identity and Transformation, Justice and Moral Ambiguity, Vulnerability and Empathy, Gender Roles and Power Dynamics, Fear and Courage

Conflict & Stakes: The primary conflict revolves around Clarice's race against time to save Catherine Martin from the serial killer Buffalo Bill, while navigating the psychological manipulation of Dr. Lecter and the bureaucratic challenges within the FBI.

Mood: Intense and suspenseful, with elements of horror and psychological tension.

Standout Features:

  • Unique Hook: The psychological cat-and-mouse game between Clarice and Lecter, which drives the narrative.
  • Plot Twist: The revelation of Buffalo Bill's identity and his connection to the victims, culminating in a tense climax.
  • Distinctive Setting: The contrasting environments of the FBI Academy, the high-security prison, and the dark, claustrophobic settings of Buffalo Bill's lair.
  • Innovative Ideas: The use of psychological profiling and the exploration of gender identity themes within the context of a serial killer narrative.
  • Unique Characters: The complex characterizations of Clarice, Lecter, and Buffalo Bill, each representing different facets of psychological trauma and manipulation.

Comparable Scripts: The Silence of the Lambs, Mindhunter, Se7en, Zodiac, Prisoners, The Girl with the Dragon Tattoo, The Bone Collector, Criminal Minds, The Fall

