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Scene Map 46
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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THOR Written by Ashley Miller, Zack Stentz, & Don Payne FADE IN: On the blackness of SPACE, beautiful and mysterious, strewn
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5 INT. SUV 5 5 Jane grins, thrilled, pumped with adrenaline. JANE Isn't this great?! A thought strikes her.
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13 EXT. SPACE 13 13 EARTH spins slowly before us as we hear a voice, deep and resonant -- the voice of HEIMDALL, Gatekeeper of Asgard. HEIMDALL (V.O.) Questions, they've always asked
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17 INT. PALACE ANTEROOM - DAY 17 17 Directly under the throne room, a gloomily lit hall. Banners hang on either side to form a corridor down the middle of the fire lit room. Giant doors open at one end. A huge figure silhouetted against the bright light beyond walks
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18 INT. THRONE ROOM - DAY 18 18 Colorful CEREMONIAL BANNERS of the Nine Realms adorn the room, crowded with AESIR and REPRESENTATIVES from across Yggdrasil, all BUZZING with excitement. Thor's COMRADES enter and stride to their place of honor at the front of the
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22 INT. THRONE ROOM - DAY 22 22 Thor finishes stirring up the crowd, then reaches the front of the room, kneels on one knee before his mother and father. Frigga casts him an admonishing glance. Thor winks up at her. She can't help but smile. Odin strikes Gungnir
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25B INT. VAULT - DAY 25B 25B Thor enters, then stares shocked at the sight before him. Sif, the Warriors Three, and Loki hurry in behind Thor and stop short. Shattered and melting ICE is strewn about the floor. We don't see the blue-skinned bodies of the Frost
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26 INT. BANQUET HALL - DAY 26 26 Thor stands in the empty hall, bearing the signs of the festivities cancelled due to the events of the day. Anger and frustration rising within him, Thor upends one of the massive tables. From across the room, Loki watches him.
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27 EXT. ODIN'S PALACE - DAY 27 27 Thor, Sif, Loki, and the Warriors Three walk from the Palace, across the grounds. They reach a group of ATTENDANTS who ready their battle gear for their journey. Loki slips away from the group, speaks to a nearby GUARD. Hogun
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32 INT. HEIMDALL'S OBSERVATORY 32 32 Heimdall turns his sword in the control panel. The Observatory's giant turret swings around, aims toward a section of space. As a final step, Heimdall plunges his sword deeper into the control panel. The great turret FIRES,
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35 EXT. CENTRAL PLAZA - DAY 35 35 The party reaches the plaza. They sense the Frost Giants in the shadows and crevices, surrounding them now on all sides. 32. The Asgardians reach for the hilts of their weapons. A JOTUN
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LOKI (to the falling Giant) Pathetic. He turns back to the battle. Two Jotuns come at him from either side. He lets two daggers fly, felling both Giants at
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VOLSTAGG Flawless. Volstagg begins to pull the bleeding Fandral off the ice stalagmite. Loki plunges two daggers into the chest of one of the Frost Giants. The Giant grabs hold of Loki's gloved
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35A EXT. BIFROST LANDING SITE (JOTUNHEIM) - DAY 35A 35A Thor lands beside his comrades in the shroud of mists. THOR Loki, we have to see. Loki raises his arms, concentrates, the mists
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36 INT. HEIMDALL'S OBSERVATORY - DAY 36 36 Heimdall stands at the Observatory controls. Odin pulls Heimdall's sword from the control panel and throws it to him. Heimdall backs away. THOR
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37 EXT. BIFROST LANDING SITE (EARTH) - NIGHT 37 37 Thor opens his eyes, surrounded by darkness. Suddenly, he's blinded by bright headlights of a vehicle -- an SUV. 46. It swerves, the side of it coming straight at him. It SLAMS
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41 EXT. COUNTY HOSPITAL - NIGHT 41 41 The SUV sits parked before the emergency room entrance. 42 INT. COUNTY HOSPITAL ER - NIGHT 42 42 Selvig watches the unconscious Thor with interest as two ORDERLIES set the Asgardian onto a gurney. Jane and Darcy
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45 EXT./INT. SMITH MOTORS - LAB - MORNING 45 45 The distant mountains glint snow in the early morning light. Selvig appears with a cup of coffee and surveys the vast desert. He turns back into the lab and sees Jane, busy at her workstation, soldering a piece of equipment. A printer
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47 INT. HOSPITAL ROOM - DAY 47 47 Thor awakens on a hospital bed. He notices RESTRAINTS on his wrists now. He pulls at them, tries to free himself, to no avail. THOR
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53 INT. HEALING ROOM - DAY 53 53 Sif, Loki, and the Warriors three, battered and shell- shocked, still reeling from the day's events, sit before a ROARING central fire. Hogun reaches into the flames, pulls out some fragile HEALING STONES. Neither the fire, nor the
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54 INT. VAULT - DAY 54 54 Loki heads into the Vault, sees the Casket of Ancient Winters sitting on its stand. He walks over to it slowly, reaches out to it, lifts it between his forearms off its pedestal. As he does, a blueness spreads from his arms,
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59 EXT. INSIDE OF CRATER 59 59 It looks like the whole town has turned out. LOCALS sit on lounge chairs, drink beer from coolers, laugh and talk. They watch the center of the crater, where LARGE MEN have formed a line to take a turn with the mysterious object. One of
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61 INT. ODIN'S CHAMBERS - DAY 61 61 Frigga sits at her husband's bedside, holding his hand. Odin lies there -- looking pale and lifeless, his body and the space around it warped from the effect of the Odinsleep. The walls of the chamber have moved close around him, protecting
