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Scene Map 25
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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PAN’S LABYRINTH (El Laberinto del Fauno) By Guillermo del Toro (PAN’S LABYRINTH is in Spanish with English subtitles.
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EXT. WOODS ­ SAME The caravan of cars stops. Carmen hurriedly climbs down and moves to the front of the main car. Gasping for air, she battles the nausea. Ofelia timidly approaches her.
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EXT. GARDENS ­ FURTHER ­ CONTINUOUS Ofelia follows the Stick Insect to the edge of a small rise. She follows it with her eyes and sees, about 100 meters away, surrounded by trees, the ruins of a garden LABYRINTH. The CAMERA glides up for a better view. The labyrinth is
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INT. UPPER BEDROOM ­ NIGHT Ofelia takes off her shoes and climbs into her mother's bed. As she cuddles close to her mother­ CARMEN Jesus­ Your feet­ they're frozen.
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INT. VIDAL'S STUDY ­ DAY The improvised office is in one of the lower rooms, where the gigantic mill wheel and the wooden gears lie in a heap. OFELIA (V.O.) Alone and forgotten at the top of that
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INT. UPPER BEDROOM ­ NIGHT Eyes wide, Ofelia hears a dry rattle, followed by a soft ululation at the window, which is half open. The curtains billow. The mill groans. Ofelia is restless.
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EXT. GARDENS ­ NIGHT The Green Fairy flies swiftly, but Ofelia follows close behind. Suddenly it stops! They’re at the ruins of the labyrinth, which is bathed in moonlight.
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INT. KITCHEN ­ LATER The kitchen is enormous. The open charcoal cook stove is two meters high by five meters wide. MERCEDES (hands out the rabbits)
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INT. STABLE ­ LATER Mercedes puts a bucket under a huge milk cow. MERCEDES Step back, I don't want you getting milk on your dress, with you looking so
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INT. GALLERY UNDER FIG TREE ROOTS ­ DAY Ofelia crawls slowly; the gaps between the roots are narrow and claustrophobic. A few big, black pill bugs are nestled in the mud. Ofelia keeps going.
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INT. DINING ROOM ­ SAME Carmen, in a velvet maternity dress and in her wheelchair, wrings her hands in anguish. The dining room is looking its best, with sparkling crystal and china at each place setting.
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INT. DINING ROOM ­ NIGHT Everyone eats with relish, impeccably attended by the kitchen staff. MAYOR'S WIFE And­ How did you and the Captain meet?
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EXT. MILL ­ SUNRISE VIDAL opens the warehouse. A large CROWD OF PEOPLE lines up for rations. The soldiers keep order as Vidal supervises the distribution of wheat, cooking oil and tobacco.
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INT. KITCHEN ­ NIGHT Mercedes is alone in the kitchen. She carries a canvas bag. There is a low flame burning on the charcoal range. She kneels down and removes a tile from the floor: she has hidden some food, a bottle of Orujo and some papers. She
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INT. CAVE ­ LATER The Doctor readies a stainless steel bone saw. DOCTOR I'll try to do it in as few cuts as I can.
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EXT. RIVER ­ SUNRISE The Doctor, Mercedes and Pedro start down the mountain. PEDRO We'll soon have reinforcements from Jaca. Fifty men or more. Then we'll go head to
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EXT. TRAIN TRACKS IN COUNTRYSIDE ­ DAY Something has blown a large crater into the rural railroad track. Tipped into it is the smoking ruin of a locomotive. Vidal inspects a couple of charred BODIES by the wreckage. ENGINEER
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INT. KITCHEN ­ NIGHT Mercedes takes the hidden knife from her apron and peels vegetables. Rapidly and mechanically. The kitchen is bustling with activity, but her mind is miles away. She picks up a dinner tray.
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INT. ATTIC ­ NIGHT Thunder, lightning, it's raining again. Ofelia is asleep in her bed. A shadow passes over her body­ FAUN Your mother is much better, Your Highness­
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EXT. BODEGA ­ DAY Garcés walks to the bodega. Serrano snuffs out his cigarette. GARCÉS Where is he? Call him out here­
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INT. UPSTAIRS HALLWAY MILL ­ LATE AFTERNOON A stream of servants hustles up and down the stairs with steaming basins and clean towels. Some go in and out of the bedroom. The SOUND of Carmen's screams. Vidal and Ofelia wait impatiently outside the bedroom.
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INT. RIVER BED ­ NIGHT The two women wade the shallow end of the river. Suddenly a noise­ Mercedes pauses, agitated. MERCEDES
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EXT. DEEP FOREST ­ NIGHT Mercedes runs through the trees. Suddenly a rumble makes her turn around: A group of TEN MEN on horses surges into view. She stumbles, losing ground.
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INT. VIDAL'S STUDY ­ NIGHT Ofelia lifts her brother from the cradle. OFELIA We're leaving. Together. Don't be afraid. Nothing is going to happen to you.
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EXT. LABYRINTH ­ NIGHT ­where Pedro and his men are waiting. In their midst: Mercedes. With a loud bang­ gunshots tear into Vidal. Vidal falls to his knees, hoisting his howling son in the air.

Pan's Labyrinth

In the aftermath of the Spanish Civil War, a young girl named Ofelia discovers a fantastical world of mythical creatures and must choose between her own destiny as a princess and protecting her ailing mother and newborn brother from the cruelty of a fascist officer.

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Overview

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AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Claude
 Recommend
Story Facts

Genres: Fantasy, Drama, Historical, War, Horror, Adventure, Action, Thriller

Setting: Late 1940s, Post-Civil War Spain

Themes: The Power of Imagination and Storytelling, The Brutality of War, Sacrifice and Loss, Authority and Power, Identity and Self-discovery

Conflict & Stakes: Ofelia's struggle to navigate the horrors of war and her own personal trauma, while also completing the tasks given to her by the Faun in order to save her family.

Mood: Dark, violent, and oppressive, with moments of beauty and hope

Standout Features:

  • Unique Hook: The film's unique blend of fantasy and horror, which creates a truly immersive and unforgettable experience
  • Plot Twist: The revelation that Ofelia is actually a princess from another world, which adds a whole new layer to the story
  • Distinctive Setting: The film's setting in post-Civil War Spain, which provides a backdrop of violence and despair that adds to the film's overall atmosphere
  • Innovative Ideas: The film's use of magical realism, which allows the fantasy and horror elements to co-exist in a believable way
  • Unique Characters: The film's characters are all complex and well-developed, and their motivations are often ambiguous
  • Genre Blend: The film's unique blend of fantasy, horror, and coming-of-age story elements creates a truly unique and unforgettable experience

Comparable Scripts: Pan's Labyrinth, Alice in Wonderland, The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe, The Secret Garden, Guillermo del Toro's Cabinet of Curiosities

Script Level Analysis

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This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 8.25
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Writer Exec

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