Data Says…
Feature in Alpha - Could have inaccuracies

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

1. Theme (Script Level)
Big Impact Script Level
Your current Theme (Script Level) score: 8.2
Typical rewrite gain: +0.5 in Theme (Script Level)
Gets you ~35% closer to an "all Highly Recommends" score
Confidence: High (based on ~1,521 similar revisions)
  • This is currently your highest-impact lever. Improving Theme (Script Level) is most likely to move the overall rating next.
  • What writers at your level usually do: Writers at a similar level usually raise Theme (Script Level) by about +0.5 in one rewrite.
  • Why it matters: At your level, improving this one area alone can cover a meaningful slice of the climb toward an "all Highly Recommends" script.
2. Emotional Impact (Script Level)
Light Impact Script Level
Your current Emotional Impact (Script Level) score: 8.6
Gets you ~11% closer to an "all Highly Recommends" score
Note: Not enough revision data for scripts at this high level
  • This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
  • Why this is flagged: We don't have enough revision data for scripts at this high score, but our model knows this is still a high-impact area to focus on for refinement.
  • Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.
3. Scene Structure
Light Impact Scene Level
Your current Scene Structure score: 8.5
Gets you ~9% closer to an "all Highly Recommends" score
Note: Not enough revision data for scripts at this high level
  • This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
  • Why this is flagged: We don't have enough revision data for scripts at this high score, but our model knows this is still a high-impact area to focus on for refinement.
  • Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.51
Key Suggestions:
Your core strengths are clear: Clarice's arc, the psychological cat-and-mouse with Lecter, and potent visual motifs. The single biggest craft win right now is to deepen the emotional and motivational life of key supporting figures (especially Jack Crawford and Hannibal Lecter) and more tightly tie those revelations to Clarice's own trauma. Concretely: add a few compact, intimate beats that reveal Crawford's personal stakes and moral compromises, and give Lecter clearer, occasionally vulnerable motives (not just theatrical manipulation). Tighten transitional scenes (mid-act) so those additions don't bloat pacing—swap exposition for quiet, character-driven moments that both advance plot and amplify Clarice's choices (see Scenes 2, 6, 19, 21, 23).
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
You have a tightly woven, character-driven thriller with two unforgettable leads. To lift the script further, reduce heavy-handed exposition and replace it with visual and emotional beats: deepen victims' backstories, expand Clarice’s relationships and training moments, and slow down key transitions so the audience can feel—not just learn—her stakes. Use visual motifs (the lamb, moth, sewing) and quieter scenes of character reflection to amplify emotional resonance and make Lecter–Clarice exchanges land even harder.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
Clarice is the emotional and thematic heart of the script — the most powerful way to raise the entire film is to more tightly integrate her childhood trauma and internal stakes into her choices and the set pieces. Make her flashbacks and breakdowns function as active triggers for decisions (not just reactions), clarify the turning points that move her from trainee to agent, and tighten supporting arcs (Crawford’s vulnerabilities; Lecter’s manipulative constancy) so they consistently push or obstruct her growth. Also audit the depiction of the antagonist’s identity to avoid unhelpful sympathy that undercuts threat or invites predictable controversy; use specificity (concrete beats and callbacks) to maximize emotional payoff in the climactic scenes.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
Tighten the script's emotional architecture: the middle and end currently sustain very high-intensity fear and suspense with few emotional breaks, which risks numbing the audience and undercutting key cathartic moments (Clarice's childhood confession, the rescue aftermath). Add deliberate low-intensity 'breather' scenes (professional satisfaction, quiet procedural moments, or small humane interactions) between major peaks, and expand the immediate aftermath of traumatic beats so the emotional payoff lands. Also consider small but targeted deepening of secondary characters (Catherine, Chilton, Gumb) to create richer, more layered responses to the protagonist and antagonist arcs.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
Clarice’s arc is strong but the script would benefit from tightening the link between her internal journey (trauma, need for validation, empathy) and the external investigation beats so the emotional payoff feels earned. Seed her vulnerabilities and coping strategies earlier and more consistently — small choices, reactions in interviews, and investigative instincts — so the final confrontation reads as the culmination of a clear psychological throughline rather than a single heroic moment. Also consider sharpening the thematic contrasts (empathy vs. detachment; control vs. vulnerability) by letting supporting scenes and Lecter interactions test and reveal different facets of her growth.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
Thematic analysis confirms the script's emotional core: Clarice's journey from trauma to agency. To strengthen the screenplay, tighten scenes that let Lecter or procedural set pieces dominate and re-center moments that demonstrate Clarice's active choices and emotional stakes. Clarify and echo key symbolic motifs (lambs, moths, mirrors) so they pay off emotionally, and ensure supporting beats (Crawford, Ardelia, Chilton) consistently propel her arc rather than distract from it. Finally, treat the Buffalo Bill/transformation material with precision and sensitivity so it reads as psychological motive rather than sensationalism.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The script's biggest weakness is not pacing or spectacle but structural believability: key causal links and emotional beats feel under-foreshadowed or abrupt. The Lecter–Gumb connection (and the resulting urgency around Catherine) needs earlier, concrete seeding so the investigation reads as earned. Likewise, Clarice and Lecter’s character moments should be calibrated—Clarice’s emotional swings need smoother transitions and Lecter’s manipulative calm must have clear motives so his behavior never feels like a forced plot device. Tighten dialogue that currently reads theatrical and remove repeated sensory cues (e.g., overused screams) so emotional peaks land with more impact.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
Your voice—taut, psychologically literate, and detail-rich—gives the script strong suspense and emotional weight. To strengthen it further, tighten scene prose and trim expository ballast so the tension lives more in character beats and subtext than in descriptive summary. Preserve the sharp dialogue and Lecter/Clarice dynamics but let quieter actions and choices carry information; streamline redundancies and vary sentence rhythms to keep pacing lean and cinematic.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The script's strengths are clear: sustained tension, compelling set pieces, and psychologically rich central dynamics. To elevate the material, prioritize sharpening dialogue for authenticity and subtext, tighten pacing in transitional beats to sustain suspense, and deepen key character motivations (especially Clarice and Lecter) so emotional payoffs land. Practical steps: trim or rewrite dialogue-heavy exchanges to show rather than tell, sequence transitions with stronger cause-and-effect, and spend a pass mining backstory details into small, revealing actions rather than expositional speeches.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The screenplay has a richly textured world—gritty institutions, isolated rural spaces, forensic detail and ritualized violence—that supports a high-stakes psychological thriller. To strengthen the script, lean harder on using those locations and props to externalize Clarice’s inner arc (fear, resilience, longing for silence) and trim or tighten scenes that exist primarily as procedural set‑pieces. Use recurring sensory motifs (moths, lamb imagery, rain, nets/mesh, surveillance) as emotional beats to connect scenes and clarify theme, and avoid heavy-handed exposition by letting environment and action reveal power dynamics, Lecter’s manipulations, and Clarice’s growth.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
Your screenplay’s core strengths are clear: emotionally charged and suspenseful scenes deliver strong audience impact and memorable character moments. To elevate the script further, intentionally spread that emotional intensity and clarified tension into quieter, information-heavy scenes — tighten exposition, sharpen dialogue in low-tone moments, and create proactive (not only reactive) character beats so growth feels earned across the whole film rather than concentrated in a few peak sequences.
Loglines
Presents logline variations based on theme, genre, and hook.