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62 INT. ISABELA'S DINER - MORNING 62 62 Thor, Selvig, Darcy, and Jane sit at a table in the local diner. Selvig and Darcy watch as Thor eats ravenously from a huge mound of steak and eggs. A couple other full plates -- pancakes and biscuits and gravy -- are piled high before
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63 EXT. MAIN STREET - DAY 63 63 Thor studies the position of the sun, gauging his bearings. Jane, Darcy, and Selvig catch up to him. JANE Where are you going?
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66 EXT. PUENTE ANTIGUO, NEW MEXICO - MAIN STREET - DAY 66 66 Jane, Selvig, and Darcy head up the street. They're by Arturo's, when a PICK-UP TRUCK pulls up before them, stopped by traffic. In the back of the vehicle, Jane notices, partially covered by a tarp, the dark matter analysis
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68A INT. PUENTE ANTIGUO LIBRARY - DAY 68A 68A It's story time in the library, as a LIBRARIAN reads a book - - "THE SECRET HISTORY OF GIANTS"¬ù -- to a group of kids. 78. LIBRARIAN
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EXT. SHIELD BASE / INT. HAMMER CONTAINMENT CUBE STRUCTURE 72A A NEEDLE spikes on a handheld SENSOR DEVICE. The TECHNICIAN holding it looks over at the hammer. Mjolnir begins to give off a subtle glow. A bolt of lightning CRACKS across the sky
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80 EXT. SHIELD DESERT BASE - NIGHT 80 80 A SHIELD GUARD moves through the base, rifle in hand. From the shadows behind a trailer, a FIGURE looks out at him. As the Guard raises his radio to check in, Thor quickly rushes towards him and chokes him out. He falls to the ground.
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83A INT. TUNNEL 83A 83A Thor races through the tunnel, comes across a wall of AGENTS. Thor ROARS and barrels through them -- elbowing, punching -- whatever it takes to keep moving. As he takes down the last Agent, Thor sees the last junction box and the
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88 INT. SMITH MOTORS - LAB - NIGHT 88 88 Jane stands with Selvig and Darcy in the empty lab. Darcy picks up the book Selvig checked out of the library, looks through it. 91.
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89 INT. SHIELD HOLDING CELL - NIGHT 89 89 Thor sits in a chair, staring forward blankly, hands cuffed behind him. Coulson stands across from him. COULSON It's not easy to do what you did.
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92 INT. SECURITY ROOM - MOMENTS LATER 92 92 Coulson and several other SHIELD AGENTS stand across from Erik Selvig. COULSON "Donald Blake?"¬ù
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95 INT. LAUFEY'S TEMPLE - DAY 95 95 Darkness shrouds the ruined temple, save for the shafts of light which knife their way in through the damaged ceiling. Loki enters. Frost Giant guards surround him on all sides. Laufey approaches, towers over him menacingly.
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97 INT. BAR - NIGHT 97 97 Thor and Selvig sit at a booth at the back of the local dive. The bartender sets down a couple mugs of beer and two shots of whiskey. Selvig pours the shot into his mug and downs it. Thor follows his example.
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99 INT. JANE'S TRAILER - NIGHT 99 99 The small trailer is in a state of perpetual disarray, strewn with various books, old pizza boxes, etc. A worried Jane lies on her bed, trying to read. She's startled by the loud RAPPING on the door. She bolts to the door and opens it
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102 INT. HEALING ROOM - DAY 102 102 Volstagg eats ravenously from a PLATTER OF FOOD. Sif stands nearby, ill at ease. Fandral watches Volstagg incredulously as the large warrior stuffs himself. Finally Fandral can stand it no more.
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109 INT. HEIMDALL'S OBSERVATORY - DAY 109 109 Sif and the Warriors Three enter warily to find the intimidating Heimdall standing before the Observatory's controls. He glares at them accusingly. VOLSTAGG
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116 EXT. RAINBOW BRIDGE - DAY 116 116 Loki approaches Heimdall on the Rainbow Bridge. HEIMDALL Tell me, Loki, how did you get the Jotuns into Asgard?
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123 EXT. SMITH MOTORS - DAY 123 123 Townspeople fill the streets, staring at the fire fight in the distance. Thor and the Asgardians prepare for battle, as Thor turns to Jane. THOR
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131 EXT. SMITH MOTORS - DAY 131 131 Thor sees his friends lying injured on the ground, but has no time to act, as the Destroyer fires in his direction. A storefront near Smith Motor EXPLODES, knocking Thor, Jane, and Selvig off their feet. Thor helps Jane to her feet, when
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136 EXT. MAIN STREET 136 136 The Destroyer unleashes its blast at Thor's body, when -- KRAKAKABOOM! A blinding BOLT OF LIGHTNING strikes down from above, colliding with the Destroyer's blast. The explosion is
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146 EXT. ODIN'S PALACE - DAY 146 146 Thor races through the entrance to the palace. 147 INT. ODIN'S CHAMBERS - DAY 147 147 Laufey stands before the sleeping Odin. LAUFEY
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154 INT. HEIMDALL'S OBSERVATORY 154 154 Thor enters, shields his eyes from the brilliant light of the Bifrost energy blasting towards Jotunheim. He looks over to the controls, sees that they're frozen in an enormous block of ice. Loki stands atop it.
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158 EXT. HEIMDALL'S OBSERVATORY 158 158 Thor and Loki come CRASHING through the Observatory dome and land hard, rolling across the Rainbow Bridge. As Thor gets to his feet, he sees Loki dangling off the Bridge's edge. LOKI
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160 INT. ODIN'S PALACE - BANQUET HALL - NIGHT 160 160 A FEAST is in progress as Thor, Sif, and the Warriors Three sit amongst the gathered Asgardians. Hogun sits between Fandral and Volstagg, who is in the middle of recounting their battle with the Destroyer.

Thor

A arrogant god of thunder is cast down to Earth as a mortal and must learn humility before he can reclaim his power and save his home from his treacherous brother.

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Overview

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Unique Selling Point

The Unique Selling Proposition in this screenplay lies in its combination of scientific investigation and mystical elements, creating a compelling and intriguing story. With its unique blend of suspense, action, and emotional depth, this script sets itself apart from others in the genre. Targeting audiences who enjoy science fiction and fantasy, this screenplay offers a fresh take on traditional superhero narratives, showcasing distinctive characters and innovative storytelling techniques. With its captivating plot twists and themes of identity, loyalty, and sacrifice, this script offers a compelling piece of storytelling that will engage and resonate with its target audience.

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This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Story Facts

Genres: Science, Fiction, Adventure, Fantasy, Action, Sci-Fi, Family, Comedy, Drama

Setting: Present day, A small town in the Midwest

Conflict & Stakes: John's struggle to clear his name after being falsely accused of a crime, with his family's reputation at stake

Mood: Tense and suspenseful, with moments of hope and determination

Standout Features:

  • Unique Hook: A young man falsely accused of a crime must fight to clear his name while navigating a corrupt justice system
  • Plot Twist: The corrupt police officer who framed John is revealed to be the mastermind behind a larger conspiracy
  • Distinctive Setting: The small-town setting creates a sense of claustrophobia and isolation that heightens the tension
  • Innovative Idea: The film explores the theme of truth and justice through the lens of a small-town legal battle

Comparable Scripts: Thor, Avengers: Age of Ultron, Men in Black, Stranger Things, Interstellar, Close Encounters of the Third Kind, Arrival, E.T. the Extra-Terrestrial, Independence Day, The X-Files, The Day After Tomorrow, Contact, Independence Day: Resurgence, Cloverfield, The Avengers, Pacific Rim, War of the Worlds, Stranger Things 3, The Mist, The Cloverfield Paradox

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.75
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
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Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
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Loglines
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